Weedeater ticket give away

Weedeater at Rock & Roll Hotel

“Dixie” Dave Collins is bringing his stoner doom metal band Weedeater to the Rock And Roll Hotel this Saturday, June 10th! We’re so psyched for this show here at DCHM that we’re going to give away a pair of tickets to one of you lucky readers. To enter: just leave a comment on this post telling me what your favorite stoner metal song is. Then this Wednesday, June 7th, at 5pm EST a winner will be chosen at random (using Random.org) from all valid entries. The winner will receive a pair of tickets to this awesome show! Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $20 here.

Weedeater was formed in North Carolina when bass player “Dixie” Dave Collins needed a new musical outlet following the break up of Buzzov•en in the late 90s. Also on the bill is Black Wizard, a stoner/doom band from the Vancouver, Canada area, and Serial Hawk, a Seattle based band who play, you guessed it, stoner/doom. That’s a pretty great line up of stoner metal you don’t want to miss! Now check out these videos below of the bands playing and let me know what your favorite stoner metal song is in the comments!

Weedeater – Mancoon

Black Wizard – Eliminator

Serial Hawk – Lying In Wait

Maryland Deathfest XV Non-Survival Guide

MDF XV Pre Fest at Metro Gallery

OK guys I’m not doing the normal MDF survival guide this year, so now it’s the non-survival guide. Since there are no outdoor stages this year and the fest will only be at Rams Head Live and the Baltimore Soundstage I figure you guys don’t really need things like a map and tips on how to get around and such. If you really want to you can check last year’s post for that kind stuff (here). That said, there’s still a ton of info you may want to know, and I’ve also picked several bands at each venue on each day to write about at the end of this post, almost all of them have some material to stream to give you an idea of what they sound like or just help get you in the mood for this year’s MDF! First up, here’s some quick links you may want handy.

Official Maryland Deathfest:
website
Facebook
Facebook event page
Pre-Fest Party Facebook event page
Instagram

Baltimore Yellow Cab: 410-685-1212 (website)
Both Uber and Lyft operate in Baltimore. They’re usually cheaper than a cab and you can download their apps for free from your app store.

Schedules

Tap/click on them to see them larger.

MDF XV Thursday schedule

MDF XV Friday schedule

MDF XV Saturday schedule

MDF XV Sunday schedule

Getting Tickets

Tickets are still available and there are VIP tickets available as well. VIP tickets do not get you in the door, they are an extra ticket you buy in addition to your regular ticket. A VIP ticket gets you access to a sectioned off area to the side of the stage at Rams Head Live, access to the VIP bar, and will receive a voucher for a festival T-shirt of your choice. VIP does not have any benefit at Baltimore Soundstage. You can still get regular or VIP tickets from Eventbrite (here) or help the makers of the documentary “Welcome To Deathfest” in their crowdfuning endeavor by purchasing tickets from them at a discounted price here. They have both single day and multiple day tickets available in the “incentives” column on the right.

Tips

As always, I highly recommend bringing and wearing earplugs! Tinnitus isn’t cool or fun and even if you’re just going to one day of the fest that’s still a ton of bands hammering your ears all day. If you’re going multiple days you might want to even bring a bunch of extra ear plugs because they’re gonna get gross after a while.

You will be able to get your 4-day pass wristband at the entrance of Rams Head Live starting at 2pm on Thursday. You will not be able to get your wristband at the pre-fest show this year.

If you’re on Instagram I highly recommend following the official account @deathfests as local photographer Josh Sisk will be taking over the account during MDF again this year and he posts incredible great shots of the bands while the fest is going on.

While you’re at it, follow me on Instagram as well as I’ll be posting photos and videos throughout the weekend too. Find me at @DCMetalChris on Instagram!

Rams Head Live does not allow backpacks, but you can check them at the coat check for a couple bucks. Baltimore Soundstage will search your backpack and/or purse, and usually pat you down as well.

Merch and Vendors

There are no food vendors this year. Bummer, I know, but there are plenty of restaurants within walking distance. I highly recommend Pratt Street Ale House who has great food, a wide variety of excellent craft beers, and MDF attendees get 10% off their entire bill (just show them your wristband). Their address is 206 W Pratt St, Baltimore, MD 21201.

There will be merch vendors inside both venues and also just outside of Rams Head Live in the Powerplant Area. Here’s the list of merch vendors: ChopoBrujos, DabLizard, Dark Descent Records, Decibel Magazine, Dave’s Metal, Horror Pain Gore Death (HPGD is at Soundstage on Friday only), Indie Merch, JSR Merchandising, Mexico Steel, Pizza Party Printing, Relapse Records, Sabi, Season of Mist, Sevared Records, Speed Clothes, Utterly Somber and Vienna Music Exchange.

Bands will arrive and leave throughout the weekend so if you see band merch you like one day don’t hesitate to buy it, it may be gone before the fest is over as not every band stays for the entire fest, or even more than their 1 day there. Guess what, they take their merch with them. Most of these guys will want cash so I suggest bringing a good amount to avoid ATM fees. Some bands won’t have their own merch guy and will instead opt to sell their merch at the official MDF booth so be sure to check back there often. Speaking of which…

MDF XV tshirt

The official MDF merch booth will be inside Rams Head Live. It will have t-shirts, hoodies and posters as well as metal keychains, pins and Zippo lighters. There will be no preorders for posters and shirts this year. It looks like the shirts come in two different designs and three colors: black, white and red. The posters feature artwork by Lucas Ruggieri and are limited to 150. You can see the poster image at the very top of this post. The custom made Deathvests (seen below) by Kylla Custom Rock Wear will be for sale for $200 at the MDF booth as well.

Announcing our 2017 Maryland #Deathvests – our official festival merchandise collaboration with #MarylandDeathfest @deathfests this year! We have #handmade a limited edition 10 high quality distressed #genuineleather #studded vests in sizes S – XL (2 S, 2 M, 3 L, 3 XL) which will be at the festival merchandise booth Thurs-Sun! We are also taking ONLINE PREORDERS for these, for in-person pickup from me at the fest! Once they are gone no more will ever be made! Extremely high quality durable #leather- each varies slightly in appearance due to the distressing process! $200 each – send your size! Paypal or credit card for preorder: http://www.paypal.me/kylla/200 (or email kyllacustomrockwear@gmail.com for credit card) #KyllaCustomRockWear #MDF #extrememetal #bikervest #motorcyclevest #blackmetal #deathmetal #smallbusiness #metalfashion #metalclothing #deathfest

A post shared by Kim Dylla / Kylla Custom Wear (@kyllacustomrockwear) on

The official MDF Pre-Fest Party is at a different venue this year, the Metro Gallery. It is headlined by Ruinous, a death metal band featuring Immolation guitarist Alex Bouks. Tickets are $15 advance, $17 at the door and available here. Sorry kids, it’s ages 18+ only and doors open at 7pm. Note that MDF wristbands will not be available at the Pre-Fest show this year. For more info visit the Pre-Fest Party’s Facebook event page here.

