Live photos of Electric Wizard

On Wednesday, April 1st of 2015, UK based stoner/doom metal band Electric Wizard played to a sold out crowd at the Baltimore Soundstage. The place was crowded, I’ve never seen it so packed before, but the band put on great show and played those super fuzzy riffs for about an hour and a half. The band had a video projection behind them for the entire show, which mostly showed clips from old exploitation films of nude blond women dancing around with psychedelic patterns superimposed. I didn’t get there in time to shoot locals Satan’s Satyrs, who are opening for the entire tour, but it was cool getting to see their bass player, Clayton Burgess, perform with Electric Wizard. The last time Electric Wizard played the US was also in Baltimore when they headlined Maryland Deathfest in 2012, and they didn’t tour the US around that show, it was a one off performance. Combine that with the fact that Electric Wizard hadn’t played in the US for many years prior to MDF due to problems getting visas, and people were hungry to see these guys in action. Considering that, it isn’t much surprise that their merch sold out very quickly, only a few Electric Wizard tote bags and black light posters remained by the end of their set and all of the t-shirts were long gone. They played a lot of their classics that night, like “Dopesmoker” and “Satanic Rites Of Drugula” and I think most people left pleased with the set list overall (you can see the entire thing here). Whether you got to attend this epic show or not, I hope you enjoy the photos I shot below. If you’d like to see more of them just go here.

Electric Wizard at the Baltimore Soundstage

Electric Wizard at the Baltimore Soundstage

Electric Wizard at the Baltimore Soundstage

Electric Wizard at the Baltimore Soundstage

Electric Wizard at the Baltimore Soundstage

Electric Wizard at the Baltimore Soundstage

Electric Wizard at the Baltimore Soundstage

Electric Wizard at the Baltimore Soundstage

Electric Wizard at the Baltimore Soundstage

Mega Sized Metal Concert Recap

Recently I’ve not been able to write as many concert reviews as I’d like to. I’m considering doing some shorter ones in the future. Believe it or not, my average concert review takes me 10-14 hours to put together. I have been going to a hell of a lot of shows and that just makes things back up a bunch and it can be hard to even get through just sorting through all my concert photos. However, I’ve been to some great shows since my last concert review, the Cavalara Conspiracy show review I posted back on October 14th, and I thought I’d just post a few pictures, videos and notes from those shows to give you an idea of what has been going on with live metal in this area from my point of view. Each paragraph below is about a different concert so you can skip ones ya don’t care about and move to ones you find more interesting easily. You can click any of the pictures below to see more of my photographs of the same band, and I’ve added some of my videos from the shows that I shot them at in this post as well, though as always I’ve got more on my YouTube page here.

On Friday, October 14th, 2011, I drove up to see Wabringer and Landmine Marathon at Sonar in Baltimore. This was Warbringer’s first headlining tour and while they are one of my favorite bands of the modern wave of thrash metal, I really wanted to see Landmine Marathon play. I’d never seen them before but had heard they were good live. Their vocalist, Grace Perry, was on the cover of the always controversial Hottest Chicks In Metal issue of Revolver magazine in 2009, but I didn’t care about any of that. She was absolutely ferocious on stage, really a sight to behold regardless of her gender or hotness or whatever. At one point she told the audience they better start moshing harder or she’d jump off the stage and kick everyone’s asses, and you believed it when she said it. Warbringer was fun live as usual, they played Living In A Whirlwind so I was happy. This was also the first time I’d seen them play anything from their newest album, Worlds Torn Asunder. Vocalist John Kevill did a stage dive into the audience at the end of the show. Lazarus A.D. played between those two bands but I don’t really care for them so I took that time to drink a couple Lancaster Milk Stouts in the other room. They’re delicious and Sonar has em in bottles at the bar, highly recommended when you’re thirsty at Sonar!
Grace Perry of Landmine Marathon

Warbringer

The next night, Saturday the 15th of October 2011, I found myself back at Sonar to see a black metal band from Singapore, Impiety. However, as a late addition to the bill I got to see a band I’ve been wanting to see for years, Ohio’s black/speed metal act Midnight. They came out in the executioner’s hoods that they’re known for and just shredded the place. They’re a fierce three piece and their sound reminds me of something of a cross between Motörhead and Darkthrone. After their awesome set Impiety hit the stage drenched in pig blood, and man did it stink like something awful. The pit was fierce for their entire set and the band never let up either. It was really a great show I’m glad I didn’t miss it. Considering where they’re from, who knows if you’ll ever be able to see them play around here again.
Midnight

