Gorguts ticket give away

Gorguts

The French Canadian death metal band Gorguts is coming to Empire (formerly Jaxx) in Springfield, Virginia on Thursday, September 5th! They haven’t played the area since reforming and one of you lucky readers will win a free pair of tickets to the show. To enter just leave a comment on this post telling me which old school metal band you hope reforms to make a come back next and at 5pm EST this Friday, August 30th, a winner will be chosen at random (using Random.org) from all valid entries to win the tickets. Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Amped & Alive for $16 here.

In the 90s Gorguts put out some excellent technical, yet very brutal, death metal albums but ended up going on hiatus in the new millennium. They reformed to play a set at Maryland Deathfest in 2010 which was awesome but lacked any new material. Well the new Gorguts album Colored Sands is coming out and I can tell you that having heard an advance copy already, it’s sick. This isn’t a recreation of past glories, this is a modern evolution of the classic Gorguts sound and there’s even some surprises in there too. If getting to see Gorguts play their classic songs plus some of their killer new material live wasn’t great enough there’s also direct support coming from Richmond’s Inter Arma. They released their first album on Relapse earlier this year and have been putting on some outstanding live performances in support of it. Seriously, catch these guys live and you’ll become a fan. There will also be sets by March To Victory from Pennsylvania and locals Acid Deth Kvlt. Now check out these awesome new songs by Gorguts and Inter Arma as you decide which old school metal band you wish would come back next!

Philip Anselmo to answer fans’ questions

Philip H. Anselmo & The Illegals at the Fillmore Silver Spring

Philip Anselmo, the famed vocalist for bands like Pantera, Down, Superjoint Ritual and others, is coming to the Fillmore Silver Spring on Sunday, August 18th with his new band, Philip H. Anselmo & The Illegals. And because “Music Media Is My Whore,” the first track off their debut full length Walk Through Exits Only, isn’t just a song title, Philip will be taking over the DCHeavyMetal.com Twitter account to answer fan questions! When Philip has finished dominating our Twitter account he’ll pick whichever question he thinks was the best and the person who asked it will win a pair of tickets to see his band play their original songs as well as some classics from his previous bands at the Fillmore Silver Spring!

So if you haven’t already, get a free Twitter account (here) and on Tuesday, August 13th at 5:30pm EST you can send questions to @MetalChris on Twitter with the hash tag #PhilipAtFillmoreSS. Philip will read your questions and answer them from the @MetalChris account. This won’t be on Facebook or any other social media site, this is an exclusive to the DCHeavyMetal.com Twitter account. If you just want to follow along, with or without a Twitter account, you can do that by going here, but you’ll need an account to be able to ask questions. I’m pretty excited for this exclusive opportunity to let my Twitter account become a mouth for war for Philip Anselmo so start brainstorming some questions for your chance to win those tickets!

Listen To Nightmonger by Midnight Eye

Local metal band Midnight Eye is releasing their EP Nightmonger and they kick off their tour supporting it with a free show this Thursday, August 8th, at The Pinch in the Columbia Heights neighborhood in Washington DC (details here). Stream the EP above, pick it up on Bandcamp here and be sure to come out Thursday to watch these guitar wizards pull this stuff off live. And while you’re listening to Nightmonger, check out the review of it below by new DCHM writer Tal (you can find more of her writing on her regular blog here).

Band: Midnight Eye
Album: Nightmonger
Release Date: 8 August 2013
Buy From Bandcamp for $4: Here

Cover of Nightmonger by Midnight Eye

Midnight Eye further develops their distinctive sound with their 3-song EP Nightmonger. The new release keeps the energetic heavy metal/thrash groundwork that they laid in their first album, Sign, but also takes a few steps further in the progressive direction, with unusual vocals as well as widely varying guitar passages. But these guys have the guitar chops to tackle all the different styles they want to pursue, and piece them together fairly cohesively.

Rocking NWOBHM riffs just on the verge of thrashy form the base of their sound, occasionally taking off into a full-out frenzy-inducing thrash whirlwind. Along with shreddy guitar solos, there’s also a lot more noodling compared to the first album and even a low-tempo acoustic passage in the second song, “Chaos.” The change of pace when the acoustic segment begins is a little jarring, but it doesn’t utterly destroy the energy of the song. The bass and drums soon come back in to give the instrumental some thrash kick, and after the lead guitars meander for a bit, they finish the song with a speeded up version of the main riff, giving it a satisfying conclusion. Missing from the EP are the doomy segments that haunted a couple songs from the first album, but the third song, “Outsider,” features some buzzsaw black metal riffs instead. The end of this song, which really picks up the black metal sound with insistent drums and sweeping tremolo riffs, is one of my favorite moments on the EP.

While the guitars have immediate appeal, the vocals take some getting used to. The tone of the mid-range clean vocals, which dominate Sign, is unusual, although it sounds sort of like a mid-range take on early King Diamond. Nightmonger showcases a lot more of Simon Callahan’s ability to generate King Diamond-like shrieks and high-pitched notes, especially in the second song, “Chaos.” I’m still not quite sure if their attempt to combine the shrieks and clean vocals works in that song, but I do prefer the high-pitched vocals to the mid-range ones overall.

I enjoyed staring at the simple and yet intricate cover design for a while. It reflects the band’s carefully executed complexity, and hints at the black metal touches in their music. The depth of their lyrics also matches the complexity of the band’s sound. I enjoy lyrics that are a bit poetic, rather than obvious and straightforward. While the chorus of the first song is pretty direct – “people cling to these very truths:/they love their nation/before other nations/they love their friends/not others” – the verses are more subtle. This song is apparently based on the Chinese philosophical text Zhuangzi, which espouses harmony with the natural way of things, so the nature images in the verses are a fitting touch. The ending of the song – “sound the alarm/tell everyone/there’s no purpose/to anything at all” – at first seems like an abrupt break with the theme of waxing and waning concern for others. Chinese philosophical anecdotes often end with a lesson, though, and looking at it that way, the lesson in the last verse is that human attachments are so changeable that there’s really no purpose in pursuing them. The other two songs, while not as cryptic, are also nicely constructed, using images and metaphors to propel their message of distrust of those in power. I particularly like the phrase, “outsiders,/from shades of grey/are made in the/gears of the world,” from the third song, “Outsider.” It reflects a penetrating awareness of how otherness is constructed and used by the majority.

I’m enjoying the EP more with each listen, and looking forward to hearing the band play it live. Midnight Eye is holding a release party this Thursday, supported by Exar Kun and Thrain, so don’t miss the chance to see these stellar guitarists live. I’ll be there pushing people around when the thrashy parts take off!