Usually I don’t have any runner up prizes on my contests but this time I’m also going to be giving away five copies of Jeff Krulik’s latest metal related documentary film, Heavy Metal Picnic. Shot in the 80s at a metal party in a field in Maryland that was headlined by the local doom metal band Asylum, the director of the classic Heavy Metal Parking Lot film just released its follow up on DVD this past winter. The winner of the pair of tickets will get a copy of Heavy Metal Picnic on DVD and I’ll also pick four more of you at 5pm EST on Friday 20 April 2012 to win. If you don’t win you can pick up a copy of the DVD for $15 here. If you want more info I recommend checking it out on IMDB (here) and of course by watching the trailer below.

This Sunday, April 1st (no joke!) a local black metal band, Fuchida, will be performing live for the first time at the Black Cat of all places. The venue is mostly known for appealing to the indie rock and alternative scene and I’m hoping there is a good turn out for this show so maybe they’ll consider hosting more extreme metal bands. You might be thinking that there are already places for local metal bands to play live in this area but how many of them aren’t pay-to-play? This is a local metal act headlining a show at an area venue that doesn’t make them sell tickets or sign a contract that involves them giving the venue money. We should be supporting that, even if we don’t know what the band sounds like yet.

The following Sunday, April 8th, there is another venue in Washington DC that will be hosting a metal show that doesn’t usually have them. The U Street Music Hall is normally home to dance and techno music (sort of filling the void left when Nation closed). They’re hosting their first metal show on this Sunday night, the old school UK thrashers Onslaught and a band you may not recognize by name, Mpire Of Evil, that features two ex-members of the legendary Venom. Not only that but they even play some Venom songs in their set list (details of their first show on this US tour here). The venue is said to have a great sound system (you just know those electronica DJ guys are good at setting up speakers) and it isn’t very often you get to see 80s thrash metal in a club with a great sound system set up. And really, when are you going to get to hear live Venom classics sound better than this? One of the venue’s owners even posted to Twitter (here) that he’d like to see more metal shows at the U Street Music Hall so I hope a good amount of you come out to show it is worth it! To make this all even sweeter, DCHeavyMetal.com will be giving away a pair of tickets to this show next week, so keep an eye out for that.

Another thing I’d like to mention is that this month, March 2012, has been DCHeavyMetal.com’s best month ever in regards to total hits. You people who read this site, even if it’s just for the calendar, who spread the word to your friends, passed along the link of Facebook and Twitter, or even just stumbled upon it with Google, have made it worth all the work and time it takes me to run it. I don’t really make any money doing this (I do sell a few shirts here and there) and I refuse to put any paid ads on the site so if you’d like to donate a few bucks to the site you can send money via Paypal to the email address: DCHeavyMetal@Gmail.com Any donation is appreciated of course and will be put towards either making the site better or paying my way to get into more metal shows. Now, on to the photos…

I saw Jucifer back on Friday the 20th of January 2012 at the Black Cat and as always they put on a great show. This husband and wife duo truely live the lifestyle as they tour the country in their RV bringing their brand of sludge metal from city to city 12 months a year. And if you couldn’t tell from the mountain of speakers in this photo, they take the wall of sound thing quite literally. Be sure to see them next time they come through the area and bring ear plugs!

The next night, Saturday the 21st of January was a big night for Northern Virginia’s metal scene. One of the area’s biggest bands, King Giant, was having their CD release show for their sophomore album, Dismal Hollow. On top of that, this was the grand re-opening show for Empire, the new name of the venue formerly known as Jaxx. Not my best night of shooting photos but I mean, with a line up of Auroboros, The Crimson Electric, Borracho and King Giant, it would have just been wrong for me to not be drinking beer and whiskey all night. I shot a couple videos that night including the one below of King Giant playing Pistols And Penance off of the album. I also added a photo below showing some of the interior changes they have made at the venue if you haven’t seen them yet.

