First up is this killer new Fierce Allegiance video for their song Devil’s Knight. They’re a thrash band based here in Washington DC and they have a new full length album coming out later this year. They’re giving away an mp3 of the song in this video which you can get here. While you’re there, go ahead and give them a like on Facebook as well so you’ll know when they’ve got more new material.

Next we’ve got this zombie filled video by the guys in King Giant, a local southern styled stoner/doom metal band. The song is Appomattox, off of their brand new album Dismal Hollow. I highly recommend it (and their first full length, Southern Darkness, is really good too). You can buy Dismal Hollow on CD or vinyl here or buy it as an mp3 download from Amazon.com here. This epic video is 8 minutes long so sit back and enjoy the bloodbath!

While the last two videos were not only visually stunning but had great studio production as well, you’ll have to excuse the next video’s quality as I shot it myself on my little Panasonic handheld camera. This is the Northern Virginia based sludge band Auroboros playing their new song Tired Grip. It’s a great song that really builds up well and the song is going to be on their new EP which is scheduled to be out this spring. Sorry you can’t see the band’s frontman, Brian Blickle, too well in this video, the stage lighting was on everyone but him! However if you’d like to see them live yourself they’re scheduled to play with the French band Alcest at DC9 on Thursday, March 29th (more details on the concert calendar). Now give these guys a listen and become a fan of one of the area’s rising metal bands!

I hope you all enjoyed this post. Be sure to check back soon because tomorrow I’ve got a big new ticket contest to announce. Stay metal DC and remember, support the scene you’re a part of!

Filed under: Local Band Info, Shameless Promotion, Stoner, Thrash Metal, Washington DC / Maryland / Virginia Metal Scene Tagged: Auroboros, Band, Doom Metal, Fierce Allegiance, Heavy Metal, King Giant, Metal, Music, Music Video, Music Videos, Sludge Metal, Stoner Metal, Thrash Metal ]]> http://dcheavymetal.com/2012/02/02/new-local-music-videos/feed/ 0 Metal Chris http://dcheavymetal.com/2011/11/10/mega-sized-metal-concert-recap/ http://dcheavymetal.com/2011/11/10/mega-sized-metal-concert-recap/#comments Thu, 10 Nov 2011 20:40:43 +0000 Metal Chris http://dcheavymetal.com/?p=4324 ]]> Recently I’ve not been able to write as many concert reviews as I’d like to. I’m considering doing some shorter ones in the future. Believe it or not, my average concert review takes me 10-14 hours to put together. I have been going to a hell of a lot of shows and that just makes things back up a bunch and it can be hard to even get through just sorting through all my concert photos. However, I’ve been to some great shows since my last concert review, the Cavalara Conspiracy show review I posted back on October 14th, and I thought I’d just post a few pictures, videos and notes from those shows to give you an idea of what has been going on with live metal in this area from my point of view. Each paragraph below is about a different concert so you can skip ones ya don’t care about and move to ones you find more interesting easily. You can click any of the pictures below to see more of my photographs of the same band, and I’ve added some of my videos from the shows that I shot them at in this post as well, though as always I’ve got more on my YouTube page here.

On Friday, October 14th, 2011, I drove up to see Wabringer and Landmine Marathon at Sonar in Baltimore. This was Warbringer’s first headlining tour and while they are one of my favorite bands of the modern wave of thrash metal, I really wanted to see Landmine Marathon play. I’d never seen them before but had heard they were good live. Their vocalist, Grace Perry, was on the cover of the always controversial Hottest Chicks In Metal issue of Revolver magazine in 2009, but I didn’t care about any of that. She was absolutely ferocious on stage, really a sight to behold regardless of her gender or hotness or whatever. At one point she told the audience they better start moshing harder or she’d jump off the stage and kick everyone’s asses, and you believed it when she said it. Warbringer was fun live as usual, they played Living In A Whirlwind so I was happy. This was also the first time I’d seen them play anything from their newest album, Worlds Torn Asunder. Vocalist John Kevill did a stage dive into the audience at the end of the show. Lazarus A.D. played between those two bands but I don’t really care for them so I took that time to drink a couple Lancaster Milk Stouts in the other room. They’re delicious and Sonar has em in bottles at the bar, highly recommended when you’re thirsty at Sonar!

The next night, Saturday the 15th of October 2011, I found myself back at Sonar to see a black metal band from Singapore, Impiety. However, as a late addition to the bill I got to see a band I’ve been wanting to see for years, Ohio’s black/speed metal act Midnight. They came out in the executioner’s hoods that they’re known for and just shredded the place. They’re a fierce three piece and their sound reminds me of something of a cross between Motörhead and Darkthrone. After their awesome set Impiety hit the stage drenched in pig blood, and man did it stink like something awful. The pit was fierce for their entire set and the band never let up either. It was really a great show I’m glad I didn’t miss it. Considering where they’re from, who knows if you’ll ever be able to see them play around here again.

