This blog specializes in heavy metal music and how it relates to Washington DC and the surrounding area. Featuring info on upcoming metal concerts in Washington DC, Baltimore and Virginia, as well as info on local bands, area concert venues, reviews of live gigs, and lots of give aways.
Napalm Death are one of the fathers of grindcore and they’ll be returning to Washington DC when they play the Black Cat on Sunday, May 3rd, 2020! We’re so excited for this show that we’re going to give away a free pair of tickets to one of our lucky readers. To enter: just leave a comment on this post telling me which of Napalm Death’s 15 albums is your favorite (if you need help remembering them all you can see their discography here). The contest will close at 5pm Eastern this Friday, February 7th. At that time the winner will be selected from all valid entries using Random.org to receive the pair of tickets to the Napalm Death show at the Black Cat. Be sure to use a valid email you check regularly when you enter so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If the selected winner hasn’t written me back within 24 hours another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Eventbrite here.
Napalm Death formed in the early 80’s in Birmingham, England, and helped create the genre of grindcore with their 1987 debut album Scum. Usually older bands in extreme metal have trouble keeping up as they age but not Napalm Death. They still defy expectations by releasing solid studio albums and putting on killer high energy live shows as well. Also playing will be the Belgian death metal band Aborted and Brooklyn based hardcore infused post-metal band Tombs. Do not sleep on South Carolina based death/grind band Wvrm, these guys shred and will be opening the show. Now check out these tunes below by all of the bands on the bill and leave a comment telling me which is your favorite Napalm Death album!
Band: Insect Warfare Album: World Extermination Release Date: October 2007 Record Label: 625 Thrashcore Performing at Maryland Deathfest XV: 11:50 Saturday at Baltimore Soundstage
Maryland Deathfest XV starts this Thursday! As always I let my writers each do a special album review as we lead up to MDF. For this review I let them pick a band they are excited to see at MDF and review their most recent album as well as give some extra background on the band. This one is written by DCHM writer Buzzo Jr and he decided to write about the Baltimore Soundstage’s Saturday headliner, Insect Warfare. If you’re looking for something a bit slower, be sure to read Tal’s piece on Swedish death/doom band October Tide here
Legendary grindcore act Insect Warfare was formed in Houston, Texas, in 2004 by drummer Frank Faerman, guitarist Beau Beasley, and vocalist Rahi Geramifar. They soon broke into the Texas scene with their debut EP; At War With Grindcore, in 2005. Two years later following the release of a handful of splits and EPs, drummer Frank Faerman was replaced by Dobber Beverly. In 2007, the trio released their first and only full length record World Extermination on 625 Thrashcore Records, and split up a year after. Insect Warfare reunited back in 2016 for one final tour and will be playing one of their very last shows at this years Maryland Deathfest. Insect Warfare will be the final band to take the stage at the Baltimore Soundstage on Saturday, playing at 11:50 PM.
The early/mid 2000’s was a damn good time to be a fan of grindcore. The genre that originated in dingy basements back in the late 80’s with Repulsion and Napalm Death was seeing an influx of new bands breathing energy into an already frenzied style of extreme metal. Landmark albums were being released left and right; with Discordance Axis’ dissonant The Inalienable Dreamless, Rotten Sound’s frantic Murderworks and even DC’s own Pig Destroyer with their twisted masterpiece Prowler In the Yard. In 2007, Insect Warfare swiftly cemented themselves as undisputed legends of the extreme metal scene when they released one of the fastest, heaviest, and most pissed off albums in the genre; World Extermination. What Insect Warfare lack in technical prowess, they make up for with pure, unfettered fury. World Extermination is a goliath of all things that makes grindcore… well, grindcore. Beau Beasley’s crushing, punk-tinged riffs rampage with the weight of a goddamn freight train; retaining their incredible power while at the same time being extremely catchy, or at least as catchy as a riff can get on this kind of album. While simplistic in structure, the riffs on this record are delivered at an almost machine-like efficiency, with absolutely no empty space left in between notes. Insect Warfare’s rhythm section is no slouch either; Dobber Beverly’s hyperspeed drumming comes at you like a 50 caliber machine gun, with an unyielding barrage of blast beats detonating in the backdrop throughout each track. Rahi’s insane vocals round out the audio carnage on the record, and his performance is pretty much unmatched in terms of sheer anger. Every single low, guttural growl and piercing, animalistic shriek being is used a rhythmic tool to accentuate the full on assault of the blast beats and riffs. Insect Warfare may not have reinvented the wheel here, but what they did do was take a formula that definitely worked and perfected it; creating what may likely be the best example of the classic grind sound of the late 90s and early 2000s.
