Metal Show Of The Week: Agrimonia

Who? Agrimonia
When? Tuesday, November 26th
Where? Black Cat (map)
How much? $12 cash at the door or on Ticket Fly

Two DCHM posts on the same day? Well there’s a really cool show coming up on Tuesday and I just couldn’t let it go overlooked. That’s why this week’s Metal Show Of The Week is Agrimonia at the Black Cat on Tuesday, November 26th! Agrimonia is an excellent band from Gothenburg, Sweden that just put out their third full length, the excellent Rites Of Separation, last spring on Southern Lord Records. Although Gothenburg is associated with melodic death metal acts like At The Gates, In Flames and Dark Tranquillity the band Agrimonia doesn’t fit in that category at all. They play a really dark version of sludge metal that has some energetic highs and heavy lows. Also on the tour is Take Over And Destroy (TOAD for short), a blackened sludge band from Phoenix, Arizona. They’ve got an old school sound with some catchy riffs and you’re going to want to be sure you get there early enough to see them too. Unfortunately it doesn’t appear that there are any locals on this date of the tour. So head on over to the Black Cat and check out Agrimonia before you travel the next day (or await visitors) for Thanksgiving. Please note that this all ages show is in the downstairs back stage of the Black Cat and NOT the upstairs main stage. I’m keeping this post short today but be sure to check out the songs below, they’ll surely do more convincing that I can with words!

Review of Akris’s Self-Titled Album

Band: Akris
Album: Akris
Release Date: 24 September 2013
Record Label: Domestic Genocide Records
Buy from Bandcamp (digital) for $9.99: Here
Buy from Blue Collar Distro (CD) for $9.99: Here

Cover of s/t Akris release

DCHM album reviewer Grimy Grant gives us another album review, this time for the self titled release by Northern Virginia natives Akris. Usually I embed a couple of songs for you to listen to at the end of the post but the only place I’ve been able to find their music streaming is here at the Obelisk where you can stream the entire album. Try opening it in another tab and give it a listen while you read Grimy Grant’s review below.

Blasting their intense bass riffs out of Frederick, Virginia, Akris has released a full-length for 2013 named after themselves: Akris. Helena Goldberg performs the bass and vocals – you can see her on the Akris band page giving the mic due punishment. What comes through the headphones in this album is a bit of Burning Witch via riot grrrl – a kind of noisy, punk-y, jazz-y rock that “creates an avalanche of bass and drums, with a layer of celestial noise on top” (from their own bio). Metal Archives lists them as stoner/sludge metal but I feel that they strive for way more than just that. The fact that they have different “multi-instrumentalist[s] and noise provocateur[s]” in addition to a drummer, Sam Lohman, is a testament to their striving to be more than just drum-and-bass sludge metal. As further proof of their eclectic roots, they are listed under their Bandcamp as “noise rock”, “hardcore punk”, and “blues”, all of which are comparable to Akris’ sound but also different.

As cool as that may be, the experimental, compositional music of this album was hard for me to enjoy. Akris leaves a weird taste in my mouth – not a bad taste, just weird enough to not make me want to go back too often. The sound of Akris to me comes off as if they rushed the release of the album, resulting in a lot of technical glitches. “Fighter Pilot”, the opening track, starts with about 5 seconds of dead space followed by some confusing bass notes that changed the pace of the song several times. It may have been intentional but comes off as amatuer. That’s not necessarily a bad thing – at times in the album I enjoyed the fuzziness of the songs – but it does cause some songs to leave a funky taste in the mouth.

The fuzzy, clunky bass is a kind of ode to punk and riot grrrl music. I mention riot grrrl only because Goldberg’s vocals remind me of Bikini Kill’s Kathleen Hanna a bit. It also resonates similarly to Kylesa’s guitarist-singer Laura Pleasants. Goldberg’s voice alternates between lullaby-like harmonies and screaming on all of the tracks. Even so, while it sounds heavy – very heavy, in fact – the guitar riffs tend to be repetitive by the third or fourth track. Akris does better overall in the vocals department. Goldberg’s voice stays with me after every song as a beautiful but deadly thing, both harsh and melodic. In “Fighter Pilot”, after the bass settles down and her voice comes through clearer, it makes the song enjoyable, or at least easier to wrap my brain around.

