Resale Act 2025 – Restricting Egregious Scalping Against Live Entertainment

Today (Tuesday, April 8th, 2025) I was invited to a press conference hosted at the Anthem with Ward 6 City Councilmember Charles Allen and several members of the local live music industry where they announced their proposed bill, the Restricting Egregious Scalping Against Live Entertainment (RESALE) Amendment Act of 2025. The bill aims to limit the amount a ticket can be resold by third party vendors to a 10% cap as well as banning the practice of selling speculative tickets (which is when a vendor lists tickets for resale it doesn’t actually have yet). Selling more than 50 tickets on the secondary market would force you to register with the city as a ticket vendor, and violations would incur a fine of $5,000 for the first offense and $10,000 for each additional offense. The bill would cover all non-sporting events in Washington DC. I shot video of the entire press conference, which you can watch above, and asked question #3 at 25:12 in. I feel like this is something that impacts not just metal heads but all concert goers in Washington DC so please take the time to listen and at least become informed on the topic regardless of your stance on it.

The accompanying press release is as follows:

Fix the Tix! Councilmember Charles Allen, DC Music Venues & NIVA Announce Bill Protecting Concertgoers by Reigning in Ticket Scalping

The bill caps re-sale prices on live performance tickets and ends speculative ticketing in which resellers are selling tickets they do not yet have in their possession.

WASHINGTON, D.C. (April 8, 2025) – Today, DC Councilmember Charles Allen (Ward 6), backed by a coalition of local venues, artists, and national independent music organizations announced legislation targeting scalpers and secondary ticketing platforms like StubHub, Vivid Seats, TicketNetwork, Ticket Center and SeatGeek by putting in place a price cap on resold tickets, banning speculative ticket sales, and requiring individuals and businesses selling more than 50 tickets a year to register with the District.

Joining the announcement were I.M.P. and 30 local venues and music industry organizations, including the National Independent Venues Association (NIVA), local musical artist CJ Johnson of Oh He Dead, and the Office of the DC Attorney General. The event took place inside The Anthem, one of DC’s premier live music destinations, and included representatives from many of DC’s music venues.

“Right now, people who want to go to a live show in DC are competing against companies and scalpers who make a lot of money by immediately scooping up as many tickets as possible and re-selling them at a much higher cost than the venue or performer is asking,” Councilmember Allen said. “A $40 ticket could end up reselling for over $1,000. The result is fewer fans can afford to see their favorite artist at one of the amazing venues DC has to offer. These middlemen are making millions by driving up prices, with the profit exclusively going to the scalper and never to the artists or venue. They aren’t performing, they aren’t running a venue – they’re just making it all more expensive.”

The Restricting Egregious Scalping Against Live Entertainment (RESALE) Amendment Act of 2025 proposes capping the amount a ticket can be sold for on the secondary market at face value plus up to 10%. It requires any individual or business reselling more than 50 tickets per year to register with the District, and bans the practice of “speculative ticket sales,” which means only people who already have a ticket can resell it. Violators of the law would be fined as much as $10,000 per ticket.

In just one recent example of speculative ticketing, tickets for Sparks’ show at Lincoln Theatre have not yet been released to the public, but are listed on StubHub, Vivid Seats, Ticket Center and TicketNetwork for as much as $767 at the time of writing. Tickets will be available from the Lincoln Theatre for $55.

“Washington, DC has the opportunity to stop deception and price gouging in ticketing across the nation’s capital,” said Executive Director of the National Independent Venue Association Stephen Parker. “NIVA will do everything possible to help the DC Council enshrine the RESALE Act of 2025 into law this year and fully protect consumers in the District from predatory resale practices.”

“We want fans to be able to buy real tickets at the price the artists set, not get deceived and fleeced by scalpers,” said Audrey Fix Schaefer, Director of Communications for I.M.P. “The RESALE Act, when signed into law, will protect consumers from price gouging, allowing them to go to more shows, which is good for the artists, our venues, and the city. I believe the Office of the Attorney General takes this seriously, and considering the proposed fines, I think the scalpers and the platforms that host them will take this seriously, too.”