If you’re at all a fan of grindcore and for some reason you have yet to listened to this record, drop whatever you’re doing and listen to it. Then listen to it again. And again. (You get the picture.) Insect Warfare’s performance at this years Maryland Deathfest will likely be the last chance most of us will ever get to see this legendary band in the DMV area, so make sure to catch them at the Baltimore Soundstage on Saturday!
Band: Clay Davis Album: B.C.G.C. Release Date: 11 August 2015 Record Label: Grimoire Records Buy cassette ($5) or digital ($4) from:Bandcamp Buy 7″ vinyl ($6) from:Fake Crab Records
Next week there’s another new release coming from local label Grimoire Records! DCHM writer Buzzo Jr got his hands on a copy and reviewed it, though you can stream the release at the bottom of this post. It comes in a few different formats (listed above) and all are pretty cheap so if you dig it then send them a few bucks and get your very own copy.
Taking their name from the corrupt, profanity spewing senator from The Wire, Baltimore powerviolence two-piece Clay Davis make their full length debut with “B.C.G.C.” As the name of the genre may suggest, powerviolence is a genre that is built upon a foundation of tumultuous anger, furious noise, and relentless aggression, much like the similar genre of grindcore. Clay Davis fully deliver on all of these fronts, putting forth what is one of the best local releases this year so far.
It’s become almost standard nowadays for powerviolence and grindcore bands to either bury the bass in the mix or reject the idea of having a bassist altogether, opting for a drum and guitar setup. Clay Davis does the reverse of this, and instead goes without a guitar and lets the bass do the work. The lack of a guitarist doesn’t hold the sound back at all, with Thor Buntin’s monstrous bass lines and thick sludgy tone pummeling through and doling out incredibly intimidating riffs. The drumming is fantastic, with Mike Barth’s explosive blasts and hyperspeed fills giving a frenzied feel to the songs. Mike also switches up his style on the songs “Hit with a Brick” and “Construct of Ruin,” playing at a much slower pace. These tracks may not be as fast as the the others, but don’t let that fool you into thinking they’re any less intense. If the faster tracks are a series of stab wounds from a butterfly knife, then these slower tracks are a blow to the face with a steel toed boot. Thor and Mike’s alternating vocals go between belted hardcore-style shouting, pained, high pitched shrieking, and deep deathgrind style growls. The variety in the vocal styles keeps the flow going, and prevents the tracks from blending together.
A good description for “B.C.G.C” is that it’s the sonic equivalent of getting beaten down in a seedy alleyway. It’s grimy, filthy, and pissed off. While some listeners may be left wanting more due to the short running time, I personally feel that the short length is what makes it so effective. At only ten minutes long, with tracks averaging just under a minute, this album kicks you square in the teeth and leaves you wondering what the hell just happened. I probably listened to this in full four times back to back, loving it more and more each time. The majority of the tracks on “B.C.G.C” whiz by at an incredibly fast pace, offering the listener little to no room to catch their breath and prepare for the next round of chaos. A track that definitely stood out to me was the humorously titled “Poser Disposer,” which starts out with a great breakdown and then erupts into a full speed barrage of crushing riffs and insane blast beats.
I definitely recommend you pick up this record if you’re a fan powerviolence and grindcore similar to Weekend Nachos and DC’s own Magrudergrind (who are now based out of Brooklyn). Clay Davis’ “B.C.G.C” does not mess around. This album is gritty, vitriolic, and straight up angry. Look no further than right here when you need a soundtrack to getting jumped for your wallet and shoes in Pigtown. There’s a pretty good chance that the first thing out of your mouth upon hearing this record will be senator Davis’s favorite exclamation.
Band: Pig Destroyer Album: Book Burner Release Date: 22 October 2012 Label: Relapse Records Buy From Amazon:Here Buy From Relapse:Here
Check out the DCHeavyMetal.com interview with JR Hayes here
In a genre that is often associated with incessant pig squealing and sometimes unintelligent writing, both musically and lyrically, grindcore legends Pig Destroyer‘s highly anticipated fifth full length release, Book Burner, is a welcome break. Not to suggest that there is a single second of idleness on this record, except of course in the rests written into the guitar parts by Scott Hull, a founding member of both Pig Destroyer and Agoraphobic Nosebleed. His technical yet still groovy riffs feature rests throughout and even they are loaded with the tension and savagery that fills this album. Washington DC’s Pig Destroyer have not released a full length album since 2007’s critically acclaimed Phantom Limb. Their rabid fan base and critics alike have created a ton of hype for this release. The guys in Pig Destroyer have certainly lived up to it. With 19 songs in the space of 31 minutes, the tracks range from the swift bludgeoning of “The Underground Man” to the damn near flirt with doom on “Permanent Funeral.” Along the way Hull manages to get in a vast array of styles into the riffs running from thrash to black metal to hardcore, but he never loses the essence of what makes good grindcore: never lingering for too long on any one thing to keep it swift, brutal and fresh. While the jumping of time signatures and tempos can keep the newly acquainted guessing when to head bang at times, the stretches of soon-to-be classic neck snapping riffs that lie between will ensure that you will keep listening to it until you know every rest and tempo shift.
The longtime search to replace former drummer Brian Harvey ended in 2011 when Adam Jarvis, also of Misery Index, joined Pig Destroyer. This is Jarvis’ first recording with Pig Destroyer and his addition certainly aids in “Book Burner” living up to its hype. He doesn’t simply ride the double bass throughout the entire recording either, but uses his entire kit to bring the mad rhythms to life. There is machine gun bass a plenty though, fear not! The track “The Diplomat” best reflects both of these aspects while the following track, “All Seeing Eye,” is a show of pure endurance as Jarvis blasts through a relentless, and no doubt breathless, 42 seconds of classic grindcore mayhem. Album closer “Permanent Funeral” shows that Pig Destroyer can really hold a groove and Jarvis carries it throughout the opening. I foresee many nights of head banging with a beer in my hand while this blares from my speakers. To be honest, just about every song on Book Burner oozes with the trademark head banging moshability of Pig Destroyer. I can’t wait to see “Iron Drunk” live because the pit for that song is going to be the most fun you can have wearing pants (unless you are that guy who takes off his pants in the mosh pit).
Pig Destroyer laughs at the conventional thinking that says to be brutal you must have lots of bass drops or at least a bassist of some sort. Pig Destroyer notoriously has no bassist yet that has never detracted from their sound in the slightest. What they do have is sample-man Blake Harrison. I understand that using words like “sampler” when listing band members is anathema to many metal heads out there, but the samples used throughout the album are well thought out and executed. The sample that stands out the most is on “The Bug.” The track opens with television legend Walter Cronkite reading an excerpt from Henry Miller’s Tropic Of Cancer. This is brilliant in many ways and I believe reflects the level of thought and inspiration that went into this album. To have an internationally known TV star reading from a famously banned book on an album titled Book Burner is indeed clever, especially in light of the lyrics on the album’s title track. The samples are not there simply to link the songs to create an album that never stops for 31 minutes, but to add layers to the dark atmosphere that drips from from this album.
