Mayhem ticket give away

Mayhem at Baltimore Soundstage

Thanksgiving has come and gone and the holiday season is officially upon us. That means it’s the perfect time for a church burning ticket give away! Let the notorious Norwegian black metal legends Mayhem darken your holidays this Friday, December 1st, when they play the Baltimore Soundstage with Immolation and Black Anvil. We know you’ve got presents to buy on top of bills to pay so we’re going to give away a free pair of tickets to this show to one of you lucky readers. To enter: just leave a comment on this post telling me what your favorite black metal song is. Then this Wednesday, Nov 29th at 5pm EST the contest will close and a winner will be chosen at random (using Random.org) from all valid entries. Be sure to enter using an email address you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $23 here.

Mayhem is one of the original bands from the infamous second wave of black metal that arose out of Norway in the early 90s. On this tour they’ll be performing their classic 1994 album De Mysteriis Dom Sathanas in its entirety along with some of their other songs too. Also performing will be Immolation, a death metal band from New York that has managed to keep their sound intense without getting stale over the 30 years of their existence. New York City based black thrashers Black Anvil will open the show. Now check out these videos from the bands performing and let me know your favorite black metal song in the comments!

Mayhem – Freezing Moon (live)

Immolation – Fostering The Divide

Black Anvil – May Her Wrath Be Just

Hatebreed ticket give away

Hatebreed at Baltimore Soundstage

This Sunday, November 26th, metalcore masters Hatebreed are playing the Baltimore Soundstage with local death metal legends Dying Fetus! We’re so excited for this show that we’re giving away a pair of tickets to this show to one of you lucky DCHM readers. To enter: just leave a comment on this post telling me what metal band you’re most thankful for. Maybe they’re your favorite band, maybe they helped you through a rough time or maybe they did something super awesome for their fans or a charity or something. This is a short running contest due to the holiday this week so don’t wait to end because at 6pm EST on Wednesday, November 22nd the contest will close and a winner will be chosen at random (using Random.org) from all valid entries. Be sure to enter using an email address you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $23 here.

Hatebreed formed in the late 90s and released their 8th studio album, The Concrete Confessional, last year. It was their first release on Nuclear Blast Records and it peaked at 25 on the Billboard charts, showing that they’re still hitting hard after all these years. Dying Fetus is bringing the slamming riffs to this show as well. They just released their latest album, Wrong One to Fuck With in June so we’ll finally get to hear some of those sick new tunes live. Code Orange is a hardcore punk band from Pittsburgh who released their third album, Forever, on Relapse Records earlier this year. Opening the show will be the Los Angeles based Twitching Tongues, a band that blends doom metal with hardcore. Be sure to check out these videos from the bands below and leave a comment telling me which metal band you’re the most thankful for!

Hatebreed – Something’s Off

Dying Fetus – Die With Integrity

Code Orange – Forever

Twitching Tongues – Disharmony

Interview with Mantas of Venom Inc.

Recently I was given the opportunity to speak with Mantas, a founding member of the highly influential band Venom. These days he’s playing guitar in Venom Inc., a band with two other former Venom members. Venom Inc. is wrapping up their US tour at Baltimore Soundstage this coming Monday, October 2nd, and I hope this 18 minute interview helps shed some light on one of the founders of black metal and helps to get you pumped for the show. You can stream the interview by pressing the orange play button below or you can download the interview as an mp3 for free here or you can read the transcription. As always, my words are in bold.

This is Metal Chris of DCHeavyMetal.com and today I’ve got Jeffrey Dunn, better known as Mantas, on the phone with me. Mantas is one of the founding members of Venom but he’s also playing guitar in Venom Inc. right now who just released their debut album, Avé, in August on Nuclear Blast Records. Venom Inc. is currently in the middle of the Bloodstained Earth North American Tour with support from Goatwhore, Toxic Holocaust and the Convalescence. The final date of that tour will be at the Baltimore Soundstage on October 2nd. So to start things off here Mantas, what can fans expect from the Venom Inc. live performance?

I suppose what you’ve always expected from us. It’s going to be loud. It’s going to be fast. It’s going to be chaotic. Everything you want from a Venom Inc. show I suppose plus the fact we’re including some of the new songs off of the new album and so far everything’s going really well. We’ve had, I think it was, three sold out shows so far, the rest have been absolutely packed, just below sold out. First show in Philly, oh it was incredible. They actually oversold that show and they opened the side doors of the venue so that people on the street could watch the gig as well. It’s just gotten crazier and crazier as we’ve been going on so it’s going really, really well so far. Very, very pleased with it.

Mantas of Venom Inc.

Mantas of Venom Inc.

That’s cool. The Venom albums Prime Evil, Temples Of Ice and The Wasteland had [a] very similar line up to the line up that Venom Inc. does right now. That era of Venom also consisted of Demolition Man [Tony Dolan] and Abaddon [Anthony Bray] as well as yourself. Do you consider Venom Inc. sort of a continuation of that era of Venom?

Personally I don’t know. I mean, a lot of people have said obviously that it is because it’s essentially the same line up but I just think that we’ve got a good, strong, legitimate line up here. And I think personally I don’t look at it as a continuation. I think you might get a different answer from the other guys, cause we hadn’t been together for so long. But obviously when we did come together, which was purely by accident and none of this was planned. We did not plan to continue this long it was going to be a one off show in Germany. There was certainly no plans for an album. Everything’s just been fan driven, promoter driven, and it was only in the later stages that Jon Zazula came in as management as well. And he was the one that said, “one great album could change everything for you guys” and really we’d never thought about that. But yeah, we’ve had a few people saying it’s good to see the Prime Evil line up back together again and I suppose yeah, it is, but I don’t know if I’m looking at it as a continuation because it was such a huge gap. It has taken us a long time to come together again but it’s rolling and to quote a cliché we’ve all just strapped ourselves into the roller coaster and we’re seeing where it takes us now. So far, so good.

Do you still talk to Al Barnes at all? Do you think there’s any chance that he could end up joining Venom Inc. to complete that Prime Evil era line up?

Ohhh no, no. Al is all settled down with a family and everything now. Got a really good job. I think he still does some sort of little acoustic gigs and things just by himself but I don’t think we could drag Al out. Maybe a one off if we’re in London or something like that and he jumps up and plays one of the Prime Evil songs with us but as a permanent member I don’t think so, no.

So do you see Venom Inc. staying as a three piece for the foreseeable future then?