On Monday the 17th of October 2011 I found myself at Jaxx in Springfield, Virginia to check out local power metal band A Sound Of Thunder play support for the Swedish power metal band Sabaton for the final show of their tour. The audience was thin this evening, Dream Theater was playing at the Warner Theatre the same night and I’m sure that had an effect on the turn out. However A Sound Of Thunder put on a solid set and kept the audience’s attention. They were a good warm up act for Sabaton. I’d never seen Sabaton before, and honestly I’m not that familiar with their music, but I’ll tell you they were entertaining as hell to watch live. You could just tell that the band was having a lot of fun playing for the audience and even though the turn out wasn’t huge the people who were there really gave a lot of energy back to the band. They played a prank on their new temporary bass player when the rest of the band started playing a song they hadn’t taught him to play. It was a really fun experience from a band I didn’t really know what to expect from.

Skip ahead to Friday the 21st of October and I was at a kick ass Deceased show at Comet Ping Pong in Washington, DC. The opening acts were two I really enjoy, DC’s own stoner band Borracho and Richmond’s doomy/sludge band Windhand. Borracho went on first and they didn’t start until after 10pm. They put on a good show and the audience that came to see Deceased, different than the normal stoner band crowd, seemed to be into it. Next up came Windhand. This band is HEAVY and this set was no different than usual. Finally Deceased hit the stage well after midnight. Deceased has a lot of ties to the DC area, originally based out of Northern Virginia they are the kind of band that draws people out of the woodwork when they play in the area. It was good to see such a big crowd for them. They didn’t have a bass player, which made their sound a bit tinny and took some getting used to. King Fowley used to play drums but now was just doing the lead vocals, and he was having a lot of fun with the audience and even came out into the crowd a couple times. I got home really late that night, but it was worth it!

Sunday the 23rd of October, 2011, I went on a road trip up to Philadelphia to catch a band I’d been wanting to see for several years, Kvelertak, play at Johnny Brenda’s. When I got there the Georgian psychedelic sludge metal group Zoroaster was playing and I saw them do a couple songs. Skeletonwitch, a thrash band from Ohio, was after them and they put on an energetic show, they’re definitely a better live band than when I saw them in April 2010. Not that they were bad then, but they’ve definitely got their live show down better now and I wouldn’t be surprised to see them doing a headlining tour sometime soon. Finally Kvelertak, the Norwegian punk/metal band I drove all that way to see, was up and they put on a hell of a wild show. There was a lot of stage diving and beer drinking and the show just had a crazy amount of energy going on. It was definitely worth the 6 and a half hours of driving there and back that night, so much fun! Hopefully they won’t skip the DC area on their next tour. Also, I met two other people, who didn’t know each other, who had both come up from the DC area for this show. That was kind of cool.

On Thursday the 27th of October I went to see a Sepultura cover band made up of members of various local bands, namely Disciples Of Christ (D.O.C.), Drugs Of Faith, Magrudergrind and Mind As Prison. This was at a small Ethiopian restaurant and bar called Asefu’s just a couple doors down from DC9 in Washington DC. Local guitar shredders Midnight Eye opened the set up and they were awesome as usual. They played a cover of Megadeth‘s classic Rust In Peace that was pretty slick as well. Local band Auroboros was next to play. They’re a great live band, with ex-members of Baroness and Salome in the group you know it’s just a matter of time until they really take off. During their set the drummer got caught in the fake spider webbing while playing, he even lost a stick to it, haha! The Sepultura all stars played next and while their set was mired with some technical difficulties at first, it was a lot of fun. I was a huge Sepultura fan in high school so it was cool hearing them play some of those old classics. They only played about four or five songs though, I wished it had lasted another hour! The final band of the night was Inter Arma from Richmond. Sadly a lot of people left after the cover band played but they played a powerful set regardless, I’m glad I stuck around to watch them.

I had another stop at Jaxx on Sunday the 30th of October 2011 to see Decapitated play. There were a lot of other bands playing this night, however I only saw the final three bands. Italy’s Fleshgod Apocalypse came out in their tuxedos and really got the mosh pit going, including a few guys in drag for Halloween that were in there. Next up was the California based tech death band Decrepit Birth. I really like this band a lot. They remind me of the band Death a lot, but with a more modern sound. Their vocalist, Bill Robinson, is a bit of a head trip but he really got the audience into the show. At one point he held up a copy of their latest CD and told the audience anyone could have it if they took it from him. This caused a wave of people to climb over the railing onto the stage and Bill kept pushing them back to stage dive onto the audience. Then came the headliners, the Polish death metal band Decapitated. This band had a tragic bus accident on October 29th 2007 while on tour. Their drummer was killed in the wreck and the vocalist was critically injured. Decapitated broke up for a little while, though guitarist Vogg decided to get them back together, with all other members of the band being new, and put out a new album back in July titled Carnival Is Forever. However, this band just isn’t the same, it was almost sad seeing them play. Spheres Of Madness, their closing song and most famous, just wasn’t the same, it was almost like seeing a cover band play it. Combined with their short set, they only played for about 45-50 minutes, they were a let down. I’m glad I got to see them a few times before their accident. Also of note, this was their final show of the tour and on the return flight their airplane had to make an emergency landing with no landing gear. The story with video of the landing is posted here. The band is fine but damn, maybe they should start walking when touring.

