Inter Arma ticket give away

Inter Arma at DC9

This Friday, March 24th, one of Richmond’s best metal bands, Inter Arma, returns to the stage at DC9! We’re big fans of Inter Arma here at DCHM so we’re giving you readers a chance to win a free pair of tickets to the show. To enter this contest leave a comment on this post telling me what the best show you’ve seen in a small venue was. “Small venue” is loosely defined here but let’s leave festivals, arenas and massive pavilions out of it at least. At 5pm EST this Wednesday, March 22nd, a winner will be chosen at random (using Random.org) from all valid entries to win the pair of tickets. Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. Please note that this is an early show so if you can’t make it please don’t enter as I’d like to give the tickets to someone that can actually attend the show! If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $12 here.

This show might be starting early but don’t think Inter Arma won’t be putting on a hell of a live show. Their intense live performances have become their trademark and earned them the right to tour with Carcass last fall. Now they’re back in DC headlining DC9 just off U Street. Sometimes their songs are intense and brutal while others are trippy and epic but they are all super moody. The opening act on this bill, Holy Mountain Top Removers, is an instrumental band that reminds me of a modern version of artists like the Ventures and Link Wray. Now go check out these videos below and tell me what your favorite concert in a small venue was!

Inter Arma – The Summer Drones

Holy Mountain Top Removers – The Ones Disappearing You

Inter Arma ticket give away

Inter Arma at DC9

Inter Arma is one of the best bands to come out of that awesome Richmond metal scene. On Tuesday, July 5th they’re kicking off their new tour with a show at DC9 and we’re giving away a pair of tickets to the show to one of you lucky DCHM readers! To enter leave a comment on this post telling me what your favorite metal album of the summer is (so far). It can be a brand new release or an old favorite you’ve been playing more for whatever reason. At 5pm EST this Friday, June 17th, 2016, the contest will close and I’ll pick a winner at random (using Random.org) from all valid entries to win the tickets. Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $12 here.

Inter Arma is hard to place into a genre, I generally tell people they sound kind of like if Neurosis was super pissed off. They always put on an intense live show but this should be a special one. Inter Arma’s new album, Paradise Gallows, is being released by Relapse Records on July 8th and since this is the first date on their tour supporting the album, we’ll be among the first to hear some of these new tunes, and in a live setting no less! Support on this tour is provided by Withered, a black/death band from Atlanta, Georgia. They’ve also got a new album, Grief Relic, that was just released on Season Of Mist. Now check out these videos of the bands below (including a sick new Inter Arma track!) and let me know what your favorite metal album of the summer is!

Inter Arma – Transfiguration

Withered – Feeble Gasp

Inter Arma ticket give away

Inter Arma at DC9

One of Richmond’s sickest bands, Inter Arma, is playing DC9 on Monday, April 13th and we’re so psyched about this show that we’re going to give away a free pair of tickets to it to one of you lucky readers! To enter: just leave a comment on this post telling me what your favorite band from Virginia, Maryland or DC is (it can even be your own band you self promoters). At 5pm this Friday, April 10th, a winner will be chosen at random (using Random.org) from all valid entries to win the tickets. Be sure to enter using a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that, I hate spam too. If I haven’t heard back from the winner within 24 hours another winner will be chosen at random. If the contest is already over when you read this, or you just can’t wait to see if you win, you can buy them from Ticket Fly for $10 here.

Inter Arma, who are currently signed to Relapse Records, is a hard band to pin a subgenre on. The best thing I have been able to come up with to describe them is to say they sound like a really pissed off Neurosis. Their live shows are always intense so don’t skip this one. Also on the tour with Inter Arma is Yautja, a Tennessee based sludge/grind band that is named after the species of alien in the Predator movies. The local support on this bill comes from the excellent Drugs Of Faith. The band has developed a sound known as grind n roll that is just as angry, but quite a bit more catchy, than your standard grind band. This is a pretty awesome bill and you’re not going to want to miss any of these bands so get there early! Now give a listen to these tracks by the bands below as you leave your comment telling me your favorite area band from VA, MD or DC!

