The mysterious band Ghost was the opening act for the night. Their last stop in the area was a sold out show at the Rock & Roll Hotel on January 19th and the lead vocalist, Papa Emeritus, sounded very poor then and couldn’t hit his high notes. This wasn’t a problem at the Fillmore show at all and the band performed very well. Ghost is a very dramatic band on stage with Papa Emeritus making all kinds of poses that, as a photographer, are totally fun to shoot. Ghost’s theatrics also made them well suited to the bigger stage and the excellent lighting rig the Fillmore provides. Ghost really put on a great show and the 30 minute set seemed to fit them well as they played most of Opus Eponymous, their debut album and only release, in that time.

The second band to play that night was Mastodon, who is probably the biggest band from Georgia centralized sludge metal scene. They were co-headlining this tour with Opeth, apparently alternating which band headlined each night and this night we had Opeth playing last. I’ll be honest with you here and admit I’ve never been a huge fan of Mastodon, though on this night it seemed like their set’s focus on their latest album, The Hunter, didn’t go over that great with most of the audience either. They played the 9:30 Club back on November 27th to promote this album already, so you’d think they could have changed up their set list a bit by now. Midway through their set it just seemed like more of the same and you could tell people were waiting to hear the classic songs that made them fall in love with the band. When they finally started playing some of their older material the crowd really got into the show, but by then they were wrapping up their set. Kind of a downer to end that way but at least they weren’t the last band playing that night.

The final band to perform was the Swedish progressive metal band Opeth. Well, they are certainly starting to lean further away from being a true “metal” band though they do still put on a good show. Their set list wasn’t much different from the one they played at Rams Head Live in Baltimore back on November 1st, although this time there was no legendary Bloodbath performance to end the night. They did play a shorter set this time as well, only about an hour and fifteen minutes long, though honestly that was probably a good amount. Opeth’s set list also weighed heavy on their latest album, Heritage, which is a bit controversial among fans because it only has clean vocal singing with no guttural growling. This takes an element away from their songs, and thus the live show, as one of Opeth’s strengths has always been the seamless weaving of the lighter and heavier aspects of progressive metal. In fact, I’d say their manipulation of dynamic contrast is a large part of the band’s overall appeal and one of the things that makes their sound unique. Even so, Opeth writes very good songs and it’s not like they simply suck now, it just seems like something is missing. This was really notable when they played Demon Of The Fall, one of the few older songs they performed, which I thought was their best song of the night. That was the Opeth I wanted to see. Those days seem to be coming to a close and at the end of their set I still just wanted to hear them play Bleak.

In all the show was a lot of fun for me. I thought all the bands were relying too heavily on their latest output (I suppose Ghost can get a pass since they only have one release) especially considering they had all played the area to promote those albums. I’m not saying the bands shouldn’t play new material, but throw your fans a few bones here! At the end of the show I saw a curious thing, the staff at the Fillmore was handing out tickets, for free, to see the Saints & Sinners Tour with Emmure as well as tickets to see Meshuggah, Baroness and Decapitated, both of which will be at the Fillmore later this month. Perhaps they aren’t selling that well, I don’t know, but that was kind of cool. During Opeth’s last song I headed outside to hand out flyers for DCHeavyMetal.com. Several people tried to speak to me but in the flood of people walking by, and with my hands full of flyers, I simply didn’t have time to to talk. I didn’t want to come off as “too cool” or something and usually I love chatting with fans of the site so the next time you see me be sure to say hi. Also, if you like the photos I shot in this review you can see the rest of my photos from this show, including shots of the set lists, on my Flickr page here (some of my photos were also used in a review of the show written by Catherine Lewis for DCist here). Until next time, stay metal everyone and support the scene you’re a part of!

The first band to play was the awfully named M-Pire Of Evil, formerly known as Prime Evil. You may remember that Prime Evil was the name of the legendary first wave black metal band Venom‘s 1989 album and this is no coincidence. Two members of M-Pire Of Evil were in Venom on that album, bass player/vocalist Tony “Demolition Man” Dolan and Venom’s original guitar player, Jeffrey “Mantas” Dunn. The band was touring with a relative unknown behind the drum kit in Marc Jackson but he did fine. M-Pire Of Evil was actually pretty damn good live, their set list (photo of it here) was very heavy on Venom covers from the era that both Mantas and Demolition Man were in the band together, and they only played three songs from their band’s debut album, Hell To The Holy. That’s ok, I think most of the people who had gotten there in time to see them were just hoping to hear classic Venom covers and when they played the only non-Demoltion Man era Venom song of their set, Black Metal, the crowd was singing along with them. Their set was fun, though short, and they ended after playing for only about 45 minutes. I would definitely recommend seeing these guys again, especially if you’re into hearing some old Venom classics played live in much the same way Heaven And Hell played Black Sabbath classics.

The headliner of this tour was Onslaught, a British thrash metal band from the 80s that never really developed a big following in the US. They are most known for their classic 1986 thrash album The Force though after breaking up in 1991 they dropped off of most people’s radars. Well they reunited in 2005 and put out two albums of new material in 2007 and 2011. The only two members left from the old days are vocalist Sy Keeler and guitar player Nige Rockett, though Nige now only plays rhythm guitar despite having done all of the band’s leads before the split. The new material is pretty killer though, their latest album, Sounds Of Violence, fits right alongside bands like Slayer and Kreator and they sounded even better live. Thrash tends to do well in a live setting, playing thrash songs faster usually makes them more exciting and they tend to have tons of what I like to call, mosh friendly riffs. Sadly there couldn’t have been much more than 50 people at this show by the time Onslaught was playing though there were a few people trying to start up pits from time to time throughout their set. Maybe he was worn out from the tour but Sy Keeler didn’t really impress me much as a front man. He missed a lot of his high notes and sometimes would just walk off to the side of the stage to relax a little. That’s fine between songs but come on man, get people pumped even when you’re not singing! The bass player and drummer, Jeff Williams and Michael Hourihan, both were very charismatic up there however, and even Nige threw the horns a few times. Lead guitarist Andy Rosser-Davies looked like he was ready for the tour to be over and really wanted a nap, haha. Still, the material was very solid, a good mix of older classics and newer songs that made for a fun performance. The show ended right on time, just before 10pm, and Sy Keeler said they would have a new album out next year and would be back to tour in support of it. You can check out the video at the end of this post to see/hear the band’s final three songs that night. There was no encore performance.

It was cool to see a metal show at a new venue like this, it seemed like something Empire/Jaxx would have gotten normally but I enjoyed seeing some old school metal bands playing in the city. It would have been nice if they booked a local opener or two since it was just a two band bill, it probably would have helped with the turn out as well. Regardless it was a fun show, especially for a holiday night. If it had been up to me M-Pire Of Evil would have headlined as I enjoyed their show more than Onslaught’s, though they were both worth coming out for. Hopefully the U Street Music Hall will get some more metal shows, they have a great sound system there and the 400 capacity venue certainly was as nice as other area venues of comparable size (think Empire/Jaxx and the Rock & Roll Hotel). And while the bar selection wasn’t bad, be sure to eat ahead of time as all they had on the menu (photo here) to eat was various styles of hot dogs. Well, that’s it for this concert review, now I’ve got to get to work on the upcoming concerts calendar and be sure to come back and check out the new ticket contest that will be running all next week. Stay metal everyone and remember, support the scene you’re a part of!

