Review of Jucifer gig at the Black Cat

On Monday night the 11th of January 2010 I headed over to the Black Cat in Washington DC to watch a couple metal bands play their backstage, Jucifer and Salome. I’ve been to the Black Cat many times over the years, but it’s pretty rare for them to get metal bands that are actually worth seeing, they primarily specialize in indie/modern rock and punk. I always try to make it to their metal shows with actually good bands, and tonight was no exception as I wanted to see both bands on the bill.

I got there around 9:40pm and although their website said Salome started at 9:00 and the Black Cat’s Twitter feed said 9:30, the woman taking money to get in said it was actually set to start at 9:45. Perfect timing! I was a little surprised to find their vocalist, Katherine Katz, standing in the middle of the crowd when the show started. She never did get on the stage and instead paced around back and forth throughout the set throwing her hair around and posing during her more lengthy outbursts. She’s a very petite girl but you wouldn’t know it when she’s screaming into that mic. They only played a few songs but they were long songs with a diverse range, going from faster paced Black Sabbath-esque riffs then grinding to a halt at certain points, the entire band actually going motionless for brief periods of time. Then they’d burst back to life amid pummeling drums and lurching downtuned guitar riffs. They are from Annandale and are probably Northern Virginia’s best doom metal band. You can also hear Kat on vocals on the latest Agoraphobic Nosebleed album, Agorapocalypse. Salome had opened for Jucifer’s three previous shows and this was the final gig they’d play together this winter. They played for a little over 30 minutes and were a great local opening act for Jucifer, who was up next.

After going to the red room to buy myself a cheap PBR draft, I was looking at the imposing speaker rig that Jucifer had on stage. They are known for how loud their concerts are, though I’ve seen several bands known for that before. The show was certainly very loud, the loudest I’ve ever heard at the Black Cat and that includes the upstairs main stage too. They weren’t the loudest small venue band I’ve ever heard (that’s probably Sunn O))) last Sept) but still, it was an impressive set up for the tiny space in the Black Cat’s back room. Jucifer is a husband and wife duo who travel around in their RV essentially constantly touring. The show started with Amber Valentine playing some notes on the guitar while the fog machine started to kick in. After about a minute Edgar Livengood slinked behind the drum kit and started whacking away. These two really put out a lot of energy, both playing their instruments very loosely. Edgar was smacking every part of the drum kit he could, not just the skins. Sometimes he’d use two drum sticks in one hand, sometimes he’d stand or jump up and shake the whole kit while he was banging so hard, and sometimes he’d use his bare hands to smack things. Sometimes Amber seemed to pick her notes very carefully, and sometimes she was sitting on the floor playing what can loosely be called a ‘chord progression’ on her guitar. They didn’t pause between any of their songs and music just sort of flowed forth like a volcano, sometimes more explosive and chaotic and sometimes slower and more focused. The two switched off on the vocals throughout the set until eventually Amber was singing in the dark for a good minute or two and the show ended. They gave each other a hug and kiss then started turning off all the amps as people filed out. $10 for 2 great bands was a great deal and if you get a chance to catch either of these bands live I certainly recommend checking them out.

Review of Behemoth gig at Jaxx

So Friday the 8th of January 2010 I went to Jaxx in West Springfield, Virginia, to see the Polish blackened death metal band Behemoth play. Well, this was actually the first time I’d been to Jaxx since I saw God Dethroned play there back in October. A lot has changed with the look of the club since then, but I’ll get into that later, this is a review of the Behemoth concert after all.

I got there kind of late and didn’t get a chance to see any of the openers, Septic Flesh had just finished their set as I walked in the door. I’d have watched them play but really I’d have liked to see Shining, who was originally on the tour as well only to drop off due to visa complications. The parking lot was completely full and even the lot in front of the Giant across Old Keene Mill had a lot of cars parked in it for the show. Although it sucked parking so far away (the temp was in the lower 20s) it was good to see such a turn out for the show. The last few metal shows I’d been to at Jaxx didn’t have really big crowds. This night the entire club was pretty crowded, which made it kind of stuffy and hot with my coat on, but it was bearable and nowhere near as bad as that sold out Morbid Angel/Behemoth show in 2006 when the air conditioner didn’t work. After what seemed like a very long drum kit set up and sound check, the lights finally went down a few minutes after 11pm as Behemoth took the stage.

