Review of Ilsa gig at Hole In The Sky

Sunday night, the 9th of January, I got to see my first metal show of 2011. The show was local death/doom band Ilsa playing with the lo-fi doom duo Olde Growth from Boston. There was another opening act, a new local band named Spirals but I didn’t get there in time to see them. I’d never been to this DIY venue in DC, Hole In The Sky, which just started hosting concerts in June of 2010. They seem to get more shows that are punk and hardcore, but they do get some metal too. Ilsa is a band that seems to bring metal to people who aren’t really the typical metal head. The audience was different than what you’d see at a typical Jaxx show, but a fan of metal is a friend of mine. The set up was interesting, you have to walk down an alley to find the front door which is rather nondescript, a small wooden sign above it lets you know you’ve found the right place. You go up a dark flight of stairs and open another door and you’re in what is basically the large common area of an apartment. Instead of a lot of furniture, they’ve got a nice open space set up in the corner for bands to play. The walls are covered in spray paint and other designs, and there’s a corner with a place to hang bicycles. They also have an outdoor rooftop that people can smoke on, but I didn’t spend a lot of time out there cause it was cold as shit. It’s probably much nicer in the summer though. There were a couple of the local neighborhood kids who had wandered in and were running around underfoot for a bit, even playing with some of the instruments between bands. A small table with merch was set up too. Someone came around asking for $5 donations to the show, but the exchange was very friendly. The place was pretty welcoming really, and while I didn’t really know anyone there, I did find a few people to strike up conversations with.

The first band to play was named Spirals, but as I said before they had finished playing by the time I got there. Olde Growth was setting up when I walked in, and I didn’t really know anything about them. Usually at these DIY shows there’s at least one touring band, and a couple local acts to help draw people to the show. Most of the money collected goes to the touring bands, even though the local acts tend to get the better draw. This might seem unfair, but ideally they are trying to help pay for those bands to tour, so people can see bands they wouldn’t normally get to, and ideally the local bands will be able to use the same network when they want to play in other cities. This show was no different, and since I didn’t know anything about Olde Growth other than what the flyer stated I wasn’t sure what to expect. I wouldn’t call them the best band I’ve ever seen but they were worth getting there early enough to watch. They are a very bassy doom duo. Their songs weren’t overly complex, but they did have a sort of epic feel to them. They really brought the tempo down to a crawl but still managed to bring things back up. The set seemed really short though, maybe the songs were long so it seemed that way, but I think they only played about four songs total. Still, it was a pretty entertaining set and they were a good act to play with Ilsa.

Ilsa was playing last, and they were the main reason I was there, and you could tell by the size of the audience that I wasn’t the only one with that sentiment. I’d been meaning to catch them for a while, glad I finally got a chance to. They’re called a death/doom metal band, but I think they’re more on the doom side of that with some sludge in there too. Whatever they are, they’re really heavy. They’ve made a name for themselves in the local DC scene, though they seem to be known more in the world of local hardcore fans than the typical metal circles. I think that’s starting to change as their latest album, Tutti il Colori del Buio, is starting to get noticed, and for good reason. The show was a bit different than their studio work. The songs are a bit dirtier sounding, and a bit more energetic live. The cleaner studio production gives way to a more raw vibe, and honestly I thought it was great. Plus really feeling that heavy distortion shake through you is just something ya don’t get from a recording. I enjoyed the songs that I recognized as well as the older material from their first album, which I don’t know. And while half the band had their backs to the audience most of the show, the crowd seemed pretty mesmerized by the performance. Really it’s not so much about the band’s stage presence as the sheer crushing sound they produce. Ilsa finished their set but they were talked into playing another song before calling it a night, which was pretty cool of them. It was a good show and I’m glad I made it out to see them play. They’re a great local metal act and I can’t wait to see them again, it was a hell of a lot of fun. If you haven’t seen them yet you should, they’re quickly becoming one of DC’s must see acts. I did get a few videos, posted below, one of Olde Growth and three of Ilsa, but they’re all pretty dark. The audio is decent, but Charred Resistors should have the audio from the entire show posted soon. I’ve got more pics on my Flickr page too. It was a great way to start off my year of metal concerts, a cool local act I’ve been meaning to check out in a venue I’ve never been to before. Lets hope the rest of 2011 is as fun.

Review of The Sword gig at the 9:30 Club

Monday the 6th of December 2010 was a damn cold night, but not cold enough to keep me from going to see The Sword play at the 9:30 Club. It is Washington DC’s most well known non-seated music venue, and also the largest. They don’t get a whole lot of metal bands there, so when they do I usually try to get to the show. This concert was different than any I’d been to before at the 9:30 Club because I had been given a photo pass by the band. This meant I could get up in front of the audience and shoot pics with my “pro” camera, so I really spent a lot of the show focused on that. That’s not to say I wasn’t paying attention to the band, but I just wanted to get that out there as it changed my perspective of the concert a bit, and I generally try to write these reviews from the point of view of the average person in the audience, not some guy with special access or whatever. The show was a lot of fun, and it was cool getting a chance to test out a lot of the settings on my camera. I think I got some really great pictures, and while I see lots of room for improvement, I’m still proud of how some of them came out. Anyways, on to how the show went…

I missed the opening band Mount Carmel though I heard they were a bluesy band. When I walked in Karma To Burn was playing their first song. These guys are from West Virginia and I’ve heard a few of their albums. Mostly instrumental metal, and that’s great to me because I’m a fan of instrumental metal bands. They’re a very groove based sort of doomy or stoner band, and I’d say they are pretty similar in sound to Pelican. They did play several songs with lyrics, though I’m not familiar enough with the band to give you a set list or song titles. They put on a good show with some fun songs, they were a really good choice for a support act, really helped warm up the crowd. I shot a few pics of them from the second level, but apparently my photo pass didn’t allow me to shoot any video and I was told to stop after having captured just one song. This also means I have no video of the headliner, a first on this blog, sorry! I await the day that all bands stop telling their paying fans they can’t make their own pics or videos at concerts. People aren’t bootlegging/stealing from you, we’re trying to have something to remember the experience with, and share them with our friends. Hell, I’m trying to use them for the purposes of a review, which is promotion at best and fair use at worst. Well, before this turns into a rant, I’ll start talking about the Sword.

The Sword is a doom metal band from Austin, Texas. Their sound is almost 70’s rock-ish with fantasy, and on their latest album, science fiction themed lyrics. You’d almost think this band spawned straight from a Frank Frazetta painting. They have caused a bit of a stir among music critics, some praising their classic style of metal with it’s epic heavy riffs and crushing grooves, while others say they’re basically reinventing the wheel and haven’t really done anything to deserve all the attention. I’d never seen them live before, and while I like their music, and their latest album, Warp Riders, has really grown on me, I wouldn’t say I absolutely love their studio work. That said, I really enjoyed their live show, much more than the studio material. Maybe it’s just the studio producer they’ve got, but the songs really came alive on stage in comparison. You could tell the band was glad to be playing and having a blast up on stage, and the songs just seemed to have an extra energy that seemed to be lacking in the studio. While I was there to take pics, sometimes I just had to put the camera down and headbang to some of those tunes. The setlist was very heavy on Warp Riders material, they played eight of the ten songs on it, though they didn’t play the song “Lawless Lands.” I find that odd since they just released a music video for that song (see it at the bottom of this post). I really liked how the song “Night City” sounded live, and their encore performance of “Winter’s Wolves” was fantastic, a perfect way to end the show. The new drummer, Kevin Fender, did a great job executing, especially considering how short he’s been playing with the band. In case you didn’t know, this concert was supposed to happen back in October but the old drummer abruptly quit and the tour had to be rescheduled. Also, this was the first concert I held a ticket give away for on the site (here), and I hope the winner Matt had a blast! It did so well I’ll be holding another contest with free tickets for the Gwar concert coming up on December 29th, also at the 9:30 Club. I’ll have a post with details about that up soon, so check back in a few days. Now, here’s the one Karma To Burn video I managed to get before I was told to stop shooting video, followed by the Sword’s official video for “Lawless Lands.” If that’s not enough you can check out some more of my pics of the Sword on Flickr here. Enjoy!

The Sword ticket give away

The fantasy themed doom metal band The Sword is coming to the 9:30 Club on Monday, the 6th of December (yes, that’s this coming Monday). The folks at the 9:30 Club have awesomely decided to let me give away a pair of tickets to this concert to one lucky DCHeavyMetal.com fan! Will it be you? All you have to do is leave a comment on this post below that tells me what your favorite metal concert at the 9:30 Club was and why. If you haven’t been to a metal gig at the 9:30 Club before, then tell me why you’re excited to see the Sword there. Be sure to use a valid email that you check regularly when you post your comment as that is what I will use to contact the winner (you don’t have to put your email in the comment itself though).

I’ll pick one lucky winner at random from all the valid entries at 11:59pm on Friday night (Dec 3rd) to win the pair of tickets. Multiple entries will be disqualified, so don’t be a dick. I’ll know if you’re using multiple email accounts! If I haven’t gotten a response back from the winner within 24 hours, I will pick another winner Saturday night at 11:59pm. Note that this concert is at the 9:30 Club in Washington, DC so if you cannot make it to the show there Monday night please don’t enter. Also of note, I will not add your email address to any mailing list or sell it to junk mail spammers or anything annoying like that. I hate that shit too. I just need it to get in contact with the winner.

The Sword at the 9:30 ClubThis concert was originally scheduled for Oct 20th as part of the tour supporting their new album, Warp Riders. The tour was abruptly halted when their drummer suddenly quit the band, but a new drummer, Kevin Fender, has joined the Sword and the tour has been rescheduled. Tickets from the previous date will still be honored. Also appearing is West Virginia instrumental metal band Karma To Burn and openers Mount Carmel from Ohio. Tickets are available from Ticket Fly here for $20 ($28.75 after fees) and the doors will open at 7pm. Please help spread the word about this contest, I’d like to give as many people as possible a chance to win. Now check out this video the Sword just released for their song Lawless Lands:

UPDATE: Congratulations to 7th commenter Matt! I used the website Random.org to generate a random winner from the 17 commenters below, and he was the lucky winner. I have already contacted him and he has responded with his info so there will be no Saturday night drawing. Don’t worry though, you can still get tickets to this show here. And keep reading DCHeavyMetal.com because I’ll be holding another contest soon that will be giving away a pair of tickets to see Gwar at the 9:30 Club on December 29th. It was a blast reading all the great stories you guys have of metal shows at the 9:30 Club, thanks to everyone who shared one!

Review of Katatonia gig at Jaxx

On Thursday the 7th of October 2010 I headed over to Jaxx to catch Swallow The Sun, Orphaned Land and headliner Katatonia play the final show of the 26 date Night Over North America 2010 Tour. Katatonia is a sort of doomy dark metal band from Sweden that, at least in recent years, uses clean vocals exclusively. Swallow The Sun is a band from Finland that actually fits on this bill rather well, though they do use mostly harsh vocals. Musically their sounds are pretty similar and I’m sure their fan bases has a lot of cross over. Orphaned Land is sort of the odd ball on this tour. They are an Israeli metal band with a traditional hebrew and arabic folk elements and themes. There were also a couple local openers, but I didn’t get there in time to see them. The place was pretty full, always nice to see a good turn out at Jaxx.

To start off, Swallow The Sun and Orphaned Land switched places in the evening’s band line up order, so Swallow The Sun played first. I’m not sure if this meant they had a shorter set though. I think this was probably a better order than if Orphaned Land played first, mostly because I think Swallow The Sun and Katatonia have similar sounds and putting the other band in the middle keeps the sound from getting stale. Swallow The Sun played a good set though, including my favorite songs of theirs, Falling World and Swallow (Horror Part 1). Before playing the song New Moon, which I’d always wondered if it was about those stupid Twilight books and movies, vocalist Mikko Kotamäki said that the song was in fact about them, but implied it was making fun of them. He said that “Vampires used to suck blood but now they suck cock.” When they played their song The Justice Of Suffering, Katatonia’s singer Jonas Renske came out after a couple minutes and sang parts of the song live. As a side note, I noticed he had a Bloodbath shirt on but when he came out with his band later he had switched to an Autopsy shirt. Anyways, Swallow The Sun was pretty good, and for a slower band than much of what I’m used to seeing live, they never had me feeling bored at all. Really they were a perfect opener for setting the tone for the rest of the evening.

The next band to play was Orphaned Land. Though I’d heard of them before from that Global Metal documentary, I wasn’t really familiar with much of their music. They certainly didn’t sound the same as the other two bands on this tour, and that’s fine. These guys have a more traditional approach to heavy metal, maybe you could call them thrash or very soft melodic death metal, but the real part that stands out is all the hebrew and arabic stylings. They certainly aren’t as fast or brutal as a band like Melechesh but they’re still definitely a heavy metal band with distinct middle eastern influences. Their set was pretty entertaining to watch, though a lot of it was kinda hokey audience participation stuff like getting everyone to wave their hands or hop in place like they were at a ska show. A few times members of I guess other bands or the crew came out on stage doing goofy shit. One time they came out wearing towels on their head mocking turbans and one guy had a green sock that was supposed to be a snake while another guy was the snake charmer with a horn thing made of tin foil. This sort of thing became a recurring theme throughout the evening, I suppose because it was the final show of the tour. That’s fine for the Orphan Land stuff that’s kind of goofy and upbeat anyways, but the distractions and interruptions got kind of annoying after a while during Katatonia’s set. Orphaned Land’s vocalist, Kobi Farhi, was wearing some white get up that looked like a baptismal frock or something. He was also barefoot the entire set which I found quite brave. It made me think of all the times I’ve seen stuff like Glen Benton spit on that same stage. At one point he said that in case the audience was wondering, he was in fact Jesus Christ and that he loves heavy metal. He then said “Mayhem is a great band” which I found to be quite an awesome statement from these guys, but I think Mayhem might be a bit heavy for many in the audience at this gig. The band was missing a couple members, most notably Shlomit Levi, the woman who does the female vocals on their records. They did play her parts from recordings a couple times during intros of songs, and I think Kobi sang the rest of her parts himself. Their upbeat middle eastern folk metal seemed to be quite a hit with the audience and you could tell that some people were here just to see them. In all, even though the set was corny and at times just goofy, it was still rather entertaining.

The final act of the night was the headliner, Katatonia. I hadn’t seen them since September 2007 and while their new album wasn’t my favorite of theirs, it did have a couple new songs I enjoyed. The first thing I noticed about their set was that one of the guitarists was new, as well as the bass player. Not the end of the world I suppose, but different. I hadn’t kept up with the line up changes apparently. The next thing I noticed was the sound was shit! I could barely hear the vocals over the instruments in the mix, and for many bands that’s ok but Katatonia is one of those bands where the vocals and lyrics add a lot to the music. Now I was close to the front and in the center, not always the best place for sound quality at a place like Jaxx where the speakers face straight out, but still, the audio was crap and I could see the bass player was having problems with his instrument which actually happened the last time they played Jaxx also. They did play for almost two hours though and the sound had gotten a bit better by the end of it, though the vocals volume was still low in the mix from where I was standing (check out the videos below to hear what I mean). Katatonia has a lot of I guess “sing along” type songs and people in the audience didn’t hold back, particularly on some of their more famous songs. For some reason they never play a favorite of mine, Deliberation, and always play the monotonously repetitive Soil’s Song every set, I’ll never understand that choice. They didn’t play much older material and the setlist focused mainly on their newest album, Night Is The New Day, with a few other songs thrown in from the previous two albums. This was certainly not a show for fans of their older, harsher material, but then, I think everyone knew that going in. They certainly have a catchier sound these days, too heavy to be rock, and too melancholy to be stoner or doom, it’s their own distinct sound, and it’s well polished too. Jonas has a great voice and his lyrics are always very personal, though sometimes you’d be fooled by a song’s atmosphere as to what the song is actually about. For example, Leaders sounds like a song about a break up or something at first but it seems to actually be a song about the traps of the record industry. Speaking of Leaders, that was their final song of the night and while I really do enjoy it, apparently members of all the other bands and crew on the tour decided to come out on stage shooting silly string and throwing balloons and even taping gay porn to one of the guitars while the band played. Kinda ruined the mood though they’d been doing similar stuff all night. I’ve got video of this song below also, so you can see what I’m talking about. There were some cool moments too, like when the drummer for Swallow The Sun, Kai Hahto, came out to play drums on Teargas, and their vocalist also came out to sing with Jonas on that song. And while the on stage antics were a bit distracting for some songs, and certainly taking away from the serious tone of a lot of the music, it was still kinda funny seeing a couple guys doing a Jewish dance in the middle of Ghost Of The Sun. At one point the band had everyone in the audience turn to the mixing board and sing Happy Birthday to the tour manager. At the end of the set Katatonia did the typical planned encore thing, which made the new guitarist decide to take his shirt off showing his “sodomizer” stomach tattoo, haha.

In all the show was a lot of fun, and you could tell the bands were having maybe more fun than the fans for this one! I can’t wait to see them again, though I hope next time they play a set with a more ‘best hits’ style setlist with material from their entire history. Oh and there was that wasted guy that wanted to start a fight with me. Of all the crazy metal shows I go to, it’s the bands ya least expect that people seem to want to fight. I mean really, Katatonia gets you violent? And no I did not fight him, call me a pussy if you want but I don’t hit. Anyways, he left the front of the crowd and I never saw him again so no big deal really. Enough about that, now go check out the videos I shot below!

Review of Fu Manchu gig at the Black Cat

Thursday the 2nd of September 2010 I had a bit of a struggle to get to the Black Cat to see Southern California’s Fu Manchu play. Opening act It’s Casual canceled and so the set times were moved up a bit earlier, which didn’t work in my favor. I did make it to the venue though, but I only caught about half of the last song by support act Black Tusk. That kinda sucks because I like their new album and wanted to see them. Not the end of the world though because the real reason I was here was to see headliners Fu Manchu. I’m not sure they count as a metal band, most tend to call them stoner or skater rock, but you’ve got to admit they have some thrashy riffs as well as some heavy distortion laden doom style riffs thrown in there too.

They came out at around 10pm and the audience was ready for them. I think the audience had about doubled in size in the 20 minutes since Black Tusk’s set. They started off playing Squash The Fly and their energy on stage was just great from the start. The crowd got into the show instantly and seemed to cheer louder after each song all night. Unlike some of the stoner and doom bands who are getting back together for reunions these days, Fu Manchu never broke up. This means they have a lot of material to choose from. Their setlist was the ‘best hits’ style spanning their career (as opposed to the play mostly new material style) and they played songs from just about all of the 10 full length studio releases and even a few from their EPs and singles. They did throw in a couple songs from their most recent release, Signs Of Infinite Power, and while I didn’t know them as well as some of their classics like Hell On Wheels and Evil Eye, they fit into the mix perfectly didn’t take away from the show at all like a band’s newer material sometimes can (*cough* Iron Maiden *cough*). I’d seen their setlist on the stage before the show and I’m glad to say not only did they play everything on it, but they added quite a few songs to it also, Ojo Rojo and Superbird notably, as well as a cover of the SSD song Nothing Done.

The whole show guitarist and lead vocalist Scott Hill kept changing location on the stage. Sometimes he’d be headbanging back by the drum kit, sometimes he’d walk up to the very edge of the stage and play to the crowd, and sometimes he’d just be jamming out in front of the mic stand. The whole band seemed very at home on stage and they put on a great performance. These songs are great on their studio albums, but executed live they seemed to be supercharged and maybe part of that was from the crowd’s feedback. The whole thing was rather enjoyable I must say, well except when someone told me to stop shooting video early in the set. That kinda sucked, but I still managed to shoot the final two songs of the night, which you can see below. Aside from that minor issue, I had a great time overall. Even when the mosh pit behind me got out of control and I had beer spilled on my back I didn’t care because it was just that fun of a concert. Early in the set Scott repeated “Baltimore Sucks” into the mic after an audience member said it, but he later apologized when people in the crowd yelled to stop hating on Baltimore and he clarified that he in fact likes Baltimore and enjoyed some of their shows there in the past. Other than that he didn’t say a whole lot between songs, other than to introduce the next tune. Eventually they ended their crowd pleasing show with the song King Of The Road, only to come back a minute or two afterwards and play a request, the song Weird Beard, as their only encore song to finish the night. They played for about 90 minutes straight and their set didn’t get boring for a second. This was a great way to spend a Thursday night in DC and I’m glad I succeeded in getting there. And if you weren’t in attendance or were and just want to remember, here’s the videos of their final two songs they played:

High On Fire and Doomriders Reviews

Well, this evening was a bit of a choose-your-own-adventure style night. It was a Sunday night, the 11th of April 2010, and I had a small problem, 2 bands I wanted to see were playing the same night at different venues. High On Fire at the Black Cat and the Doomriders at the Rock & Roll Hotel. I called up a couple friends of mine to see if they wanted to try to squeeze in both shows. They were up for the double feature and we headed off to the Rock And Roll Hotel to catch the Doomriders first. The show was running late and when we got there the first band, Fang Island, was still setting up. I only watched them for a single song before heading upstairs. They weren’t too interesting to me, and not very metal anyways. For some reason they had 3 guitarists on stage, and their bass player switched off to play they keyboard. After a couple beers we went back down while the Doomriders were setting up. The crowd wasn’t too close together and we basically just walked right up to the front. One of the friends I was with had another friend at the Black Cat who was updating us on the status of the bands playing there. We decided that when Priestess was playing their last song we’d have to leave, regardless of if the Doomriders were done or not. Anyways, the Doomriders finally did come out and they were really energetic. I’m sure they won over some new fans who were really just there to see the headliner Red Sparowes, people were getting into them. I also saw a little kid (pic) up there in the front row, he was even throwing horns and headbanging to the music. Their show kicked ass so you can’t blame him! One thing though, their bass player, a really tall guy named Jebb Riley, was actually too tall for the stage! His head was hidden from most of the crowd during the show because the overhead speakers were blocking him. I’ve never seen that kind of problem before, haha. The mix was pretty good I’ve got to say, though the lighting was pretty crappy (the R&R Hotel doesn’t have good lights so that’s to be expected). They were playing their last song of the night, which was apparently also their slowest and longest, when we got the message that we needed to head over to the Black Cat. We didn’t wait for the long song to end and promptly headed straight for the door.

We piled into my car and headed over to the Black Cat. I found a good parking spot on the street right next to the venue, and we went right into the club. We could hear High On Fire had already started playing Frost Hammer, though the ticket guy said the band had just started. We rushed up the stairs and headed into the crowd. We got up there pretty close fairly easily, I guess people were scared of the mosh pit? As usual the lighting wasn’t great, but I still got some good pics I think. The sound mix was terrible though, I mean really bad. I’ve posted videos below and they’re actually a pretty good representative of the sound. It’s not my camera that makes it sound muffled, it’s the mix. I even heard a few random shouts from the crowd between songs demanding the guitars to be turned up. The vocals were really low in the mix too, at least from where I was standing. Matt Pike (of Sleep fame) really had a hold of the crowd though, people were going crazy and his stage presence was a big part of that, even if you could see his beer gut and ass crack (depending on which way he was facing) the whole time. Regardless, the show was really fun and they played a lot of the songs from their new album, Snakes For The Divine, which is cool because that album is pretty awesome. I was trying to shoot a video of the title track but some guy with a flash light told me I wasn’t allowed to take video. I don’t think that is the Black Cat’s usual policy, so maybe the band requested that. Strange. I still shot the 3 vids below before he told me to stop, though I thought Snakes For The Divine was the best song they played all night. Still, the show was a blast, the crowd was going crazy and the metal was loud!

In all the entire night was a lot of fun, I haven’t done the concert hopping thing in a while and it was a great night for metal in DC (even though I missed the first ever metal show at DC Star, but there was no way I could fit that in too). I haven’t been to a whole hell of a lot of concerts so far this year, but I should be seeing several awesome gigs here up through Maryland Deathfest, for which I’ve already got a 3 day pass. This is going to be a good spring for metal heads in the DC area.