Tuesday the 7th of February found me at the Black Cat again, this time to see southern sludge metal band Hail!Hornet play on the back stage. There was a showing of the film Slow Southern Steel at the beginning of the show, a movie about heavy metal in the American south, but I missed that. The Atlanta, Georgia based psychedelic sludge band Zoroaster played after they did with a really trippy light show, and finally Hail!Hornet took the stage and killed it. They’re a band featuring members of Buzzov•en, Alabama Thunderpussy and Sourvein so you knew they were going to bring some great filthy sludge metal and they didn’t disappoint.

Now I’ve got to skip a few bands because I simply haven’t gotten to sorting all of their photos yet. The above image is of Dorthea Cottrell of the Richmond based doom band Windhand when they played at St. Stephen’s Church in Columbia Heights on Saturday, March 3rd. I won’t write much about that show here because I did a review of it covering all four bands who played it here.

On Tuesday March 13th I found myself at the 9:30 Club to see California thrash act Warbringer and Floridian power metal band Iced Earth. I had been given a photo pass for that show, though for some reason it was only valid for Warbringer’s set. To add to my frustration I was feeling sick and while it was cool too see Warbringer play on a bigger stage, I just wasn’t up for Iced Earth by the time they played. When Iced Earth’s new singer, Stu Block of Into Eternity fame, started making juvenile sexist comments about giving the shocker to the women in the audience I decided I’d had enough and took my infected self home.

I’m skipping over talking about an excellent Dysrhythmia show I saw in Baltimore here but I wanted to mention last night’s Alcest show at DC9. They put on a excellent performance of a set list made up of mostly their new album’s material. It did go on a bit long I thought, but it was still a pretty great experience. The lighting was pretty dim though making it hard to take photos, and the fog machine was jacked up the entire show making it even harder to get any great shots. Because of this I decided to make some animated gif images from some of my series of shots. I did see Alcest open for Enslaved in September last year so you can see some higher quality images of the band I shot by clicking the gif if you’d like.

Well, that’s all for now, thanks for reading DCHeavyMetal.com and if you’d like more updates on things like when local bands are making announcements or area venues and media have things to say about metal be sure to check out DCHM on Facebook and Twitter (your choice, I post most things to both). Keep it metal everyone and remember, support the scene you’re a part of!

Alcest is probably the most famous of the bands who have started meshing black metal with the atmosphere of shoegaze and when I saw them open for Enslaved at Jaxx last September I was very impressed with their performance. They just put out an excellent new album, Les Voyages de l’Âme, in January so this set should feature some of that new material including the song you can hear in the video at the end of this post. The supporting act on this tour, deafheaven, fits perfectly on this tour since they play a similar style of music, though they are based out of San Francisco. There are two local support bands playing as well. One is Black Clouds, which, from the one song they have on their Facebook page, sounds like a pretty straight up shoegaze band. And the local act that will be opening the show is Auroboros, one of the DC area’s best up and coming metal bands. They’re not atmospheric like the other bands on this line up but they’re really great live and you’d be stupid to miss getting to this show early enough to see these guys. All around, this is a great show coming to one of the smaller venues in the city, DC9, at 1940 9th St NW, Washington, DC 20001 which is located about a block away from the 9:30 Club. Now check out this latest video by Alcest and enter the contest!

Satan’s Satyrs was the first band up. The crowd was pretty sparse during their set but people were still coming in. The trio were decked out in bell bottoms and played a throwback style of stoner/sludge metal though it had quite a bit of energy as well. The problems with the PA system were a recurring issue throughout the evening and their set was no different. They were loud in the large square rec room space though the faster parts of their songs sounded pretty muddy. This wasn’t the band’s fault, the sound just wasn’t great that night. However it wasn’t bad enough to ruin the music overall and their performance was still entertaining, especially for a last minute add on.

The next band to play was Pilgrim, a three piece doom band from Rhode Island. I was unfamiliar with them but they were pretty good live. They were very heavy and most of their songs were slow paced. They weren’t very flashy but they played some quality tunes, often times just slowly grinding along. They finished their set with a faster paced song that was pretty cool as well. Apparently this was their first tour and this was a good showing.

