Review of Baroness gig at Rock And Roll Hotel

On Wednesday the 18th of November 2009 I got off my ass and headed up to the Rock And Roll Hotel in the Atlas Theatre district of North East Washington, DC to go see Baroness play. I’d been to the Rock & Roll Hotel before, but not to see a band play. The venue wasn’t great, not very wide but deep, which must have been a bitch for the people in the back trying to see. The stage lighting was pretty poor and they don’t allow flash photography and since I can’t afford a $3k camera my pics aren’t the greatest. They did allow you to shoot video, but again since the lighting was so bad it all came out pretty dark (though the audio isn’t too bad) which you can see for yourself at the bottom of this post. It was $4.50 for a Miller Lite bottle which I guess is pretty standard for DC. The bar was crammed on one of the side walls to the back of the room, and the merch stand was crammed into the other side in front of the mixing console. Apparently they don’t allow moshing of any kind because a couple songs in when some guy started pushing people a bit the security came right up and put an end to that. The shift actually helped me get a little closer to the stage. Even though I’m usually holding a camera up front, I really don’t mind moshing at concerts (hate crowd surfers tho). If you don’t want people moshing at your venue, maybe you shouldn’t book metal bands at let them play somewhere more fun instead. Anyways, on to the band’s performance…

This was the first show of the tour supporting Baroness’ new album, Blue Record. I’m not certain but I’m betting this was the first time those songs were being played live. On the stage they had a cool looking fabric backdrop of the cover art from the new album. Their show started off a bit disorganized, they had some intro song playing, then it stopped, then after several minutes of silence they walked onto the stage and started playing. I noticed the lead guitarist had changed from a St. Vitus shirt to a Dark Castle shirt in this time, for some reason. I really like the energy of a lot of their songs on their new album. I’ve listened to their first one, Red Album, a few times but it has never gripped me as much as these newer songs do. The one thing I don’t like about the new album is all the intros and instrumentals, there’s a lot of them. Unfortunately for me, they play them live too. I guess that’s cool for people who enjoy them, but it’s really just a pause in the energy to me and honestly I don’t find theirs particularly interesting. Their show was pretty loud for a club this size, which is never a bad thing to me. The kick drum was really pounding, though the microphones didn’t seem to work well for the live show. They seemed to be very tight uni-directional microphones, which means if you’re not directly in front of them, you might as well be in the next room. This made the vocals just disappear completely from the mix a few times when the band members were particularly excited on stage. This was especially a problem for the lead guitarist and bass player, who were helping with backing vocals from time to time, since their mics were not as loud in the mix to begin with. The show was pretty good for the most part, they played most of the songs I really wanted to hear. The stage was pretty cramped but they still did a few theatrics to make things interesting. I thought it was kinda cool when the drummer poured water on his cymbals before a big entrance in a song, spraying the water everywhere in a cool visual effect. At the end of the show they did the typical encore thing where they walked off stage and waited a couple minutes to come back and play their final song of the night. I don’t understand why every headliner band seems to feel the need to do this, regardless of genre. It’s not an encore if it’s scripted! Anyways, they did play for almost an hour and a half, which might be a bit long for them. I mean I do enjoy their music, but since they’ve only got 2 full length albums out, they started running out of material to play that’s of the same caliber. This made the show start to drag on a bit for me. I really think these guys are a great up and coming band and I think with some better exposure they would be playing much larger venues. On the other hand, watching concerts at the 9:30 Club has become quite a drag, so I hope they don’t get too big too quick! It was a really fun show and for $12 it was well worth attending.

One more thing, if you’re planning on buying the Blue Record on vinyl at the concert, try to do it early. They ran out of copies to sell at this show. They said they were getting more the next day, but who knows how long those will last. I spoke to the bass player, Summer Welch, after the show, and the band seemed to think the vinyl was available on their record label’s website, Relapse.com. I had checked earlier that day and knew it wasn’t, so that means this vinyl is going to sell more than they’re expecting since people can’t buy it anywhere. They were selling all vinyl for $20, all t-shirts for $15 and CDs for $12, cash only of course.