On Tuesday the 1st of November, 2011 I went up to Baltimore to see Opeth play at Rams Head Live. Their set was a rather laid back performance, even by Opeth’s standards. Their new album, Heritage, has no harsh vocals on it, and this tour was certainly to promote that album. The show was fun, and being that it was the last show of the tour the guys were kind of goofing off a bit. They let the audience in a short singalong to the chorus of Harvest at one point, and had a few pranks going on stage throughout the night. However the highlight of the evening was the encore. Members of the opening act that I didn’t get there in time to see, Katatonia, joined Mike Åkerfeldt and Martin Axenrot of Opeth to reform the Swedish death metal super group Bloodbath! They played two songs, Soul Evisceration and Eaten, in a very rare public performance by Bloodbath. Mike hinted that they might be back together for real, though he didn’t say if that meant a new album, tour or if it was even definite. Their short and brutal encore set was quite a contrast to the Opeth show that had gone on just before it. This was the only concert of the tour that Bloodbath made an appearance at, and I felt very lucky to be in attendance. Definitely one of my concert highlights of the year! You can see video footage of Bloodbath’s performance (not shot by me) posted here.

The next night, Wenesday the 2nd of November, found me in Baltimore again for the first show of tour by the infamous Norwegian black metal band Mayhem. When I got there the show was running a bit behind schedule though and I saw the end of Abigail Williams‘ set. Then the polish blackened death metal band Hate performed. They were pretty good if not overly original, sort of like a Behemoth junior. I have to say their guitarist had some of the worst corpse paint I’ve ever seen though. Then the Norwegian melodic black metal band Keep Of Kalessin played. I watched a couple of their songs but soon found myself in the next room drinking Lancaster Milk Stouts again. Keep has gone down hill in my book over the years, now they seem to be a sort of singalongy kind of band and they’ve lost the bite I enjoyed of their older material. Finally Mayhem was up next, their first area appearance since they played at Maryland Deathfest in 2009. Vocalist Attila Csihar came out looking like some sort of satanic vampire and it was awesome! He’s known for his wild stage costumes but this was just over the top. The band played a kick ass set heavily loaded with material from their classic albums De Mysteriis Dom Sathanas and Deathcrush and it got the place going crazy. There were tons of fights, even a woman got thrown out of the show for being to crazy in the pit, it was intense! I got some bruises but it was worth it to get some awesome shots of one of metal most notorious bands.

On Sunday November 6th, 2011 I was at the Fillmore in Silver Spring, Maryland to watch Death Angel, Testament and Anthrax play there. However there was a problem with the photo passes that night and rather than risk leaving my camera in my car where it could be stolen, I had to head home after I already had my tickets in hand. Very frustrating let me tell you. I still haven’t been inside the new venue, I hope they get things straightened out next time. I really wanted to have some photographs up for you guys from that show, and have a nice big concert to end this long recap on but sadly, no dice. I might do more of these long recaps in the future, if you people like or don’t like them let me know. I’ve got a lot more metal shows to go to coming up and this might be a good way to try to cover more of them, starting with Torche tonight at DC9. Also, I should have some shirts with my new t-shirt design on them for sale very soon so keep your eyes peeled for that. They have new Abe Lincoln artwork drawn by DC based metal band Ilsa‘s drummer Joshua Brettell and they look awesome! Thanks for reading DCHeavyMetal.com, stay brutal everyone!

The Splitting Sky album is a heavy mix of stoner rock and doom metal with southwestern influences. Borracho has put a lot of work into getting their songs to sound just right and it shows, from the song writing to the production they’ve done a great job here. There’s lots of crunchy riffs that aren’t just heavy but are also infectiously catchy and memorable. The vocal style is raspy and blue collar, somewhere between Lemmy and James Hetfield, though not over the top so as to detract from the instruments. The rhythm section keeps these songs moving forward even when they slow way down. It’s not all super slow though, for example Concentric Circles picks up the pace quite nicely early on in the album. The album is a very solid 8 tracks long, all but two are longer than 6 minutes which lets the songs really progress well, even when the tempo slows down. The epic 11 minute song Grab The Reins is a great example of this, with a lead in riff that sounds like it would fit nicely on Black Sabbath’s Master Of Reality. Borracho is based inside Washington DC and along with bands like Pentagram, King Giant, and (the now defunct) Salome, they’re helping to remind everyone that this area is still a city for excellent heavy stoner and doom. You can download Splitting Sky right now in a variety of ways, iTunes here, Amazon here, or get a physical copy of the album on CD Baby here. If all that isn’t convincing enough to make you a Borracho fan, check out this song below, titled Bloodsucker, which is track three on Splitting Sky.

Day 1 – Thursday

The first day of the fest was all indoors on the main stage at Sonar and it was the only day that sold out. Most of the early sets were grind bands. Miasmal was playing when I got there. I didn’t know anything about them but they really impressed me. I was too far in the back to get any decent shots though so my first pics and videos from the fest are of Southern California grind act Lack Of Interest.