The next band to hit the stage was Natur, a sort of thrashy metal band from New York City. They had a lot of energy on stage and I was really blown away by how well the executed live. Lots of catchy memorable riffs and wailing guitar solos with some solid song structures that tied it all together. I couldn’t hear the vocals for most of their performance from where I was standing. However things seemed to get sorted out a little bit by the end of their set and honestly they were so fun live the poor sound quality didn’t come close to ruining it for me. I was very impressed by these guys to say the least.

Next on stage was Windhand, one of my favorite underground bands from Richmond. They are a really heavy doom band with a woman on vocals but this is no girl power gimmicky band. I’ve seen them perform a few times before but this was certainly the biggest of those shows as far as attendance is concerned. The whole of Windhand were in great form for this show. Their sludgy doom even brought a few onlookers from the square dance event going on in another section of the church. My only complaint was that the set seemed too short, and judging by all of the applause I’m sure I wasn’t the only one wishing they had played longer.

Locals Ilsa played last. They’re one of the leading bands in Washington DC’s underground metal scene and they were spotlighted in an article in the City Paper last week (here). They play a very crusty style of death/doom metal that isn’t particularly technical but is incredibly crushing. Their sound is dirty and full of great riffs and they got the biggest mosh pits of the night during their set. Ilsa plays pretty regularly around the area and they seem to always put on a good live show. This time they mixed up the playlist a bit and I think this is the first time I’ve ever seen Ilsa where they didn’t play their song Frostthrower. It’s usually a staple and often their closer. I’m glad they aren’t happy just staying put with what they have already done so well and they’re willing to keep moving forward and keep things fresh. The vocals were basically inaudible from where I was standing in the front but the songs are still pretty awesome on their own anyways.

In all this was a great show with a lot of quality bands. It sucks that you can’t drink or order food there, but it also makes it so that some of the younger fans who can’t get into the 21+ shows can get out and see killer line ups like this when they happen. The sound left a lot to be desired but really, I’ve heard worse at plenty of local “professional” venues as well. The lack of any real back stage means the members of the bands are out in the audience (or behind the merch table) most of the night which means anyone can go up and talk to them, which I think is pretty cool not only for the fans but also to help build up a band’s fan base on a more personal level. This wasn’t the first show I’ve been to at St. Stephen’s and if you hear of a good show coming there you shouldn’t hesitate to go, just be sure you eat before you get there. Thanks for reading all of this, and while the winter has been a bit slow around here I hope to have more concert reviews up this spring and summer. Also, be sure to check out (here) the newest contest running on DCHM right now where you can win quality seated tickets to Rammstein in Baltimore AND Iron Maiden/Alice Cooper in Northern Virginia and tomorrow I will be posting a new ticket contest as well. I do love giving away stuff to the readers of this site. Stay metal everyone and remember, support the scene you’re a part of!

The Heritage Hunter tour has quite a line up! Opeth is Sweden’s premiere progressive metal band and while their last trip through the area saw them playing mostly softer material with a focus on their new album, Heritage, word has it this tour will feature a more “best of” style set list. I suppose we won’t know for sure until they’re actually playing it though. Opeth sold out their last area appearance on November 1st at Rams Head Live in Baltimore. Mastodon is probably the most famous band out of that big Georgia metal scene. Their latest album, The Hunter, looks to make them an even bigger name in the world of metal and you can bet they’ll be playing material from it as well. They also sold out their last area appearance which was at the 9:30 Club on November 27th. The opening act on this tour is Sweden’s mysterious Ghost. The members of the band all cover their faces and hide their identities and so the rumors have swirled around them about who might actually be in the band and what other bands those people are members of. Regardless, their debut album, Opus Eponymous, has won over critics and metal fans alike with their clean vocals and simple but catchy songs, all in the name of Satan of course. And you probably guessed it, but they also sold out their most recent area appearance when they headlined the Rock & Roll Hotel on January 19th. That’s right, this tour is made up of three bands who all sold out their most recent area appearances. If you missed any of them before now is your chance to see them live! If you want to be sure you get tickets before it sells out (which it seems likely to do considering the line up) you can buy tickets online now for $29.50 here.