Oh definitely. Yes. Absolutely. It’s working great and you know the old saying, if it ain’t broke don’t fix it. No we’ll continue the way we are. It’s good.

In April of 2012 I saw you perform with M:pire Of Evil at the U Street Music Hall in Washington DC along with Onslaught on that tour. You guys put on a great live show with lots of energy. M:pire Of Evil played a mix of old Venom songs as well as new material. Do you guys play any of those M:pire Of Evil original songs still or is that something you’ve kind of moved on from and you just stick to the Venom and the Venom Inc. stuff now?

Yeah we just stick with the Venom and the Venom Inc. stuff. We have thought about that but we thought no, M:pire is a completely separate entity for us. There is a new M:pire album ready. It’s ready to go it just needs bass and vocals put on. I think in January Tony [Dolan] is coming over to my studio and we’re going to finish the album off. It’s been sitting there in the can for a couple of years now. It would have been out and done by now if it hadn’t been for the Venom Inc. tour. We sort of have put M:pire on hold but it’s definitely not over. We still plan. We had a great time doing that band so that’s something that we want to continue but at the moment it’s difficult to do anything else to be perfectly honest, because of the live work that we’re doing. Even recording Avé we had to take time away from live shows to get the recording done because the deadline was tight but now that we’ve started touring again I mean, we’re going to be on the road forever I think. There’s offers coming in all the time and when we get back, I think we get back on October 6th, and we’ve got about a week or so off and then it’s European festivals then the first week of November we have a UK tour which spreads into a European tour and that won’t see us home until December 18th and then February we’re going to Japan and Australia and possibly back to America in March. That’s the plan that Jon Zazula had anyway but the Japanese shows are definite. So everything is just forging ahead. There’s going to be no time for anything. Even fitting another Venom Inc. album in is going to be difficult. We’ll have to take time away from touring again.

Cover of Avé by Venom Inc.

Cover of Avé by Venom Inc.

One thing I’ve been curious about is the line up of Venom Inc. is very similar to M:pire Of Evil. Of course the main difference, I think everyone knows, is that Abaddon is now on drums with you guys. So how did he end up connecting with you again and joining Venom Inc.?

It all came about when Tony Dolan did a Atomkraft show in Newcastle, our home town. And it was a sort of North East festival called Brofest which is a sort of old school new wave of British heavy metal festival. So he was asked to do an Atomkraft set and at that particular point I was still living in Newcastle so he said to me, “do you fancy jumping up for a couple of songs?” so he came to Newcastle, we went [to] our rehearsals. We went though a couple of the Atomkraft songs and I joined them on stage and there was a Canadian band I believe called Cauldron who do [a cover of the Venom song] “Die Hard” in their set and they asked me to jump up and do “Die Hard” with them so I did that. And there was a promoter from the Keep It True Festival, Oliver Weinsheimer, he was at that festival and so was Abaddon and he spoke to Abaddon and said, “I’m surprised that you didn’t get with those guys.” Well, to be brutally honest, at that point, myself and Abaddon, and Tony Dolan and Abaddon, we hadn’t spoken since 1998 after the big split in Venom. Tony received a call from Oliver and he said “Look, I’d like to book M:pire Of Evil for Keep It True.” It was at that point that Tony says, “Oliver has asked if Abaddon was there would you consider doing a few Venom songs?” and I have to admit at that point I said no. It was going to be a no go for me. But we spoke again and we sort of said, look it’s only going to be for five songs, maybe six and it’s just for the fans and we do the songs and then that’s it. It’s going to be a one off. So we all agreed to do it. We flew into Germany. We had no rehearsals whatsoever we just got the songs and rehearsed them at home. Went on stage, did the set. The reaction was incredible and then Tony’s phone was ringing off the hook the next day from promoters and agents that we had worked with and that’s when really we were booked for China and Japan. Then we got the call for Heavy Montreal Festival. And then it was a European tour and an American tour and like I said none of it was planned. We had to speak again and say, “look are we going to do this?” because I’ve got a life beyond what we just planned to do. So we all said, “Ok then, let’s just get on the bus and see what happens” and to me that’s what we’re doing, haha, just getting on the bus and seeing what happens. And now that we’ve got management and things obviously we’ve got guidance but up until that point it was nothing you know we were just doing it by ourselves. So it was all fan driven and it’s totally exceeded my expectations all together, including the album. It’s overwhelming to be perfectly honest, to think that we’re in such demand. This tour that we’re doing now which will be our third tour of duty in America and at the end of this tour that will be sort of 90 shows in America within I think a year, 18 months, something like that. And so we’re just working hard and whatever offers come in we look at them and nine times out of ten we say yes. But like I said, totally unexpected. We’ve got to thank the fans for that. It’s great.

One thing that’s been a bit of a point of debate among fans is Venom’s genre classification. Obviously you guys coined the term black metal but I’ve also heard you guys called by various people as speed metal, thrash metal, new wave of British heavy metal, all kinds of stuff. So what kind of sub genre of metal do you consider the music you play to be?

You know, obviously we gave the name to black metal, if you want to say we created it, we did. We had an album called Black Metal, we had a song called “Black Metal,” and what followed on after that was exactly the same as what we did to our heroes. Bands were looking at us and thinking “we can take it a stage further.” So black metal has evolved into what it is today. Without evolution you become extinct. That’s one thing I’m quite proud of, is to think that black metal is still around today and it’s very, very strong. Classification wise, do you know what it is? I think there’s too many genres and sub-genres around these days. Let’s get back under the flag of heavy metal. Me personally, I look at ourselves as just a heavy metal rock n’ roll band. That’s all I see us as. It’s all about the music for me. I’m not talking about the genres or sub-genres whatever people call us. I’m in a heavy metal band. It’s as simple as that.

That’s a cool way to look at that. There’s been a few metal bands with multiple incarnations recently like Entombed, Gorgoroth and Queensrÿche for example. Most of those bands seem to be tied up in lawsuits fighting over bands’ names. That doesn’t seem to be the case with you guys. Are you still amicable enough with Cronos? Is that something you’re not worried about or…?