MDF XV Pre-Fest Party

This year I decided to write about certain bands, several at each venue on each day. Hopefully this sheds some light on bands you might not know about before you get to see them at the fest. This isn’t a “favorites” list or something, some bands I just didn’t feel like writing about and it isn’t because they’re not good, it’s because I only have so much free time. Check out what I’ve written about bands for the days/venues you have tickets for below, and stream some of their songs to get ready for Maryland Deathfest XV!

Thursday at Rams Head Live

The Thursday of Maryland Deathfest at Rams Head Live tends to focus on stoner and doom bands the past few years and this year is no exception.

Samothrace at 5:50 – This Seattle based doom band plays very long and very slow songs, though their sound can evolve into faster paced segments as well. If you’re into stuff like Winter, Grief and Bell Witch, you’ll want to check them out.

Dopethrone at 6:55 – Dopethrone, named after the Electric Wizard album, is a stoner/sludge band from Montreal. They were originally supposed to play MDF last year but for whatever reason they canceled.

SubRosa at 8:00 – This stoner band from Salt Lake City that blends stoner rock with post rock. Three women form the core of this ethereal sounding band which includes a violin player.

Conan at 9:05 – Definitely more barbarian than O’Brien, Conan is a stoner/doom band from Liverpool, England, making a rare appearance stateside at MDF. These guys are crushing live, perfectly blending huge riffs and stomping rhythms.

Acid King at 10:10 – Acid King is a stoner band from San Francisco that has only in the past couple years become active again. They play some Sabbath worshipping riffs but with the beautiful vocals of Lori Steinberg soaring over their fuzzy riffs.

Tiamat at 11:25 – I’m honestly not sure what to expect of a Tiamat set at MDF. They headliners of the first night at Rams Head Live have changed their sound many times over the years, at this point they haven’t put out an album since 2012. They might play a set more focused on the death/doom metal style of their early years or the soft and moody Wildhoney era material or the more polished gothic metal style they eventually ended up with, or maybe play things from various eras.

Thursday at Baltimore Soundstage

While in the past MDF tended to use the Baltimore Soundstage to host mostly hardcore and grind bands that seems to have changed a lot this year since there are no outdoor stages. The first day at BSS has a lot of death metal this year.

Malignancy at 8:15 – From Yonkers, New York, Malignancy has been around since the early 90s. They play an old school style of brutal death metal reminiscent of older bands from the era like Suffocation and Monstrosity.

Decrepit Birth at 10:30 – Decrepit Birth is heavily influenced by the later era of the band Death. They haven’t released an album in 7 years though they have a new one, Axis Mundi, coming out in July so I expect to hear some new material from these guys.

Cryptopsy at 11:55 – Montreal’s Cryptopsy was once one of the best death metal bands in the underground, until in 2008 they decided to completely change their sound, image and line up to become a metalcore band. When that didn’t pan out they went back to being a death metal band to mixed reception. However for this headlining performance at Maryland Deathfest XV Cryptopsy will be playing their 1996 classic album None So Vile in its entirety. And be sure to check out their drummer Flo Mounier, still one of the best drummers in all of metal.

Friday at Rams Head Live

The RHL line up for Friday is pretty death metal heavy, awesome!

Nordjevel at 5:00 – Every year MDF seems to book at least one trve Norwegian black metal. This year that band is Nordjevel, whose name translates to Northern Devil. Reminiscent of the 2nd wave of black metal bands, the band has only released one full length and one EP since forming in 2015, but they’ve quickly become a buzz band in the black metal underground. Fans of bands like 1349 and Gorgoroth are going to want to check out Nordjevel.

Brodequin at 6:00 – Brodequin is a very brutal death metal band from Knoxville, Tennessee. Between 2000 and 2004 they released 3 intense albums, then basically disappeared. This is something of a reunion show for Brodequin, though not their first show since reforming. Their name translates to “boot” from French, however they get their name from a medieval torture device.

GosT at 9:10 – Maryland Deathfest always seems to have one weird band that doesn’t really fit with everyone else and this year it’s GosT. GosT isn’t a metal band but a DJ and the music reminds me more of old Nintendo game soundtracks than anything else. I guess GosT’s genre is called synthwave. I’m not going to lie, I’m not particularly interested in seeing GosT hit play, er… perform live at MDF, but they are strange enough I figure they warrant mention here.

Macabre at 10:15 – An all time favorite of mine, Macabre is a three piece from Chicago that truly lives up to their name. By blending traditional songs and even nursery rhymes with death metal and grind, they have created a sound all their own. In fact, they call it Murder Metal since all of their songs are about true crime and serial killers. They even tell stories between songs about these killers and tyrants, highly recommended!

Vader at 11:20 – Before Behemoth, Decapitated and Mgla there was Vader, the true fathers of underground metal in Poland. Due to tape trading they were one of the first bands from Eastern Europe to break through the iron curtain to be heard in the West before the Berlin Wall fell. And rightly so, their intensely fast style of death metal has made them death metal legends to this day.

Friday at Baltimore Soundstage

An eclectic mix of bands play Friday at Baltimore Soundstage.

Chepang at 4:15 – Chepang is a grindcore band that is originally from Nepal though now they live in the US. They perform with two drummers. Don’t expect a long set from them, their only release consists of 8 songs clocking in at under 12 minutes total!

Occultist at 5:05 – This Richmond based band is everything that makes underground metal fun. They’re some sort of mix of black, speed, crust and death metal and exploding with energy. Their front woman, Kerry Zylstra, can scream with the best of them.

Stormtroopers Of Beer at 9:25 – Stormtroopers Of Beer is a Stormtroopers Of Death (aka S.O.D.) cover band that actually includes original S.O.D. member Dan Lilker. Adde Mitroulis (of Birdflesh, General Surgery) handles the drums while Jocke Carlsson (of General Surgery) plays guitar and guest vocals will be courtesy of Matt Harvey (of Exhumed, Gruesome). Old school metal heads will remember their song “Milano Mosh” as the theme music for MTV’s Headbanger’s Ball.

Noothgrush at 10:35 – Noothgrush is doom/sludge band from the Bay Area. Their name stems from a Dr Seuss character in the book There’s a Wocket in My Pocket so as you might have guessed these guys have probably never gotten high. They seem a bit out of place on the bill here and would probably have fit better on Thursday’s line up at Rams Head, but hey, good doom puts you in a good mood no matter when they play.

Siege at 11:50 – Headlining Baltimore Soundstage on Friday night is Massachusetts based hardcore band Siege. Despite releasing only about 20 minutes of material before breaking up in 1985 they became popular to bootleg traders and were very influential to the grindcore subgenre. They had a brief reunion in the early 90s with Seth Putnam of Anal Cunt on vocals and now they have reformed again, giving MDF attendees a rare chance to catch these underground legends perform live.