The other metal show coming to the Fillmore in May is the Ophidian Trek tour with Sweden’s popular tech metal band Meshuggah headlining in support of their new album Koloss. Everyone knows these guys can shred and this will be the area’s first chance to hear any of their new material played live. If that wasn’t good enough for you they’ve also brought along another one of the premiere bands from the Georgia metal scene, Baroness! Baroness should have a new album out this year, hopefully in time for this tour, but even if they don’t the material on their first two albums is fantastic live. I saw them play the Rock & Roll Hotel back in November of 2009 and while that show was excellent, it will be great to see them on a bigger stage. The opening act is Decapitated, a Polish technical death metal band that has reformed with a new line up after a tragic bus accident in 2007 left the drummer dead and the vocalist in a coma. And you know what Meshuggah and Decapitated on the same bill means, you’re pretty much guaranteed to hear both Bleed and Spheres Of Madness played live at the same concert, hell yeah! If you want to get tickets to this show now and not have to worry about it selling out (you know, on the off chance you don’t win this contest) you can go ahead and buy your tickets online for $25 each by going here.

Well, those are your two choices. Check out these classic videos by the headliners and enter to win below!

King Giant puts on a great show however there’s a kick ass line up for the whole night so be sure to get there early and check out some of the other bands playing. Starting the night off will be a band called Weed Warlock and I honestly don’t know much about them but I’m going to guess they’re a stoner band just from the band name alone. After them will be Auroboros, one of the area’s rising sludge bands. You sort of have to mention that the band features former members of both Baroness and Salome, however they’re a great band even if they didn’t have a pedigree. I’ve also heard they have just made t-shirts and this will be the first place you’ll be able to get one at. After they play there’s The Crimson Electric who are coming up from the Virginia Beach area. You may recall that they played with King Giant at the State Theatre back in January of 2011. So I guess this is becoming an annual thing for them but that’s not a bad thing at all because they put on a great show. The final opening act before King Giant plays will be Borracho, a stoner/doom band from DC. Their name is Spanish for a drunk or lush and as you’d guess they write some great riffs to knock a few back to between rounds of shots. This is really an excellent line up of similar yet distinct and talented bands. If you don’t end up winning you can get a ticket online from Amped & Alive for $13.50 here OR you can buy a ticket at the door $12 (add $2 to that if you’re under 21). This show is all ages and the doors open at 6:30pm. I’ll also be selling DCHM shirts and hopefully have a new batch of DCHM stickers in by then and I’ll be giving those away for free to anyone who wants one. Now check out this kick ass King Giant video for their new song Appomattox and enter the contest below it:

On Saturday the 12th of November 2011 I headed out to the Velvet Lounge on U Street in the District. Warchild was headlining a show and I had heard they were good live, though I hadn’t gotten a chance to see them yet. I got there right when their set was starting and the upstairs of the Velvet Lounge was absolutely packed! I’ve never seen it that full before and it’s cool so many people came out to see a local metal band play there. Warchild is a thrash metal act who likes to party hard. Everyone in the band was shirtless and sporting lots of tattoos. The vocalist, also from the 80s throwback rock band Rattler, told everyone in attendance to not hold back and stage dive and crowd surf as much as they wanted. The audience complied and people were even hanging from the fan in the middle of the room, just going nuts. They brought some people on stage to pound beers in a beer bong and even had two guys race to see who could smash the a can of beer open on their head and then drink it the fastest. And you thought Municipal Waste was a party thrash band, this show was crazy. They played a solid thrash set and ended it with a kick ass cover, with plenty of crowd participation, of Metallica‘s old school classic The Four Horsemen. Such a great show, I can’t wait to see them live again. Highly recommended!

