Maryland Deathfest XV Non-Survival Guide

MDF XV Pre Fest at Metro Gallery

OK guys I’m not doing the normal MDF survival guide this year, so now it’s the non-survival guide. Since there are no outdoor stages this year and the fest will only be at Rams Head Live and the Baltimore Soundstage I figure you guys don’t really need things like a map and tips on how to get around and such. If you really want to you can check last year’s post for that kind stuff (here). That said, there’s still a ton of info you may want to know, and I’ve also picked several bands at each venue on each day to write about at the end of this post, almost all of them have some material to stream to give you an idea of what they sound like or just help get you in the mood for this year’s MDF! First up, here’s some quick links you may want handy.

Official Maryland Deathfest:
website
Facebook
Facebook event page
Pre-Fest Party Facebook event page
Instagram

Baltimore Yellow Cab: 410-685-1212 (website)
Both Uber and Lyft operate in Baltimore. They’re usually cheaper than a cab and you can download their apps for free from your app store.

Schedules

Tap/click on them to see them larger.

MDF XV Thursday schedule

MDF XV Friday schedule

MDF XV Saturday schedule

MDF XV Sunday schedule

Getting Tickets

Tickets are still available and there are VIP tickets available as well. VIP tickets do not get you in the door, they are an extra ticket you buy in addition to your regular ticket. A VIP ticket gets you access to a sectioned off area to the side of the stage at Rams Head Live, access to the VIP bar, and will receive a voucher for a festival T-shirt of your choice. VIP does not have any benefit at Baltimore Soundstage. You can still get regular or VIP tickets from Eventbrite (here) or help the makers of the documentary “Welcome To Deathfest” in their crowdfuning endeavor by purchasing tickets from them at a discounted price here. They have both single day and multiple day tickets available in the “incentives” column on the right.

Tips

As always, I highly recommend bringing and wearing earplugs! Tinnitus isn’t cool or fun and even if you’re just going to one day of the fest that’s still a ton of bands hammering your ears all day. If you’re going multiple days you might want to even bring a bunch of extra ear plugs because they’re gonna get gross after a while.

You will be able to get your 4-day pass wristband at the entrance of Rams Head Live starting at 2pm on Thursday. You will not be able to get your wristband at the pre-fest show this year.

If you’re on Instagram I highly recommend following the official account @deathfests as local photographer Josh Sisk will be taking over the account during MDF again this year and he posts incredible great shots of the bands while the fest is going on.

While you’re at it, follow me on Instagram as well as I’ll be posting photos and videos throughout the weekend too. Find me at @DCMetalChris on Instagram!

Rams Head Live does not allow backpacks, but you can check them at the coat check for a couple bucks. Baltimore Soundstage will search your backpack and/or purse, and usually pat you down as well.

Merch and Vendors

There are no food vendors this year. Bummer, I know, but there are plenty of restaurants within walking distance. I highly recommend Pratt Street Ale House who has great food, a wide variety of excellent craft beers, and MDF attendees get 10% off their entire bill (just show them your wristband). Their address is 206 W Pratt St, Baltimore, MD 21201.

There will be merch vendors inside both venues and also just outside of Rams Head Live in the Powerplant Area. Here’s the list of merch vendors: ChopoBrujos, DabLizard, Dark Descent Records, Decibel Magazine, Dave’s Metal, Horror Pain Gore Death (HPGD is at Soundstage on Friday only), Indie Merch, JSR Merchandising, Mexico Steel, Pizza Party Printing, Relapse Records, Sabi, Season of Mist, Sevared Records, Speed Clothes, Utterly Somber and Vienna Music Exchange.

Bands will arrive and leave throughout the weekend so if you see band merch you like one day don’t hesitate to buy it, it may be gone before the fest is over as not every band stays for the entire fest, or even more than their 1 day there. Guess what, they take their merch with them. Most of these guys will want cash so I suggest bringing a good amount to avoid ATM fees. Some bands won’t have their own merch guy and will instead opt to sell their merch at the official MDF booth so be sure to check back there often. Speaking of which…

MDF XV tshirt

The official MDF merch booth will be inside Rams Head Live. It will have t-shirts, hoodies and posters as well as metal keychains, pins and Zippo lighters. There will be no preorders for posters and shirts this year. It looks like the shirts come in two different designs and three colors: black, white and red. The posters feature artwork by Lucas Ruggieri and are limited to 150. You can see the poster image at the very top of this post. The custom made Deathvests (seen below) by Kylla Custom Rock Wear will be for sale for $200 at the MDF booth as well.

