Live photos of Behemoth and Cannibal Corpse

The Behemoth and Cannibal Corpse dual-headlining tour stopped at the Fillmore Silver Spring on Monday, March 2nd, 2015, and it was a great show! Death metal fans were treated to two titans of the genre and the bands didn’t disappoint. This was the first time I have seen Behemoth since the band’s main man, Nergal, recovered from cancer. I have to say the Polish band’s stage show has really improved since the days they used to open for other bands all the time at Jaxx! Behemoth played a lot off the new album, The Satanist, but old fans were treated to some older classics like “Chant for ΕΣΧΗΑΤΟΝ 2000” as well. Cannibal Corpse put on a brutal show as always. While I don’t think they were bad I still think they’re a better show in smaller venues where the band is closer to the audience and the place is a packed, sweaty mosh pit from stage to exit. Still, they’re always tight and it was cool that they mixed things up by closing their set with “Devoured By Vermin.” The lighting for Cannibal Corpse wasn’t the best for shooting but I did get a few shots, Behemoth was much brighter and had a lot of stage props as well (including Nergal’s mic stand that he must have purchased from Cobra Commander’s yard sale). Unfortunately I didn’t get there in time to catch openers Tribulation and Aeon, the latter of which I really wanted to see, but early start times aren’t the best for week nights in this town with the crazy traffic we get. Anyways, I hope you enjoy the photos I shot below of Behemoth and Cannibal Corpse.

Cannibal Corpse:

Cannibal Corpse at the Fillmore Silver Spring

Alex Webster of Cannibal Corpse at the Fillmore Silver Spring

Paul Mazurkiewicz of Cannibal Corpse at the Fillmore Silver Spring

Behemoth:

Nergal of Behemoth at the Fillmore Silver Spring

Nergal of Behemoth at the Fillmore Silver Spring

Behemoth at the Fillmore Silver Spring

Nergal of Behemoth at the Fillmore Silver Spring

Behemoth at the Fillmore Silver Spring

Nergal of Behemoth at the Fillmore Silver Spring

Behemoth and Cannibal Corpse ticket give away

Behemoth and Cannibal Corpse at the Fillmore Silver Spring

When two of the titans of death metal have a tour coming to our area you know we get excited here at DCHM. And when we get excited about a show we like to get as many people out to it as possible. So this week we’re giving away a free pair of tickets to see Behemoth and Cannibal Corpse at the Fillmore Silver Spring on Monday, March 2nd, 2015. To enter: just leave a comment on this post telling me the name of your favorite death metal band. At 5pm EST this Friday, February 27th, a winner will be chosen at random (using Random.org) from all valid entries to win the tickets. Be sure to enter using a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner within 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Live Nation for $35.50 here.

Last year Poland’s Behemoth put out one hell of a come back album with the release of The Satanist, quite an accomplishment considering, Nergal, the band’s mastermind, was diagnosed with leukemia in 2010. After a successful bone marrow transplant he has recovered from cancer and is ready to bring his musical vision on The Satanist to stage for us. As if that wasn’t enough, the kings of gorey death metal, Cannibal Corpse, will be co-headlining this tour as they terrorize audiences (and stir up brutal mosh pits) with their songs about murder, zombies and violent torture. In addition to that we’ll also get the chance to see two up and coming death metal bands from Sweden as Aeon and Tribulation open up the show. That’s a ton of death metal for one bill, will you be able to survive? Be sure to check out these videos by each band below and tell me what your favorite death metal band is in the comments!