Akris definitely does the job right for a sludge band by being utterly depressing despite having some rough edges. Every song, while ignoring the context, is a bummer. There’s a fascination with the spiritual and other-worldly going on, too. An example of this is in the track “Row of Lights”. Goldberg sings of how she “Went to the mountain/ To find my escape” which resulted in her looking into the sky and the moving stars. The imagery fits more with a sludge song and I liked the bass breakdowns despite it being a bit similar to the other songs. As in much of the album, there is a balance between the fierceness of Goldberg’s voice and the slowness of the bass. “Row of Lights” keeps that crazy funeral march of bass and drums just enough to keep my heart from racing too much. “Riverbed” creates a funeral bass riff coupled with a dual harmony from Goldberg. It’s a kind of darkened farewell song talking about how her “heart is broken, beneath the riverbed” followed by Goldberg screaming “what happened to us?/ Why?” in a kind of frustrated cry to the dark river she’s beneath. Despite the clunky bass it has a way of blotting out any happiness in the room and drives home its message. The unusual harmony and composition pay off in these songs well.

The flipside of the experimental noise is that it sometimes hurts the songs. The following song after “Riverbed”, “Vomit Within” has disjointed harmony along with some stranger lyrics that I wasn’t able to make too much sense of: “There is a place inside my head/ That opens up when I am dead” followed by mentions of a shadowy figure. Piecing together how the lyrics of this song play with the rest of the “Vomit Within” caused some head scratching. Is the opening and the “shadow” that Goldberg sings about what we’re vomiting into? The metal name of the song just clashes too much with the sweet singing for it to make sense for me. It’s also hard to follow at about four minutes into the song when a male voice joins her (possibly a member of Admiral Browning) and the song gets weirder and more disharmonious. I love weird stuff, don’t get me wrong, but this just rubbed me the wrong way. All the parts were there for a great song like in “Riverbed” but they just didn’t pace well and it sounds unfinished.

Akris would be a great live band and I’d love to see them perform. In the studio, there is too much thumping, rusty Sunn amp bass distracting me from the rest of the songs. There are moments I found myself nodding to the rhythm though, and I feel that the technical glitches would go forgiven in a live setting, particularly in a DIY venue. At Hole in the Sky, Corpse Fortress, or Girl Cave there were some great bands that took the experimental route. At those shows I remember descending into each house’s basement, someone turning the lights off, and hearing some blasting, out of this world noise. Those are happy memories and I feel transported to those basements when I listen to Akris. I don’t remember anyone, including me, caring about glitches or the content of songs – it was more about the moment. Time has made me a grown-ass man now so maybe that’s my problem with this (feel free to digi-hurl old man jokes/rotten tomatoes at my Twitter handle @jgrantd – I don’t get a lot of traffic on Twitter as it is). Akris aims at a higher goal of doing something compositional and creative with their work – something that I gather from their band bio on their page. While it’s hard to get into at times I still like how they are trying something new. And Akris should be commended for their bravery in doing the unusual without being afraid of occasionally sounding off.

Review of Windhand at St. Stephen’s

On Saturday the 3rd of March 2012 I headed over to Saint Stephen’s Church in the Columbia Heights neighborhood of Washington DC to catch a great line up of metal bands. And while drinking wasn’t allowed at the venue this wasn’t some sort of Christian rock concert, upside down crosses and other metal standards were on display on stage throughout the night. The excellent Richmond, Virginia based doom band Windhand was touring with Natur and Pilgrim and this was the DC stop. To make the show even better DC’s own death/doom masters Ilsa were on the bill as well. Midnight Eye was supposed to open the show but they had to drop off and were replaced by Satan’s Satyrs, a Northern Virginia based sludge/stoner type of band. $10 for 5 bands is normally a pretty good deal on most nights, but this was a killer line up that gave back a lot of quality metal for your buck. That was $10 well spent!