Saturday at Rams Head Live

There’s a lot of death metal at Rams Head Live on Saturday, headlined by one of the biggest names in the genre.

Embalmer at 3:50 – Embalmer is from Cleveland, Ohio, and plays gore obsessed death metal that fans of bands like Mortician and Impetigo will appreciate. In 1995 they released the excellent EP There Was Blood Everywhere and it wasn’t until after a long hiatus that they finally released a full length album, 13 Faces Of Death in 2006. Another lengthy hiatus ended when their second full length, Emanations from the Crypt, was finally released in 2016. This band seems to be very on again, off again so be sure to check them out at MDF while they’re still around, it might be another decade before you get another chance!

Necropsy at 4:45 – The Metal Archives lists 21 different bands with the name Necropsy, making this one of the most over used names in heavy metal. The version playing MDF XV is the one from Finland. They’re a death metal band that released several well received demos in the early 90s before dissolving only to reform earlier this decade. Part of me kind of hopes the guys from local band Noisem will join them on stage for a song, since they were once called Necropsy as well.

Exhumed at 7:50 – Exhumed is a death metal band from San Jose, California, that basically sounds like Carcass around the Necroticism era. Except faster, and with even more hooks. Look, I know there’s a lot of Carcass clones out there but these guys really do it best.

Exumer at 8:55 – I applaud the MDF organizers for hilariously putting Exumer after Exhumed. Despite the similar names the two bands don’t sound too much alike. Exumer is one of the old German thrash bands of the 80s. While never becoming as famous as German thrash contemporaries Kreator, Destruction and Sodom, they did put out some solid records in the late 80s. After disappearing like most thrash bands did when the grunge wave hit, they reformed about a decade ago and have continued to put out some solid thrash albums, including last year’s The Raging Tides.

Root at 10:05 – Root, formed in 1987 in the Czech Republic, is one of the original 1st wave black metal bands, predating the 2nd wave bands from Norway. They have moved to a clean vocal style but their vocalist, Big Boss, has a pretty incredible voice that has held up remarkably well considering he’s the sole original member still in the band. He’s also known for founding the Czech branch of the Church Of Satan. I’m not sure how better to describe them than maybe, they sound like what Ghost would probably sound like if they weren’t a gimmick band.

Grave at 11:15 – Lead by guitarist and vocalist Ola Lindgren, Grave is one of the last remaining of those early Swedish death metal bands (such as Entombed, Unleashed and Dismember) that is still active and has kept their old school “buzz saw” sound. There are many newer bands now that imitate this style, like Black Breath and Gatecreeper, but this is a rare chance to one of the originals of that old Swedish death metal sound perform live.

Morbid Angel at 12:25 – Morbid Angel is back at Maryland Deathfest but after the disaster that was Illud Divinum Insanus they’ve ejected David Vincent and once again added Steve Tucker to the band. They have stated that they will only be playing songs from the Steve Tucker era of the band, which are from the albums Formulas Fatal To The Flesh, Gateways to Annihilation and Heretic, although they have a new album on the horizon so hopefully we’ll hear some new songs too.

Saturday at Baltimore Soundstage

The Saturday schedule at Baltimore Soundstage is dominated by grind with the once in a lifetime chance to see Agoraphobic Nosebleed and Insect Warfare back to back.

Myxoma at 4:40 – Myxoma is a recently formed goregrind band. I don’t know a ton about them other than one of the Maryland Deathfest organizers, Evan Harting, is in the band, I would guess as the vocalist.

Meth Leppard at 8:00 – Meth Leppard is just like Def Leppard but on crystal meth! Ok not really, but they are a pretty sick grind band from Australia.

Agoraphobic Nosebleed at 10:45 – ANb is the spawn of Pig Destroyer guitarist Scott Hull. Their long awaited first live show ever was at Maryland Deathfest XIII and this year they’re back as part of Saturday night’s insane one-two punch of grindcore legends at Baltimore Soundstage. I mean seriously, ANb and Insect Warfare playing back to back? It doesn’t get much better than that for grind fans.

Insect Warfare at 11:50 – Closing out Saturday night at Baltimore Soundstage is one of the legends of grind, Insect Warfare, making a rare live appearance. Their only full length, World Extermination, was an instant classic and now that the band has stated that they will be breaking up soon this will be one of their final shows. You don’t want to miss the chance to see them headline this night! Still not convinced? Then check out our recent write up about IW here.

Sunday at Rams Head Live

Black metal seems to be the dominant style on Sunday at Rams Head Live, though doom legends Candlemass headline.

Encoffination at 3:00 – Sunday starts off at Rams Head with Encoffination, an Atlanta, Georgia, based death/doom band. Both members of this two piece are also in death metal band Father Befouled (who are playing the previous day at RHL).

October Tide at 4:45 – Swedish death/doom metal band October Tide once was a side project of Katatonia vocalist Jonas Renkse. The other founding member, Fredrik Norrman, ended up joining Katatonia and the band went on hiatus for a while. When Fredrik left Katatonia he reformed October Tide. Alexander Högbom is the vocalist now, who has also recently become the vocalist of Demonical. Despite having harsh vocals, it makes sense that October Tide would play on the same night as Candlemass so if you’re a Candlemass fan and not sure who else to check out on this day’s line up, don’t miss October Tide. Check out our recent review of their 2016 album Winged Waltz here.

Acheron at 6:45 – Often considered a black metal band, Acheron is really a death metal band that spawned from the infamous Tampa, Florida, death metal scene of the late 80s/early 90s, though they are now based out of Ohio. The band is lead by Vincent Crowley, a former reverend in the Church Of Satan. Acheron has stated that they will be playing their 1996 album Anti-God, Anti-Christ from start to finish at MDF and that they will be breaking up in 2018.

Oranssi Pazuzu at 8:55 – This is one of the bands I’m most excited to see this year at MDF. Oranssi Pazuzu is from Finland and have somehow created a psychedelic style of black metal that actually works incredibly well. The band has somehow managed to attract fans of both stoner metal and black metal to their very unique take on metal.

In The Woods… at 10:05 – In The Woods… is one of the first bands to call their music pagan metal. They began more black metal but over the years have shifted to more of a dark prog rock style. The Norwegian band is a spin off of Green Carnation.

Akercocke at 11:15 – Akercocke is from London, England, and haven’t put out an album since 2007. They recently became active again though so this is something of a return for the death metal band. They became known as the “satanists in suits” for wearing suits when performing live.

Candlemass at 12:25 – Swedish epic doom metal band Candlemass returns to MDF as the final band to perform this year. The band is fronted by the excellent Mats Levén these days and they will be performing their 1987 album Nightfall in its entirety at MDF. A bit of trivia: the classic album’s cover art is a painting by Thomas Cole from 1842 that is on permanent display at the National Gallery of Art in Washington, DC.