Next up was Flesh Parade, a reunited grind band from New Orleans. Their vocalist made a lot of anti-gay comments and talked about how he loved smoking weed between almost every song. Flesh Parade had a bunch of people come out in various costumes (Santa, a surgeon, a Teletubby, a ketchup bottle, etc…) and start a crazy circle pit that involved dozens of glow sticks and inflatable animals and penises being thrown around the audience and onto the stage. These characters, dubbed the Party Patrol (picture here), would show up during various sets throughout the rest of the festival.

The next band was grind act Extortion who came all the way from Australia to play Deathest and they were pretty intense stop and start grindcore. When they finished playing the vocalist for Lack Of Interest came out on stage telling everyone to give them a bigger hand because he liked them so much (and he told us we all should too!).

Extortion was followed by North Carolina based stoner act Buzzov•en, quite a contrast from the previous acts. These guys looked and talked like they walked out of a backwoods scene in Deliverance! The band isn’t super heavy but more of a groove base, sorta rough around the edges and definitely southern in sound. They were a lot slower than the grind bands before them and it seemed they would have fit better playing just before the night’s headliners, Cathedral.

Next to play was Tragedy, a rare appearance by a band people had been waiting to see. They’re not really a metal band at all but a very aggressive punk band along the lines of Discharge or early DRI. The band is originally from Tennessee but relocated to their current hometown, Portland, Oregon. People were pretty psyched to get to see them live and the audience energy level was at a peak for day one while Tragedy played.

Finally the headliner of the first night was Cathedral. They are from Coventry, England and their lead singer, Lee Dorian, is a legend of the doom metal genre (he was also the original vocalist for Napalm Death). The band had recently announced their plans to break up at the end of the year and this one off concert would be their last performance ever in the US. They played a set with a lot of their old classics as well as some fairly obscure material for fans to commemorate the occasion. It was a good start to the fest, and although the last three bands weren’t grind it still felt like a pre-fest day instead of being part of the rest of Maryland Deathfest proper, mostly due to the single indoor stage I suppose.

Day 2 – Friday

Day two of Maryland Deathfest IX was the first day to use the two outdoor stages. I didn’t get there as the doors opened so missed the early bands but I did get there in time to see the Norwegian blackened thrash band Aura Noir play. They didn’t bring along the former Mayhem guitarist Blasphemer to play with them so they were a three piece. However Apollyon, the current bass player for Immortal, was there and he introduced the band as the ugliest metal band in the world! The set was fast paced and pretty straight forward and what you’d expect from them, just sold black thrash metal.

The next band I watched was the Raleigh, North Carolina band Corrosion Of Conformity. Their sound is somewhere between stoner rock, southern rock, thrash metal and punk. The band has been around since 1982 and this was their classic line up of Mike Dean, Woody Weatherman and Reed Mullin but they were noticeably missing Pepper Keenan (he has been a member of the super group Down for some time but is still considered an official member of C.O.C.). The band seemed to really enjoy themselves on stage, the drummer, Mike Dean, seemed to be smiling the entire show. I guess they had more time to play than they had expected because at one point they asked if they could do another song and they were told they had another 20 minutes left to play!

After Corrosion Of Conformity played the sky looked like it was getting ready to storm. I wanted to see the Italian grind act Cripple Bastards playing on the indoor stage but I skipped it because I didn’t want to lose my spot in the front row to see the day’s headlining act, Neurosis. The Oakland, California based band rarely plays shows due to medical reasons of one of the members, and this was their first east coast concert in 10 years or so. When they were supposed to start playing the sky opened up and a thunderstorm rolled through, but the crowd didn’t disparage and actually started chanting Neurosis. I was worried they might not play because the outdoor stage’s roof was leaking water onto all the equipment. Their show was delayed but they did come out and the rain soaked crowd roared with approval. The lighting during their show was poor, the big lighting rigs had been covered due to the storm, but they did have a projector displaying all kinds of stuff on the band and the stage. The set was really awesome, and the vibe in the air after the storm only enhanced their performance. This was by far my favorite set of all of Maryland Deathfest IX. Neurosis has never been a highly technical band, they’ve got a sound you just sort of experience and their mastery of mood manipulation was in peak form during this rare performance. It’s hard to describe but luckily I’ve posted about 70 minutes of footage of them performing, check it out below.

Although Neurosis headlined the day there were still a few bands left to play inside after Neurosis. Their set ran later than expected because of the rain so I didn’t get to see a lot of Kylesa‘s set, who was already playing indoors. I’ve already seen them twice this year so that wasn’t the end of the world for me. The spiraling lights they have on during their show looked really good on the black walls at Sonar. Next up was Exhumed, a gore grind/death metal band from San Jose, California. This was their first US show in six years! To start their show they held up the backs of their guitars with each having one word of “Gore Fuckin’ Metal” on the back of it. Their set was brutal, as to be expected. Quite a fun show really. They brought out a real chain saw on stage at one point and I laughed as the guy swung it low in the photographer’s pit, making them all duck to avoid the whirring saw! At the end of the set Matt Harvey decapitated some dummy Gwar style on stage that sprayed blood all over himself. A nice way to end the set!

