Some new local heavy metal releases

Just thought I’d make a round up of some great recent (nothing before January 2022) and upcoming local releases to check out. If you’re in a band I missed feel free to email me at and I’ll add your release too!

The first one isn’t even an album but local politician (elected delegate of Virgina’s 13th district) and metal head Danica Roem made these awesome metal style campaign shirts as a fund raiser for her campaign. Order soon (here) as they won’t be available very long.

Weed Coughin is, as you might expect, a stoner band, though they’ve got some grimy sludge aspects to their sound as well. The Frederick, Maryland based band released their debut album, Other Worldly, on January 31st.

The Dregs play sludge/doom and released a 2 song EP titled Nightshade on February 25th.

A Sound of Thunder released a new music video on February 25th for their song, Theme from Shadowman, which is an official tie-in to the Valiant Comics character Shadowman. You can purchase the single here. They’ve also got a new album out in May and you can find more info on that later in this post.

Haunted Shores is an instrumental side project of Periphery guitarists Mark Holcomb and Misha Mansoor that is a lot more intense than their djent main band. They released their first album since 2011, titled Void, on March 11th but it isn’t on Bandcamp so you’ll have to check this link for the different places to buy it.

Kontusion is a new two piece death metal band featuring DC’s own Chris Moore on drums (Repulsion, D.O.C., ex-Magrudergrind) along with Mark Bronzino (Iron Reagan, Mammoth Grinder) and if the first track they’ve released is any indication, their debut EP (out March 25th) is going to rip!

Day of Departure is a DC based progressive band and they are set to release their self titled debut full length on March 25th.

Darkest Hour plays hardcore infused melodic death metal and they are releasing a 2 song EP with both tracks being not just re-mastered versions of older songs but entirely re-recorded versions of those songs. It’s out on April 1st, which is a Bandcamp Friday.

False Church plays intense metallic hardcore and their debut album, Dystopian Dissent, is being released by Horror Pain Gore Death Productions on April 22nd (preorders are available now though).

No/Más is an exciting grind band from DC and they’re releasing their debut album on Closed Casket Activities on April 29th. You can pre-order (including vinyl) here and listen to their new track “Exile” below.

Iris Divine is a progressive metal band from Northern Virginia and they currently have a Kickstarter campaign running for their upcoming third album, Mercurial. They already have most of the recording process completed they’re just looking for funding to get everything out to fans, which is expected to be in May. They’ve already met their funding goal but you can still pledge through April 6th to get your copy through the Kickstarter campaign here.

A Sound of Thunder has a new album, The Krimson Kult, out on May 20th, that was inspired by events that took place during the pandemic.

Black Lung from Baltimore plays psychedelic doom and they’ve got a new full length album, titled Dark Waves coming out on Heavy Psych Sounds on May 27th.

Stellar Death is a proggy instrumental metal band with spacey sci-fi flourishes. Their new EP Sentient (Chapter 1) will be out on June 10th via Bravemusic.

Yatra from Ocean City plays some heavy sludge along the lines of High on Fire and Lord Dying. They announced that their new full length album, Born into Chaos will be out June 10th on Prosthetic Records but you can already listen to a track and pre-order it now.

Zealot RIP ticket and prize pack give away!

Zealot R.I.P. at DC Brau

It has been some time since our last ticket give away on DCHM so I’m very excited to be giving away a pair of tickets to the Zealot R.I.P. show on September 22nd at DC Brau brewery with Loud Boyz and Asthma Castle (and a special secret guest band!). Along with the pair of tickets to the show the winner will also receive a Zealot R.I.P. t-shirt and a physical copy of the Zealot R.I.P. debut album The Extinction of You which is released this Friday, Sept 10th (purchase it here). The winner will pick these items up at the show, and a digital download code will also be included with the physical copy of the album. To enter: just leave a comment on this post telling me what the last local show you went to was (anywhere in the DMV and it can be recent or before the pandemic) and on Thursday, Sept 9th at 5pm Eastern the winner will be selected from all valid entries using Be sure to use a valid email you check regularly when you enter so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If the selected winner hasn’t written me back within 24 hours another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can purchase tickets here.

Zealot R.I.P. is made up of members of Pig Destroyer, Darkest Hour and Frodus and after much delay due to the ongoing pandemic, they’re finally releasing their debut full length album, The Extinction of You! This show at DC Brau will be an epic release show for the album! Support is provided by party rockers Loud Boyz, who always put on a wild live show, and Baltimore’s Asthma Castle, a sludge/stoner metal band featuring Adam Jarvis (of Pig Destroyer and Misery Index) on drums. I’m not allowed to mention who the surprise guest band is for contractual reasons but let me tell you it’s going to be big and you don’t want to miss their set.