Sunday at Baltimore Soundstage

Grind, grind, grind closes out the final day of MDF XV at Baltimore Soundstage.

Genocide Pact at 4:40 – Washington DC’s own Genocide Pact plays Maryland Deathfest this year! These guys blend death, grind and crust very well and if you want to check out and support a local at MDF do not miss these guys! They have a new album due out soon so maybe we’ll get to hear some new material too.

Iron Lung at 10:45 – Iron Lung is a powerviolence band originally from Reno, Nevada though they have now relocated to Seattle, Washington. The band members also run Iron Lung Records which releases material by other grind and powerviolence bands as well. Their experimental style includes fast bursts typical of powerviolence along with some much slower, almost doom like segments.

Terrorizer at 11:50 – Terrorizer created one of the most influential grindcore albums of all time when they released World Downfall in 1989. They’ll be playing that album in its entirety when they headline Sunday night at the Baltimore Soundstage. It will be weird seeing Pete Sandoval drum for Terrorizer yet not play with Morbid Angel the night prior.

Decibel Metal And Beer Fest in Philadelphia

I don’t usually cover things outside of the DC area but I’ll make an exception for the Decibel Metal & Beer Fest held at the Fillmore Philadelphia on April 22nd and 23rd. Metal and beer are two of my favorite things and Decibel did a great job of bringing together some excellent bands along with some quality breweries with heavy metal ties for a weekend that was pretty damn fun overall. I’ve been a rather sick since the fest so I’m behind on getting this post up, but there was some cool stuff going on at this fest that I wanted to make sure got covered here even if it is going up a bit late.

I’d never been to the Fillmore in Philadelphia before but I quickly realized that it is much larger than our Fillmore in Silver Spring, maybe about double the size. The doors opened at 5pm each day and bands were still setting up their merch booths as the doors opened. Things were a little disorganized, but considering this was the first fest of its kind it wasn’t that bad. One of Mikkeller‘s beers didn’t show up until the second day and the venue ran out of the small plastic beer sampling glasses rather quickly on the first day which lead to most people getting cups from the bar. Overall those weren’t major issues though and it was a lot of fun talking to the people that work for the various breweries about their beer and metal bands they are into.

Atlas Brew Works at Decibel Metal & Beer Fest

Atlas Brew Works representing DC

There were 17 breweries at the festival and each had a booth with at least two beers being poured. The booths were mostly on the ground floor lining the walls in the main concert room, however there were 4 upstairs and 3 in the main entry room, including the massive Unibroue booth. Along with the band merch and beer booths there were a few other merch vendors in the main entry room. Despite being in Philly, between all my beer friends and metal friends I felt like I kept running into someone whichever way I turned all weekend.

Dave Mustaine of Megadeth

Dave Mustaine pouring the A Tout Le Monde beer

The festival did a really good job of actually blending a metal fest with a beer fest. This wasn’t just a metal show with some beer vendors, or a beer fest with some metal bands playing. Decibel managed to bring together metal bands with ties to craft beer with breweries with ties to heavy metal. Burnt Hickory had a beer tap that looked like an Orange amp rig. Trve Brewing and Hammerheart Brewing both had brewers in bands that performed at the fest (Khemmis and Panopticon, respectively). Dave Mustaine was there on Saturday to pour samples of the Megadeth beer A Tout Le Monde at the Unibroue booth, he was certainly getting A-list celebrity treatment. I found Dan Lilker (of Anthrax, Nuclear Assault, and a ton of other bands over the years) pouring beer at the Mikkeller booth and taking photos with any fans that wanted one. I talked to him a bit and it turns out he’s really into craft beer and even knows some of the guys at the Danish brewery Mikkeller, which is how he ended up manning their booth. At one point I saw Municipal Waste drummer and craft beer connoisseur Dave Witte at the Cigar City Brewing booth, where the Municipal Waste beer Divine Blasphemer was being poured. And Richard Christy (of Death, Iced Earth and also the Howard Stern Show) was seen sipping the Charred Walls Of The Damned beer from Burnt Hickory.

Dan Lilker at the Mikkeller booth

Dan Lilker at the Mikkeller booth

And let’s not forget about the awesome bands! There was a wide range of metal in the line up. Grindcore, stoner, thrash, death metal, black metal, doom, the focus was certainly on the more underground sub genres. On the first day of the festival I was most excited to see Panopticon. Austin Lunn is the mastermind behind Panopticon and also a brewer at Hammerheart Brewing in Minnesota. Despite forming about 10 years ago, the band has only recently starting performing live. Their first live show ever was last summer at Migration Fest. This is because Panopticon is a one man band in studio and Austin gets other people to fill out the band for live shows. Panopticon is known for mixing black metal with Appalachian folk to create a truly unique sound, sometimes called “blackgrass” as a hybrid between bluegrass and black metal. Unfortunately they didn’t use a banjo live, and their mix wasn’t always great, but it was still pretty awesome getting to see Panopticon live as they have some very powerful and moving songs. I also found Austin’s Hammerheart brewery to be one of my favorites at the fest. They specialize in smoked beer (which is a personal favorite style of mine) and their rauchbier was my favorite beer of the entire fest. Apparently Austin apprenticed at a brewery in Norway for a while and upon returning to the US he moved from Kentucky to Minnesota to start Hammerheart Brewing. The brewery’s name is no coincidence, it is in fact named after the 1993 Bathory album.

Immolation also played an intense set on Saturday, as they are typically known for. They may not do a lot on stage besides stand there and play their instruments but they do get people going with those crazy riffs. I thought I would see a lot more crowd surfers during Municipal Waste’s set. They were fun as always but I guess the fans were holding back because they went nuts for the night’s headliner. Agoraphobic Nosebleed headlined the first day with a great set. I wish Jay Randall had been there to perform with them, but the band still put on a great show and even played one of their sludgy songs from the Arc EP, “Not A Daughter.” As usual the Chicken Man was there leading the moshing and even got a shout out from ANb.

Agoraphobic Nosebleed at Decibel Metal & Beer Fest

Agoraphobic Nosebleed at Decibel Metal & Beer Fest

On the second day my favorite performance was probably Khemmis. The Denver based doom metal band put out one hell of an album in Hunted last year and I had yet to see them perform live. Their drummer, Zach Coleman, is also a brewer at the black metal themed Trve Brewing in Denver so their inclusion on the fest’s line up seemed like a no brainer. I had actually met Zach a few weeks before at my own metal show at Atlas Brew Works, and as fate would have it Trve’s booth was next to Atlas’s booth. Trve is best known for making excellent sour beers, though they only brought one sour to the fest, along with their Sleep inspired Nazareth IPA. Trve’s beers are very hard to come by on the East Coast, so this was a great opportunity to get your hands on some.