Announcing our 2017 Maryland #Deathvests – our official festival merchandise collaboration with #MarylandDeathfest @deathfests this year! We have #handmade a limited edition 10 high quality distressed #genuineleather #studded vests in sizes S – XL (2 S, 2 M, 3 L, 3 XL) which will be at the festival merchandise booth Thurs-Sun! We are also taking ONLINE PREORDERS for these, for in-person pickup from me at the fest! Once they are gone no more will ever be made! Extremely high quality durable #leather- each varies slightly in appearance due to the distressing process! $200 each – send your size! Paypal or credit card for preorder: http://www.paypal.me/kylla/200 (or email kyllacustomrockwear@gmail.com for credit card) #KyllaCustomRockWear #MDF #extrememetal #bikervest #motorcyclevest #blackmetal #deathmetal #smallbusiness #metalfashion #metalclothing #deathfest

A post shared by Kim Dylla / Kylla Custom Wear (@kyllacustomrockwear) on

The official MDF Pre-Fest Party is at a different venue this year, the Metro Gallery. It is headlined by Ruinous, a death metal band featuring Immolation guitarist Alex Bouks. Tickets are $15 advance, $17 at the door and available here. Sorry kids, it’s ages 18+ only and doors open at 7pm. Note that MDF wristbands will not be available at the Pre-Fest show this year. For more info visit the Pre-Fest Party’s Facebook event page here.

MDF XV Pre-Fest Party

This year I decided to write about certain bands, several at each venue on each day. Hopefully this sheds some light on bands you might not know about before you get to see them at the fest. This isn’t a “favorites” list or something, some bands I just didn’t feel like writing about and it isn’t because they’re not good, it’s because I only have so much free time. Check out what I’ve written about bands for the days/venues you have tickets for below, and stream some of their songs to get ready for Maryland Deathfest XV!

Thursday at Rams Head Live

The Thursday of Maryland Deathfest at Rams Head Live tends to focus on stoner and doom bands the past few years and this year is no exception.

Samothrace at 5:50 – This Seattle based doom band plays very long and very slow songs, though their sound can evolve into faster paced segments as well. If you’re into stuff like Winter, Grief and Bell Witch, you’ll want to check them out.

Dopethrone at 6:55 – Dopethrone, named after the Electric Wizard album, is a stoner/sludge band from Montreal. They were originally supposed to play MDF last year but for whatever reason they canceled.

SubRosa at 8:00 – This stoner band from Salt Lake City that blends stoner rock with post rock. Three women form the core of this ethereal sounding band which includes a violin player.

Conan at 9:05 – Definitely more barbarian than O’Brien, Conan is a stoner/doom band from Liverpool, England, making a rare appearance stateside at MDF. These guys are crushing live, perfectly blending huge riffs and stomping rhythms.

Acid King at 10:10 – Acid King is a stoner band from San Francisco that has only in the past couple years become active again. They play some Sabbath worshipping riffs but with the beautiful vocals of Lori Steinberg soaring over their fuzzy riffs.

Tiamat at 11:25 – I’m honestly not sure what to expect of a Tiamat set at MDF. They headliners of the first night at Rams Head Live have changed their sound many times over the years, at this point they haven’t put out an album since 2012. They might play a set more focused on the death/doom metal style of their early years or the soft and moody Wildhoney era material or the more polished gothic metal style they eventually ended up with, or maybe play things from various eras.

Thursday at Baltimore Soundstage

While in the past MDF tended to use the Baltimore Soundstage to host mostly hardcore and grind bands that seems to have changed a lot this year since there are no outdoor stages. The first day at BSS has a lot of death metal this year.

Malignancy at 8:15 – From Yonkers, New York, Malignancy has been around since the early 90s. They play an old school style of brutal death metal reminiscent of older bands from the era like Suffocation and Monstrosity.

Decrepit Birth at 10:30 – Decrepit Birth is heavily influenced by the later era of the band Death. They haven’t released an album in 7 years though they have a new one, Axis Mundi, coming out in July so I expect to hear some new material from these guys.

Cryptopsy at 11:55 – Montreal’s Cryptopsy was once one of the best death metal bands in the underground, until in 2008 they decided to completely change their sound, image and line up to become a metalcore band. When that didn’t pan out they went back to being a death metal band to mixed reception. However for this headlining performance at Maryland Deathfest XV Cryptopsy will be playing their 1996 classic album None So Vile in its entirety. And be sure to check out their drummer Flo Mounier, still one of the best drummers in all of metal.

Friday at Rams Head Live

The RHL line up for Friday is pretty death metal heavy, awesome!

Nordjevel at 5:00 – Every year MDF seems to book at least one trve Norwegian black metal. This year that band is Nordjevel, whose name translates to Northern Devil. Reminiscent of the 2nd wave of black metal bands, the band has only released one full length and one EP since forming in 2015, but they’ve quickly become a buzz band in the black metal underground. Fans of bands like 1349 and Gorgoroth are going to want to check out Nordjevel.

Brodequin at 6:00 – Brodequin is a very brutal death metal band from Knoxville, Tennessee. Between 2000 and 2004 they released 3 intense albums, then basically disappeared. This is something of a reunion show for Brodequin, though not their first show since reforming. Their name translates to “boot” from French, however they get their name from a medieval torture device.

GosT at 9:10 – Maryland Deathfest always seems to have one weird band that doesn’t really fit with everyone else and this year it’s GosT. GosT isn’t a metal band but a DJ and the music reminds me more of old Nintendo game soundtracks than anything else. I guess GosT’s genre is called synthwave. I’m not going to lie, I’m not particularly interested in seeing GosT hit play, er… perform live at MDF, but they are strange enough I figure they warrant mention here.

Macabre at 10:15 – An all time favorite of mine, Macabre is a three piece from Chicago that truly lives up to their name. By blending traditional songs and even nursery rhymes with death metal and grind, they have created a sound all their own. In fact, they call it Murder Metal since all of their songs are about true crime and serial killers. They even tell stories between songs about these killers and tyrants, highly recommended!

Vader at 11:20 – Before Behemoth, Decapitated and Mgla there was Vader, the true fathers of underground metal in Poland. Due to tape trading they were one of the first bands from Eastern Europe to break through the iron curtain to be heard in the West before the Berlin Wall fell. And rightly so, their intensely fast style of death metal has made them death metal legends to this day.

Friday at Baltimore Soundstage

An eclectic mix of bands play Friday at Baltimore Soundstage.

Chepang at 4:15 – Chepang is a grindcore band that is originally from Nepal though now they live in the US. They perform with two drummers. Don’t expect a long set from them, their only release consists of 8 songs clocking in at under 12 minutes total!

Occultist at 5:05 – This Richmond based band is everything that makes underground metal fun. They’re some sort of mix of black, speed, crust and death metal and exploding with energy. Their front woman, Kerry Zylstra, can scream with the best of them.

Stormtroopers Of Beer at 9:25 – Stormtroopers Of Beer is a Stormtroopers Of Death (aka S.O.D.) cover band that actually includes original S.O.D. member Dan Lilker. Adde Mitroulis (of Birdflesh, General Surgery) handles the drums while Jocke Carlsson (of General Surgery) plays guitar and guest vocals will be courtesy of Matt Harvey (of Exhumed, Gruesome). Old school metal heads will remember their song “Milano Mosh” as the theme music for MTV’s Headbanger’s Ball.

Noothgrush at 10:35 – Noothgrush is doom/sludge band from the Bay Area. Their name stems from a Dr Seuss character in the book There’s a Wocket in My Pocket so as you might have guessed these guys have probably never gotten high. They seem a bit out of place on the bill here and would probably have fit better on Thursday’s line up at Rams Head, but hey, good doom puts you in a good mood no matter when they play.

Siege at 11:50 – Headlining Baltimore Soundstage on Friday night is Massachusetts based hardcore band Siege. Despite releasing only about 20 minutes of material before breaking up in 1985 they became popular to bootleg traders and were very influential to the grindcore subgenre. They had a brief reunion in the early 90s with Seth Putnam of Anal Cunt on vocals and now they have reformed again, giving MDF attendees a rare chance to catch these underground legends perform live.

Saturday at Rams Head Live

There’s a lot of death metal at Rams Head Live on Saturday, headlined by one of the biggest names in the genre.

Embalmer at 3:50 – Embalmer is from Cleveland, Ohio, and plays gore obsessed death metal that fans of bands like Mortician and Impetigo will appreciate. In 1995 they released the excellent EP There Was Blood Everywhere and it wasn’t until after a long hiatus that they finally released a full length album, 13 Faces Of Death in 2006. Another lengthy hiatus ended when their second full length, Emanations from the Crypt, was finally released in 2016. This band seems to be very on again, off again so be sure to check them out at MDF while they’re still around, it might be another decade before you get another chance!

Necropsy at 4:45 – The Metal Archives lists 21 different bands with the name Necropsy, making this one of the most over used names in heavy metal. The version playing MDF XV is the one from Finland. They’re a death metal band that released several well received demos in the early 90s before dissolving only to reform earlier this decade. Part of me kind of hopes the guys from local band Noisem will join them on stage for a song, since they were once called Necropsy as well.

