Black Voices – Kevin Rucker

On Tuesday June 2nd, I, like many others, posted a black square to my Instagram with the #BlackOutTuesday hashtag. Almost immediately I realized that this was not nearly doing enough and that if I truly feel Black Lives Matter then I have to do something more. I figure something I do have is my modest platform here at DC Heavy Metal. With that in mind I started reaching out to some of my black friends to ask them if they’d like to make a guest post on DCHM. I told them they can write something, make a video or audio recording, share links, literature, whatever. The subject matter of each post is entirely up to them, it does not have to be related to metal or even the DMV area. This is the fourth of this series of posts I’m calling Black Voices and I hope you take the time to listen to them. You can find all the posts in this series using the Black Voices tag here.

For this post Kevin Rucker, who goes by EndlessCemetery on Twitch, took the time to talk about some of his experiences as a musician and metal fan in the Baltimore metal scene. I’ve followed him for a while on Twitch because he regularly has interesting discussions and takes on racism and other social issues on his streams, sometimes while he’s playing video games, sometimes not. When the recent protests began after George Floyd’s murder he has even streamed live from the streets of Baltimore. Fascinating stuff and I highly recommend you give him a follow on Twitch. The beginning of this video is clipped a little but that doesn’t change the overall message. And be sure to read the transcription below if you prefer that.

…/endlesscemetery Here I play video games obviously but I also have lots of discussions about income inequality, police brutality, white supremacy, socialism, all that good stuff. All the stuff we know and love. But I wanted to make this video for Chris from DC Heavy Metal for his Black Voices platform. Shout out to Chris for providing a platform like that for people like me to really speak out and get some of our experiences and some of the things that we’ve seen and done out there. For anyone who wonders why I am even relevant to this conversation, my name is Kevin obviously like I said, but I’ve been playing metal, or rather I was a metal musician in the Baltimore area for the better part of the last 15 years. I’ve been a fan of metal for probably the last 20 years. My first ever show was out in Baltimore County at a venue that no longer exists that used to be called the Recher Theatre. I went to see Soulfly, Throwdown, Blood Simple and Incite I believe. It was like Max Cavalera’s son’s band. I was straight edge at the time so I was really excited to see Throwdown but of course Soulfly were really cool. This was before there were any rumblings of Cavalera Conspiracy or anything like that, back in 2005 I believe. The very few Sepultura covers that they did were very, very exciting. Very, very cool to me. My first show [performing in a band] in Baltimore was a pay-to-play show at the Recher unfortunately but the first show that I would say had any actual meaning to me would have been, I played at Sidebar in 2007 with my first band Reanimator. We played with Infernal Stronghold, Revocation and Swashbuckle. Two of those bands are now like blown up and stuff. It’s interesting. Infernal Stronghold [is] still one of my favorite bands of all time of course. Shout out to them. Like I said that was in 2007 and I’ve just kind of been rockin’ in the scene since, whether I’ve been going to shows or playing shows. Obviously I’m a big fan of [Maryland] Deathfest. Deathfest was the second show I’ve ever been to, back in 2006. I’ll get to them in a moment.

But my experience in the metal scene had always, up until pretty recently I’ve felt to be very inclusive but I’d realized that it was because of the niche of the scene that I was subsisting in. Here in Baltimore there was a lot of overlap with the grind and punk and metal scene and stuff. Plus just by virtue of Baltimore being a small city it has a pretty tight knit community. So the only times I ever felt any weird energy would be like out of towners and stuff. But I actually stopped playing metal briefly in 2016 due to some fuckery, for lack of a better word, pardon my language, that I encountered while in one of my previous bands, a band called Bestial Evil. I won’t get super, super deep into that here and now. If you’d like, cause I have talked about it so much, especially here on this stream, on this platform. If you’d like some of the details on that you can Google, there’s an Idavox article [here] that was done about the Wolves of Vinland and the band was called Bestial Evil. If you Google Bestial Evil Wolves Of Vinland I’m sure you’ll find the article. But my exposure to that and just the general attitude, the cavalier attitude towards white supremacy in the metal scene really turned me off, left a really bad taste in my mouth and caused me to really step back from everything. I started playing electronic music which is, I’m noticing, kind of the story for everyone who moves away from metal, at least as their main subgenre. Being that I’ve been a video gamer for even longer than I’ve been a metal head or anything related to metal it was just kind of a natural transition and I really enjoy that scene as well. It’s a much more inclusive scene. A lot of the elitism that you would experience in metal where it’s like, if you haven’t heard of a specific band or you don’t own a specific band’s merch or whatever, then you’re not a true metal head right? You’re a poser. Whereas, at least in my experience, in the electronic music scene if you’ve never heard of an artist that’s an exciting moment because that’s a moment where a person gets to put you on, show you some music, give you some experiences that you’ve never had before.