The final band to play on day two of Maryland Deathfest IX was the Swedish black metal band Marduk. The stage was very dark and I wasn’t close enough to get any decent photos of them but I did shoot some video. They played mostly newer material (read: slower) and as usual they didn’t play my favorite song of theirs, Infernal Eternal. Their new stuff isn’t bad, I really liked their Rom 5:12 album, and they did play a song off Panzer Division Marduk, but the band has lost a lot of it’s raw energy and aggression over the years. Still, they’re pretty tight live and since their set started late they ended up playing right up to 2am! The venue even put on their last call lights while they played their final song, which you can see video of below.

Day 4 – Sunday

I got to Maryland Deathfest on Sunday just in time to see Anaheim, California’s Gravehill playing on one of the outdoor stages. These guys love fake blood! They’d eat random fake blood capsules throughout the show and it got all over them. Matt Harvey was back on stage with these guys (he also played with Exhumed and Cretin at the fest) but he broke a string midway through the set and didn’t come back for a few songs. And although he dumped blood all over himself at the end of Exhumed’s set, he was the only member of Gravehill who wasn’t covered in it at the end of the set. Anyways, their songs were black and thrashy with a bit of a punk attitude thrown in and the vocalist’s self deprecating banter between songs was entertaining too.

The next band I saw perform was the Texas based death/thrash three piece act Nokturnel. They were alright though they didn’t really do much that stood out to me. Their lead singer/guitarist was saying he felt particularly inspired after seeing his favorite band, Voivod, play the fest the night before but still they didn’t really do that much for me. It was death/thrash alright but I didn’t really find much interesting about it. Maybe I’d have liked it more if I knew some of their material.

Next I caught some of the Czech punkish thrash band Malignant Tumour playing, again with the party patrol people in the mosh pit. These guys looked right at home with the party patrol, wearing ridiculous costumes, fake beards and wigs that seemed like they were taken from the set of a Cheech And Chong movie. Their bass player was running all over the stage and it was such a spectacle to see that it was hard to take your eyes off them when they were on the stage. These guys were really a lot of fun live!

Next I had a problem, there were two bands I wanted to see playing at exactly the same time. I decided to try to catch some of both of their sets, and I started by watching Orange Goblin play on one of the outdoor stages. They’re from London, England and I’m pretty sure this was their first US concert. They’re a doom metal/stoner band and I’ll tell you they were totally awesome live! The vocalist, Ben Ward, had a great charisma on stage and got everyone pumped when he jumped off the stage and ran up to the crowd yelling “Let’s start a fucking riot!” at the beginning of their set. They really blew me away live and I didn’t want to leave their set early but I did because I wanted to catch another band indoors.

That other band playing at the same time was the brutal death metal act Skinless from upstate New York. This was the band’s last concert ever and they were breaking up once the show was over. For this special show they had the original line up play. I missed the early part of the set to see Orange Goblin but I wanted to make sure I saw the end of their last set. They kept the intensity turned up to the max while I there and the lead singer even did a stage dive into the crowd, chorded microphone still in hand, and continued to grunt lyrics until he was pushed back to the stage. They finished up their last brutal set and then they thanked the audience for the fun over years and then they all left the stage for the last time.

The next band I saw was the reformed hardcore punk band Citizens Arrest. I really only saw a bit of their set because I needed to head out and get some food so I could make it back in time to get a good spot for the night’s headliner, Coroner. They were ok but I didn’t really know much of their material but I could tell the punk fans were enjoying the chance to see them live.

When I got back from eating I the 80s thrash band Nuclear Assault was starting their set on one of the outdoor stages as the sun was setting. They played some of their old classic songs mixed with newer material. Their bass player Dan Lilker mentioned he remembered playing in the exact same spot last year, though he was performing with Autopsy then. The set was good but I left early because I wanted to be in the front row for the night’s headliner, who was up next.

The last night’s headliner was the Swiss technical thrash band Coroner. They had broken up 15 years before and though they had recently played a festival in Europe this was their first US concert in 20 years! The trio was the original line up, though they also had a guy playing keyboads on the stage but I don’t know what his name is as the band doesn’t list him as an official or even live only member. They were on the same stage Neurosis had been two nights before but they had all the cool lighting rigs working as well as fog machines. That stuff all helped set the mood for an awesome set by one of the legends of underground metal. Their set was never boring and they really killed it live. They performed two encores at the end of their set, one of which was a cover of the Jimi Hendrix song Purple Haze. I shot a lot of video of them live from up front, over 80 minutes worth actually, all of which you can see below.

After Coroner finished their headlining set outdoors there were still a few bands left to play indoors. The first of these last three bands was the one I was most excited to see, the technical death metal band from Spain, Wormed. I never thought I’d have the chance to see these guys play live so this was pretty cool for me. They played what was the heaviest set I saw all weekend. Nonstop brutality from start to finish and just a crazy amount of energy. I’m really glad I got to see these guys tear up the stage, totally awesome!