This Sunday, April 1st (no joke!) a local black metal band, Fuchida, will be performing live for the first time at the Black Cat of all places. The venue is mostly known for appealing to the indie rock and alternative scene and I’m hoping there is a good turn out for this show so maybe they’ll consider hosting more extreme metal bands. You might be thinking that there are already places for local metal bands to play live in this area but how many of them aren’t pay-to-play? This is a local metal act headlining a show at an area venue that doesn’t make them sell tickets or sign a contract that involves them giving the venue money. We should be supporting that, even if we don’t know what the band sounds like yet.

The following Sunday, April 8th, there is another venue in Washington DC that will be hosting a metal show that doesn’t usually have them. The U Street Music Hall is normally home to dance and techno music (sort of filling the void left when Nation closed). They’re hosting their first metal show on this Sunday night, the old school UK thrashers Onslaught and a band you may not recognize by name, Mpire Of Evil, that features two ex-members of the legendary Venom. Not only that but they even play some Venom songs in their set list (details of their first show on this US tour here). The venue is said to have a great sound system (you just know those electronica DJ guys are good at setting up speakers) and it isn’t very often you get to see 80s thrash metal in a club with a great sound system set up. And really, when are you going to get to hear live Venom classics sound better than this? One of the venue’s owners even posted to Twitter (here) that he’d like to see more metal shows at the U Street Music Hall so I hope a good amount of you come out to show it is worth it! To make this all even sweeter, DCHeavyMetal.com will be giving away a pair of tickets to this show next week, so keep an eye out for that.

Another thing I’d like to mention is that this month, March 2012, has been DCHeavyMetal.com’s best month ever in regards to total hits. You people who read this site, even if it’s just for the calendar, who spread the word to your friends, passed along the link of Facebook and Twitter, or even just stumbled upon it with Google, have made it worth all the work and time it takes me to run it. I don’t really make any money doing this (I do sell a few shirts here and there) and I refuse to put any paid ads on the site so if you’d like to donate a few bucks to the site you can send money via Paypal to the email address: DCHeavyMetal@Gmail.com Any donation is appreciated of course and will be put towards either making the site better or paying my way to get into more metal shows. Now, on to the photos…

I saw Jucifer back on Friday the 20th of January 2012 at the Black Cat and as always they put on a great show. This husband and wife duo truely live the lifestyle as they tour the country in their RV bringing their brand of sludge metal from city to city 12 months a year. And if you couldn’t tell from the mountain of speakers in this photo, they take the wall of sound thing quite literally. Be sure to see them next time they come through the area and bring ear plugs!

The next night, Saturday the 21st of January was a big night for Northern Virginia’s metal scene. One of the area’s biggest bands, King Giant, was having their CD release show for their sophomore album, Dismal Hollow. On top of that, this was the grand re-opening show for Empire, the new name of the venue formerly known as Jaxx. Not my best night of shooting photos but I mean, with a line up of Auroboros, The Crimson Electric, Borracho and King Giant, it would have just been wrong for me to not be drinking beer and whiskey all night. I shot a couple videos that night including the one below of King Giant playing Pistols And Penance off of the album. I also added a photo below showing some of the interior changes they have made at the venue if you haven’t seen them yet.

Tuesday the 7th of February found me at the Black Cat again, this time to see southern sludge metal band Hail!Hornet play on the back stage. There was a showing of the film Slow Southern Steel at the beginning of the show, a movie about heavy metal in the American south, but I missed that. The Atlanta, Georgia based psychedelic sludge band Zoroaster played after they did with a really trippy light show, and finally Hail!Hornet took the stage and killed it. They’re a band featuring members of Buzzov•en, Alabama Thunderpussy and Sourvein so you knew they were going to bring some great filthy sludge metal and they didn’t disappoint.

Now I’ve got to skip a few bands because I simply haven’t gotten to sorting all of their photos yet. The above image is of Dorthea Cottrell of the Richmond based doom band Windhand when they played at St. Stephen’s Church in Columbia Heights on Saturday, March 3rd. I won’t write much about that show here because I did a review of it covering all four bands who played it here.

On Tuesday March 13th I found myself at the 9:30 Club to see California thrash act Warbringer and Floridian power metal band Iced Earth. I had been given a photo pass for that show, though for some reason it was only valid for Warbringer’s set. To add to my frustration I was feeling sick and while it was cool too see Warbringer play on a bigger stage, I just wasn’t up for Iced Earth by the time they played. When Iced Earth’s new singer, Stu Block of Into Eternity fame, started making juvenile sexist comments about giving the shocker to the women in the audience I decided I’d had enough and took my infected self home.

I’m skipping over talking about an excellent Dysrhythmia show I saw in Baltimore here but I wanted to mention last night’s Alcest show at DC9. They put on a excellent performance of a set list made up of mostly their new album’s material. It did go on a bit long I thought, but it was still a pretty great experience. The lighting was pretty dim though making it hard to take photos, and the fog machine was jacked up the entire show making it even harder to get any great shots. Because of this I decided to make some animated gif images from some of my series of shots. I did see Alcest open for Enslaved in September last year so you can see some higher quality images of the band I shot by clicking the gif if you’d like.

Well, that’s all for now, thanks for reading DCHeavyMetal.com and if you’d like more updates on things like when local bands are making announcements or area venues and media have things to say about metal be sure to check out DCHM on Facebook and Twitter (your choice, I post most things to both). Keep it metal everyone and remember, support the scene you’re a part of!

Satan’s Satyrs was the first band up. The crowd was pretty sparse during their set but people were still coming in. The trio were decked out in bell bottoms and played a throwback style of stoner/sludge metal though it had quite a bit of energy as well. The problems with the PA system were a recurring issue throughout the evening and their set was no different. They were loud in the large square rec room space though the faster parts of their songs sounded pretty muddy. This wasn’t the band’s fault, the sound just wasn’t great that night. However it wasn’t bad enough to ruin the music overall and their performance was still entertaining, especially for a last minute add on.

The next band to play was Pilgrim, a three piece doom band from Rhode Island. I was unfamiliar with them but they were pretty good live. They were very heavy and most of their songs were slow paced. They weren’t very flashy but they played some quality tunes, often times just slowly grinding along. They finished their set with a faster paced song that was pretty cool as well. Apparently this was their first tour and this was a good showing.

The next band to hit the stage was Natur, a sort of thrashy metal band from New York City. They had a lot of energy on stage and I was really blown away by how well the executed live. Lots of catchy memorable riffs and wailing guitar solos with some solid song structures that tied it all together. I couldn’t hear the vocals for most of their performance from where I was standing. However things seemed to get sorted out a little bit by the end of their set and honestly they were so fun live the poor sound quality didn’t come close to ruining it for me. I was very impressed by these guys to say the least.