Impiety

On Monday the 17th of October 2011 I found myself at Jaxx in Springfield, Virginia to check out local power metal band A Sound Of Thunder play support for the Swedish power metal band Sabaton for the final show of their tour. The audience was thin this evening, Dream Theater was playing at the Warner Theatre the same night and I’m sure that had an effect on the turn out. However A Sound Of Thunder put on a solid set and kept the audience’s attention. They were a good warm up act for Sabaton. I’d never seen Sabaton before, and honestly I’m not that familiar with their music, but I’ll tell you they were entertaining as hell to watch live. You could just tell that the band was having a lot of fun playing for the audience and even though the turn out wasn’t huge the people who were there really gave a lot of energy back to the band. They played a prank on their new temporary bass player when the rest of the band started playing a song they hadn’t taught him to play. It was a really fun experience from a band I didn’t really know what to expect from.
Nina Osegueda of A Sound Of Thunder

Sabaton

Skip ahead to Friday the 21st of October and I was at a kick ass Deceased show at Comet Ping Pong in Washington, DC. The opening acts were two I really enjoy, DC’s own stoner band Borracho and Richmond’s doomy/sludge band Windhand. Borracho went on first and they didn’t start until after 10pm. They put on a good show and the audience that came to see Deceased, different than the normal stoner band crowd, seemed to be into it. Next up came Windhand. This band is HEAVY and this set was no different than usual. Finally Deceased hit the stage well after midnight. Deceased has a lot of ties to the DC area, originally based out of Northern Virginia they are the kind of band that draws people out of the woodwork when they play in the area. It was good to see such a big crowd for them. They didn’t have a bass player, which made their sound a bit tinny and took some getting used to. King Fowley used to play drums but now was just doing the lead vocals, and he was having a lot of fun with the audience and even came out into the crowd a couple times. I got home really late that night, but it was worth it!
Borracho

Windhand

Deceased

Sunday the 23rd of October, 2011, I went on a road trip up to Philadelphia to catch a band I’d been wanting to see for several years, Kvelertak, play at Johnny Brenda’s. When I got there the Georgian psychedelic sludge metal group Zoroaster was playing and I saw them do a couple songs. Skeletonwitch, a thrash band from Ohio, was after them and they put on an energetic show, they’re definitely a better live band than when I saw them in April 2010. Not that they were bad then, but they’ve definitely got their live show down better now and I wouldn’t be surprised to see them doing a headlining tour sometime soon. Finally Kvelertak, the Norwegian punk/metal band I drove all that way to see, was up and they put on a hell of a wild show. There was a lot of stage diving and beer drinking and the show just had a crazy amount of energy going on. It was definitely worth the 6 and a half hours of driving there and back that night, so much fun! Hopefully they won’t skip the DC area on their next tour. Also, I met two other people, who didn’t know each other, who had both come up from the DC area for this show. That was kind of cool.
Skeletonwitch

Kvelertak

On Thursday the 27th of October I went to see a Sepultura cover band made up of members of various local bands, namely Disciples Of Christ (D.O.C.), Drugs Of Faith, Magrudergrind and Mind As Prison. This was at a small Ethiopian restaurant and bar called Asefu’s just a couple doors down from DC9 in Washington DC. Local guitar shredders Midnight Eye opened the set up and they were awesome as usual. They played a cover of Megadeth‘s classic Rust In Peace that was pretty slick as well. Local band Auroboros was next to play. They’re a great live band, with ex-members of Baroness and Salome in the group you know it’s just a matter of time until they really take off. During their set the drummer got caught in the fake spider webbing while playing, he even lost a stick to it, haha! The Sepultura all stars played next and while their set was mired with some technical difficulties at first, it was a lot of fun. I was a huge Sepultura fan in high school so it was cool hearing them play some of those old classics. They only played about four or five songs though, I wished it had lasted another hour! The final band of the night was Inter Arma from Richmond. Sadly a lot of people left after the cover band played but they played a powerful set regardless, I’m glad I stuck around to watch them.
Midnight Eye

Auroboros

Sepultura cover band

Inter Arma

I had another stop at Jaxx on Sunday the 30th of October 2011 to see Decapitated play. There were a lot of other bands playing this night, however I only saw the final three bands. Italy’s Fleshgod Apocalypse came out in their tuxedos and really got the mosh pit going, including a few guys in drag for Halloween that were in there. Next up was the California based tech death band Decrepit Birth. I really like this band a lot. They remind me of the band Death a lot, but with a more modern sound. Their vocalist, Bill Robinson, is a bit of a head trip but he really got the audience into the show. At one point he held up a copy of their latest CD and told the audience anyone could have it if they took it from him. This caused a wave of people to climb over the railing onto the stage and Bill kept pushing them back to stage dive onto the audience. Then came the headliners, the Polish death metal band Decapitated. This band had a tragic bus accident on October 29th 2007 while on tour. Their drummer was killed in the wreck and the vocalist was critically injured. Decapitated broke up for a little while, though guitarist Vogg decided to get them back together, with all other members of the band being new, and put out a new album back in July titled Carnival Is Forever. However, this band just isn’t the same, it was almost sad seeing them play. Spheres Of Madness, their closing song and most famous, just wasn’t the same, it was almost like seeing a cover band play it. Combined with their short set, they only played for about 45-50 minutes, they were a let down. I’m glad I got to see them a few times before their accident. Also of note, this was their final show of the tour and on the return flight their airplane had to make an emergency landing with no landing gear. The story with video of the landing is posted here. The band is fine but damn, maybe they should start walking when touring.
Fleshgod Apocalypse