The following Thursday, the 18th of November, I went to the Black Cat in Washington DC to see Fu Manchu play. The opening act was the Austin, Texas based three piece Honky. Somewhere between hellbilly and stoner, they were a pretty solid opener. Their bass player is JD Pinkus who is better known for having played in the Butthole Surfers. They had some hilarious song titles and subjects, which you’d expect more from a humorous grind band. My favorite was their song about masturbating at work called Gittin’ It. They were fun and obviously didn’t take themselves too seriously and they made for a good opener for Fu Manchu. On the final song of Honky’s set Fu Manchu guitar player Bob Balch came out to play a tune with the band. Fu Manchu is one of the main influences in stoner rock and metal, and most of their songs deal with modes of transportation like souped up cars and skateboarding. They had played the upstairs main stage at the Black Cat in September of 2010 but this concert was in the smaller back stage downstairs. The place was pretty crowded when Fu Manchu hit the stage, but the crowd wasn’t too rowdy. They started the set off with a few of their 90s classics before launching into this tour’s main draw, performing their entire 1996 album In Search Of… straight through. They walked off stage for the encore thing and came back to play a couple more songs, finally ending the set with King Of The Road which was still stuck in my head as I drove home. King of the road says you move too slow!

On Tuesday the 29th of November I found myself at the Cellar Door in Annandale, Virginia to see the Chapel Hill, North Carolina based band Black Skies play. There were four bands playing that night but I only caught two of them. The first band that I saw was Admiral Browning, a Frederick, Maryland band that was formerly an instrumental band with four members. To my surprise, at this show they had vocals and only three members. A bit of a change, and although I have a fondness for instrumental metal bands, the vocals fit in to place with the rest of the music. They were entertaining but the main reason I came to this show was to see Black Skies again. I saw them play back in September and they blew me away. This show was no less exciting. Even in the tight basement of the Cellar Door they just burst with energy. They’re the only band I’ve seen someone play a guitar solo with their teeth in a basement, and I’ve seen them do it twice now! I ended up buying a poster and it came with a free download of their debut album, On The Wings Of Time. This is a band worth checking out and I can’t wait to see them play in the area again.

Skip ahead to Sunday the 11th of December and I was at Jaxx to see the notorious Norwegian black metal band Mayhem again. I had seen them on the first show of their tour in Baltimore on November 2nd, but now they were back in the area playing the final show of their tour. The set list was the same as the first show, however vocalist Attila Csihar had a different costume on (he is known for having a wide range of stage costumes). This time he did not have any fake blood, and he held a skull in his left hand for the entire set. The audience seemed much more dead than the crazy pits that happened in Baltimore a month before, and the band didn’t seem to get into the show as much either. Being the final show of the tour they were probably a bit worn out. The audio mix at Jaxx wasn’t as good either. Overall I wouldn’t say the show was bad, it just wasn’t great, and the Baltimore show definitely felt more like a real Mayhem show. The fog machine was on thick all night though, and camera conditions weren’t optimal, however I still got a few decent shots and Mayhem even posted one of my photos from this show on their Facebook wall.

The following Thursday, the 15th of December, I found myself at the Black Cat once again, this time to see the killer line up of The Body, Zoroaster and Black Cobra. The first band to play was The Body, a two man doom band from Rhode Island (though I hear they are relocating). They set their gear up in the middle of the flood of the Black Cat’s back stage area and just played there on the ground, with the audience around them. They were very loud, a theme that would recur throughout the night. After they played Zoroaster took the stage. They’re a psychedelic sludge metal band from Atlanta, Georgia. They have a really trippy vibe while being heavy as well. They had a bunch of lasers shooting around not just the stage but the entire room and it looked pretty cool. Midway through my favorite song of theirs, Odyssey, the power abruptly cut out and the lights came back on for a few minutes before the band finished their set. Then came the headliner, Los Angeles, California based Black Cobra. They’re a sludge metal duo and their latest album, Invernal, is heavy as all hell. They ended up playing every song off of it, though not in order, as well as some of their older songs mixed in. A truly crushing set, it’s amazing how much heavy just two people can make. Take note all you folk bands with like a dozen members, these three bands on this tour had just seven total members between them, and they kicked major ass. Sometimes less really is more.