On that note, I guess the main thing I really want to talk about and get out there is obviously for people to be more aware and more critical of the white supremacy being in the metal scene and that kind of just being allowed to float out there in the ether. Cause for a very long time the sentiment was that if you just ignore it it will go away, which is not the case at all. If you give these people an inch they take a mile. I don’t want to name drop anyone in specific, but I remember seeing like a Metal Sucks article or something from a very prominent metal artist that was just talking about how if you don’t like NSBM then you just shouldn’t buy it but it’s like not a big deal, right? And now that same artist, now that the Black Lives Matter movement is fashionable and we’re having all these global conversations about anti-blackness, that same artist is now doing a Metal Versus Racism thing, what have you. But when we’re talking about Deathfest it needs to be known that Maryland, the state, has the highest rate of black male youth incarceration of the entire country. And Baltimore specifically has very, very serious issues with police accountability and the way the police interact with citizens here. So it is especially disturbing to me, the cavalier attitude, that booking has done with, in regards to Maryland Deathfest and some of the bands that they allow to play or promote. A prime example being, if we’re talking about more or less ancient history at this point, Deströyer 666 headlining, and if not headlining having like a major stage or what have you. But more recently, as in the last year, I was working security at the pre-fest party for the band Dumal that played which is, I’ve referred to them as an NSBM band in the past. I should maybe discern that a little bit more in saying that while nothing about their lyrical content or their style of music specifically has any political or national socialist leanings per se, the imagery that they used in at least one of their tapes as well as the label that they choose to release that music on, or at least chose to release that music on, was very, very definitely, unquestionably at the very least sympathetic toward some of the ideals of white supremacy when it comes to historical context. So like bands like antebellum bands, actual NSBM bands, what have you. So that left a really bad taste in my mouth because it was also coming at a time right when I was starting to want to kind of get back into metal. The last band I played in is a band called Embalming Process which is like a goregrind band that I kind of burnt out on but I was coming around and getting excited to write music for it again, partially because I thought that my personal whistle blowing, as far as bands being involved in white supremacy, being prominent bands and their shitty politics or behavior being overlooked, I thought that that was starting to change a bit in the scene, and that was kind of a disappointing moment for me, personally.

The only thing I can really say moving forward is that the anti-racist sentiment is absolutely not something that can just be a flavor of the month, spur of the moment type of thing. It’s a attitude that must be a constant if we’re going to have a scene that is actually inclusive. And that just doesn’t mean, that also is not just for anti-racism, that’s also anti-misogyny, anti-homophobia. Obviously we have issues with those things. Anti-transphobia, all of these social ills, if you will. All of that needs to be confronted and called out and pointed out and addressed head on. It can’t just be a thing where, because we’re afraid to make waves as a fan or even as an artist we’re afraid to lose money because our fans might look at us differently if we take actually a stance on something for once in our lives. That needs to stop and it makes me wonder what the point is, who you would even be appealing to in the first place if you were that worried about losing fans or losing money or what have you, taking stances that shouldn’t even be considered political; black people are people, black people should not be killed, trans people are people, trans women are women, all these very, very basic things that I feel like everyone will say that they feel a certain way about but when they’re put on the spot, when the spotlight is on them, they want to keep quiet to try to appease and appeal to the widest possible audience.

That’s all I have to say. Fuck racism obviously. Fuck white supremacy. Please continue to do the work that is fighting for a more inclusive metal scene because there is different types of people who engage in nerd culture and they should all feel welcome. They should all feel like they have a place because we all have something to contribute at the end of the day. I’m sure everyone is a fan of at least something that was not created by [a] cishet white male. On that note I’m going to end it off. Thank you again for Chris for… for Chris for platforming me and giving me a chance to say all these things. It’s ironic that people are trying to say the n-word in chat while I’m trying to do this but alright I guess now I’m gonna move on to playing some games or something. But lilnutman420 I hope you feel good about yourself.

I’ll end the stream on that note.