Next on stage was Windhand, one of my favorite underground bands from Richmond. They are a really heavy doom band with a woman on vocals but this is no girl power gimmicky band. I’ve seen them perform a few times before but this was certainly the biggest of those shows as far as attendance is concerned. The whole of Windhand were in great form for this show. Their sludgy doom even brought a few onlookers from the square dance event going on in another section of the church. My only complaint was that the set seemed too short, and judging by all of the applause I’m sure I wasn’t the only one wishing they had played longer.

Locals Ilsa played last. They’re one of the leading bands in Washington DC’s underground metal scene and they were spotlighted in an article in the City Paper last week (here). They play a very crusty style of death/doom metal that isn’t particularly technical but is incredibly crushing. Their sound is dirty and full of great riffs and they got the biggest mosh pits of the night during their set. Ilsa plays pretty regularly around the area and they seem to always put on a good live show. This time they mixed up the playlist a bit and I think this is the first time I’ve ever seen Ilsa where they didn’t play their song Frostthrower. It’s usually a staple and often their closer. I’m glad they aren’t happy just staying put with what they have already done so well and they’re willing to keep moving forward and keep things fresh. The vocals were basically inaudible from where I was standing in the front but the songs are still pretty awesome on their own anyways.

In all this was a great show with a lot of quality bands. It sucks that you can’t drink or order food there, but it also makes it so that some of the younger fans who can’t get into the 21+ shows can get out and see killer line ups like this when they happen. The sound left a lot to be desired but really, I’ve heard worse at plenty of local “professional” venues as well. The lack of any real back stage means the members of the bands are out in the audience (or behind the merch table) most of the night which means anyone can go up and talk to them, which I think is pretty cool not only for the fans but also to help build up a band’s fan base on a more personal level. This wasn’t the first show I’ve been to at St. Stephen’s and if you hear of a good show coming there you shouldn’t hesitate to go, just be sure you eat before you get there. Thanks for reading all of this, and while the winter has been a bit slow around here I hope to have more concert reviews up this spring and summer. Also, be sure to check out (here) the newest contest running on DCHM right now where you can win quality seated tickets to Rammstein in Baltimore AND Iron Maiden/Alice Cooper in Northern Virginia and tomorrow I will be posting a new ticket contest as well. I do love giving away stuff to the readers of this site. Stay metal everyone and remember, support the scene you’re a part of!

Saturday the 14th saw me heading up to Baltimore for the first big metal show of the year in this area, In Flames playing at Rams Head Live! In Flames is probably the most famous of the Gothenburg, Sweden based melodic death metal bands from the 90s (other acts include At The Gates and Dark Tranquillity, among others). In Flames is also sort of like Metallica in that their first few albums grabbed them a devoted fan base that was then completely turned off to the band when they changed their sound and found commercial success. Their 2002 release Reroute To Remain is akin to Metallica’s self-titled album (or the “black album” as most people call it) in that it greatly expanded their fan base but completely alienated most older fans with the simplified songs and flashy production. The band has been very successful though, and the reason they are playing Rams Head Live instead of smaller venues like Sonar or Empire (formerly Jaxx) is due to that change in sound. In 2010 the band’s founder, Jesper Strömblad, left In Flames which now has no original members. This didn’t deter them as the summer of 2011 saw them release their first album without Jesper, Sounds Of A Playground Fading, the album which this tour was promoting.

The audience at the show was a bit rowdy; they are the kind of band that draws metal heads as well as non-metal heads to see them. This often means that some people in attendance see the show as “the rare concert I go to that I can get crazy at cause it’s a metal show” which is cool to a certain extent but I wasn’t loving that as In Flames started their first song, Sounds Of A Playground Fading, and I was hit in the back of the head with a drink someone had thrown from the balcony. Got my camera wet and if I wasn’t so focused on getting some decent shots of the band I’d have been much more pissed about that. I saw drinks being thrown throughout the show, so it wasn’t just me either. Anyways, their set list was heavy on material from the new album, the first three songs were the first three tracks off of it. People who are fans of only their pre-Reroute To Remain material didn’t miss much, the only songs they played from before that were Swim from Clayman and The Hive from Whoracle (I shot video of them playing both of these songs, as well as The Quiet Place, that you can watch at the end of this post). I’ve also posted a photo of the entire set list here. The sound mix at the venue wasn’t great. The volume was very low for a metal show and the bass seemed to drown out a lot. It’s like the guy mixing it thought all metal bands want to sound like Korn or something, haha. Seriously though, the guitars, and particularly the keyboards, were hard to pick out of the mix at times because the bass drown them out. The stage lighting was really awesome though! The band was heavily backlit with lots of big lights and enshrouded in a lot of fog which had a cool looking effect. The band’s performance was alright. Nothing too wild or phenomenal really but not bad. Vocalist Anders Fridén made sure to high five and fist bump most of the crowd surfers though he does this thing where he bends over and screams into the mic like ten times per song. It was fine at first but after a while you’re sort of thinking, c’mon man get another move or two. Between two songs he made a comment about how it is hard making money on music sales now and he was glad so many people came out to the show to support the band. The band did well and seemed to enjoy performing, and the new guitarist, Niclas Engelin, especially had a lot of energy up there almost like he was trying to be sure he won fans over to his replacement of Jesper. I sure think he did! They ended their set with Take This Life and they did not play an encore. Overall it was a decent show, for fans of the modern In Flames at least. Old school fans who are bitter would not have liked much about the show but that isn’t really a surprise. You got what you thought you were getting at this show, there were no big surprises, and that seemed to be good enough for most people in attendance.

Two nights later I found myself at DC9 to see the Swedish rock band Graveyard play. Between songs they said the show was sold out though I’m not sure if that’s true or not. It was pretty crowded so it might have been. The opening act was supposed to be Daniel Davies, the son of Dave Davies who is famous for being in the Kinks, but he canceled at the last minute and was replaced by a band called Black Cowgirl. I didn’t get to the show in time to see them though, but I did catch some of the set by the other support band, Radio Moscow. They were a bluesy rock band with some interesting guitar work. Just a few days prior a video went around on the internet (here) of the guitar player and vocalist, Parker Griggs, throwing his guitar into the drum kit in the middle of a song. The drummer got up and threw the guitar right back at Parker and it hit him in the face so hard he needed stitches. This was on the same tour that was in DC this night, and while both the drummer and bass player had been quickly replaced, you could still easily see the cut on Parker’s forehead. Their set wasn’t bad, a good opening act really. There was a delay at one point in their set when one of the amps blew. It took several minutes to find another one and get it up on the stage. They played some more afterwards though and while I enjoyed them I was ready for the headliner.

