The Heritage Hunter tour has quite a line up! Opeth is Sweden’s premiere progressive metal band and while their last trip through the area saw them playing mostly softer material with a focus on their new album, Heritage, word has it this tour will feature a more “best of” style set list. I suppose we won’t know for sure until they’re actually playing it though. Opeth sold out their last area appearance on November 1st at Rams Head Live in Baltimore. Mastodon is probably the most famous band out of that big Georgia metal scene. Their latest album, The Hunter, looks to make them an even bigger name in the world of metal and you can bet they’ll be playing material from it as well. They also sold out their last area appearance which was at the 9:30 Club on November 27th. The opening act on this tour is Sweden’s mysterious Ghost. The members of the band all cover their faces and hide their identities and so the rumors have swirled around them about who might actually be in the band and what other bands those people are members of. Regardless, their debut album, Opus Eponymous, has won over critics and metal fans alike with their clean vocals and simple but catchy songs, all in the name of Satan of course. And you probably guessed it, but they also sold out their most recent area appearance when they headlined the Rock & Roll Hotel on January 19th. That’s right, this tour is made up of three bands who all sold out their most recent area appearances. If you missed any of them before now is your chance to see them live! If you want to be sure you get tickets before it sells out (which it seems likely to do considering the line up) you can buy tickets online now for $29.50 here.

The other metal show coming to the Fillmore in May is the Ophidian Trek tour with Sweden’s popular tech metal band Meshuggah headlining in support of their new album Koloss. Everyone knows these guys can shred and this will be the area’s first chance to hear any of their new material played live. If that wasn’t good enough for you they’ve also brought along another one of the premiere bands from the Georgia metal scene, Baroness! Baroness should have a new album out this year, hopefully in time for this tour, but even if they don’t the material on their first two albums is fantastic live. I saw them play the Rock & Roll Hotel back in November of 2009 and while that show was excellent, it will be great to see them on a bigger stage. The opening act is Decapitated, a Polish technical death metal band that has reformed with a new line up after a tragic bus accident in 2007 left the drummer dead and the vocalist in a coma. And you know what Meshuggah and Decapitated on the same bill means, you’re pretty much guaranteed to hear both Bleed and Spheres Of Madness played live at the same concert, hell yeah! If you want to get tickets to this show now and not have to worry about it selling out (you know, on the off chance you don’t win this contest) you can go ahead and buy your tickets online for $25 each by going here.

Well, those are your two choices. Check out these classic videos by the headliners and enter to win below!

King Giant puts on a great show however there’s a kick ass line up for the whole night so be sure to get there early and check out some of the other bands playing. Starting the night off will be a band called Weed Warlock and I honestly don’t know much about them but I’m going to guess they’re a stoner band just from the band name alone. After them will be Auroboros, one of the area’s rising sludge bands. You sort of have to mention that the band features former members of both Baroness and Salome, however they’re a great band even if they didn’t have a pedigree. I’ve also heard they have just made t-shirts and this will be the first place you’ll be able to get one at. After they play there’s The Crimson Electric who are coming up from the Virginia Beach area. You may recall that they played with King Giant at the State Theatre back in January of 2011. So I guess this is becoming an annual thing for them but that’s not a bad thing at all because they put on a great show. The final opening act before King Giant plays will be Borracho, a stoner/doom band from DC. Their name is Spanish for a drunk or lush and as you’d guess they write some great riffs to knock a few back to between rounds of shots. This is really an excellent line up of similar yet distinct and talented bands. If you don’t end up winning you can get a ticket online from Amped & Alive for $13.50 here OR you can buy a ticket at the door $12 (add $2 to that if you’re under 21). This show is all ages and the doors open at 6:30pm. I’ll also be selling DCHM shirts and hopefully have a new batch of DCHM stickers in by then and I’ll be giving those away for free to anyone who wants one. Now check out this kick ass King Giant video for their new song Appomattox and enter the contest below it:

On Saturday the 12th of November 2011 I headed out to the Velvet Lounge on U Street in the District. Warchild was headlining a show and I had heard they were good live, though I hadn’t gotten a chance to see them yet. I got there right when their set was starting and the upstairs of the Velvet Lounge was absolutely packed! I’ve never seen it that full before and it’s cool so many people came out to see a local metal band play there. Warchild is a thrash metal act who likes to party hard. Everyone in the band was shirtless and sporting lots of tattoos. The vocalist, also from the 80s throwback rock band Rattler, told everyone in attendance to not hold back and stage dive and crowd surf as much as they wanted. The audience complied and people were even hanging from the fan in the middle of the room, just going nuts. They brought some people on stage to pound beers in a beer bong and even had two guys race to see who could smash the a can of beer open on their head and then drink it the fastest. And you thought Municipal Waste was a party thrash band, this show was crazy. They played a solid thrash set and ended it with a kick ass cover, with plenty of crowd participation, of Metallica‘s old school classic The Four Horsemen. Such a great show, I can’t wait to see them live again. Highly recommended!