“District consumers deserve fairness and transparency when deciding how to spend their hard-earned money,” DC Attorney General Brian Schwalb said. “As the District’s independent Attorney General, my office has taken action against companies across a range of industries —including hotels, food delivery apps, and live event ticketing companies — that deceive customers by advertising low prices and only revealing hidden junk fees later on in the purchasing process. I applaud Councilmember Allen for introducing this bill, which not only makes it crystal clear that drip pricing and junk fees are illegal under District law, but also introduces additional important and practical protections for ticket buyers.”

This legislation aims to protect artists, venues, and consumers in the District from unfair and deceptive practices in live event ticket purchases by:

  • Capping the price of tickets resold to the total price of the initial ticket plus up to 10%;
  • Clarifying the existing Consumer Protection Procedures Act with language specifying that ticket issuers, resellers, and secondary ticket exchanges must clearly and conspicuously disclose certain information upfront regarding ticket pricing;
  • Banning the sale of speculative tickets;
  • Ensuring the listing for a ticket and each step of a transaction shall clearly and conspicuously disclose the total price of the ticket, including an itemized listing of all charges, fees, and taxes;
  • Prescribing procedures governing the provision of refunds to consumers;
  • Prohibiting a ticket issuer from restricting the transferability of a ticket unless the terms and conditions on transferability are clearly disclosed to the consumer prior to purchase;
  • Permitting ticket issuers to maintain and enforce policies and conditions or requirements for ticket purchase with respect to conduct, behavior, public health and safety, or age at the venue or event, and establishing limits on the number of tickets that can be purchased;
  • Requiring a ticket issuer or secondary ticket exchange to maintain reasonable technology to prevent any machine, device, computer program, or computer software, with or without human assistance, from bypassing security measures or access control systems designed to limit the number of tickets that can be purchased by a person on a marketplace for initial purchase or secondary ticket exchange;
  • Requiring a reseller that sells or offers to sell 50 or more tickets per year to register annually with the Department of Licensing and Consumer Protection, and requiring that registered resellers provide certain information to the Department and maintain a surety bond of no less than $10,000;
  • Imposing responsibilities on secondary ticket exchanges to ensure fair practices on the secondary market;
  • Requiring the Mayor to issue rules to implement provisions governing the registration of resellers; and
  • Providing for civil penalties of $5,000 per ticket for the first violation and $10,000 per ticket for the second and subsequent violations.

Local Venues and Music Industry Organizations Supporting the Bill:

  • I.M.P.
  • 9:30 Club
  • The Anthem
  • The Atlantis
  • Lincoln Theatre
  • Black Cat
  • Howard Theatre
  • Union Stage
  • The Hamilton
  • DC Improv
  • DC9
  • Songbyrd
  • Pearl Street Warehouse
  • Capital Turnaround
  • Pie Shop
  • U Street Music Hall Presents
  • All Good Presents
  • National Independent Venue Association
  • Future of Music Coalition
  • National Independent Talent Organization
  • Recording Academy
  • Opera America
  • Bandsintown
  • Association of Performing Arts Professionals
  • International Association of Venue Managers
  • Fan Alliance
  • Music Managers Forum-US
  • Black Music Artist Coalition
  • American Federation of Musicians
  • Music Arts Coalition
  • National Performance Network
  • National Cannabis Festival

The bill is being co-introduced by Councilmembers Robert White, Kenyan McDuffie, Zachary Parker, Christina Henderson, Brianne Nadeau, Janeese Lewis George, and Matt Frumin.