Graveyard, also from Gothenburg but not related to the melodic death metal scene there, is a throwback hard rock/metal band that sounds right out of the 70s, however they’re a newer band and have only put out two albums. In the spring of 2011 their sophomore album, Hisingen Blues, was released to much critical acclaim in the underground music press. Honestly it took me a few listens to really get into it, but it grew on me and I was excited that they were finally coming to the States to support the album. I’m glad I gave the album an extra chance because seeing these songs played live was simply awesome! The band was really on point this night and put on a great show. If you were there that night you didn’t just see a good band play some good songs, you got a rare chance to see a good band really coming into their own as they hit their stride. They stepped up to the plate and really hit it out of the park, even with Joakim Nilsson having problems with the strings on his guitars. He swapped them out quickly and didn’t take much away from the set by doing so. Since the band only has two albums they played most of both of them. As most tight bands do, they played their songs with quicker tempos even faster live really tearing through songs like Buying Truth and RSS. That’s not to say their slower songs didn’t stand out as well. Their performance on Uncomfortably Numb, a personal favorite of mine, was executed perfectly coming across with a lot of power for such a personal song in a room of so many people. Satan’s Finest also sounded great and got quite a reaction from the audience. Graveyard stopped at the end of their set but the crowd didn’t budge so they played a three song encore, finally ending their 80 minute set with the song Hisingen Blues. I’m sure there will be more good things coming from these guys and I’m betting they will be playing a larger venue next time they play the area. They’d be great on a tour with someone like The Sword. This was simply a great show and one of the best I’ve been to lately. It was a hell of a way to spend a Monday night!

Three days after Graveyard played it was time to head to the Rock & Roll Hotel to see Ghost, from Linköping, Sweden, play there on Thursday the 19th of January 2012. This show was definitely sold out as they had a big sign on the door saying so. The band was not allowing any cameras to be used, not even on phones, which, as a photographer, I find to be really annoying. There was a bit of a snafu with the label getting me my photo pass and while some of the venue’s staff knew I was OK’d to shoot there some of them didn’t and they told me part way thru to stop shooting, even though they let me in with my big camera. Whatever, miscommunication happens sometimes and I did still get a shot that I liked. I arrived in the middle of the set by one of the openers, Blood Ceremony. They’re a female fronted doom band from Toronto that some people were really getting into at the show. Vocalist Alia O’Brien busted out a flute during some songs and really it just wasn’t my thing, though I was never a Jethro Tull fan and they were definitely a big influence on Blood Ceremony. Ghost hit the stage around 10:30pm, which seemed a bit early to me for a show in DC. The band of course came out in full costumes including masks hiding their faces. Their main gimmick is that nobody really knows who is in the band Ghost as they always hide their identities and mask their voices in interviews. The lead vocalist, who goes by Papa Emeritus, comes out on stage wearing a mask with skull face paint and an elaborate evil cardinal costume. It’s all a bit over the top but whatever, they have some catchy tunes that are a bit of a throwback to old psychedelic bands and definitely Mercyful Fate as well. However even on the record Papa’s vocals are not nearly as high pitched as King Diamond. This night was no exception either, Papa was not hitting his high notes, he wasn’t even trying to. Instead he’d just replace them with a similar, but lower pitch, note which leads me to believe he was either sick or his voice wasn’t doing so well singing every night on tour. I had seen Ghost perform at Maryland Deathfest back in May and he was hitting his notes then, so I know he can do it. I guess this just wasn’t his night. The sound mix at the venue didn’t help much either, the keyboards were non-existent in the mix throughout most of the set and the vocals needed to be turned up several times as well. I could see one of the roadies giving signals to the guy at the sound board (I was standing in the part of the crowd directly between them) and they were having a lot of communication problems as well. At one point you jarringly heard the keyboards get pushed up to the mix way too high, it was almost like they didn’t sound check before the show and were just trying to figure it out as the show went on. Ghost stuck it out and instead of throwing a tantrum on stage they kept playing. They only have one album out so they don’t have a lot of material. They did perform their haunting rendition of Here Comes The Sun by the Beatles, a Japanese bonus track that they did not play at Deathfest. Towards the end of their set the sound did get better. Their closing song, Ritual, sounded pretty good actually, aside from Papa’s weak vocals. Luckily Ghost is the kind of band people love to sing along with and it helped cover some of the faults with his voice. Also, during the same song they brought out communion wafers and I guess wine or something and maybe five or so people in the front row ate them from Papa Emeritus’ hands. That was pretty corny and not as awesome as when Lord Worm would feed people live worms from the stage during Cryptopsy shows. Anyways, I was hoping Ghost might play some new material as I have heard the band has been working on a second album before they started this short 13 date tour. They didn’t play anything new and the set only lasted about 45 minutes, intros and all. That was rather short for a headlining band and left me feeling like it was a bit of a cash grab but what can ya do, they ran out of songs. The venue kept the lights down for a minute or two then suddenly turned them back on with house music over the speakers to end the night in a rather anticlimactic way. This show could have been a lot better, and the no photo policy forcing the venue’s bouncers to constantly be pushing through the sold out crowd, jarring your attention to let them pass every time you started to actually get lost in the show, didn’t help at all. They will be opening on a tour with Opeth and Mastodon in May that will hopefully come through this area and I really hope they put on the kind of performance I know they are capable of then. The metal fans in DC deserve it!

Well, that’s the three Swedish concerts I saw last week. Graveyard was certainly my favorite performance of the three Swedish bands but I’m glad I got to see all three of them play. Thanks for reading another long concert review post. As always you can see more of my concert photography on my Flickr page here or you can jump to the set of In Flames pics here or Graveyard pics here. Now check out the three videos of In Flames that I posted below. I didn’t shoot video at the other shows because the lighting was too poor, well that and Ghost had that crazy photo policy so I wasn’t going to push it. Stay metal DC and go out to a heavy concert!

On Saturday the 12th of November 2011 I headed out to the Velvet Lounge on U Street in the District. Warchild was headlining a show and I had heard they were good live, though I hadn’t gotten a chance to see them yet. I got there right when their set was starting and the upstairs of the Velvet Lounge was absolutely packed! I’ve never seen it that full before and it’s cool so many people came out to see a local metal band play there. Warchild is a thrash metal act who likes to party hard. Everyone in the band was shirtless and sporting lots of tattoos. The vocalist, also from the 80s throwback rock band Rattler, told everyone in attendance to not hold back and stage dive and crowd surf as much as they wanted. The audience complied and people were even hanging from the fan in the middle of the room, just going nuts. They brought some people on stage to pound beers in a beer bong and even had two guys race to see who could smash the a can of beer open on their head and then drink it the fastest. And you thought Municipal Waste was a party thrash band, this show was crazy. They played a solid thrash set and ended it with a kick ass cover, with plenty of crowd participation, of Metallica‘s old school classic The Four Horsemen. Such a great show, I can’t wait to see them live again. Highly recommended!

The following Thursday, the 18th of November, I went to the Black Cat in Washington DC to see Fu Manchu play. The opening act was the Austin, Texas based three piece Honky. Somewhere between hellbilly and stoner, they were a pretty solid opener. Their bass player is JD Pinkus who is better known for having played in the Butthole Surfers. They had some hilarious song titles and subjects, which you’d expect more from a humorous grind band. My favorite was their song about masturbating at work called Gittin’ It. They were fun and obviously didn’t take themselves too seriously and they made for a good opener for Fu Manchu. On the final song of Honky’s set Fu Manchu guitar player Bob Balch came out to play a tune with the band. Fu Manchu is one of the main influences in stoner rock and metal, and most of their songs deal with modes of transportation like souped up cars and skateboarding. They had played the upstairs main stage at the Black Cat in September of 2010 but this concert was in the smaller back stage downstairs. The place was pretty crowded when Fu Manchu hit the stage, but the crowd wasn’t too rowdy. They started the set off with a few of their 90s classics before launching into this tour’s main draw, performing their entire 1996 album In Search Of… straight through. They walked off stage for the encore thing and came back to play a couple more songs, finally ending the set with King Of The Road which was still stuck in my head as I drove home. King of the road says you move too slow!