The following Thursday, the 18th of November, I went to the Black Cat in Washington DC to see Fu Manchu play. The opening act was the Austin, Texas based three piece Honky. Somewhere between hellbilly and stoner, they were a pretty solid opener. Their bass player is JD Pinkus who is better known for having played in the Butthole Surfers. They had some hilarious song titles and subjects, which you’d expect more from a humorous grind band. My favorite was their song about masturbating at work called Gittin’ It. They were fun and obviously didn’t take themselves too seriously and they made for a good opener for Fu Manchu. On the final song of Honky’s set Fu Manchu guitar player Bob Balch came out to play a tune with the band. Fu Manchu is one of the main influences in stoner rock and metal, and most of their songs deal with modes of transportation like souped up cars and skateboarding. They had played the upstairs main stage at the Black Cat in September of 2010 but this concert was in the smaller back stage downstairs. The place was pretty crowded when Fu Manchu hit the stage, but the crowd wasn’t too rowdy. They started the set off with a few of their 90s classics before launching into this tour’s main draw, performing their entire 1996 album In Search Of… straight through. They walked off stage for the encore thing and came back to play a couple more songs, finally ending the set with King Of The Road which was still stuck in my head as I drove home. King of the road says you move too slow!

On Tuesday the 29th of November I found myself at the Cellar Door in Annandale, Virginia to see the Chapel Hill, North Carolina based band Black Skies play. There were four bands playing that night but I only caught two of them. The first band that I saw was Admiral Browning, a Frederick, Maryland band that was formerly an instrumental band with four members. To my surprise, at this show they had vocals and only three members. A bit of a change, and although I have a fondness for instrumental metal bands, the vocals fit in to place with the rest of the music. They were entertaining but the main reason I came to this show was to see Black Skies again. I saw them play back in September and they blew me away. This show was no less exciting. Even in the tight basement of the Cellar Door they just burst with energy. They’re the only band I’ve seen someone play a guitar solo with their teeth in a basement, and I’ve seen them do it twice now! I ended up buying a poster and it came with a free download of their debut album, On The Wings Of Time. This is a band worth checking out and I can’t wait to see them play in the area again.

Skip ahead to Sunday the 11th of December and I was at Jaxx to see the notorious Norwegian black metal band Mayhem again. I had seen them on the first show of their tour in Baltimore on November 2nd, but now they were back in the area playing the final show of their tour. The set list was the same as the first show, however vocalist Attila Csihar had a different costume on (he is known for having a wide range of stage costumes). This time he did not have any fake blood, and he held a skull in his left hand for the entire set. The audience seemed much more dead than the crazy pits that happened in Baltimore a month before, and the band didn’t seem to get into the show as much either. Being the final show of the tour they were probably a bit worn out. The audio mix at Jaxx wasn’t as good either. Overall I wouldn’t say the show was bad, it just wasn’t great, and the Baltimore show definitely felt more like a real Mayhem show. The fog machine was on thick all night though, and camera conditions weren’t optimal, however I still got a few decent shots and Mayhem even posted one of my photos from this show on their Facebook wall.

The following Thursday, the 15th of December, I found myself at the Black Cat once again, this time to see the killer line up of The Body, Zoroaster and Black Cobra. The first band to play was The Body, a two man doom band from Rhode Island (though I hear they are relocating). They set their gear up in the middle of the flood of the Black Cat’s back stage area and just played there on the ground, with the audience around them. They were very loud, a theme that would recur throughout the night. After they played Zoroaster took the stage. They’re a psychedelic sludge metal band from Atlanta, Georgia. They have a really trippy vibe while being heavy as well. They had a bunch of lasers shooting around not just the stage but the entire room and it looked pretty cool. Midway through my favorite song of theirs, Odyssey, the power abruptly cut out and the lights came back on for a few minutes before the band finished their set. Then came the headliner, Los Angeles, California based Black Cobra. They’re a sludge metal duo and their latest album, Invernal, is heavy as all hell. They ended up playing every song off of it, though not in order, as well as some of their older songs mixed in. A truly crushing set, it’s amazing how much heavy just two people can make. Take note all you folk bands with like a dozen members, these three bands on this tour had just seven total members between them, and they kicked major ass. Sometimes less really is more.

