Earth ticket give away

Earth at the Rock & Roll Hotel

Earth, the originators of drone, are coming to the Rock & Roll Hotel this Sunday, September 21st and since the band is a must see we’re giving away a pair of tickets to catch them at this very show! Earth isn’t really super intense so to enter leave a comment on this post telling me what your favorite metal (or metal-ish) song/album to chill out to is. Not everything has to be brutal right? At 5pm EST this Friday, September 19th, a winner will be chosen at random (using from all valid entries to receive two tickets to the show! Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. Please don’t enter if you know you can’t attend, the contest ends just 2 days before the show so I don’t have time to keep picking winners and waiting to hear back. If you can’t wait to see if you win, or the contest is already over when you read this, then you can get tickets right now for $14 from Ticket Fly here.

Earth is from Seattle, Washington and they play a unique style of instrumental drone that experiments with various instruments and sounds but is always very sloooow. As a bit of extra trivia, the band’s main man, Dylan Carlson, was a noted close friend of Kurt Cobain. Apparently they were room mates at one point and Carlson even gave Cobain the shotgun he would later famously kill himself with as a gift. Note that Carlson is prone to seizures so all flash photography is banned at this show, even from your phone. If you do use a flash they will stop the show and you’ll be kicked out. It’s ok though, Earth shows are an experience and the loss of random flashes going off during their set is not a bad thing. The opening act on this tour is King Dude, who you may remember opening for Ghost at the Fillmore back in May. King Dude is also from Seattle but they’ve got a bit more of a rocking attitude and sound. Be sure to check out these awesome songs by Earth and King Dude below as you tell me what metal you like chilling out to the most in the comments below.

Earth – Torn By The Fox Of The Crescent Moon

Earth – Rise To Glory

King Dude – Fear Is All You Know

Review Of The Lesser Key Of Solomon by A Sound Of Thunder

Band: A Sound Of Thunder
Album: The Lesser Key Of Solomon
Release Date: 9 September 2014
Buy digital ($4) or CD ($10) on Bandcamp: Here

Cover of The Lesser Key Of Solomon by A Sound Of Thunder

Northern Virginia based A Sound Of Thunder, a band with classic metal elements that does not like it when I call them a power metal band, has put out their fourth full length album in as many years. The band funded this album via Kickstarter back in November of last year and it’s finally available to the masses. The album review below is by Tal and if you like his writing you can also find his blog here. There’s a kick ass animated video for their song “Udoroth” below and be sure to come out to Empire in Springfield this Friday, Sept 19th, for their album release show (details here).

I’ll confess, I tend to obsess over A Sound Of Thunder’s fast, heavy, thundering songs – like their theme song “A Sound of Thunder,” or “Walls,” which generally shakes the walls when they play it live. But listening to this album, I had to admit I’ve been living in a fantasy world; raging heavy metal in the vein of Accept really doesn’t define A Sound Of Thunder. They’re much more varied and complicated than that, from bluesy musings to heavy riffs, with lyrics that are more than just a fist-pump chorus.

So while I was initially disappointed that there’s only one thundering song on this album – the first song, “Udoroth” – I was able to enjoy the album a lot more once I realized the fault in my perception. Not that “Udoroth” isn’t a great song, with its charging classic guitar riffs and Nina’s powerful vocals – sometimes belting out high notes, sometimes venturing into a lower throaty sound, and gracing us with a few harsh screams and high wails. It does, however, set a tone that’s not representative of the album.

In stark contrast to their energetic 2013 release Time’s Arrow, most of the new album actually hearkens back to A Sound Of Thunder’s first full-length, Metal Renaissance. In particular, Nina’s jazzy vocal stylings on songs such as “Fortuneteller” and “House of Bones” on The Lesser Key of Solomon remind me of songs like “Flesh and Blood” or “The Buried Truth” from Metal Renaissance, as does the overall slower pace of the album. Of course, Nina’s vocals and the band as a whole sound more polished, developed and mature on the new album than on their debut, but the stylistic resemblance is strong.

And not unlike their previous work, The Lesser Key of Solomon focuses heavily on storytelling, which comes through particularly strongly with the clear vocals and more relaxed pace. Even the trudgingly heavy “Master of Pain” is brought above the standard serial killer fare with lines like “The horror of your actions/ Has torn your soul in two,” which hint at underlying story. But the peak of the album is the nine and a half minute epic “Elijah.” Most of the story is told through Nina’s evocative lyrics, including parts delivered in a vicious shriek for the evil “mother” character, but the climactic part of the story is told as much through music as through words. When the mother’s dark secret is revealed, tension builds as the bass begins to gallop; then the guitar paints the narrator’s agony and determination as she decides what to do. A tense instrumental interlude follows, then launches into heart-pounding adrenaline as the climactic moment arrives. Frantic guitaring depicts a chase scene, and then soars into epic riffs, perhaps depicting escape and or the inferno that ensues. Nina’s vocal line rises epically too as she proclaims the rise of a veritable army of ghost girls to take their vengeance on their “mother.” It’s a hair-raising experience, all right. Check out the lyric video at the bottom of this post to experience it for yourself.

Almost as haunting is “The Boy Who Could Fly.” It begins with acoustic guitar and dreary vocals that seem at first to depict a lost love, the references to a boy flying away hinting that this may be Wendy longing for Peter Pan. It sounds like a nostalgic romantic song, almost pop-like in its simple sentiments and the catchy vocal line of the chorus – until I listened more closely to the lyrics and caught the twist at the end of the song, when we find out what really happened to Peter Pan. Suddenly the sad beauty of the song is completely turned on its head. Moments like this bring a new level of interest to these songs that aren’t necessarily catchy on the first listen. They’re worth savoring and listening closely.

Unfortunately, the last third of the album suffers from the same problem as Metal Renaissance – after all those slow songs, it’s hard to pay attention by the end of the record. The last two tracks, “One Empty Grave” and “House of Bones” seem like they might have interesting stories, but I never seem to be able to keep my mind on them by the time we get there. Just one more well-placed thundering song would probably have done wonders for keeping me “fighting till the end.”

It took me a few listens and an adjustment in perspective, but I gotta admit, The Lesser Key of Solomon is a solid album. It isn’t the skull-crushing record that “Udoroth” may have promised, but it’s still an intriguing journey into the band’s darker fantasies, and amply shows off their talents.



Five Year Anniversary – The Secret Origin Of DCHM

With all the news around Ray Rice and his wife Janay this week, stemming from the release of security camera footage showing him beating her unconscious, I thought I kind of had to say something. I’m a football fan but even if you’re not you have probably heard about this and to say the least it is pretty sickening. turned five years old today. Most people don’t know this but was actually born out of domestic violence.

At the time I started this blog I was in a horrible relationship with a violent woman who I loved with all my heart. We lived together with her son, and I did my best to raise him as if he was my own. If you’ve ever seen me in person then you probably know I’m a pretty big guy, and it may seem unlikely that a woman was beating me. My size and strength didn’t matter though because I don’t hit people, ever. Not if I’m angry, not if they’re attacking me, not if they have done something to “deserve it” (whatever that means), not even to defend myself. I don’t believe in hitting people for any reason and even before I met this woman I had always thought that people who are violent are just not smart enough to solve their problems with their brains. And that’s how it happened to me, she knew this about me and used it against me. The abuse wasn’t just physical of course, she told me every day that I was worthless, that I was ugly, that I was lucky she even bothered with a loser like me because no other woman would, that I would never amount to anything, that my friends didn’t actually like me they just put up with me. She had told me she had been abused by her father growing up, and abused by her child’s father, and I thought, regardless of what she said to me, what she did to me, that I could tough it out. I told her that I would be the one that wouldn’t abandon her like the other men in her life had. I would show her that good men do exist, and we don’t hit women or children, and we don’t give up on the people we love, or our families. It ended up putting a burden on myself that trapped me in an awful relationship. If I were to walk away then I was giving up on her, I was breaking my promises and I was just like those other men that had failed her in her life. Unlike most abusers, she never did say she was sorry for it or that she loved me and it would never happen again. I don’t think she ever was sorry for anything she did to me and to this day she probably thinks I deserved it. I guess there’s a part of me that still believes that too, even though I know now that I shouldn’t feel that way.

She would get into these rages where she would just lose control, all logic was gone and she would cut me with her nails, grab the steering wheel while I was driving to try to make me cause an accident, throw things at me, destroy possessions I cared about like old family photos. I remember one time sitting on the floor with my back on a wall as she kicked me in the head repeatedly, I didn’t even bother to lift my arms to defend myself by this point. It didn’t matter, I just had to wait it out until she was tired of hitting me and resisting would just make it take longer. But I’ll never forget seeing her four year old son standing right next to her, about eye level with me, as she kicked me again and again. That hurt me more than any blow to my head, seeing the little boy I used to always sing to sleep in my arms when he was just a year and a half old look at me like that. I still didn’t leave her though, I guess I wasn’t strong enough. And as the abuse got worse and worse it became harder to conceal from others. Once she ripped out a clump of my hair, a big fist full of it, and it freaked me out really bad. I went to the bathroom to look at myself in the mirror and see which part of my head the hair came from and that’s when I realized I had cuts all over my face from her nails, and blood was running down my face, dripping off the tip of my nose. I’d often just go numb when she would hit me, so I hadn’t even realized my face had gashes crisscrossing it until I saw them. I’m not a perfect person by any means, but I knew I didn’t deserve this. For over a week while the cuts on my face healed I canceled all plans I had with anyone, I didn’t go out anywhere but to work, and even then I tried my best to make sure I was turned around on the phone or something so people couldn’t see my face when they needed to speak with me. If I had a job that required more interaction with people I probably would have just quit it.

At this point I told a friend about what was going on, one I only knew online and had never met in person. They don’t talk to me any more (again, I’m not perfect) but they did convince me to call a help line. There are very few resources for men when it comes to getting help from a violent partner. Just try using Google to find an abuse group for men in this area, as far as I know there isn’t one. All of the abuse help services are pretty much run by women for women. The questionnaires they have you fill out are worded like “when did he hit you last” and “did he ever insert an object into your vagina” and while I know they’re trying to help mostly women, as a man it made me feel like I shouldn’t even be there. Even when getting help I didn’t belong. I guess I hadn’t realized how rare it is for a man to both be a victim of domestic abuse and to ask for help dealing with it. I spoke to a couple different female counselors about what had been happening to me briefly but when they alerted child protective services (they were legally required to because I admitted that her child had witnessed her violence toward me) I felt awful. Here I was just trying to get myself help and I had betrayed her. I didn’t go back to the clinic, but I did speak to someone there who said they would tell the child services people that when they arrived they should pretend that I had no idea they were coming (they will do this to prevent people being beaten as retaliation). The night before the “surprise” visit to our home I couldn’t sleep. I was so worried about how this would work, and I’d never tried to pass off a lie like this before. I laid in bed all night but never actually slept because of my nerves. They showed up an hour late too, and I’ll tell you I was extremely stressed in that time, yet still pretending to be asleep. When they finally did show up I acted surprised, but the incompetence of the child services people showed immediately when the first thing they said was “sorry we’re late.” Somehow she didn’t hear this, or didn’t understand, and I just played dumb, but I realized these people were not exactly slick. They made it sound like a neighbor had complained and that’s why they were here, though the details they described, quoted from me before, made her suspicious from the start since they were too detailed. They didn’t take her child away, and in fact they said they would check back up with us in a week or two. Months passed and not a word, I guess they forgot about us. At some point I admitted to her that I was the reason they had come. That I had gone to a counselor for abuse and they had been required to inform child protection. I didn’t like having a secret from her like that and so I just told her. She was not happy but I assured her I wasn’t still seeing the counselor, and I wasn’t trying to have her son taken from her. Although I had seen this vegetarian “animal lover” beat our dog she never did anything to physically harm her son.

When I caught her cheating on me it wasn’t even a real shock, I guess I figured that I deserved that too. She was on several dating sites that her best friend, who was single, had told her to use and she would actually go on dates behind my back while I watched her kid for her, thinking she was going to a movie with her friend or something. Then she had some other boyfriend in England that she’d fly out to meet in other cities without telling me. Her mother died of cancer while I was with her and she told me she cheated on me to help cope with that. All the while I was going deeper and deeper in debt because she couldn’t hold a job long before being fired, the bills were all in my name anyways since she had horrid credit to begin with. It was during this dark time that I started I was in a painful, lonely place and I needed something creative that I could focus on, mostly so I wouldn’t have to think about how shitty my own life was. Even if nobody were to end up reading the site it was still an outlet for me, something positive I could work on. Much to my surprise people did start reading it. I cannot describe how much it meant to me to have people say positive things to me about it. Thanking me for running it, enjoying the things I wrote and the photos I shot. When every day you are told you are worthless and pathetic and that nobody likes you, you start to believe it. The people reading this site and encouraging me made a world of difference in my life, and made me remember that I do have worth.

One night she had another violent episode (all because I wanted to watch a Wizards game that night and she wanted to watch something on Netflix) and she cut my face up pretty badly again. By this time I had learned to just leave the house for a while and not come back until late at night when she was sleeping. Except this time she had a plan to prevent me from leaving like that, she called the cops. She told them that I had shoved her son down and choked her and that she cut me up to defend herself, and that I was trying to leave the scene of the crime. She had once tried to become an actress and I guess she fooled them well enough because I soon found myself handcuffed in the back of a police car as I was hauled off to jail not only for a crime that I didn’t commit, but a crime that I was actually the victim of. I never slept in that house again. Everyone that walks away from abuse has a point where they won’t take it any more and this was mine. I had been cheated on, driven into debt, beaten and humiliated, but I wasn’t going to prison for her. At this point all my friends found out what had been going on. My secret shame that I had fought so hard to hide was no longer a secret. I had to tell them, I needed their help with things like finding a lawyer and a place to sleep, getting my things out of the town house I had lived in with her (and let me tell you suddenly moving without packing anything ahead of time fucking sucks).

This was probably the lowest point of my life. Nobody wants to lose their family and live out of a suit case. I felt a lot of shame and guilt for things like abandoning her and her son. I felt like I had failed as a man because I couldn’t hold my family together. She was constantly playing mind games with me, sending me text messages telling me my friends were awful one day and then asking me out on a date the next. I couldn’t sleep unless I was completely wasted and so I started drinking a lot, every night. I ate horribly, when I remembered to, and I constantly worried about my impending trial. Not everything was doom and gloom though. The website was doing better and better despite all this and I met a new woman who was really good to me when I really needed someone. After my charges were eventually dropped I decided that I had lost too much from that awful relationship already and I would not allow myself to be depressed any more, I wanted my life back. I started going to a shit load of concerts (long time readers may remember my Metal Marathon around this time where I went to 11 shows in 9 consecutive days) not just because going to tons of metal shows makes me happy, but because I actually could. She continued to contact me for almost a year before she realized I wasn’t going to write her back. The last communication she ever had with me was a text message saying her son was crying for me. I knew then it was just manipulative but even now it still messes with my head a bit.

Things are a lot better for me now though, I’ve come a long way in the past five years (and so has DCHM). This site has let me meet more great people than I ever imagined (especially since I never imagined I’d meet anyone because of it when I started it). I used to hate going to concerts alone but now I don’t think I can go to a show without knowing some of the people there. I’ve learned about the area’s local metal bands, and become friends with many of them as well as other writers in the area, the folks working at venues, the DIY bookers, promoters and of course the other metal fans in the area that come out and support the local scene. There’s a great community of metal heads in this area and I’m thankful to be a part of it. I still struggle with the debt she left me in, unfortunately running a local metal site doesn’t earn me any money, but I’m so much better off now regardless. I mean c’mon, I got to interview Bill Ward of Black Sabbath this year, I can’t complain about that! And of course I’ve made something here that I can be proud of, and that many of you still tell me regularly that you enjoy. A lot has changed for me in the last five years, and I have and you fans of the site to thank for a good part of that.

I’d like to say that if anyone reading this, and I really mean anyone whether I know you or not, is having issues at home with violence you can always reach out to me here at DCHM. I won’t judge you for your situation or for staying and I know as well as anyone what just having someone to talk to can do to make a positive difference. You can email me at or contact me through any other forms of social media. I’m not a shrink but I can listen, and I can put you in contact with professionals that can do a lot more than that too. We’ve got a great metal community in this area and just like when someone gets knocked down in a mosh pit, we’ve got to help pull each other up.

This has been a heavy post, probably not what anyone was expecting for a five year anniversary post here. The timing of the release of the Ray Rice video brought back a lot of painful memories for me, and perhaps this is how I’m dealing with that. I promise the next few posts will be more fun and exciting. We’ve got another album review ready to post in the next few days, and I’ve been working very hard on a special post showing the 99 best metal concert posters and flyers of the past 5 years from the area. Things have been a bit slow on the site lately too, particularly the calendar, but I’m working to get things back into high gear here in the fall. There’s no big DCHM show at the Fillmore this year but I do have a few special things planned for this month and beyond, including a new t-shirt design. Thanks to new and old fans alike for keeping the area’s metal scene alive, this site wouldn’t exist if it wasn’t for you all!

Fillmageddon ticket give away

Fillmageddon at the Fillmore Silver Spring

On Saturday, October 11th two of the fall’s biggest metal tours cross paths for one night only at the Fillmore Silver Spring for a show so big it can only be called Fillmageddon! Machine Head, Children Of Bodom, Epica and Battlecross are on tour together but The Black Dahlia Murder and Suicide Silence tour was looking to play the area on the same day so rather than have competing shows they’re all playing at the Fillmore! We’re so excited around here for this show that we’re going to give one of you lucky readers of this site a free pair of tickets to this epic show. To enter: leave a comment on this post telling me which band you want to see the most. At 5pm EST this Friday, August 22nd, a winner will be chosen at random (using from all valid entries to receive two tickets to the show! Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win, or the contest is already over when you read this, then you can get tickets from right now for $29.99 from Live Nation here.

Robb Flynn’s Machine Head will be headlining Fillmageddon as they tour to support their upcoming new album Bloodstone & Diamonds. Finland’s neo-classical melodic death metal band Children Of Bodom always brings the shredding riffs and solos and this show will be no exception. The Black Dahlia Murder is still touring to support their excellent release last year, Everblack. Suicide Silence is still going strong with Eddie Hermida (formerly of All Shall Perish) taking over vocals after the death of Mitch Lucker in 2012. Simone Simmons has a beautiful voice that you can’t ignore when Epica is playing and openers Battlecross will get the pits started early with their thrashy melo death riffs and mega fun live show. That’s one hell of a line up! Now check out these killer tunes by the bands and tell me in the comments which band you want to see the most!

Machine Head – Locust

Children Of Bodom – Trashed, Lost & Strungout

The Black Dahlia Murder – Goat Of Departure

Suicide Silence – You Can’t Stop Me

Epica – Storm The Sorrow

Battlecross – Never Coming Back

Summer Slaughter ticket give away

Summer Slaughter at Empire

On Tuesday, August 12 (that’s next week!) the Summer Slaughter Tour makes its only area stop at Empire. The bill is loaded with some of the most brutal death metal bands in the world, including: Dying Fetus, The Faceless, Thy Art Is Murder, Goatwhore, Origin, Decrepit Birth, Within The Ruins, Fallujah and Boreworm. This week DCHM is giving away a pair of tickets to the show at Empire to one of you lucky readers of this site. To enter leave a comment on this post telling me which band you’re most excited to see at Summer Slaughter this year. At 5pm EST this Friday, August 8th, a winner will be chosen at random (using from all valid entries to receive two tickets to the show! Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner within 24 hours another winner will be chosen at random. If you can’t wait to see if you win, or the contest is already over when you read this, then you can get tickets from Ticket Fly right now for $30 here.