On Tuesday the 29th of November I found myself at the Cellar Door in Annandale, Virginia to see the Chapel Hill, North Carolina based band Black Skies play. There were four bands playing that night but I only caught two of them. The first band that I saw was Admiral Browning, a Frederick, Maryland band that was formerly an instrumental band with four members. To my surprise, at this show they had vocals and only three members. A bit of a change, and although I have a fondness for instrumental metal bands, the vocals fit in to place with the rest of the music. They were entertaining but the main reason I came to this show was to see Black Skies again. I saw them play back in September and they blew me away. This show was no less exciting. Even in the tight basement of the Cellar Door they just burst with energy. They’re the only band I’ve seen someone play a guitar solo with their teeth in a basement, and I’ve seen them do it twice now! I ended up buying a poster and it came with a free download of their debut album, On The Wings Of Time. This is a band worth checking out and I can’t wait to see them play in the area again.

Skip ahead to Sunday the 11th of December and I was at Jaxx to see the notorious Norwegian black metal band Mayhem again. I had seen them on the first show of their tour in Baltimore on November 2nd, but now they were back in the area playing the final show of their tour. The set list was the same as the first show, however vocalist Attila Csihar had a different costume on (he is known for having a wide range of stage costumes). This time he did not have any fake blood, and he held a skull in his left hand for the entire set. The audience seemed much more dead than the crazy pits that happened in Baltimore a month before, and the band didn’t seem to get into the show as much either. Being the final show of the tour they were probably a bit worn out. The audio mix at Jaxx wasn’t as good either. Overall I wouldn’t say the show was bad, it just wasn’t great, and the Baltimore show definitely felt more like a real Mayhem show. The fog machine was on thick all night though, and camera conditions weren’t optimal, however I still got a few decent shots and Mayhem even posted one of my photos from this show on their Facebook wall.

The following Thursday, the 15th of December, I found myself at the Black Cat once again, this time to see the killer line up of The Body, Zoroaster and Black Cobra. The first band to play was The Body, a two man doom band from Rhode Island (though I hear they are relocating). They set their gear up in the middle of the flood of the Black Cat’s back stage area and just played there on the ground, with the audience around them. They were very loud, a theme that would recur throughout the night. After they played Zoroaster took the stage. They’re a psychedelic sludge metal band from Atlanta, Georgia. They have a really trippy vibe while being heavy as well. They had a bunch of lasers shooting around not just the stage but the entire room and it looked pretty cool. Midway through my favorite song of theirs, Odyssey, the power abruptly cut out and the lights came back on for a few minutes before the band finished their set. Then came the headliner, Los Angeles, California based Black Cobra. They’re a sludge metal duo and their latest album, Invernal, is heavy as all hell. They ended up playing every song off of it, though not in order, as well as some of their older songs mixed in. A truly crushing set, it’s amazing how much heavy just two people can make. Take note all you folk bands with like a dozen members, these three bands on this tour had just seven total members between them, and they kicked major ass. Sometimes less really is more.

The next night, Friday the 16th of December, I went to the Velvet Lounge to catch a show I spent a good deal of effort promoting here on DCHM. Borracho was headlining an album release show, the official launch of their LP Splitting Sky. However, there were other bands who played before them. First was a band from Glen Echo, Maryland called Rezin. The guys seemed nice and all but I have to say they weren’t very good. Most of the crowd who had assembled had left by the time their set was over, and honestly I can’t really blame them. The band was very monotonous and they just didn’t do it for me, or apparently that many other in attendance. They didn’t seem to fit with the two other acts on this bill either. However, the next band to play, Kingsnake from Philadelphia, Pennsylvania, was simply outstanding on stage. They played a style of stoner that was almost southern, though rather dark as well. They had fine tuned their songs and obviously put a lot of effort into practicing them as well. It was a great performance by a band I didn’t really know anything about going in. After they played I got up on stage and swore at the audience about giving out free shit, and then Borracho started their set. The guys were on point this night, really putting on a great show. I’ve seen them a few times this year and this was definitely my favorite of their performances. Before I’d always seen them open for someone so it was great getting to see them play a full length set live for once. Also, it was a good turn out for the second metal show in a row at the Velvet Lounge, which is awesome. Hopefully they’ll continue to let us metal heads take over their spot on U Street more often on the weekends.

On Saturday the 17th of December I went to my third metal show in as many days, this time to see locals Ilsa and Midnight Eye play with two Harrisonburg, Virginia bands, Earthling and Orthrus. They were playing at a small Ethiopian bar, named Asefu’s, that is just a few doors down from DC9 and the U Street corridor. I got there as Midnight Eye was setting up though I really only saw their first song. However, it was a brand new song and it was pretty sweet! I went a few doors down to eat dinner (I was starving) and came back while Orthrus was playing. The thin venue was packed and so I watched the show from the doorway and didn’t take any pictures (the band wasn’t facing my direction anyways). Regardless, they were pretty awesome. They play a sort of catchy black/thrash with death metal style deep vocals. Next up was Earthling, a band I had seen before at the now defunct Corpse Fortress back in March. They were just as fun to see live and I had forgotten how catchy I their tunes are. The final band of the night was DC’s own masters of doom/death metal, Ilsa. They have a dirty and crushing sound, very raw and primal and yet still very listenable. Some of their songs slow almost to a halt but the intensity never wanes. Ilsa is always fun to see live and this show was no different. However, at the end of their set they also played a new song for the first time, titled Man Made Monsters. Lucky for you who missed it, I’ve posted video of both Midnight Eye’s new song and Ilsa’s new song below. You might not be able to see much but you can at least hear them well enough.

Well that wraps up another mega sized concert recap. I have a couple more shows to see before the year is done. You might be wondering why I didn’t cover the Mastodon show at the 9:30 Club in late November, and that’s because I’m not a Mastodon fan. I wanted to see Obscura and Abysmal Dawn play on December 7th but the weather was horrible that night and I didn’t want to drive to Baltimore in it as I knew traffic would be bad (Kyuss played the same night in Balti as well). Also, my camera’s lens was damaged during this time period and I had to wait a few weeks for it to be fixed (wasn’t cheap either!). And no, it wasn’t damaged at a show. Next week I plan on posting a big recap of 2011, from the local scene to the biggest metal stories of the year and it will include a preview of 2012 as well. Until then be sure to check the upcoming metal concert calendar and remember, support the scene you’re a part of!