The next night, Friday the 16th of December, I went to the Velvet Lounge to catch a show I spent a good deal of effort promoting here on DCHM. Borracho was headlining an album release show, the official launch of their LP Splitting Sky. However, there were other bands who played before them. First was a band from Glen Echo, Maryland called Rezin. The guys seemed nice and all but I have to say they weren’t very good. Most of the crowd who had assembled had left by the time their set was over, and honestly I can’t really blame them. The band was very monotonous and they just didn’t do it for me, or apparently that many other in attendance. They didn’t seem to fit with the two other acts on this bill either. However, the next band to play, Kingsnake from Philadelphia, Pennsylvania, was simply outstanding on stage. They played a style of stoner that was almost southern, though rather dark as well. They had fine tuned their songs and obviously put a lot of effort into practicing them as well. It was a great performance by a band I didn’t really know anything about going in. After they played I got up on stage and swore at the audience about giving out free shit, and then Borracho started their set. The guys were on point this night, really putting on a great show. I’ve seen them a few times this year and this was definitely my favorite of their performances. Before I’d always seen them open for someone so it was great getting to see them play a full length set live for once. Also, it was a good turn out for the second metal show in a row at the Velvet Lounge, which is awesome. Hopefully they’ll continue to let us metal heads take over their spot on U Street more often on the weekends.

On Saturday the 17th of December I went to my third metal show in as many days, this time to see locals Ilsa and Midnight Eye play with two Harrisonburg, Virginia bands, Earthling and Orthrus. They were playing at a small Ethiopian bar, named Asefu’s, that is just a few doors down from DC9 and the U Street corridor. I got there as Midnight Eye was setting up though I really only saw their first song. However, it was a brand new song and it was pretty sweet! I went a few doors down to eat dinner (I was starving) and came back while Orthrus was playing. The thin venue was packed and so I watched the show from the doorway and didn’t take any pictures (the band wasn’t facing my direction anyways). Regardless, they were pretty awesome. They play a sort of catchy black/thrash with death metal style deep vocals. Next up was Earthling, a band I had seen before at the now defunct Corpse Fortress back in March. They were just as fun to see live and I had forgotten how catchy I their tunes are. The final band of the night was DC’s own masters of doom/death metal, Ilsa. They have a dirty and crushing sound, very raw and primal and yet still very listenable. Some of their songs slow almost to a halt but the intensity never wanes. Ilsa is always fun to see live and this show was no different. However, at the end of their set they also played a new song for the first time, titled Man Made Monsters. Lucky for you who missed it, I’ve posted video of both Midnight Eye’s new song and Ilsa’s new song below. You might not be able to see much but you can at least hear them well enough.

Well that wraps up another mega sized concert recap. I have a couple more shows to see before the year is done. You might be wondering why I didn’t cover the Mastodon show at the 9:30 Club in late November, and that’s because I’m not a Mastodon fan. I wanted to see Obscura and Abysmal Dawn play on December 7th but the weather was horrible that night and I didn’t want to drive to Baltimore in it as I knew traffic would be bad (Kyuss played the same night in Balti as well). Also, my camera’s lens was damaged during this time period and I had to wait a few weeks for it to be fixed (wasn’t cheap either!). And no, it wasn’t damaged at a show. Next week I plan on posting a big recap of 2011, from the local scene to the biggest metal stories of the year and it will include a preview of 2012 as well. Until then be sure to check the upcoming metal concert calendar and remember, support the scene you’re a part of!

While I’m in the middle of this shameless self promotion post, I might as well let you guys all know that at tonight’s show I’ll be selling DCHeavyMetal.com t-shirts with the new design by Joshua Brettell, drummer of local doom/death band Ilsa! The image is below, featuring the DCHM mascot Honest Abe in King Diamond style corpse paint and the logo in a wavy font similar to that on the cover of the Black Sabbath album Master Of Reality. Supplies are limited so get em while ya can, I can’t really reserve any for anyone but I will have sizes S thru XXL at the show, and they’re just $12!

Well if I haven’t given you enough reasons to come out to the show I don’t know what the hell will convince you. I’m sure this is going to be a fun show for everyone so let’s all have a blast and show DC that people will come out to metal shows inside the district. If you pay any attention to DCHM’s Facebook or Twitter accounts you’ve probably seen me talking up this concert so sorry if you’re tired of seeing this everywhere, however I’m really excited about tonight and I would be even if I didn’t have any part in it. Oh and one more thing, you can get free cabs tonight from the Sober Ride program to get you home even after the Metro closes. Call 1-800-200-TAXI (8294) or go here for more info. I hope to see some of you out there tonight! Now check out this rifftastic Borracho song, Concentric Circles.