The next band was the Dutch grind act Last Days Of Humanity. They were pretty damn intense but by this point I was starting to get a bit tired (it had been a long four days!). I shot a bit of video before I went and hung back a bit during their set in the hopes that I could rest my feet and get up closer later for the last band of the night.

The final band of Maryland Deathfest IX was the mysterious band Ghost from Sweden. Unlike pretty much any of the bands at Maryland Deathfest they sing all their songs with clean vocals. They aren’t very brutal and their sound lies somewhere between Mercyful Fate and 70s rock. The band stays anonymous though you could see members of In Solitude and Repugnant (both bands who played the fest this year) on the stage during sound check which would lead one to believe Ghost is made up of members of those also Swedish bands. Anyways, I thought the crowd for Ghost would be a bit more laid back due to their type of music as well as it being the end of the fest and people just being tired but I was wrong. The crowd was really psyched to witness the band’s first US concert and they became really rough, while at the same time singing along to every word. It was all a bit ridiculous really, and the costumes on stage just sort of added to that. Apparently Ghost has a rather ravenous fan base and I simply don’t care enough about them to deal with that just to see them up close so I ended up hanging a bit farther back by this guy in an elaborate Cthulhu costume. That’s right, hanging out with Cthuhlu was safer for all my cameras than getting fairly close to Ghost performing live, wtf? I was hoping the set would be more impressive but with the audience singing along so loud it was drowning out not only the singer, Papa Emeritus, but the rest of the band as well. The set was short too, lasting only around 40 minutes. They have released just one album and I was hoping they’d play maybe some covers or something to fill out the set list some but they didn’t (though they did play a Beatles cover two nights later in New York). For a band with so much hype I was hoping for a better show, but it was just OK.

After the show was over I quickly left the venue and got to my car. Apparently after Ghost played there was an incident with security guards beating someone and then pepper spraying innocent bystanders for whatever reason. I luckily avoided that and only read about it online the next day. A shame that the fest had to end on a sour note like that, perhaps they’ll have better security next year. In all the fest was fun as usual and while I missed seeing some of the bands on Saturday I still had a great time at this year’s Deathfest. I got some cool merch, drank some beers, got some good footage and ran into a bunch of friends all over the place. They’re saying that they are planning something really special for next year since it will be the 10th anniversary of the festival and I can’t wait to see what that entails (and don’t worry, I’ll pass on the info to you all too as soon as I find out). Sorry this post has taken so long to get up but I had thousands of pictures and videos to sort through to put this together. Thanks for reading it and stay tuned for more going on in the local metal scene from DCHeavyMetal.com

The next band to take the stage was Washington DC based grindcore act Magrudergrind. They made a stir last year when they gave their new album away for free (get it here) since the album was sponsored by Scion, a branch of Toyota. Apparently all the anti-corporate grind people took issue with this and so yeah, people were actually complaining about getting a free album. Anyways, I caught them last May at Maryland Deathfest, but this setting was a bit better to see them in I think, for one it wasn’t so crowded but it was also a local crowd so that was cool. Their set was fun, full of people jumping off the stage while the band played their spasmatic outbursts of DC grind. The main problem was they only played for 20 minutes! That kind of sucked, but was probably due to the time constraints the show was having.

Next up was the band I wanted to see the most, Misery Index. They’re from Maryland and the band was formed by ex-members of Dying Fetus. Only one of those guys are left in the band, and in fact this was the first show I had seen them play with their new guitarist, Darin Morris. Any fear I had of how the band would play with the line up change was quickly dispelled. As usual they played a very tight set showcasing their extremely brutal songs and even managing to play them faster live. Most of their set consisted of stuff from Heirs To Thievery, their latest album. They were told to stop playing at 12:20 am even though they had more songs left to play.

The headlining act, Eyehategod, is a band that I never really got into. Figured it was worth seeing them once though since ya know I run a metal site and all. They played a new song (video of that below) though they didn’t say its name. Their set was very downtuned and while I know plenty of people there were psyched to see them, it got monotonous to me after a while. I kept thinking that it was getting so late they’d have to end soon, but after thinking that for a few songs I checked the time around 1:45 and decided to call it a night even though they were still playing. As I said before I really was there to see the openers anyways. It sucks that their sets were all cut short after I drove up to Baltimore though! Anyways, I’ve got videos of the bands below, though most are dark the Eyehategod guys did have good lighting for me to shoot video in. The final song is their new one that I’d imagine will be on their next release, enjoy!

The first band to play was named Spirals, but as I said before they had finished playing by the time I got there. Olde Growth was setting up when I walked in, and I didn’t really know anything about them. Usually at these DIY shows there’s at least one touring band, and a couple local acts to help draw people to the show. Most of the money collected goes to the touring bands, even though the local acts tend to get the better draw. This might seem unfair, but ideally they are trying to help pay for those bands to tour, so people can see bands they wouldn’t normally get to, and ideally the local bands will be able to use the same network when they want to play in other cities. This show was no different, and since I didn’t know anything about Olde Growth other than what the flyer stated I wasn’t sure what to expect. I wouldn’t call them the best band I’ve ever seen but they were worth getting there early enough to watch. They are a very bassy doom duo. Their songs weren’t overly complex, but they did have a sort of epic feel to them. They really brought the tempo down to a crawl but still managed to bring things back up. The set seemed really short though, maybe the songs were long so it seemed that way, but I think they only played about four songs total. Still, it was a pretty entertaining set and they were a good act to play with Ilsa.