More Info On Modulus

This is a follow up post to my previous post titled New Modulus Song. Since I wrote that there have been a few developments, namely that local death metal band Modulus wrote a blog post with more info and also I wrote them a message and they answered a few of my questions. Their new album will be called Perfection Through Manipulation and I currently have no idea when that will be officially released. Considering it’s taken 3.5 years to get it finished, who knows how far off a release date is. They did tell me that it would probably be on iTunes first, then available on CD. The track listing for Perfection Through Manipulation will be:

1. Intro
2. Compromising The Bio-Wall
3. Self Replicating Virus
4. Post Traumatic Enhancement Disorder
5. Neural Processor
6. Terminal Addiction
7. Chemical Stimulus Emulation
8. Emotional Limiter
9. Outro

As you can see, tracks 2, 4 and 5 are all from their Prototype EP. These seem to be re-recorded versions of those songs though. A few of the questions I had in my previous post have now been answered also. Here’s a quote from their message to me:

“Currently, the band only consists of the two guitarists Mark [Weathers] and Juan [Somarriba]. Jim [Richman] left to spend more time with his family. Eric [Snyder] left to concentrate on work. Ben [Kelly] left to concentrate on his other band Brave. We tried to find a drummer but unfortunately could not find anyone of Jim Richman’s skill. We painfully recreated drum beats from old songs and videos to bring as close as possible a human experience.”

They also told me that they don’t have any upcoming shows scheduled due to a lack of band members (I’m sure the biggest hurdle being the lack of a drummer). Anyways, you can listen to all the new songs they posted on their MySpace site or you can download them here. They said they will be posting more songs at some point, but until then you’ve got these four.

New Modulus Song

Northern Virginia based death metal band Modulus has posted a new song onto their MySpace page. The song is titled Emotional Limiter and continues in their style of technical and brutal death metal with lots of time changes, in the vein of bands like Suffocation. I have no idea what the band’s line up is on this song, though it sounds like a drum machine has been used. I don’t know for sure, but I’d imagine the song comes from the recording session mentioned in their MySpace blog post dated 5 December 2008. As far as I know, they’ve only ever released a 3 song EP titled Prototype, which came out in 2004. It’s pretty good but it’s biggest shortfall is it’s length. Regardless, this new song does seem like an updated effort to their previous work. Hopefully there will be more coming soon. Until then, you can listen to the new song or download it at this location: http://filesocial.com/3g1pks

Review of Sunn O))) gig at Sonar

On Wednesday the 23rd of September 2009 I got off of work and met up with a friend of mine to head up to Baltimore to catch Sunn O))) at Sonar. Sunn O)))They didn’t play the main stage, but the much smaller “club stage”, which was fine by me as it was much more up close and personal. Sunn O))) is a strange band, they rarely tour and when I heard they were coming to Baltimore, a city within driving distance, I had to get a ticket. People either love this band and think that what they are doing is really groundbreaking and genius, or they think it’s just boring ambient noise and a total waste of their time. I’m not a huge drone fan but these guys are one of the best at it, and when describing their music I often think of abstract art in music form. It’s hard to define “songs” of theirs, as it all sort of melts together and the songs don’t really have any structure, well not in the normal sense at least.

Sunn O))) At SonarBefore they even took the stage they ran a fog machine on high for about 20 minutes, with a low volume recording of some sort of chants. Then at about 10:30 pm Greg Anderson and Stephen O’Malley came out on stage in their monk/jedi robes and started playing what I think was the beginning to the song Aghartha. Usually I’m pretty good at knowing what songs are being played, but again, this band doesn’t make that easy. Then about 10 minutes later Attila Csihar came up on stage, wearing a similar robe. This is the same Attila of Mayhem fame, and I’d actually seen him play with them at this same venue back in May as part of Maryland Deathfest VII. His performance at this smaller show was pretty outstanding, though sometimes I got the feeling he was being a bit distracting from the music itself, it was a Sunn O))) show after all, not an Attila show. Overall it was a really excellent performance from him though and it really showcased his vocal talent quite well. I always liked him better in Mayhem than Maniac, but this Sunn O))) show really highlighted his vocal range, even if I don’t think he said one actual word the whole night.
 
The set seemed to be what I’d basically call “songs” from their latest album, Monoliths & Dimensions, but I could be mistaken I suppose. It was an unreal experience though, like no concert I’ve been to before. At times everything seemed to be in slow motion, the music, the band’s movements, almost as if time was stretching as you fell into the event horizon of a black hole. The fog and lighting added a sort of murky element, like trying to look at something through dirty water. It was a really overwhelming experience, and it was LOUD. I mean I just saw Motörhead a few weeks before and that was loud, but these guys really made you feel every slow plodding note vibrate through every bone in your body. Of course I was a lot closer to the stage for this show, right up front. Sunn O))) doesn’t have a drummer but they did have a guy doing some sort of programming in the back, and I know I saw a trombone poking out of the fog at some point. The bass was thick and heavy like the foggy air in the room throughout the performance, and the whole thing almost seemed like it was from outer space at times.

Attila Csihar Of Sunn O)))Attila added to the theatrics at about midway through the set when he put on some gloves that had laser pointers built into the fingers. The lasers really stood out in the fog and surprisingly the whole effect didn’t come off as a raver thing at all, maybe it was the oversized robe. At some point Attila wandered off the stage for a bit to put on his next costume, which I gotta say what a bit over the top. It was another robe, but this time it was covered in fragments of mirrors. Attila Csihar Of Sunn O)))It also had a head piece, something like a head band with big pointy mirror shards coming out of it, somewhat resembling the statue of liberty’s head piece. He kept the laser pointer gloves on with this and did some cool things with the lasers reflecting off the mirrors, especially off the ones on his head. It was certainly a bizarre costume, not sure I’d be caught dead in that, but then Attila has always had a thing for wearing costumes on stage. The two guitarists also had some interesting poses and lurched around on stage very slowly, giving the production a feeling of peeking in on a secret ritual of some Lovecraftian cult.

The music fit this all very well and with the slow build ups and pure raw sound had the audience hypnotized. The slow singular notes building up in intensity into something almost resembling a chord progression really worked well in this setting. There were no breaks between “songs”, it was just one big musical experience. In all the show ended around midnight to an ovation from a crowd that had just had their minds melted for about 90 minutes. As I walked to the car with my friend, we caught a glimpse of the Stratovarius show, which was on the main stage that night at the club, and I remember thinking how I’m so glad I got to see Sunn O))) instead of being into that power metal crap! Damn, they had the bigger audience but those people really had no idea what they just missed only a few feet away. I’ve always been a fan of some of the more strange, bizarre and out there metal bands, of which Sunn O))) definitely fits the category of, so maybe my views on the whole thing are a bit biased, but still I highly recommend checking Sunn O))) out at least once, they definitely put on a show unlike any other band, metal or otherwise.

First Post

All right you mother fuckers, this is my brand spankin new DC heavy metal blog. I have many names, Chewie, RapeJesus, Butt-Rash, Badass McAwesome, Shutup Asshole etc… but the most popular seems to be Metal Chris so that’s what I’m going to go by on here. This blog template still looks retarded as I write this, and hell I might even switch from this WordPress BS, but  I wanted to post today. It’s September 11th and to commemorate the atrocities religion brought us on this day 8 years ago, I’m starting my metal blog. If you want a description of what to expect here, you can find that in the About section, I don’t feel like repeating it in detail here, but basically I’m sick of not having a good website for all the info on heavy metal in the DC area. I’ve found myself scraping this info together for quite some time simply so I can know what the fuck is going on in regards to heavy metal, and I figured I might as well post this info to the net cause maybe there’s some other people out there who would like this info but are too damn lazy to do it themselves. Well you lazy asses, you’re lucky that I’ve got a metal addiction and spare time! I plan on hoarding relevant links on this page as well, so you don’t even have to bother reading my inane drivel if you don’t want. Also, I’ll try to link band names to their MySpace pages so you can listen to their music there if you want, and I’ll link album names to their listings on Metal Archives, if possible, and I’ll link song names to their pages on Songza so you can stream the song to listen to it, if the song is available that is.

Since this is the first post I’ll be a bit all over the place, normally I’ll try to keep different subjects in different posts for clarity’s sake. Currently I’m listening to the new Dying Fetus album, Descend Into Depravity, that comes out officially on Sept 15th. I just got it as a 320k rip from vinyl today off of the net. Now if you’re looking for it, there’s been a lot of fakes of this floating around, particularly one by a ripping crew going by the initials TRI. That is really just Dying Fetus’ 2007 album, War Of Attrition, with the tracks mixed up and the song and file names changed to the track listing on the upcoming album. Anyways, this is my first listen to Descend Into Depravity and it’s not bad. I really didn’t like their previous album War Of Attrition at all but this one seems better. Not as many break downs as I was expecting, but that’s ok. The drums are pretty standard death metal but they’ve kept the intensity in the guitar work. And for those who don’t know, Dying Fetus is from the DC area, probably the biggest death metal band from the area actually. They really were at their peak with their albums Killing On Adrenaline and my personal favorite Destroy The Opposition, after which most of the band left to become Misery Index, tho the drummer, Kevin Talley, has since left Misery Index also and now plays with Dååth. Anyways, if you want to check them out I recommend Destroy The Opposition before their newer stuff. I don’t believe Dying Fetus has any tour dates in the area any time soon, or I’d mention that here.