Satan’s Satyrs was the first band up. The crowd was pretty sparse during their set but people were still coming in. The trio were decked out in bell bottoms and played a throwback style of stoner/sludge metal though it had quite a bit of energy as well. The problems with the PA system were a recurring issue throughout the evening and their set was no different. They were loud in the large square rec room space though the faster parts of their songs sounded pretty muddy. This wasn’t the band’s fault, the sound just wasn’t great that night. However it wasn’t bad enough to ruin the music overall and their performance was still entertaining, especially for a last minute add on.
Satan's Satyrs

The next band to play was Pilgrim, a three piece doom band from Rhode Island. I was unfamiliar with them but they were pretty good live. They were very heavy and most of their songs were slow paced. They weren’t very flashy but they played some quality tunes, often times just slowly grinding along. They finished their set with a faster paced song that was pretty cool as well. Apparently this was their first tour and this was a good showing.
Pilgrim

The next band to hit the stage was Natur, a sort of thrashy metal band from New York City. They had a lot of energy on stage and I was really blown away by how well the executed live. Lots of catchy memorable riffs and wailing guitar solos with some solid song structures that tied it all together. I couldn’t hear the vocals for most of their performance from where I was standing. However things seemed to get sorted out a little bit by the end of their set and honestly they were so fun live the poor sound quality didn’t come close to ruining it for me. I was very impressed by these guys to say the least.
Natur

Next on stage was Windhand, one of my favorite underground bands from Richmond. They are a really heavy doom band with a woman on vocals but this is no girl power gimmicky band. I’ve seen them perform a few times before but this was certainly the biggest of those shows as far as attendance is concerned. The whole of Windhand were in great form for this show. Their sludgy doom even brought a few onlookers from the square dance event going on in another section of the church. My only complaint was that the set seemed too short, and judging by all of the applause I’m sure I wasn’t the only one wishing they had played longer.

Windhand

Locals Ilsa played last. They’re one of the leading bands in Washington DC’s underground metal scene and they were spotlighted in an article in the City Paper last week (here). They play a very crusty style of death/doom metal that isn’t particularly technical but is incredibly crushing. Their sound is dirty and full of great riffs and they got the biggest mosh pits of the night during their set. Ilsa plays pretty regularly around the area and they seem to always put on a good live show. This time they mixed up the playlist a bit and I think this is the first time I’ve ever seen Ilsa where they didn’t play their song Frostthrower. It’s usually a staple and often their closer. I’m glad they aren’t happy just staying put with what they have already done so well and they’re willing to keep moving forward and keep things fresh. The vocals were basically inaudible from where I was standing in the front but the songs are still pretty awesome on their own anyways.
Ilsa

In all this was a great show with a lot of quality bands. It sucks that you can’t drink or order food there, but it also makes it so that some of the younger fans who can’t get into the 21+ shows can get out and see killer line ups like this when they happen. The sound left a lot to be desired but really, I’ve heard worse at plenty of local “professional” venues as well. The lack of any real back stage means the members of the bands are out in the audience (or behind the merch table) most of the night which means anyone can go up and talk to them, which I think is pretty cool not only for the fans but also to help build up a band’s fan base on a more personal level. This wasn’t the first show I’ve been to at St. Stephen’s and if you hear of a good show coming there you shouldn’t hesitate to go, just be sure you eat before you get there. Thanks for reading all of this, and while the winter has been a bit slow around here I hope to have more concert reviews up this spring and summer. Also, be sure to check out (here) the newest contest running on DCHM right now where you can win quality seated tickets to Rammstein in Baltimore AND Iron Maiden/Alice Cooper in Northern Virginia and tomorrow I will be posting a new ticket contest as well. I do love giving away stuff to the readers of this site. Stay metal everyone and remember, support the scene you’re a part of!

