Review of Exodus and Obituary at Baltimore Soundstage

Tampa took on San Francisco when the Battle of The Bays Tour came to Baltimore last weekend. DCHM contributor Metal Nick was there and he wrote this review of the show and shot all the photos and videos posted here as well.

On Saturday September 16th, 2017, the Battle Of The Bays Tour came through Baltimore, Maryland, at the Baltimore Soundstage. Power Trip, Obituary and Exodus make up the tour’s line up. Dust Bolt were scheduled to open the tour but, according to their statement, they were forced to cancel the first few shows due to Hurricane Irma delaying the German band’s travel plans.

First up was crossover rising stars Power Trip who are based out of Dallas, Texas. They are are currently supporting their latest album Nightmare Logic which came out in February of this year on Southern Lord Records. This is a great tour for these guys because, as they stated numerous times on stage during their set, they are huge fans of both Obituary and Exodus. They opened with the new record’s first track “Soul Sacrifice.” They played several older songs as well. When the breakdown during “Heretic’s Fork” hit the crowd certainly reacted in a good way for them. The band themselves had a lot of stage energy and their performance was on point. Right before Power Trip played their final song of the night, “Manifest Decimation,” you could tell that they had won over this Baltimore crowd already as a “POWER TRIP” chant had started up. This set was much better than the last time they played Baltimore Soundstage back in March during their headlining tour, mostly because their sound was lot better this time around.

Next up was Tampa Bay death metal legends Obituary. This was my fifth time seeing Obituary live and I must say, I feel they have revived their career over the last two albums they have released. On this tour Obituary is supporting their self titled release that came out on Relapse Records back in March. They opened their set with “Brave” the first track off that album. There was a lot of energy coming from the crowd as soon as Obituary started to play which made it easier for them to perform. Most of Obituary’s set consisted of songs of the self titled album, but as soon as they started to play “Chopped in Half” the pit opened up and there were bodies flying around. I felt that they have never sounded so good live. Maybe it is because Joe Cincotta was doing sound for them. Joe has done live sound for bands like Suffocation and Body Count and runs Full Force Studios. You know you are in for a good show if you see Joe doing sound. The crowd roared when Obituary started to play “Slowly We Rot” and a very large smile came across the face of vocalist John Tardy. All in all I feel this was the best performance I have seen from Obituary. I can’t wait to catch them on a headlining tour. Hopefully they will play more Cause of Death songs next time.

Last up was San Francisco Bay area legends Exodus. Drummer Tom Hunting hit the stage wearing a Golden State Warriors Kevin Durant jersey. Tom quickly stood on both his bass drums hyping the crowd up before the rest of the band took the stage. Much to my surprise Gary Holt took the stage next. I know sometimes he has to skip Exodus tours due to his latest gig in Slayer, but it was great to see him with the band he started. One by one the other members took the stage and the band kicked right into “The Ballad Of Leonard And Charles” off their album Exhibit B: The Human Condition. The Baltimore crowd greeted Exodus with loud roars and plenty of head banging and crowd surfing. The crowd did not hold back at all from showing their love and support for Exodus on this night. When the the song “Blood In, Blood Out” was being played the crowd was singing along for the entire chorus of the song. I love to hear stuff like that at a metal show. It shows that metal is still alive and well in our scene. This was only my second time seeing Exodus live so I am not sure if they play this song often, but they played “War Is My Shepherd” and that was another tune that the Baltimore audience was really into. The second to last song they played was one of my favorites, “The Toxic Waltz.” When I was a kid I would see that video on Headbanger’s Ball and I always remember the scene where a fan did an inverted stage dive. Unfortunately there was a barrier up tonight so no stage dives. When the bridge to the chorus of “The Toxic Waltz” came up the crowd was at their loudest singing every word with frontman Steve “Zetro” Souza. My only complaint about their set was that they did not play “Piranha” which is easily my favorite Exodus song, but I guess they can’t play them all. Their sound was great, I feel like they didn’t hold back at all for this rowdy Baltimore crowd. I loved their performance and wish I could catch this tour every night.

This was an amazing tour package. You had three bands that each had a different sound ranging from hardcore/crossover thrash, death metal and thrash metal. I had a great time at this show. It is very rare that I leave a show and say that all three bands sounded and performed great, but last night was definitely one of those times.