Ilsa was playing last, and they were the main reason I was there, and you could tell by the size of the audience that I wasn’t the only one with that sentiment. I’d been meaning to catch them for a while, glad I finally got a chance to. They’re called a death/doom metal band, but I think they’re more on the doom side of that with some sludge in there too. Whatever they are, they’re really heavy. They’ve made a name for themselves in the local DC scene, though they seem to be known more in the world of local hardcore fans than the typical metal circles. I think that’s starting to change as their latest album, Tutti il Colori del Buio, is starting to get noticed, and for good reason. The show was a bit different than their studio work. The songs are a bit dirtier sounding, and a bit more energetic live. The cleaner studio production gives way to a more raw vibe, and honestly I thought it was great. Plus really feeling that heavy distortion shake through you is just something ya don’t get from a recording. I enjoyed the songs that I recognized as well as the older material from their first album, which I don’t know. And while half the band had their backs to the audience most of the show, the crowd seemed pretty mesmerized by the performance. Really it’s not so much about the band’s stage presence as the sheer crushing sound they produce. Ilsa finished their set but they were talked into playing another song before calling it a night, which was pretty cool of them. It was a good show and I’m glad I made it out to see them play. They’re a great local metal act and I can’t wait to see them again, it was a hell of a lot of fun. If you haven’t seen them yet you should, they’re quickly becoming one of DC’s must see acts. I did get a few videos, posted below, one of Olde Growth and three of Ilsa, but they’re all pretty dark. The audio is decent, but Charred Resistors should have the audio from the entire show posted soon. I’ve got more pics on my Flickr page too. It was a great way to start off my year of metal concerts, a cool local act I’ve been meaning to check out in a venue I’ve never been to before. Lets hope the rest of 2011 is as fun.

I missed the opening band Mount Carmel though I heard they were a bluesy band. When I walked in Karma To Burn was playing their first song. These guys are from West Virginia and I’ve heard a few of their albums. Mostly instrumental metal, and that’s great to me because I’m a fan of instrumental metal bands. They’re a very groove based sort of doomy or stoner band, and I’d say they are pretty similar in sound to Pelican. They did play several songs with lyrics, though I’m not familiar enough with the band to give you a set list or song titles. They put on a good show with some fun songs, they were a really good choice for a support act, really helped warm up the crowd. I shot a few pics of them from the second level, but apparently my photo pass didn’t allow me to shoot any video and I was told to stop after having captured just one song. This also means I have no video of the headliner, a first on this blog, sorry! I await the day that all bands stop telling their paying fans they can’t make their own pics or videos at concerts. People aren’t bootlegging/stealing from you, we’re trying to have something to remember the experience with, and share them with our friends. Hell, I’m trying to use them for the purposes of a review, which is promotion at best and fair use at worst. Well, before this turns into a rant, I’ll start talking about the Sword.

The Sword is a doom metal band from Austin, Texas. Their sound is almost 70′s rock-ish with fantasy, and on their latest album, science fiction themed lyrics. You’d almost think this band spawned straight from a Frank Frazetta painting. They have caused a bit of a stir among music critics, some praising their classic style of metal with it’s epic heavy riffs and crushing grooves, while others say they’re basically reinventing the wheel and haven’t really done anything to deserve all the attention. I’d never seen them live before, and while I like their music, and their latest album, Warp Riders, has really grown on me, I wouldn’t say I absolutely love their studio work. That said, I really enjoyed their live show, much more than the studio material. Maybe it’s just the studio producer they’ve got, but the songs really came alive on stage in comparison. You could tell the band was glad to be playing and having a blast up on stage, and the songs just seemed to have an extra energy that seemed to be lacking in the studio. While I was there to take pics, sometimes I just had to put the camera down and headbang to some of those tunes. The setlist was very heavy on Warp Riders material, they played eight of the ten songs on it, though they didn’t play the song Lawless Lands. I find that odd since they just released a music video for that song (see it at the bottom of this post). I really liked how the song Night City sounded live, and their encore performance of Winter’s Wolves was fantastic, a perfect way to end the show. The new drummer, Kevin Fender, did a great job executing, especially considering how short he’s been playing with the band. In case you didn’t know, this concert was supposed to happen back in October but the old drummer abruptly quit and the tour had to be rescheduled. Also, this was the first concert I held a ticket give away for on the site (here), and I hope the winner Matt had a blast! It did so well I’ll be holding another contest with free tickets for the Gwar concert coming up on December 29th, also at the 9:30 Club. I’ll have a post with details about that up soon, so check back in a few days. Now, here’s the one Karma To Burn video I managed to get before I was told to stop shooting video, followed by the Sword’s official video for Lawless Lands. If that’s not enough you can check out some more of my pics of the Sword on Flickr here. Enjoy!