The show started with the one of the guys from New Belgium Brewing taking the mic on stage and introducing the band as well as presenting them with the bottle that had serial number 10001110101. That’s the name of one of the songs on Clutch’s 2005 album Robot Hive/Exodus. The guys then went into their setlist, starting off with and “acoustic” version of The Regulator. While guitarist Tim Sult played an acoustic guitar, they were all using pick ups, pedals and amps, so don’t think this performance was something like those old MTV Unplugged specials. What made the show cool was that the Red Palace only holds about 200 people, and Clutch is a band that usually plays much larger venues, they had just played at the HFStival the day before at Merriweather Post Pavilion. However this night the band played their five song set and pleased the crowd by having Tim plug in his regular guitar before playing a new song, apparently titled Newt. They played a few more songs, sort of a best hits style thing with songs covering their back catalog and ending with Elephant Riders. In all they played for about an hour and it was a fun show and a great chance to catch Clutch up close.

When Clutch had finished I didn’t linger around for too long since I had another show to catch at the Velvet Lounge. I made a stop at the 9:30 Club‘s basement bar for a quick bite to eat just before they closed their kitchen. Apparently they had some Mexican band playing upstairs named Molotov, but luckily the 9:30 Club has a separate door on the side of the building you can enter the bar at if you don’t want watch the show. The bartender down there was wearing a Clutch shirt and he said he was pissed he had to work that night because he had wanted to see the show at the Red Palace. Anyways, I had a nice panini and an organic oatmeal stout and then I walked around the corner to the Velvet Lounge.

The Velvet Lounge had a pretty sweet line up this evening. They haven’t been getting a lot of metal shows of note lately but this one definitely stood out on their calendar. The headliner was the New Orleans based sludge band Suplecs and they were touring with the Columbus, Ohio band Lo-Pan. Shows at the Velvet Lounge tend to run late but even so I missed the first band on the bill, Weed Is Weed from Maryland. The band has two former Spirit Caravan members in its ranks, Dave Sherman and Gary Isom. I hope to catch them another time. The first band I saw play at the Velvet Lounge that evening was Lo-Pan. I’ve never seen a band’s lead singer stand all the way to the back of the stage before. I mean way back, he was even behind the drummer. Despite their strange stage positions, they were pretty good live. They made for a good opener act on this kind of tour. They wrote their set list on pages torn out of some porno magazine, certainly the most graphic set list stationary of the night.

After Lo-Pan finished their set local act Nitroseed performed. Typically an instrumental band, they played several of their songs with lyrics at this show. I’d never seen them live before but I was very impressed, certainly worth checking out if you see them listed as an opener at an upcoming show. Also, it turns out their drummer, Phil Adler, also plays in the local doom band Wooly Mammoth. Their music had some good energy and they kept the momentum rolling forward throughout their set. They finished up and the last band of the night was next, Suplecs.

Suplecs is from New Orleans and they mentioned many times between songs that they were excited to be playing in front of a DC audience as they were big fans of the DC doom metal scene. The band was good live, they had some high energy parts but also slowed it down for a few songs. Their songs really had a dynamic range to them that many sludge bands simply don’t have. This kept the show interesting and fresh throughout their set, which is a really good thing after watching three bands with a similar sound earlier in the evening. They mentioned that this was the first time they played their song Pissing In The Wind on the East Coast. They closed their set with a cover. After all their praise for DC’s metal scene I thought for sure they’d play a Pentagram or Spirit Caravan song, or something similar at least. Nope, they played Working Man by Rush. Totally out of left field if you ask me. It was ok but really didn’t seem to fit into their set that well. Regardless, I will definitely go see them again if they come through the area another time, and you should too!

If you’d like to see more images from the bands I saw that night you can see them on my Flickr page here. And be sure to check out all the videos below of Clutch, Nitroseed and Suplecs. The first four are Clutch. The first one is acoustic and the second is their new song. The last two videos are of Suplecs, the last of which is their Rush cover. Thanks to the guys in King Giant for the beers and thanks to you for reading all of this. Stay metal everyone!

Clutch acoustic:

Clutch’s new song:

Clutch with extended drum solo:

Clutch with guitar solo:

Nitroseed:

Suplecs:

Suplecs covering Rush:

The second band to play, and the first I got to see, was Trade from Toms Brook, Virginia (that’s out west a bit past where 66 hits 81). They were a sort of rock/stoner band and I wouldn’t call them bad but they didn’t really stand out much to me and their songs didn’t seem to have a lot of variation. They were a good start for the evening though, and they gave me a chance to practice shooting in the close quarters of the basement.