Power Trip – Crucifixation

Power Trip – Conditioned To Death and Heretic’s Fork

John Tardy of Obituary

John Tardy of Obituary

Donald Tardy of Obituary

Donald Tardy of Obituary

Trevor Peres of Obituary

Trevor Peres of Obituary

Tom Hunting of Exodus

Tom Hunting of Exodus

Gary Holt of Exodus

Gary Holt of Exodus

Steve 'Zetro' Souza of Exodus

Steve “Zetro” Souza of Exodus

Testament and Exodus ticket give away

Testament and Exodus at the Fillmore Silver Spring

Thrash metal fans cannot miss the Dark Roots Of Thrash II Tour when it brings both Testament and Exodus to the Fillmore Silver Spring on Tuesday, April 28th of 2015! We’re so psyched that we want to get as many people out to this show as possible so this week we’re giving away a free pair of tickets to one of you lucky DCHM readers. To enter just leave a comment on this post telling me what your favorite thrash metal band is. You can go old school Bay Area like Testament and Exodus themselves, or Big Four like Anthrax and Slayer, or maybe new school like Municipal Waste and Warbringer or even go with a crossover band for you DRI and Power Trip fans! At 5pm EST this Friday, April 24th, a winner will be chosen at random (using Random.org) from all valid entries to win the tickets. Be sure to enter using a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner within 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Live Nation for $35.50 here.

On this tour Testament will be playing a set mostly consisting of material from their first three albums, The Legacy, The New Order and Practice What You Preach, so fans of the band’s classic older material are in for a hell of a show. And you may have heard that Exodus has brought back Steve Souza to front the band so you can expect to hear songs from their new album with him, Blood In Blood Out, as well as classic older material from when he was with the band in the 80s and 90s. The opening act for this show is going to be Shattered Sun, a Texas based band that is having their debut full length album, Hope Within Hatred, released this very week on Victory Records. Now to get you in the headbanging, crowd surfing, mosh pit shoving mood check out these videos by each band below and tell me what your favorite thrash metal band is in the comments!

Testament – Rise Up

Exodus – Blood In, Blood Out

Shattered Sun – Hope Within Hatred

1349 ticket give away

1349 at Empire

When it is cold and snowy outside the time is right for some Norwegian black metal and as luck would have it Norway’s 1349 will be coming to Empire on Tuesday, February 24th to spread their unholy black metal gospel in our area. Inspired by the snow outside today we’re giving away a pair of tickets to this very show to one of you grim and frostbitten DCHM readers. To enter: just tell me the name of your favorite metal album to put on when it snows. At 5pm EST this Friday, February 20th, a winner will be chosen at random (using Random.org) from all valid entries to win the tickets. Be sure to enter using a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner within 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $17 here.

1349, named after the year the black plague came to Scandinavia, has been around since the late 90’s bringing their aggressive black metal to fans worldwide. This tour is to support their latest full length, Massive Cauldron of Chaos, and will be our area’s first chance to hear them play some of the new material live. In addition we’ll get to see the spazz out brutality of Origin, a death metal band from Kansas. Lately they’ve been known to have their fans break out in massive pillow fights in the mosh pit during their sets. Also on the tour is Wolvhammer from Minneapolis, who plays some filthy blackened sludge metal. Local support for this show will be from Yesterday’s Saints, who just released their debut full length, Generation Of Vipers, and Cladonia Rangiferina, a black metal band with several Empire employees in their ranks. That’s a hell of a line up to chill you to the bone this February. Be sure to check out these awesome videos by bands playing the show as you leave a comment telling me what your favorite metal album to listen to when it snows is.

1349 – Sculptor Of Flesh

Origin – Absurdity Of What I Am

Wolvhammer – Writhe

Yesterday’s Saints – The Recruitment

Exodus ticket give away

Exodus at Empire

One of the original Bay Area thrash bands from the 80s, Exodus, is coming the Empire on Monday, November 24th for the band’s first area appearance with returning vocalist Steve Souza fronting the band. We here at DCHeavyMetal.com couldn’t be more excited so we’re giving away a free pair of tickets to one of you lucky DCHM readers. To enter just leave a comment on this post telling me which Exodus song you want to hear the most (if you need help you can find their discography here) when they come to Empire on Monday. At 5pm EST this Friday, November 21st, a winner will be chosen at random (using Random.org) from all valid entries to win the tickets. Be sure to enter using a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $17 here.