On Friday, October 14th, 2011, I drove up to see Wabringer and Landmine Marathon at Sonar in Baltimore. This was Warbringer’s first headlining tour and while they are one of my favorite bands of the modern wave of thrash metal, I really wanted to see Landmine Marathon play. I’d never seen them before but had heard they were good live. Their vocalist, Grace Perry, was on the cover of the always controversial Hottest Chicks In Metal issue of Revolver magazine in 2009, but I didn’t care about any of that. She was absolutely ferocious on stage, really a sight to behold regardless of her gender or hotness or whatever. At one point she told the audience they better start moshing harder or she’d jump off the stage and kick everyone’s asses, and you believed it when she said it. Warbringer was fun live as usual, they played Living In A Whirlwind so I was happy. This was also the first time I’d seen them play anything from their newest album, Worlds Torn Asunder. Vocalist John Kevill did a stage dive into the audience at the end of the show. Lazarus A.D. played between those two bands but I don’t really care for them so I took that time to drink a couple Lancaster Milk Stouts in the other room. They’re delicious and Sonar has em in bottles at the bar, highly recommended when you’re thirsty at Sonar!

The next night, Saturday the 15th of October 2011, I found myself back at Sonar to see a black metal band from Singapore, Impiety. However, as a late addition to the bill I got to see a band I’ve been wanting to see for years, Ohio’s black/speed metal act Midnight. They came out in the executioner’s hoods that they’re known for and just shredded the place. They’re a fierce three piece and their sound reminds me of something of a cross between Motörhead and Darkthrone. After their awesome set Impiety hit the stage drenched in pig blood, and man did it stink like something awful. The pit was fierce for their entire set and the band never let up either. It was really a great show I’m glad I didn’t miss it. Considering where they’re from, who knows if you’ll ever be able to see them play around here again.

On Monday the 17th of October 2011 I found myself at Jaxx in Springfield, Virginia to check out local power metal band A Sound Of Thunder play support for the Swedish power metal band Sabaton for the final show of their tour. The audience was thin this evening, Dream Theater was playing at the Warner Theatre the same night and I’m sure that had an effect on the turn out. However A Sound Of Thunder put on a solid set and kept the audience’s attention. They were a good warm up act for Sabaton. I’d never seen Sabaton before, and honestly I’m not that familiar with their music, but I’ll tell you they were entertaining as hell to watch live. You could just tell that the band was having a lot of fun playing for the audience and even though the turn out wasn’t huge the people who were there really gave a lot of energy back to the band. They played a prank on their new temporary bass player when the rest of the band started playing a song they hadn’t taught him to play. It was a really fun experience from a band I didn’t really know what to expect from.

Skip ahead to Friday the 21st of October and I was at a kick ass Deceased show at Comet Ping Pong in Washington, DC. The opening acts were two I really enjoy, DC’s own stoner band Borracho and Richmond’s doomy/sludge band Windhand. Borracho went on first and they didn’t start until after 10pm. They put on a good show and the audience that came to see Deceased, different than the normal stoner band crowd, seemed to be into it. Next up came Windhand. This band is HEAVY and this set was no different than usual. Finally Deceased hit the stage well after midnight. Deceased has a lot of ties to the DC area, originally based out of Northern Virginia they are the kind of band that draws people out of the woodwork when they play in the area. It was good to see such a big crowd for them. They didn’t have a bass player, which made their sound a bit tinny and took some getting used to. King Fowley used to play drums but now was just doing the lead vocals, and he was having a lot of fun with the audience and even came out into the crowd a couple times. I got home really late that night, but it was worth it!

Sunday the 23rd of October, 2011, I went on a road trip up to Philadelphia to catch a band I’d been wanting to see for several years, Kvelertak, play at Johnny Brenda’s. When I got there the Georgian psychedelic sludge metal group Zoroaster was playing and I saw them do a couple songs. Skeletonwitch, a thrash band from Ohio, was after them and they put on an energetic show, they’re definitely a better live band than when I saw them in April 2010. Not that they were bad then, but they’ve definitely got their live show down better now and I wouldn’t be surprised to see them doing a headlining tour sometime soon. Finally Kvelertak, the Norwegian punk/metal band I drove all that way to see, was up and they put on a hell of a wild show. There was a lot of stage diving and beer drinking and the show just had a crazy amount of energy going on. It was definitely worth the 6 and a half hours of driving there and back that night, so much fun! Hopefully they won’t skip the DC area on their next tour. Also, I met two other people, who didn’t know each other, who had both come up from the DC area for this show. That was kind of cool.

On Thursday the 27th of October I went to see a Sepultura cover band made up of members of various local bands, namely Disciples Of Christ (D.O.C.), Drugs Of Faith, Magrudergrind and Mind As Prison. This was at a small Ethiopian restaurant and bar called Asefu’s just a couple doors down from DC9 in Washington DC. Local guitar shredders Midnight Eye opened the set up and they were awesome as usual. They played a cover of Megadeth‘s classic Rust In Peace that was pretty slick as well. Local band Auroboros was next to play. They’re a great live band, with ex-members of Baroness and Salome in the group you know it’s just a matter of time until they really take off. During their set the drummer got caught in the fake spider webbing while playing, he even lost a stick to it, haha! The Sepultura all stars played next and while their set was mired with some technical difficulties at first, it was a lot of fun. I was a huge Sepultura fan in high school so it was cool hearing them play some of those old classics. They only played about four or five songs though, I wished it had lasted another hour! The final band of the night was Inter Arma from Richmond. Sadly a lot of people left after the cover band played but they played a powerful set regardless, I’m glad I stuck around to watch them.

I had another stop at Jaxx on Sunday the 30th of October 2011 to see Decapitated play. There were a lot of other bands playing this night, however I only saw the final three bands. Italy’s Fleshgod Apocalypse came out in their tuxedos and really got the mosh pit going, including a few guys in drag for Halloween that were in there. Next up was the California based tech death band Decrepit Birth. I really like this band a lot. They remind me of the band Death a lot, but with a more modern sound. Their vocalist, Bill Robinson, is a bit of a head trip but he really got the audience into the show. At one point he held up a copy of their latest CD and told the audience anyone could have it if they took it from him. This caused a wave of people to climb over the railing onto the stage and Bill kept pushing them back to stage dive onto the audience. Then came the headliners, the Polish death metal band Decapitated. This band had a tragic bus accident on October 29th 2007 while on tour. Their drummer was killed in the wreck and the vocalist was critically injured. Decapitated broke up for a little while, though guitarist Vogg decided to get them back together, with all other members of the band being new, and put out a new album back in July titled Carnival Is Forever. However, this band just isn’t the same, it was almost sad seeing them play. Spheres Of Madness, their closing song and most famous, just wasn’t the same, it was almost like seeing a cover band play it. Combined with their short set, they only played for about 45-50 minutes, they were a let down. I’m glad I got to see them a few times before their accident. Also of note, this was their final show of the tour and on the return flight their airplane had to make an emergency landing with no landing gear. The story with video of the landing is posted here. The band is fine but damn, maybe they should start walking when touring.