Exhumed at 7:50 – Exhumed is a death metal band from San Jose, California, that basically sounds like Carcass around the Necroticism era. Except faster, and with even more hooks. Look, I know there’s a lot of Carcass clones out there but these guys really do it best.

Exumer at 8:55 – I applaud the MDF organizers for hilariously putting Exumer after Exhumed. Despite the similar names the two bands don’t sound too much alike. Exumer is one of the old German thrash bands of the 80s. While never becoming as famous as German thrash contemporaries Kreator, Destruction and Sodom, they did put out some solid records in the late 80s. After disappearing like most thrash bands did when the grunge wave hit, they reformed about a decade ago and have continued to put out some solid thrash albums, including last year’s The Raging Tides.

Root at 10:05 – Root, formed in 1987 in the Czech Republic, is one of the original 1st wave black metal bands, predating the 2nd wave bands from Norway. They have moved to a clean vocal style but their vocalist, Big Boss, has a pretty incredible voice that has held up remarkably well considering he’s the sole original member still in the band. He’s also known for founding the Czech branch of the Church Of Satan. I’m not sure how better to describe them than maybe, they sound like what Ghost would probably sound like if they weren’t a gimmick band.

Grave at 11:15 – Lead by guitarist and vocalist Ola Lindgren, Grave is one of the last remaining of those early Swedish death metal bands (such as Entombed, Unleashed and Dismember) that is still active and has kept their old school “buzz saw” sound. There are many newer bands now that imitate this style, like Black Breath and Gatecreeper, but this is a rare chance to one of the originals of that old Swedish death metal sound perform live.

Morbid Angel at 12:25 – Morbid Angel is back at Maryland Deathfest but after the disaster that was Illud Divinum Insanus they’ve ejected David Vincent and once again added Steve Tucker to the band. They have stated that they will only be playing songs from the Steve Tucker era of the band, which are from the albums Formulas Fatal To The Flesh, Gateways to Annihilation and Heretic, although they have a new album on the horizon so hopefully we’ll hear some new songs too.

Saturday at Baltimore Soundstage

The Saturday schedule at Baltimore Soundstage is dominated by grind with the once in a lifetime chance to see Agoraphobic Nosebleed and Insect Warfare back to back.

Myxoma at 4:40 – Myxoma is a recently formed goregrind band. I don’t know a ton about them other than one of the Maryland Deathfest organizers, Evan Harting, is in the band, I would guess as the vocalist.

Meth Leppard at 8:00 – Meth Leppard is just like Def Leppard but on crystal meth! Ok not really, but they are a pretty sick grind band from Australia.

Agoraphobic Nosebleed at 10:45 – ANb is the spawn of Pig Destroyer guitarist Scott Hull. Their long awaited first live show ever was at Maryland Deathfest XIII and this year they’re back as part of Saturday night’s insane one-two punch of grindcore legends at Baltimore Soundstage. I mean seriously, ANb and Insect Warfare playing back to back? It doesn’t get much better than that for grind fans.

Insect Warfare at 11:50 – Closing out Saturday night at Baltimore Soundstage is one of the legends of grind, Insect Warfare, making a rare live appearance. Their only full length, World Extermination, was an instant classic and now that the band has stated that they will be breaking up soon this will be one of their final shows. You don’t want to miss the chance to see them headline this night! Still not convinced? Then check out our recent write up about IW here.

Sunday at Rams Head Live

Black metal seems to be the dominant style on Sunday at Rams Head Live, though doom legends Candlemass headline.

Encoffination at 3:00 – Sunday starts off at Rams Head with Encoffination, an Atlanta, Georgia, based death/doom band. Both members of this two piece are also in death metal band Father Befouled (who are playing the previous day at RHL).

October Tide at 4:45 – Swedish death/doom metal band October Tide once was a side project of Katatonia vocalist Jonas Renkse. The other founding member, Fredrik Norrman, ended up joining Katatonia and the band went on hiatus for a while. When Fredrik left Katatonia he reformed October Tide. Alexander Högbom is the vocalist now, who has also recently become the vocalist of Demonical. Despite having harsh vocals, it makes sense that October Tide would play on the same night as Candlemass so if you’re a Candlemass fan and not sure who else to check out on this day’s line up, don’t miss October Tide. Check out our recent review of their 2016 album Winged Waltz here.

Acheron at 6:45 – Often considered a black metal band, Acheron is really a death metal band that spawned from the infamous Tampa, Florida, death metal scene of the late 80s/early 90s, though they are now based out of Ohio. The band is lead by Vincent Crowley, a former reverend in the Church Of Satan. Acheron has stated that they will be playing their 1996 album Anti-God, Anti-Christ from start to finish at MDF and that they will be breaking up in 2018.

Oranssi Pazuzu at 8:55 – This is one of the bands I’m most excited to see this year at MDF. Oranssi Pazuzu is from Finland and have somehow created a psychedelic style of black metal that actually works incredibly well. The band has somehow managed to attract fans of both stoner metal and black metal to their very unique take on metal.

In The Woods… at 10:05 – In The Woods… is one of the first bands to call their music pagan metal. They began more black metal but over the years have shifted to more of a dark prog rock style. The Norwegian band is a spin off of Green Carnation.

Akercocke at 11:15 – Akercocke is from London, England, and haven’t put out an album since 2007. They recently became active again though so this is something of a return for the death metal band. They became known as the “satanists in suits” for wearing suits when performing live.

Candlemass at 12:25 – Swedish epic doom metal band Candlemass returns to MDF as the final band to perform this year. The band is fronted by the excellent Mats Levén these days and they will be performing their 1987 album Nightfall in its entirety at MDF. A bit of trivia: the classic album’s cover art is a painting by Thomas Cole from 1842 that is on permanent display at the National Gallery of Art in Washington, DC.

Sunday at Baltimore Soundstage

Grind, grind, grind closes out the final day of MDF XV at Baltimore Soundstage.

Genocide Pact at 4:40 – Washington DC’s own Genocide Pact plays Maryland Deathfest this year! These guys blend death, grind and crust very well and if you want to check out and support a local at MDF do not miss these guys! They have a new album due out soon so maybe we’ll get to hear some new material too.

Iron Lung at 10:45 – Iron Lung is a powerviolence band originally from Reno, Nevada though they have now relocated to Seattle, Washington. The band members also run Iron Lung Records which releases material by other grind and powerviolence bands as well. Their experimental style includes fast bursts typical of powerviolence along with some much slower, almost doom like segments.

Terrorizer at 11:50 – Terrorizer created one of the most influential grindcore albums of all time when they released World Downfall in 1989. They’ll be playing that album in its entirety when they headline Sunday night at the Baltimore Soundstage. It will be weird seeing Pete Sandoval drum for Terrorizer yet not play with Morbid Angel the night prior.

Review of World Extermination by Insect Warfare

Band: Insect Warfare
Album: World Extermination
Release Date: October 2007
Record Label: 625 Thrashcore
Performing at Maryland Deathfest XV: 11:50 Saturday at Baltimore Soundstage

World Extermination by Insect Warfare

Maryland Deathfest XV starts this Thursday! As always I let my writers each do a special album review as we lead up to MDF. For this review I let them pick a band they are excited to see at MDF and review their most recent album as well as give some extra background on the band. This one is written by DCHM writer Buzzo Jr and he decided to write about the Baltimore Soundstage’s Saturday headliner, Insect Warfare. If you’re looking for something a bit slower, be sure to read Tal’s piece on Swedish death/doom band October Tide here

Legendary grindcore act Insect Warfare was formed in Houston, Texas, in 2004 by drummer Frank Faerman, guitarist Beau Beasley, and vocalist Rahi Geramifar. They soon broke into the Texas scene with their debut EP; At War With Grindcore, in 2005. Two years later following the release of a handful of splits and EPs, drummer Frank Faerman was replaced by Dobber Beverly. In 2007, the trio released their first and only full length record World Extermination on 625 Thrashcore Records, and split up a year after. Insect Warfare reunited back in 2016 for one final tour and will be playing one of their very last shows at this years Maryland Deathfest. Insect Warfare will be the final band to take the stage at the Baltimore Soundstage on Saturday, playing at 11:50 PM.

The early/mid 2000’s was a damn good time to be a fan of grindcore. The genre that originated in dingy basements back in the late 80’s with Repulsion and Napalm Death was seeing an influx of new bands breathing energy into an already frenzied style of extreme metal. Landmark albums were being released left and right; with Discordance Axis’ dissonant The Inalienable Dreamless, Rotten Sound’s frantic Murderworks and even DC’s own Pig Destroyer with their twisted masterpiece Prowler In the Yard. In 2007, Insect Warfare swiftly cemented themselves as undisputed legends of the extreme metal scene when they released one of the fastest, heaviest, and most pissed off albums in the genre; World Extermination. What Insect Warfare lack in technical prowess, they make up for with pure, unfettered fury. World Extermination is a goliath of all things that makes grindcore… well, grindcore. Beau Beasley’s crushing, punk-tinged riffs rampage with the weight of a goddamn freight train; retaining their incredible power while at the same time being extremely catchy, or at least as catchy as a riff can get on this kind of album. While simplistic in structure, the riffs on this record are delivered at an almost machine-like efficiency, with absolutely no empty space left in between notes. Insect Warfare’s rhythm section is no slouch either; Dobber Beverly’s hyperspeed drumming comes at you like a 50 caliber machine gun, with an unyielding barrage of blast beats detonating in the backdrop throughout each track. Rahi’s insane vocals round out the audio carnage on the record, and his performance is pretty much unmatched in terms of sheer anger. Every single low, guttural growl and piercing, animalistic shriek being is used a rhythmic tool to accentuate the full on assault of the blast beats and riffs. Insect Warfare may not have reinvented the wheel here, but what they did do was take a formula that definitely worked and perfected it; creating what may likely be the best example of the classic grind sound of the late 90s and early 2000s.

If you’re at all a fan of grindcore and for some reason you have yet to listened to this record, drop whatever you’re doing and listen to it. Then listen to it again. And again. (You get the picture.) Insect Warfare’s performance at this years Maryland Deathfest will likely be the last chance most of us will ever get to see this legendary band in the DMV area, so make sure to catch them at the Baltimore Soundstage on Saturday!

Review of Sowing The Seeds Of A Worthless Tomorrow by Wake

Band: Wake
Album: Sowing the Seeds of a Worthless Tomorrow
Release Date: 26 February 2016
Record Label: Sentient Ruin Laboratories
Buy as CD ($8) or cassette ($7) or digital ($5) from: Bandcamp
Buy on vinyl (€13) from: Bandcamp

Cover of Sowing the Seeds of a Worthless Tomorrow by Wake

As 2016 comes to a close you’ve probably seen countless end of year lists of albums, often listing many of the same popular releases. We don’t like ranking music here at DCHM (our album reviews aren’t given a score for this reason as well) so at the end of the year I always give my album review writers the chance to pick an album of their choice from the year that they feel deserves more attention than it received. It doesn’t have to be a local band, and in fact this year they have both chosen bands from outside the US. DCHM reviewer Buzzo Jr. chose to review the latest release by Calgary based Wake. Be sure to stream the tracks at the end of the post to give it a listen while you read and be sure to check out Tal’s review of Chinese black metal band Demogorgon’s debut here if you haven’t already.

2016 has been another great year for heavy underground music, and like the previous year, there are a good amount of hidden gems that went unheard by a majority of people. One of the many records I saw missing from far too many album of the year lists was Wake’s Sowing the Seeds of a Worthless Tomorrow. Formed in Alberta, Canada, in 2009, the band’s third full length album is a furious onslaught of grindcore mixed with crust punk, sludge, and black metal.

The album’s opening track “Burn Well” begins with a short, yet foreboding ambient style intro that soon erupts into a full on assault of blast beats and frenzied riffage. The opening track soon fades into silence, but the chaos almost immediately resumes with “Wretched Tongues;” a track that comes rushing out at top speed and then slows down in the middle section for a heavy sludge style breakdown. Kyle Ball (also of Canadian tech death band Kataplexis) showcases his insane vocals on this track in particular; punctuating the breaks in the instrumentation with ear piercing shrieks and gut churning growls. “Wretched Tongues” picks up the tempo once again near the end and terminates with a droning, industrial style outro. The album continues on with “Drones” and my personal favorite track “Better Living Through Apathy.” These third and fourth tracks are rife with dissonant black metal style guitar passages that flow brilliantly with Brian Serzynski frantic d-beat style drumming; creating a fantastic fusion of the band’s influences.

The second half of the record is kicked off by “Low,” and at over three and a half minutes, it’s certainly an epic in the context of a genre with songs barely averaging two minutes in length. It opens with a clean guitar melody that lasts just long enough to lull the listener into a false sense of security, only to explode once more into a barrage of sludge tinged riffs and hyper-speed blast beats. The usage of violent vocal overlays on this track makes it a definite standout and creates an atmosphere of total pandemonium. As one may have already guessed from the album’s title, this is a nihilistic album; both in sound and in message. “Unrelenting Hate” sums up the misanthropic tone of the album perfectly during the song’s breakdown; “We don’t deserve this, we are all hypocrites, we are all arrogant, we are all worthless. We are all scum.” No artsy metaphors, no beating around the bush. Wake’s message is plain and simple: humanity sucks. The album soon comes to a close with the final two tracks. “Vultures” is definitely the fastest track on here, zooming through with hardly any changes in speed and before the listener knows what hit them, it’s already flowed seamlessly into the final track of the album, “Endless Decay.” The final track starts off with a dark vocal sample accompanied by slow, heavy riffs and tribal drum beats. The band once more goes into full on overdrive at the halfway point, putting everything they have left into the final minute before the album comes to a final, screeching halt.