This show is ages 18+ and please be aware that Covid protocols will be in place for this event and upon entry everyone will be required to show proof of vaccination or a negative test result from the previous 72 hours.

Now check out these videos from the bands below and let me know in the comments what the last local concert you went to was.

Zealot R.I.P. – Ambush Predator

Loud Boyz – Party In The U.S.A.

Asthma Castle – Mount Crushmore

Local picks for Bandcamp Friday

I just thought that I’d throw together a list of some recent local metal releases for Bandcamp Friday (or whenever you’re reading this).

BorrachoPound Of Flesh
Release date: 6 August 2021
It’s hard to believe that it has been 5 years since DC’s best stoner metal band has released a full length but Pound of Flesh is finally here!

So Be ItLet The End Begin
Release date: 6 August 2021
So Be It is a death/thrash band based out of Silver Spring that is dropping their second full length today for Bandcamp Friday. Cathy riffs abound on these mosh pit friendly songs.

GrishkaDeath Throes Radio Vol 1. – Grishka Live Set
Release date: 6 August 2021
Grishka is a new extreme metal band that actually formed during the pandemic era of no concerts. They did live perform on a Death Throes Radio livestream event back in April and the audio from their entire 17 minute set is now up on Bandcamp. Be sure to check out their debut album (here) if you haven’t yet!

Misery IndexCoffin Up the Nails
Release date: 20 July 2021
This release by death/grind band Misery Index isn’t a proper album but a collection of covers and demo versions of other songs scattered among b-sides and such of previous releases. The Bolt Thrower and Sepultura covers are worth the price of admission alone though!

Spiral GraveLegacy of the Anointed
Release date: 16 July 2021
When Iron Man founding member Al Morris passed away in 2018 the remaining members of his band regrouped with Willy Rivera of Lord to form Spiral Grave. This is the doom band’s debut full length and while it has a freshness to it you still get that classic Maryland doom metal sound too.

Blunt Horse / Grilth – split
Release date: 16 July 2021
Blunt Horse is a proggy sludge band from DC and this split with Grilth (who are from upstate New York) includes three tracks of the band showing their wide range but always keeping it weird.

UnendlichParadox of a Broken World
Release date: 9 July 2021
Unendlich is a local one man black metal band that plays in a more aggressive style of the genre. This fourth full length album is the band’s first since the pandemic took hold in early 2020 and it was worth the wait!

Honey Spreader / Reeking Cross – split
Release date: 2 July 2021
Honey Spreader is a harsh noise duo consisting of Blake Harrison (Pig Destroyer, Zealot R.I.P.) and Alex Cha. This split with Reeking Cross, who is a more powerviolence/grind style band, is short but brutal and I think the Honey Spreader song titled “Cement Mixer of Emotion” sums up this release pretty well.

Bonus tracks! Here’s a couple of upcoming releases by local bands that you can preorder on Bandcamp right now.

Zealot R.I.P.The Extinction of You
Release date: 10 September 2021
Guitarist Mick Schleibaum (Darkest Hour), Blake Harrison (Pig Destroyer) and Jason Hamacher (Frodus) make up the core of Zealot R.I.P. which has a sound somewhere between DC hardcore and Entombed. This is their debut EP and it is sure to be a rager!

Full of HellGarden of Burning Apparitions
Release date: 1 October 2021
Ocean City based grind band Full of Hell have been getting more and more experimental with each release while keeping the heavy on full blast. I can’t wait to hear the rest of this upcoming release this fall.

Darkest Hour benefit for the Black Cat

When the COVID-19 pandemic came to town in March it shut down all of the area’s live shows, including metal shows. However at 7pm this Saturday, September 26th, Darkest Hour will be streaming a performance that was just recorded at the Black Cat! The show itself won’t be live because there are many guest performers involved who had to be recorded playing from their own locations since it isn’t safe to fly them in right now. However there will be a live chat during the stream where fans can interact with the band and guest musicians in real time as everyone watches the stream. The audio has also been professionally mixed and mastered so the sound quality will be closer in quality to a live album than a regular livestream. On top of all that, everyone that buys a ticket will get an invite to the virtual afterparty on Zoom with Darkest Hour members and some of special guests after the performance ends!

Tickets to watch the stream (which includes access to the Zoom afterparty) are available from (here) for $10 or at the same link you can buy a bundle that comes with an exclusive shirt (shown below) made just for this performance for $35.