New Local Music Videos

I know I usually write really long posts but today I thought I’d just do a short post featuring a couple of very professionally produced music videos by two kick ass local metal bands. Both of them are brand new, released in January 2012. I was going to have a third music video on here but apparently someone’s record label got all pissy about a video being too offensive or violent so that one has been delayed. In its place I’ve posted a video that I shot myself of a local band playing a new song live on January 21st. Now, on to the videos…

First up is this killer new Fierce Allegiance video for their song Devil’s Knight. They’re a thrash band based here in Washington DC and they have a new full length album coming out later this year. They’re giving away an mp3 of the song in this video which you can get here. While you’re there, go ahead and give them a like on Facebook as well so you’ll know when they’ve got more new material.

Next we’ve got this zombie filled video by the guys in King Giant, a local southern styled stoner/doom metal band. The song is Appomattox, off of their brand new album Dismal Hollow. I highly recommend it (and their first full length, Southern Darkness, is really good too). You can buy Dismal Hollow on CD or vinyl here or buy it as an mp3 download from Amazon.com here. This epic video is 8 minutes long so sit back and enjoy the bloodbath!

While the last two videos were not only visually stunning but had great studio production as well, you’ll have to excuse the next video’s quality as I shot it myself on my little Panasonic handheld camera. This is the Northern Virginia based sludge band Auroboros playing their new song Tired Grip. It’s a great song that really builds up well and the song is going to be on their new EP which is scheduled to be out this spring. Sorry you can’t see the band’s frontman, Brian Blickle, too well in this video, the stage lighting was on everyone but him! However if you’d like to see them live yourself they’re scheduled to play with the French band Alcest at DC9 on Thursday, March 29th (more details on the concert calendar). Now give these guys a listen and become a fan of one of the area’s rising metal bands!

I hope you all enjoyed this post. Be sure to check back soon because tomorrow I’ve got a big new ticket contest to announce. Stay metal DC and remember, support the scene you’re a part of!

King Giant tickets and album give away

Hey everyone, I’ve got another contest for you this week. Local southern metal act King Giant is playing Jaxx Nightclub in Springfield, Virginia this Saturday the 21st of January and DCHeavyMetal.com is giving away a free pair of tickets to one of you lucky readers of the site. This isn’t just any ordinary King Giant show though, in addition to headlining it is also the release show for their new album Dismal Hollow. At the show they’ll have copies of it on both CD and vinyl and to sweeten this week’s contest I’ll be giving away a copy of it as well. You get to pick which version you want, CD or vinyl, and I’ll get the entire band to personally autograph it for you! And since I’m feeling so generous this week I’ll throw in a free DCHeavyMetal.com t-shirt with the Joshua Brettell artwork! So that means this week’s winner gets a copy of the new King Giant album in the format of their choice signed by the band AND two free tickets to the show on Saturday AND a free DCHeavyMetal.com shirt! All you have to do to win is tell me why you want to go to this show in the comments below and I’ll pick a winner at random using Random.org to win the prize package! Your reason can be to pick up the new album, to hear some of the new tunes played live, to get loaded at the bar or anything you want really. The winner will be picked at 5pm EST on Friday 20 January 2012. Be sure to use a valid email address you check regularly when you post a comment so I can contact you if you win, though the email address doesn’t have to be in the comment itself. And don’t worry, I won’t add you to any lists or spam you in any way, I hate that shit too.

King Giant puts on a great show however there’s a kick ass line up for the whole night so be sure to get there early and check out some of the other bands playing. Starting the night off will be a band called Weed Warlock and I honestly don’t know much about them but I’m going to guess they’re a stoner band just from the band name alone. After them will be Auroboros, one of the area’s rising sludge bands. You sort of have to mention that the band features former members of both Baroness and Salome, however they’re a great band even if they didn’t have a pedigree. I’ve also heard they have just made t-shirts and this will be the first place you’ll be able to get one at. After they play there’s The Crimson Electric who are coming up from the Virginia Beach area. You may recall that they played with King Giant at the State Theatre back in January of 2011. So I guess this is becoming an annual thing for them but that’s not a bad thing at all because they put on a great show. The final opening act before King Giant plays will be Borracho, a stoner/doom band from DC. Their name is Spanish for a drunk or lush and as you’d guess they write some great riffs to knock a few back to between rounds of shots. This is really an excellent line up of similar yet distinct and talented bands. If you don’t end up winning you can get a ticket online from Amped & Alive for $13.50 here OR you can buy a ticket at the door $12 (add $2 to that if you’re under 21). This show is all ages and the doors open at 6:30pm. I’ll also be selling DCHM shirts and hopefully have a new batch of DCHM stickers in by then and I’ll be giving those away for free to anyone who wants one. Now check out this kick ass King Giant video for their new song Appomattox and enter the contest below it:

Mega Sized Metal Concert Recap

Recently I’ve not been able to write as many concert reviews as I’d like to. I’m considering doing some shorter ones in the future. Believe it or not, my average concert review takes me 10-14 hours to put together. I have been going to a hell of a lot of shows and that just makes things back up a bunch and it can be hard to even get through just sorting through all my concert photos. However, I’ve been to some great shows since my last concert review, the Cavalara Conspiracy show review I posted back on October 14th, and I thought I’d just post a few pictures, videos and notes from those shows to give you an idea of what has been going on with live metal in this area from my point of view. Each paragraph below is about a different concert so you can skip ones ya don’t care about and move to ones you find more interesting easily. You can click any of the pictures below to see more of my photographs of the same band, and I’ve added some of my videos from the shows that I shot them at in this post as well, though as always I’ve got more on my YouTube page here.

On Friday, October 14th, 2011, I drove up to see Wabringer and Landmine Marathon at Sonar in Baltimore. This was Warbringer’s first headlining tour and while they are one of my favorite bands of the modern wave of thrash metal, I really wanted to see Landmine Marathon play. I’d never seen them before but had heard they were good live. Their vocalist, Grace Perry, was on the cover of the always controversial Hottest Chicks In Metal issue of Revolver magazine in 2009, but I didn’t care about any of that. She was absolutely ferocious on stage, really a sight to behold regardless of her gender or hotness or whatever. At one point she told the audience they better start moshing harder or she’d jump off the stage and kick everyone’s asses, and you believed it when she said it. Warbringer was fun live as usual, they played Living In A Whirlwind so I was happy. This was also the first time I’d seen them play anything from their newest album, Worlds Torn Asunder. Vocalist John Kevill did a stage dive into the audience at the end of the show. Lazarus A.D. played between those two bands but I don’t really care for them so I took that time to drink a couple Lancaster Milk Stouts in the other room. They’re delicious and Sonar has em in bottles at the bar, highly recommended when you’re thirsty at Sonar!
Grace Perry of Landmine Marathon

Warbringer

The next night, Saturday the 15th of October 2011, I found myself back at Sonar to see a black metal band from Singapore, Impiety. However, as a late addition to the bill I got to see a band I’ve been wanting to see for years, Ohio’s black/speed metal act Midnight. They came out in the executioner’s hoods that they’re known for and just shredded the place. They’re a fierce three piece and their sound reminds me of something of a cross between Motörhead and Darkthrone. After their awesome set Impiety hit the stage drenched in pig blood, and man did it stink like something awful. The pit was fierce for their entire set and the band never let up either. It was really a great show I’m glad I didn’t miss it. Considering where they’re from, who knows if you’ll ever be able to see them play around here again.
Midnight

Impiety

On Monday the 17th of October 2011 I found myself at Jaxx in Springfield, Virginia to check out local power metal band A Sound Of Thunder play support for the Swedish power metal band Sabaton for the final show of their tour. The audience was thin this evening, Dream Theater was playing at the Warner Theatre the same night and I’m sure that had an effect on the turn out. However A Sound Of Thunder put on a solid set and kept the audience’s attention. They were a good warm up act for Sabaton. I’d never seen Sabaton before, and honestly I’m not that familiar with their music, but I’ll tell you they were entertaining as hell to watch live. You could just tell that the band was having a lot of fun playing for the audience and even though the turn out wasn’t huge the people who were there really gave a lot of energy back to the band. They played a prank on their new temporary bass player when the rest of the band started playing a song they hadn’t taught him to play. It was a really fun experience from a band I didn’t really know what to expect from.
Nina Osegueda of A Sound Of Thunder