Finally, the production on the album also deserves a mention. Recorded and engineered by Joel Grind of Toxic Holocaust fame, the production manages to land right at that perfect spot in between raw and overly polished. Rob Lachance and Arjun Gill’s guitar tones are phenomenal, being both grime-ridden and filthy while also being perfectly clear. This goes for the vocals as well, with Kyle’s screams being extremely harsh while still having a large amount of clarity to them. A large amount of grindcore acts tend to go all the way to one side or the other when choosing between super raw or super polished album prosecution, so it’s great to see a band that manages to find a good compromise between the two. The main, and possibly only gripe I can manage to think of concerning this record is that it’s relatively short running time of 20 minutes will definitely leave you wanting more. But apart from that, there isn’t a bad song on here and it’s an album practically begging for multiple listenings in one sitting.

Wake’s Sowing the Seeds of a Worthless Tomorrow is a furious vortex of crust soaked grindcore, and is an absolute must have for fans of the genre. Happy New Year to everyone, and once again, here’s to 2017 being yet another year of great music!

Burn Well:

Better Living Through Apathy:

Pig Destroyer ticket give away

Pig Destroyer at the Rock & Roll Hotel

Pig Destroyer is playing the Rock & Roll Hotel this Saturday, December 3rd with Deceased! That’s a couple of pretty big bands in a pretty small room and you know it’s going to be a wild night. Since we love giving stuff away at DCHeavyMetal.com and since today is Giving Tuesday, we’re going to give one of you lucky readers a free pair of tickets to this show. But wait, there’s more! The winner will also get a copy of the show poster (seen above) by artist Craig Horky that is signed by all of the members of Pig Destroyer. To enter just leave a comment on this post telling me what your favorite metal album of 2016 has been. At 5pm EST this Thursday, December 1st, a winner will be chosen at random (using Random.org) from all valid entries to win the tickets and signed poster. Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $18 here.

Pig Destroyer is a twisted grind band from the DMV area and they’re known for putting on intense shows! This show at the Rock & Roll Hotel is sure to be a blast in front of their home town crowd. And let’s not forget Deceased, one of the area’s oldest underground metal bands. They have been cranking out their metal of death with a strong focus on horror movies since the mid-80s. Also on the bill is “The Grindfather” Richard Johnson’s band Drugs Of Faith. When he isn’t screaming into the mic for Agoraphobic Nosebleed he leads DoF with their pioneering of the Grind ‘n Roll style. The opener is Cemetery Piss, a Baltimore based band that lies somewhere between crust, black metal and sludge. This is one hell of a line up that is much more than your average “locals” show! Now check out these awesome videos of the bands playing below and leave a comment telling me what your favorite metal album of 2016 has been!

Pig Destroyer – The Diplomat

Deceased – It’s Alive

Drugs Of Faith – Insanity

Cemetery Piss – Rest In Piss

Brujeria ticket give away

Brujeria at Baltimore Soundstage

September marks the seven year anniversary for DCHeavyMetal.com so we’ve been giving away tickets to tons of shows. We’ve still got one more give away this month and that is for a pair of tickets to see the Mexican gangsters in Brujeria at the Baltimore Soundstage this Saturday, October 1st of 2016! To enter: leave a comment on this post telling me what your favorite metal band that originates from any country outside of the US. Then at 12pm EST this Friday, September 30th, the contest will close and I’ll pick a winner at random (using Random.org) from all valid entries to win the tickets. Please don’t enter if you can’t go, there’s not a lot of time between the end of the contest and the show. Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $22 here.

Brujeria is the Spanish word for witchcraft and the band keeps the identities of its members a secret. There have been members of Fear Factory, Faith No More, Carcass, Napalm Death and many others all rumored to be members though, and if you’re at the show you can try to peek under their bandanas and figure out their identities, at your own risk of course! Brujeria isn’t a band to be fucked with! Also on the bill is the vegetarian death metal band Cattle Decapitation, a band who keeps putting out solid death metal albums regularly. The tour opener is Piñata Protest, a punk band from San Antonio, Texas and local support is provided by the grind band Ampallang Infection. Now check out these videos by the bands playing and let me know what your favorite metal band is that comes from another country!