No, no, no. I’ll stop you in your tracks right there. There’s absolutely no contact with that guy whatsoever. The bridges are firmly burnt. Yes we did receive a couple of lawyers’ letters at the beginning and I responded to both of them and we haven’t heard anything since. The thing is that I’m the founding member of Venom. Abaddon designed and hand drew the original Venom logo and Cronos was the last person to join, by invitation, and it was my invitation. And when he went out as Venom in 2005 I think it was when he started Venom, it was at that point that Cronos had called me regarding the license of an album and I just didn’t care. My head was firmly embroiled in family. Everything was about my mother at that point. She had cancer and essentially she was dying and she passed away in December of that year. And it was during the course of the conversation he asked me if I was ok with him continuing the Venom name and at that point I said “I don’t give a shit. I really don’t care what happens with the Venom name.” I wasn’t thinking about bands or anything. However he did not ask Abaddon and he said, “well if he had asked me I would have said no immediately. It just needs to be buried.” So that’s why I think it’s the fans and the promoters and the industry who are turning around now and saying that we are the real Venom. We’ve never once said that unlike Cronos who’s trying to stamp that point. I really don’t care about that. He can go out there and do what he wants to do with his two hired guns and we’ll go out and do what we do. And I mean Tony Dolan said, “Is it not better that you can go and see this guy and then you can come and see us?” And he just plays big festivals. We go into the smaller venues and we’re right in your face. So I don’t think there’s any confusion any more, let’s put it that way. People know who he is and what he does and people know who we are and what we do and that’s fine by me and that’s as far as it goes as far as I’m concerned.

Well for what it’s worth, I’ve seen you at least with M:pire of Evil and I thought you guys were fantastic live. I’m really excited to see you as Venom Inc. If it’s anything like the show I saw in DC about five years ago it should be really exciting. I’m looking forward to the one coming up here in Baltimore on October 2nd.

Oh don’t worry we will deliver. We will deliver.

Mantas at U Street Music Hall

Mantas at U Street Music Hall

Venom has been a huge influence on countless other metal bands over the years however I would like to know what your biggest influences are as a musician.

Ohhh. Well, the thing that changed my life was 1979, May the 28th, and it was Newcastle City Hall and it was Judas Priest on the Killing Machine Tour. My musical growing up occurred during the 70s so I came up through Slade and T.Rex and the Sweet and you know the sort of glam rocky era that was going on in England. And for me it was always something which was guitar driven. If there was guitars in the band I was fascinated by it as a kid. The first 7″ single that I ever bought with my own allowance money was “Seven Seas of Rhye” by Queen which I suppose was the first sort of dipping the toe into heavy rock. And then I remember being in a department store with my mum and there I just saw Kiss. I’d seen the Alive album and I was absolutely fascinated by these guys on the front but I couldn’t afford it at the time so there was a beaten up old copy of Hotter Than Hell behind it so I bought that. I’ve been a Kiss fan ever since, well you know, early Kiss obviously. But then, the guy that I started the band with, we met at a tae kwon do club, we were training together, and he had a guitar. He had a lot of metal. He was a little bit older than me so he was sort of into Deep Purple and stuff like that. So I discovered Purple through him and then we used to go to concerts all the time. The first concert I’d ever seen was Blue Öyster Cult. That was around ’77 I think. We went to everything, we’ve seen Rory Gallagher live. Like I said, anybody who had a guitar. But seeing Judas Priest, and I just remember being in the audience and looking at stage left as I’m in the audience and K. K. Downing was on and fucking, *pff* that was it. I just thought to myself, “this is what I want to do.” He just became like a distant mentor if you like. I was fascinated by his playing. He looked the epitome of a heavy metal guitarist. It was just all that kind of stuff and you just gotta hold up people. If someone said to me you could only listen to one guitarist for the rest of your life it would be Gary Moore. [I’m] a huge, huge Gary Moore fan. And I discovered Frank Marino on a Mahogany Rush album Mahogany Rush Live. I think he’s a phenomenal guitarist. And my other favorite guitarist is Zakk Wylde. So that whole sort of blues based guitarists that I like cause honestly I’m pretty old school when it comes to stuff like that. I’m not so much into the neoclassical shredders and all that kind of stuff. I’ve said many times in interviews now that I’ve got no desire to be looked upon as a virtuoso guitarist. When I’m on stage I see myself [as] more of an entertainer interacting with the crowd than some guy who stands there playing at a million miles an hour. But if someone was to offer me either one of two gifts, one would be to be the greatest guitarist the world had ever seen or to be the greatest songwriter the world had ever seen, I would choose the songwriter every single time. But yeah influences with all those tastes you know, Judas Priest, Motörhead. You know when I first heard Motörhead I was blown away by them as well. And I just used to search out anything I possibly could. So anything that was up and coming, anything that was going around. New wave of British heavy metal was around then obviously. At [the] time my favorite new wave of British heavy metal band was Samson, again a sort of more bluesy kind of a band. But yeah it was anything guitar driven I was just fascinated by it and I sort of made that decision and just gave it no option but to happen I suppose so here we are and it’s not over yet.

Are there any bands around, like newer bands today that you’re a big fan of?

I must admit I love Machine Head. I really do like Machine Head. You know you said newer bands, Machine Head is hardly a newer band, and I still like the Metallica boys as well. I still like that stuff but again they’ve got a few years under their belt, everybody has. I think metal went through a phase where it all started sounding the same to be perfectly honest with the production side of it and all that kind of stuff. Like I said I’m pretty old school. If I’m going to put something on at home it’s still going to be a Priest album or an early Kiss album or Gary Moore or something like that. I do like Dimmu Borgir but I’ve never really explored a lot of the newer bands. The time that I hear a lot of it is when we’re on tour and I have heard some good bands. Goatwhore are really good that we’re out with now but there’s an Australian thrash band called Desecrator. Everybody should check them out they’re really good and an English thrash band called Divine Chaos. They’re really good as well. We’ve been out with both of those bands and they’re excellent so check those two bands out.

Yeah I definitely will. Do you have any favorite song to play from your whole history of you know songs you’ve played?

Um, do you know what it is it’s difficult to choose. I mean, I still love doing “Countess Bathory,” I still love doing “Witching Hour,” “Black Metal,” “Live Like an Angel,” “Die Hard,” “Don’t Burn the Witch.” I don’t think I’ve got a particular favorite to play. They’re all just great fun to play. To see the audience reaction is phenomenal. It’s not a case of getting bored with those songs because some of those songs are like 35, 36 years old. I’ll never get bored with them. They’re just a joy to play. I mean who knew that people would be calling them classics these days. I was just a kid from Newcastle who wrote some songs and people dig them. That’s the way I look at it. But the things that surprises me is when I meet fans and they tell me that the effect that these songs have had on their lives it’s, it’s overwhelming. It’s great. Some days I can’t take it in because naturally I’m quite shy and I just stay in the background. On stage is a release for me but meeting the fans afterwards you got telling me all these things. All I’ve got to say is thank you. [It] comes from the bottom of my heart. It’s a big thank you because without those guys we wouldn’t exist. But I still enjoy doing all the songs, all the old songs.

Venom Inc. at Baltimore Soundstage

That’s about it for my questions here. I wanted to say thank you for taking time out of your day to talk with me and answer some questions here.

No problem.

It’s been really cool getting the chance to talk to one of the true legends of underground heavy metal and again I’m very excited to see you guys play at the Baltimore Soundstage on October 2nd. I know when I saw you with M:pire of Evil, one of the cool things I thought about your live performance, it’s just really cool seeing how much fun you guys are having on stage playing together. That’s something you can’t really fake. There’s a lot of bands, they’ll go out there and they’ll just go through the motions but you guys, like the way you interact with the crowd and the energy you’re putting out there, it’s a lot of fun to watch and a lot of fun to be at.

Yeah. I don’t think we could do it any other way because that’s who we are. That’s genuinely us on stage. We’re not play acting on there. I think that heavy metal fans, they’re very knowledgeable and if they know that you’re faking it, they know, and we don’t fake it. We go out there and we enjoy every moment on stage. I enjoy all the interaction with the crowd. It’s great. Like I said, for me it’s a release and that’s my point to meet the fans really. But nah we love it. We have such a blast playing together as well. So when you come down to Baltimore you’ll have to introduce yourself so we’ll have a chat.

Oh for sure, for sure. That would be my honor, thank you heh heh.

No problem.

Alright well thanks again for your time and I can’t wait to see you guys in Baltimore. It’ll be great.

Ok then my friend. I’ll see you very soon.

Alright. Take it easy.

Cheers now. Bye bye.

Bye.

Review of Exodus and Obituary at Baltimore Soundstage

Tampa took on San Francisco when the Battle of The Bays Tour came to Baltimore last weekend. DCHM contributor Metal Nick was there and he wrote this review of the show and shot all the photos and videos posted here as well.

On Saturday September 16th, 2017, the Battle Of The Bays Tour came through Baltimore, Maryland, at the Baltimore Soundstage. Power Trip, Obituary and Exodus make up the tour’s line up. Dust Bolt were scheduled to open the tour but, according to their statement, they were forced to cancel the first few shows due to Hurricane Irma delaying the German band’s travel plans.

First up was crossover rising stars Power Trip who are based out of Dallas, Texas. They are are currently supporting their latest album Nightmare Logic which came out in February of this year on Southern Lord Records. This is a great tour for these guys because, as they stated numerous times on stage during their set, they are huge fans of both Obituary and Exodus. They opened with the new record’s first track “Soul Sacrifice.” They played several older songs as well. When the breakdown during “Heretic’s Fork” hit the crowd certainly reacted in a good way for them. The band themselves had a lot of stage energy and their performance was on point. Right before Power Trip played their final song of the night, “Manifest Decimation,” you could tell that they had won over this Baltimore crowd already as a “POWER TRIP” chant had started up. This set was much better than the last time they played Baltimore Soundstage back in March during their headlining tour, mostly because their sound was lot better this time around.

Next up was Tampa Bay death metal legends Obituary. This was my fifth time seeing Obituary live and I must say, I feel they have revived their career over the last two albums they have released. On this tour Obituary is supporting their self titled release that came out on Relapse Records back in March. They opened their set with “Brave” the first track off that album. There was a lot of energy coming from the crowd as soon as Obituary started to play which made it easier for them to perform. Most of Obituary’s set consisted of songs of the self titled album, but as soon as they started to play “Chopped in Half” the pit opened up and there were bodies flying around. I felt that they have never sounded so good live. Maybe it is because Joe Cincotta was doing sound for them. Joe has done live sound for bands like Suffocation and Body Count and runs Full Force Studios. You know you are in for a good show if you see Joe doing sound. The crowd roared when Obituary started to play “Slowly We Rot” and a very large smile came across the face of vocalist John Tardy. All in all I feel this was the best performance I have seen from Obituary. I can’t wait to catch them on a headlining tour. Hopefully they will play more Cause of Death songs next time.

Last up was San Francisco Bay area legends Exodus. Drummer Tom Hunting hit the stage wearing a Golden State Warriors Kevin Durant jersey. Tom quickly stood on both his bass drums hyping the crowd up before the rest of the band took the stage. Much to my surprise Gary Holt took the stage next. I know sometimes he has to skip Exodus tours due to his latest gig in Slayer, but it was great to see him with the band he started. One by one the other members took the stage and the band kicked right into “The Ballad Of Leonard And Charles” off their album Exhibit B: The Human Condition. The Baltimore crowd greeted Exodus with loud roars and plenty of head banging and crowd surfing. The crowd did not hold back at all from showing their love and support for Exodus on this night. When the the song “Blood In, Blood Out” was being played the crowd was singing along for the entire chorus of the song. I love to hear stuff like that at a metal show. It shows that metal is still alive and well in our scene. This was only my second time seeing Exodus live so I am not sure if they play this song often, but they played “War Is My Shepherd” and that was another tune that the Baltimore audience was really into. The second to last song they played was one of my favorites, “The Toxic Waltz.” When I was a kid I would see that video on Headbanger’s Ball and I always remember the scene where a fan did an inverted stage dive. Unfortunately there was a barrier up tonight so no stage dives. When the bridge to the chorus of “The Toxic Waltz” came up the crowd was at their loudest singing every word with frontman Steve “Zetro” Souza. My only complaint about their set was that they did not play “Piranha” which is easily my favorite Exodus song, but I guess they can’t play them all. Their sound was great, I feel like they didn’t hold back at all for this rowdy Baltimore crowd. I loved their performance and wish I could catch this tour every night.

This was an amazing tour package. You had three bands that each had a different sound ranging from hardcore/crossover thrash, death metal and thrash metal. I had a great time at this show. It is very rare that I leave a show and say that all three bands sounded and performed great, but last night was definitely one of those times.