I spoke with Darkest Hour guitarist and founding member Mike Schleibaum and he told me that this event ties in with the band’s 25th anniversary (which was on Wednesday, 9/23). Along with some of the band’s most popular songs, the setlist will include some of their oldest songs performed with guest appearances by former band members. Other performing guests include Doc Coyle (Bad Wolves, God Forbid), Mark Heylmun (Suicide Silence), Buz McGrath (Unearth), Fella Di Cicco (Dreamshade) and more! Mike Schleibaum went on to say, “all of the Darkest Hour parts were shot on the Black Cat stage with multiple cameras.” When pressed about exactly how much of the ticket price went to the venue, Mike said, “100% of ticket sales go to the Black Cat. So when you buy a $10 ticket they get all of the $10. There’s also going to be a donation feature while the performance is streaming so people watching can also donate that way.”

This isn’t a live stream but it sounds like they’ve really upped the production value for this using multiple cameras, top notch sound quality and out of area guest musicians to make this closer to something you’d see on a band’s live DVD release. And while I’ve watch several band live streams they do kind of all seem like you’re just watching a rehearsal with poor sound quality. This event sounds like a great way to do something bigger for the fans, celebrate the band’s 25th anniversary, and donate to one of Washington DC’s live music institutions. If you can’t watch it when it starts or you just want to replay the show, a ticket purchase will grant you access to it for 24 hours. You can check the event’s Facebook page here for info and once again you can get tickets here.

The Veeps stream layout with the chat shown on the right

Here’s some videos Darkest Hour put out that you can get even more info from:

Black Voices – Rich Wilson

On Tuesday June 2nd, I, like many others, posted a black square to my Instagram with the #BlackOutTuesday hashtag. Almost immediately I realized that this was not nearly doing enough and that if I truly feel Black Lives Matter then I have to do something more. I figure something I do have is my modest platform here at DC Heavy Metal. With that in mind I started reaching out to some of my black friends to ask them if they’d like to make a guest post on DCHM. I told them they can write something, make a video or audio recording, share links, literature, whatever. The subject matter of each post is entirely up to them, it does not have to be related to metal or even the DMV area. This is the third of this series of posts I’m calling Black Voices and I hope you take the time to listen to them. You can find all the posts in this series using the Black Voices tag here.

For this post I reached out to Rich Wilson, the vocalist of local metal band One Slack Mind. He decided to share this very personal post about how police violence has affected his family. I think it is important to be reminded that the people affected by police violence aren’t just in distant cities but also live here in our community, going to metal shows with us and even taking the stage too. Please note that you can also read the full transcription below the video.

First of all, Chris, I would like to say thank you for doing this. It was a great idea and… respect.

I was planning on doing probably three or four stories but I decided to narrow it down to one. I feel like a lot of black families have a story or an event or some sort of huge event that’s happened in the family history that informs how they feel and perceive race, the police, race relations, etcetera, so here’s mine.

When I was about four years old I remember that my parents, we were living in Brooklyn, and my parents said to me, “we’re going to be moving to your grandparents’ house,” my dad’s parents, [my] grandmother and grandfather, “to help out your grandmother” but I never knew what they meant. I didn’t ask. I didn’t think to ask and I just knew that she needed help somehow so we were moving there. So we moved in there and I remember that being enjoyable. She gave me piano lessons and I remember I used to get up early in the morning and see my grandfather off to work and all that. So I found out, maybe six years ago, five years ago, that the reason she needed help is because my dad’s older brother, my dad’s the youngest, he had a brother, Linwood, who was three years older, and he has an older brother than that, Clarence. I found out the reason that she needed help was because she was distraught, she was inconsolable regarding her middle son, Linwood, being killed by the police. And in July of 1972, ’73, something in there, and so I knew that my uncle had been killed by the police and that there was some sort of a, something foul went down and it wasn’t justified but I didn’t really know, I still don’t know that much about it but, I had my kids interview my mom and that, a lot of details came out then and I found out that he was shot in the temple at point blank range and that he had powder burns on his face and this only happened maybe a block or two away from my grandmother’s house. So she had to go out of her way to avoid, it was July, and his blood was all over the sidewalk. My dad told me that it went to a grand jury but nothing ever came of it regarding… I mean as you can imagine that happens a lot. Nowadays I can’t imagine how often it, you know nothing ever came of a improper shooting in the early 70’s.