Steve Souza fronted Exodus for the band’s four albums from 1987 to 1992, and then again for their 2004 return album Tempo Of The Damned. Now he finds himself back in Exodus with the release of their new album, Blood In, Blood Out, and fans and critics alike are raving about it. Exodus fan’s won’t want to miss the band’s only area appearance this year with Souza back to perform those classic songs with them. Exodus is currently touring with Slayer and Suicidal Tendencies this show is an off date of that tour, which unfortunately isn’t coming anywhere near us. As such there’s isn’t any touring support, however we will get sets by some great locals including Yesterday’s Saints, March To Victory, Oberris, Blunt Force Rebellion, Afarinesh, and Red Sky Research. So check out these awesome Exodus videos below, tell me which song you want to hear them play the most on Monday, and get ready for a killer night of thrash!

Exodus – Blood In, Blood Out

Exodus – Toxic Waltz

Exodus – Salt The Wound (feat. Kirk Hammett)

Live photos of Arch Enemy and Kreator

Thursday of last week, October 23rd, I headed up to the Baltimore SoundStage in, you guessed it, Baltimore, Maryland to catch Arch Enemy and Kreator. Starkill and Huntress also opened the show, but I couldn’t get up there in time to see them. In fact, German thrashers Kreator were already two songs into their set when I walked in. I did get a few shots during their third song though. Their set wasn’t bad, pretty typical for Kreator really. A mix of older classics with more popular modern songs thrown in. They had a ton of fog up there and their light show was very bright as usual. I ended up buying a Kreator bottle opener but the merch girl didn’t give me any change back so I ended up paying $10 for something that should have cost $3. After arguing with her about it for a few minutes (and failing to get my change back) the negative experience took me out of their show. They didn’t play their song “Flag Of Hate” either, which was a bummer, but otherwise the set was good overall.

Next up was Arch Enemy. This was the Swedish death metal band’s first US tour with new vocalist Alissa White-Gluz fronting the band, and not only that, the Baltimore show was the first date of the tour. I wasn’t sure what to expect, the band’s previous vocalist, Angela Gossow, left some pretty big shoes to fill. Arch Enemy was around before Angela joined in 2000, but they really rose to prominence once she joined the band. She was one of the first women to front any kind of death metal band, and she wasn’t just up there as eye candy either, she was really good at it. She could growl and had great stage presence and it earned the band many fans over the years. I didn’t love Alissa’s performance on the new Arch Enemy record, War Eternal, her voice seemed very flat and digitally tinkered with in the studio. However this night she really was incredible live. She had excellent stage presence and great energy, fans reacted immediately to her charisma, and her voice held up really well throughout the entire set. While she is certainly the main focus while the band is on stage she still made sure to step back and let guitarists Michael Amott (of Carcass fame) and Nick Cordle (a Virginia native) draw the audience’s attention from time to time. You could tell she had studied old Arch Enemy live footage as she used many of the same moves that Angela did, but Alissa had plenty of her own too. It was really fun photographing her not only because of her model-like looks but because she was always doing something on stage and I never felt like I was getting the same shot twice. The one thing I really didn’t enjoy much was when she instructed the audience to start pogo hopping in place, something you usually see at a pop punk show, not a metal show. I have to admit I was impressed overall though, and I think Arch Enemy fans are going to love seeing Alissa front the band for some time.

Below are some of my photos from the show. You can see these photos much larger, and many I didn’t even use here including both bands’ set lists, on Flickr by going here.

Kreator:

Kreator at the Baltimore SoundStage

Kreator at the Baltimore SoundStage

Kreator at the Baltimore SoundStage

Kreator at the Baltimore SoundStage

Arch Enemy:

Arch Enemy at the Baltimore SoundStage

Arch Enemy at the Baltimore SoundStage

Arch Enemy at the Baltimore SoundStage

Arch Enemy at the Baltimore SoundStage

Arch Enemy at the Baltimore SoundStage

Arch Enemy at the Baltimore SoundStage

Arch Enemy at the Baltimore SoundStage

Arch Enemy at the Baltimore SoundStage

Arch Enemy at the Baltimore SoundStage

Listen to the new Death Penalty song War

Electric God by Death Penalty

Short post today but the Northern Virginia based thrash metal band Death Penalty is having their album release show tonight at the Sidebar in Baltimore (details here). The full length, titled Electric God, will be available at the show but you can stream/download the first track off it, titled “War” below. If you can’t make the show you can message them on Facebook (here) to grab a copy as well.