Zach Coleman of Trve Brewing and Khemmis

Zach Coleman at the Trve Brewing booth

Sleep headlined the final day of the Metal & Beer Fest and they put on a great show as always. Time seems to have no meaning when Sleep is playing live and although they didn’t play any parts of the song “Dopesmoker” like they usually do, they did play some rarities like “The Clarity” single they released on Adult Swim a few years back and “Sonic Titan,” the other song on the original release of Dopesmoker. Pig Destroyer was another highlight of Sunday’s line up. Their lighting was low and there was a lot of fog, less than optimal conditions for photography, but don’t let that make you think their set was anything but intense. They even brought out Dag Nasty vocalist Shawn Brown to perform with them when they covered the Void song, “Who Are You.”

Sleep at Decibel Metal & Beer Fest

Sleep at Decibel Metal & Beer Fest

Sleep at Decibel Metal & Beer Fest

In all the weekend was pretty great! Almost all the best metal related breweries were there, like Burial, Three Floyds, Trve, Holy Mountain and DC’s own Atlas. The only breweries I felt really should have been there but weren’t were Jester King from Austin and Oliver Ales from Baltimore. While Hammerheart’s Weltenwanderer rauschbier was my favorite beer of the weekend, there were other standouts as well such as Wigsplitter coffee stout from 3 Floyds, Ritualknife black braggot from Burial (a collab with Trve), Charred Walls Of The Damned Belgian quad cinnamon apple pie variant from Burnt Hickory, Twisted Doom New England style IPA from 18th Street and Cursed sour pale ale from Trve. I think the best brewery of the event has to go to Burnt Hickory from Kennesaw, Georgia. They were totally in the spirit with their Orange amp rig beer tap as well as bringing by far the most beers of any brewery to the event, including several rare variants of Charred Walls Of The Damned. I hope Decibel does this event again next year and I really hope more breweries get as into it as Burnt Hickory did!

Burnt Hickory Brewery's Orange beer tap

Burnt Hickory Brewery’s Orange beer tap

Thanks for reading to the end of my post. I had some help covering things in Philly from Metal Nick so be sure to check out more of his videos from this fest (and many, many other concerts) on his YouTube page here and more of his photos on his Flickr page here. Maryland Deathfest XV is just around the corner so stay tuned for our coverage leading up to our favorite local metal festival!

Interview with Scott “Wino” Weinrich of The Obsessed

This week The Obsessed, one of the oldest metal bands from Washington DC, is releasing their first album in 23 years, Sacred. Needless to say I’m pretty excited about this so I got in contact with the band’s main man, Scott “Wino” Weinrich, and conducted this phone interview with him on Saint Patrick’s Day, March 17 of 2017. We talk about the new album and he has some great stories of being in a metal band during the hey day of the harDCore scene. The interview is a bit under 17 minutes long and you can stream it by clicking the orange play button below, you can download it as an mp3 here, or you can read the full transcription below. As always my words are in bold.

Scott “Wino” Weinrich has been in a lot of bands over the years: Saint Vitus, Spirit Caravan and Shrinebuilder to name a few. However he is currently leading the revived version of the Obsessed who are releasing their new album, Sacred, on Relapse Records on April 7th [get it here]. It is truly an honor to have one of the legends of not only doom metal but [also] of our area’s metal scene with me on the phone today. So to start things off Wino, can you tell me why you think the time is right for the Obsessed to release Sacred, the band’s first album in 23 years?

I’ve done some reunion shows over the years and I’ve been asked to do quite a few but nothing really felt right until me and Brian Costantino reconnected after 30 years. When we first met he was our friend and our drummer’s tech and he helped us drive on the road and stuff. After the original Obsessed folded way back when, I didn’t see him for 30 years. In that interim he learned how to play drums, quite proficiently I will add, and through one weird circumstance or another we got a chance to jam and when we got a chance to jam the magic happened and that’s when the Obsessed was truly reborn because finally the chemistry is just perfect. So really the fact that me and Brian reconnected is really fucking amazing and so I feel completely re-energized and very inspired.

Is there a reason you decided to go with Relapse to release Sacred?

They offered us a really kick ass deal. We got a really, really good deal from them. All the people at Relapse now are completely behind us. A lot of fans, a lot of friends and they offered us a slammin’ deal and they have treated us wonderfully. I’m totally, totally satisfied with the deal and I’m very excited to top off this release of Sacred they’re also re-releasing the first Obsessed record, the self titled, in a couple months and we put together a slammin’ package man. All this cool live stuff, some demos and a bunch of really cool pictures and such. I’m really happy with the label.

Cover of Sacred by The Obsessed

Cover of Sacred by The Obsessed

So how do you think the band’s sound has changed since the release of The Church Within in 1994?

Well to be honest with you, I think that Sacred is actually the best sounding record that I’ve ever done in my career thanks to Frank Marchand, he’s also known locally as the Punisher for his live sound work and stuff. But, believe it or not, the record is [recorded] all digital and I think that Frank has an amazing command of the digital realm but also the digital realm has increased to where it’s just phenomenal now. It’s a combination of the old and the new because the whole record was recorded digitally but we used a whole crazy lot of really cool old vintage equipment like, Frank had, and his studio had, an arsenal of old Les Pauls. I mean it was like an orgy of Les Pauls man. And then he also had like all these killer, old like boxes and boxes of vintage foot pedals and vintage effects pedals. He had a vintage rotating speaker and not to mention the drums. He had so many cool vintage snare drums, we picked a [different] snare drum basically for sound for the vibe. It was pretty amazing.

I saw you had that EGC guitar you pulled out, with the aluminum neck, in a few shows. Did you use that on Sacred at all?

I did use that quite a bit on Sacred actually. That was one of my favorite guitars but it’s also my go to guitar. That guitar is just nothing short of amazing. It’s completely aluminum, all the way, it’s neck through. That was given to me as a gift for some production work I did with my friends from Tennessee in a band called Navajo Witch and I must say that’s actually one of the finest gifts that I could have ever received. I love that guitar. It’s my go to guitar. That guitar has what I call a slutty neck, haha. Man I’m telling ya, I really like thin necks as far as like the depth goes. It’s got a radial neck actually. It changes a little bit as it goes along but I’d say that guitar is perfect. That guitar I nicknamed Heavy Mama because it’s actually, it’s broader and heavier than an actual real Les Paul. So I call that guitar Heavy Mama, haha.

Wino playing Heavy Mama

Wino playing Heavy Mama

Now I know the Obsessed has gone through a lot of line up change recently. What exactly is the line up on Sacred and is that also the band’s current line up?