The production value of Pig Destroyer’s discography seems to increase with each record, yet Book Burner has a bit more of a raw feeling to it. Frontman J.R. Hayes’ vocals are less processed but have a proper coating of violence and aggression that can easily take hold of the listener. Known as one of the better wordsmiths in the metal world, J.R. Hayes’ lyrics on Book Burner live up to his reputation. It is obvious that Hayes takes his literature seriously. His ability to set up the situations through the beginning of the songs and then end them with a forcible point is crucial to the shortened songs of grindcore. You can check out the lyric video to “Burning Palm” at the end of this post to see for yourself. This album also features several guest vocalists, most of whom come from the greater DC area. This includes Kat Katz, who is also in Agoraphobic Nosebleed and ex-Salome, on “Eve” and “The Bug” and Richard “The Grindfather” Johnson of Drugs Of Faith and Agoraphobic Nosebleed on “The Underground Man” and Jason Netherton of Misery Index on “The Diplomat.” It is also worth noting that the deluxe edition of the album includes a short story written by J.R. Hayes titled The Atheist which is a thrilling ride into a dystopian future where America is run by the Christian church which, in the story, is really more of a totalitarian regime. There is no direct tie in with the album, other than some name references and the same theme of distrusting and resisting organized religion. You can read the entire story over at Cvlt Nation here.
Pig Destroyer have been hailed as kings of grindcore with Scott Hull’s brutal-yet-somehow-catchy riffs, sometimes complex and sometimes direct song writing, and their well written lyrical content. Book Burner is yet another jewel on their crown. Pig Destroyer continues to be at the forefront of grindcore with this album that features performances by what can almost be called a who’s-who of grindcore today. The addition of drummer Adam Jarvis was a great move as he greatly contributes to the band, as does the dark sampling of Blake Harrison. The vocals of J.R. Hayes stand out as dirty and savage and the lyrics are a highlight of the album. D.C. is lucky to have a band this innovative and who produces such quality music with each release that they put out. Pig Destroyer has long been known to be a gateway band for those new to grindcore, and Book Burner may be more so than any of their previous albums. In fact every copy of the album should be clearly marked – Warning: Pig Destroyer’s Book Burner may lead to a serious grindcore addiction!
On Friday the 19th of October 2012 I headed up to the Ottobar in Baltimore to see Pig Destroyer perform at their album release show. Their new album, Book Burner, is their first full length release in over 5 years and anticipation for the album has been high not only in the DC area, which the band is from, but in the overall world of metal fandom. I missed the opening act, Wargames, though they’re a Baltimore based hardcore band so they’ll probably be playing in the area again soon. Royal Thunder was the first band I saw play. They’re a slow paced hard rock/metal band from Atlanta and while I didn’t think they were all that bad, they were certainly out of place on this bill. The crowd who showed up to see a spastic grindcore band wasn’t really interested in seeing a drowsy southern rock band with clean vocals. Royal Thunder, along with Pig Destroyer, is signed to Relapse. I guess they were just trying to get Royal Thunder more exposure by adding them to this line up but they really sucked the energy out of the place. Luckily the next band, Baltimore natives Necropsy, came to the rescue with their set and got the mosh pits started. They play some catchy death/thrash and they are really fun to watch live. They’re all pretty young, I’m not sure if any of them are over 21, but they are certainly worth checking out if you haven’t seen them yet. They’ll be opening the first day of Maryland Deathfest next May. The next band to play was Washington DC’s own Ilsa. I’ve seen them a ton of times and as always they brought the heavy, chugging riffage doused in crusty filth. They started their performance off by throwing stripper glitter on the people standing close to the stage and I have to say that was rather unexpected. Just when you think you’ve seen it all at a metal concert… Anyways, Ilsa was in really good form, mostly playing songs from their upcoming album Intoxicantations which is due out on Black Friday (Nov 23rd) from A389 Records. I’ve got the set list posted here if you’d like to see it. They didn’t play the song Frostthrower, a personal favorite of mine, but it didn’t matter, they’ve got a lot of great songs and you could tell the audience agreed. They were loving the weight of the band’s sound and I’m sure Ilsa won some new fans with their performance.