Power Trip – Crucifixation

Power Trip – Conditioned To Death and Heretic’s Fork

John Tardy of Obituary

John Tardy of Obituary

Donald Tardy of Obituary

Donald Tardy of Obituary

Trevor Peres of Obituary

Trevor Peres of Obituary

Tom Hunting of Exodus

Tom Hunting of Exodus

Gary Holt of Exodus

Gary Holt of Exodus

Steve 'Zetro' Souza of Exodus

Steve “Zetro” Souza of Exodus

Exodus and Obituary ticket give away

Exodus & Obituary at Baltimore Soundstage

Thrash masters Exodus are teaming up with death metal legends Obituary for the Battle Of The Bays co-headlining tour this fall and they’re coming to the Baltimore Soundstage on Saturday, September 16th for the tour’s only stop in our area! DCHM is so excited that we’re giving away a pair of tickets to see this killer line up play in Baltimore. To enter just leave a comment on this post with your favorite metal band from either the San Francisco Bay Area or Tampa Bay metal scenes is. Death, Dark Angel, Morbid Angel, Death Angel, any band from one of the two bays is a valid entry! This Friday, September 1st, at 5pm EST a winner will be chosen at random (using Random.org) from all valid entries. The winner will receive a pair of tickets to this awesome show! Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $23 here.

Exodus is one of the oldest bands from the Bay Area thrash metal scene of the 80s. Kirk Hammett famously left the band to join Metallica though Exodus has continued to crank out awesome thrash albums long after Metallica ceased to be a thrash band. Obituary is one of the original bands from the infamous Tampa death metal scene. As if that line up alone wasn’t enough to sell you on this bill there’s more! Two of the best up-and-coming thrash bands around are providing support on this tour. Power Trip from Dallas, Texas, is touring to support their awesome new crossover thrash album Nightmare Logic and you don’t want to miss Dust Bolt, German thrashers who are totally sick shredders. Check out all four bands in the videos below and leave a comment telling me your favorite band from either the San Francisco or Tampa areas!

Exodus – The Toxic Waltz

Obituary – Ten Thousand Ways To Die

Power Trip – Executioner’s Tax (Swing Of The Axe)

Dust Bolt – Soul Erazor

Maryland Deathfest XV Non-Survival Guide

MDF XV Pre Fest at Metro Gallery

OK guys I’m not doing the normal MDF survival guide this year, so now it’s the non-survival guide. Since there are no outdoor stages this year and the fest will only be at Rams Head Live and the Baltimore Soundstage I figure you guys don’t really need things like a map and tips on how to get around and such. If you really want to you can check last year’s post for that kind stuff (here). That said, there’s still a ton of info you may want to know, and I’ve also picked several bands at each venue on each day to write about at the end of this post, almost all of them have some material to stream to give you an idea of what they sound like or just help get you in the mood for this year’s MDF! First up, here’s some quick links you may want handy.

Official Maryland Deathfest:
website
Facebook
Facebook event page
Pre-Fest Party Facebook event page
Instagram

Baltimore Yellow Cab: 410-685-1212 (website)
Both Uber and Lyft operate in Baltimore. They’re usually cheaper than a cab and you can download their apps for free from your app store.

Schedules

Tap/click on them to see them larger.

MDF XV Thursday schedule

MDF XV Friday schedule

MDF XV Saturday schedule

MDF XV Sunday schedule

Getting Tickets

Tickets are still available and there are VIP tickets available as well. VIP tickets do not get you in the door, they are an extra ticket you buy in addition to your regular ticket. A VIP ticket gets you access to a sectioned off area to the side of the stage at Rams Head Live, access to the VIP bar, and will receive a voucher for a festival T-shirt of your choice. VIP does not have any benefit at Baltimore Soundstage. You can still get regular or VIP tickets from Eventbrite (here) or help the makers of the documentary “Welcome To Deathfest” in their crowdfuning endeavor by purchasing tickets from them at a discounted price here. They have both single day and multiple day tickets available in the “incentives” column on the right.

Tips

As always, I highly recommend bringing and wearing earplugs! Tinnitus isn’t cool or fun and even if you’re just going to one day of the fest that’s still a ton of bands hammering your ears all day. If you’re going multiple days you might want to even bring a bunch of extra ear plugs because they’re gonna get gross after a while.

You will be able to get your 4-day pass wristband at the entrance of Rams Head Live starting at 2pm on Thursday. You will not be able to get your wristband at the pre-fest show this year.

If you’re on Instagram I highly recommend following the official account @deathfests as local photographer Josh Sisk will be taking over the account during MDF again this year and he posts incredible great shots of the bands while the fest is going on.

While you’re at it, follow me on Instagram as well as I’ll be posting photos and videos throughout the weekend too. Find me at @DCMetalChris on Instagram!

Rams Head Live does not allow backpacks, but you can check them at the coat check for a couple bucks. Baltimore Soundstage will search your backpack and/or purse, and usually pat you down as well.

Merch and Vendors

There are no food vendors this year. Bummer, I know, but there are plenty of restaurants within walking distance. I highly recommend Pratt Street Ale House who has great food, a wide variety of excellent craft beers, and MDF attendees get 10% off their entire bill (just show them your wristband). Their address is 206 W Pratt St, Baltimore, MD 21201.

There will be merch vendors inside both venues and also just outside of Rams Head Live in the Powerplant Area. Here’s the list of merch vendors: ChopoBrujos, DabLizard, Dark Descent Records, Decibel Magazine, Dave’s Metal, Horror Pain Gore Death (HPGD is at Soundstage on Friday only), Indie Merch, JSR Merchandising, Mexico Steel, Pizza Party Printing, Relapse Records, Sabi, Season of Mist, Sevared Records, Speed Clothes, Utterly Somber and Vienna Music Exchange.

Bands will arrive and leave throughout the weekend so if you see band merch you like one day don’t hesitate to buy it, it may be gone before the fest is over as not every band stays for the entire fest, or even more than their 1 day there. Guess what, they take their merch with them. Most of these guys will want cash so I suggest bringing a good amount to avoid ATM fees. Some bands won’t have their own merch guy and will instead opt to sell their merch at the official MDF booth so be sure to check back there often. Speaking of which…

MDF XV tshirt

The official MDF merch booth will be inside Rams Head Live. It will have t-shirts, hoodies and posters as well as metal keychains, pins and Zippo lighters. There will be no preorders for posters and shirts this year. It looks like the shirts come in two different designs and three colors: black, white and red. The posters feature artwork by Lucas Ruggieri and are limited to 150. You can see the poster image at the very top of this post. The custom made Deathvests (seen below) by Kylla Custom Rock Wear will be for sale for $200 at the MDF booth as well.