No. God, let me tell you what’s happening to dispel any confusion. OK. We were doing Spirit Caravan for a minute, you know a year or two ago, and after we dissolved Spirit Caravan, that’s when me and Brian reconnected and we decided to call the band the Obsessed, OK. So Dave Sherman brought his gear over and basically that was the line up that we did for the Obsessed. It was me, Dave Sherman on bass and Brian Costantino on drums. Ok so that was the line up on Sacred, me Brian and Dave, right? And then OK, through the one reason or another, there’s some issues in the studio and also some issues live, we decided to part ways with Dave Sherman. So then I tried a little experiment where I re-enlisted the help of Bruce Falkinburg, the bass player from the Hidden Hand, and my fiancé at the time, Sara Seraphim, on bass and second guitar, respectively. And it was actually pretty cool, we did four or five shows that I thought were pretty fucking good but when the touring commitment came up, the reality of what a rock and roll band really is, people showed their true colors pretty quick and when Bruce asked us to replace him, Sara left. So basically, I then called my old friend Reid Raley, which is what I should have done in the first place because he’s a true road warrior and a great musician, and I’m telling you what, the chemistry right now is fantastic. The band is me, Brian Costantino and Reid Raley and that’s the way it’s going to stay. This is absolutely, in my opinion, the best line up of the Obsessed ever. The best chemistry and man I’m telling you what I’m fucking feeling psyched.

That’s great man. So who was on the album then exactly?

The album was me, Brian and Dave Sherman.

Ok cool.

But we parted ways with Dave and did our little experiment with a four piece but now we’re back to a three piece with me, Brian and Reid Raley. And Reid Raley played bass in a band called Rwake from Arkansas and he played in a band called Deadbird but then he also played with me [in the Obsessed] in 2013 and we did like four or five shows. We played Maryland Deathfest. We played Power Of The Riff in LA. We played a couple Scion showcase shows and another club show in LA so me and Reid actually have some history but he’s a fantastic bass player.

The Obsessed at Maryland Deathfest XI

The Obsessed at Maryland Deathfest XI

Ok thanks for clarifying that for me. One other question I have with the line ups is now that Dave Sherman is gone, are you guys still going to play any of the Spirit Caravan songs live or are you just going to stick to the Obsessed material?

We will eventually, probably be working in some of the Spirit Caravan material because, one thing I want to point out is, when the Obsessed was signed to Columbia Records in the 90s and we did The Church Within, we never got our second record. But the songs that were going to be on the second Obsessed record [for Columbia Records] were the songs that were the bulk of the material that became [the Spirit Caravan debut album] Jug Fulla Sun. “Lost Sun Dance,” “Melancholy Grey,” “Fear’s Machine,” “No Hope Goat Farm,” those were all Obsessed songs because of the fact that we didn’t get our second record, you know with Columbia that, when I put Spirit Caravan together those songs kind of pulled over. So we’ll be working those songs into the mix. Right now what we’re doing is our live set that’s coming up in April, we’re going to be playing about an hour and fifteen minutes and we’ll play like seven new songs of the new record and then the rest is old stuff but you can definitely count [on hearing] some Spirit Caravan stuff I mean, we’re going to be doing eventually. Eventually we’re going to be doing “Brainwashed,” “Lost Sun Dance,” “Dove-Tongued Aggressor,” and stuff like that.

The Obsessed formed in the DC area in the early 80s and I’m really curious, what was it like being in a metal band, particularly a doom/stonery kind of metal band, at the time when DC’s music scene was really dominated by the rise of the DIY punk scene.

Well it’s an interesting and good question. Right at that time that I gone down to this little club in DC called Beneath It All and pitched the manager there, he was like an outlaw biker, pitched him on the Obsessed and so we were down in this little hole in the wall in DC playing three sets a night OK? Now during that time, that’s when I met Sab Grey from Iron Cross, John Stabb from Government Issue, Ian MacKaye and Henry Rollins would all come down to see us. They loved our originals but they hated the fact that we were doing punk covers but I tried to explain to them, we had to play three 45 minute sets a night so you know, we were throwing in a couple of our favorite Dead Boys songs and shit like that to try to make up the time. The bottom line is, straight up, we had to prove ourselves. We had several high profile gigs where the Obsessed, actually we supported the Dead Boys on their first reunion tour, in DC. We supported the Bad Brains in the hey day of the green red ROIR tape. You know what man we really had to prove ourselves but I think we did. I can remember one stand out moment for me is when there was this punk rock hipster bar in DC in those days called Carmichael’s. And so there was a guy who ran a record store in town, he was a punk rock kid but he also came from a metal background, and me and him connected because he heard my song “Concrete Cancer” on Metal Massacre VI and he said, “oh man that song reminds me of Captain Beyond.” So me and him struck up a friendship and he was in a band called Lethal Intent. His name was Doug Caldwell. Unfortunately he’s passed away but Doug would always call me up to get the Obsessed on punk rock shows and so on any given day we were supporting the Exploited, I remember one time Dave Grohl’s band Mission Impossible supported us when they were all like skinhead kids. We played with Faith and we played with Scream a lot. But I remember like on this one occasion we were at this club called Carmichael’s trying to gig. We were supporting Iron Cross and the PA fails. So instead of stopping or crying, I just said “fuck it, let’s go” and I just screamed out the words with no PA and we just stepped everything up a notch a little bit pretty fast. That’s when you know the singer for Iron Cross came up to me and said, “Ok that’s when I knew you guys were real.” So we definitely had to prove ourselves. You know the way I looked back then I had more of a death/glam kind of look. At any given time I would be called Eddie Van Halen or take some shit but I’ll tell you what man I was there for the music and if somebody got in my face I was ready to fight. No problem.

Haha. Now I have heard a rumor that it was none other than Ian MacKaye of Minor Threat and Fugazi fame that put you in contact with the guys in Saint Vitus. Is that true? Did he actually introduce you to that band?

He didn’t actually introduce me to the band but he did mention them to me and put the seed in my head and so when they came through and played a little club called DC Space I went down to meet them and that sort of did set the ball in motion a little bit. There were some other circumstances but yeah. Ian MacKaye was very instrumental. He told me straight up, he goes, “there’s this band on SST called Saint Vitus. You’d love ’em,” and you know eventually I would join them. Ian MacKaye was the first person ever to use the term crossover. I remember he used to work at a record store called Yesterday Is Today and I used to go next door to get my hair cut all funky from this foxy ass hair cutter chick and then I’d have a couple brews probably and then I’d go next door to the record store you know. And Ian’d be in there working and the Obsessed first record had just come out and he said to me he goes, “man, you guys are really crossing over.” He said to me, he being a vegan, he goes, “man “”Forever Midnight”” man that song’s the meat and potatoes.” Coming from Ian MacKaye, to me, that was like the ultimate fucking honor.

Hahaha. That’s pretty cool.

Man I love that guy. I see him regularly. He’s a fantastic person. Ian MacKaye, I’ll tell you right now, has never wavered from his ideals once. Never once. All these other bands, you know all these other people I’ve seen them all falter but you know what? Ian MacKaye has never wavered from his core principles once and I have nothing but ultimate respect for him.

So this is in a different direction but is there any chance of any kind of Shrinebuilder reunion at any point? Do you think maybe new material or even just some live shows?