Inter Arma – ‘sblood

Yautja – Denihilist

Drugs Of Faith – Insanity

24 hour ticket give away

There a couple of shows coming up at DC9 in the next week and for you fans that check in to DCHM regularly we’re doing a very short give away for tickets to both shows! On Sunday, March 29th you can catch Miami’s Torche, always a high energy live show, at the venue and on Thursday, April 2nd, Brooklyn’s Liturgy will be there. To enter just tell me which show you’d like to win a pair of tickets to (you can enter for both if you’d like as well, tho different winners will be chosen for each show). But hurry, the winners will be chosen TOMORROW, Saturday March 28th, at 5pm EST, so don’t sleep on this!

The winners will be chosen at random (using Random.org) from all valid entries to win a pair of tickets to either Torche on 3/29 or Liturgy on 4/2. Be sure to enter using a valid email you check regularly so I can contact you if you win, and be sure to check it this weekend, especially if you’re entering for Torche because the show is on the next day. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that, I hate spam too. If I don’t hear back from the winners new ones will be chosen. I’m keeping this one short today but be sure to check out these sick Torche and Liturgy songs below and tell me which shows you’d like to see!

Torche – Loose Men

Liturgy – Father Vorizen

Torche – Healer

Liturgy – Generation

Metal Show Of The Week: Downfall Of Gaia

Who? Downfall Of Gaia
When? Monday, January 26th
Where? DC9 (map)
How much? $10 at the door or online from Ticket Fly

It’s been a little while since I made a Metal Show Of The Week post but this upcoming show is just so damn good I had to! Downfall Of Gaia is a German black metal band that is signed to Metal Blade and they’re touring the US to support their 2014 full length release Aeon Unveils the Thrones of Decay. The band played DC once before, back in 2011 at an Ethiopian restaurant just a few doors down from DC9 actually. I was there and that show was incredible despite the very DIY sound system so I can’t wait to see them in a proper venue this time. The band has matured since 2011 and their new material is both atmospheric and aggressive, simply put this is some excellent European black metal and we’re getting a rare chance to see these guys play live. The best part? It’s just $10 to get in the door! When was the last time you saw a band from Europe playing a legit venue around here for $10?

There’s some great locals on this bill too. The doom band Foehammer will be playing, you may remember seeing them as the first band to play at my holiday party last month at the Pinch. They’re loud, slow and heavy as hell! Opening the show will be local band black metal Myopic who are always worth getting there early to see. And if you’re in Baltimore the tour will be at the Metro Gallery the night before, Sunday, January 25th, with the bands Set And Setting, Sannhet and Barbelith. Still not convinced? Then check out a few songs by Downfall Of Gaia below and then get your ass out for the rare chance to see these guys live, it’s not like you’re stuck on some expensive cruise right?!?!

Downfall Of Gaia – Of Stillness And Solitude:

Downfall Of Gaia – Carved Into Shadows:

Metal Show Of The Week: Pelican

Who? Pelican
When? Saturday, November 2nd
Where? DC9 (map)
How much? $15 cash at the door or on Ticket Fly

I won’t lie, there’s a ton of great shows coming up in the next week (and beyond) on the DCHM upcoming concert calendar. Dying Fetus/Exhumed, Watain/In Solitude, Orange Goblin, Finntroll… but this week’s pick for metal show of the week goes to a gig that’s a bit more obscure. Chicago’s Pelican is headlining a show at DC9 (right by the 9:30 Club, Velvet Lounge, etc…) this Saturday, November 2nd, and if you don’t know who they are you should check come them out. They’re an instrumental band and they’re not particularly brutal by any means. In fact they’re often labeled as post rock, though they did play at Maryland Deathfest back in May. They’re not overly soft like some instrumental bands though, they’ve got some big riffs in there and they really jam out live. They just put out a new album, Forever Becoming, this month and I’m pretty excited to hear them play some material off of it, particularly the song Deny The Absolute.