On Tuesday the 1st of November, 2011 I went up to Baltimore to see Opeth play at Rams Head Live. Their set was a rather laid back performance, even by Opeth’s standards. Their new album, Heritage, has no harsh vocals on it, and this tour was certainly to promote that album. The show was fun, and being that it was the last show of the tour the guys were kind of goofing off a bit. They let the audience in a short singalong to the chorus of Harvest at one point, and had a few pranks going on stage throughout the night. However the highlight of the evening was the encore. Members of the opening act that I didn’t get there in time to see, Katatonia, joined Mike Åkerfeldt and Martin Axenrot of Opeth to reform the Swedish death metal super group Bloodbath! They played two songs, Soul Evisceration and Eaten, in a very rare public performance by Bloodbath. Mike hinted that they might be back together for real, though he didn’t say if that meant a new album, tour or if it was even definite. Their short and brutal encore set was quite a contrast to the Opeth show that had gone on just before it. This was the only concert of the tour that Bloodbath made an appearance at, and I felt very lucky to be in attendance. Definitely one of my concert highlights of the year! You can see video footage of Bloodbath’s performance (not shot by me) posted here.

The next night, Wenesday the 2nd of November, found me in Baltimore again for the first show of tour by the infamous Norwegian black metal band Mayhem. When I got there the show was running a bit behind schedule though and I saw the end of Abigail Williams‘ set. Then the polish blackened death metal band Hate performed. They were pretty good if not overly original, sort of like a Behemoth junior. I have to say their guitarist had some of the worst corpse paint I’ve ever seen though. Then the Norwegian melodic black metal band Keep Of Kalessin played. I watched a couple of their songs but soon found myself in the next room drinking Lancaster Milk Stouts again. Keep has gone down hill in my book over the years, now they seem to be a sort of singalongy kind of band and they’ve lost the bite I enjoyed of their older material. Finally Mayhem was up next, their first area appearance since they played at Maryland Deathfest in 2009. Vocalist Attila Csihar came out looking like some sort of satanic vampire and it was awesome! He’s known for his wild stage costumes but this was just over the top. The band played a kick ass set heavily loaded with material from their classic albums De Mysteriis Dom Sathanas and Deathcrush and it got the place going crazy. There were tons of fights, even a woman got thrown out of the show for being to crazy in the pit, it was intense! I got some bruises but it was worth it to get some awesome shots of one of metal most notorious bands.

On Sunday November 6th, 2011 I was at the Fillmore in Silver Spring, Maryland to watch Death Angel, Testament and Anthrax play there. However there was a problem with the photo passes that night and rather than risk leaving my camera in my car where it could be stolen, I had to head home after I already had my tickets in hand. Very frustrating let me tell you. I still haven’t been inside the new venue, I hope they get things straightened out next time. I really wanted to have some photographs up for you guys from that show, and have a nice big concert to end this long recap on but sadly, no dice. I might do more of these long recaps in the future, if you people like or don’t like them let me know. I’ve got a lot more metal shows to go to coming up and this might be a good way to try to cover more of them, starting with Torche tonight at DC9. Also, I should have some shirts with my new t-shirt design on them for sale very soon so keep your eyes peeled for that. They have new Abe Lincoln artwork drawn by DC based metal band Ilsa‘s drummer Joshua Brettell and they look awesome! Thanks for reading DCHeavyMetal.com, stay brutal everyone!

The concert started at 7:30 but I wasn’t interested in seeing any of the opening bands, Otep, Earth Crisis and local support act An Obscure Signal. Luckily I walked into the Rock And Roll Hotel right as the Cavalera Conspiracy was taking the stage, perfect timing. There weren’t as many people as I had expected at this show, maybe about 200. This was their first ever DC appearance people! Anyways, the main thing I noticed about this show was that the sound SUCKED. This was probably the worst sound mix I’ve ever heard at the Rock & Roll Hotel. Now maybe it sounded better by the soundboard, as is often the case with clubs, but this was a metal show dammit. We push to get up front and mosh and go nuts up by the band, not stand in the back staring at our feet wondering why nobody loves me like it’s some hipster band. I get the feeling they had someone who isn’t familiar with mixing heavy metal bands just come in and jack up the bass because, y’know, it’s a metal band. At first I was watching the show on the right side of the stage and I couldn’t even hear the other guitarist, Marc Rizzo. Midway through the set I shifted to the left side of the stage which was better but still not great. All of the videos I shot (you can see them at the bottom of this post) were taken from that area, and you still can’t hear Rizzo’s guitars very well. The high ends were almost completely washed out in the mix, it was terrible. Luckily I know most of their songs, and all of the Sepultura songs, well enough to fill in parts in my head.

While I had a fun time at the show, Max seemed a bit out of it. When the band was playing Sepultura’s classic song Territory, he walked off stage and into the dressing room for about a minute. He came back towards the end of the song and finished it up with the band. However most of the night he seemed a bit, I dunno, like he was mostly just going through the motions maybe. Marc Rizzo was having a blast and just exuded energy, Igor was smiling at the audience between most songs and even the band’s bass player, Johny Chow, looked really excited to be there. Max may very well have been sick though, the band canceled their New York City show the following night, though I haven’t seen an official reason as to why. Regardless, it was cool seeing the Cavalera brothers back in action together and hearing them play some old Sepultura songs. They even played Troops Of Doom from their first album in 1986! There was also a sort of mash up medley of Arise and Dead Embryonic Cells. Sadly, they didn’t play anything from the Beneath The Remains or Schizophrenia albums. The song selection of their non-Sepultura material was pretty good as well. The early part of the set included a lot of songs I would just call ok off their latest album, however they did play some of my favorites like Sanctuary and I Speak Hate later in the set. Max did constantly insist to the crowd to fuck the place up and mosh, and most of the time the crowd obeyed however the strongest audience reactions were for the Sepultura covers. At one point Max introduced some guy named Richie and said he was a new member of the Cavalera Conspiracy family, and the guy did the vocals for one song. I have no idea who he was but he was tending the merch booth after the show. After playing for about an hour the band walked off stage to do the encore, and it seemed like they were waiting for the crowd to start chanting but it resulted in a sort of awkward state for a minute or two. Cavalera Conspiracy has far too many syllables for an audience to chant in unison and some people were looking around confused about if the show was over. The band did come back to play two more songs though, the final song being Roots Bloody Roots.

After the show Marc Rizzo came out and took tons of pictures with any fans that wanted one. I spoke with him for a couple minutes and he said he wants to come back with his solo act soon. If you’ve never heard his solo material you really should, it’s a bizarre hybrid of metal guitar shred and flamenco style guitar that would probably sound like shit if anyone else tried to pull it off. His technical prowess really makes it work and his transitions are seamless. He has a few albums but I think The Ultimate Devotion is his best if you’re interested in checking his solo stuff out. Anyways, in all I had a fun time at the show but due to the poor mix it still left me wanting to see them again soon, hopefully in a better setting. It was still really cool getting to see the Cavalera brothers play together again, something a few years ago I would have never thought possible. There’s just something I love about Igor’s very primal and tribal style of drumming combined with Max’s pissed off, revolutionary vocals and guitars that will keep me a fan of theirs for life. I can tell this is going to be one of those shows where I now go and listen to a bunch of their back catalog for the rest of the week. If you’d like to see more of my photos from this show, check them out on my Flickr site here. And if you’d like to hear how shitty the sound was at the venue, just watch the videos that I shot below.