After Ilsa’s killer set it was time for Pig Destroyer. They don’t play a lot of shows in the area and there was a good sized crowd out for this rare appearance by the local grindcore legends. Vocalist JR Hayes (who I recently interviewed here) was rather jovial between songs then like a light switch he would just turn on his pent up rage and funnel it through his throat. He was like a caged wild animal suddenly set free into the confusing world with his microphone as his only weapon. Guitarist Scott Hull stayed pretty cool on the left side of the stage, grinding out his bizarrely unique riffs as the songs jarringly started and stopped. This was the first time I had seen Pig Destroyer with with their new drummer, Adam Jarvis (also of Misery Index) and apparently it was his birthday as well. Even after taking birthday whiskey shots on stage he still ripped through those crazy Pig Destroyer songs with total precision. The band doesn’t have a bass player but they do have Blake Harrison who basically “plays” some sort of DJ console making noises and adding clips and samples to their songs. Since a lot of what Blake does is basically prerecorded he spends a lot of time on stage essentially acting as a hype man by helping pump up the crowd and keep them into the show. There were also a few guest appearances during the set. Kat Katz (vocalist for the now defunct DC doom band Salome) performed vox on a few songs and the Grindfather, aka Richard Johnson of Drugs Of Faith, did some guest vocals as well. Pig Destroyer’s set list didn’t include a whole lot from the new album though they did play a cover of a Void song. You can see their full set list here. Overall it was a great performance by one of DC’s biggest bands and it was awesome to see them in a local venue. During Pig Destroyer’s set I was up front trying to get some photos and videos and, unsurprisingly, the crowd was wild, hyper and just violent overall. I’m lucky I didn’t damage my camera but I think it was worth it to get some straight on, close up shots from this rare show. The videos are all the way at the end, I hope you enjoy them. Until next time, stay metal everyone and support the scene you’re a part of!
Municipal Waste and Napalm Death are co-headlining a tour that will be at Empire (formerly known as Jaxx) in Springfield, Virginia on Friday the 26th of October 2012 and since it sounds so damn fun DCHeavyMetal.com is giving away a free pair of tickets to one lucky reader of the site. All you’ve got to do to enter is tell me your favorite Halloween themed song (metal or otherwise) by leaving a comment at the bottom of this post. On Wednesday, October 24th at 5pm EST I’ll pick a winner at random (using Random.org) from all valid entries to get the free pair of tickets to the show. Be sure to enter with a valid email address you check regularly so I can contact you if you win. If I don’t hear from you in 24 hours then I’ll pick another winner to get the tickets. Don’t worry, I won’t add you to any email lists or anything like that, I hate spam too. If you enter more than once then all of your entries will be disqualified. If you simply can’t wait to see if you win the contest you can get tickets from Amped & Alive here for $16.
Richmond thrashers Municipal Waste are among the leaders in the modern wave of thrash metal and if they do anything better than shred it’s party. They’re known for putting on crazy wild shows and you can bet this Friday night show will get crazy. If you’re looking for an excuse to wear your Halloween costume in a mosh pit this year then this is it! Napalm Death is a legendary UK band most known for pioneering the grindcore genre and in case you didn’t know they put on intense live performances. The band still keeps it heavy after all these years while also bringing attention to important social issues. California’s masters of gory death metal Exhumed will also be playing this show, which is perfect leading up to Halloween. Expect to see blood, guts, and a maybe even a real chainsaw on stage during their set. Philadelphia based Vektor is a futuristic tech-thrash band that is paving the way for the future of thrash metal and they’ll melt your damn face off while they’re at it. You will also be able to catch March To Victory from Lancaster, Pennsylvania and NoVA locals Krass Judgement opening this concert. This Friday night metal gig is jam packed with so much awesome that you’d be crazy to miss it. Now check out some of these creepy videos and songs by the bands playing and go enter a the bottom of the page!
DCHeavyMetal.com 