Fans of death metal do not want to miss this show! With bands like The Faceless, Goatwhore, Origin, Decrepit Birth and Maryland’s own Dying Fetus all playing, you can be sure this show will satisfy all your mosh pit and headbanging needs. There will be food specials all day and be sure to bring a few extra dollars for some of the sick looking merch that you just know will be available with this many death metal bands on the bill. Now check out some of the tunes below and tell me, which band are you most excited to see at Summer Slaughter this year?

Dying Fetus – From Womb To Waste

The Faceless – Accelerated Evolution

Goatwhore – Baring Teeth For Revolt

Origin – Absurdity Of What I Am

Decrepit Birth – The Resonance

Review of Grimscape ’14 at the Sidebar

On Saturday, July 26th I made it up to the first Grimscape at the Sidebar in Baltimore. The place isn’t very big, I think the max capacity is around 100 people, and most of the walls and pipes in the place are covered in the stickers of bands that have played there in the past. The stage is only a few inches tall and the lighting isn’t anything worth bragging about, but it’s a great spot for DIY punk and metal shows. This evening the Sidebar was hosting the inaugural Grimscape that will apparently become an annual event. It collected a bunch of mostly local black metal bands with the headliner, Pact, coming down from Erie, Pennsylvania, to play. Apparently Helgardh was supposed to be on the bill but for whatever reason they dropped off and were replaced by a band called Hex Temple. This was apparently Hex Temple’s first live show but I didn’t get there in time to see them. I did however get to see the next band, Antikosmos, who were also making their live debut at this show. They were entertaining for sure. Frontwoman Victoria Atkins commands the audience’s attention with her striking blonde hair and wild facial expressions, though she was standing on the stage behind a couple of the band members who were on the floor which obscured her from view at times. They played a Watain cover and a Bathory cover as well as a pair of originals. They’re still figuring out their own sound, which is mostly dominated by their influences, but that’s to be expected from any young band really. There was quite a large crowd there while they played and I think a lot of people came just to see their friends in Antikosmos perform for the first time.

After Antikosmos played Inverted Trifixion was set to play next. I was hungry though, and the Sidebar doesn’t serve food, so I ran out for a bite to eat at Joe Squared, hoping to make it back in time to catch the end of Inverted Trifixion’s set. Unfortunately I didn’t make it back that quickly as Dispellment was setting up when I returned. Dispellment is a three piece black metal band from Northern Virginia and they’re pretty damn good. Their style is fast and energetic and reminds me of something similar to Taake mixed with older Marduk. The band is well rehearsed and performs together as a tight unit. Although their songs are often punishing they do have room in there for some catchy riffs even a moderate black metal fan can appreciate. Their stage set up with deer antlers and various tree branches in addition to their messy corpse paint is pretty entertaining, and their bass player often walked right into the audience with a menacing look on his face making sure you couldn’t simply ignore Dispellment’s performance.

Finally it was time for the headliner, Pact. Unfortunately most of the audience that had been there earlier in the night had left by this point and it was a shame cause these guys were pretty sick. Their vocalist came out wearing a black robe with a big hood on it and some sort of bandage on his right hand. One of the guitar players had some crazy looking custom guitar that looked like the cover to Morbid Angel’s Altars Of Madness covered in a sickly ashen bile. These guys were also very well practiced and tight, you could tell they knew their material inside and out. Pact was the most aggressive sounding band that I saw at Grimscape combining a raw intensity with some unholy riffage that oddly reminded me of mid-90s era Dark Funeral at times. Their vocalist did a lot of hand gestures to the crowd and sometimes it almost seemed like he was practicing some sort of martial arts moves with his hands.

In all it was a great DIY black metal show and a great time over all. Thanks to Mary Spiro of Metallomusikum (and the curator of the Black Metal Baltimore group on Facebook) for getting the bands to come out, the turn out seemed pretty good so I’m betting there will be a second installment in 2015. Let’s hope more people (including members of the bands earlier on the bill) stay next time cause the later bands were great! I’ve posted some of my favorite photos that I shot Saturday below, but you can see all of them, and in full size, on Flickr here. Keep it metal everyone and keep on supporting the scene that you’re a part of!


Antikosmos at the Sidebar

Antikosmos at the Sidebar

Victoria Atkins of Antikosmos


Dispellment at the Sidebar

Ikonoklast of Dispellment

Æþelwulf of Dispellment


Pact at the Sidebar

Pact at the Sidebar

Pact at the Sidebar

Pact at the Sidebar

Review of Existence Asunder by Terracide

Band: Terracide
Album: Existence Asunder
Release Date: 6 June 2014
Buy digital or CD for $10 on Bandcamp: Here

Cover of Existence Asunder by Terracide

Here’s another album review by Tal and you can of course read more of her writings on her personal blog In My Winter Castle. I’ll keep this short and let you get right into it.

It’s not too easy to find an epic melodic metal band that’s local to the DC area, so the debut full-length Existence Asunder from Washington, DC’s Terracide is a welcome addition. It’s an extravaganza of melodic guitar, alternating between aggressive melodeath riffs and high-flying power metal epicness, with a few proggy melodies thrown in for good measure. The album also brings more death metal thunder than their EP, Primordium, would have led one to expect. As for vocals, Terracide mainman Daniel Tidwell’s voice ranges from a low growl, to a harsh shriek, to harsh singing, to high clean vocals. To further muddy the waters, the album even forays into metalcore territory, with a touch of angst in some of the clean choruses and even a few breakdowns – but I can forgive them since it doesn’t sound out of place or detract from the melodic punch of the album. Who doesn’t mix half a dozen different genres these days anyway?

My favorite track is probably “Your Heaven’s Falling.” It’s actually one of the less melodic songs on the album, but it’s definitely the most headbangable. It starts off fast and thundering, gets really groovy for the chorus, and then revs up to circle-pit pace again in the second verse. Some other standout heavy tracks are “Halo Delusion,” with its epic melodic chorus anchored by rumbling growls, and “Stars Align” with its speedy melodic lead over very headbangable bass thunder. The more aggressive songs on the album put me very much in mind of Slaughter of the Soul era At The Gates, with their furious pace, the epic feel of their raging, melodic riffs, and the driving heaviness of their slower parts.

Other songs go more straightforwardly in an epic direction, notably “When Roses Bleed” and “Installation 04 (September 2552).” These songs include harsh vocals, but besides that they have more of a galloping NWOBHM or power metal sound even in their more forceful parts. The high, clean choruses, such as in “Installation 04,” certainly have a power metal flair, as do a few of the more flamboyant solos, such as two minutes into “Feed the Flame.” Another nice touch is the melancholy yet beautiful piano intro to “When Roses Bleed,” composed and played by guest musician Yoko Mada. It lasts for one third of the song and is so lovely that it brings tears to my eyes; it contrasts strongly with the charging energy when the speedy metal part of the song gets started.

The epic, power metally parts of the album tend to be songs from the band’s EP, such as “Installation 04,” and parts of “Mirrorborn” and “Forge of Empty Souls.” The songs that are new on this album have a much stronger death metal feel, with a Gothenburg sound in particular. I wonder what precipitated this change, though I for one can appreciate both styles. I sure wouldn’t mind if they continued to mix these sounds, as long as they keep dazzling us with melodic guitars, whether epic or thundering. I’m looking forward to hearing what this band will do next, and I’m excited to see how their sound and career will develop.

Your Heaven’s Falling:

When Roses Bleed:



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