The next night, Friday the 16th of December, I went to the Velvet Lounge to catch a show I spent a good deal of effort promoting here on DCHM. Borracho was headlining an album release show, the official launch of their LP Splitting Sky. However, there were other bands who played before them. First was a band from Glen Echo, Maryland called Rezin. The guys seemed nice and all but I have to say they weren’t very good. Most of the crowd who had assembled had left by the time their set was over, and honestly I can’t really blame them. The band was very monotonous and they just didn’t do it for me, or apparently that many other in attendance. They didn’t seem to fit with the two other acts on this bill either. However, the next band to play, Kingsnake from Philadelphia, Pennsylvania, was simply outstanding on stage. They played a style of stoner that was almost southern, though rather dark as well. They had fine tuned their songs and obviously put a lot of effort into practicing them as well. It was a great performance by a band I didn’t really know anything about going in. After they played I got up on stage and swore at the audience about giving out free shit, and then Borracho started their set. The guys were on point this night, really putting on a great show. I’ve seen them a few times this year and this was definitely my favorite of their performances. Before I’d always seen them open for someone so it was great getting to see them play a full length set live for once. Also, it was a good turn out for the second metal show in a row at the Velvet Lounge, which is awesome. Hopefully they’ll continue to let us metal heads take over their spot on U Street more often on the weekends.

On Saturday the 17th of December I went to my third metal show in as many days, this time to see locals Ilsa and Midnight Eye play with two Harrisonburg, Virginia bands, Earthling and Orthrus. They were playing at a small Ethiopian bar, named Asefu’s, that is just a few doors down from DC9 and the U Street corridor. I got there as Midnight Eye was setting up though I really only saw their first song. However, it was a brand new song and it was pretty sweet! I went a few doors down to eat dinner (I was starving) and came back while Orthrus was playing. The thin venue was packed and so I watched the show from the doorway and didn’t take any pictures (the band wasn’t facing my direction anyways). Regardless, they were pretty awesome. They play a sort of catchy black/thrash with death metal style deep vocals. Next up was Earthling, a band I had seen before at the now defunct Corpse Fortress back in March. They were just as fun to see live and I had forgotten how catchy I their tunes are. The final band of the night was DC’s own masters of doom/death metal, Ilsa. They have a dirty and crushing sound, very raw and primal and yet still very listenable. Some of their songs slow almost to a halt but the intensity never wanes. Ilsa is always fun to see live and this show was no different. However, at the end of their set they also played a new song for the first time, titled Man Made Monsters. Lucky for you who missed it, I’ve posted video of both Midnight Eye’s new song and Ilsa’s new song below. You might not be able to see much but you can at least hear them well enough.

Well that wraps up another mega sized concert recap. I have a couple more shows to see before the year is done. You might be wondering why I didn’t cover the Mastodon show at the 9:30 Club in late November, and that’s because I’m not a Mastodon fan. I wanted to see Obscura and Abysmal Dawn play on December 7th but the weather was horrible that night and I didn’t want to drive to Baltimore in it as I knew traffic would be bad (Kyuss played the same night in Balti as well). Also, my camera’s lens was damaged during this time period and I had to wait a few weeks for it to be fixed (wasn’t cheap either!). And no, it wasn’t damaged at a show. Next week I plan on posting a big recap of 2011, from the local scene to the biggest metal stories of the year and it will include a preview of 2012 as well. Until then be sure to check the upcoming metal concert calendar and remember, support the scene you’re a part of!

While I’m in the middle of this shameless self promotion post, I might as well let you guys all know that at tonight’s show I’ll be selling DCHeavyMetal.com t-shirts with the new design by Joshua Brettell, drummer of local doom/death band Ilsa! The image is below, featuring the DCHM mascot Honest Abe in King Diamond style corpse paint and the logo in a wavy font similar to that on the cover of the Black Sabbath album Master Of Reality. Supplies are limited so get em while ya can, I can’t really reserve any for anyone but I will have sizes S thru XXL at the show, and they’re just $12!

Well if I haven’t given you enough reasons to come out to the show I don’t know what the hell will convince you. I’m sure this is going to be a fun show for everyone so let’s all have a blast and show DC that people will come out to metal shows inside the district. If you pay any attention to DCHM’s Facebook or Twitter accounts you’ve probably seen me talking up this concert so sorry if you’re tired of seeing this everywhere, however I’m really excited about tonight and I would be even if I didn’t have any part in it. Oh and one more thing, you can get free cabs tonight from the Sober Ride program to get you home even after the Metro closes. Call 1-800-200-TAXI (8294) or go here for more info. I hope to see some of you out there tonight! Now check out this rifftastic Borracho song, Concentric Circles.

The show started with the one of the guys from New Belgium Brewing taking the mic on stage and introducing the band as well as presenting them with the bottle that had serial number 10001110101. That’s the name of one of the songs on Clutch’s 2005 album Robot Hive/Exodus. The guys then went into their setlist, starting off with and “acoustic” version of The Regulator. While guitarist Tim Sult played an acoustic guitar, they were all using pick ups, pedals and amps, so don’t think this performance was something like those old MTV Unplugged specials. What made the show cool was that the Red Palace only holds about 200 people, and Clutch is a band that usually plays much larger venues, they had just played at the HFStival the day before at Merriweather Post Pavilion. However this night the band played their five song set and pleased the crowd by having Tim plug in his regular guitar before playing a new song, apparently titled Newt. They played a few more songs, sort of a best hits style thing with songs covering their back catalog and ending with Elephant Riders. In all they played for about an hour and it was a fun show and a great chance to catch Clutch up close.

When Clutch had finished I didn’t linger around for too long since I had another show to catch at the Velvet Lounge. I made a stop at the 9:30 Club‘s basement bar for a quick bite to eat just before they closed their kitchen. Apparently they had some Mexican band playing upstairs named Molotov, but luckily the 9:30 Club has a separate door on the side of the building you can enter the bar at if you don’t want watch the show. The bartender down there was wearing a Clutch shirt and he said he was pissed he had to work that night because he had wanted to see the show at the Red Palace. Anyways, I had a nice panini and an organic oatmeal stout and then I walked around the corner to the Velvet Lounge.

The Velvet Lounge had a pretty sweet line up this evening. They haven’t been getting a lot of metal shows of note lately but this one definitely stood out on their calendar. The headliner was the New Orleans based sludge band Suplecs and they were touring with the Columbus, Ohio band Lo-Pan. Shows at the Velvet Lounge tend to run late but even so I missed the first band on the bill, Weed Is Weed from Maryland. The band has two former Spirit Caravan members in its ranks, Dave Sherman and Gary Isom. I hope to catch them another time. The first band I saw play at the Velvet Lounge that evening was Lo-Pan. I’ve never seen a band’s lead singer stand all the way to the back of the stage before. I mean way back, he was even behind the drummer. Despite their strange stage positions, they were pretty good live. They made for a good opener act on this kind of tour. They wrote their set list on pages torn out of some porno magazine, certainly the most graphic set list stationary of the night.

After Lo-Pan finished their set local act Nitroseed performed. Typically an instrumental band, they played several of their songs with lyrics at this show. I’d never seen them live before but I was very impressed, certainly worth checking out if you see them listed as an opener at an upcoming show. Also, it turns out their drummer, Phil Adler, also plays in the local doom band Wooly Mammoth. Their music had some good energy and they kept the momentum rolling forward throughout their set. They finished up and the last band of the night was next, Suplecs.