Sabaton

Skip ahead to Friday the 21st of October and I was at a kick ass Deceased show at Comet Ping Pong in Washington, DC. The opening acts were two I really enjoy, DC’s own stoner band Borracho and Richmond’s doomy/sludge band Windhand. Borracho went on first and they didn’t start until after 10pm. They put on a good show and the audience that came to see Deceased, different than the normal stoner band crowd, seemed to be into it. Next up came Windhand. This band is HEAVY and this set was no different than usual. Finally Deceased hit the stage well after midnight. Deceased has a lot of ties to the DC area, originally based out of Northern Virginia they are the kind of band that draws people out of the woodwork when they play in the area. It was good to see such a big crowd for them. They didn’t have a bass player, which made their sound a bit tinny and took some getting used to. King Fowley used to play drums but now was just doing the lead vocals, and he was having a lot of fun with the audience and even came out into the crowd a couple times. I got home really late that night, but it was worth it!
Borracho

Windhand

Deceased

Sunday the 23rd of October, 2011, I went on a road trip up to Philadelphia to catch a band I’d been wanting to see for several years, Kvelertak, play at Johnny Brenda’s. When I got there the Georgian psychedelic sludge metal group Zoroaster was playing and I saw them do a couple songs. Skeletonwitch, a thrash band from Ohio, was after them and they put on an energetic show, they’re definitely a better live band than when I saw them in April 2010. Not that they were bad then, but they’ve definitely got their live show down better now and I wouldn’t be surprised to see them doing a headlining tour sometime soon. Finally Kvelertak, the Norwegian punk/metal band I drove all that way to see, was up and they put on a hell of a wild show. There was a lot of stage diving and beer drinking and the show just had a crazy amount of energy going on. It was definitely worth the 6 and a half hours of driving there and back that night, so much fun! Hopefully they won’t skip the DC area on their next tour. Also, I met two other people, who didn’t know each other, who had both come up from the DC area for this show. That was kind of cool.
Skeletonwitch

Kvelertak

On Thursday the 27th of October I went to see a Sepultura cover band made up of members of various local bands, namely Disciples Of Christ (D.O.C.), Drugs Of Faith, Magrudergrind and Mind As Prison. This was at a small Ethiopian restaurant and bar called Asefu’s just a couple doors down from DC9 in Washington DC. Local guitar shredders Midnight Eye opened the set up and they were awesome as usual. They played a cover of Megadeth‘s classic Rust In Peace that was pretty slick as well. Local band Auroboros was next to play. They’re a great live band, with ex-members of Baroness and Salome in the group you know it’s just a matter of time until they really take off. During their set the drummer got caught in the fake spider webbing while playing, he even lost a stick to it, haha! The Sepultura all stars played next and while their set was mired with some technical difficulties at first, it was a lot of fun. I was a huge Sepultura fan in high school so it was cool hearing them play some of those old classics. They only played about four or five songs though, I wished it had lasted another hour! The final band of the night was Inter Arma from Richmond. Sadly a lot of people left after the cover band played but they played a powerful set regardless, I’m glad I stuck around to watch them.
Midnight Eye

Auroboros

Sepultura cover band

Inter Arma

I had another stop at Jaxx on Sunday the 30th of October 2011 to see Decapitated play. There were a lot of other bands playing this night, however I only saw the final three bands. Italy’s Fleshgod Apocalypse came out in their tuxedos and really got the mosh pit going, including a few guys in drag for Halloween that were in there. Next up was the California based tech death band Decrepit Birth. I really like this band a lot. They remind me of the band Death a lot, but with a more modern sound. Their vocalist, Bill Robinson, is a bit of a head trip but he really got the audience into the show. At one point he held up a copy of their latest CD and told the audience anyone could have it if they took it from him. This caused a wave of people to climb over the railing onto the stage and Bill kept pushing them back to stage dive onto the audience. Then came the headliners, the Polish death metal band Decapitated. This band had a tragic bus accident on October 29th 2007 while on tour. Their drummer was killed in the wreck and the vocalist was critically injured. Decapitated broke up for a little while, though guitarist Vogg decided to get them back together, with all other members of the band being new, and put out a new album back in July titled Carnival Is Forever. However, this band just isn’t the same, it was almost sad seeing them play. Spheres Of Madness, their closing song and most famous, just wasn’t the same, it was almost like seeing a cover band play it. Combined with their short set, they only played for about 45-50 minutes, they were a let down. I’m glad I got to see them a few times before their accident. Also of note, this was their final show of the tour and on the return flight their airplane had to make an emergency landing with no landing gear. The story with video of the landing is posted here. The band is fine but damn, maybe they should start walking when touring.
Fleshgod Apocalypse