OK, so now that I’ve at least talked a bit of metal here, I’ll mention that I totally need to redesign this site’s appearance. I need some Photoshop skills to do that, which I simply don’t have. So until I can get someone to actually put the ideas I have into digital form, and do it for free, it’s not going to be ideal in appearance. Also, I’m still figuring out this WordPress stuff so we’ll see. I may just switch to another website before moving tons of posts to another site becomes a pain in the ass. Also, I need to figure out how to get some nice looking calendar widgets on here so I can have a calendar for upcoming metal shows in the area as well as upcoming album releases of note. I’ve seen a cool one on Bands In Town, but they don’t list every venue (and thus not every concert can be added). Since I don’t have those things set up currently, I’ll just list a bunch of them now. Here’s the upcoming albums of note (I’m probably missing some so deal):

MegadethEndgame (Sept 15)
Dying Fetus
Descend Into Depravity (Sept 15)
Black Sabbath
reissues w/ Bonus Tracks (Sept 21st)
Echoes Of Eternity
As Shadows Burn (Sept 22)
Marduk
Wormwood (Sept 24)
Immortal
All Shall Fall (Sept 25)
Arckanum
Þyrmir EP (Sept 25)
Azaghal
Teraphim (Sept 28)
Arch Enemy
The Root Of All Evil (re-recording pre-Angela material) (Sept 28)
Alice In Chains
Black Gives Way to Blue (Sept 29)
BelphegorWalpurgis Rites – Hexenwahn
Cannabis Corpse
The Weeding EP (Oct 12)
PortalSwarth (Oct 20)
GorgorothQuantos Possunt ad Satanitatem Trahunt (Oct 21)
HypocrisyA Taste Of Extreme Divinity (Oct 23)
Dark Tranquillity – Where Death Is Most Alive (DVD) (Oct 26)
PelicanWhat We All Come To Need (Oct 27)
VreidMilorg (Oct 27)
Slayer – World Painted Blood (Nov 2)
KatatoniaNight Is The New Day (Nov 2)
ImpiousDeath Domination (Nov 6)

Note that I list whichever date is earliest for the release date, US, Europe, Japan, whatever. Since the internet makes it pointless for bands to release albums on different dates in different countries, I just go with whichever is first. Most of the important ones leak online before the release dates anyways. Well, here’s some of the upcoming metal shows to the DC area (I’ll list other areas when I get a calendar working):

Samael @ Jaxx on Fri 16 Oct – They aren’t headlining, Moonspell is, but the latest Samael album, Above, was surprisingly awesome!

AC/DC @ the Verizon Center on Fri 16 Oct – Tix are already on sale, so if ya feel like spending over $100 for bad seats, go for it!

God Dethroned @ Jaxx on Sun 18 Oct – The openers suck, but I’ve never seen em live so I’m curious about their live show.

Dethklok @ the Patriot Center on Sat 31 Oct – I think it’s GA only for this show, floor “seats” only for this Halloween show.

Ensiferum, Hypocrisy and Ex Deo @ Jaxx on Fri 6 Nov – I wish Hypocrisy was headlining but oh well, and Ex Deo is basically Kataklysm trying to be the Nile of ancient Rome, but not as technical.

Eluveitie, Belphegor and Vreid @ Jaxx on Thurs 12 Nov – Vreid is basically Windir minus the guy who wrote all the songs (he died), but still I really wanna see them cause they’re pretty good.

Pelican @ the Rock & Roll Hotel on Fri 4 Dec – They’re an instrumental band somewhere between The Fucking Champs and Dysrhythmia.

Gwar @ 9:30 Club Thurs 10 Dec – Good ol Richmond natives Gwar, playing the 9:30 Club in December again.

Well, that’s it for my first post. Hopefully this blog will become more kick ass over time. No idea how frequently I’ll post, it will probably depend on how often metal news in the DC area comes out. Feel free to follow me on Twitter at http://twitter.com/metalchris and I’ll post links to new entries as soon as I post them here. Keep it brutal DC!