Uncle Acid & The Deadbeats ticket give away

It’s very rare that Cambridge, England, based Uncle Acid & The Deadbeats make it to this side of the pond for a proper tour so we’re excited here at DCHM for the band to play the Fillmore Silver Spring on Wednesday, February 5th! That’s why we’re giving away a pair of seated tickets to this sure to be epic show. To enter just leave a comment on this post telling me what your favorite movie soundtrack or score is. Then on Monday, February 3rd, 2025 at 5pm Eastern the contest will close and a winner will be selected from all valid entries using Random.org! Be sure to use a valid email you check regularly when you enter so I can contact you if you win. When you leave a comment you must click the little email icon and enter your email in (only I can see the email address you enter) otherwise I won’t be able to contact you if you win. If the selected winner hasn’t written me back within 24 hours then another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can purchase tickets here.

This isn’t your normal Uncle Acid & The Deadbeats tour. For starters it will be seated and the band will be performing their 2024 concept album Nell’ ora blu (Italian for “the blue hour”) from start to finish. Why does a band from England have an album title in Italian you may ask? That’s because this album is a love letter to Italian horror and crime cinema and sounds like a movie soundtrack to a film that was never actually shot, but with that distinct creepy stoner metal vibe that Uncle Acid has perfected. The story revolves around vigilante justice of a corrupt businessman and fits perfectly thematically with Uncle Acid’s throwback sound. You may have seen Uncle Acid perform before but you’ve never seen a set from them like this! Support on this show comes from Jonathan Hultén, a Swedish folk musician most people will probably know for his time in the band Tribulation before going solo. Now check out these releases by the bands below and tell me your favorite movie soundtrack or score in the comments (and be sure to include your email address)!

Uncle Acid & The Deadbeats – La vipera

Jonathan Hultén – Riverflame

Pig Destroyer & Mammoth Grinder tickets & albums give away

2024 is the 20th anniversary of the classic Terrifyer album by local grind legends Pig Destroyer! To mark the occasion, Relapse Records is reissuing the album in a newly remastered version that also includes the 38 minute “Natasha” song and a ton of previously unreleased demos and bonus tracks. If this wasn’t cool enough, Pig Destroyer is playing an album release show for this killer reissue at the Black Cat this Thursday, November 14th of 2024! And if that wasn’t enough, DCHM is going to give away a pair of tickets to this very show, and the winner will also receive a copy of the Terrifyer reissue signed by the band. But wait, there’s more! Relapse Records label mates Mammoth Grinder are playing direct support of Piggy D on this show and they’ve got a new EP coming out, titled Undying Spectral Resonance, and the winner will get a signed copy of that at the show as well! If you’re not into vinyl we’ll make sure you can get another format (probably CD) signed at the show instead. Now to enter just leave a comment on this post telling me what your favorite metal release of 2024 is so far. Then on Monday, November 11th, 2024 at 5pm Eastern the contest will close and a winner will be selected from all valid entries using Random.org! Be sure to use a valid email you check regularly when you enter so I can contact you if you win. When you leave a comment you must click the little email icon and enter your email in (only I can see the email address) otherwise I won’t be able to contact you if you win. If the selected winner hasn’t written me back within 24 hours then another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can purchase tickets here.

Pig Destroyer doesn’t play a ton of home town shows so don’t miss this chance to see them at the Black Cat! Direct support comes from Mammoth Grinder and I don’t know if you’ve been paying attention but they now include members of Exhumed and Battlemaster in their line up, so they’re only getting more brutal! Also playing will be Genocide Pact, another Relapse band and also based in DC. They play a modern take on that old school Swedish buzzsaw style of death metal. Opening the show is local band Entrail Asphyxiation, a local death metal/goregrind band that’s been getting a lot of notice lately. Anyways, check out these videos of the bands below and leave a comment telling me your favorite metal album so far of 2024 (Gotta make sure I haven’t missed anything for my end of year lists!)