Black Voices – Rich Wilson

On Tuesday June 2nd, I, like many others, posted a black square to my Instagram with the #BlackOutTuesday hashtag. Almost immediately I realized that this was not nearly doing enough and that if I truly feel Black Lives Matter then I have to do something more. I figure something I do have is my modest platform here at DC Heavy Metal. With that in mind I started reaching out to some of my black friends to ask them if they’d like to make a guest post on DCHM. I told them they can write something, make a video or audio recording, share links, literature, whatever. The subject matter of each post is entirely up to them, it does not have to be related to metal or even the DMV area. This is the third of this series of posts I’m calling Black Voices and I hope you take the time to listen to them. You can find all the posts in this series using the Black Voices tag here.

For this post I reached out to Rich Wilson, the vocalist of local metal band One Slack Mind. He decided to share this very personal post about how police violence has affected his family. I think it is important to be reminded that the people affected by police violence aren’t just in distant cities but also live here in our community, going to metal shows with us and even taking the stage too. Please note that you can also read the full transcription below the video.

First of all, Chris, I would like to say thank you for doing this. It was a great idea and… respect.

I was planning on doing probably three or four stories but I decided to narrow it down to one. I feel like a lot of black families have a story or an event or some sort of huge event that’s happened in the family history that informs how they feel and perceive race, the police, race relations, etcetera, so here’s mine.

When I was about four years old I remember that my parents, we were living in Brooklyn, and my parents said to me, “we’re going to be moving to your grandparents’ house,” my dad’s parents, [my] grandmother and grandfather, “to help out your grandmother” but I never knew what they meant. I didn’t ask. I didn’t think to ask and I just knew that she needed help somehow so we were moving there. So we moved in there and I remember that being enjoyable. She gave me piano lessons and I remember I used to get up early in the morning and see my grandfather off to work and all that. So I found out, maybe six years ago, five years ago, that the reason she needed help is because my dad’s older brother, my dad’s the youngest, he had a brother, Linwood, who was three years older, and he has an older brother than that, Clarence. I found out the reason that she needed help was because she was distraught, she was inconsolable regarding her middle son, Linwood, being killed by the police. And in July of 1972, ’73, something in there, and so I knew that my uncle had been killed by the police and that there was some sort of a, something foul went down and it wasn’t justified but I didn’t really know, I still don’t know that much about it but, I had my kids interview my mom and that, a lot of details came out then and I found out that he was shot in the temple at point blank range and that he had powder burns on his face and this only happened maybe a block or two away from my grandmother’s house. So she had to go out of her way to avoid, it was July, and his blood was all over the sidewalk. My dad told me that it went to a grand jury but nothing ever came of it regarding… I mean as you can imagine that happens a lot. Nowadays I can’t imagine how often it, you know nothing ever came of a improper shooting in the early 70’s.

A memory that I had while thinking about all of this for this video, a memory I hadn’t had in 30 years, was that, I used to wake up I think when I was living there or I could come there during the summers also and I would hear my grandmother talking loudly to somebody and I would think, “oh I wonder who is here” or what have you, and I’m creeping down the steps trying to find, figure out who she’s talking to and she was praying. But it was a, almost like a Old Testament, God why have you forsaken me and taken my son, type of like wailing type of situation and this is something that I would, this happened many times when I was younger and I totally did not remember this until I started thinking about the whole incident. I talked to my dad about it today and he told me that, I guess as he’s going through different things, he found my uncle’s resume that he was preparing. He had graduated college and he was home and he was either going to get a job, he’d also been accepted into graduate school as well. So that was all going on and then he was snuffed out.

Anyway they say [to] say their names. His name was Linwood Wilson.

Linwood Wilson

Black Voices – Crushing Boo

On Tuesday June 2nd, I, like many others, posted a black square to my Instagram with the #BlackOutTuesday hashtag. Almost immediately I realized that this was not nearly doing enough and that if I truly feel Black Lives Matter then I have to do something more. I figure something I do have is my modest platform here at DC Heavy Metal. With that in mind I started reaching out to some of my black friends to ask them if they’d like to make a guest post on DCHM. I told them they can write something, make a video or audio recording, share links, literature, whatever. The subject matter of each post is entirely up to them, it does not have to be related to metal or even the DMV area. This is the second of this series of posts I’m calling Black Voices and I hope you take the time to listen to them. You can find all the posts in this series using the Black Voices tag here.