A memory that I had while thinking about all of this for this video, a memory I hadn’t had in 30 years, was that, I used to wake up I think when I was living there or I could come there during the summers also and I would hear my grandmother talking loudly to somebody and I would think, “oh I wonder who is here” or what have you, and I’m creeping down the steps trying to find, figure out who she’s talking to and she was praying. But it was a, almost like a Old Testament, God why have you forsaken me and taken my son, type of like wailing type of situation and this is something that I would, this happened many times when I was younger and I totally did not remember this until I started thinking about the whole incident. I talked to my dad about it today and he told me that, I guess as he’s going through different things, he found my uncle’s resume that he was preparing. He had graduated college and he was home and he was either going to get a job, he’d also been accepted into graduate school as well. So that was all going on and then he was snuffed out.

Anyway they say [to] say their names. His name was Linwood Wilson.

Linwood Wilson

Black Voices – Crushing Boo

On Tuesday June 2nd, I, like many others, posted a black square to my Instagram with the #BlackOutTuesday hashtag. Almost immediately I realized that this was not nearly doing enough and that if I truly feel Black Lives Matter then I have to do something more. I figure something I do have is my modest platform here at DC Heavy Metal. With that in mind I started reaching out to some of my black friends to ask them if they’d like to make a guest post on DCHM. I told them they can write something, make a video or audio recording, share links, literature, whatever. The subject matter of each post is entirely up to them, it does not have to be related to metal or even the DMV area. This is the second of this series of posts I’m calling Black Voices and I hope you take the time to listen to them. You can find all the posts in this series using the Black Voices tag here.

This post is another video, this time by my friend Crushing Boo. I think just about everyone involved in DC’s DIY scene knows who Boo is but even if you don’t I hope you can appreciate what he has to say about his experiences with heavy metal and police profiling in this post. You can read the full transcription below the video itself as well.

Hey Chris. Thank you for giving me a chance to tell my story.

I remember the first time I heard Napalm Death and thinking, “wow it’s really cool that a band can be brutal and talk about intelligent things that affect all of us.” I loved, you know I love metal I loved, you know, the evil shit but it was really cool to see a band that was socially and politically oriented with their songwriting and their lyrics.

I also remember the first time I heard Suffocation and I opened up the CD book for Effigy of the Forgotten and saw the band photo and was blown away by Terrance Hobbs and Mike Smith. You know, seeing these two black men just obliterating, shredding the shit out of the world musically and putting on an amazing show live. And one of the things that I also loved about the metal scene is, when I was a kid you, well when I was a teenager, it was possible, at least in the DC area for some of these bands when they came to town, to be able to hang out with them. So it was great to be able to actually meet like Barney [Greenway, vocalist of Napalm Death] and it was cool to like be in the same room and drink beers with the dudes from Suffocation. That was not without its downsides. I definitely remember the N word being dropped by the singer from Deceased and basically setting Mike from Suffocation off and almost ruining a really good time. And it’s really sad that in a scene where everyone hates authority [and] wants to buck the system that you can’t get past dumb shit like that.

So that being said, I want to tell a story about the first time I was ever profiled. Now [I’m] 19, a big ol metal head, baby dreads, black t-shirt, black jeans, black combat boots and waiting at the bus for, I’m waiting at the bus stop about to go to work and a police officer pulled up and turned on lights, got out of his car, proceeded to question me. He asked me where I was, where I was coming from, excuse me. What I was doing, which is weird because I was waiting for the bus. Where I was going, I was on my way to work. And how long I had been there. And I, you know, told him everything that, I told the truth. I lived around the corner. I’m waiting for the bus. I’m going to work. And he proceeded to ask, well I asked him why I was being stopped and he proceeded to tell me that I fit the description of a person that was breaking into houses in the neighborhood. This is in Silver Spring, Maryland, not too far from the DC line. And when I asked what he looked like the officer told me that the person, the suspect was a young, black male with braids in his hair, white t-shirt, blue jeans and sneakers. Again I’m, baby dreads, black t-shirt, black pants, combat boots. Explained to him this is what I’m wearing, this is where I’ve been and his response is “well, you could have changed your clothes.” So while this is happening my bus pulls up, slows down, stops for a second, and then keeps on going. A couple minutes after the bus leaves the officer gets a call on the radio and lets me go on about my business. My boss, I was late for work but my boss was cool. It was great to be able to not be taken into custody for false identification or being falsely identified. But the one thing that sticks with me from that day so long ago is the looks on the faces of the people on the bus when it stopped. And they all, most of them looked at me as if, just by, because I was being stopped by the cops like I had done something wrong. It really, it shook me. I can still see some of their faces. People shaking their heads and poo-pooing when I [was] just a young, 19 year old, black man trying to take the bus to work. So it was really disheartening and yeah, that’s my story.

Racism is bullshit. Black lives matter. Black voices matter. And we should do the most metal thing that we can possibly do and that’s smash racism in its fucking face. Thank you for giving me this space, Chris. I love you brother.