The fantasy themed doom metal band The Sword is coming to the 9:30 Club on Monday, the 6th of December (yes, that’s this coming Monday). The folks at the 9:30 Club have awesomely decided to let me give away a pair of tickets to this concert to one lucky DCHeavyMetal.com fan! Will it be you? All you have to do is leave a comment on this post below that tells me what your favorite metal concert at the 9:30 Club was and why. If you haven’t been to a metal gig at the 9:30 Club before, then tell me why you’re excited to see the Sword there. Be sure to use a valid email that you check regularly when you post your comment as that is what I will use to contact the winner (you don’t have to put your email in the comment itself though).

I’ll pick one lucky winner at random from all the valid entries at 11:59pm on Friday night (Dec 3rd) to win the pair of tickets. Multiple entries will be disqualified, so don’t be a dick. I’ll know if you’re using multiple email accounts! If I haven’t gotten a response back from the winner within 24 hours, I will pick another winner Saturday night at 11:59pm. Note that this concert is at the 9:30 Club in Washington, DC so if you cannot make it to the show there Monday night please don’t enter. Also of note, I will not add your email address to any mailing list or sell it to junk mail spammers or anything annoying like that. I hate that shit too. I just need it to get in contact with the winner.

This concert was originally scheduled for Oct 20th as part of the tour supporting their new album, Warp Riders. The tour was abruptly halted when their drummer suddenly quit the band, but a new drummer, Kevin Fender, has joined the Sword and the tour has been rescheduled. Tickets from the previous date will still be honored. Also appearing is West Virginia instrumental metal band Karma To Burn and openers Mount Carmel from Ohio. Tickets are available from Ticket Fly here for $20 ($28.75 after fees) and the doors will open at 7pm. Please help spread the word about this contest, I’d like to give as many people as possible a chance to win. Now check out this video the Sword just released for their song Lawless Lands:

UPDATE: Congratulations to 7th commenter Matt! I used the website Random.org to generate a random winner from the 17 commenters below, and he was the lucky winner. I have already contacted him and he has responded with his info so there will be no Saturday night drawing. Don’t worry though, you can still get tickets to this show here. And keep reading DCHeavyMetal.com because I’ll be holding another contest soon that will be giving away a pair of tickets to see Gwar at the 9:30 Club on December 29th. It was a blast reading all the great stories you guys have of metal shows at the 9:30 Club, thanks to everyone who shared one!

I got there around 9:40pm and although their website said Salome started at 9:00 and the Black Cat’s Twitter feed said 9:30, the woman taking money to get in said it was actually set to start at 9:45. Perfect timing! I was a little surprised to find their vocalist, Katherine Katz, standing in the middle of the crowd when the show started. She never did get on the stage and instead paced around back and forth throughout the set throwing her hair around and posing during her more lengthy outbursts. She’s a very petite girl but you wouldn’t know it when she’s screaming into that mic. They only played a few songs but they were long songs with a diverse range, going from faster paced Black Sabbath-esque riffs then grinding to a halt at certain points, the entire band actually going motionless for brief periods of time. Then they’d burst back to life amid pummeling drums and lurching downtuned guitar riffs. They are from Annandale and are probably Northern Virginia’s best doom metal band. You can also hear Kat on vocals on the latest Agoraphobic Nosebleed album, Agorapocalypse. Salome had opened for Jucifer’s three previous shows and this was the final gig they’d play together this winter. They played for a little over 30 minutes and were a great local opening act for Jucifer, who was up next.

After going to the red room to buy myself a cheap PBR draft, I was looking at the imposing speaker rig that Jucifer had on stage. They are known for how loud their concerts are, though I’ve seen several bands known for that before. The show was certainly very loud, the loudest I’ve ever heard at the Black Cat and that includes the upstairs main stage too. They weren’t the loudest small venue band I’ve ever heard (that’s probably Sunn O))) last Sept) but still, it was an impressive set up for the tiny space in the Black Cat’s back room. Jucifer is a husband and wife duo who travel around in their RV essentially constantly touring. The show started with Amber Valentine playing some notes on the guitar while the fog machine started to kick in. After about a minute Edgar Livengood slinked behind the drum kit and started whacking away. These two really put out a lot of energy, both playing their instruments very loosely. Edgar was smacking every part of the drum kit he could, not just the skins. Sometimes he’d use two drum sticks in one hand, sometimes he’d stand or jump up and shake the whole kit while he was banging so hard, and sometimes he’d use his bare hands to smack things. Sometimes Amber seemed to pick her notes very carefully, and sometimes she was sitting on the floor playing what can loosely be called a ‘chord progression’ on her guitar. They didn’t pause between any of their songs and music just sort of flowed forth like a volcano, sometimes more explosive and chaotic and sometimes slower and more focused. The two switched off on the vocals throughout the set until eventually Amber was singing in the dark for a good minute or two and the show ended. They gave each other a hug and kiss then started turning off all the amps as people filed out. $10 for 2 great bands was a great deal and if you get a chance to catch either of these bands live I certainly recommend checking them out.