The next band up was Black Skies from Chapel Hill, North Carolina. They’re a sort of sludge/stoner band and these guys had some crazy energy going. You could tell it was going to be a fun set when Kevin Clark started playing his guitar with his teeth during the first song! The three piece played exciting songs and the dual vocals from Kevin as well as bass player Michelle Temple worked really well. The basement got pretty damn hot while they played though and I had to put my camera away eventually because the lens was fogging up. Definitely my favorite set of the night.

The next band to play was the local act Akris. I’ve been meaning to catch them live for a while but for one reason or another I hadn’t gotten the chance to until this evening. They are also a three piece with a woman on bass, but the similarities pretty much ended there. For starters the drummer was more prominent in the band’s sound because there was no guitar player. The band’s sound was much more raw as well, but that’s not a bad thing. There also seemed to be a bit of a punk edge in there. And if you weren’t up front you might not have realized the third member of the band, Jon Simler, who was sitting on the floor fidgeting with various DJ tools. For the most part you couldn’t really hear what he was adding to the music, except during the occasional break between bass lines. The audience seemed to enjoy Akris a lot and there was even a semblance of a mosh pit in the crammed basement area they were playing in. Their set ended just before midnight and their performance was a great way to end the show.

This was the first time I’ve been to the Cellar Door. I’ve known of a few previous shows there but schedule conflicts have kept me from showing up in the past. After seeing such a fun show, and with the Corpse Fortress shutting down at the end of September, I wanted to write something here to draw some attention to this place, one of the few DIY venues in the area that will still host metal bands. The basement is smaller than the Corpse Fortress but the place isn’t trashed as much either. No, it’s not going to replace the Corpse Fortress but it is an example of someone else helping to keep the local DIY scene alive. You can be sure that I’ll post more of the Cellar Door’s upcoming shows on the Upcoming Concerts Calendar as I hear about them (you can also find info on the last Corpse Fortress show on Sept 24th there). For more info on local DIY venues and concerts (metal or otherwise) in the DC area I highly recommend regularly checking out Dirty City Shows at http://inyrbasement.tumblr.com. You don’t have to pay a $15 Ticketmaster fee on top of a ticket price to see a great metal show in this area. You might not get all the crazy stage lighting but you won’t pay $7 for a Budweiser either. Go out and see bands, not just the ones you are in or your friends are in, but check out new bands and see if you find something new you like. Get out and support the scene you’re a part of!

This tour features Florida’s stoner metal band Torche headlining two other bands. Big Business is a Seattle stoner/sludge duo that will be direct support at this show. Playing before them will be Helms Alee, a rock band that is also from Seattle. If you can’t wait for the contest to end, or it’s already over when you see this, you can get tickets to this show from Ticket Alternative for $13 here and they’ll go up to $15 at the door on the day of the show. Torche is a great high energy band to see live and this is a great chance to see them in action inside the Washington DC city limits. Even if you don’t win you should really be sure to make it out to this show, there is no way you’ll regret it.

After you’ve entered the contest check out this cool video of Torche playing their song Healer.

Filed under: Contests, Rock And Roll Hotel, Sludge Metal Tagged: Band, Big Business, Contest, Free, Heavy Metal, Helms Alee, Metal, Music, Rock & Roll Hotel, Rock And Roll Hotel, Stoner Metal, Torche, Washington DC ]]> http://dcheavymetal.com/2011/07/07/torche-ticket-give-away/feed/ 16 Metal Chris http://dcheavymetal.com/2011/03/16/metal-marathon-days-4-5-and-6/ http://dcheavymetal.com/2011/03/16/metal-marathon-days-4-5-and-6/#comments Wed, 16 Mar 2011 14:49:10 +0000 Metal Chris http://dcheavymetal.com/?p=3079 ]]> Ok, so my Metal Marathon posts are a bit behind, but I’m still going to recap them because the shows I saw during those 9 days were just too damn good. This is my second of three posts covering the 11 concerts and I’m going to recap the metal concerts I went to from Tuesday, March 8th 2011 through Thursday March 10th in this post. Three great shows, especially considering they were all in the middle of the work week.

On Tuesday I borrowed a friend’s car and drove to Silver Spring after work to catch a DIY show at the Corpse Fortress. The touring band was Earthling and they were playing with Baltimore based Revolta and the DC band Spine Buster. There was also a surprise set by Ilsa at the end of the night. Spine Buster had just started their set when I got there, and they were pretty entertaining but Harrisonburg, Virginia’s Earthling came out and just shredded for their entire set. They played what must have been the longest set of the night and it was high energy and just a lot of fun to be there for. I hope they play around here again because they really are worth seeing again. If you don’t believe me check out the thrashtastic video I’ve got of them at the bottom of this post. The video quality sucks visually but the audio is great and it’s a killer song! The next band to play was Revolta, a sort of punkish thrash band from Baltimore. I’d seen them a few weeks before at the Candlehaus with Fatal, though they had another guitarist then. Their set seemed a bit short this time, I think there were outside time constraints going on that were made worse since Ilsa was still yet to play. Ilsa did play a good but short set, I think it was basically a practice for their show coming up on Saturday opening for Dropdead (more on that show in my next post). I’m not sure why, but the band’s vocalist, Orion, started puking all over the floor at the end of the set. You gotta admit that it’s pretty damn metal to be barfing your guts out, mic in hand, while your band plays. I’m really glad that I wasn’t the one who had to clean that mess up! In all the show was a lot of fun and the venue was really laid back, even for a house show, and I got to talk to a lot of great people all night between sets. It was really a fun atmosphere and a great experience for my first show at the Corpse Fortress.