I told Al [Cisneros] and I also told Scott Kelly that I would always be up for it if they want. It’s really up to them. There’s a little bit of… ummm… there’s a little bit of bad blood that happened there for a minute, stupidly enough over money. One thing that I don’t really have much tolerance for [is] like arrogance or greed and I kind of think that with Shrinebuilder, I think that the desire to put money in one’s pocket kind of overruled what I thought should be the real core ethics of that band but that said I told both of those cats that I’m willing to do it if they are.

Cover art for Shrinebuilder and Adrift

Cover art for Shrinebuilder and Adrift

Back around 2010 I was actually going through some really tough times and your studio album Adrift actually really helped me a lot during a low point in my life so I’d like to say thank you for that.

Thank you very much. I appreciate that.

It meant a lot to me actually. Do you have any plans for any future solo releases?

Actually my main focus is totally on the Obsessed right now. I’m not in any other bands or anything. I’m not in Saint Vitus you know either, but I have been working on some acoustic stuff. I’ve actually got about four or five songs and hopefully in less than a year I would like to do another acoustic record actually. Yeah. Hopefully on Relapse but we’ll see. Hey listen, thank you very much for that though. I mean that’s to me, that was a very troubled point in my life too and Adrift was kind of me really letting off steam from some problems I was having and it’s way more rewarding to me to hear somebody say that the music helped them through than you know a bag of cash on the table you know what I mean? So I’m glad it helped you.

Yeah it really did. Now in 2004 another DC area guy had you guest on an album with him. You were on Dave Grohl’s Probot album on the song “The Emerald Law.” How exactly did that collaboration come about and did you know Dave already?

Yes. I knew Dave already and like I said before like, back in the early days Dave was in this killer punk rock band called Mission Impossible and we used to refer to Dave as the Kid. Everybody knew that the Kid was the premiere fucking drummer and he was fantastic man. But anyways, Spirit Caravan, I was on tour in Europe and I got a call from my wife at the time and she said, “Listen you know. Dave Grohl’s people just got in touch with me. They’re looking for you. He sent some music to you. He wants you to do something.” So I got back into town, I got the rough tracks for “The Emerald Law.” Ok it wasn’t titled, it was just the music. It was the basic tracks. It had a guitar track, drums and bass and basically then I talked to David and he said, “I’m doing a record with all my heroes,” and let me tell you I was very, very honored to be considered that and to be considered for the record. And as I listened to the song, it was right up my alley and he said he wanted me to title it, write words for it, sing it and play some leads. So basically, at the time I was deep into my research. I was really getting into some esoteric stuff about the Emerald Tablets of Thoth and stuff. So basically I put together the words and stuff and um, we were going to do it at Dave’s house with his studio but he left his studio machine on while he was on tour for six months by accident so [he] burned it out so he said, “hey let’s meet at Inner Ear,” the Dischord studio of legend you know where everybody recorded all their shit, all the DC bands. David came down with his producer friend and basically I showed him the lyrics that I had written for the song and the title “The Emerald Law” and he liked it. So I sang it and um, came time to play the solo and he was standing in the control room just going “more, more!” like that one part in “Emerald Law” I just hold that shrieking note you know. He’s like, “yeah! yeah! yeah!” He’s like totally enthusiastic right, but the end of the song there was just something missing at the beginning. So I suddenly realized, what I say at the very beginning of the song, the speaking thing. “I do not die but awaken to the dream I lived.” That is actually real, ancient Babylonian that was transferred from cuneiform by Zecharia Sitchin. I was reading a book by Zecharia Sitchin, one of the few people who could actually translate and read cuneiform, which is Babylonian writing on stones. So that’s an actual ancient Babylonian verse there that just fit so perfectly at the beginning. I get chills when I think about it man. So I was overjoyed to do that too, and honored. I really was.

So do you have any plans to tour or at least play in the DC area to support Sacred coming up?

Yes we start our tour on April 12th and we’re going to go from coast to coast and on the way back in May we are playing in Baltimore. The 20th we’re going to be in Baltimore. But we’re also doing a listening party for Sacred and I’m going to play a short acoustic set up in Philadelphia on the day after the release on Saturday, April 8th at Kung Fu Necktie where there’s going to be a DJ and then we’re going to listen to Sacred in its entirety and we’ll have a bunch of records to sell too. The new record and all and then I’m going to play acoustic guitar for 20 to 30 minutes and then we take off on our tour.

The Obsessed at the Ottobar

So are there any bands from like the DC area or this kind of region, maybe DC, Baltimore, Virginia area that you’re a fan of?

I really like that band Cavern. I like a local band from Thurmont [Maryland] called Faith In Jane. Of course I really like Clutch.

I’ve gone through just about all of my questions here and I do thank you for your time. I do appreciate it. I’ve been running the DC based metal site for about seven, seven and a half years now and you’re one of the guys I’ve always really wanted to interview on here. You really are one of the legends of our metal scene. It’s really cool to say that you’re from our area. So one other thing. Is there anything else you’d really like to say to the fans about this new album Sacred that the Obsessed is releasing on April 7th?

Well I’d like to say thank you very much to everybody who believes in, and who has supported not only my career but this style of music and I want to thank you man for carrying the torch. I mean it’s a really beautiful thing.

Alright well thanks a lot for your time and it’s really been an honor so thank you a lot.

Alright man. This was a fun interview. Thank you.

Alright have a good one.

Bye.

Premiere of Lost In Time music video by Borracho

Cover of Atacama by Borracho

It’s the holiday season and what’s the best gift every year? New Apple products? World peace? Of course not! The best gift is brand spankin’ new heavy metal tunes! Washington DC’s own Borracho are three wise men who are stuffing your stocking with extra helpings of stoner riffage this year. Their brand new album, Atacama, just dropped today and you can download it digitally ($8) or get it on CD ($12) from Bandcamp right here, right now! If recordings of these tunes just aren’t enough for you be sure to catch Borracho in action at their CD release show on Thursday, December 15th at Slash Run. You can get all the details on that show here.

Can’t wait until the 15th for that sweet Borracho live experience? Well then you’ve got to check out the music video for their new song “Lost In Time,” one of my favorite tracks off of Atacama. This video was recorded at the Velvet Lounge on U Street and I’m going to have to warn you, if you’ve ever been a bit buzzed watching Borracho perform live then this video may trigger some flashbacks of the face melting kind! Well what are you waiting for, click play on the video below, crank it to 11 and drift off to the land of riff.

Uncle Acid & The Deadbeats ticket give away

Uncle Acid & The Deadbeats at Howard Theatre

Labor Day has come and gone, summer is over and it’s back to the real world after a long weekend. Not everything sucks though! This Thursday, September 8th of 2016, the UK based stoner band Uncle Acid & The Deadbeats are playing at the Howard Theatre (details here)! For you loyal DCHM readers that check in regularly, we’re doing a short running 24 hour contest to give away a free pair of tickets to this show! To enter: just leave a comment on this post telling me what your favorite concert of the summer was. If you didn’t get out to any (what?) then you can tell me which concert you’re most looking forward to. At 5pm EST on September 7th, this contest will close and I’ll pick a winner at random (using Random.org) from all valid entries to win the tickets. Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticketmaster for $20 here.