This post is another video, this time by my friend Crushing Boo. I think just about everyone involved in DC’s DIY scene knows who Boo is but even if you don’t I hope you can appreciate what he has to say about his experiences with heavy metal and police profiling in this post. You can read the full transcription below the video itself as well.

Hey Chris. Thank you for giving me a chance to tell my story.

I remember the first time I heard Napalm Death and thinking, “wow it’s really cool that a band can be brutal and talk about intelligent things that affect all of us.” I loved, you know I love metal I loved, you know, the evil shit but it was really cool to see a band that was socially and politically oriented with their songwriting and their lyrics.

I also remember the first time I heard Suffocation and I opened up the CD book for Effigy of the Forgotten and saw the band photo and was blown away by Terrance Hobbs and Mike Smith. You know, seeing these two black men just obliterating, shredding the shit out of the world musically and putting on an amazing show live. And one of the things that I also loved about the metal scene is, when I was a kid you, well when I was a teenager, it was possible, at least in the DC area for some of these bands when they came to town, to be able to hang out with them. So it was great to be able to actually meet like Barney [Greenway, vocalist of Napalm Death] and it was cool to like be in the same room and drink beers with the dudes from Suffocation. That was not without its downsides. I definitely remember the N word being dropped by the singer from Deceased and basically setting Mike from Suffocation off and almost ruining a really good time. And it’s really sad that in a scene where everyone hates authority [and] wants to buck the system that you can’t get past dumb shit like that.

So that being said, I want to tell a story about the first time I was ever profiled. Now [I’m] 19, a big ol metal head, baby dreads, black t-shirt, black jeans, black combat boots and waiting at the bus for, I’m waiting at the bus stop about to go to work and a police officer pulled up and turned on lights, got out of his car, proceeded to question me. He asked me where I was, where I was coming from, excuse me. What I was doing, which is weird because I was waiting for the bus. Where I was going, I was on my way to work. And how long I had been there. And I, you know, told him everything that, I told the truth. I lived around the corner. I’m waiting for the bus. I’m going to work. And he proceeded to ask, well I asked him why I was being stopped and he proceeded to tell me that I fit the description of a person that was breaking into houses in the neighborhood. This is in Silver Spring, Maryland, not too far from the DC line. And when I asked what he looked like the officer told me that the person, the suspect was a young, black male with braids in his hair, white t-shirt, blue jeans and sneakers. Again I’m, baby dreads, black t-shirt, black pants, combat boots. Explained to him this is what I’m wearing, this is where I’ve been and his response is “well, you could have changed your clothes.” So while this is happening my bus pulls up, slows down, stops for a second, and then keeps on going. A couple minutes after the bus leaves the officer gets a call on the radio and lets me go on about my business. My boss, I was late for work but my boss was cool. It was great to be able to not be taken into custody for false identification or being falsely identified. But the one thing that sticks with me from that day so long ago is the looks on the faces of the people on the bus when it stopped. And they all, most of them looked at me as if, just by, because I was being stopped by the cops like I had done something wrong. It really, it shook me. I can still see some of their faces. People shaking their heads and poo-pooing when I [was] just a young, 19 year old, black man trying to take the bus to work. So it was really disheartening and yeah, that’s my story.

Racism is bullshit. Black lives matter. Black voices matter. And we should do the most metal thing that we can possibly do and that’s smash racism in its fucking face. Thank you for giving me this space, Chris. I love you brother.

Black Voices – Dré

On Tuesday June 2nd, I, like many others, posted a black square to my Instagram with the #BlackOutTuesday hashtag. Almost immediately I realized that this was not nearly doing enough and that if I truly feel Black Lives Matter then I have to do something more. I figure something I do have is my modest platform here at DC Heavy Metal. With that in mind I started reaching out to some of my black friends to ask them if they’d like to make a guest post on DCHM. I told them they can write something, make a video or audio recording, share links, literature, whatever. The subject matter of each post is entirely up to them, it does not have to be related to metal or even the DMV area. This is the first of this series of posts I’m calling Black Voices and I hope you take the time to listen to them. You can find all the posts in this series using the Black Voices tag here.

This first post is by a friend of mine named Dré who I met several years ago through our local metal scene. Even before COVID came he’d stopped going to metal shows and in the below video he talks about why that is. There’s a lot to be learned about what we as a community can do better here. Enough from me, watch Dré’s video below and feel free to read the transcription below that if you’d like to as well.