Announcing our 2017 Maryland #Deathvests – our official festival merchandise collaboration with #MarylandDeathfest @deathfests this year! We have #handmade a limited edition 10 high quality distressed #genuineleather #studded vests in sizes S – XL (2 S, 2 M, 3 L, 3 XL) which will be at the festival merchandise booth Thurs-Sun! We are also taking ONLINE PREORDERS for these, for in-person pickup from me at the fest! Once they are gone no more will ever be made! Extremely high quality durable #leather- each varies slightly in appearance due to the distressing process! $200 each – send your size! Paypal or credit card for preorder: http://www.paypal.me/kylla/200 (or email kyllacustomrockwear@gmail.com for credit card) #KyllaCustomRockWear #MDF #extrememetal #bikervest #motorcyclevest #blackmetal #deathmetal #smallbusiness #metalfashion #metalclothing #deathfest

A post shared by Kim Dylla / Kylla Custom Wear (@kyllacustomrockwear) on

The official MDF Pre-Fest Party is at a different venue this year, the Metro Gallery. It is headlined by Ruinous, a death metal band featuring Immolation guitarist Alex Bouks. Tickets are $15 advance, $17 at the door and available here. Sorry kids, it’s ages 18+ only and doors open at 7pm. Note that MDF wristbands will not be available at the Pre-Fest show this year. For more info visit the Pre-Fest Party’s Facebook event page here.

MDF XV Pre-Fest Party

This year I decided to write about certain bands, several at each venue on each day. Hopefully this sheds some light on bands you might not know about before you get to see them at the fest. This isn’t a “favorites” list or something, some bands I just didn’t feel like writing about and it isn’t because they’re not good, it’s because I only have so much free time. Check out what I’ve written about bands for the days/venues you have tickets for below, and stream some of their songs to get ready for Maryland Deathfest XV!

Thursday at Rams Head Live

The Thursday of Maryland Deathfest at Rams Head Live tends to focus on stoner and doom bands the past few years and this year is no exception.

Samothrace at 5:50 – This Seattle based doom band plays very long and very slow songs, though their sound can evolve into faster paced segments as well. If you’re into stuff like Winter, Grief and Bell Witch, you’ll want to check them out.

Dopethrone at 6:55 – Dopethrone, named after the Electric Wizard album, is a stoner/sludge band from Montreal. They were originally supposed to play MDF last year but for whatever reason they canceled.

SubRosa at 8:00 – This stoner band from Salt Lake City that blends stoner rock with post rock. Three women form the core of this ethereal sounding band which includes a violin player.

Conan at 9:05 – Definitely more barbarian than O’Brien, Conan is a stoner/doom band from Liverpool, England, making a rare appearance stateside at MDF. These guys are crushing live, perfectly blending huge riffs and stomping rhythms.

Acid King at 10:10 – Acid King is a stoner band from San Francisco that has only in the past couple years become active again. They play some Sabbath worshipping riffs but with the beautiful vocals of Lori Steinberg soaring over their fuzzy riffs.

Tiamat at 11:25 – I’m honestly not sure what to expect of a Tiamat set at MDF. They headliners of the first night at Rams Head Live have changed their sound many times over the years, at this point they haven’t put out an album since 2012. They might play a set more focused on the death/doom metal style of their early years or the soft and moody Wildhoney era material or the more polished gothic metal style they eventually ended up with, or maybe play things from various eras.

Thursday at Baltimore Soundstage

While in the past MDF tended to use the Baltimore Soundstage to host mostly hardcore and grind bands that seems to have changed a lot this year since there are no outdoor stages. The first day at BSS has a lot of death metal this year.

Malignancy at 8:15 – From Yonkers, New York, Malignancy has been around since the early 90s. They play an old school style of brutal death metal reminiscent of older bands from the era like Suffocation and Monstrosity.

Decrepit Birth at 10:30 – Decrepit Birth is heavily influenced by the later era of the band Death. They haven’t released an album in 7 years though they have a new one, Axis Mundi, coming out in July so I expect to hear some new material from these guys.

Cryptopsy at 11:55 – Montreal’s Cryptopsy was once one of the best death metal bands in the underground, until in 2008 they decided to completely change their sound, image and line up to become a metalcore band. When that didn’t pan out they went back to being a death metal band to mixed reception. However for this headlining performance at Maryland Deathfest XV Cryptopsy will be playing their 1996 classic album None So Vile in its entirety. And be sure to check out their drummer Flo Mounier, still one of the best drummers in all of metal.

Friday at Rams Head Live

The RHL line up for Friday is pretty death metal heavy, awesome!

Nordjevel at 5:00 – Every year MDF seems to book at least one trve Norwegian black metal. This year that band is Nordjevel, whose name translates to Northern Devil. Reminiscent of the 2nd wave of black metal bands, the band has only released one full length and one EP since forming in 2015, but they’ve quickly become a buzz band in the black metal underground. Fans of bands like 1349 and Gorgoroth are going to want to check out Nordjevel.

Brodequin at 6:00 – Brodequin is a very brutal death metal band from Knoxville, Tennessee. Between 2000 and 2004 they released 3 intense albums, then basically disappeared. This is something of a reunion show for Brodequin, though not their first show since reforming. Their name translates to “boot” from French, however they get their name from a medieval torture device.

GosT at 9:10 – Maryland Deathfest always seems to have one weird band that doesn’t really fit with everyone else and this year it’s GosT. GosT isn’t a metal band but a DJ and the music reminds me more of old Nintendo game soundtracks than anything else. I guess GosT’s genre is called synthwave. I’m not going to lie, I’m not particularly interested in seeing GosT hit play, er… perform live at MDF, but they are strange enough I figure they warrant mention here.

Macabre at 10:15 – An all time favorite of mine, Macabre is a three piece from Chicago that truly lives up to their name. By blending traditional songs and even nursery rhymes with death metal and grind, they have created a sound all their own. In fact, they call it Murder Metal since all of their songs are about true crime and serial killers. They even tell stories between songs about these killers and tyrants, highly recommended!

Vader at 11:20 – Before Behemoth, Decapitated and Mgla there was Vader, the true fathers of underground metal in Poland. Due to tape trading they were one of the first bands from Eastern Europe to break through the iron curtain to be heard in the West before the Berlin Wall fell. And rightly so, their intensely fast style of death metal has made them death metal legends to this day.

Friday at Baltimore Soundstage

An eclectic mix of bands play Friday at Baltimore Soundstage.

Chepang at 4:15 – Chepang is a grindcore band that is originally from Nepal though now they live in the US. They perform with two drummers. Don’t expect a long set from them, their only release consists of 8 songs clocking in at under 12 minutes total!

Occultist at 5:05 – This Richmond based band is everything that makes underground metal fun. They’re some sort of mix of black, speed, crust and death metal and exploding with energy. Their front woman, Kerry Zylstra, can scream with the best of them.

Stormtroopers Of Beer at 9:25 – Stormtroopers Of Beer is a Stormtroopers Of Death (aka S.O.D.) cover band that actually includes original S.O.D. member Dan Lilker. Adde Mitroulis (of Birdflesh, General Surgery) handles the drums while Jocke Carlsson (of General Surgery) plays guitar and guest vocals will be courtesy of Matt Harvey (of Exhumed, Gruesome). Old school metal heads will remember their song “Milano Mosh” as the theme music for MTV’s Headbanger’s Ball.

Noothgrush at 10:35 – Noothgrush is doom/sludge band from the Bay Area. Their name stems from a Dr Seuss character in the book There’s a Wocket in My Pocket so as you might have guessed these guys have probably never gotten high. They seem a bit out of place on the bill here and would probably have fit better on Thursday’s line up at Rams Head, but hey, good doom puts you in a good mood no matter when they play.

Siege at 11:50 – Headlining Baltimore Soundstage on Friday night is Massachusetts based hardcore band Siege. Despite releasing only about 20 minutes of material before breaking up in 1985 they became popular to bootleg traders and were very influential to the grindcore subgenre. They had a brief reunion in the early 90s with Seth Putnam of Anal Cunt on vocals and now they have reformed again, giving MDF attendees a rare chance to catch these underground legends perform live.

Saturday at Rams Head Live

There’s a lot of death metal at Rams Head Live on Saturday, headlined by one of the biggest names in the genre.

Embalmer at 3:50 – Embalmer is from Cleveland, Ohio, and plays gore obsessed death metal that fans of bands like Mortician and Impetigo will appreciate. In 1995 they released the excellent EP There Was Blood Everywhere and it wasn’t until after a long hiatus that they finally released a full length album, 13 Faces Of Death in 2006. Another lengthy hiatus ended when their second full length, Emanations from the Crypt, was finally released in 2016. This band seems to be very on again, off again so be sure to check them out at MDF while they’re still around, it might be another decade before you get another chance!

Necropsy at 4:45 – The Metal Archives lists 21 different bands with the name Necropsy, making this one of the most over used names in heavy metal. The version playing MDF XV is the one from Finland. They’re a death metal band that released several well received demos in the early 90s before dissolving only to reform earlier this decade. Part of me kind of hopes the guys from local band Noisem will join them on stage for a song, since they were once called Necropsy as well.

Exhumed at 7:50 – Exhumed is a death metal band from San Jose, California, that basically sounds like Carcass around the Necroticism era. Except faster, and with even more hooks. Look, I know there’s a lot of Carcass clones out there but these guys really do it best.

Exumer at 8:55 – I applaud the MDF organizers for hilariously putting Exumer after Exhumed. Despite the similar names the two bands don’t sound too much alike. Exumer is one of the old German thrash bands of the 80s. While never becoming as famous as German thrash contemporaries Kreator, Destruction and Sodom, they did put out some solid records in the late 80s. After disappearing like most thrash bands did when the grunge wave hit, they reformed about a decade ago and have continued to put out some solid thrash albums, including last year’s The Raging Tides.

Root at 10:05 – Root, formed in 1987 in the Czech Republic, is one of the original 1st wave black metal bands, predating the 2nd wave bands from Norway. They have moved to a clean vocal style but their vocalist, Big Boss, has a pretty incredible voice that has held up remarkably well considering he’s the sole original member still in the band. He’s also known for founding the Czech branch of the Church Of Satan. I’m not sure how better to describe them than maybe, they sound like what Ghost would probably sound like if they weren’t a gimmick band.

Grave at 11:15 – Lead by guitarist and vocalist Ola Lindgren, Grave is one of the last remaining of those early Swedish death metal bands (such as Entombed, Unleashed and Dismember) that is still active and has kept their old school “buzz saw” sound. There are many newer bands now that imitate this style, like Black Breath and Gatecreeper, but this is a rare chance to one of the originals of that old Swedish death metal sound perform live.

Morbid Angel at 12:25 – Morbid Angel is back at Maryland Deathfest but after the disaster that was Illud Divinum Insanus they’ve ejected David Vincent and once again added Steve Tucker to the band. They have stated that they will only be playing songs from the Steve Tucker era of the band, which are from the albums Formulas Fatal To The Flesh, Gateways to Annihilation and Heretic, although they have a new album on the horizon so hopefully we’ll hear some new songs too.

Saturday at Baltimore Soundstage

The Saturday schedule at Baltimore Soundstage is dominated by grind with the once in a lifetime chance to see Agoraphobic Nosebleed and Insect Warfare back to back.

Myxoma at 4:40 – Myxoma is a recently formed goregrind band. I don’t know a ton about them other than one of the Maryland Deathfest organizers, Evan Harting, is in the band, I would guess as the vocalist.

Meth Leppard at 8:00 – Meth Leppard is just like Def Leppard but on crystal meth! Ok not really, but they are a pretty sick grind band from Australia.

Agoraphobic Nosebleed at 10:45 – ANb is the spawn of Pig Destroyer guitarist Scott Hull. Their long awaited first live show ever was at Maryland Deathfest XIII and this year they’re back as part of Saturday night’s insane one-two punch of grindcore legends at Baltimore Soundstage. I mean seriously, ANb and Insect Warfare playing back to back? It doesn’t get much better than that for grind fans.

Insect Warfare at 11:50 – Closing out Saturday night at Baltimore Soundstage is one of the legends of grind, Insect Warfare, making a rare live appearance. Their only full length, World Extermination, was an instant classic and now that the band has stated that they will be breaking up soon this will be one of their final shows. You don’t want to miss the chance to see them headline this night! Still not convinced? Then check out our recent write up about IW here.

Sunday at Rams Head Live

Black metal seems to be the dominant style on Sunday at Rams Head Live, though doom legends Candlemass headline.

Encoffination at 3:00 – Sunday starts off at Rams Head with Encoffination, an Atlanta, Georgia, based death/doom band. Both members of this two piece are also in death metal band Father Befouled (who are playing the previous day at RHL).