Behemoth – Ora Pro Nobis Lucifer

Cannibal Corpse – Kill Or Become

Aeon – Aeons Black

Tribulation – Apparitions

Big Ass Recap Of Winter 2012 Concerts

Well it’s been a while since I’ve written a concert review on here. I’ve admittedly been a bit hesitant due to issues surrounding my last one. I didn’t stop going to see metal shows and in this post I hope to start getting caught up on these concert reviews. In fact, this is going to be part one of a three part series of mega concert recap posts that should have me kicking it into high gear. This one will review metal shows I went to in late November through the end of December of 2012. Part two will cover January 2013 and part three will cover February 2013. Concert reviews are fucking back baby! And of course you can click on any of the pictures below to see more of my photos from that band. Now, on to the recaps…

We’ll start with the High On Fire show all the way back on Black Friday, the 23rd of November at the Rock & Roll Hotel in Washington DC. The first band I saw that night was Primate, a grind band featuring Bill Kelliher of Mastodon on guitar and Kevin Sharp of Brutal Truth on vocals. They were ok as far as grind goes. The highlight of their set for me was their cover of Black Flag‘s Gimme Gimme Gimme. Next up was the death/black metal band Goatwhore from New Orleans. They’ve got some mosh friendly riffs and all but they’re pretty damn generic and I can’t think of one thing about their sound that is unique or distinctive. They’re an OK opener I guess but I wouldn’t go out of my way to see them. Headliner High On Fire, led by Matt Pike of Sleep fame, came out ready to play and just tore the place up. The show became a sweaty mosh pit and their dirty sludge tunes sounded killer this night. They ended their set with my favorite song, Snakes For The Divine. That song has such a catchy opening riff! This show was a great metal way to spend Black Friday.

Primate:

Goatwhore:

High On Fire:

A week later, on Friday, November 30th, I found myself at Casa Fiesta in Washington DC for a bit of a mish mash of a show. There were a couple of local hardcore bands opening that I didn’t see. The first band I got to see was Biipiigwan, a sort of blackened sludge band from Ottawa in Ontario, Canada. They were good and created an interesting yet energetic atmosphere. Next up was Sofy Major, a noise metal/hardcore band all the way from France. I really enjoyed their set. It was energetic and dirty and I thought the songs had a lot of variation. The last band to play that night was Midnight Eye, a local metal band with clean vocals, though the guitar wizardry is the true highlight of this band. They write some damn catchy riffs and combine it with some very proficient guitar playing. I heard some of their new material live for the first time at this show and it blew me away! I can’t wait to hear studio recordings of the new songs.

Biipiigwan:

Sofy Major:

Midnight Eye:

The next night, Saturday, December 1st, I was back at the Rock & Roll Hotel in Washington DC’s H Street corridor. The first band I caught that night was Hour Of Penance. They’re basically Italy’s version of Behemoth. If you like Behemoth you’ll probably like them too. Not the most original band, but they were a pretty good opener for the brutal line up this show had. The next band to play was Maryland’s own Misery Index. Since they’re a local band I’ve seen them a ton of times, though unfortunately this was the worst performance I’ve seen from them. Misery Index’s frontman and bass player, Jason Netherton, was not on the tour because he had been working on something for his PhD. That absence caused Mark Kloeppel to take over on bass and handle most of the vocal duties as well. This really thinned out the band’s sound and while they gave it a good go, it just wasn’t up to par with crushing shows I’m used to from Misery Index. Headliner Cannibal Corpse never disappoints and while I’ve seen them too many times to count over the years I never get tired of the insanity of their live show. Their lead singer, Corpsegrinder, is basically the living embodiment of Nathan Explosion, vocalist of the fictitious band Dethklok on the Cartoon Network tv show Metalocalypse. Quite the charmer, he dedicated the song Priests Of Sodom to all the women in attendance who “take it up the ass.” Corpsegrinder always gets the moshing going and even called upon the Chicken Man to lead the pit at one point. And the pit was rough for this show, just like it should be at a death metal concert! At one point I saw some kid, maybe 10 years old, stumbling around the mosh pit looking for a hat he had dropped. I pulled him out of the pit and alerted security, nobody seemed to know where his parents were. The kid didn’t even have ear plugs. Parent Of The Year award goes to somebody for that night. Anyways, the show was great, they played a few newer songs but kept the set to mostly songs from throughout their history, ending with the usual Hammer Smashed Face and Stripped Raped And Strangled.

Hour Of Penance:

Misery Index:

Cannibal Corpse:

The following Thursday, the 6th of December, I drove up to Baltimore to see Vomitor and Negative Plane play at Golden West Cafe in Baltimore. It should be noted that Golden West Cafe has a good beer selection for beer snobs as well as some great food (with many vegetarian options) and their kitchen is open late. The first band to play was Extermination Angel, a thrash/death metal band from Baltimore. I had seen them before but it had been a while. They never wowed me in the past but apparently they’ve been practicing a lot because they really sounded better than I remember them being. I was impressed, and it’s always nice to see local acts improving over time like that. The next band to play was Negative Plane, a black metal band from New York City that has something of a surf rock vibe to their guitar riffs. They were really good live. Their unique sounding riffage kept them interesting throughout their entire set and I think I enjoyed them more than the headliner. Not that Vomitor was bad. They are from Brisbane in Queensland, Australia and have been a force in the obscure underground death metal scene for years. I felt very lucky to get a chance to see them play live. Their set was brutal and gross (as you’d expect from a band named Vomitor) but their songs don’t have a whole hell of a lot of variation and after a while you kind of knew what you were going to get from each song. Still, they really got the crowd going and they were definitely worth the drive up to Baltimore.

Negative Plane:

Vomitor:

The next night, Friday, December 7th, a day that will live in infamy, I headed over to Empire (formerly Jaxx) in Springfield, Virginia to catch The Faceless. When I got there the Haarp Machine was playing and it only took me about 10 seconds to realize this was not something I could sit through. I headed to the back “Alchemy Room” at the venue and waited for Revocation to play. They were worth the wait, as always. Boston based Revocation is such a damn good band live. Their songs are fun and jam packed with catchy riffs. They’re pretty fun to photograph as well because of all the goofy faces and poses various band members make while they play. The Faceless was the final band to play. They’re a pretty talented band that made a name for themselves with their very catchy tech death sound however they seem to be moving into a more progressive style, particularly on their latest album, Autotheism. They’re pretty complex and can take a few listens to fully digest what they’re doing. They’re a talented band and their songs are pretty deep, but I still think Revocation was the better live show.

Revocation:

The Faceless:

On the following night, Saturday, December 8th (third show in three nights for those who are counting) I headed out to The Lab in Alexandria. The Lab is a rec room for some church that is across the street. As such, there’s no food and definitely no booze there. Regardless, it is a decent sized space with a nice big stage. This night I went to see a DIY death metal show with all local bands. I missed the first band, Shotgun Surgery, but I am glad I caught the second. Annandale’s Gradius is a death/grind band that has been getting pretty good. The band is really starting to get tight and you can tell it is from a lot of practice. The next band to play was Short Bus Pile Up. They’re a gore obsessed death metal band with song titles like Urethral Myiasis, Fecal Matters, Gagging On Dick and Ball-Peen Beating. Their sound is as brutal as you would expect it to be. They came up from Fredericksburg, Virginia to play this show and they definitely brought it. In fact, for the third show in three nights, I again thought the direct support band was better than the final band to play that night. Visceral Disgorge headlined this show. They’re a death metal band from Baltimore that is along the lines of Aborted and Dying Fetus. That kind of slamcore death metal isn’t really my favorite style of metal as I feel it’s been really overdone at this point, but they weren’t bad at it. They did get the pit raging and people seemed to really enjoy it. Apparently two of the members of the band are leaving so hopefully they’ll find replacements and keep the band moving forward. In all it was a pretty killer DIY death metal show.

Gradius:

Short Bus Pile Up:

Visceral Disgorge:

It wasn’t until the following Saturday that I went to my next metal show. This time it was a DIY house show at the Cellar Door in Annandale, Virginia. The place is tiny but I’ve seen some killer bands there so I can’t complain. A black metal band from New York/New Jersey named Black Table was coming down to play the basement at the Cellar Door. When I arrived I found out that two bands from Louisiana were added to the show at the last minute. Sweet, bonus metal! The first band I saw was Mailbomber. They’re a two piece sludge from upstate Louisiana and they were alright. A good start to the show but not the high point of the night. The next band to play was Solid Giant, a sort of stoner/doom band from New Orleans. They were more polished than the previous band and I really liked them. I hope they come around to a place with a better sound system some time, I’d really like to hear them on a proper stage. The next band to play was Black Table. They have a woman who does vocals as well as play guitar however I thought their drummer stole the show. He was really punching it and putting some real force behind those songs. They were a good show and definitely worth coming out to see. Gradius played at the end of the show but since it was getting late and I had just seen them the weekend before, on a real stage no less, I took off just a couple songs into their set.

Mailbomber:

Solid Giant:

Black Table:

Two days later, on Monday, December 17th, I was at DC9 in Washington DC’s U Street Corridor to see Royal Thunder. They’re a female fronted quartet from Atlanta that sort of straddles the line between rock and metal. I had seen them in October at the Pig Destroyer album release show in Baltimore, but they seemed an awkward fit on that bill. However this setting was much better for them and they really killed it that night. Their sound is sometimes dirty, sometimes bluesy, sometimes catchy, and always pretty damn fun to listen to. Also, I have a funny story about this show. A friend of mine, who doesn’t go to a lot of concerts, was at the show with me and had her jacket tied around her waist. While the band was mid-song we were standing in front of the merch table, which Royal Thunder always has decorated with tea candles. At one point I looked over at my friend and saw a stream of black smoke raising up behind her and I quickly realized she was on fire! I quickly alerted her to the situation and helped put her out. She wasn’t hurt but the jacket was ruined. Hilarious!

Royal Thunder:

The following night, Tuesday, December 18th, I went to Empire in Springfield, Virginia to see Battlecross play on the final night of their tour. The tour was supposed to have Abiotic on it also but they had dropped off at some point due to mechanical problems with their touring van. I missed the first local opener, Animas, but I did get there in time to see locals Yesterday’s Saints put on another good performance. They’re sort of a melodic death metal band with vocals that alternate between clean and harsh. Also, their drummer makes some of the funniest faces while he’s playing. They’ve got some really catchy songs they’ve been playing for a while but I’m definitely ready to hear their new studio material, it should be out soon I think. Battlecross is a thrash metal band from Detroit who has a lot of youthful energy on stage. They were pretty fun to watch, even with the crowd being pretty thin for this show they still put their all into their performance. You could tell these guys were having fun playing together. They’re signed to Metal Blade and I could see them on a tour in the future with some other up and coming thrash acts like Sylosis and Holy Grail.

Battlecross:

As you have seen above, at this point I’d been to a lot of smaller shows and by the time Xmas rolled around I was ready for a bigger show. So on Wednesday, December 26th I went back to Washington DC’s U Street Corridor to see Clutch play at the 9:30 Club. The show was sold out but I got there early to be sure I could see the legendary Wino perform his solo set. Yep, that Wino, the guy who fronts Saint Vitus and has been in a ton of other important doom bands. This show was different though, just him with an acoustic guitar and a microphone. His solo stuff is nothing fancy but it is personal music that is often very heavy in subject matter. I really like his album Adrift and it was great to see him play some of those songs live. Dave Sherman, a local musician who was in Spirit Caravan with Wino came out and performed a song with him to end the set. The next band to play was Saviours, from Oakland, California. I didn’t like them at all and I found their music to be extremely generic. Each song seemed like a rip off of another greater band’s style. One song sounded like The Sword, one like Motörhead, one like Black Sabbath, and so on. The crowd seemed to like it though. The next band to play was Mondo Generator, a band led by Nick Oliveri who is most noted for playing bass in Queens Of The Stone Age and Kyuss. They were alright however like most of the spin-off bands from Kyuss, it makes you wish you were actually listening to Kyuss. The place was packed by the time Clutch hit the stage. This was the first show of the tour to support their upcoming album, Earthrocker. As such they came out of the gate fired up and the audience loved it. They played several songs from the upcoming album and they blended in to the set list (see it here) seamlessly with the older classics they played. I particularly enjoyed hearing the new song DC Sound Attack being played to a full house in DC. In all it was a great show and I’m hoping for a similar experience at their show in Baltimore with Orange Goblin in April.

Wino:

Saviours:

Mondo Generator:

Clutch:

The final metal show for me of 2012 was seeing Black Clouds and Warchild play at the Rock & Roll Hotel on H Street in Washington DC. Black Clouds played first, they’re a mostly instrumental three piece from DC. They’re an atmospheric and very dark band that is more rock than metal really. They have a cool light show setup and they’re the kind of band that sucks you in early keeps you entertained the whole show. Their final song has a recorded spoken word part that is read by Neil Fallon, frontman of Clutch, that ends up with him repeating “everything is not going to be ok” over and over like a broken record. Next up was DC’s wildest metal band, Warchild. These guys sound like Kill ‘Em All era Metallica and party harder than Municipal Waste. Their catchy riffs get the pit going early and their vocalist, Rory Sheridan, came out on stage in a full Santa costume. These guys can’t keep their clothes on though and soon enough the entire band was showing off their extensive tattoo work on their upper bodies. Santa had gifts for those in attendance and pulled people out of the audience to open individually gift wrapped beers that were immediately chugged on stage. Warchild is always a great band to see live and I don’t hesitate calling them the most fun of any local metal band to see live. I highly recommend going out of your way to see these guys play if you ever get the chance.

Black Clouds:

Warchild:

Well, that’s it for part one of my big ass recap of this winter’s metal concerts. Well, at least the ones I’ve been to. I hope you enjoyed reading this and I’m excited to get back into writing about all the great metal shows that happen in this area. Be sure to check back next week for a new ticket give away and hopefully part two of this winter concert recap series. Stay metal everyone and remember, support the scene that you’re a part of!

Cannibal Corpse Ticket Give Away

Cannibal Corpse is one of the most infamous death metal bands in history and this Saturday, the 1st of December, they will be playing at the Rock And Roll Hotel in Washington DC! Because this show is going to be absolutely brutal DCHeavyMetal.com is going to give away a free pair of Cannibal Corpse at the Rock & Roll Hoteltickets to one of you readers. All you have to do to enter is leave a comment at the end of this post telling me which Cannibal Corpse song is your favorite (you can see their discography here, just click on an album to see the songs on it). Cannibal Corpse is known for having some of the most gory, disgusting, violent and downright offensive song titles in all of metal so I hope to see some interesting entries! On Friday, November 30th at 5pm EST I’ll pick a winner at random (using Random.org) from all valid entries to win the free pair of tickets to the show. If I don’t hear from you in 24 hours then I’ll pick another winner to get the tickets. Please don’t enter if you cannot attend. Be sure to enter with a valid email address you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any email lists or anything like that, I hate spam too. If you enter more than once then all of your entries will be disqualified. If you simply can’t wait to see if you win the contest you can get tickets from Ticket Alternative for $20 here.

Cannibal Corpse originally formed in Buffalo, New York, but moved to Tampa, Florida to join in the growing death metal scene there. They’ve long been a center of controversy with their brutal lyrics and album covers, setting the bar of shock for countless death metal bands to strive to match. While metal fans tend to look at them, and death metal in general, as the musical equivalent of splatter horror films, politicians like Bob Dole and Joe Lieberman have tried to censor the band and in the 90s Germany and Australia both actually banned their albums from being sold. Despite this the band still continues on and their music has actually gotten faster and more brutal over the years, including on their latest release, Torture, which was released in March of this year. Also on this tour is Misery Index. The band was formed when several members of Dying Fetus left that band however only Jason Netherton remains from the Fetus days. The band has carved out its own sound since then and is one of the best live metal bands you’ll ever see, they absolutely destroy audiences live! Hour Of Penance is an Italian death metal band that is pretty similar in sound to Behemoth actually. Needless to say, they’re pretty damn brutal and should be a perfect opener for this show. You can listen to each of the bands playing in the videos I posted below while you decide which song you want to enter with. Keep it brutal everyone, cause this concert definitely will!

Cannibal Corpse – Encased In Concrete

Misery Index – The Spectator

Hour Of Penance – Sedition Through Scorn

Review of Cannibal Corpse gig at the Rock And Roll Hotel

This tour had, without a doubt, the best death metal line up of any North American tour this year. Devourment opening for Vital Remains, local favorites Dying Fetus and the kings of death metal themselves, Cannibal Corpse. On Sunday the 21st of November they all brought their combined brutality to the Rock And Roll Hotel in Washington, DC (you thought I was going to say Jaxx, didn’t you?) and aurally assaulted this venue like never before. Now I’ve seen a few metal shows at the Rock & Roll Hotel before, but they have not had any death metal, and what a great tour to bring in for their first extreme metal show at the venue! They didn’t have any local support, but luckily I’d just gone to see a great set of local death metal the night before at Jaxx, (my review of that show is here) so it was sort of like the openers played the night before.

When I first got to the venue, Devourment was already playing. I’m not sure how long they played but I saw them play four songs. There was already a good size crowd amassing so I stayed to the back of the room near the soundboard so that I wouldn’t damage my nice camera (they wouldn’t let me use it so I had to store it during the other bands’ sets). Because of all this I wasn’t in a great place to get video or still shots of these guys. They had the crowd already going though when I got there, and between every song I saw, and also in the middle of half of their songs, the lead singer, Mike Majewski, would instruct the crowd to mosh in a circle pit. The set seemed to focus on older material, I remember them playing Choking On Bile as well as closing with Babykiller. This was kind of odd though, since the band is hardly the band it used to be. Choking On Bile is from the band’s first full length, Molesting The Decapitated. That album totally rules, don’t get me wrong, and if you want to hear some of the best underground death metal there is, check that album out. But the band playing this night only had one member remaining from back then, the bass player, and he was now on vocals! This and the fact that Devourment will also be playing again in May at Maryland Deathfest (much more info about that on my calendar here) made me not so upset about missing some of their set this night. Also, their guitarist put on a white horse head mask for the final song, I have no idea why.

The next band to play was Vital Remains. No, Deicide‘s Glen Benton was not playing with them, though their bass player was wearing a Stench Of Redemption shirt. I’d put my DSLR away and had my point and shoot camera ready and was standing in the front by the time they took the stage. The vocalist, Scott Wily, had on these spiked Immortal-esque bracers and was again telling people to keep a circle pit going. Ok, really? I remember thinking how dumb it was watching hardcore kids do laps in circle pits, why are these death metal bands encouraging this instead of straight up brutal mosh pits? Whatever, it was all to my back for the most part anyways. They did play a great set made up mostly of material from their two most recent albums, Icons Of Evil and Dechristianize. That’s fine by me, even though I often want bands to play older songs I’ve always enjoyed their more recent material as I think they really refined and defined their sound. Plus it’s fucking faster than their old stuff, and trust me they don’t slow it down live. Most of the people near me seemed to know most of the words to Dechristianize and were screaming along with it, which goes to show the power of getting an iconic vocalist like Benton on those studio albums. Of course with their long songs, their set seemed to fly by and since there were still two more bands to play their set was shorter than I’d have liked. They also didn’t play the song Shrapnel Embedded Flesh (a personal favorite of mine) but other than those two minor gripes they really did a kick ass job of taking the brutality up a notch.

The next band set to play was Dying Fetus. Now, before I make my next statement here, let me first say that I haven’t seen them in quite a few years and that might have something to do with my opinion on the matter. That said, Dying Fetus fucking killed it this show and really, I think they showed up Cannibal Corpse. Their setlist was great from start to finish, and while their stage time was shorter they didn’t talk a lot between songs. For the most part they just played some brutal fucking death metal, of course with all those grind elements and breakdowns their sound is known for. Dying Fetus is from the DC suburbs of Maryland and I don’t know if that was the reason why, but they did play a lot of older material, including two songs off of the Killing On Adrenaline album, which was awesome. Some of these songs I hadn’t even listened to in years and I really enjoyed remembering them as they played songs from their entire back catalog. They even played the song Eviscerated Offspring from their 1994 demo! The mosh pit went crazy, combining brutal death metal with catchy breakdowns will do that, haha. There are a lot of bands who do that now of course, to the point it can get really annoying really quickly, but after seeing this gig there is no question in my mind that Dying Fetus are still the best at it. They opened with Praise The Lord (Opium Of The Masses) which really set the tone of the show from the start, and the intensity didn’t let up until they finished their set with Kill Your Mother, Rape Your Dog. In all, it was a great performance by one of the leaders in death metal.

Finally it was time for the headliner, Cannibal Corpse. They played the area not too long ago, when they came to Jaxx back in April (my review of that is here) and this concert wasn’t a whole lot different really. There are some things you can expect at a Cannibal Corpse show these days, brutal music is one of them of course. But you also know that when their vocalist, George “Corpsegrinder” Fisher says the next song goes out to all the women in the audience, they’re going to play Preacher Of Sodom (used to be Fucked With A Knife but that song doesn’t seem to be part of their set list any more) and you know when he says Hammer Smashed Face is their last song of the night, after it’s done he’s going to say he lied about it being the final song as they start playing Stripped, Raped And Strangled. This show had all that of course, but there were a few surprises. For one, they played the song Gutted off of Butchered At Birth, and Corpsegrinder said that he grew up in Baltimore so the show was a sort of coming home and he reminisced about coming to see concerts at the 9:30 Club and the like and he said the Rock N Roll Hotel had a similar feeling to those places back then. He also challenged the audience to keep up with his extreme headbanging during the song I Cum Blood, and I’ve got video of that below you can watch. A few touches like those aside, the show was fairly typical for Cannibal Corpse, and while I’ve seen them play a hell of a lot of times, you could tell by all the X’s I saw on people’s hands that many of those in attendance probably hadn’t seen them before and the aspects of the show I see as becoming a pattern were all new to them. The venue was pretty packed and I saw the guy in the full body chicken suit in the mosh pit (hadn’t seen him around in a couple years!) as well as a guy in a V For Vendetta style Guy Fawkes mask. Yeah, Cannibal Corpse draws an odd crowd. Their set was intense and sweaty and brutal as always, and it was a lot of fun. And I know I’ve seen them play at least 10 times before, but I’ll never get tired of watching Cannibal Corpse play Hammer Smashed Face and Stripped Raped And Strangled back to back while standing two feet in front of me. Those are two of the most iconic death metal songs ever written and essentially define the band, if not the death metal genre itself.

At this concert I could tell the District is hungry for more metal and several people asked me about my site after seeing the logo on my shirt, all basically saying the city needed something like that. Even the manager of the venue told me he’d be interested in having a regular metal night there. I sure as hell would like to see something like that happen. Even though the bands were crammed on the stage, this was a great show to bring death metal back into the city with. I know a lot of the people there won’t head out to places in the suburbs like Jaxx for concerts a lot due to transportation and other issues. It was another good turn out, reinforcing the fact that heavy metal is on the rise in the entire area, not just the suburbs. It was also my second great death metal concert in a row, what more can you ask for? Now check out the videos I shot of the final three bands below.

Review of Cannibal Corpse gig at Jaxx

So Friday night, the 23rd of April the infamous death metal band Cannibal Corpse was coming to Jaxx. Awesome, I hadn’t seen them since they played the 9:30 Club in October of 2007, so I was pretty pumped. Somewhere there was a communication breakdown between the bands and the venue though, as 2 different set times were announced the day of the show, the final one saying that Cannibal Corpse would be hitting the stage at 9:30 pm because they had a early load in time the next morning in Boston. Pretty shitty for me since I didn’t get off of work til 8! I really wanted to see Diabolic play, but since the show started so early, Skeletonwitch was already playing by the time I got there. Since 1349 wasn’t able to get into the country at that point (apparently due to the volcano Eyjafjallajokull in Iceland) that meant Cannibal Corpse was going to be the next band to play. For those of you outside the area, 1349 will rejoin the tour on April 25th in Long Island.

Skeletonwitch put on a good show. I had meant to catch them at The Red And The Black in DC back in February but I had gotten sick and couldn’t make it. I think they were just starting when I got there so I did catch most of their set. They’re pretty fun to watch live, great thrash with catchy riffs and death metal style growling vocals. Though most of the band didn’t do much but head bang in place, the vocalist, Chance Garnett, had great stage presence and really got the audience into the show. They really were a good band for warming up the crowd, though I’d have like to have seen Diabolic and/or 1349 too. I ended up buying a Skeletonwitch pint glass at the merch stand after they played, hard to pass up at just $5 (by comparison Cannibal Corpse was selling a bottle opener for the same price).

There was a rather long delay before Cannibal Corpse started to play. The crowd was getting anxious and started chanting “Corpse!” and within a minute of that the band got on the stage. They came out shredding and the crowd was eating it up. I’ve seen Cannibal Corpse many times before, and this set included the least amount of Chris Barnes era songs, though they did play 2 songs from their debut album Eaten Back To Life, A Skull Full Of Maggots and Scattered Remains, Splattered Brains (someone in the audience was screaming for Born In A Casket during most song breaks though, which they didn’t play). Also of note, they played The Cryptic Stench, from Tomb Of The Mutilated, which I thought was sort of out of left field (they of course played Hammer Smashed Face also). Despite the audience’s requests for songs like I Come Blood and Fucked With A Knife, they didn’t really play many of their more sexually disturbing or misogynist songs, though they did close with Stripped, Raped And Strangled. They also played a couple songs from their latest album, Evisceration Plague, and most of the rest of the set was a sampling of the material from 1998 on. Regardless of what songs they were playing, they played them fast and tight, and the audience was losing it. I did see a couple crowd surfers, a rarity at Jaxx, and the pit was pretty much constant. Their vocalist, Corpsegrinder, talked a bit more between songs than the last few times I saw them. At one point someone yelled out to play the Barney The Dinosaur theme song, which he did not find funny and he went off on a rather entertaining rant about people requesting “retarded songs” before going right into A Skull Full Of Maggots. Still, it probably would be pretty hilarious if they actually played a song like that in the classic Cannibal Corpse style. As usual they didn’t do the typical bullshit encore thing bands seem to always do, which is cool. So lame when you plan your own encore ahead of time. They announced that Hammer Smashed Face would be the final song of the night just before they played it, though just like the last time I saw them in 2007, when they finished playing it Corpsegrinder immediately said they had lied and the band went right into Stripped, Raped And Strangled, which the audience went crazy for.

After the show I hung out a bit talking to some of the people I had met up with for the show in the first place (didn’t have a whole lot of time to talk to them earlier due to the show being early and my late arrival). Local thrash metal band Cab Ride Home apparently played after Cannibal Corpse got their stuff all loaded out, but I didn’t hang around long enough to check them out. I had lots of pics and vids to sort through and the Caps game to watch on DVR. You can see the videos I shot at this show below, though I have 2 more that YouTube is having trouble with for some reason. They both keep getting hung up at about 80% when I try upload them and I don’t know why. I’ll post them here if I can get them to upload correctly, not sure what the problem is. Not a big deal as these vids should give you a good idea of this brutal concert regardless. Enjoy!