The next show on my list was Rotting Christ and Melechesh on Wednesday the 9th of March at Jaxx. If you go to a lot of metal shows in the DC area you’re going to find yourself at Jaxx sooner or later and fittingly this was the only venue I’d be at twice during my Metal Marathon. Some people complain about various aspects of the venue but at the end of the day, they are the only place in this area that will play any number of international metal bands and if it wasn’t for them I’d surely have seen a lot less of my favorite bands from Europe and even farther away. This night was a perfect example of this fact when the Greek band Rotting Christ headlined a show with Israel’s Melechesh. Two great black metal acts that happen to not be from Scandinavia. The tour also features the Polish black metal act Hate but they weren’t able to make it to this gig, the first show of the tour. When I got there Melechesh was getting ready to play and I quickly secured a spot in the very front. These guys are one of my favorite bands these days and I was really excited to get to see them again. They had played their first US concert ever at last year’s Maryland Deathfest (my extensive recap of that is here) and this night’s show at Jaxx was going to be their second US show. Their set at MDF had been cut short and they had a new album out since then too, so this concert’s set was longer and featured new material too. Simply put, they hit the stage and just killed it. Yeah I’m pretty biased about these guys but even most of the people I talked to afterwards said they also thought Melechesh had put on the better show. Their sound is certainly black metal but with a distinct middle eastern bent and they have some really catchy riffs that really make the sound work. That all said, Rotting Christ didn’t put on a bad show by any means. Their set was heavy with a lot of songs from their latest album, Aealo, which is ok but I think their album previous to that, Theogonia is the best of their 20+ year career. They did play several songs from that too, but the last time I saw them they were touring in support of that album and the setlist was just superior. They didn’t play much of their older material though. I was hoping they’d play some of their classics like Under The Name Of Legion and Sorrowful Farewell but I guess they’re trying to appeal more to their newer fans. I enjoyed the material they did play and combined with the set by Melechesh would say this show was definitely worth the price of admission.

Thursday the 10th of March was the sixth day of my nine day Metal Marathon and since my car was in the shop I found myself in need of a ride to see Atheist play at Sonar in Baltimore. Luckily one of my readers, a really cool guy named James (who I’ve run into at a few shows now after this night) gave me a lift in the pouring rain up to Charm City. This show was a bit of an odd line up. While I was there to see Atheist and catch opening act Revocation, I didn’t care about some of the metalcore opening acts, A Life Once Lost or Last Chance To Reason. This show was the first time I’d seen Revocation and they certainly come from the Galder school of on stage facial expressions. They were making all kinds of faces during their highly energetic set. I’d heard they were a good band live but even so I didn’t expect them to be that entertaining. They also played a cover of the Death classic Pull The Plug which is always a good way to get extra points from me. My only problem with their set was that they weren’t the last support act for Atheist. After they played A Life Once Lost hit the stage. I wasn’t familiar with their material but it seemed to be pretty typical metalcore, which I’m not a fan of and after a couple songs I’d heard enough and found my way to the bar for a beer I’d gladly enjoy out in the hall. After some good conversations out there, I went back in while Atheist was setting up to get right up front for taking some pictures. Atheist is a progressive technical death metal jazz fusion band. Yeah, that’s quite a description but pretty much sums them up. They were around in the late 80s/early 90s Florida death metal scene but broke up in 1994. They reunited in 2006 with guitarist Kelly Shaeffer sticking to just the vocals because he was unable to continue playing guitar due to some medical issues. I saw them play at Jaxx in July of 2009 but this time they had an album of new material, their first in 17 years, and this was the first tour that they’d be playing any of the new songs live. Luckily the new album, Jupiter, kicks ass and fits in with their older songs perfectly. The set was pretty awesome except for two things really, they skipped over Mother Man which was on the setlist, and their final song, Piece Of Time, was totally screwy due to technical difficulties. Those are my two favorite Atheist songs so that kinda sucked, but otherwise the show was great. They have a unique sound that fans of either technical heavy metal or jazz will enjoy, not just people who are fans of both. The band is really tight live and it sure is fun watching them play those kick ass tunes in person. The audience begged for an encore but guitarist Chris Baker came out on stage and said they couldn’t because of the technical difficulties they were having. Sort of a shitty way to end the night but what else could they do?