Pelican isn’t the only band worth seeing on this bill though. Coliseum is from Kentucky’s punk scene though they’re not your typical punk band. Their songs are actually really well put together with riffs that are very catchy. When I saw Coliseum play a Deathfest after show back in May they were super energetic on stage and they should be a perfect warm up set before Pelican. Coliseum will also be selling tour posters for that look like this so bring a few extra bucks to snag one (or some other merch). There’s also a local punk band called Highway Cross opening the show. I’ll be honest, I’d never heard of them before but they remind me of Fugazi some. You can check them out here and be sure to listen to the tracks I’ve posted by Pelican and Coliseum below as well. I hope to see some of you at the show, it should be a lot of fun!

Recap of January 2013 Concerts

Welcome to part two of this three part series attempting to catch up on my concert reviews of all the shows I’ve been going to this winter. For this installment I’ll be covering all the metal shows I went to in January. You can read part one, which covers late November and December 2012, by clicking here. And remember, if you’d like to see more of any of the bands in the photos below, just click the image.

The first concert I went to in 2013 was when I saw Swaath on Sunday, January 6th at a new venue in Baltimore called Club K. The venue seems to normally host DJ dance nights. It is attached to a small Korean restaurant and while the space isn’t fancy, it doesn’t even have a stage, it works fine for the DIY punk, hardcore and metal shows they have started to book there. The walls are painted with neon patterns and random zebra images and there are four TVs hanging from the center of the room in the shape of a square that are tuned to some Korean TV channel. There’s a dance party style spinning ball that projects different color lights hanging from that and it never seems to turn off. The beer at the bar is pretty cheap, but nothing a beer snob would want to drink. It’s basically a dive bar mixed with an Asian dance club. Anyways, I drove up to Baltimore to Swaath play. They’re a new sludge band that is from Portland, Maine, but they weren’t the first band of the night. That was Baltimore locals Barbelith. They’re a black metal band and while they didn’t have a bass player and could be a bit tighter they had some cool songs and were pretty good overall. The second band was some hardcore band from Philadelphia named Congenital Death. I wasn’t very interested in them as I’m not much of a hardcore fan, While there are some exceptions they just weren’t unique enough for me to really get into. After they played it was time for Swaath and they didn’t disappoint. They play a sort of atmospheric sludge metal with some stoner and doom aspects thrown in too. I really enjoyed their set and it was def worth the drive up. The final band of the night was another Baltimore local, Ophidian. They weren’t bad though going on after such a strong set can be tough. Plus being a local and going on after the touring band meant a lot of people left after Swaath played. I hope I get to see them in a better setting next time.

Barbelith:

Swaath:

Ophidian:

Two nights later, Tuesday the 8th, I headed over to the Black Cat in Washington DC to check out Jucifer on the venue’s smaller back stage. I missed local openers LTW but I’m sure I’ll catch them again as they open a lot of shows these days. Jucifer is a duo made up of husband and wife Edgar Livengood and Amber Valentine. They tour around the country in their RV with no permanent address. They’re basically always on tour. They’re known for having extremely loud shows due to the wall of speakers they bring with them, which were stacked to the ceiling at the Black Cat this night. I’ve seen them play before but this set went on longer than usual, lasting around 90 minutes! Their fuzzy set went through hazy highs and rumbling lows and even had some quiet parts. You get sucked in early and after a while you just find yourself absorbed into their show as though you’re staring into the obelisk in A Space Odyssey. As a side note, I actually met my girlfriend for the first time at a Jucifer show at the Black Cat a few years back and while that wasn’t a date or something, we sort of see their annual early January shows as something of an anniversary. Because of that I decided to relax a bit at this show and I didn’t bring my camera, so I don’t have any photos of Jucifer from this show, however I’ve posted a shot I took of them at a previous show below.

Jucifer:

The following weekend I saw a DIY show at The Lab in Alexandria, Virginia on Saturday the 12th. The Lab is basically a rec room for some church but it has a nice stage and it holds a decent amount of people. I missed the opening band but to my understanding they aren’t a metal band at all but play some sort of electronic loops and such. The first band I caught was Grethor, a Northern Virginia based melodic death metal band. I had seen their drummer, Anthony Rouse, play with the now defunct Orgy Of The Damned. They had some cool songs but you could tell their frontman, Marcus Lawrence, was pretty new to this as he didn’t engage the audience much spoke in almost a whisper between songs. Still, that’s something that can be worked on. The next band to play was Cammo Shorts, a grind band from Manassas, Virginia that doesn’t have a drummer. The three piece was pretty damn entertaining with lots of funny song titles such as My Cammo Shorts, Your Girlfriend’s Floor and LSD Cures Cancer. They covered the Pantera song Good Friends And A Bottle Of Pills which was probably the catchiest song of their set. They were good though a real drummer instead of just programmed beats from a laptop would probably fill their sound out more. Still, they were my second favorite of the five bands I saw that night. The next band to play was Acrid, a three piece death/grind band from Hagerstown, Maryland. While they had an actual drummer these guys lacked a bass player and honestly I think it really made their sound suffer. I’d heard their music online and I actually thought that sounded a lot better than they did live. Maybe it was just an off night? I dunno. The fourth band I saw that night, tentatively named Lucid Dream (until the band members agree on something better, apparently) was more of a rock band than anything. I liked what I heard but unfortunately their set was marred with several technical difficulties, including one of their amp heads crapping out. They asked if anybody in one of the other bands had one they could borrow, but apparently everyone from the other bands was outside. This lead to an increased delay as they looked to find someone that could help them. They finally played another song then abruptly ended their disjointed set. The final band of the night, and the main reason I came out to this show, was Fortress, a doom metal band from Hagerstown, Maryland. Let me just say that these guys were very fucking impressive live. Absolutely epic, crushing, heavy doom. Very loud, very intense, at times very slow but they knew just when to pick up the pace to keep it from getting boring. They put one one of the best performances I’ve seen from a DMV area metal band in quite some time. I was literally blown away and I know I wasn’t the only person in attendance who thought so. I cannot stress this enough: if you ever get the chance, GO SEE THIS BAND PLAY LIVE!

Grethor:

Cammo Shorts:

Acrid:

Lucid Dream:

Fortress:

I didn’t get to another metal show until 12 days later, on Tuesday the 24th of January. That night I went to DC9 in the U Street corridor of Washington DC and saw the so called super group Corrections House play. The band is Scott Kelly of Neurosis fame on guitar, Bruce Lamont of Chicago’s jazz influenced metal band Yakuza, Sanford Parker who plays keyboards in Nachtmystium, and Mike IX Williams of Eyehategod is the frontman. The opening act was Tone, a DC based instrumental rock band. They not really very metal but they’re not bad if you like instrumental bands. Corrections House has a sort of weird live set up and the band doesn’t just come out and start playing. Instead each member gets a segment to do a bit of solo material, and various other members come in and duck out at various points. They also all wear the same black button down shirts with the Corrections House logo embroidered on the sleeves. Their entire set was about 80 minutes long, although the first 20 minutes were just Sanford Parker looping drum beats and playing samples. A such, I didn’t particularly enjoy the start of the set. It did get better when Bruce Lamont came in with his sax though that only lasted five minutes or so before Mike IX Williams started reading some of his poetry. The high point of the show was definitely when the entire band was performing together. Their sound had a very improvy feel to it but they all seemed to work pretty well together for the most part. Corrections House was unpolished though and Mike IX Williams had to read the lyrics because I guess he hadn’t memorized them yet. About an hour into the set Scott Kelly broke a guitar string and ended up borrowing one from someone in Tone. I didn’t know what I was getting into with this show, and it did take a bit to start rolling, however once they all got in synch together I thought the show was really entertaining and I certainly don’t regret going. I’m curious how they will sound in the studio if they ever record anything.

Corrections House:

Corrections House:

Corrections House:

Two nights later, on Saturday, January 26th, I was at Empire (formerly Jaxx) in Springfield, Virginia for the long awaited return of local southern metal masters King Giant. Due to an injury in the band they hadn’t played since early 2012. They had a show scheduled in November to be a return to the stage but due to another injury to someone else in the band that date was pushed back until this night in January. King Giant always draws well, and this night wasn’t any different, though I know the fact that Graveyard was playing at the Black Cat the same night had to have affected the attendance at both shows somewhat. I’d have liked to have seen both but since I saw Graveyard at DC9 last year and I always like to support locals I decided to go to see King Giant. When I got there Richmond’s Fire Faithful was setting up. They’re a southern/stoner band but I wasn’t very impressed with their show. The crowd was still pretty thin when they hit the stage and perhaps that had something to do with it but they didn’t have much energy on stage at all. Their songs weren’t interesting enough be able to pull me in while hearing them the first time so some stage presence really would have helped. I liked the vocalist’s Windhand shirt though. Next up was Kingsnake from Philadelphia. I had seen them about a year prior at the Velvet Lounge and so I decided to hang back a bit and I didn’t get photos of them this time. Kingsnake is a very solid blue-collar metal band with some cool licks. Aside from their coincidentally similar names, they’re actually really a great opening act for King Giant as they have a very similar style without sounding redundant. Finally King Giant made the stage. There was a lot of fog this time and I was glad to finally see them playing live again. The place was pretty crowded by this point and you could tell all the members of King Giant were having fun playing in front of so many friends and family. At one point a bunch of people in the crowd all came out with fake handlebar mustachios in parody of King Giant’s bass player Floyd Walters and his iconic ‘stache. It really was a fun show and although King Giant’s sophomore album, Dismal Hollow, came out in early 2012 the songs from it still sounded pretty fresh since they hadn’t been played in a while. The show was a great welcome back to the stage for these guys. If you’re a fan of southern sounding bands like Down, Clutch and Alabama Thunderpussy then do yourself a favor and check this band out. They’ve got some great riffs you’ll get stuck in your head and songs that will stand the test of time. This isn’t some throwback band, they’re doing their thing and doing it damn well. King Giant is certainly one of the DC area’s best local metal bands and if you’re in this area and you’re sleeping on them then you’re fucking up big time.

Fire Faithful:

King Giant:

The sixth and final metal show that I went to in January 2013 was on the the last day of the month, Thursday the 31st. I traveled up to Baltimore to see Enslaved play at the Ottobar. When I got there the band Royal Thunder was playing, who, as stated in my previous post, I had just seen at DC9 the month prior. However this time they were missing their second guitarist and their sound was a bit thin because of it. Still, they put on a decent show and I thought they were a good prelude to the band I wanted to see the most this night, Pallbearer. Pallbearer is the hottest band in doom metal right now. Their debut album, Sorrow And Extinction, was released in February 2012 and is nothing short of excellent. The Arkansas based quartet plays some very downtuned, very slow songs with clean vocals. Unlike the clean vocals you hear from power metal bands that soar over the songs (think Dio and Iron Maiden), vocalist Brett Campbell has a very solemn and pain filled tone to his voice. These songs are often very slow and they take some patience to absorb, but there’s a reason that their album ended up in the top spot on many critics’ year end lists for 2012. This night they were very loud, even for a metal band. So loud that they were actually vibrating my camera’s lens enough to make it lose focus while I was trying to shoot them! The singer seemed to be having trouble hearing himself though and that made his voice sound a bit off. The audience was rewarded with a brand new song at the end of their set however and it crushed! I hear this song will be on an upcoming split from the band. After they played it was time for Enslaved, one of the old second wave black metal bands from Norway that has now turned into a progressive metal band. Personally, I liked the band the most when they were in that sort of transitional phase between being a black metal band and a prog band. They were unique then. They were this second wave band that actually learned how to play and wrote unique songs that were a blend of black and prog metals. Now they’re basically a progressive metal band and while they don’t write bad songs they just aren’t as interesting to me anymore. There’s other prog bands out there that are more interesting to me I guess. Enslaved’s live show was alright but having seen the set list I knew they’d play for about two hours, which was a bit long for me. Their set was plagued by technical difficulties which drained my patience and about an hour or so in I decided to start the long drive home. Unfortunately I got stuck in construction traffic which closed 95 South for a good 45 minutes so I should have just stayed longer! Oh well, I’m sure I’ll see Enslaved again, hopefully a bit closer to home if it’s on a week night.

Pallbearer:

Enslaved:

Well, thanks for reading this big recap of the metal shows I saw in January 2013. I hope to have my post covering February 2013 up next week, then I should be about caught up. Stay metal everyone and remember to support the scene you’re a part of!