Review of Isis gig at 9:30 Club

Well, last night, Wednesday 16 June 2010, I headed over to the 9:30 Club in Washington DC to check out the Melvins and Isis. I was a bit torn as a band some of my friends are in, the Chance, were playing the Rock & Roll Hotel the same night, but since this was the farewell tour for Isis, I figured I’d better see them while I had um, the chance. They announced on their blog (here) in May that after this tour the band was going to break up. They didn’t really give a real answer as to why they are breaking up, sticking to the standard “artistic integrity” statement. I’d imagine there’s more to it than that though, probably starting to have families and don’t like touring, or maybe they feel their music is starting to get stagnant and they’re out of new ideas and feel it’s getting boring. Regardless, I have a feeling they’ll be back for a reunion tour in 5-15 years, after they realize real jobs suck and/or their new musical projects aren’t making near the amount of money they did in Isis. Who knows though, and for now this show will be known as their last in Washington DC.

I got off of work and headed straight to the venue, but since I work late the Melvins were starting their set when I walked in. That means I totally missed the Totimoshi band, but I don’t really know who they are anyways so I wasn’t that upset. Plus everyone I talked to said they had a shitty mix and that the venue didn’t really do them justice because of it. Anyways, the Melvins came on and played a long set. This was their first DC show since October 2007 at the Black Cat, though they’ve played Baltimore a few times more recently. I’d never seen the Melvins live before so I wasn’t sure what to expect, and it was an interesting show. They had two drummers on stage, which I’m not sure if that was really necessary or just more of a gimmick. They didn’t do anything that was too crazy that it really needed two drummers, though they did some cool little seamless switch offs where they’d both suddenly switch and start playing the other drummer’s part and if you weren’t watching them you probably wouldn’t even notice. There were some parts that were very percussion heavy that sorta reminded me of that old Sepultura song Kaiowas. Their songs went through a variety of paces, from very slow to more rocking mid tempo stuff. There were some moments of dissonance and the distortion on the guitars added a rough, unpolished feel to the mix. They of course had some strange and even abrupt time changes, and a few tricks for the audience, like suddenly switching to a strange Caribbean sounding beat to throw off the people in the mosh pit. Buzz Osbourne was waving his famous mop of hair around, and Jared Warren was wearing some goofy fake armor outfit with a sparkling cape. Sort of looked like a kid who dressed himself up in some sort of half assed gladiator costume or something. It was a fun set to watch but seemed to drag on after a bit. I noticed they played longer than was expected, though I think this was because they were originally intended to be the headliners on this tour, before Isis made their aforementioned announcement that this was their final set of shows.

When the lights came on after their set I could see the place wasn’t totally full, which is nice. The last few shows I’ve been to at the 9:30 Club have been sell outs and that is not really fun seeing a band like that. It’s hard to find a good view in those situations and if you do get a good spot you better not want to smoke, drink or go to the restroom at any point cause it’ll be gone in seconds. The 9:30 Club isn’t really a venue I enjoy too much in general, but I do find myself there fairly often to see bands with larger followings than most of what I enjoy. Their beer is very overpriced so I don’t even bother drinking there any more, and they are totally nazis about camera policies, which change from concert to concert. It is nice that they have 3 levels to view the show from, helps to find a spot with a decent view. I think I’ll be back again in early August to catch Boris and Russian Circles. You can find more info on that on my upcoming concerts page. Anyways, after talking to some friends during the set up for Isis, the lights dimmed and the headliner was on.

Isis came out and didn’t say a word. Atfter a short intro, they just started into their first song, I think it was Threshold Of Transformation. I shot a few pics during this song, but they must have said something to the lighting guy after that song, because it was DARK in there for the rest of the set. This resulted in me not getting any great pics since flash photography had been banned by “artist request”. Of course nobody said anything to the guys in the Melvins who I saw shooting pics with their flashes on during Isis’ set from the backstage balcony. The video I shot of Holy Tears at the concert (see below) is pretty damn dark too. Not the end of the world, as I had to really hide that I was shooting a video since they’re always hard core about that there so it’s not centered that well on the band anyways. The audio is decent in it though. Isis didn’t really address the audience at all, I suppose just letting their music do the talking. They did say a few words before the final song of the regular set (aka before the encore) and dedicated a song to the Melvins as well as thanking the opening act. They were a lot of fun to watch, though I’ve got to say the second half of their show was the most exciting to me. They seemed to really be on and you could see the crowd was reacting more too. Well, half the audience at least. Looking down at the people on the floor you could see that those standing on the right side of the stage were having a blast, moshing, clapping their hands over their heads and even occasionally crowd surfing. The people to the left of the stage down there seemed like the typical DC zombie audience stereotype. It was really weird seeing such a division of the audience like this, right down the middle. At some points in the set, keyboard player Bryant Clifford Meyer played a 3rd guitar, which wasn’t something I expected. After playing So Did We, Isis left the stage briefly for the pre-planned encore that I always find so tacky, but the songs they came back to play were a lot of fun to watch. They seemed to have more intensity and energy, even in the slower parts, than the rest of the show. By the end of the final song, The Beginning And The End, the bass player, Jeff Caxide, was laying on the floor and singer/guitarist, Aaron Turner, was playing on his knees. They got up and Aaron said goodbye into the microphone and they all left the stage for the final time of the night. The crowd seemed pretty thin by the end of their set, maybe more people were there to see the Melvins and left? Sucks for them cause the best part was the second half! It was a good show and I’m glad I decided to go, especially since this was likely the final Isis show in DC.

Review of Fear Factory gig at Jaxx

On Thursday 3 June 2010 I headed out to Jaxx again to see Fear Factory play on their so called Fear Campaign Tour. I get off of work kinda late these days, and when I got to the venue I realized it was another early show at Jaxx. I got there about 9pm and Prong was finishing up their set, which meant the next band was Fear Factory. Luckily I really wanted to see them headline more than anything, so not the end of the world missing the openers. The only Prong song I know by name is that old Snap Your Fingers Snap Your Neck tune, which never interested me anyways. I do wish I could have caught local support band Loculus but they were on far too early for me to see them. Upon entry I spent a few minutes talking to friends of mine at the back bar, then as usual I headed towards the front of the pit to get some good shots of the band.

Fear Factory is a band I liked a lot when I was younger, their first two albums really kicked ass. They had a unique blend of metal with industrial tendencies. What I always found interesting about their sound is they really tried to write songs that sounded mechanical or robotic, not just write metal songs with repetitive keyboards and sound effects added to give it that industrial sound. Then the nu-metal fad hit in the late 90s and while I did like some of the songs on their 3rd album, Obsolete, you could tell the band was changing direction and not in a way I cared about. I didn’t really listen to them much for many years, though a friend of mine would always get their new stuff so I did hear some parts of albums I’d consider forgettable. Through sites like Blabbermouth I’d heard about the band breaking up and reforming and various other bits of drama involving their line up, until at some point I guess they just stopped being a band all together. A few years passed and their original singer, Burton C. Bell got back together with their original guitarist, Dino Cazares, and they got the band going again. Their current guitarist was moved to bass and then they added legendary drummer Gene Hoglan (whose complete credits are far too long to list here) who has been in a wide array of metal bands, from Death to Strapping Young Lad to Old Man’s Child to Testament to the Cartoon Network’s joke band Dethklok. The buzz around this new version of Fear Factory interested me enough to check them out again, and I’m glad I did. Their new album, Mechanize, released in February this year, wasn’t just a return to form from the days I enjoyed them, but they had a new energy and excitement to their sound that had been missing for a while. When I heard they’d be coming to Jaxx on their reunion tour I was excited, I certainly wanted to see this band again. The last time I saw them was almost exactly 11 years before, when they played on the side stage of Ozzfest in 1999, but this new album made them a must see for me after a decade of apathy on my part.

So there I was, up in the front waiting for the band to come on. They started early, a few minutes after 9:30pm, but when they came out the crowd was already excited. They started off with the title track off their new album, Mechanize. People enjoyed it but when they started playing the next song, Shock, the crowd was definitely into the show. I saw a few crowd surfers at this gig, and I don’t know if Jaxx security was being lax on purpose or just slow to the draw this night, but they weren’t kicking them all out as I saw some of them back in the audience throughout the show. The band came out with a good energy, Dino was singing along to the lyrics of most of the songs while playing his 8 string guitar and Burton was getting right up on top of the audience. This set list was certainly tailored to older fans like myself, as they only played 2 songs from albums between Obsolete and their newest. They played the first 4 songs from Demanufacture (one of the best A sides in metal from the 90s if you ask me) and the first 3 songs from Obsolete. They only played 1 song from their first album, Soul Of A New Machine, the overly repetitive yet still catchy Martyr. They said this was the 17th show on the tour and you could tell between songs they were starting to get a little tired as the show went on. At one point they did break for several minutes to thank the other bands, and as a kind of cool gesture they actually learned a riff from a song by each opening band and played it saying the band’s name. I was rather impressed by that and I wish other bands did that sort of thing. The break then continued as they brought out the vocalist, J Costa, from the opening act Thy Will Be Done to do a rather stupid Christopher Walken impersonation to introduce the members of Fear Factory. This really did eat up a lot of time in which they probably could have played another song, but I suppose they were just trying to take a breather. Sadly, they didn’t play my favorite song off the new album, Christploitation, but they did play another song from it for the first time ever live, Controlled Demolition (video below). Luckily they didn’t play their awful Gary Numan cover of the song Cars, which they had a video for that actually got rotation on MTV back in the day (and not on Headbanger’s Ball mind you). They did seem to feel guilty for playing the song Descent and claimed they were playing it for the women in the audience, but I thought it showcased a different side to their typical songwriting and wasn’t a terrible song to add to the set. Their show did seem to be running out of steam towards the end though, and Burton’s voice didn’t seem to be holding some of the notes as well towards the end of the gig. He seemed to be having trouble hitting higher notes as well as holding the breath to sustain longer notes. Still, they put what they had left in the tank into Zero Signal, a personal favorite of mine from way back when, and the crowd seemed to really enjoy it as much as I did. They closed the set with Replica and didn’t do the tacky staged ‘encore’ thing so many bands do. They apparently stayed after the show to sign things for people as I saw a line formed in the main concert hall long after the set was over, that’s always cool of the bands who do that. I had a lot of fun at this show, I wasn’t bothered by security about my camera at all, and they played a set list I really enjoyed. I could see how people who weren’t as familiar with the older material would have preferred a set with more of the material from the past decade, and again I really wanted to see Christploitation live, but I really can’t complain about the set list. They might be a bit older now but they’ve certainly got me interested in the next album they’ll put out and I wouldn’t mind seeing them again in a year or two, just hopefully with better openers, and ones I can arrive in time to see too!

Review of Dark Tranquillity gig at Jaxx

After work on Wednesday 12 May 2010 I headed over to Jaxx again for another metal show. Been there a lot recently, though that’s not a bad thing. This time I was going to see the Gothenburg band Dark Tranquillity. When I got there a parking spot right in front of the venue was open (no, not in front of the stores with the 30 minute parking signs, a real spot). When I got inside the band Threat Signal was on stage about midway through their set. I wasn’t too interested in them, and quickly made my way to check out the merchandise stands. As soon as they finished playing I headed up to the stage to try to get a good angle to get pix from.

The band came on stage a few minutes after 10pm, and people were ready. Ironically they used a “Projector” on the stage, and had interesting visuals on the backdrop throughout the concert. I prefer this method to the typical banner that most bands put up, as it it much more interesting to look at because it’s dynamic. This combined with the excellent lighting and just the right amount of smoke machine fog made for a very visually stimulating show. They made use of the entire stage and kept their wires, pedals and other equipment very neat and organized. This was probably necessary because the band really likes to move around on stage. I had a great time photographing them and while I often have to move about the audience to get good shots of the various band members that are on different locations on stage, they made it easy for me since they all moved around so much up there.

Ok, the visual stuff is cool and all, but how about the music? Well, I got a photograph of their setlist when they were setting up so I knew what to expect. Sadly, it didn’t consist of much from my favorite album of theirs, Damage Done. They did play Final Resistance though, so I can’t complain too much. Of the 15 songs they played 6 of them were from their new album, We Are The Void, and another 4 songs from their previous album, Fiction. They only played 1 song from before 1999, and they’ve been around since 1991. That’s great if you’re a newer fan of the band I suppose, though I’d have preferred a bit more of the older material in the setlist. Regardless, the band played well and it was a lot fun to watch them. Mikael Stanne has a great stage presence and really hangs right over the crowd for parts of almost every song, even letting fans scream into the mic from time to time. He didn’t talk too much between songs but did say they would probably be back next year. The sound mix wasn’t bad. The keyboards were almost non-existent from where I was standing (front and center) but that’s fine by me. It’s something that happens to a lot of metal bands, where the keyboards that get raised so highly into the mix on the album but are almost impossible to hear live. That’s fine by me though, as I really enjoy hearing the guitars carry the band more live. Also, the vocal style of the growls wasn’t the same as on the new album, another thing I think is good. I don’t really like how they sound on the new album, probably due to layering the vocals in the studio, but I think it made him sound too much like Angela Gossow of Arch Enemy. They played for about 80 minutes straight and luckily they did not do the typical rockstar encore thing. After the show Mikael came back on stage to pound a beer for some reason. Not sure what was up with that as I was already at the merch stand (bought a t-shirt from local opener band Apothys). Apparently the band members of Dark Tranquillity were going to head over to the merchandise area and sign stuff for fans, which is always cool when bands do that, but I didn’t wait around because I’m not that big on autographs.

I remember I’d heard years ago from a few people that Dark Tranquillity wasn’t a good band to see live, but trust me, whoever said that was lying. The last time I saw them I was really surprised on how good of a show they put on, and this time was even better (even if I didn’t enjoy the setlist as much). Though I didn’t have any problems this time, I did hear people in the audience grumbling about security bugging them about their cameras. Regardless, I did shoot two videos (of older songs) which you can see below. Also of note, this will be my last concert review until Maryland Deathfest. I should have a lot of pics and footage of that afterwards, and maybe some other surprises too.

Review of Overkill gig at Jaxx

Friday the 30th of April 2010 I found myself at Jaxx again, this time to see Overkill headline the Killfest Tour. Well, not so much Overkill as the openers Vader, God Dethroned and Warbringer, so maybe this review’s title is a bit misleading. Unlike the previous Friday’s Cannibal Corpse concert, or Monday’s Amon Amarth gig (which I missed because they started so early), this concert’s headliner wasn’t scheduled to hit the stage until 11pm. That’s great for me as I work later than most on weekdays and I really wanted to see some of the opener bands too. I got to the venue but couldn’t find any parking, so I had to cross the street and park by the Shell station in the Giant’s parking lot. Of course as I was walking to the venue I saw a car pull out of a spot that was actually, you know, in the correct lot. Always frustrating when that happens. Anyways, I proceeded to walk to the venue.

Warbringer was on stage when I got there, so I went straight to the main room and got up front. I thought they’d be done playing by the time I got there, but apparently things were running a bit late so I got to catch a decent amount of their set. These guys were really a lot of fun to watch live. I’ve enjoyed their studio material but this was the first time I’ve been able to catch them play. In the past week I’ve seen a lot of these modern thrash bands (Skeletonwitch, Toxic Holocaust and Municipal Waste) and Warbringer might have had the best stage presence of all of them. Their lead singer, John Kevill, really got the crowd into it, but on top of that the other guys in the band did a good job of getting the audience excited. This isn’t a band where the singer gets everyone into the show and everyone else just sits there playing their instruments. There was a lot to watch no matter where you were looking on the stage.

Next up was God Dethroned. I saw them headline a show at Jaxx back in October 2009 and they really impressed me with their live show so I certainly wanted to see them again. The last time I had seen them they had a woman on guitar, Susan Gerl, but this time they had a new guy, Ian Jeckelis, who is apparently also a member of Abigail Williams. This show performance wasn’t as good as their headlining gig in October. They were plagued with technical problems, and actually played almost an entire song without vocals nor one of the guitars as Henri Sattler tried to find a solution to the problem. There was a pause for a few minutes after that song while the equipment was set back up, I figured they probably had to cut a song out of their set because of the time it took. The final song also seemed to have a problem as about 90 seconds into it the other guitar seemed to go out and Ian stormed off the stage and didn’t return. A shame the show didn’t go better for them, as they’re a good band and people should pay more attention to them. I did talk to the bassist for a couple minutes after they had played, and he said that after the tour they’d be working on a new album and would probably come back to the US after that was out, though he said he didn’t know if it would be as headliners or as support. He said it would be another album about a battle in World War I, but he didn’t say which it would be this time.

The next band to play was an old favorite of mine, Vader. They’re an old school death metal band I’ve been a fan of since I first heard their album The Ultimate Incantation. They are from Poland and are actually one of the first bands of any genre, not just metal, that broke through the iron curtain to the west, due to their early demo material being highly praised on the old underground tape trading scene (for the young people reading this, that’s what people used to find out about new metal bands before the internet had things like Napster or bit torrent, where people would actually trade copies of demo cassette tapes through the regular mail). Unfortunately Vader wasn’t headlining this concert so they didn’t play all the songs I wanted to hear, though they did play some older material like Sothis and Carnal as well as a good amount of newer songs too. They didn’t play my favorite Vader song Silent Empire, which sucks because that song is so damn brutal. The line up has completely changed, except for main man Peter Wiwczarek, since the last time I saw Vader live (in December 2007). They still played very tight and really got the mosh pit going. I’m glad I got to see them again as they always seem to impress with their high speed death metal assault. And I don’t say that lightly, Vader is one of those bands that’s fast even by death metal standards. I had an entertaining time talking to some of the younger guys in the audience while they set up too. One of them told me how he wished he had gotten to see Damageplan with Dimebag Darrell before he died as Pantera was his favorite band. I really felt old when he stared at me wide eyed when I told him I’d actually seen Pantera play several times!

The next band set to play was going to be the headliners Overkill. I’ve never really been a fan of theirs, they’re a bit too “Waaaaah!!!!” for me, if that makes sense, haha. Since the guys who were in front of me on the railing left after Vader played, I got to stand in the front row and figured I’d give em a shot live since I was there anyways. They took longer to set up than any of the other bands, and before they played Jaxx owner, Jay Nedry, came out onto the stage to talk to the audience for a while. He thanked the all bands playing, the roadies, sound and light techs, bartenders and staff and the people in attendance for coming to shows for all these years. He promoted a few of the concerts coming to Jaxx soon (which you can always find out more about on the Upcoming Shows page here on this site) and gave a toast to the war veterans in the audience. After a few more minutes Overkill hit the stage. Their lighting set up was rather impressive I must say, one of the better ones I’ve seen at Jaxx. I took a few pics and figured I’d shoot a video of one of their first songs before I got out of the front and let someone else up there who really wanted to be there. While I was shooting footage on my regular camera something strange happened that I’ve never had happen at Jaxx before (and I’ve seen over 60 concerts there). Security asked me to put my camera away. What the fuck? I wasn’t shooting with a camcorder (though most clubs don’t mind that these days anyways, but I know that’s a no-no at Jaxx). It really took the fun out of the show for me. If I couldn’t use my camera (which I wanted to use to post material here for my review) then I surely wasn’t going to stay to watch a band I didn’t care about otherwise. I gave the guy behind me a chance to take my spot in the front and then headed to the back of the venue. I bought some merch and a ticket to the upcoming Dark Tranquillity gig and left the venue with a really bad taste in my mouth. Maybe Overkill played a great set but from the 2 or 3 songs I saw them play I wasn’t really impressed with much besides the lighting. I’m hoping Jaxx doesn’t turn into another camera-nazi venue like the 9:30 Club and hopefully this was just a 1 time thing, maybe brought on by the band or something. Anyways, the footage I did get of Warbringer, God Dethroned and Vader is all viewable below.

Review of Municipal Waste gig at Rock And Roll Hotel

So Sunday the 25th of April I decided that instead of going to the Earth Day Climate Rally on the national mall, I’d much rather go to see the bands Municipal Waste and Toxic Holocaust at the Rock & Roll Hotel. No I’m not some hipster just trying to be ironic, I really couldn’t give a shit about Sting, I want some thrash! When I got to the venue the opener, Black Anvil had just finished playing, so I didn’t get a chance to see them. After talking to a few of my friends who had already gotten there I moved up to the front of the stage. There wasn’t much of a crowd in there when I got inside, but the place was filling up by the time Toxic Holocaust finished their set. They played a really good set and they’re one of those bands who not only plays their material faster live, but with much more energy. They didn’t talk much between songs and really just came out to shred it seemed, and the audience seemed to get into it a bit. It was a great set to warm the crowd up, though I’m not sure if they really needed it.

After a rather long set up time, Richmond natives Municipal Waste hit the stage. The crowd was ready and it didn’t take long for people to start running onto the stage and stage diving back into the audience. The security was not happy about this and had its hands full trying to kick people out. Several times between songs Municipal Waste berated the security for kicking people out and I noticed the bouncers had started to just throw people back into the pit when they were crowd surfing. That was a pretty intense mosh pit, I did my best to stay out (moshing with my cameras = not good!) but you could tell it was made up of a lot of DC hardcore kids and they were ready to get brutal. People were singing along with catchy chorus lines and just all out having fun. Their set was a good mix of songs from all their albums, though I don’t think the audience cared what they played really, as long as it was fast. That’s because their vocalist, Tony Foresta, had such great stage presence. He was jumping around and instructing the circle pit which way to spin and turning the mic around so the people could help out. He told people to all jump up on stage for the final song so it wouldn’t matter if people got kicked out by security, and they did! It looked like maybe a dozen people were crammed on the stage by the time the song ended. The only gripe I really had about the show was that they did the typical “walk off stage and wait for the crowd to chant for an encore” rock star bullshit thing. I thought that was kinda glam, especially considering they’ve got such a punk influence. That’s really not a big deal, and the show was a lot of fun for everyone except security!

Below I’ve posted the videos I shot with my normal camera from this concert. If you saw me there you may have noticed I also had a palm cam that I was shooting with. It’s actually a friend of mine’s and he was letting me borrow it. The video quality came out great though the audio was terrible, complete overload once the guitars started up so I didn’t post them to YouTube with these other vids. There is a recording volume control but I didn’t know how to use it until I looked it up after the concert. That’s ok though because really this was just a test run for when I bring it to Maryland Deathfest next month. It really did a good job of adjusting to the dark setting though, which if you look at the third video below, you can see my normal camera does not. The audio is still good on those though, so I hope you enjoy them.

High On Fire and Doomriders Reviews

Well, this evening was a bit of a choose-your-own-adventure style night. It was a Sunday night, the 11th of April 2010, and I had a small problem, 2 bands I wanted to see were playing the same night at different venues. High On Fire at the Black Cat and the Doomriders at the Rock & Roll Hotel. I called up a couple friends of mine to see if they wanted to try to squeeze in both shows. They were up for the double feature and we headed off to the Rock And Roll Hotel to catch the Doomriders first. The show was running late and when we got there the first band, Fang Island, was still setting up. I only watched them for a single song before heading upstairs. They weren’t too interesting to me, and not very metal anyways. For some reason they had 3 guitarists on stage, and their bass player switched off to play they keyboard. After a couple beers we went back down while the Doomriders were setting up. The crowd wasn’t too close together and we basically just walked right up to the front. One of the friends I was with had another friend at the Black Cat who was updating us on the status of the bands playing there. We decided that when Priestess was playing their last song we’d have to leave, regardless of if the Doomriders were done or not. Anyways, the Doomriders finally did come out and they were really energetic. I’m sure they won over some new fans who were really just there to see the headliner Red Sparowes, people were getting into them. I also saw a little kid (pic) up there in the front row, he was even throwing horns and headbanging to the music. Their show kicked ass so you can’t blame him! One thing though, their bass player, a really tall guy named Jebb Riley, was actually too tall for the stage! His head was hidden from most of the crowd during the show because the overhead speakers were blocking him. I’ve never seen that kind of problem before, haha. The mix was pretty good I’ve got to say, though the lighting was pretty crappy (the R&R Hotel doesn’t have good lights so that’s to be expected). They were playing their last song of the night, which was apparently also their slowest and longest, when we got the message that we needed to head over to the Black Cat. We didn’t wait for the long song to end and promptly headed straight for the door.

We piled into my car and headed over to the Black Cat. I found a good parking spot on the street right next to the venue, and we went right into the club. We could hear High On Fire had already started playing Frost Hammer, though the ticket guy said the band had just started. We rushed up the stairs and headed into the crowd. We got up there pretty close fairly easily, I guess people were scared of the mosh pit? As usual the lighting wasn’t great, but I still got some good pics I think. The sound mix was terrible though, I mean really bad. I’ve posted videos below and they’re actually a pretty good representative of the sound. It’s not my camera that makes it sound muffled, it’s the mix. I even heard a few random shouts from the crowd between songs demanding the guitars to be turned up. The vocals were really low in the mix too, at least from where I was standing. Matt Pike (of Sleep fame) really had a hold of the crowd though, people were going crazy and his stage presence was a big part of that, even if you could see his beer gut and ass crack (depending on which way he was facing) the whole time. Regardless, the show was really fun and they played a lot of the songs from their new album, Snakes For The Divine, which is cool because that album is pretty awesome. I was trying to shoot a video of the title track but some guy with a flash light told me I wasn’t allowed to take video. I don’t think that is the Black Cat’s usual policy, so maybe the band requested that. Strange. I still shot the 3 vids below before he told me to stop, though I thought Snakes For The Divine was the best song they played all night. Still, the show was a blast, the crowd was going crazy and the metal was loud!

In all the entire night was a lot of fun, I haven’t done the concert hopping thing in a while and it was a great night for metal in DC (even though I missed the first ever metal show at DC Star, but there was no way I could fit that in too). I haven’t been to a whole hell of a lot of concerts so far this year, but I should be seeing several awesome gigs here up through Maryland Deathfest, for which I’ve already got a 3 day pass. This is going to be a good spring for metal heads in the DC area.