Suplecs is from New Orleans and they mentioned many times between songs that they were excited to be playing in front of a DC audience as they were big fans of the DC doom metal scene. The band was good live, they had some high energy parts but also slowed it down for a few songs. Their songs really had a dynamic range to them that many sludge bands simply don’t have. This kept the show interesting and fresh throughout their set, which is a really good thing after watching three bands with a similar sound earlier in the evening. They mentioned that this was the first time they played their song Pissing In The Wind on the East Coast. They closed their set with a cover. After all their praise for DC’s metal scene I thought for sure they’d play a Pentagram or Spirit Caravan song, or something similar at least. Nope, they played Working Man by Rush. Totally out of left field if you ask me. It was ok but really didn’t seem to fit into their set that well. Regardless, I will definitely go see them again if they come through the area another time, and you should too!

If you’d like to see more images from the bands I saw that night you can see them on my Flickr page here. And be sure to check out all the videos below of Clutch, Nitroseed and Suplecs. The first four are Clutch. The first one is acoustic and the second is their new song. The last two videos are of Suplecs, the last of which is their Rush cover. Thanks to the guys in King Giant for the beers and thanks to you for reading all of this. Stay metal everyone!

Clutch acoustic:

Clutch’s new song:

Clutch with extended drum solo:

Clutch with guitar solo:

Nitroseed:

Suplecs:

Suplecs covering Rush:

The second band to play, and the first I got to see, was Trade from Toms Brook, Virginia (that’s out west a bit past where 66 hits 81). They were a sort of rock/stoner band and I wouldn’t call them bad but they didn’t really stand out much to me and their songs didn’t seem to have a lot of variation. They were a good start for the evening though, and they gave me a chance to practice shooting in the close quarters of the basement.

The next band up was Black Skies from Chapel Hill, North Carolina. They’re a sort of sludge/stoner band and these guys had some crazy energy going. You could tell it was going to be a fun set when Kevin Clark started playing his guitar with his teeth during the first song! The three piece played exciting songs and the dual vocals from Kevin as well as bass player Michelle Temple worked really well. The basement got pretty damn hot while they played though and I had to put my camera away eventually because the lens was fogging up. Definitely my favorite set of the night.

The next band to play was the local act Akris. I’ve been meaning to catch them live for a while but for one reason or another I hadn’t gotten the chance to until this evening. They are also a three piece with a woman on bass, but the similarities pretty much ended there. For starters the drummer was more prominent in the band’s sound because there was no guitar player. The band’s sound was much more raw as well, but that’s not a bad thing. There also seemed to be a bit of a punk edge in there. And if you weren’t up front you might not have realized the third member of the band, Jon Simler, who was sitting on the floor fidgeting with various DJ tools. For the most part you couldn’t really hear what he was adding to the music, except during the occasional break between bass lines. The audience seemed to enjoy Akris a lot and there was even a semblance of a mosh pit in the crammed basement area they were playing in. Their set ended just before midnight and their performance was a great way to end the show.

This was the first time I’ve been to the Cellar Door. I’ve known of a few previous shows there but schedule conflicts have kept me from showing up in the past. After seeing such a fun show, and with the Corpse Fortress shutting down at the end of September, I wanted to write something here to draw some attention to this place, one of the few DIY venues in the area that will still host metal bands. The basement is smaller than the Corpse Fortress but the place isn’t trashed as much either. No, it’s not going to replace the Corpse Fortress but it is an example of someone else helping to keep the local DIY scene alive. You can be sure that I’ll post more of the Cellar Door’s upcoming shows on the Upcoming Concerts Calendar as I hear about them (you can also find info on the last Corpse Fortress show on Sept 24th there). For more info on local DIY venues and concerts (metal or otherwise) in the DC area I highly recommend regularly checking out Dirty City Shows at http://inyrbasement.tumblr.com. You don’t have to pay a $15 Ticketmaster fee on top of a ticket price to see a great metal show in this area. You might not get all the crazy stage lighting but you won’t pay $7 for a Budweiser either. Go out and see bands, not just the ones you are in or your friends are in, but check out new bands and see if you find something new you like. Get out and support the scene you’re a part of!