Decrepit Birth

Decapitated

On Tuesday the 1st of November, 2011 I went up to Baltimore to see Opeth play at Rams Head Live. Their set was a rather laid back performance, even by Opeth’s standards. Their new album, Heritage, has no harsh vocals on it, and this tour was certainly to promote that album. The show was fun, and being that it was the last show of the tour the guys were kind of goofing off a bit. They let the audience in a short singalong to the chorus of Harvest at one point, and had a few pranks going on stage throughout the night. However the highlight of the evening was the encore. Members of the opening act that I didn’t get there in time to see, Katatonia, joined Mike Åkerfeldt and Martin Axenrot of Opeth to reform the Swedish death metal super group Bloodbath! They played two songs, Soul Evisceration and Eaten, in a very rare public performance by Bloodbath. Mike hinted that they might be back together for real, though he didn’t say if that meant a new album, tour or if it was even definite. Their short and brutal encore set was quite a contrast to the Opeth show that had gone on just before it. This was the only concert of the tour that Bloodbath made an appearance at, and I felt very lucky to be in attendance. Definitely one of my concert highlights of the year! You can see video footage of Bloodbath’s performance (not shot by me) posted here.
Opeth

Bloodbath

The next night, Wenesday the 2nd of November, found me in Baltimore again for the first show of tour by the infamous Norwegian black metal band Mayhem. When I got there the show was running a bit behind schedule though and I saw the end of Abigail Williams‘ set. Then the polish blackened death metal band Hate performed. They were pretty good if not overly original, sort of like a Behemoth junior. I have to say their guitarist had some of the worst corpse paint I’ve ever seen though. Then the Norwegian melodic black metal band Keep Of Kalessin played. I watched a couple of their songs but soon found myself in the next room drinking Lancaster Milk Stouts again. Keep has gone down hill in my book over the years, now they seem to be a sort of singalongy kind of band and they’ve lost the bite I enjoyed of their older material. Finally Mayhem was up next, their first area appearance since they played at Maryland Deathfest in 2009. Vocalist Attila Csihar came out looking like some sort of satanic vampire and it was awesome! He’s known for his wild stage costumes but this was just over the top. The band played a kick ass set heavily loaded with material from their classic albums De Mysteriis Dom Sathanas and Deathcrush and it got the place going crazy. There were tons of fights, even a woman got thrown out of the show for being to crazy in the pit, it was intense! I got some bruises but it was worth it to get some awesome shots of one of metal most notorious bands.
Hate

Keep Of Kalessin

Mayhem

On Sunday November 6th, 2011 I was at the Fillmore in Silver Spring, Maryland to watch Death Angel, Testament and Anthrax play there. However there was a problem with the photo passes that night and rather than risk leaving my camera in my car where it could be stolen, I had to head home after I already had my tickets in hand. Very frustrating let me tell you. I still haven’t been inside the new venue, I hope they get things straightened out next time. I really wanted to have some photographs up for you guys from that show, and have a nice big concert to end this long recap on but sadly, no dice. I might do more of these long recaps in the future, if you people like or don’t like them let me know. I’ve got a lot more metal shows to go to coming up and this might be a good way to try to cover more of them, starting with Torche tonight at DC9. Also, I should have some shirts with my new t-shirt design on them for sale very soon so keep your eyes peeled for that. They have new Abe Lincoln artwork drawn by DC based metal band Ilsa‘s drummer Joshua Brettell and they look awesome! Thanks for reading DCHeavyMetal.com, stay brutal everyone!

Recap of Clutch and Suplecs gigs

On Sunday the 18th of September I had two shows I was trying to catch live. The first was a special free show that the Frederick, Maryland based band Clutch was holding at the Red Palace. This show was listed as a special five song acoustic set that was part of a promotional “release party” for their own beer, Clutch Dark Sour Ale, from New Belgium Brewing. The show was originally scheduled for Monday August 29th but it was postponed due to Hurricane Irene. This night everything seemed to work out ok though. The people from the Colorado based craft brewery, most famous for their Fat Tire Amber Ale, were mingling in the audience who had gathered. I have bought a few of the Clutch beers already, and they’re actually pretty damn good. They’re dark but with a sour taste that builds up the further you get into the 22 oz bottle, sort of like how some spicy foods’ heat builds up with the more of it you eat. It’s not a fruity sour though and is not actually very sweet at all (which I think is a good thing). I recommend trying it if you can find yourself a bottle. At this concert however, they were selling the bottles for $20! I still had a bottle in my fridge at home that I bought for $7.99 at Total Wine so there was no way I was going to fork out that much cash just to drink one at the Red Palace. Hell, even Clutch’s Neil Fallon said on stage that he was drinking a competitor’s beer.