Hey Chris this is Dré. So I’ll try to be just like brief on why, so the video is basically about why I stopped going from metal shows in the DMV, and just metal shows in general, to going strictly to electronic dance music shows.

The main reason I moved away from that was because of the fan base in metal. Now I love metal. Metal will always be a part of my heart. I listen to it everyday. I was grateful enough to be [given] the opportunity this year to go to 70,000 Tons Of Metal and to be their pool boy and to be a model for them and I’ve always wanted to go to 70k so I was so super happy. I had a great time. I saw most of my favorite bands on the boat and it was amazing but the main reason I went from going to metal shows to EDM shows is because [of] the fan base. I never felt so loved and accepting of a community in EDM than I did in metal. In metal there’s a lot of amazing people in that genre of music and I’m grateful that a lot of those guys are still my friends but the metal community is just judgemental assholes. I was tired of going day to day like going to shows trying to prove my metal credibility. I had to quote Slayer albums, I had to quote song lyrics from bands I’ve seen and I would not get the same amount of lovingness and care that I would get from in electronic dance music. I was getting into fights in metal over just dumb shit and it was mainly because people were just being assholes. People, I don’t know if they had a bad day or just their cat died or something like that but a lot of them were just really mean to me.

Then being a black man I had to prove to them, I had to prove my metal credibility in order for me to go to these shows. Like “oh, do you even know this band?” “What’s you’re favorite subgenre of black metal?” Like why the fuck would I need to go and answer that when I’m just trying to go hang out with my friends and listen to some good music? But when I go to EDM, electronic dance music shows, I feel so loved and so happy being there. These people will, they will do stuff do stuff for you and they won’t even know you. When I lost my wallet at an electronic dance music show this lady gave me $200 just for me to go home. I didn’t need the $200. I didn’t even tell her that I couldn’t be able to go home but she insisted that I take this money to make sure that she was good. Of course I didn’t take it but that’s just how the community over there is and I fell in love with it and when I got older I got pissed off at metal shows and metal fans because a lot of them were just obnoxious. Make you, a lot of them make you feel that you weren’t supposed to be part of it, at least for me. And I’m not saying that race was a big part of it but it was definitely part of it. When I went to West Virginia at shows I would get called the N word and I just grew tired of it. Especially with the DMV I just hated the metal scene and the community over there. There was drama happening every single day and I was just tired of it. Hardly had any drama in EDM.

So the main reason why I didn’t want to go to metal shows any more is because of the fan base. Unless the fan base changes then I’m not going to go. Unless the band is amazing and I need to see them or I get personally invited out from the organizer or if I know a friend who’s playing in the band I most likely, probably won’t go to metal shows mostly any more. It sucks but at the end of the day I feel much more loved and respected in the electronic dance community versus the metal community and it breaks my heart because I love metal but unless the people change then I’m not going to change my stance on it. So I know I traded in my Darkthrone shirt for candy and glow sticks but the people that have the candy and glow sticks are much better to me than the metal community. So, I’m just like, I mean… yeah.

Bandcamp event recommendations

On Friday, May 1st, Bandcamp has decided to not take their cut from all sales of music and merch on their platform in an effort to help support the many bands that are struggling right now due to coronavirus shut downs. Bands can’t tour nor can’t properly record so there’s been a big financial slow down for them, and many of them bought lots of merch to sell on tours and at festivals that just aren’t happening now. Anything you buy on Bandcamp will go straight to the artists without Bandcamp’s usual cut so if you’ve been meaning to buy something from a band, go ahead and do it May 1st. I’ve put together this lengthy list of suggestions completely made up of new material from around the world, country and even locals too, for those of you looking for some great new tunes to buy on Friday (or whenever really).

UlcerateStare Into Death And Be Still
Tech death from New Zealand

GlooshTimewheel
Atmospheric black metal from Siberia

Yuri GagarinThe Outskirts of Reality
Instrumental stoner metal from Sweden

Creative WasteCondemned
Grindcore from Saudi Arabia

Oranssi PazuzuMestarin kynsi
Psychedelic black metal from Finland

Black CurseEndless Wound
Death metal from Denver featuring members of Spectral Voice, Khemmis and Blood Incantation