Decrepit Birth

Decapitated

On Tuesday the 1st of November, 2011 I went up to Baltimore to see Opeth play at Rams Head Live. Their set was a rather laid back performance, even by Opeth’s standards. Their new album, Heritage, has no harsh vocals on it, and this tour was certainly to promote that album. The show was fun, and being that it was the last show of the tour the guys were kind of goofing off a bit. They let the audience in a short singalong to the chorus of Harvest at one point, and had a few pranks going on stage throughout the night. However the highlight of the evening was the encore. Members of the opening act that I didn’t get there in time to see, Katatonia, joined Mike Åkerfeldt and Martin Axenrot of Opeth to reform the Swedish death metal super group Bloodbath! They played two songs, Soul Evisceration and Eaten, in a very rare public performance by Bloodbath. Mike hinted that they might be back together for real, though he didn’t say if that meant a new album, tour or if it was even definite. Their short and brutal encore set was quite a contrast to the Opeth show that had gone on just before it. This was the only concert of the tour that Bloodbath made an appearance at, and I felt very lucky to be in attendance. Definitely one of my concert highlights of the year! You can see video footage of Bloodbath’s performance (not shot by me) posted here.
Opeth

Bloodbath

The next night, Wenesday the 2nd of November, found me in Baltimore again for the first show of tour by the infamous Norwegian black metal band Mayhem. When I got there the show was running a bit behind schedule though and I saw the end of Abigail Williams‘ set. Then the polish blackened death metal band Hate performed. They were pretty good if not overly original, sort of like a Behemoth junior. I have to say their guitarist had some of the worst corpse paint I’ve ever seen though. Then the Norwegian melodic black metal band Keep Of Kalessin played. I watched a couple of their songs but soon found myself in the next room drinking Lancaster Milk Stouts again. Keep has gone down hill in my book over the years, now they seem to be a sort of singalongy kind of band and they’ve lost the bite I enjoyed of their older material. Finally Mayhem was up next, their first area appearance since they played at Maryland Deathfest in 2009. Vocalist Attila Csihar came out looking like some sort of satanic vampire and it was awesome! He’s known for his wild stage costumes but this was just over the top. The band played a kick ass set heavily loaded with material from their classic albums De Mysteriis Dom Sathanas and Deathcrush and it got the place going crazy. There were tons of fights, even a woman got thrown out of the show for being to crazy in the pit, it was intense! I got some bruises but it was worth it to get some awesome shots of one of metal most notorious bands.
Hate

Keep Of Kalessin

Mayhem

On Sunday November 6th, 2011 I was at the Fillmore in Silver Spring, Maryland to watch Death Angel, Testament and Anthrax play there. However there was a problem with the photo passes that night and rather than risk leaving my camera in my car where it could be stolen, I had to head home after I already had my tickets in hand. Very frustrating let me tell you. I still haven’t been inside the new venue, I hope they get things straightened out next time. I really wanted to have some photographs up for you guys from that show, and have a nice big concert to end this long recap on but sadly, no dice. I might do more of these long recaps in the future, if you people like or don’t like them let me know. I’ve got a lot more metal shows to go to coming up and this might be a good way to try to cover more of them, starting with Torche tonight at DC9. Also, I should have some shirts with my new t-shirt design on them for sale very soon so keep your eyes peeled for that. They have new Abe Lincoln artwork drawn by DC based metal band Ilsa‘s drummer Joshua Brettell and they look awesome! Thanks for reading DCHeavyMetal.com, stay brutal everyone!

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