Clutch at the Red Palace

The show started with the one of the guys from New Belgium Brewing taking the mic on stage and introducing the band as well as presenting them with the bottle that had serial number 10001110101. That’s the name of one of the songs on Clutch’s 2005 album Robot Hive/Exodus. The guys then went into their setlist, starting off with and “acoustic” version of The Regulator. While guitarist Tim Sult played an acoustic guitar, they were all using pick ups, pedals and amps, so don’t think this performance was something like those old MTV Unplugged specials. What made the show cool was that the Red Palace only holds about 200 people, and Clutch is a band that usually plays much larger venues, they had just played at the HFStival the day before at Merriweather Post Pavilion. However this night the band played their five song set and pleased the crowd by having Tim plug in his regular guitar before playing a new song, apparently titled Newt. They played a few more songs, sort of a best hits style thing with songs covering their back catalog and ending with Elephant Riders. In all they played for about an hour and it was a fun show and a great chance to catch Clutch up close.

Clutch at the Red Palace

When Clutch had finished I didn’t linger around for too long since I had another show to catch at the Velvet Lounge. I made a stop at the 9:30 Club‘s basement bar for a quick bite to eat just before they closed their kitchen. Apparently they had some Mexican band playing upstairs named Molotov, but luckily the 9:30 Club has a separate door on the side of the building you can enter the bar at if you don’t want watch the show. The bartender down there was wearing a Clutch shirt and he said he was pissed he had to work that night because he had wanted to see the show at the Red Palace. Anyways, I had a nice panini and an organic oatmeal stout and then I walked around the corner to the Velvet Lounge.

The Velvet Lounge had a pretty sweet line up this evening. They haven’t been getting a lot of metal shows of note lately but this one definitely stood out on their calendar. The headliner was the New Orleans based sludge band Suplecs and they were touring with the Columbus, Ohio band Lo-Pan. Shows at the Velvet Lounge tend to run late but even so I missed the first band on the bill, Weed Is Weed from Maryland. The band has two former Spirit Caravan members in its ranks, Dave Sherman and Gary Isom. I hope to catch them another time. The first band I saw play at the Velvet Lounge that evening was Lo-Pan. I’ve never seen a band’s lead singer stand all the way to the back of the stage before. I mean way back, he was even behind the drummer. Despite their strange stage positions, they were pretty good live. They made for a good opener act on this kind of tour. They wrote their set list on pages torn out of some porno magazine, certainly the most graphic set list stationary of the night.

Lo-Pan at the Velvet Lounge

After Lo-Pan finished their set local act Nitroseed performed. Typically an instrumental band, they played several of their songs with lyrics at this show. I’d never seen them live before but I was very impressed, certainly worth checking out if you see them listed as an opener at an upcoming show. Also, it turns out their drummer, Phil Adler, also plays in the local doom band Wooly Mammoth. Their music had some good energy and they kept the momentum rolling forward throughout their set. They finished up and the last band of the night was next, Suplecs.

Nitroseed at the Velvet Lounge

Suplecs is from New Orleans and they mentioned many times between songs that they were excited to be playing in front of a DC audience as they were big fans of the DC doom metal scene. The band was good live, they had some high energy parts but also slowed it down for a few songs. Their songs really had a dynamic range to them that many sludge bands simply don’t have. This kept the show interesting and fresh throughout their set, which is a really good thing after watching three bands with a similar sound earlier in the evening. They mentioned that this was the first time they played their song Pissing In The Wind on the East Coast. They closed their set with a cover. After all their praise for DC’s metal scene I thought for sure they’d play a Pentagram or Spirit Caravan song, or something similar at least. Nope, they played Working Man by Rush. Totally out of left field if you ask me. It was ok but really didn’t seem to fit into their set that well. Regardless, I will definitely go see them again if they come through the area another time, and you should too!

Suplecs at the Velvet Lounge

If you’d like to see more images from the bands I saw that night you can see them on my Flickr page here. And be sure to check out all the videos below of Clutch, Nitroseed and Suplecs. The first four are Clutch. The first one is acoustic and the second is their new song. The last two videos are of Suplecs, the last of which is their Rush cover. Thanks to the guys in King Giant for the beers and thanks to you for reading all of this. Stay metal everyone!

Clutch acoustic:

Clutch’s new song:

Clutch with extended drum solo:

Clutch with guitar solo:

Nitroseed:

Suplecs:

Suplecs covering Rush: