New Dying Fetus Video On MySpace Metal

Local death metal band Dying Fetus premiered a new video for their song Your Treachery Will Die With You on MySpace Metal today. This is the first track on their latest album, Descend Into Depravity, which was released in September 2009. WordPress apparently won’t let me embed videos from MySpace (lame) and since I don’t see it on YouTube yet I can’t embed the video here. You can, however, see it on MySpace here:

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=102004204

The video is the second for a song from Descend Into Depravity, and honestly I think the first one, Shepherd’s Commandment, was better. The new one is sort of a “band playing in a room” video, where the first had a kinda cool Ang Lee split screen thing going as well as a storyline with characters. Still, it’s worth checking out and the song is pretty kick ass too.

2009 Wrap Up and 2010 Preview

First I would like to say that I’m not going to do an obligatory top 10 list of albums of the year nor decade. It’s rather pointless and I doubt anyone cares about my favorite albums of the year and whatever arbitrary numbering system I’d assign them. That said, there were a lot of good metal albums put out this year, and if you’re looking for some metal to check out that you might have missed (the real purpose of all those top 10 lists) here’s some for ya. A new Black Sabbath Heaven And Hell album, The Devil You Know, that had music as good as the cover art. I’m a sucker for anything with Tony Iommi on guitar though, so maybe I’m a bit biased. There were some stand out albums in various metal sub-genres, like Anaal Nathrakh‘s In The Constellation Of The Black Widow, PsyopusOdd Senses, Monoliths & Dimensions by Sunn O))), Shrinebuilder‘s self titled album, the unpronounceable ÞÞÞÞÞÞÞÞÞÞÞ by Arckanum, the Blue Record by Baroness, Black Cascade by Wolves In The Throne Room, Winter Hours by Tombs, Dark Castle‘s Spirited Migration, Existence Is Futile by Revocation, Urgehal‘s Ikonoklast, Syrach‘s A Dark Burial, Hypocrisy‘s excellent A Taste Of Extreme Divinity, Milorg by Vreid and the totally underrated A Pyre Of Lost Dreams by Black Wreath. If you can’t find something new to check out from all that, well, you’ve got similar metal taste to me, congrats.

2009 also had some great come back albums, Unanimated‘s In The Light Of Darkness, Alice In ChainsBlack Gives Way To Blue, Immortal‘s All Shall Fall, Beherit’s Engram, Pestilence‘s Resurrection Macabre, Goreaphobia‘s Mortal Repulsion and Asphyx‘s Death… The Brutal Way all lived up to fan expectations (for the most part, can’t please everyone of course). I really liked the new sound Samael has on their Above album, not really a come back or return to form, but they are definitely worth listening to again after years of screwing around with an industrial sound. 2009 was a huge year for thrash. There were albums released by 80s thrash legends such as Slayer‘s World Painted Blood, Megadeth‘s Endgame and Kreator‘s Hordes Of Chaos which led the way for a neck spraining mob of newer thrash band releases such as Skeletonwitch‘s Breathing The Fire, Blood Tsunami‘s Grand Feast For Vultures, Warbringer‘s Waking Into Nightmares, Mantic Ritual‘s Executioner and Havok‘s Burn. And while it’s not a metal sub genre in and of itself, there were quite a few good instrumental albums out this year that I found myself listening to a lot, the self titled Animals As Leaders album, Russian CirclesGeneva, Pelican‘s What We All Come To Need, Dysrhythmia‘s Psychic Maps and Scale The Summit‘s Carving Desert Canyons are all worth listening to. There weren’t too many releases from the local DC metal scene this year, but there were some of note. There was a new album from Dying Fetus titled Descend Into Depravity, Hatred released Burning Paradise, Gravewürm released Funeral Empire, Ol Scratch released The Sunless Citadel, Magrudergrind released a self titled album and there’s also the previously mentioned Animals As Leaders instrumental album.

Now that’s not to say there weren’t any duds though. Without a doubt the biggest disappointment of 2009 had to be Reveltaions Of The Black Flame by 1349. This album is hardly even black metal any more, hell, there’s a fucking Pink Floyd cover on it. It was co-mixed by Tom Gabriel Fischer of Celtic Frost, which a lot of people seem to think was a big reason it stunk, but he wasn’t the one writing the songs. The record is uninspired, the songs are not well thought out and for a band with Frost, one of the best drummers in all of metal, they squander his abilities. I can handle bands trying something new and changing their sound, and I can deal with slower and more abstract music, but this let down of an album is up there with Cryptopsy‘s wet turd The Unspoken King and Metallica‘s self titled “black” album. Another disappointment this year was the Root Of All Evil album by Arch Enemy. I really like the older Arch Enemy material and was hoping this album would make newer fans more familiar with the pre-Angela songs, thus allowing them to add more of these songs to their live set. Sadly this album of re-recorded songs will probably not do well with newer fans because, honestly, it stinks. It’s over produced to the point of a loss of all emotion, energy or intensity. It sounds like a band just going through the motions like a bunch of robots. The new Suffocation album, Blood Oath, was a bit of a let down to me too. For a band that is known for having revolutionized the death metal genre, basically merging brutality with technical musicianship, their new album goes for a simplified, catchier sound that just isn’t on the same level as their older material.

Now lets get past 2009 and take a look at what 2010 has got coming up for us. Fear Factory has reunited with a new line up (including Gene Hoglan on drums) that could be interesting. Their new album is to be titled Mechanize and should be out in early February. The new black metal ‘super group’ of sorts, Ov Hell, has their debut album, The Underworld Regime, out in early February also. The Crown has reformed with almost all of the original members back, but they have a new guy on vocals, Jonas Stålhammar. Hopefully they’ll have a new album out this year (or at least tour). The infamous Varg Vikernes will have a new Burzum album, Belus, out in the spring, his first release since being released from Norwegian prison for the murder of Mayhem‘s guitarist Euronymous. Darkthrone was recording in the fall so they should have a new album out soon. Japan’s Sigh will have a new album out on January 19th titled Scenes From Hell. This will be their first album with their female vocalist/saxophone player, Dr. Mikannibal and I’m curious what this already bizarre sounding band will come up with next. Overkill will have their new album, Ironbound, out at the end of January. Greece’s Rotting Christ has a new album, Aealo, out February 15th. Borknagar will have a new album, titled Universal, out in late February. Early March will see the release of Dark Tranquillity‘s new album, We Are The Void (I guess the album cover artist is a fan of goatse). Catamenia says their new album will be out in the spring, and Watain says their new album will be out by the summer. The reunited Atheist said they would record their first album of new material since 1993. Autopsy is reunited so maybe if we’re lucky they’ll put out some new material too. Local band Misery Index should have a new album out in May and hopefully Modulus will make their newly finished album, Perfection Through Manipulation, available to the masses soon.

As far as metal concerts in 2010, the biggest story by far is going to be the festivals with the big 4 thrash bands all playing together, but so far these are just scheduled to be festivals in Europe. Of course everyone is hoping a tour with Metallica, Slayer, Megadeth and Anthrax will come to the states, maybe these European fests are just to test the waters, see how well the bands work together before they all decide on a true tour. The reformed Decapitated should make their way to the US to tour at some point (one would think). Hypocrisy has said they have gotten their US work visas approved so they should be setting up another tour soon. Surely several of the bands with upcoming releases that are mentioned above will be touring to support their new albums in 2010. There’s already several tours scheduled to come by the DC area, which you can find out about on my Upcoming Concerts page. The biggest will of course be the Maryland Deathfest in May but there’s still plenty of of good shows before then too. Of course venues like Jaxx and Sonar will have their share of metal shows coming to the area, but there are also some gigs coming to less likely venues in 2010, like the Black Dahlia Murder at the Rock And Roll Hotel and Jucifer at the Black Cat. Hopefully they’ll get good turn outs and the venues will continue to host more metal shows.

Thanks for having read through this marathon of a post, it’s almost done, you’re in the home stretch. I’m not a big fan of New Year’s resolutions, but I’m hoping I’ll still be running this blog and get to write another one of these year end wrap ups next year. I recently got rid of that ugly old logo but I still want to work on the site’s appearance more and possibly buy a URL to redirect to here so I can make like bumper stickers with an easy to remember web address that doesn’t end in “wordpress.com”. I’d also like to propose a resolution to all the other music bloggers, commentators, critics, etc… out there. Stop calling metal bands “the mighty”! Really, it’s stupid and half the time you say it about lame ass bands like “the mighty Dragonforce” or some shit. There’s plenty of adjectives to describe metal bands with that actually make them sound distinct from every other metal band on the planet, like brutal, technical, atmospheric, minimalist, energetic, grim, thrashy, etc… Seriously, stop it with “the mighty” crap unless you want to start calling every non-metal band “the pussy”. Come to think of it, that might actually be a pretty awesome trade.

Well, that’s about it. I probably won’t have another post until some time in January unless something interesting before then really needs a post about it. I will keep the Upcoming Concerts page up to date, and I’ll continue to keep an eye out for any new torrents for the Downloads page. I should be going to see Behemoth at Jaxx in early January so I should have a review of that up if nothing else before then. I guess if you’ve got any questions, suggestions or requests for things you’d like to see on DC Metal in the new year, or if you just want to tell me how much the site (or me) sucks, leave a comment below.

Maryland Deathfest VIII Running Order Announced (sort of)

By far the biggest underground metal event every year in the area, and arguably the United States, is the Maryland Deathfest at Sonar in Baltimore. The Maryland Deathfest isn’t until Memorial Day weekend in May, but they start planning it usually around 10 or 11 months before then. Their website has listed most of the bands that will be playing in 2010 for a while now, but just today they announced the full scheduled line up of bands, and the running order. Well, sort of. They list which day each band will be playing on, but the set times are not listed yet. The website says the set times will be listed “no later than 1 month before MDF.” Individual day tickets are now on sale too, though I think I’m going for a 3 day pass (I’ll save a whopping $4, fuck yeah!). You can get them here. One nice thing is the ticket price listed is the actual price, no service fees ($40 for the shorter day Friday, $47 for either Saturday or Sunday or $130 for a 3 day pass). There are going to be multiple stages, and if they run things similarly to last year, the headliners won’t actually play last. Last year they had an outdoor stage on the street in front of the venue. That stage is where the headliners played, but their sets ended before midnight and the indoor main stage still had a few bands play after that. Since Maryland Deathfest VIII is still a while off you can bet some bands will cancel by then, or have visa troubles (like Marduk did last year) or maybe even break up before the show. It’s not set in stone and things can change by then. Hell, their website even has a post dated with tomorrow’s date that DRI has been added to the line up. A message from the future, creepy. Anyways, the bands are all listed below under the day they’ll be playing, and you can click any band’s name to go to their MySpace page and give them a listen if you want to check them out.

Friday 28 May 2010
Gorguts
Possessed
D.R.I. (Dirty Rotten Imbeciles)
Watain
Coffins
Nazxul
Trap Them
Gride
Birds Of Prey
Malignancy
Jesus Crost
Stormcrow
Tombs
Defeatest
Putrescence

Saturday 29 May 2010
Autopsy
Sodom
Repulsion
Asphyx
Blood Duster
Incantation
Wolfbrigade
Melechesh
Haemorrhage
Portal
Impaled
Sadistic Intent
The Chasm
Deceased
Verbal Abuse
Fang
Obliteration
Ingrowing
Total Fucking Destruction
Fuck The Facts
Sulaco
Jucifer
Howl
The Communion

Sunday 30 May 2010
Obituary
Entombed
Pentagram
Nirvana 2002
Eyehategod
Pestilence
Malevolent Creation
Necrophobic
Converge
Naglfar
From Ashes Rise
Sinister
Capitalist Casualties
Captain Cleanoff
Gorod
Rompeprop
Gridlink
Magrudergrind
Krallice
Circle Of Dead Children
Black Breath
Massgrave
16
Rottenness
Surroundings
Honkey Kong

Bands whose names are struck through have canceled and will NOT be playing Maryland Deathfest as previously reported. My most recent update of this page was on 27 April 2010.

The full schedule including set times has been released and can be seen on the Upcoming Concerts page.

Jaxx Redesigns Its Website

Northern Virginia’s best metal club, Jaxx, gave its website a long due update. The site is no longer tagged “DC’s Euro-Metal Home” and gone is all the neon green. The site seems to be much cleaner and better laid out, though it seems to have lost almost any sense of its distinction. The old site was really dated and ugly, but it at least looked like you imagined a Jaxx site would. That said, I can’t blame them for trying to update their image some, the website being a part of that. They painted over all the glam rock band names they used to have in the main room and I sure didn’t complain about that. With the recession really hitting the entertainment industry in general, combined with bands scrambling to figure out how monetize their music with CD sales plummeting, there just aren’t as many tours going around. So Jaxx has become more diverse to make up for it. I’ve seen reggae and j-pop and various other completely non-metal events on the calendar, and I think they want to adjust their image to something that isn’t tied directly to metal in order to reflect that. On one hand this seems reasonable, I just hope it doesn’t backfire and alienate the dedicated fan base that’s already there. I’d imagine it won’t too much, as long as Jaxx continues to get some of the best metal bands that come to the region. I wonder if they’ll bring back parts of the page like the Jay Page and the staff photos page, I thought they added a more human element to the site and to the club itself, so it doesn’t seem like some faceless corporate entity (which it’s not). There’s a bit of talk about it all on the Jaxx forum. The website admin has been checking the forums pretty regularly and he responds quickly and helpfully to suggestions, comments and questions on there, so let him know what you do and don’t like. If you’ve gotten this far and haven’t check out the new site yet, well, do it now: www.jaxxroxx.com.

Review of Marduk gig at Sonar

Monday the 23rd of November 2009 was a rather grim and rainy day, perfect for a black metal show. Luckily Swedish black metal band Marduk was playing at the Talking Head Club inside Sonar in Baltimore that night, the closest stop to Washington DC on their US Plague Tour. I had a couple friends flake out on me, but since Marduk failed to get into the US for Maryland Deathfest back in May, and I missed their Baltimore stop on their 3 show mini tour back in August, I was determined not to miss them for a third time this year. So I drove up to Baltimore in that dreary cold rain by myself blasting metal all the way. When I got there Nachtmystium was setting up. They’re ok, sort of a thrashy black metal band. Not my favorite but worth checking out while drinking a beer or two. The final song of their set was a cover of GG Allin‘s song I Kill Everything I Fuck, which I gotta say was pretty fucking cool. Wasn’t expecting that one, wish I’d had my camera ready, I’d like to have that one on video. They’re scheduled to play with Kreator and Voivod at Jaxx in early March, so maybe I’ll get my chance then.

When Nachtmystium’s set ended I moved up to the front of the stage as everyone was clearing out to go smoke, order more beer, piss, etc… Got right up there and was chatting a bit to the people around me during the final sound check. Glad I did cause 2 of the guys next to me were throwing mad elbows all during Marduk’s set and fucking people up from the pit, but I got in good with em before that so I didn’t have any probs. Kinda dick of them, but it did keep people from the pit from fucking up my camera. Plus that latino guy wearing eyeliner and a shirt with the sleeves cut off looked like he could use a few bruises. Marduk’s set was pretty good, they played a good assortment of songs from a variety of albums which was cool. I’m not a huge fan of when bands play most of their new album and a few classics live, I much prefer the career spanning classics with a couple songs from the new album thrown in approach. This show was a pretty good example of that. During their long set they played songs off just about every album except for, oh yeah, my fucking favorite Marduk album Heaven Shall Burn… When We Are Gathered. Seriously, the whole time I was driving up there I was thinkin to myself how it’ll be worth all the stress of dark, rainy interstate traffic just to hear Infernal Eternal or maybe even Glorification Of The Black God live (basically a cover of Modest Mussorgsky’s classical piece A Night On Bald Mountain as arranged by Leopold Stokowski for the Disney movie Fantasia). Well, that didn’t happen. They did play some classics like Wolves, Funeral Bitch, and Baptism By Fire, but still, Infernal Eternal fucking rules. What the hell? If you like black metal and you haven’t heard those 2 songs do yourself a favor and listen to them right now by clicking their names up there. Fucking brutal! Anyways, the show was still fun and if not for the events on my drive home I’d probably say it was totally worth the trip to Baltimore on a Monday night (even tho the show ended after midnight on a weekday and I had to drive home afterwards). About 5 minutes outside of Baltimore on 95 my car decided it was going to stop running. Seriously, of all the times? I’ve had very few problems with this car in the 3 years I’ve owned it, but dying in Maryland was not awesome. A $200 tow truck ride got me back home at about 5am, plenty of time to be fucking exhausted for work the next day. Still, the set was good, the show was fun and I think I got some good pics too. I thought it was odd the drummer, Lars Broddesson, didn’t use 2 kick drums but instead had 2 petals set up on a single bass drum. That’s pretty uncommon for metal bands. By the end of their set, which was about an hour and a half, their corpse paint was smeared and the audience was running out of energy. They did the typical walk off stage encore thing but came back really quick, like 1 minute later, to play the final song of the night, Panzer Division Marduk. You can watch that video below. Overall I’d recommend any fan of old school black metal to go see Marduk, it’s a brutal show definitely worth the money.

Review of Baroness gig at Rock And Roll Hotel

On Wednesday the 18th of November 2009 I got off my ass and headed up to the Rock And Roll Hotel in the Atlas Theatre district of North East Washington, DC to go see Baroness play. I’d been to the Rock & Roll Hotel before, but not to see a band play. The venue wasn’t great, not very wide but deep, which must have been a bitch for the people in the back trying to see. The stage lighting was pretty poor and they don’t allow flash photography and since I can’t afford a $3k camera my pics aren’t the greatest. They did allow you to shoot video, but again since the lighting was so bad it all came out pretty dark (though the audio isn’t too bad) which you can see for yourself at the bottom of this post. It was $4.50 for a Miller Lite bottle which I guess is pretty standard for DC. The bar was crammed on one of the side walls to the back of the room, and the merch stand was crammed into the other side in front of the mixing console. Apparently they don’t allow moshing of any kind because a couple songs in when some guy started pushing people a bit the security came right up and put an end to that. The shift actually helped me get a little closer to the stage. Even though I’m usually holding a camera up front, I really don’t mind moshing at concerts (hate crowd surfers tho). If you don’t want people moshing at your venue, maybe you shouldn’t book metal bands at let them play somewhere more fun instead. Anyways, on to the band’s performance…

This was the first show of the tour supporting Baroness’ new album, Blue Record. I’m not certain but I’m betting this was the first time those songs were being played live. On the stage they had a cool looking fabric backdrop of the cover art from the new album. Their show started off a bit disorganized, they had some intro song playing, then it stopped, then after several minutes of silence they walked onto the stage and started playing. I noticed the lead guitarist had changed from a St. Vitus shirt to a Dark Castle shirt in this time, for some reason. I really like the energy of a lot of their songs on their new album. I’ve listened to their first one, Red Album, a few times but it has never gripped me as much as these newer songs do. The one thing I don’t like about the new album is all the intros and instrumentals, there’s a lot of them. Unfortunately for me, they play them live too. I guess that’s cool for people who enjoy them, but it’s really just a pause in the energy to me and honestly I don’t find theirs particularly interesting. Their show was pretty loud for a club this size, which is never a bad thing to me. The kick drum was really pounding, though the microphones didn’t seem to work well for the live show. They seemed to be very tight uni-directional microphones, which means if you’re not directly in front of them, you might as well be in the next room. This made the vocals just disappear completely from the mix a few times when the band members were particularly excited on stage. This was especially a problem for the lead guitarist and bass player, who were helping with backing vocals from time to time, since their mics were not as loud in the mix to begin with. The show was pretty good for the most part, they played most of the songs I really wanted to hear. The stage was pretty cramped but they still did a few theatrics to make things interesting. I thought it was kinda cool when the drummer poured water on his cymbals before a big entrance in a song, spraying the water everywhere in a cool visual effect. At the end of the show they did the typical encore thing where they walked off stage and waited a couple minutes to come back and play their final song of the night. I don’t understand why every headliner band seems to feel the need to do this, regardless of genre. It’s not an encore if it’s scripted! Anyways, they did play for almost an hour and a half, which might be a bit long for them. I mean I do enjoy their music, but since they’ve only got 2 full length albums out, they started running out of material to play that’s of the same caliber. This made the show start to drag on a bit for me. I really think these guys are a great up and coming band and I think with some better exposure they would be playing much larger venues. On the other hand, watching concerts at the 9:30 Club has become quite a drag, so I hope they don’t get too big too quick! It was a really fun show and for $12 it was well worth attending.

One more thing, if you’re planning on buying the Blue Record on vinyl at the concert, try to do it early. They ran out of copies to sell at this show. They said they were getting more the next day, but who knows how long those will last. I spoke to the bass player, Summer Welch, after the show, and the band seemed to think the vinyl was available on their record label’s website, Relapse.com. I had checked earlier that day and knew it wasn’t, so that means this vinyl is going to sell more than they’re expecting since people can’t buy it anywhere. They were selling all vinyl for $20, all t-shirts for $15 and CDs for $12, cash only of course.