Pig Destroyer – Gravedancer

Mammoth Grinder – Undying Spectral Resonance

Genocide Pact – Perverse Dominion

Entrail Asphyxiation – s/t EP

Baroness ticket give away

Despite a terrifying bus wreck, several drastic line up changes and member relocations, Baroness has consistently been able to put out great releases and put on killer live shows! Which is why we’re so excited here at DCHM to see Baroness at The Fillmore Silver Spring on Sunday, June 23rd! In fact we’re so excited that we’re going to give away a free pair of tickets to one lucky DCHM reader! To enter just leave a comment on this post telling me what your favorite Baroness song is! I’ve been loving “Anodyne” off their 2023 release Stone but if you need help picking you can always find their discography here. On Sunday, June 16th, 2024 at 5pm Eastern the contest will close and a winner will be selected from all valid entries using Random.org! Be sure to use a valid email you check regularly when you enter so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info to Sleazy P. Martini. If the selected winner hasn’t written me back within 24 hours then another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can purchase tickets here.

Baroness is one of those bands that has straddled the line between heavy metal and hard rock but one thing has always been obvious: John Baizley’s ability to bring his vision for the band to life through uncompromising songwriting. They’re sure to put on a killer performance at the Fillmore Silver Spring later this month however there’s two other bands on the bill as well! Direct support will be provided by Ruby The Hatchet, a psychedelic doom band with haunting vocals by frontwoman Jillian Taylor. The opening act is Filth Is Eternal, a pissed off Seattle rock band with lots of punk influences known for their high energy live shows. Now hurry up and leave a comment on this post telling me what your favorite Baroness song is!

Baroness – Anodyne

Ruby The Hatchet – Thruster

Filth Is Eternal – Pressure Me

Gwar ticket give away

Universal scum dogs Gwar are embarking on their Age of Entitlement Tour and it’s making a stop at the 9:30 Club on 6/9 (nice). Since everyone is feeling so entitled these days, I’ve got a free pair of tickets to the show up for grabs for one lucky DCHM reader (or even those of you who just showed up to get free stuff). To enter just leave a comment on this post telling me what your favorite heavy metal concert you’ve been to is! If you’ve never been to one then just tell me you want Gwar to be your first! On Friday, May 31st, 2024 at 5pm Eastern the contest will close and a winner will be selected from all valid entries using Random.org! Be sure to use a valid email you check regularly when you enter so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info to Sleazy P. Martini. If the selected winner hasn’t written me back within 24 hours then another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can purchase tickets here.

It’s not every day you get to see a live band from all the way down in Antarctica but you’ll love cooling off from the summer heat with a refreshing splash of Gwar sprayed directly into your face! Or you can be one of the suckers standing around in the back wondering why you don’t like fun. Either way, you’re not going to want to miss Gwar! Even better is that Dixie Dave Collins will be bringing his stoner metal band Weedeater along for the ride. Also on the bill are the Gwar side project band X-Cops showing you how not to back the blue, and opening the set will be Squid Pisser which sorta looks like if Ponda Baba had a hardcore band. Now check out these music videos below of all these great bands and leave a comment telling me what the best metal concert you’ve ever been to was!

Gwar’s NPR Tiny Desk Concert

Weedeater – Mancoon

X-Cops – Light ‘Em Up

Squid Pisser – Liquified Remains

Hiatus over: DCHM is back (and other depressing things)

I guess I should put a trigger warning on this post for things related to mortality and death. If you want to skip this one just know that DCHM is active again and I’ll be doing a ticket give away next week on the site.

It’s Friday, May 17th and over two months have gone by since my friend Blake Harrison passed rather unexpectedly. I had put DCHM on hiatus for a while and promised a post about him. If you’ve been paying attention I’ve already been updating the upcoming concert calendar the past few weeks, however I’ve been really struggling with what to write about Blake. There’s been some incredible posts and articles and all kinds of things written and spoken about him all over the internet and honestly I don’t really know how to come at any of this from a new or unique angle. I wasn’t Blake’s oldest friend, nor his best or closest, and he isn’t the first close friend of mine to die either. As tends to happen with these things, I still notice his absence from things quite a bit.