Filed under: Concert Reviews, Hardcore Metal, Rock And Roll Hotel, Thrash Metal Tagged: Band, Cavalera Conspiracy, Concert Review, Concert Reviews, Heavy Metal, Metal, Music, Rock And Roll Hotel, Sepultura, Washington DC ]]> http://dcheavymetal.com/2011/10/14/review-of-cavalera-conspiracy-gig-at-the-rock-and-roll-hotel/feed/ 2 Metal Chris Cavalera Conspiracy at the Rock & Roll Hotel Igor Cavalera of the Cavalera Conspiracy Max Cavalera of the Cavalera Conspiracy Cavalera Conspiracy at the Rock & Roll Hotel Marc Rizzo of the Cavalera Conspiracy http://dcheavymetal.com/2011/09/26/dc-metal-spotlight-on-metal-underground/ http://dcheavymetal.com/2011/09/26/dc-metal-spotlight-on-metal-underground/#comments Mon, 26 Sep 2011 19:37:45 +0000 Metal Chris http://dcheavymetal.com/?p=4165 ]]> I was asked to write a guest post for one of my favorite metal news websites, MetalUnderground.com, and it went live on the site today. They have a weekly column called Unearthing The Metal Underground where each post explores a different area’s underground metal scene. They asked me to write the one about underground metal in Washington DC and let me pick three bands to go into detail about. I chose to write about Ilsa, Midnight Eye and Borracho for this post, however if the post gets a decent response they said they might let me write another about Northern Virginia or Baltimore or even another DC post. So feel free to leave a comment there or share it with people on Facebook or something if you enjoy it and maybe I’ll get to help expose more of our kick ass local acts to a national audience! You can read the post on Metal Underground here:

http://www.metalunderground.com/news/details.cfm?newsid=72050

Also of note, I had one of my recent videos of Clutch playing a new song at the Red Palace posted on Blabbermouth.net on Saturday, you can check out that post here:

http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=163735

And one more thing, and it’s totally unrelated and is really just shameless promotion hardly related to my site, but some good friends of mine have been in a non-metal rock band for years and I have finally convinced them to play a live gig. I got them booked at the Velvet Lounge this Wednesday, the 28th of September and I certainly recommend checking them out. They hit the stage at 9pm, and are playing with the Megaphone Barons and Electric Grandmother (bands I admittedly don’t know much about). Again, they’re not metal but they are a damn good band, and they have three guitar players! You can check out the event’s Facebook page here but even if you can’t go feel free to check out the Garage Hoppers on Facebook here. Ok, I think that’s enough blatant non-metal promotion for one post. Stay metal everyone and support the scene you’re a part of!

The show started with the one of the guys from New Belgium Brewing taking the mic on stage and introducing the band as well as presenting them with the bottle that had serial number 10001110101. That’s the name of one of the songs on Clutch’s 2005 album Robot Hive/Exodus. The guys then went into their setlist, starting off with and “acoustic” version of The Regulator. While guitarist Tim Sult played an acoustic guitar, they were all using pick ups, pedals and amps, so don’t think this performance was something like those old MTV Unplugged specials. What made the show cool was that the Red Palace only holds about 200 people, and Clutch is a band that usually plays much larger venues, they had just played at the HFStival the day before at Merriweather Post Pavilion. However this night the band played their five song set and pleased the crowd by having Tim plug in his regular guitar before playing a new song, apparently titled Newt. They played a few more songs, sort of a best hits style thing with songs covering their back catalog and ending with Elephant Riders. In all they played for about an hour and it was a fun show and a great chance to catch Clutch up close.

When Clutch had finished I didn’t linger around for too long since I had another show to catch at the Velvet Lounge. I made a stop at the 9:30 Club‘s basement bar for a quick bite to eat just before they closed their kitchen. Apparently they had some Mexican band playing upstairs named Molotov, but luckily the 9:30 Club has a separate door on the side of the building you can enter the bar at if you don’t want watch the show. The bartender down there was wearing a Clutch shirt and he said he was pissed he had to work that night because he had wanted to see the show at the Red Palace. Anyways, I had a nice panini and an organic oatmeal stout and then I walked around the corner to the Velvet Lounge.

The Velvet Lounge had a pretty sweet line up this evening. They haven’t been getting a lot of metal shows of note lately but this one definitely stood out on their calendar. The headliner was the New Orleans based sludge band Suplecs and they were touring with the Columbus, Ohio band Lo-Pan. Shows at the Velvet Lounge tend to run late but even so I missed the first band on the bill, Weed Is Weed from Maryland. The band has two former Spirit Caravan members in its ranks, Dave Sherman and Gary Isom. I hope to catch them another time. The first band I saw play at the Velvet Lounge that evening was Lo-Pan. I’ve never seen a band’s lead singer stand all the way to the back of the stage before. I mean way back, he was even behind the drummer. Despite their strange stage positions, they were pretty good live. They made for a good opener act on this kind of tour. They wrote their set list on pages torn out of some porno magazine, certainly the most graphic set list stationary of the night.

After Lo-Pan finished their set local act Nitroseed performed. Typically an instrumental band, they played several of their songs with lyrics at this show. I’d never seen them live before but I was very impressed, certainly worth checking out if you see them listed as an opener at an upcoming show. Also, it turns out their drummer, Phil Adler, also plays in the local doom band Wooly Mammoth. Their music had some good energy and they kept the momentum rolling forward throughout their set. They finished up and the last band of the night was next, Suplecs.

Suplecs is from New Orleans and they mentioned many times between songs that they were excited to be playing in front of a DC audience as they were big fans of the DC doom metal scene. The band was good live, they had some high energy parts but also slowed it down for a few songs. Their songs really had a dynamic range to them that many sludge bands simply don’t have. This kept the show interesting and fresh throughout their set, which is a really good thing after watching three bands with a similar sound earlier in the evening. They mentioned that this was the first time they played their song Pissing In The Wind on the East Coast. They closed their set with a cover. After all their praise for DC’s metal scene I thought for sure they’d play a Pentagram or Spirit Caravan song, or something similar at least. Nope, they played Working Man by Rush. Totally out of left field if you ask me. It was ok but really didn’t seem to fit into their set that well. Regardless, I will definitely go see them again if they come through the area another time, and you should too!

If you’d like to see more images from the bands I saw that night you can see them on my Flickr page here. And be sure to check out all the videos below of Clutch, Nitroseed and Suplecs. The first four are Clutch. The first one is acoustic and the second is their new song. The last two videos are of Suplecs, the last of which is their Rush cover. Thanks to the guys in King Giant for the beers and thanks to you for reading all of this. Stay metal everyone!

Clutch acoustic:

Clutch’s new song:

Clutch with extended drum solo:

Clutch with guitar solo:

Nitroseed:

Suplecs:

Suplecs covering Rush: