Saturday the 14th saw me heading up to Baltimore for the first big metal show of the year in this area, In Flames playing at Rams Head Live! In Flames is probably the most famous of the Gothenburg, Sweden based melodic death metal bands from the 90s (other acts include At The Gates and Dark Tranquillity, among others). In Flames is also sort of like Metallica in that their first few albums grabbed them a devoted fan base that was then completely turned off to the band when they changed their sound and found commercial success. Their 2002 release Reroute To Remain is akin to Metallica’s self-titled album (or the “black album” as most people call it) in that it greatly expanded their fan base but completely alienated most older fans with the simplified songs and flashy production. The band has been very successful though, and the reason they are playing Rams Head Live instead of smaller venues like Sonar or Empire (formerly Jaxx) is due to that change in sound. In 2010 the band’s founder, Jesper Strömblad, left In Flames which now has no original members. This didn’t deter them as the summer of 2011 saw them release their first album without Jesper, Sounds Of A Playground Fading, the album which this tour was promoting.

The audience at the show was a bit rowdy; they are the kind of band that draws metal heads as well as non-metal heads to see them. This often means that some people in attendance see the show as “the rare concert I go to that I can get crazy at cause it’s a metal show” which is cool to a certain extent but I wasn’t loving that as In Flames started their first song, Sounds Of A Playground Fading, and I was hit in the back of the head with a drink someone had thrown from the balcony. Got my camera wet and if I wasn’t so focused on getting some decent shots of the band I’d have been much more pissed about that. I saw drinks being thrown throughout the show, so it wasn’t just me either. Anyways, their set list was heavy on material from the new album, the first three songs were the first three tracks off of it. People who are fans of only their pre-Reroute To Remain material didn’t miss much, the only songs they played from before that were Swim from Clayman and The Hive from Whoracle (I shot video of them playing both of these songs, as well as The Quiet Place, that you can watch at the end of this post). I’ve also posted a photo of the entire set list here. The sound mix at the venue wasn’t great. The volume was very low for a metal show and the bass seemed to drown out a lot. It’s like the guy mixing it thought all metal bands want to sound like Korn or something, haha. Seriously though, the guitars, and particularly the keyboards, were hard to pick out of the mix at times because the bass drown them out. The stage lighting was really awesome though! The band was heavily backlit with lots of big lights and enshrouded in a lot of fog which had a cool looking effect. The band’s performance was alright. Nothing too wild or phenomenal really but not bad. Vocalist Anders Fridén made sure to high five and fist bump most of the crowd surfers though he does this thing where he bends over and screams into the mic like ten times per song. It was fine at first but after a while you’re sort of thinking, c’mon man get another move or two. Between two songs he made a comment about how it is hard making money on music sales now and he was glad so many people came out to the show to support the band. The band did well and seemed to enjoy performing, and the new guitarist, Niclas Engelin, especially had a lot of energy up there almost like he was trying to be sure he won fans over to his replacement of Jesper. I sure think he did! They ended their set with Take This Life and they did not play an encore. Overall it was a decent show, for fans of the modern In Flames at least. Old school fans who are bitter would not have liked much about the show but that isn’t really a surprise. You got what you thought you were getting at this show, there were no big surprises, and that seemed to be good enough for most people in attendance.

Two nights later I found myself at DC9 to see the Swedish rock band Graveyard play. Between songs they said the show was sold out though I’m not sure if that’s true or not. It was pretty crowded so it might have been. The opening act was supposed to be Daniel Davies, the son of Dave Davies who is famous for being in the Kinks, but he canceled at the last minute and was replaced by a band called Black Cowgirl. I didn’t get to the show in time to see them though, but I did catch some of the set by the other support band, Radio Moscow. They were a bluesy rock band with some interesting guitar work. Just a few days prior a video went around on the internet (here) of the guitar player and vocalist, Parker Griggs, throwing his guitar into the drum kit in the middle of a song. The drummer got up and threw the guitar right back at Parker and it hit him in the face so hard he needed stitches. This was on the same tour that was in DC this night, and while both the drummer and bass player had been quickly replaced, you could still easily see the cut on Parker’s forehead. Their set wasn’t bad, a good opening act really. There was a delay at one point in their set when one of the amps blew. It took several minutes to find another one and get it up on the stage. They played some more afterwards though and while I enjoyed them I was ready for the headliner.

Graveyard, also from Gothenburg but not related to the melodic death metal scene there, is a throwback hard rock/metal band that sounds right out of the 70s, however they’re a newer band and have only put out two albums. In the spring of 2011 their sophomore album, Hisingen Blues, was released to much critical acclaim in the underground music press. Honestly it took me a few listens to really get into it, but it grew on me and I was excited that they were finally coming to the States to support the album. I’m glad I gave the album an extra chance because seeing these songs played live was simply awesome! The band was really on point this night and put on a great show. If you were there that night you didn’t just see a good band play some good songs, you got a rare chance to see a good band really coming into their own as they hit their stride. They stepped up to the plate and really hit it out of the park, even with Joakim Nilsson having problems with the strings on his guitars. He swapped them out quickly and didn’t take much away from the set by doing so. Since the band only has two albums they played most of both of them. As most tight bands do, they played their songs with quicker tempos even faster live really tearing through songs like Buying Truth and RSS. That’s not to say their slower songs didn’t stand out as well. Their performance on Uncomfortably Numb, a personal favorite of mine, was executed perfectly coming across with a lot of power for such a personal song in a room of so many people. Satan’s Finest also sounded great and got quite a reaction from the audience. Graveyard stopped at the end of their set but the crowd didn’t budge so they played a three song encore, finally ending their 80 minute set with the song Hisingen Blues. I’m sure there will be more good things coming from these guys and I’m betting they will be playing a larger venue next time they play the area. They’d be great on a tour with someone like The Sword. This was simply a great show and one of the best I’ve been to lately. It was a hell of a way to spend a Monday night!

Three days after Graveyard played it was time to head to the Rock & Roll Hotel to see Ghost, from Linköping, Sweden, play there on Thursday the 19th of January 2012. This show was definitely sold out as they had a big sign on the door saying so. The band was not allowing any cameras to be used, not even on phones, which, as a photographer, I find to be really annoying. There was a bit of a snafu with the label getting me my photo pass and while some of the venue’s staff knew I was OK’d to shoot there some of them didn’t and they told me part way thru to stop shooting, even though they let me in with my big camera. Whatever, miscommunication happens sometimes and I did still get a shot that I liked. I arrived in the middle of the set by one of the openers, Blood Ceremony. They’re a female fronted doom band from Toronto that some people were really getting into at the show. Vocalist Alia O’Brien busted out a flute during some songs and really it just wasn’t my thing, though I was never a Jethro Tull fan and they were definitely a big influence on Blood Ceremony. Ghost hit the stage around 10:30pm, which seemed a bit early to me for a show in DC. The band of course came out in full costumes including masks hiding their faces. Their main gimmick is that nobody really knows who is in the band Ghost as they always hide their identities and mask their voices in interviews. The lead vocalist, who goes by Papa Emeritus, comes out on stage wearing a mask with skull face paint and an elaborate evil cardinal costume. It’s all a bit over the top but whatever, they have some catchy tunes that are a bit of a throwback to old psychedelic bands and definitely Mercyful Fate as well. However even on the record Papa’s vocals are not nearly as high pitched as King Diamond. This night was no exception either, Papa was not hitting his high notes, he wasn’t even trying to. Instead he’d just replace them with a similar, but lower pitch, note which leads me to believe he was either sick or his voice wasn’t doing so well singing every night on tour. I had seen Ghost perform at Maryland Deathfest back in May and he was hitting his notes then, so I know he can do it. I guess this just wasn’t his night. The sound mix at the venue didn’t help much either, the keyboards were non-existent in the mix throughout most of the set and the vocals needed to be turned up several times as well. I could see one of the roadies giving signals to the guy at the sound board (I was standing in the part of the crowd directly between them) and they were having a lot of communication problems as well. At one point you jarringly heard the keyboards get pushed up to the mix way too high, it was almost like they didn’t sound check before the show and were just trying to figure it out as the show went on. Ghost stuck it out and instead of throwing a tantrum on stage they kept playing. They only have one album out so they don’t have a lot of material. They did perform their haunting rendition of Here Comes The Sun by the Beatles, a Japanese bonus track that they did not play at Deathfest. Towards the end of their set the sound did get better. Their closing song, Ritual, sounded pretty good actually, aside from Papa’s weak vocals. Luckily Ghost is the kind of band people love to sing along with and it helped cover some of the faults with his voice. Also, during the same song they brought out communion wafers and I guess wine or something and maybe five or so people in the front row ate them from Papa Emeritus’ hands. That was pretty corny and not as awesome as when Lord Worm would feed people live worms from the stage during Cryptopsy shows. Anyways, I was hoping Ghost might play some new material as I have heard the band has been working on a second album before they started this short 13 date tour. They didn’t play anything new and the set only lasted about 45 minutes, intros and all. That was rather short for a headlining band and left me feeling like it was a bit of a cash grab but what can ya do, they ran out of songs. The venue kept the lights down for a minute or two then suddenly turned them back on with house music over the speakers to end the night in a rather anticlimactic way. This show could have been a lot better, and the no photo policy forcing the venue’s bouncers to constantly be pushing through the sold out crowd, jarring your attention to let them pass every time you started to actually get lost in the show, didn’t help at all. They will be opening on a tour with Opeth and Mastodon in May that will hopefully come through this area and I really hope they put on the kind of performance I know they are capable of then. The metal fans in DC deserve it!

Well, that’s the three Swedish concerts I saw last week. Graveyard was certainly my favorite performance of the three Swedish bands but I’m glad I got to see all three of them play. Thanks for reading another long concert review post. As always you can see more of my concert photography on my Flickr page here or you can jump to the set of In Flames pics here or Graveyard pics here. Now check out the three videos of In Flames that I posted below. I didn’t shoot video at the other shows because the lighting was too poor, well that and Ghost had that crazy photo policy so I wasn’t going to push it. Stay metal DC and go out to a heavy concert!

Graveyard has caused quite a buzz in the underground rock world with their second album, Hisingen Blues. The album came out in the spring of 2011 but this is their first US tour supporting it. It’s full of catchy riffs and hooks and it should be pretty awesome getting to see some of these songs played live. They are also playing with Radio Moscow, a psychedelic blues band from Iowa and Daniel Davies who is the son of Dave Davies of the Kinks. This is his solo band but he has also been a member of Year Long Desaster and Karma To Burn. If you’re still not convinced to see this show, check out this video to hear the title track off of Graveyard’s second album:

Ghost is a mysterious band that took the underground metal world by storm when they released their first album, Opus Eponymous, in early 2011. They have a clean vocal delivery, something between Blue Oyster Cult and King Diamond, and they play a fairly simple, yet very catchy, style of music. The band members have never made public their true identities and always wear masks on stage with their singer, Papa Emeritus, in a full on evil pope costume. They are said to be working on a new album so maybe we’ll be lucky enough to hear some new material at this show. Ghost has only ever played two concerts in the US before this tour, one of which was their performance last year at Maryland Deathfest, and they had to drop off a tour with Enslaved and Alcest that came to Jaxx in September due to visa issues. Now they’re headlining this US tour and they’ve brought two good bands with them. Blood Ceremony is Toronto based doom band with a female vocalist who also plays flute in the band. The opening act is Ancient VVisdom (the W is really two letter V’s) from Austin, Texas and they play a very dark style of rock. Listen to the Ghost song Ritual if you haven’t heard them before (or even if you have!):

The concert started at 7:30 but I wasn’t interested in seeing any of the opening bands, Otep, Earth Crisis and local support act An Obscure Signal. Luckily I walked into the Rock And Roll Hotel right as the Cavalera Conspiracy was taking the stage, perfect timing. There weren’t as many people as I had expected at this show, maybe about 200. This was their first ever DC appearance people! Anyways, the main thing I noticed about this show was that the sound SUCKED. This was probably the worst sound mix I’ve ever heard at the Rock & Roll Hotel. Now maybe it sounded better by the soundboard, as is often the case with clubs, but this was a metal show dammit. We push to get up front and mosh and go nuts up by the band, not stand in the back staring at our feet wondering why nobody loves me like it’s some hipster band. I get the feeling they had someone who isn’t familiar with mixing heavy metal bands just come in and jack up the bass because, y’know, it’s a metal band. At first I was watching the show on the right side of the stage and I couldn’t even hear the other guitarist, Marc Rizzo. Midway through the set I shifted to the left side of the stage which was better but still not great. All of the videos I shot (you can see them at the bottom of this post) were taken from that area, and you still can’t hear Rizzo’s guitars very well. The high ends were almost completely washed out in the mix, it was terrible. Luckily I know most of their songs, and all of the Sepultura songs, well enough to fill in parts in my head.

While I had a fun time at the show, Max seemed a bit out of it. When the band was playing Sepultura’s classic song Territory, he walked off stage and into the dressing room for about a minute. He came back towards the end of the song and finished it up with the band. However most of the night he seemed a bit, I dunno, like he was mostly just going through the motions maybe. Marc Rizzo was having a blast and just exuded energy, Igor was smiling at the audience between most songs and even the band’s bass player, Johny Chow, looked really excited to be there. Max may very well have been sick though, the band canceled their New York City show the following night, though I haven’t seen an official reason as to why. Regardless, it was cool seeing the Cavalera brothers back in action together and hearing them play some old Sepultura songs. They even played Troops Of Doom from their first album in 1986! There was also a sort of mash up medley of Arise and Dead Embryonic Cells. Sadly, they didn’t play anything from the Beneath The Remains or Schizophrenia albums. The song selection of their non-Sepultura material was pretty good as well. The early part of the set included a lot of songs I would just call ok off their latest album, however they did play some of my favorites like Sanctuary and I Speak Hate later in the set. Max did constantly insist to the crowd to fuck the place up and mosh, and most of the time the crowd obeyed however the strongest audience reactions were for the Sepultura covers. At one point Max introduced some guy named Richie and said he was a new member of the Cavalera Conspiracy family, and the guy did the vocals for one song. I have no idea who he was but he was tending the merch booth after the show. After playing for about an hour the band walked off stage to do the encore, and it seemed like they were waiting for the crowd to start chanting but it resulted in a sort of awkward state for a minute or two. Cavalera Conspiracy has far too many syllables for an audience to chant in unison and some people were looking around confused about if the show was over. The band did come back to play two more songs though, the final song being Roots Bloody Roots.

After the show Marc Rizzo came out and took tons of pictures with any fans that wanted one. I spoke with him for a couple minutes and he said he wants to come back with his solo act soon. If you’ve never heard his solo material you really should, it’s a bizarre hybrid of metal guitar shred and flamenco style guitar that would probably sound like shit if anyone else tried to pull it off. His technical prowess really makes it work and his transitions are seamless. He has a few albums but I think The Ultimate Devotion is his best if you’re interested in checking his solo stuff out. Anyways, in all I had a fun time at the show but due to the poor mix it still left me wanting to see them again soon, hopefully in a better setting. It was still really cool getting to see the Cavalera brothers play together again, something a few years ago I would have never thought possible. There’s just something I love about Igor’s very primal and tribal style of drumming combined with Max’s pissed off, revolutionary vocals and guitars that will keep me a fan of theirs for life. I can tell this is going to be one of those shows where I now go and listen to a bunch of their back catalog for the rest of the week. If you’d like to see more of my photos from this show, check them out on my Flickr site here. And if you’d like to hear how shitty the sound was at the venue, just watch the videos that I shot below.

Filed under: Concert Reviews, Hardcore Metal, Rock And Roll Hotel, Thrash Metal Tagged: Band, Cavalera Conspiracy, Concert Review, Concert Reviews, Heavy Metal, Metal, Music, Rock And Roll Hotel, Sepultura, Washington DC ]]> http://dcheavymetal.com/2011/10/14/review-of-cavalera-conspiracy-gig-at-the-rock-and-roll-hotel/feed/ 2 Metal Chris Cavalera Conspiracy at the Rock & Roll Hotel Igor Cavalera of the Cavalera Conspiracy Max Cavalera of the Cavalera Conspiracy Cavalera Conspiracy at the Rock & Roll Hotel Marc Rizzo of the Cavalera Conspiracy http://dcheavymetal.com/2011/10/04/cavalera-conspiracy-ticket-give-away/ http://dcheavymetal.com/2011/10/04/cavalera-conspiracy-ticket-give-away/#comments Tue, 04 Oct 2011 19:45:31 +0000 Metal Chris http://dcheavymetal.com/?p=4181 ]]> Cavalera Conspiracy is coming to the Rock & Roll Hotel on Wednesday 12 October 2011 and DCHeavyMetal.com is giving away a pair of tickets to a lucky one of you readers. All you have to do to enter to win is in the comments below post a classic old school Sepultura song title you’d like to hear them play that night. I’m sure they’ll have to play a few covers. If you don’t know any old Sepultura song titles (you call yourself a metal head?) you can check out their discography on the Metal Archives here and don’t pick any songs after 1997. On Monday the 10th of October 2011 at 6pm EST I’ll pick a winner at random (using Random.org) from all the valid entries below to win the pair of tickets to this show! Be sure to enter using an email address you check regularly so I can contact you when you win. And I won’t add you to any email lists or anything either, I hate spam as much as you do.

When I was in high school Sepultura was one of my favorite bands. The Cavalera brothers, Max and Igor, were founding members and in my opinion the backbone of that band. The Brazilian band really started taking off in the 90s, they had several videos all over MTV (back when MTV not only played music videos but metal ones even) and the band’s popularity was going upwards with each new release. However, Max ended up getting married to the band’s manager and she basically Yoko’d Sepultura and convinced him to go solo, forming his own band called Soulfly. I’ll just say they weren’t nearly as good as Sepultura. Sepultura didn’t fare much better, their popularity greatly diminished due to weaker releases after Max left. Igor didn’t talk to Max for years after the split. That is, not until after Igor himself eventually left Sepultura in 2006 and the two not only reconciled but to the delight of Sepultura fan boys like myself formed a new band together. Their first album, Inflikted, I really enjoyed and recommend checking that out if you haven’t. Anyways, the brothers haven’t played in DC since forming, though they did play Baltimore a couple times. I’m really psyched about this show! The opening acts will be Otep and Earth Crisis as well as Maryland based An Obscure Signal. If you simply can’t wait to get tickets you can pick them up from Ticket Alternative here for $22, they go up to $25 the day of the show. The doors open at 6:30 and the show starts at 7:30. This is going to kick ass!

After you’ve entered the contest check out this wild video of Cavalera Conspiracy playing their song Sanctuary. Sorta reminds me of those beef jerky commercials with Bigfoot in them, but with more blood and that weird guy Sloth from the Goonies.

Psst… If this isn’t enough Sepultura nostalgia goodness for you, members of local bands Disciples Of Christ (D.O.C. for short), Mind As Prison and Drugs Of Faith, will be playing a special set of Sepultura covers the Thursday before Halloween. You can get more info on that at show’s Facebook event page here.

Filed under: Contests, Hardcore Metal, Rock And Roll Hotel, Thrash Metal Tagged: An Obscure Signal, Band, Cavalera Conspiracy, Contest, Earth Crisis, Free, Heavy Metal, Metal, Music, Otep, Rock & Roll Hotel, Rock And Roll Hotel, Sepultura, Washington DC ]]> http://dcheavymetal.com/2011/10/04/cavalera-conspiracy-ticket-give-away/feed/ 24 Metal Chris http://dcheavymetal.com/2011/09/13/three-ticket-give-aways/ http://dcheavymetal.com/2011/09/13/three-ticket-give-aways/#comments Tue, 13 Sep 2011 20:46:40 +0000 Metal Chris http://dcheavymetal.com/?p=4069 ]]> That’s right, in celebration of DCHeavyMetal.com entering its third year of existence, I’ve decided to hold a mega contest giving away a pair of tickets to three different upcoming metal shows! There will be three different winners, not one person getting all three. Just leave a comment at the bottom of this post telling me which of the three concerts you’d like to go to and I’ll use Random.org to pick three winners, one for each concert, on Monday the 19th of September 2011 at 6pm EST to win tickets. You can only win for one concert but you can enter to win for all three or whichever ones you’d like. Be sure to use a valid email address when you enter so I can tell you that you have won, though it doesn’t have to be visible in the post itself. Don’t worry I won’t add you to any email lists or anything annoying like that. Read below to see what the three metal concerts are, and choose wisely!

Choice One

On Wednesday the 21st of September the West Virginia based Karma To Burn is coming to the Rock & Roll Hotel. Karma To Burn is an excellent sludgy stoner band and they play a lot of instrumental songs, though some have vocals. To make this show even better, DC’s own Borracho will be opening. They are an excellent stoner act that you should be sure to check out if you haven’t already. Borracho recently put out their first LP titled Splitting Sky and this show would be a great chance to save on shipping and pick it up after seeing them play live. Local act King Giant was supposed to play this show but due to an injury to one of the band members they have had to cancel their appearance at this concert. If you don’t win or you just can’t wait, you can get tickets to this show here for $10.

Choice Two

On Friday the 23rd of September the brand new 2,000 person capacity Fillmore in Silver Spring will host its first ever metal concert! British metalcore band Bring Me The Horizon headlines a night of some of the best core bands coming from the UK and Australia such as Parkway Drive, Architects, While She Sleeps and Deez Nuts. And come on, if you win you can spend all week telling people you won tickets to see Deez Nuts. The Fillmore will have just opened on September 15th so this will be the first chance to destroy the place with some insane mosh pits! If you don’t win or you just can’t wait, you can get tickets to this show here for $23.

Choice Three

Kyuss Lives! is the name of the reformed version of legendary stoner band Kyuss featuring all the original members of the band except Josh Homme (he’s busy playing with super group Them Crooked Vultures these days). So now the band has Bruno Fevery on guitar but what’s really exciting is that they have been working on a new album and, assuming they play some of that on this tour, this show will be the first chance this area is going to have to hear new Kyuss material in over 15 years! To make things even better Texas based doom masters The Sword and Atlanta’s Monstro are opening. This show is on Saturday the 24th of September at the 9:30 Club and you know it’s going to be awesome. If you don’t win or you just can’t wait, you can get tickets to this show here for $30.

But this isn’t just a post about thanking you guys and patting myself on the back, there’s more stuff coming up too. I’m proud to announce that I will be giving tickets away to some upcoming metal shows at the brand new Fillmore in Silver Spring, Maryland. You can find out more about the venue that is about to open in one of my recent posts here. The first metal shows at the Fillmore that I’ll have ticket contests for will be Bring Me The Horizon, Yngwie Malmsteen and Between The Buried And Me with Animals As Leaders. Assuming they do well I’ll be giving more tickets away to more metal shows there as well so be sure to tell people about the contests when they’re posted. If those bands aren’t your thing though don’t worry as I’ve got some other free ticket give aways coming up for shows like Gwar and Kyuss with The Sword at the 9:30 Club and Cavalera Conspiracy and Karma To Burn at the Rock And Roll Hotel. Stay tuned to the site for more details on all these give aways, there’s a lot coming up in the next few months and if there’s one thing I love doing with my site it’s giving away stuff to readers of my site.

Thanks to everyone who has made this past two years of hard work all worth it. It’s you, the fans of heavy metal music in this area, that make this site what it is. DCHeavyMetal.com has no plans of slowing down any time soon and I look forward to many more years supporting the area’s community around the music I love! Stay brutal everyone.

This tour features Florida’s stoner metal band Torche headlining two other bands. Big Business is a Seattle stoner/sludge duo that will be direct support at this show. Playing before them will be Helms Alee, a rock band that is also from Seattle. If you can’t wait for the contest to end, or it’s already over when you see this, you can get tickets to this show from Ticket Alternative for $13 here and they’ll go up to $15 at the door on the day of the show. Torche is a great high energy band to see live and this is a great chance to see them in action inside the Washington DC city limits. Even if you don’t win you should really be sure to make it out to this show, there is no way you’ll regret it.

After you’ve entered the contest check out this cool video of Torche playing their song Healer.

Filed under: Contests, Rock And Roll Hotel, Sludge Metal Tagged: Band, Big Business, Contest, Free, Heavy Metal, Helms Alee, Metal, Music, Rock & Roll Hotel, Rock And Roll Hotel, Stoner Metal, Torche, Washington DC ]]> http://dcheavymetal.com/2011/07/07/torche-ticket-give-away/feed/ 16 Metal Chris http://dcheavymetal.com/2010/11/25/review-of-cannibal-corpse-gig-at-the-rock-and-roll-hotel/ http://dcheavymetal.com/2010/11/25/review-of-cannibal-corpse-gig-at-the-rock-and-roll-hotel/#comments Thu, 25 Nov 2010 20:29:18 +0000 Metal Chris http://dcheavymetal.com/?p=2401 ]]> This tour had, without a doubt, the best death metal line up of any North American tour this year. Devourment opening for Vital Remains, local favorites Dying Fetus and the kings of death metal themselves, Cannibal Corpse. On Sunday the 21st of November they all brought their combined brutality to the Rock And Roll Hotel in Washington, DC (you thought I was going to say Jaxx, didn’t you?) and aurally assaulted this venue like never before. Now I’ve seen a few metal shows at the Rock & Roll Hotel before, but they have not had any death metal, and what a great tour to bring in for their first extreme metal show at the venue! They didn’t have any local support, but luckily I’d just gone to see a great set of local death metal the night before at Jaxx, (my review of that show is here) so it was sort of like the openers played the night before.

When I first got to the venue, Devourment was already playing. I’m not sure how long they played but I saw them play four songs. There was already a good size crowd amassing so I stayed to the back of the room near the soundboard so that I wouldn’t damage my nice camera (they wouldn’t let me use it so I had to store it during the other bands’ sets). Because of all this I wasn’t in a great place to get video or still shots of these guys. They had the crowd already going though when I got there, and between every song I saw, and also in the middle of half of their songs, the lead singer, Mike Majewski, would instruct the crowd to mosh in a circle pit. The set seemed to focus on older material, I remember them playing Choking On Bile as well as closing with Babykiller. This was kind of odd though, since the band is hardly the band it used to be. Choking On Bile is from the band’s first full length, Molesting The Decapitated. That album totally rules, don’t get me wrong, and if you want to hear some of the best underground death metal there is, check that album out. But the band playing this night only had one member remaining from back then, the bass player, and he was now on vocals! This and the fact that Devourment will also be playing again in May at Maryland Deathfest (much more info about that on my calendar here) made me not so upset about missing some of their set this night. Also, their guitarist put on a white horse head mask for the final song, I have no idea why.

The next band to play was Vital Remains. No, Deicide‘s Glen Benton was not playing with them, though their bass player was wearing a Stench Of Redemption shirt. I’d put my DSLR away and had my point and shoot camera ready and was standing in the front by the time they took the stage. The vocalist, Scott Wily, had on these spiked Immortal-esque bracers and was again telling people to keep a circle pit going. Ok, really? I remember thinking how dumb it was watching hardcore kids do laps in circle pits, why are these death metal bands encouraging this instead of straight up brutal mosh pits? Whatever, it was all to my back for the most part anyways. They did play a great set made up mostly of material from their two most recent albums, Icons Of Evil and Dechristianize. That’s fine by me, even though I often want bands to play older songs I’ve always enjoyed their more recent material as I think they really refined and defined their sound. Plus it’s fucking faster than their old stuff, and trust me they don’t slow it down live. Most of the people near me seemed to know most of the words to Dechristianize and were screaming along with it, which goes to show the power of getting an iconic vocalist like Benton on those studio albums. Of course with their long songs, their set seemed to fly by and since there were still two more bands to play their set was shorter than I’d have liked. They also didn’t play the song Shrapnel Embedded Flesh (a personal favorite of mine) but other than those two minor gripes they really did a kick ass job of taking the brutality up a notch.

The next band set to play was Dying Fetus. Now, before I make my next statement here, let me first say that I haven’t seen them in quite a few years and that might have something to do with my opinion on the matter. That said, Dying Fetus fucking killed it this show and really, I think they showed up Cannibal Corpse. Their setlist was great from start to finish, and while their stage time was shorter they didn’t talk a lot between songs. For the most part they just played some brutal fucking death metal, of course with all those grind elements and breakdowns their sound is known for. Dying Fetus is from the DC suburbs of Maryland and I don’t know if that was the reason why, but they did play a lot of older material, including two songs off of the Killing On Adrenaline album, which was awesome. Some of these songs I hadn’t even listened to in years and I really enjoyed remembering them as they played songs from their entire back catalog. They even played the song Eviscerated Offspring from their 1994 demo! The mosh pit went crazy, combining brutal death metal with catchy breakdowns will do that, haha. There are a lot of bands who do that now of course, to the point it can get really annoying really quickly, but after seeing this gig there is no question in my mind that Dying Fetus are still the best at it. They opened with Praise The Lord (Opium Of The Masses) which really set the tone of the show from the start, and the intensity didn’t let up until they finished their set with Kill Your Mother, Rape Your Dog. In all, it was a great performance by one of the leaders in death metal.

Finally it was time for the headliner, Cannibal Corpse. They played the area not too long ago, when they came to Jaxx back in April (my review of that is here) and this concert wasn’t a whole lot different really. There are some things you can expect at a Cannibal Corpse show these days, brutal music is one of them of course. But you also know that when their vocalist, George “Corpsegrinder” Fisher says the next song goes out to all the women in the audience, they’re going to play Preacher Of Sodom (used to be Fucked With A Knife but that song doesn’t seem to be part of their set list any more) and you know when he says Hammer Smashed Face is their last song of the night, after it’s done he’s going to say he lied about it being the final song as they start playing Stripped, Raped And Strangled. This show had all that of course, but there were a few surprises. For one, they played the song Gutted off of Butchered At Birth, and Corpsegrinder said that he grew up in Baltimore so the show was a sort of coming home and he reminisced about coming to see concerts at the 9:30 Club and the like and he said the Rock N Roll Hotel had a similar feeling to those places back then. He also challenged the audience to keep up with his extreme headbanging during the song I Cum Blood, and I’ve got video of that below you can watch. A few touches like those aside, the show was fairly typical for Cannibal Corpse, and while I’ve seen them play a hell of a lot of times, you could tell by all the X’s I saw on people’s hands that many of those in attendance probably hadn’t seen them before and the aspects of the show I see as becoming a pattern were all new to them. The venue was pretty packed and I saw the guy in the full body chicken suit in the mosh pit (hadn’t seen him around in a couple years!) as well as a guy in a V For Vendetta style Guy Fawkes mask. Yeah, Cannibal Corpse draws an odd crowd. Their set was intense and sweaty and brutal as always, and it was a lot of fun. And I know I’ve seen them play at least 10 times before, but I’ll never get tired of watching Cannibal Corpse play Hammer Smashed Face and Stripped Raped And Strangled back to back while standing two feet in front of me. Those are two of the most iconic death metal songs ever written and essentially define the band, if not the death metal genre itself.

At this concert I could tell the District is hungry for more metal and several people asked me about my site after seeing the logo on my shirt, all basically saying the city needed something like that. Even the manager of the venue told me he’d be interested in having a regular metal night there. I sure as hell would like to see something like that happen. Even though the bands were crammed on the stage, this was a great show to bring death metal back into the city with. I know a lot of the people there won’t head out to places in the suburbs like Jaxx for concerts a lot due to transportation and other issues. It was another good turn out, reinforcing the fact that heavy metal is on the rise in the entire area, not just the suburbs. It was also my second great death metal concert in a row, what more can you ask for? Now check out the videos I shot of the final three bands below.

I’m not a huge punk rock fan, if you haven’t been able to guess yet I’m a big metal head. Growing up in this area it’s pretty hard not to be exposed to some of the punk scene though. When I was in high school a lot of my friends were into those classic punk bands like the Ramones, the Misfits, Black Flag, and the Dead Kennedys as well as local acts like Minor Threat and the Suspects. Back in the day I’d be getting them to listen to Cannibal Corpse and Morbid Angel while they were playing me Fugazi and the like. My point in all this is, I’m not some die hard fan of punk, I don’t care that it’s not the same to see the Dead Kennedys without Jello Biafra singing or it’s some un-punk cash grab or whatever. To lose all my punk credibility I still go to see the Misfits sometimes too. I enjoy these bands mostly for the nostalgia of it all, if you have a problem with that take it somewhere else, I really don’t care. These shows are fun to me and I’m tired of people in the underground scene coming up with reasons not to see bands all the damn time. Plus I saw the Dead Kennedys play Jaxx back in May 2002 with Brandon Cruz on vocals and I really had a great time. Klaus Flouride was still in the band then too. Anyways, seeing East Bay Ray and D.H. Peligro play all those songs with a bunch of my old high school friends was pretty damn fun.

Now, that all said, since I do run a metal blog and often shoot video at concerts to post, I generally do that at any show I see these days, regardless of genre. I was planning on posting the videos to YouTube but I wasn’t planning on making a blog post about it. I happened to get a shot of the setlist after the show ended, but that wasn’t strange. What I didn’t notice until I was uploading the files and trying to sort out the song names was that I didn’t recognize two of them. Now I know the Dead Kennedys haven’t put out any new material since they reformed without Jello Biafra in 2001, mainly because everyone talks about how he doesn’t like that the band reformed without him but still uses the name to play all the old songs. And since I’m not extremely well versed in punk rock, maybe these songs are covers of other bands, but I don’t think they are. I think they are two new songs from the Dead Kennedys with their new singer Ron “Skip” Greer on vocals. Even Google and YouTube searches haven’t turned up anything by them with these song titles, so I think I’m the first to post these songs online. Correct me if I’m wrong here though.

This first video is actually three songs recorded in a row. The first is Kill The Poor and there’s nothing particularly interesting about this version of it. The second song, starting at about 2:50 is MP3 Get Off The Web which is really just MTV Get Off The Air with lyrics changed to be about people downloading mp3s and how much they suck for doing it. And although I don’t believe that telling your fans at a concert that they are the problem with the music industry is a smart idea, the part that I really don’t like is that the new guy is changing Jello’s lyrics. This was the only song they did this on, I think, but if you wanna do that then just fucking write a new song, don’t butcher the classics if you’re not the guy who wrote it. It would piss me off to no end if Dio had changed lyrics to Ozzy era Black Sabbath songs live and this was much the same to me. Anyways, the third song in the video below is Area 51 and it starts at about 7:38. Check it out, new DK tune. UPDATE: As mentioned in the comments below, the song Area 51 is actually a song by East Bay Ray’s other band the Killer Smiles. However the other song, You’re Such A Fake, is not by the Killer Smiles and so I think it is a completely new composition by the Dead Kennedys. Not only their first new song without Jello, but their first in 24 years.

The next video here is of the final two songs the band played (it was their second encore of the night). The first is the other new tune You’re Such A Fake. After that, at about 2:45, is the classic song Chemical Warfare which isn’t too odd other than they play a bit of the Lynyrd Skynyrd song Sweet Home Alabama in there at about 5:55. I really wasn’t expecting that.

Well, those are the new songs, love them or hate them it looks like the Dead Kennedys might be getting ready to put out some new material, the first since what, Bedtime For Democracy in 1986? And yes, you heard it first on a heavy metal blog. With that, I’ll leave you all with the rest of the videos I shot at the concert below, classics like Holiday In Cambodia and Too Drunk To Fuck. Enjoy!