They came out onstage and the crowd was ready. People were excited as the band ripped through songs from Evangelion and Demigod. The last time I saw Behemoth play they were opening for Dimmu Borgir at the 9:30 Club and they didn’t play many songs from older albums, which is of course what I wanted to see. Not that I don’t enjoy their newer material, but I certainly prefer some of their older less polished sounding songs. Now I knew they wouldn’t play anything like Lazy Pomorza, but I was glad to hear them play 3 songs from the Satanica album (instead of just the staple Chant For Eschaton 2000). They only played 1 song from Thelema.6 though, Christians To The Lions. Regardless, the show was a pretty decent mix. Certainly more focused on more recent material but not completely forgetting their older songs either. One thing I wasn’t expecting was a killer (but short) drum solo by their drummer, Inferno. It only lasted about a minute but it was pretty impressive. They did do the generic encore thing, which was kind of weird since the back stage area is much more open now. Behemoth’s main man Nergal came out with some sort of Roman centurion looking wooden or metal (hard to tell in the lighting) mask as they played their final song of the night, Lucifer. Kind of strange I suppose but better than that weird ‘evil teddy bear’ mask he put on for the final song last time I saw them. The show ended about 15 minutes after midnight and people started filing out into the cold right after, though the merch stand was really busy for a while.

After the show I hung out a few minutes because I didn’t want to deal with the herd of people all heading out to the door at once. It gave me a good chance to check out some of the changes to the club’s interior. The walls have all been painted orange, though the ceiling is still black. They got rid of the bar on the side by the merch stand which opens up some more room for the under 21 people. The big black drapes that hid the backstage area from the audience have been completely removed, which really makes the room seem bigger. The raised bar area around the dance floor has had new railing put in that looks much nicer, though you can’t really notice it when it’s darker. It looks like the lighting rig has had an update too. There were some new lights that looked sort of like LEDs or something, as well as a couple things that looked like rotating balls of laser pointers (not too impressed with those, hope they didn’t cost much). The club certainly does not look like a hive of scum and villainy, and comes across much more welcoming, organized and professional looking. This change certainly helps the club move past being just a ‘metal club’ to a venue that can host concerts in several genres. A part of me wonders if they’re trying to phase out the metal all together, but I think if they get more head counts like this they won’t be phasing out the metal any time soon. The place has sure come a long way since the owner posted on their website about possibly trying to sell the place in January 2008.

Not everything was an improvement though. I don’t know if it had to do with changing the shape of the interior space or maybe just a bad ear during the sound check, but the audio mix during Behemoth’s set was terrible. The vocals kind of mushed into the midrange guitar parts and the high end tones were getting drowned out by the kick drums. It didn’t seem to me that any of the audio equipment had really changed, though I really don’t know for sure. Hopefully it was just a fluke as I’ll be back to Jaxx this Friday to see Pentagram and The Gates Of Slumber. Also, though the lighting seemed to be upgraded, it’s almost all backlighting. This makes it hard to see any of the band members (besides the drummer in the back) when the spotlight isn’t on them. As you can see in the video below, most of the time they just appear as silhouettes. The stage sure is lit up, but the band members aren’t (at least not on the side facing the crowd). Combined with the fog machine, it was starting to look like just a big blur of stage lights. I’ll be interested to see what the place looks like for Kreator in March as they bring some great stage lighting with them. Overall the changes aren’t bad at all, though I’m sure some of the more die hard metal heads who have been going there for a while will take some time getting used to it.

New Dying Fetus Video On MySpace Metal

Local death metal band Dying Fetus premiered a new video for their song Your Treachery Will Die With You on MySpace Metal today. This is the first track on their latest album, Descend Into Depravity, which was released in September 2009. WordPress apparently won’t let me embed videos from MySpace (lame) and since I don’t see it on YouTube yet I can’t embed the video here. You can, however, see it on MySpace here:

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=102004204

The video is the second for a song from Descend Into Depravity, and honestly I think the first one, Shepherd’s Commandment, was better. The new one is sort of a “band playing in a room” video, where the first had a kinda cool Ang Lee split screen thing going as well as a storyline with characters. Still, it’s worth checking out and the song is pretty kick ass too.

2009 Wrap Up and 2010 Preview

First I would like to say that I’m not going to do an obligatory top 10 list of albums of the year nor decade. It’s rather pointless and I doubt anyone cares about my favorite albums of the year and whatever arbitrary numbering system I’d assign them. That said, there were a lot of good metal albums put out this year, and if you’re looking for some metal to check out that you might have missed (the real purpose of all those top 10 lists) here’s some for ya. A new Black Sabbath Heaven And Hell album, The Devil You Know, that had music as good as the cover art. I’m a sucker for anything with Tony Iommi on guitar though, so maybe I’m a bit biased. There were some stand out albums in various metal sub-genres, like Anaal Nathrakh‘s In The Constellation Of The Black Widow, PsyopusOdd Senses, Monoliths & Dimensions by Sunn O))), Shrinebuilder‘s self titled album, the unpronounceable ÞÞÞÞÞÞÞÞÞÞÞ by Arckanum, the Blue Record by Baroness, Black Cascade by Wolves In The Throne Room, Winter Hours by Tombs, Dark Castle‘s Spirited Migration, Existence Is Futile by Revocation, Urgehal‘s Ikonoklast, Syrach‘s A Dark Burial, Hypocrisy‘s excellent A Taste Of Extreme Divinity, Milorg by Vreid and the totally underrated A Pyre Of Lost Dreams by Black Wreath. If you can’t find something new to check out from all that, well, you’ve got similar metal taste to me, congrats.

2009 also had some great come back albums, Unanimated‘s In The Light Of Darkness, Alice In ChainsBlack Gives Way To Blue, Immortal‘s All Shall Fall, Beherit’s Engram, Pestilence‘s Resurrection Macabre, Goreaphobia‘s Mortal Repulsion and Asphyx‘s Death… The Brutal Way all lived up to fan expectations (for the most part, can’t please everyone of course). I really liked the new sound Samael has on their Above album, not really a come back or return to form, but they are definitely worth listening to again after years of screwing around with an industrial sound. 2009 was a huge year for thrash. There were albums released by 80s thrash legends such as Slayer‘s World Painted Blood, Megadeth‘s Endgame and Kreator‘s Hordes Of Chaos which led the way for a neck spraining mob of newer thrash band releases such as Skeletonwitch‘s Breathing The Fire, Blood Tsunami‘s Grand Feast For Vultures, Warbringer‘s Waking Into Nightmares, Mantic Ritual‘s Executioner and Havok‘s Burn. And while it’s not a metal sub genre in and of itself, there were quite a few good instrumental albums out this year that I found myself listening to a lot, the self titled Animals As Leaders album, Russian CirclesGeneva, Pelican‘s What We All Come To Need, Dysrhythmia‘s Psychic Maps and Scale The Summit‘s Carving Desert Canyons are all worth listening to. There weren’t too many releases from the local DC metal scene this year, but there were some of note. There was a new album from Dying Fetus titled Descend Into Depravity, Hatred released Burning Paradise, Gravewürm released Funeral Empire, Ol Scratch released The Sunless Citadel, Magrudergrind released a self titled album and there’s also the previously mentioned Animals As Leaders instrumental album.

Now that’s not to say there weren’t any duds though. Without a doubt the biggest disappointment of 2009 had to be Reveltaions Of The Black Flame by 1349. This album is hardly even black metal any more, hell, there’s a fucking Pink Floyd cover on it. It was co-mixed by Tom Gabriel Fischer of Celtic Frost, which a lot of people seem to think was a big reason it stunk, but he wasn’t the one writing the songs. The record is uninspired, the songs are not well thought out and for a band with Frost, one of the best drummers in all of metal, they squander his abilities. I can handle bands trying something new and changing their sound, and I can deal with slower and more abstract music, but this let down of an album is up there with Cryptopsy‘s wet turd The Unspoken King and Metallica‘s self titled “black” album. Another disappointment this year was the Root Of All Evil album by Arch Enemy. I really like the older Arch Enemy material and was hoping this album would make newer fans more familiar with the pre-Angela songs, thus allowing them to add more of these songs to their live set. Sadly this album of re-recorded songs will probably not do well with newer fans because, honestly, it stinks. It’s over produced to the point of a loss of all emotion, energy or intensity. It sounds like a band just going through the motions like a bunch of robots. The new Suffocation album, Blood Oath, was a bit of a let down to me too. For a band that is known for having revolutionized the death metal genre, basically merging brutality with technical musicianship, their new album goes for a simplified, catchier sound that just isn’t on the same level as their older material.

Now lets get past 2009 and take a look at what 2010 has got coming up for us. Fear Factory has reunited with a new line up (including Gene Hoglan on drums) that could be interesting. Their new album is to be titled Mechanize and should be out in early February. The new black metal ‘super group’ of sorts, Ov Hell, has their debut album, The Underworld Regime, out in early February also. The Crown has reformed with almost all of the original members back, but they have a new guy on vocals, Jonas Stålhammar. Hopefully they’ll have a new album out this year (or at least tour). The infamous Varg Vikernes will have a new Burzum album, Belus, out in the spring, his first release since being released from Norwegian prison for the murder of Mayhem‘s guitarist Euronymous. Darkthrone was recording in the fall so they should have a new album out soon. Japan’s Sigh will have a new album out on January 19th titled Scenes From Hell. This will be their first album with their female vocalist/saxophone player, Dr. Mikannibal and I’m curious what this already bizarre sounding band will come up with next. Overkill will have their new album, Ironbound, out at the end of January. Greece’s Rotting Christ has a new album, Aealo, out February 15th. Borknagar will have a new album, titled Universal, out in late February. Early March will see the release of Dark Tranquillity‘s new album, We Are The Void (I guess the album cover artist is a fan of goatse). Catamenia says their new album will be out in the spring, and Watain says their new album will be out by the summer. The reunited Atheist said they would record their first album of new material since 1993. Autopsy is reunited so maybe if we’re lucky they’ll put out some new material too. Local band Misery Index should have a new album out in May and hopefully Modulus will make their newly finished album, Perfection Through Manipulation, available to the masses soon.

As far as metal concerts in 2010, the biggest story by far is going to be the festivals with the big 4 thrash bands all playing together, but so far these are just scheduled to be festivals in Europe. Of course everyone is hoping a tour with Metallica, Slayer, Megadeth and Anthrax will come to the states, maybe these European fests are just to test the waters, see how well the bands work together before they all decide on a true tour. The reformed Decapitated should make their way to the US to tour at some point (one would think). Hypocrisy has said they have gotten their US work visas approved so they should be setting up another tour soon. Surely several of the bands with upcoming releases that are mentioned above will be touring to support their new albums in 2010. There’s already several tours scheduled to come by the DC area, which you can find out about on my Upcoming Concerts page. The biggest will of course be the Maryland Deathfest in May but there’s still plenty of of good shows before then too. Of course venues like Jaxx and Sonar will have their share of metal shows coming to the area, but there are also some gigs coming to less likely venues in 2010, like the Black Dahlia Murder at the Rock And Roll Hotel and Jucifer at the Black Cat. Hopefully they’ll get good turn outs and the venues will continue to host more metal shows.

Thanks for having read through this marathon of a post, it’s almost done, you’re in the home stretch. I’m not a big fan of New Year’s resolutions, but I’m hoping I’ll still be running this blog and get to write another one of these year end wrap ups next year. I recently got rid of that ugly old logo but I still want to work on the site’s appearance more and possibly buy a URL to redirect to here so I can make like bumper stickers with an easy to remember web address that doesn’t end in “wordpress.com”. I’d also like to propose a resolution to all the other music bloggers, commentators, critics, etc… out there. Stop calling metal bands “the mighty”! Really, it’s stupid and half the time you say it about lame ass bands like “the mighty Dragonforce” or some shit. There’s plenty of adjectives to describe metal bands with that actually make them sound distinct from every other metal band on the planet, like brutal, technical, atmospheric, minimalist, energetic, grim, thrashy, etc… Seriously, stop it with “the mighty” crap unless you want to start calling every non-metal band “the pussy”. Come to think of it, that might actually be a pretty awesome trade.

Well, that’s about it. I probably won’t have another post until some time in January unless something interesting before then really needs a post about it. I will keep the Upcoming Concerts page up to date, and I’ll continue to keep an eye out for any new torrents for the Downloads page. I should be going to see Behemoth at Jaxx in early January so I should have a review of that up if nothing else before then. I guess if you’ve got any questions, suggestions or requests for things you’d like to see on DC Metal in the new year, or if you just want to tell me how much the site (or me) sucks, leave a comment below.

Maryland Deathfest VIII Running Order Announced (sort of)

By far the biggest underground metal event every year in the area, and arguably the United States, is the Maryland Deathfest at Sonar in Baltimore. The Maryland Deathfest isn’t until Memorial Day weekend in May, but they start planning it usually around 10 or 11 months before then. Their website has listed most of the bands that will be playing in 2010 for a while now, but just today they announced the full scheduled line up of bands, and the running order. Well, sort of. They list which day each band will be playing on, but the set times are not listed yet. The website says the set times will be listed “no later than 1 month before MDF.” Individual day tickets are now on sale too, though I think I’m going for a 3 day pass (I’ll save a whopping $4, fuck yeah!). You can get them here. One nice thing is the ticket price listed is the actual price, no service fees ($40 for the shorter day Friday, $47 for either Saturday or Sunday or $130 for a 3 day pass). There are going to be multiple stages, and if they run things similarly to last year, the headliners won’t actually play last. Last year they had an outdoor stage on the street in front of the venue. That stage is where the headliners played, but their sets ended before midnight and the indoor main stage still had a few bands play after that. Since Maryland Deathfest VIII is still a while off you can bet some bands will cancel by then, or have visa troubles (like Marduk did last year) or maybe even break up before the show. It’s not set in stone and things can change by then. Hell, their website even has a post dated with tomorrow’s date that DRI has been added to the line up. A message from the future, creepy. Anyways, the bands are all listed below under the day they’ll be playing, and you can click any band’s name to go to their MySpace page and give them a listen if you want to check them out.

Friday 28 May 2010
Gorguts
Possessed
D.R.I. (Dirty Rotten Imbeciles)
Watain
Coffins
Nazxul
Trap Them
Gride
Birds Of Prey
Malignancy
Jesus Crost
Stormcrow
Tombs
Defeatest
Putrescence

Saturday 29 May 2010
Autopsy
Sodom
Repulsion
Asphyx
Blood Duster
Incantation
Wolfbrigade
Melechesh
Haemorrhage
Portal
Impaled
Sadistic Intent
The Chasm
Deceased
Verbal Abuse
Fang
Obliteration
Ingrowing
Total Fucking Destruction
Fuck The Facts
Sulaco
Jucifer
Howl
The Communion

Sunday 30 May 2010
Obituary
Entombed
Pentagram
Nirvana 2002
Eyehategod
Pestilence
Malevolent Creation
Necrophobic
Converge
Naglfar
From Ashes Rise
Sinister
Capitalist Casualties
Captain Cleanoff
Gorod
Rompeprop
Gridlink
Magrudergrind
Krallice
Circle Of Dead Children
Black Breath
Massgrave
16
Rottenness
Surroundings
Honkey Kong

Bands whose names are struck through have canceled and will NOT be playing Maryland Deathfest as previously reported. My most recent update of this page was on 27 April 2010.

The full schedule including set times has been released and can be seen on the Upcoming Concerts page.

Review of Marduk gig at Sonar

Monday the 23rd of November 2009 was a rather grim and rainy day, perfect for a black metal show. Luckily Swedish black metal band Marduk was playing at the Talking Head Club inside Sonar in Baltimore that night, the closest stop to Washington DC on their US Plague Tour. I had a couple friends flake out on me, but since Marduk failed to get into the US for Maryland Deathfest back in May, and I missed their Baltimore stop on their 3 show mini tour back in August, I was determined not to miss them for a third time this year. So I drove up to Baltimore in that dreary cold rain by myself blasting metal all the way. When I got there Nachtmystium was setting up. They’re ok, sort of a thrashy black metal band. Not my favorite but worth checking out while drinking a beer or two. The final song of their set was a cover of GG Allin‘s song I Kill Everything I Fuck, which I gotta say was pretty fucking cool. Wasn’t expecting that one, wish I’d had my camera ready, I’d like to have that one on video. They’re scheduled to play with Kreator and Voivod at Jaxx in early March, so maybe I’ll get my chance then.

When Nachtmystium’s set ended I moved up to the front of the stage as everyone was clearing out to go smoke, order more beer, piss, etc… Got right up there and was chatting a bit to the people around me during the final sound check. Glad I did cause 2 of the guys next to me were throwing mad elbows all during Marduk’s set and fucking people up from the pit, but I got in good with em before that so I didn’t have any probs. Kinda dick of them, but it did keep people from the pit from fucking up my camera. Plus that latino guy wearing eyeliner and a shirt with the sleeves cut off looked like he could use a few bruises. Marduk’s set was pretty good, they played a good assortment of songs from a variety of albums which was cool. I’m not a huge fan of when bands play most of their new album and a few classics live, I much prefer the career spanning classics with a couple songs from the new album thrown in approach. This show was a pretty good example of that. During their long set they played songs off just about every album except for, oh yeah, my fucking favorite Marduk album Heaven Shall Burn… When We Are Gathered. Seriously, the whole time I was driving up there I was thinkin to myself how it’ll be worth all the stress of dark, rainy interstate traffic just to hear Infernal Eternal or maybe even Glorification Of The Black God live (basically a cover of Modest Mussorgsky’s classical piece A Night On Bald Mountain as arranged by Leopold Stokowski for the Disney movie Fantasia). Well, that didn’t happen. They did play some classics like Wolves, Funeral Bitch, and Baptism By Fire, but still, Infernal Eternal fucking rules. What the hell? If you like black metal and you haven’t heard those 2 songs do yourself a favor and listen to them right now by clicking their names up there. Fucking brutal! Anyways, the show was still fun and if not for the events on my drive home I’d probably say it was totally worth the trip to Baltimore on a Monday night (even tho the show ended after midnight on a weekday and I had to drive home afterwards). About 5 minutes outside of Baltimore on 95 my car decided it was going to stop running. Seriously, of all the times? I’ve had very few problems with this car in the 3 years I’ve owned it, but dying in Maryland was not awesome. A $200 tow truck ride got me back home at about 5am, plenty of time to be fucking exhausted for work the next day. Still, the set was good, the show was fun and I think I got some good pics too. I thought it was odd the drummer, Lars Broddesson, didn’t use 2 kick drums but instead had 2 petals set up on a single bass drum. That’s pretty uncommon for metal bands. By the end of their set, which was about an hour and a half, their corpse paint was smeared and the audience was running out of energy. They did the typical walk off stage encore thing but came back really quick, like 1 minute later, to play the final song of the night, Panzer Division Marduk. You can watch that video below. Overall I’d recommend any fan of old school black metal to go see Marduk, it’s a brutal show definitely worth the money.