The Goons are playing the Black Cat tonight and I’m still on the fence about going. A friend of mine that I knew in high school through our mutual love of Milk & Cheese and other underground comics, Tom Omachel, became their drummer at one point and so I started going to as many of their local shows as I could to support him. I remember being proud so proud of him when I bought their Live at the Black Cat CD that he played on at the Fairfax Tower Records when it came out. I didn’t keep super close contact with Tom over the years but I’d always chat him up a bit at shows. Unfortunately Tom ended his life in 2011, which lead to the band breaking up, or at least that’s my understanding as I didn’t really know the other guys in the band that well. Anyways, fast forward to January of 2023 and The Goons were playing a reunion show at the Black Cat as a special performance after another member of the band had just passed away (PJ who I didn’t really know). The band was also releasing that old Live at the Black Cat album on vinyl for the first time at the show. I went to that reunion show with Blake cause he’s one of the few friends I had that actually cared enough about the Goons to go see them. [Check out Nation in Distress here if you haven’t heard the Goons.] He wasn’t in the best shape due to the medical stuff he had going on so we just hung out on the rail by the back red room bar the whole night, which honestly was fine by me. It was weird seeing the Goons again, now without Tom behind the kit, but the crowd was excited despite HR of Bad Brains putting on a snoozefest of a set just prior.

The last time I saw Blake in person was at the Municipal Waste show at the Black Cat on February 15th of this year, and I hardly talked to him. He tended to get swarmed at metal shows by people coming up and saying hi, trying to catch up and whatnot, especially people that really only see him at shows. I said hi briefly after the final band had played and he asked me why I didn’t come hang out more with him that night, and I told him something along the lines of, “hey just catch up with people while you can, you haven’t been to many shows lately. We can always hang out soon any time.” Well that clearly didn’t end up the way I had expected, and I’d probably feel terrible about that being the last thing I said to him in person if it wasn’t for the fact that we did hang out a lot outside of shows. In my bar or attic or at his place or, hell, we’d go and get lunch together every few weeks just to hang and catch up, especially when he wasn’t doing well enough to do things like go to shows, bars or parties, but even recently too. I was one of the lucky ones who got to just get some down time like that with him once in a while. We’d talk about job hunts, frustrations, tell stories and jokes, musical projects and upcoming gigs we wanted to go to, and anything to do with HP Lovecraft. I miss that shit.

Blake was a good guy in too many ways for me to explain properly. Once he bought a ticket and came out to a show that I booked with a headliner he didn’t like and made sure to make his presence known to me because he was that good about supporting his friends’ endeavors. He ended up leaving early because he was throwing up from all the medical shit he was going through fighting cancer, and had the audacity to tell me he was sorry for leaving before it was over. Like no dude, I’m sorry you came out when you felt that bad. He got me a backstage pass to Dark Lord Day once, one of the biggest and best craft beer fests in the world, when his band was playing just because he knew I was so into craft beer. I met countless other good people because of him. Of course I’d trade it all just to let him try another one of my expensive, rare, highly sought after on the craft beer secondary market stouts for him to only tell me one more time that it’s still no Guinness. But that’s just not how it works, is it?

So now here it is, the day the Goons are going to play the Black Cat again. Only this time it isn’t just going to be weird because Tom isn’t drumming but also because I won’t be going with Blake. And I’m gonna miss him a lot and there’s no crying allowed at punk shows, right? Supreme Commander is on the bill too and their front man, Boo, is another friend (who happened to be bartending at the Desolus album release show at Pie Shop last weekend) and I really haven’t seen his band live in a while. It still feels weird not seeing Blake at metal shows all the time, and with Maryland Deathfest next week I know that I’m gonna feel that even more while I’m there. I’m old enough to know you never really get over these kinds of losses in your life, you just kind of get a little more numb as they add up over the years.

I guess that’s where music comes in for me, in this world of ups and downs I still get excited for seeing bands I love play live, and not matter what shit may or may not be going on in my personal life I can always get away from it for a little bit when a great band is playing a killer set. I’m not gonna stop making more positive memories with the friends around me at shows and elsewhere if I’ve got anything to say about it. So it’s decided, I’m going to the show tonight. We’ve only got one shot at this life thing and I’m as determined as ever to live it the best I can, just like Blake did.

Blake at the Black Cat watching the Goons 1/21/23