I got there a couple minutes after 7:30 and the opening band, Dysrhythmia was already playing their first song. They were great when I saw them play at the Velvet Lounge in February 2009 so I knew I wanted to get to the Rock & Roll Hotel in time to catch their set. If you’ve never heard them before, they’re an instrumental three piece from New York City that just shreds live. The bass player, Colin Marston is a member of the band Krallice and he also plays in the current version of Gorguts with Dysrhythmia’s guitarist, Kevin Hufnagel. Dysrhythmia’s songs twist and turn all over the place and rarely do they come back to playing the same riff again, instead their songs are constantly moving forward and evolving. That combined with the fast tempos that makes the music just really fun to listen to live. There are no words and really none are necessary as the music is totally engaging on it’s own. Really my biggest complaint with their set was the short length, but they were the first of three bands so it wasn’t really that surprising. They were a great way to start off this concert though.

Next up was Intronaut. They’re a band from LA that I’m not as familiar with as the other two bands. I’ve heard their 2008 album Prehistorisms and while I do enjoy it, I wouldn’t call it life changing progressive metal. They have a new album coming out soon and they played a couple songs from that live. They aren’t bad live and their rhythm section really kept the songs moving with groovy beats you don’t always get so much of in this metal sub genre. I was certainly impressed by their drummer, Danny Walker, in the live setting too, he really killed it back there. While their music is pretty interesting, they were pretty laid back on stage. Towards the end of their set the lead singer/guitarist, Sacha Dunable, asked the audience if anyone had any weed or whiskey before the Cynic set started. At the end of the song someone had brought shots to the stage for them, haha. Their final song of the night, Any Port, saw the other guitarist, Dave Timnick, put down his guitar at the beginning of the song to pick up a couple of mallets and pound on some upright (conga?) drums. He slung his guitar back on and continued to play the bulk of the song until he joined in at the end for the song’s drum solo. The rest of the band walked off the stage while he and Danny put on a rhythmic drum show that sort of reminded me of that old Sepultura song Kiowas, tho not so tribal sounding. It was a cool way to close out a good set, and I’m definitely going to check out their new album when it comes out. They certainly had left the audience warmed up and ready for the main act who was due up next, Cynic.

When I came from the downstairs bar to watch Cynic the stage looked different. They had their backdrop lit up and they put up a couple of circle shaped screens. They started projecting trippy videos onto these and they turned on some funky lights. One could have mistaken it for a Pink Floyd cover band setting up, but this was much better than that. I’d never seen Cynic before, but everyone has told me they’re good live. They weren’t kidding, what followed was a fantastic set. Definitely one the best concerts I’ve seen in a long time, maybe the best show I’ve seen this year in fact. Cynic formed in Florida in the late 80s during the time the state’s legendary death metal scene was forming. Due to delays caused by two of the members touring with Death and then hurricane Andrew destroying their practice space as well as most of the state, the band only ever released one full length album, the classic Focus, before breaking up in 1994. One of the draws of this tour is that Cynic would be playing that album in its entirety. Since reforming they’ve put out another full length album and an EP, both of which I also highly recommend. For a band that started over 20 years ago they have a very small catalog of songs, which in their case I think worked as an advantage here. Since they have so many really good songs on those releases, the audience was treated to hearing most of Cynic’s songs live, instead of the standard “pick a song or two from each album” approach most older bands must do for their live shows. They started the show off with Veil Of Maya and continued through the excellent Focus album in almost top form. Guitarist Tymon Kruidenier apologized that he had lost his voice earlier that day so was having trouble keeping up with some of the growling. Luckily it’s heavy metal and the vocals are generally not the most important aspect of the music, certainly not in Cynic’s case. On top of that all the clean vocals (sung through a vocoder) were done by Paul Masvidal. Otherwise, the band was spot on. They obviously had played these songs enough to have completely mastered them for the live setting, guitars, bass and drums. Added with the cool light effects, this show was just mesmerizing. After playing Focus straight through, the rest of the band left the stage as Paul pulled out a nylon string acoustic guitar and played the song Integral off their latest EP, Re-Traced. This was a nice little interlude for the fans and a good divider for the rest of the show. When the band returned they played a nice mix of their newer material, and they even threw into the setlist the song Cosmos, which was un-released until it became a bonus track on the 2004 reissue of Focus. You couldn’t have asked for a better setlist for this show, and if you had a favorite song you were hoping they would play, they probably did. At one point Paul had everyone in the audience do a yoga stretch. A bit new age but I’ve got to admit that’s something I never thought I’d see at a metal show, everyone doing yoga. Overall Cynic put on a dazzling display of technical progressive heavy metal and showed that not only are they one of the genre’s older influential bands, but they’re also one of the current leading bands of the genre, even if they took off a dozen years.

I really had a great time at this show. I talked with a fan of this blog, Josh, for a bit between sets which is always cool. It always surprises me when people come up to me and recognize me from the site, I’m glad some of you seem to be enjoying it. I also pulled a promo poster off the wall that I got all of the guys in Cynic to sign for me after the show. I’m not usually a big fan of autographs but I wanted something to remember the show by that was a bit more distinct than a t-shirt (I did buy the sticker pack too). This show was just what I needed, after a few let downs (the cancellation of the Enthroned concert last week as well as the mediocre Iron Maiden show last month) this show really hit the spot. All three bands were excellent and I’m glad I got to be there. Now on to the videos. They’re a bit dark but the sound is decent in them. The first is Dysrhythmia, the next two are Intronaut and the rest are Cynic, enjoy.