Borracho with Jake Starr EP
Stoner metal from DC

Seasick GladiatorThe Hanged Man
Instrumental stoner/doom from Washington DC

dirt eaterStorm King Mountain
Stoner/sludge metal from Northern Virginia

ImmiserationAlienation of Humanity
Death metal from Baltimore

Ripped To ShredsLuan
Death metal from San Jose

Reeking AuraBeneath the Canopy of Compost
Death metal from NY/NJ

Live BurialUnending Futility (Name Your Price)
Death/thrash from England

UltharProvidence Pre-Order
Black/death metal from the Bay Area

WakeDevouring Ruin
Crusty black/death from Calgary

Internal RotGrieving Birth
Grindcore from Australia

WvrmColony Collapse
Grindcore from South Carolina

CalligramThe Eye Is The First Circle
Crusty black metal from London

Spectral Lore & Mare Cognitum split Wanderers: Astrology of the Nine
Black metal from Greece & Oregon, respectively

Путь (Pathway) – Холодная весна (Cold Spring) (Name Your Price)
Black metal with an accordian from Russia
This song was written about, and recorded during, COVID quarantine

VelniasScion of Aether
Cascadian style black metal from Colorado

erranterrant
Black/post metal solo debut from Rae Amitay, vocalist of Immortal Bird

Behold The ArctopusHapeleptic Overtrove Pre-Order
Instrumental tech/prog from New York City

Rotting KingdomA Deeper Shade Of Sorrow
Death/doom from Kentucky

Paradise LostObsidian Pre-Order
Gothic doom metal from Halifax, England

KhemmisDoomed Heavy Metal
2 covers, 1 original and 3 live tracks recorded Dec 28/29 of 2018 at Larimer Lounge in Denver
Doom metal from Denver

Inter ArmaLive at Club Congress (Name Your Price)
Recorded on 8/24/17 in Tuscon, Arizona
Post metal from Richmond

Orange GoblinRough & Ready, Live & Loud
Captured live at various shows between 2016 and 2019
Stoner doom metal from London

PelicanLive at the Grog Shop
Recorded 9/15/19 in Cleveland
Instrumental post-metal from Chicago

PanopticonLive Migration Pre-Order
Recorded 7/29/18 at Migration Fest in Pittsburgh
Appalachian black metal from Minnesota

Last but not least DC’s own No/Más is re-posting their debut EP for this one day only, then they’re taking it back down so if you want it get it on Friday! Details from the band here.

Heavy Metal Zoom Backgrounds

I’ve struggled with things to write about on DCHM lately. The concert calendar is basically a big page of NO right now, and things I had planned on doing, like upcoming ticket give aways and interviews, have all been put on hold indefinitely. I’m still working full time though, and in my spare time I, like I’m sure many of you, have been joining some Zoom calls to talk with friends, have virtual happy hours and just stay in contact with people I can’t be around. I like how you can set your own custom virtual backgrounds in Zoom. I made a few “metal” backgrounds that you can right click and save and then set as your background in Zoom if you’d like. Hopefully you enjoy using some of them and if you’ve got other suggestions let me know and I’ll see what I can do (obviously rectangular backgrounds look better than things like square album covers). I plan on posting more here so check back in the future for new backgrounds!

Black Sabbath s/t album cover by Marcus Keef

Morbid Angel – Altars of Madness album cover detail by Dan Seagrave

Helvete basement black metal graffiti

Sleep – Dopesmoker album cover Southern Lord reissue by Arik Roper

Pig Destroyer – Book Burner album cover by Chris Taylor

Bolt Thrower – War Master album cover by Pete Knifton

Bell Witch – Mirror Reaper album cover by Mariusz Lewandowski

Mayhem graffiti bench

Obituary – Cause of Death album cover by Michael Whelan

Demolition Hammer – Epidemic of Violence album cover by Michael Whelan

Candlemass – Nightfall album cover by Thomas Cole

Generic fire background This is fine.

Megadeth – Peace Sells… But Who’s Buying? album cover by Ed Repka

Iron Maiden – Seventh Son of a Seventh Son album cover by Derek Riggs

Blood Incantation – Interdimensional Extinction album cover by Bruce Pennington

Minor Threat – Salad Days cover Not really metal but I thought it would be fun.

Dragged Into Sunlight – Hatred For Mankind album cover by Justin Bartlett

Kyuss – Welcome To Sky Valley album cover by Alex Solca

Opeth – Morningrise album cover by Tuija Lindström

Black Sabbath Heaven And Hell album cover by Lynn Curlee

Death – Scream Bloody Gore album cover by Ed Repka