Well, that’s what I did on days four, five and six of my nine day Metal Marathon. You can read about the Metal Marathon plan here or about the concerts I saw on the first three days here. My next post will be covering the four concerts I went to in the final three days. So stay tuned to hear about my impressions on concerts by Meek Is Murder, Dropdead, Trap Them and Apocalyptica in my next post. Until then you can check out some of the videos I shot over days four, five and six of the Metal Marathon below or go to my YouTube page to see all of them. You can also check out my Flickr set here that has pics I’ve posted from this awesome string of concerts.

Filed under: Black Metal, Concert Reviews, Corpse Fortress, Death Metal, Doom Metal, Florida Death Metal, Jaxx Nightclub, Local Band Info, Metal Marathon, Sludge Metal, Sonar, Talking Head Club, Thrash Metal, Washington DC / Maryland / Virginia Metal Scene Tagged: A Life Once Lost, Atheist, Band, Concert, Concert Review, Concert Reviews, Earthling, Gig, Heavy Metal, Ilsa, Melechesh, Metal, Metal Marathon, Music, Revocation, Revolta, Rotting Christ, Spine Buster ]]> http://dcheavymetal.com/2011/03/16/metal-marathon-days-4-5-and-6/feed/ 2 Metal Chris http://dcheavymetal.com/2011/02/21/recap-of-eyehategod-gig-at-sonar/ http://dcheavymetal.com/2011/02/21/recap-of-eyehategod-gig-at-sonar/#comments Mon, 21 Feb 2011 22:50:44 +0000 Metal Chris http://dcheavymetal.com/?p=2921 ]]> So on Thursday the 17th of February 2011 the New Orleans based sludge act Eyehategod was coming to Sonar in Baltimore. I’m really not a huge fan of their albums, though they are influential in the sludge scene. I probably wouldn’t have gone but they were playing with a few bands I do really like, Misery Index, Magrudergrind and Cough specifically. Unfortunately the flyer for the show didn’t list the bands in the order they’d actually be playing and I ended up missing Cough, who apparently played first. Someone said they had played too long and so the rest of the show was being rushed. I did catch one of the local openers, Surroundings. They were ok I guess, pretty standard grindcore with a frontman that was really energetic, even crowd surfing during the set. The audience moshed for about a song or two at the beginning, but considering it’s grind that means about 30 seconds, haha. The next band to play was Strong Intention but I wasn’t really in the mood for hardcore so I went into the other room to have a couple beers and talk to people while they were playing. They do play the area a lot and I’m sure I’ll see them sooner or later though.

The next band to take the stage was Washington DC based grindcore act Magrudergrind. They made a stir last year when they gave their new album away for free (get it here) since the album was sponsored by Scion, a branch of Toyota. Apparently all the anti-corporate grind people took issue with this and so yeah, people were actually complaining about getting a free album. Anyways, I caught them last May at Maryland Deathfest, but this setting was a bit better to see them in I think, for one it wasn’t so crowded but it was also a local crowd so that was cool. Their set was fun, full of people jumping off the stage while the band played their spasmatic outbursts of DC grind. The main problem was they only played for 20 minutes! That kind of sucked, but was probably due to the time constraints the show was having.

Next up was the band I wanted to see the most, Misery Index. They’re from Maryland and the band was formed by ex-members of Dying Fetus. Only one of those guys are left in the band, and in fact this was the first show I had seen them play with their new guitarist, Darin Morris. Any fear I had of how the band would play with the line up change was quickly dispelled. As usual they played a very tight set showcasing their extremely brutal songs and even managing to play them faster live. Most of their set consisted of stuff from Heirs To Thievery, their latest album. They were told to stop playing at 12:20 am even though they had more songs left to play.

The headlining act, Eyehategod, is a band that I never really got into. Figured it was worth seeing them once though since ya know I run a metal site and all. They played a new song (video of that below) though they didn’t say its name. Their set was very downtuned and while I know plenty of people there were psyched to see them, it got monotonous to me after a while. I kept thinking that it was getting so late they’d have to end soon, but after thinking that for a few songs I checked the time around 1:45 and decided to call it a night even though they were still playing. As I said before I really was there to see the openers anyways. It sucks that their sets were all cut short after I drove up to Baltimore though! Anyways, I’ve got videos of the bands below, though most are dark the Eyehategod guys did have good lighting for me to shoot video in. The final song is their new one that I’d imagine will be on their next release, enjoy!