Review of Morbid Saint at American University

Last Friday, the 31st of January 2014, was a good night for the area’s metal heads. Attila sold out Empire in Springfield and Amon Amarth, Enslaved and Skeletonwitch played the Fillmore Silver Spring. However I decided to skip both of those shows for the rare chance to catch Morbid Saint play a DIY show on the campus of American University. So who the hell is Morbid Saint?

Well they were a thrash metal band from Wisconsin that in 1988 put out their only album, the underground classic Spectrum Of Death. They were a frequent opener on Death’s tours in those days but unfortunately broke up in the 90s. In 2010 they reformed and if you went to Maryland Deathfest X in 2012 then you got to see them play Spectrum Of Death from start to finish on one of the big outdoor stages there. That was a pretty great performance in the midst of many at MDF X but last Friday’s show at the Kay Spiritual Life Center at American University was something else altogether. There was no lighting rig, no barrier between the bands and fans, no big stage, hell there wasn’t even a stage. The room was small, packed, and hot and you couldn’t hope for a better DIY setting to see an old school thrash band in. Most of those old thrash bands from the 80s have either blown up like Slayer and Megadeth, disbanded after the rise of grunge, or regularly come through the area to places like Empire promoting whatever new album they may have. Those shows are all good but this show wasn’t like any of them and I knew it going in. Basically, I couldn’t let myself miss this show!

I showed up a bit late but apparently there had been an issue with the electrical box at the start of the night and everything got delayed. The show was sold out when I arrived but I had ordered tickets online ahead of time cause I knew it would. The room was basically a big oval with merch tucked into a small room on the side opposite the venue entrance. Normally it is used as an on campus religious center for any religious denomination that wants to use it but this night it would become a place to worship metal! When I got there the first band, Genocide Pact, was still playing. Genocide Pact features members of another local band, Disciples Of Christ, but isn’t quite as grindy as D.O.C. is and instead has more focus on the death metal sound. They were fun but since the room was already packed I didn’t get up front to see them. The next band up was Baltimore’s Noisem, formerly known as Necropsy. These guys are young but ever since getting signed to A389 Recordings they’ve really started to garner attention, and not just locally. They opened on a run of 22 shows for The Black Dahlia Murder and Skeletonwitch last fall and they’ll be the opening act on the entire upcoming Decibel tour with Carcass headlining. They’re definitely getting better in the live setting, that showed even when performing at a DIY show with no stage. Their high energy death/thrash really got the audience into the show and the pits got pretty intense a few times. Next up was another A389 band, the (mostly) DC based Ilsa. They play a crusty style of death/doom that is full of mosh friendly riffs and very heavy slower parts as well. It has been a little while since I’ve seen Ilsa live and in that time they’ve replaced one of their guitar players with a guy who used to play with several of them in a band called Time Of The Wolf that was a precursor to Ilsa’s formation. Their set was heavy but I do wish the band members would face the audience more. Most of the show they formed a circle facing inward at each other, aside from vocalist Orion who looked all around the room with his vice grip on the mic he was screaming into.

Finally it was time for Morbid Saint to play and after the delay and several sets you could tell the audience was getting a little restless. The audience wouldn’t settle for a bad performance from the headliner at this point and Morbid Saint delivered. The crowd erupted into a mosh pit from the first note played and frontman Pat Lind really kept the intensity up the entire show despite the heat that was becoming overwhelming. The band did not play Spectrum Of Death start to finish as they had at MDF but instead kept the set list pretty varied, they even played songs off their never officially released 1992 demo Destruction System and some other obscure material as well. They had a few extended pauses between songs because the drummer was overheating but they mostly played songs back to back to back. There were crowd surfers and people flying in and out of the mosh pit the entire set with the intensity reaching its apex when Morbid Saint played “Lock Up Your Children.” Maybe I’m just getting old but by the time it was over I was feeling pretty drained and headed straight to the water fountains. A big thanks goes out to Mariana and the AU Independent Arts Collective for making this show happen. I hope they put on more awesome metal shows in the future. Getting the chance to see one of the classic old thrash bands up close in a small, sweaty, sold out room was like stepping into a time machine back to the days of Heavy Metal Parking Lot and despite the other options that night, there’s nowhere else I’d have rather been.

Noisem:

Noisem at American University

Noisem at American University

Noisem at American University

Ilsa:

Ilsa at American University

Ilsa at American University

Ilsa at American University

Morbid Saint:

Morbid Saint at American University

Morbid Saint at American University

Morbid Saint at American University

Morbid Saint at American University

Morbid Saint at American University

Morbid Saint at American University