Brujeria – Plata O Plomo

Cattle Decapitation – Forced Gender Reassignment

Piñata Protest – Vato Perron

Ampallang Infection – Colostomy Bag Piñata / Breaking Character With Shotguns

Review of Desolate by Musket Hawk

Band: Musket Hawk
Album: Desolate
Release Date: 6 May 2016
Record Label: Unholy Anarchy Records
Buy on CD ($9.99) from: Unholy Anarchy
Buy as mp3 ($9.99) from: iTunes

Desolate by Musket Hawk

Baltimore’s Musket Hawk put out a a full length in May titled Desolate, despite the quite vibrant colors in cover art. DCHM reviewer Buzzo Jr spent some time with the album and wrote the following review of it. Be sure to stream a few songs at the end of the post as well!

Baltimore’s own sludge/grind trio Musket Hawk are back with Desolate; their second full length album since their self released debut, The Form of Disgust, from three years prior. On their newest release, the dudes in Musket Hawk go full throttle with an intense mixture of sludge, grindcore, and stoner metal.

Sludge and grindcore are two of my favorite subgenres of metal, so it’s always great when more bands successfully merge the two together. Musket Hawk’s Desolate is a perfect example of this fusion of genres done right. The album starts off at a speedy pace with the first two tracks “Pollute Your Throat” and “Reluctant Punk;” both filled with fast, heavy riffs and rapid blast beats interspersed with slower sludge based sections. The next two tracks “Jeweler” and “The Grove” are more mid paced tracks, with “Jeweler” being centered around a grooving breakdown while “The Grove” opens up with a great deal of black metal influence in its riffing structure. Marty Spiro’s guitar work on here is superb, laying down thick riffs that intertwine with Gary Fry’s fuzzy basslines. One of the standout elements of this album are the dual vocals of Gary and Marty; interchanging between deep low gutturals and sharp high pitched screeches. While more grind oriented in nature, the vocals also lend themselves to the more sludge based sections of the albums as well. At times they almost sounded like the frantic cries of a wounded animal; perfectly adding to the grimy atmosphere that the riffs already provide.

While the first four tracks on the album were much more crusty and murky, the second half of Desolate begins to flirt a bit more with melody and stoner rock influences. The B-side begins with “Connois Sewer,” a track that opens with some melodic guitar lines before exploding back into the heavy riffs of previous tracks, although a good deal of melodic undertone is layered into the remainder of the song. “Space Ray Houska” soon comes up next, a track that showcases some post rock elements at its mid way point. Jason Goodman’s drumming on this track is great, transitioning between mid paced d-beats, to slow primal thuds, to all out blast beats. While the drumming is great from a technical standpoint, they did seem to sound a tad wooden when it came to the bass pedal’s sound, but other than that I can’t find any issue with them. My favorite track on Desolate is the seventh track, “Tweed After Dark;” another faster paced track that has an epic melodic line coursing through the song along with the pummeling riffs, giving it an almost Iron Maiden meets High On Fire type vibe. The album comes to a close with the six minute “Candidate For a Knife”; a massive slab of sludgy riffage that goes from a slow doomy dirge, to hyperspeed grind and back again.

Musket Hawk’s newest album is a brilliant fusion of some of the most abrasive genres in modern metal, and at the same time is an album that has a great deal of amazing melody at its forefront. Definitely give this album a listen if you are a fan of grimey, dark sludge and grindcore, and be sure to catch Musket Hawk on the 22nd of July when they play with the legendary Belgian band Agathocles at the Windup Space in Baltimore (details here).

Tweed After Dark:

Space-Ray Houska:

Something new planned on DCHM

I’m always looking for ways to use new forms of social media on DCHeavyMetal.com and this weekend I’ll be doing my first live streaming video interview on Periscope, a free video streaming app for both iOS and Android. On Saturday, May 13th (that’s tomorrow!) some time around 7:30 or 8pm I’ll be at DC Brau with Richard Johnson of Agoraphobic Nosebleed and Drugs Of Faith talking about the upcoming ANb show at the Black Cat on May 21st, beer, music and anything else that comes to mind. I’ll also have a free pair of tickets to give to the person with the best question for Richard!

Periscope is owned by Twitter so if you have a Twitter account you’ve already got a Periscope account. The cool thing about Periscope is that it will let people watching ask their own questions that we can answer in real time. And on Saturday I’ll have a pair of tickets to give away to whoever has the best question for Richard. All you need to watch or join in is a smart phone (with the Periscope app) or a computer with a browser and the link to my account conveniently posted right here: www.periscope.tv/metalchris

If you can’t watch live don’t worry, I plan on saving the stream and posting it to YouTube and on the main site for people to watch later. If this goes well then I hope to do more interviews with metal musicians at local breweries and bars around town in the future. I hope you enjoy the first in a series of interviews I’d like to call “Have A Beer With…” so join us Saturday evening and have a beer with Richard Johnson of Agoraphobic Nosebleed!

Agoraphobic Nosebleed at the Black Cat