The Red Palace is on H Street NE in the Atlas District and was formerly the venues The Red And The Black and the Palace Of Wonders. They have now combined to become the Red Palace, and by combined I mean they were knocking down walls. The entrance to the Palace Of Wonders has been completely shut off, and now the only way to enter is on the side of The Red And The Black. A bouncer outside was checking IDs and gave me a wristband. Once inside, it didn’t look too different, the bar on the right, the booths on the left. Once you make it past the booths though, there is a hole in the wall with a couple steps down that leads to the Palace Of Wonders side. There’s a small stage right in front of you, though I spoke with one of the bartenders and he said they’d be getting rid of that and the dressing rooms next to it at some point and the space would become the kitchen. Anyways, you have to go left once you step into that side, and there’s another bar on you left and a stairwell that leads to the upstairs on your right. They took the cover charge at the base of the stairs and stamped my hand and let me upstairs into the show space. Now, I’d never been inside the Palace Of Wonders before, but I had seen a few shows at The Red And The Black, and it was tiny, along the lines of the Velvet Lounge in floor space. The new set up greatly improves not only the space for the audience but also the stage is at least three times the size. A sign over the upstairs bar said the maximum occupancy was 106. Previously the stage had been set up so the band was facing away from the street, towards the back of the building, but now it’s been rotated 90 degrees so that the band performing will be facing the Palace Of Wonders side with the street to their left. There is a big seam on the floor that lets you know right where the wall had been knocked down, and a large I beam runs parallel above it. There’s a third bar at the top of the staircase, and the mixing board is set up above the lowest part of the stairwell. Aside from the space being much larger, the sound quality was great. An interesting little thing I noticed is that they placed a pair of subwoofers under the stage itself that face towards the crowd, which sounded really good. Well, enough about the new set up, lets get on to the bands…

The first band of the night was one of my favorite local bands, King Giant. The kings of southern darkness played a short but fun set. Their staples Solace and 13 To 1 kicked off the set and really got the show started with a bang. Their southern rock/stoner/sludge sound with it’s well thought out song structures and just downright catchy riffs really got people into the concert from the start. The biggest problem I had was that the set was short, but then, this was the first time I’d seen them open for a show and that just comes with the territory. Also of note, their bass player, Floyd Walters III, had an eye patch on his right eye, though it wasn’t too noticeable under his sunglasses. Hopefully he heals up quick, eye injuries suck.

The next band up was Naam from Brooklyn, New York. They’re a three piece doom metal/stoner rock band that I was pretty unfamiliar with going into the show. They were pretty entertaining, a bit on the atmospheric side at times but they had some really fun parts where they’d build up and just jam out some metal for a bit. Their heavily reverbed vocals, from both the guitarist and the bass player, was a rather haunting touch to their sound. After the first song they had the board op bathe the stage in red lighting for the rest of their set. They didn’t play a whole lot of songs, though some were rather long such as their closing song which was over 10 minutes. They weren’t bad and a good choice to be in the middle slot for this show.

Finally it was time for the headliner, Priestess, from Montreal. Sadly, as they started there weren’t many people still there for the show and the lead singer, Mikey Heppner, started off by saying jokingly thank you to “the five of you who stayed.” Once they began playing people started appearing from the stair case though. I can see that being an issue with this venue, as the upstairs bar is the smallest and also in the most cramped space, so when a band ends and there’s a rush to the bar, I’m sure many people head to the bigger downstairs bars and probably stayed there for a while. Anyways, it seemed most of them did return to the stage area upstairs, and it’s a good thing they did! Priestess slayed with their thrashy version of sludge metal and the entire show was exciting. At the beginning of the song Lady Killer one of the strings broke on Mikey’s guitar, but he didn’t miss a beat and even managed to adjust for the missing string rather well even getting through the solo decently. I had missed Priestess last time they came around, when they played at the Black Cat back in April, even though I caught the headliner High On Fire (my review of that show is here). I’m glad I finally got a chance to see them, it was great! The songs were fast paced and catchy and their drummer was insanely good. He really was the star of the show and he was punching it all night. He even did lead vocals on the song Lunar. I’m not familiar enough with them to know if he does that on the album or not, but it was still impressive to see him throw those tight drum fills in between verses. The show was a lot of fun and I’m glad I stuck around for the headliner as they really entertained with an action packed setlist that totally made me forget how late it was on a Tuesday night (though the beer helped with that a bit too). Overall it was a great show with one of the best local acts to open, a new band to check out, and a killer headliner. You can check out the videos I shot there below, some might be a bit dark but as usual the audio quality is good if nothing else.