That’s right, this contest is only open for 24 hour so don’t wait to enter! Uncle Acid and the Deadbeats have never played in Washington DC before so if you’re into stoner and doom riffage with some good, old fashioned serial killer obsession thrown in you can’t miss this one. Also on the bill is the rockin’ Danava and the psychedelic The Shrine opening. Now check out these sick Uncle Acid videos below and tell me what your favorite concert of the summer was!

Mind Crawler

Run Away Girls

Melody Lane

Black Sabbath at Jiffy Lube Live

I’ve been to literally hundreds of concerts through the years but there has always been something special to me about seeing Black Sabbath play live. When the band’s final tour, dubbed “The End,” came to Jiffy Lube Live on Sunday, August 21st it would be the last time they would play in the greater Washington DC area. Black Sabbath are the fathers of the metal genre and my favorite band, but they’re also so much more than that. They’re one of the few bands that every time they play, no matter how many other people are there, no matter how close or far I am from the stage, I always feel like they’re playing just for me. They’re the reason I am a metal head today, and probably the reason a lot of you are too.

I have a lot of memories seeing Black Sabbath play Jiffy Lube Live (formerly named Nissan Pavilion) in the past. The original Reunion Tour, when Ozzy Osbourne rejoined Black Sabbath again, which I never thought would actually happen, started its US leg there back in 1997. That’s right, we were the first in the US to see Black Sabbath on the Reunion tour. That was one of the early Ozzfests and I got my first tattoo at that concert to commemorate the event, the letters O-Z-Z-Y on my left hand knuckles. Ozzy played a solo set with his band and then came out and did a full set with Black Sabbath right after, I’ll never forget it. The only original Black Sabbath member missing from that tour was drummer Bill Ward on drums, he was tied up with other touring commitments at the time. Ward did complete the original line up when he performed with the band in 1999 when Black Sabbath again headlined Ozzfest, a farewell tour the band called The Last Supper Tour. Despite this they came back to play for us at Jiffy Lube Live/Nissan Pavilion in Bristow, Virginia, again in 2001, 2004 and 2005. Black Sabbath was forced to change their name to Heaven And Hell when the late Ronnie James Dio returned on vocals, and this version of the band also played here in 2008 on the Metal Masters Tour. When Black Sabbath released their album 13 in 2013, their first studio album with Ozzy on vocals since 1978, they toured to support the album and again played Jiffy Lube Live. Now, on another final tour (which, judging by their ages, seems pretty likely to actually be their last this time), Black Sabbath once again played for us.

It rained earlier in the day but it let up in time for the tailgaters to start pre gaming in the parking lot. I missed the opening band, Rival Sons, because they weren’t even a metal band and really shouldn’t have been on the bill to begin with. At the end of their set I did hear them thank “Bristow,” I guess not realizing that very few people at the venue were actually from Bristow. When Black Sabbath finally took the stage around 8:45pm I was excited. Hell, who isn’t excited when their favorite band plays? The short intro video ended and that iconic opening riff to the song “Black Sabbath” immediately demanded everyone’s attention. I had pretty decent seats, in section 102 on the aisle on the Tony Iommi side. Not lower orchestra but still I had a pretty good view and I was right by the sound board. They played a great set of older classics, though they left some big ones off. No “Sweet Leaf,” no “Supernaut,” no “Electric Funeral” (despite the Shepard Fairey designed tour poster heavily quoting and referencing that song, I still bought one for $40 anyways). Nothing at all from the albums Sabbath Bloody Sabbath and Sabotage. Most surprisingly, their set list didn’t include even a single song from 13. They did play a few songs that weren’t really hits such as “Dirty Women,” “After Forever” and “Behind The Wall Of Sleep” (including the Wasp intro). Every song on the set list besides “Dirty Women” came from the first four albums but it didn’t really matter what songs they played, the riffs just keep coming with Sabbath.

The band doesn’t have the energy on stage that they used to of course. Even when Ozzy played those back to back sets in 1997 (was it really almost 20 years ago?!?!) he had more energy on stage than he does now. He had trouble singing in key Sunday night and even flubbed a few lines here and there, most glaringly missing the classic “I am iron man” line at the start of “Iron Man.” The video monitors had a slight delay, and half the time they used so many psychedelic effects you could hardly tell what they were showing. Other times they focused way too much on Not Bill Ward drummer for hire Tommy Clufetos, the only “member” of the band nobody at the show had actually bought a ticket to see. His extended drum solo during the Bill Ward drum solo song “Rat Salad” seemed to be a slap in the face to Ward and his fans. Geezer Butler was great on bass, no surprise there, but it was nice to see the guy’s still got it. He was getting some sick tones out of that bass too. And Tony Iommi, even after all these years, mutilated fingers and battling back from cancer, he still plays everything so damn smoothly live. I swear he could play those songs just as well in the dark. There were still a few new touches he threw in, like the bonus intro part at the start of the band’s perennial encore song, “Paranoid.” There’s a reason he is nicknamed the riff master and the night’s set was a showcase of some of his most classic riffs played to perfection.

This wasn’t the best I’ve ever seen Black Sabbath, but it was a great show. It really had me thinking about all the times I’ve seen them before, all the people I’d seen them with and the different places in life I was at each time. Black Sabbath wasn’t the first metal band I liked, I already had a few Metallica and Megadeth tapes and the like when I traded for a copy of Black Sabbath’s best hits album We Sold Our Souls For Rock ‘N’ Roll, but that album is what changed me from being a casual music fan to a die hard metal head. While Black Sabbath played songs from that album I thought about the day I first listened to it, I still remember. And I thought about how cool it was getting to interview and then meet Bill Ward in 2014, certainly the number one highlight of my time working on this very blog. I was hoping the show would never end because I didn’t want to deal with the cold, hard fact that I’ll never get to see them perform live again. But reality has a way of always winning out and time waits for no man. After the show ended the band all took a bow and Ozzy’s daughter Kelly came out on stage and shot a short video of the audience still going wild. I talked to a lot of people before, after and even a few during the show. Friends old and new, strangers, people who knew me from this website, random people crammed in line next to me while we waited to buy merch, drunks in the parking lot, everyone there to see Black Sabbath for one last time (or maybe even their first time). I had a great time and yeah, I’m bummed that I won’t have any more great times at Black Sabbath concerts, but I’m grateful that I got to see the band that started it all perform one last time for us and just for me.

Thanks for reading this. Below I’ve posted a few videos I shot at the show. I didn’t have a photo pass and these were all shot on my phone. I think the sound quality came out pretty good though. I hope you enjoy them!

Black Sabbath – N.I.B.

Black Sabbath – Dirty Women

Black Sabbath – Paranoid