October Tide at 4:45 – Swedish death/doom metal band October Tide once was a side project of Katatonia vocalist Jonas Renkse. The other founding member, Fredrik Norrman, ended up joining Katatonia and the band went on hiatus for a while. When Fredrik left Katatonia he reformed October Tide. Alexander Högbom is the vocalist now, who has also recently become the vocalist of Demonical. Despite having harsh vocals, it makes sense that October Tide would play on the same night as Candlemass so if you’re a Candlemass fan and not sure who else to check out on this day’s line up, don’t miss October Tide. Check out our recent review of their 2016 album Winged Waltz here.

Acheron at 6:45 – Often considered a black metal band, Acheron is really a death metal band that spawned from the infamous Tampa, Florida, death metal scene of the late 80s/early 90s, though they are now based out of Ohio. The band is lead by Vincent Crowley, a former reverend in the Church Of Satan. Acheron has stated that they will be playing their 1996 album Anti-God, Anti-Christ from start to finish at MDF and that they will be breaking up in 2018.

Oranssi Pazuzu at 8:55 – This is one of the bands I’m most excited to see this year at MDF. Oranssi Pazuzu is from Finland and have somehow created a psychedelic style of black metal that actually works incredibly well. The band has somehow managed to attract fans of both stoner metal and black metal to their very unique take on metal.

In The Woods… at 10:05 – In The Woods… is one of the first bands to call their music pagan metal. They began more black metal but over the years have shifted to more of a dark prog rock style. The Norwegian band is a spin off of Green Carnation.

Akercocke at 11:15 – Akercocke is from London, England, and haven’t put out an album since 2007. They recently became active again though so this is something of a return for the death metal band. They became known as the “satanists in suits” for wearing suits when performing live.

Candlemass at 12:25 – Swedish epic doom metal band Candlemass returns to MDF as the final band to perform this year. The band is fronted by the excellent Mats Levén these days and they will be performing their 1987 album Nightfall in its entirety at MDF. A bit of trivia: the classic album’s cover art is a painting by Thomas Cole from 1842 that is on permanent display at the National Gallery of Art in Washington, DC.

Sunday at Baltimore Soundstage

Grind, grind, grind closes out the final day of MDF XV at Baltimore Soundstage.

Genocide Pact at 4:40 – Washington DC’s own Genocide Pact plays Maryland Deathfest this year! These guys blend death, grind and crust very well and if you want to check out and support a local at MDF do not miss these guys! They have a new album due out soon so maybe we’ll get to hear some new material too.

Iron Lung at 10:45 – Iron Lung is a powerviolence band originally from Reno, Nevada though they have now relocated to Seattle, Washington. The band members also run Iron Lung Records which releases material by other grind and powerviolence bands as well. Their experimental style includes fast bursts typical of powerviolence along with some much slower, almost doom like segments.

Terrorizer at 11:50 – Terrorizer created one of the most influential grindcore albums of all time when they released World Downfall in 1989. They’ll be playing that album in its entirety when they headline Sunday night at the Baltimore Soundstage. It will be weird seeing Pete Sandoval drum for Terrorizer yet not play with Morbid Angel the night prior.

Review of World Extermination by Insect Warfare

Band: Insect Warfare
Album: World Extermination
Release Date: October 2007
Record Label: 625 Thrashcore
Performing at Maryland Deathfest XV: 11:50 Saturday at Baltimore Soundstage

World Extermination by Insect Warfare

Maryland Deathfest XV starts this Thursday! As always I let my writers each do a special album review as we lead up to MDF. For this review I let them pick a band they are excited to see at MDF and review their most recent album as well as give some extra background on the band. This one is written by DCHM writer Buzzo Jr and he decided to write about the Baltimore Soundstage’s Saturday headliner, Insect Warfare. If you’re looking for something a bit slower, be sure to read Tal’s piece on Swedish death/doom band October Tide here

Legendary grindcore act Insect Warfare was formed in Houston, Texas, in 2004 by drummer Frank Faerman, guitarist Beau Beasley, and vocalist Rahi Geramifar. They soon broke into the Texas scene with their debut EP; At War With Grindcore, in 2005. Two years later following the release of a handful of splits and EPs, drummer Frank Faerman was replaced by Dobber Beverly. In 2007, the trio released their first and only full length record World Extermination on 625 Thrashcore Records, and split up a year after. Insect Warfare reunited back in 2016 for one final tour and will be playing one of their very last shows at this years Maryland Deathfest. Insect Warfare will be the final band to take the stage at the Baltimore Soundstage on Saturday, playing at 11:50 PM.

The early/mid 2000’s was a damn good time to be a fan of grindcore. The genre that originated in dingy basements back in the late 80’s with Repulsion and Napalm Death was seeing an influx of new bands breathing energy into an already frenzied style of extreme metal. Landmark albums were being released left and right; with Discordance Axis’ dissonant The Inalienable Dreamless, Rotten Sound’s frantic Murderworks and even DC’s own Pig Destroyer with their twisted masterpiece Prowler In the Yard. In 2007, Insect Warfare swiftly cemented themselves as undisputed legends of the extreme metal scene when they released one of the fastest, heaviest, and most pissed off albums in the genre; World Extermination. What Insect Warfare lack in technical prowess, they make up for with pure, unfettered fury. World Extermination is a goliath of all things that makes grindcore… well, grindcore. Beau Beasley’s crushing, punk-tinged riffs rampage with the weight of a goddamn freight train; retaining their incredible power while at the same time being extremely catchy, or at least as catchy as a riff can get on this kind of album. While simplistic in structure, the riffs on this record are delivered at an almost machine-like efficiency, with absolutely no empty space left in between notes. Insect Warfare’s rhythm section is no slouch either; Dobber Beverly’s hyperspeed drumming comes at you like a 50 caliber machine gun, with an unyielding barrage of blast beats detonating in the backdrop throughout each track. Rahi’s insane vocals round out the audio carnage on the record, and his performance is pretty much unmatched in terms of sheer anger. Every single low, guttural growl and piercing, animalistic shriek being is used a rhythmic tool to accentuate the full on assault of the blast beats and riffs. Insect Warfare may not have reinvented the wheel here, but what they did do was take a formula that definitely worked and perfected it; creating what may likely be the best example of the classic grind sound of the late 90s and early 2000s.

If you’re at all a fan of grindcore and for some reason you have yet to listened to this record, drop whatever you’re doing and listen to it. Then listen to it again. And again. (You get the picture.) Insect Warfare’s performance at this years Maryland Deathfest will likely be the last chance most of us will ever get to see this legendary band in the DMV area, so make sure to catch them at the Baltimore Soundstage on Saturday!