Listen To Nightmonger by Midnight Eye

Local metal band Midnight Eye is releasing their EP Nightmonger and they kick off their tour supporting it with a free show this Thursday, August 8th, at The Pinch in the Columbia Heights neighborhood in Washington DC (details here). Stream the EP above, pick it up on Bandcamp here and be sure to come out Thursday to watch these guitar wizards pull this stuff off live. And while you’re listening to Nightmonger, check out the review of it below by new DCHM writer Tal (you can find more of her writing on her regular blog here).

Band: Midnight Eye
Album: Nightmonger
Release Date: 8 August 2013
Buy From Bandcamp for $4: Here

Cover of Nightmonger by Midnight Eye

Midnight Eye further develops their distinctive sound with their 3-song EP Nightmonger. The new release keeps the energetic heavy metal/thrash groundwork that they laid in their first album, Sign, but also takes a few steps further in the progressive direction, with unusual vocals as well as widely varying guitar passages. But these guys have the guitar chops to tackle all the different styles they want to pursue, and piece them together fairly cohesively.

Rocking NWOBHM riffs just on the verge of thrashy form the base of their sound, occasionally taking off into a full-out frenzy-inducing thrash whirlwind. Along with shreddy guitar solos, there’s also a lot more noodling compared to the first album and even a low-tempo acoustic passage in the second song, “Chaos.” The change of pace when the acoustic segment begins is a little jarring, but it doesn’t utterly destroy the energy of the song. The bass and drums soon come back in to give the instrumental some thrash kick, and after the lead guitars meander for a bit, they finish the song with a speeded up version of the main riff, giving it a satisfying conclusion. Missing from the EP are the doomy segments that haunted a couple songs from the first album, but the third song, “Outsider,” features some buzzsaw black metal riffs instead. The end of this song, which really picks up the black metal sound with insistent drums and sweeping tremolo riffs, is one of my favorite moments on the EP.

While the guitars have immediate appeal, the vocals take some getting used to. The tone of the mid-range clean vocals, which dominate Sign, is unusual, although it sounds sort of like a mid-range take on early King Diamond. Nightmonger showcases a lot more of Simon Callahan’s ability to generate King Diamond-like shrieks and high-pitched notes, especially in the second song, “Chaos.” I’m still not quite sure if their attempt to combine the shrieks and clean vocals works in that song, but I do prefer the high-pitched vocals to the mid-range ones overall.

I enjoyed staring at the simple and yet intricate cover design for a while. It reflects the band’s carefully executed complexity, and hints at the black metal touches in their music. The depth of their lyrics also matches the complexity of the band’s sound. I enjoy lyrics that are a bit poetic, rather than obvious and straightforward. While the chorus of the first song is pretty direct – “people cling to these very truths:/they love their nation/before other nations/they love their friends/not others” – the verses are more subtle. This song is apparently based on the Chinese philosophical text Zhuangzi, which espouses harmony with the natural way of things, so the nature images in the verses are a fitting touch. The ending of the song – “sound the alarm/tell everyone/there’s no purpose/to anything at all” – at first seems like an abrupt break with the theme of waxing and waning concern for others. Chinese philosophical anecdotes often end with a lesson, though, and looking at it that way, the lesson in the last verse is that human attachments are so changeable that there’s really no purpose in pursuing them. The other two songs, while not as cryptic, are also nicely constructed, using images and metaphors to propel their message of distrust of those in power. I particularly like the phrase, “outsiders,/from shades of grey/are made in the/gears of the world,” from the third song, “Outsider.” It reflects a penetrating awareness of how otherness is constructed and used by the majority.

I’m enjoying the EP more with each listen, and looking forward to hearing the band play it live. Midnight Eye is holding a release party this Thursday, supported by Exar Kun and Thrain, so don’t miss the chance to see these stellar guitarists live. I’ll be there pushing people around when the thrashy parts take off!

Review of Oculus by Borracho

Band: Borracho
Album: Oculus
Release Date: 18 July 2013
Label: Strange Magic Records
Buy From Bandcamp for $5: Here

Cover of Oculus by Borracho

Several weeks ago I put up a post asking if people would like to write album reviews of local metal bands on DCHM (read the post here). Please welcome Grimy Grant as the first of those submitters to get a post up on the site. You can follow him on Twitter at @jgrantd. I’m still taking submissions and for those who have inquired but haven’t heard back yet, I may still contact you. Borracho’s official release show for the album is this Friday night, the 19th of July, at the Rock & Roll Hotel and you can get all the details on that here. Now on to Grimy Grant’s review…

Slow, deep bass notes sound out in a bare, cavernous space. They are then joined by the equally slow but perfectly spacy guitar riffs. Atmospheric choir voices join in the mix and more layers are brought in – until the drums start to bring it down in a crushing blend of Southern Rock and advaitic chants. This is how the opening song “Empty” starts off Borracho’s second full-length album of their career, the ominously named Oculus. The rest of “Empty” goes on to develop a kind of overture to the story: A man is spurned by a friend/relative who “gets the girl and the glory”, loses the girl to the hero who, “Will come out better than you”. The album goes on through its brief but rocking set of five songs to describe the hero’s journey. I was impressed from the start by this kind of conceptualization – not something that I expected from a band named after the Spanish word for “Hammered” or “Lush”. Even the word oculus has layers: a reference to large openings in the domes of Pantheons where rain and sunlight could both cool, light, and heat inner places. They also represent openings into the otherworldly: the godly realm that looks down on us, and we up at “them”.

Oculus talks a lot about deep issues, starting with comparing the glory of one man with the depression of another as being similar to the distance between gods and humanity. At least that is what is conveyed through the epic sounds coming from Steve Fisher’s guitar and Tim Martin’s bass. Yet while that comes out musically the message doesn’t always sell very well for me through the album’s lyrics and vocals. Some of this may be due to the departure of their original singer and guitarist, Noah Greenberg. The vocals in “Empty” for example, felt a little too twangy for the psychedelic, sonically expanding opening of the song. There is so much musically being carried through in the opening – a kind of widening of the imagined space – a space that perhaps an actual oculus is punching a hole through. Wailing guitars bring up the rear in the grand chorus of slow, stoner noise. Then we’re greeted with a steady, regular stoner rock beat coupled with Fisher’s voice singing “This depression/Is killing me”. The words and emotions conveyed seem too cliche in comparison to the complex structures of the song.

Not to say there aren’t gems in the lyrics. Fisher sings a lot about “Family tree” and having to “cut [it] down to be free” in “Stockpile”. He goes on to talk about “Searching for lead” in order to exact his revenge on the story’s villain. We’re put in the shoes of someone who wants blood. This is where Fisher, the guitarist and vocalist for Borracho, shines for me, when he puts in the voice of a tough-as-brass, true hometown friend helping out in “Stockpile”. He sings about being “consigned to form a team” and:

“Make a stand, You know I’d like to help if you I can
Give it time, give yourself a chance, You know, Just because of circumstance,
You know I swallowed it all”

Fisher is also screaming against the person that tormented him through the album and who is now going to get the comeuppance they richly deserve. This blends perfectly with the heavy, pulsating riffs in the background that helped create a vision of the oncoming battle. We’re marching toward victory.

The last track, “I’ve Come for it All” follows a trippy riffage from the song “Eye”, a reference to the oculus looking in on us. Airy guitar noise coupled with the screams of Fisher going through what must be some kind of fight with his inner demons, or perhaps with the gods themselves. In the end, we’re presented with the conclusion in “I’ve Come for it All”, with Fisher calling out his opponent:

“Chosen path/Slippery slope … You wanted it all/Now it’s time to die”

Without shame I will say those words give me goosebumps, even though they may be a bit over-the-top. Fisher’s guitar licks carry a lot of power throughout the song as well, helping back up his intention to wreak havoc. I was really banging my head towards the middle point of the song’s breakdown.

Musically, Oculus knocks it out of the park. Far after listening to this album I found myself humming the tunes to myself. Borracho’s lineup is tight – it’s not easy to create so full a sound with a three-piece band. Still, it doesn’t really kick in until the last three songs of the album. The first two tracks feel out of place with the album as a whole. Metal Chris wrote previously about Black Sabbath’s 13 (here) and how the track listing can hurt an album and I feel that this may also be the case on Oculus. The first track, “Empty”, and the second track, “Know the Score”, do follow the overall head-banging structure of each of the other songs, but with such a small track list I wonder why they can’t flow together tightly like the other songs. “Empty” ends with a kind of hard stop. “Know the Score” starts strong with a steady beat but then quickly goes into focusing on the lyrics, which in that song are tad weak for my taste.

The third track, “Stockpile” is where things ramp up into a steady continuum and it is where Oculus seems to make a decision on the direction it is going. We’re lead through a sludgy, grim and down-tuned sonic realm into a fierce, upbeat fight in “I’ve Come for it All” – a fitting soundtrack for some serious ass-wompin’. “Stockpile” really expands musically with the album, bringing in maracas and tribal drums in the middle to add some spice to the song. I found this an interesting point in the song that made me pause and think a bit. Oculus has a lot of these interesting bits in the album – something that shows some maturity and exploration by Borracho.

There are many reasons that I love Oculus: the solid, straight-up rock that founded metal in the first place is alive and well here. However I feel that Borracho is relying a bit too much on that to carry the album. The lyrics feel like they’re slapped on to some of the songs – “Empty” in particular. This won’t stop me from playing it in the car on road trips, head-banging along I-95 – gawkers be damned. Oculus goes deep in many ways, particularly in trying to mature and change the sound of a band that’s been around for about 6 years. Experimentation is a great thing and hopefully it will bring forth a new era of drunken, crazy exploits from Borracho.

2009 Wrap Up and 2010 Preview

First I would like to say that I’m not going to do an obligatory top 10 list of albums of the year nor decade. It’s rather pointless and I doubt anyone cares about my favorite albums of the year and whatever arbitrary numbering system I’d assign them. That said, there were a lot of good metal albums put out this year, and if you’re looking for some metal to check out that you might have missed (the real purpose of all those top 10 lists) here’s some for ya. A new Black Sabbath Heaven And Hell album, The Devil You Know, that had music as good as the cover art. I’m a sucker for anything with Tony Iommi on guitar though, so maybe I’m a bit biased. There were some stand out albums in various metal sub-genres, like Anaal Nathrakh‘s In The Constellation Of The Black Widow, PsyopusOdd Senses, Monoliths & Dimensions by Sunn O))), Shrinebuilder‘s self titled album, the unpronounceable ÞÞÞÞÞÞÞÞÞÞÞ by Arckanum, the Blue Record by Baroness, Black Cascade by Wolves In The Throne Room, Winter Hours by Tombs, Dark Castle‘s Spirited Migration, Existence Is Futile by Revocation, Urgehal‘s Ikonoklast, Syrach‘s A Dark Burial, Hypocrisy‘s excellent A Taste Of Extreme Divinity, Milorg by Vreid and the totally underrated A Pyre Of Lost Dreams by Black Wreath. If you can’t find something new to check out from all that, well, you’ve got similar metal taste to me, congrats.

2009 also had some great come back albums, Unanimated‘s In The Light Of Darkness, Alice In ChainsBlack Gives Way To Blue, Immortal‘s All Shall Fall, Beherit’s Engram, Pestilence‘s Resurrection Macabre, Goreaphobia‘s Mortal Repulsion and Asphyx‘s Death… The Brutal Way all lived up to fan expectations (for the most part, can’t please everyone of course). I really liked the new sound Samael has on their Above album, not really a come back or return to form, but they are definitely worth listening to again after years of screwing around with an industrial sound. 2009 was a huge year for thrash. There were albums released by 80s thrash legends such as Slayer‘s World Painted Blood, Megadeth‘s Endgame and Kreator‘s Hordes Of Chaos which led the way for a neck spraining mob of newer thrash band releases such as Skeletonwitch‘s Breathing The Fire, Blood Tsunami‘s Grand Feast For Vultures, Warbringer‘s Waking Into Nightmares, Mantic Ritual‘s Executioner and Havok‘s Burn. And while it’s not a metal sub genre in and of itself, there were quite a few good instrumental albums out this year that I found myself listening to a lot, the self titled Animals As Leaders album, Russian CirclesGeneva, Pelican‘s What We All Come To Need, Dysrhythmia‘s Psychic Maps and Scale The Summit‘s Carving Desert Canyons are all worth listening to. There weren’t too many releases from the local DC metal scene this year, but there were some of note. There was a new album from Dying Fetus titled Descend Into Depravity, Hatred released Burning Paradise, Gravewürm released Funeral Empire, Ol Scratch released The Sunless Citadel, Magrudergrind released a self titled album and there’s also the previously mentioned Animals As Leaders instrumental album.

Now that’s not to say there weren’t any duds though. Without a doubt the biggest disappointment of 2009 had to be Reveltaions Of The Black Flame by 1349. This album is hardly even black metal any more, hell, there’s a fucking Pink Floyd cover on it. It was co-mixed by Tom Gabriel Fischer of Celtic Frost, which a lot of people seem to think was a big reason it stunk, but he wasn’t the one writing the songs. The record is uninspired, the songs are not well thought out and for a band with Frost, one of the best drummers in all of metal, they squander his abilities. I can handle bands trying something new and changing their sound, and I can deal with slower and more abstract music, but this let down of an album is up there with Cryptopsy‘s wet turd The Unspoken King and Metallica‘s self titled “black” album. Another disappointment this year was the Root Of All Evil album by Arch Enemy. I really like the older Arch Enemy material and was hoping this album would make newer fans more familiar with the pre-Angela songs, thus allowing them to add more of these songs to their live set. Sadly this album of re-recorded songs will probably not do well with newer fans because, honestly, it stinks. It’s over produced to the point of a loss of all emotion, energy or intensity. It sounds like a band just going through the motions like a bunch of robots. The new Suffocation album, Blood Oath, was a bit of a let down to me too. For a band that is known for having revolutionized the death metal genre, basically merging brutality with technical musicianship, their new album goes for a simplified, catchier sound that just isn’t on the same level as their older material.

Now lets get past 2009 and take a look at what 2010 has got coming up for us. Fear Factory has reunited with a new line up (including Gene Hoglan on drums) that could be interesting. Their new album is to be titled Mechanize and should be out in early February. The new black metal ‘super group’ of sorts, Ov Hell, has their debut album, The Underworld Regime, out in early February also. The Crown has reformed with almost all of the original members back, but they have a new guy on vocals, Jonas Stålhammar. Hopefully they’ll have a new album out this year (or at least tour). The infamous Varg Vikernes will have a new Burzum album, Belus, out in the spring, his first release since being released from Norwegian prison for the murder of Mayhem‘s guitarist Euronymous. Darkthrone was recording in the fall so they should have a new album out soon. Japan’s Sigh will have a new album out on January 19th titled Scenes From Hell. This will be their first album with their female vocalist/saxophone player, Dr. Mikannibal and I’m curious what this already bizarre sounding band will come up with next. Overkill will have their new album, Ironbound, out at the end of January. Greece’s Rotting Christ has a new album, Aealo, out February 15th. Borknagar will have a new album, titled Universal, out in late February. Early March will see the release of Dark Tranquillity‘s new album, We Are The Void (I guess the album cover artist is a fan of goatse). Catamenia says their new album will be out in the spring, and Watain says their new album will be out by the summer. The reunited Atheist said they would record their first album of new material since 1993. Autopsy is reunited so maybe if we’re lucky they’ll put out some new material too. Local band Misery Index should have a new album out in May and hopefully Modulus will make their newly finished album, Perfection Through Manipulation, available to the masses soon.

As far as metal concerts in 2010, the biggest story by far is going to be the festivals with the big 4 thrash bands all playing together, but so far these are just scheduled to be festivals in Europe. Of course everyone is hoping a tour with Metallica, Slayer, Megadeth and Anthrax will come to the states, maybe these European fests are just to test the waters, see how well the bands work together before they all decide on a true tour. The reformed Decapitated should make their way to the US to tour at some point (one would think). Hypocrisy has said they have gotten their US work visas approved so they should be setting up another tour soon. Surely several of the bands with upcoming releases that are mentioned above will be touring to support their new albums in 2010. There’s already several tours scheduled to come by the DC area, which you can find out about on my Upcoming Concerts page. The biggest will of course be the Maryland Deathfest in May but there’s still plenty of of good shows before then too. Of course venues like Jaxx and Sonar will have their share of metal shows coming to the area, but there are also some gigs coming to less likely venues in 2010, like the Black Dahlia Murder at the Rock And Roll Hotel and Jucifer at the Black Cat. Hopefully they’ll get good turn outs and the venues will continue to host more metal shows.

Thanks for having read through this marathon of a post, it’s almost done, you’re in the home stretch. I’m not a big fan of New Year’s resolutions, but I’m hoping I’ll still be running this blog and get to write another one of these year end wrap ups next year. I recently got rid of that ugly old logo but I still want to work on the site’s appearance more and possibly buy a URL to redirect to here so I can make like bumper stickers with an easy to remember web address that doesn’t end in “”. I’d also like to propose a resolution to all the other music bloggers, commentators, critics, etc… out there. Stop calling metal bands “the mighty”! Really, it’s stupid and half the time you say it about lame ass bands like “the mighty Dragonforce” or some shit. There’s plenty of adjectives to describe metal bands with that actually make them sound distinct from every other metal band on the planet, like brutal, technical, atmospheric, minimalist, energetic, grim, thrashy, etc… Seriously, stop it with “the mighty” crap unless you want to start calling every non-metal band “the pussy”. Come to think of it, that might actually be a pretty awesome trade.

Well, that’s about it. I probably won’t have another post until some time in January unless something interesting before then really needs a post about it. I will keep the Upcoming Concerts page up to date, and I’ll continue to keep an eye out for any new torrents for the Downloads page. I should be going to see Behemoth at Jaxx in early January so I should have a review of that up if nothing else before then. I guess if you’ve got any questions, suggestions or requests for things you’d like to see on DC Metal in the new year, or if you just want to tell me how much the site (or me) sucks, leave a comment below.

More Info On Modulus

This is a follow up post to my previous post titled New Modulus Song. Since I wrote that there have been a few developments, namely that local death metal band Modulus wrote a blog post with more info and also I wrote them a message and they answered a few of my questions. Their new album will be called Perfection Through Manipulation and I currently have no idea when that will be officially released. Considering it’s taken 3.5 years to get it finished, who knows how far off a release date is. They did tell me that it would probably be on iTunes first, then available on CD. The track listing for Perfection Through Manipulation will be:

1. Intro
2. Compromising The Bio-Wall
3. Self Replicating Virus
4. Post Traumatic Enhancement Disorder
5. Neural Processor
6. Terminal Addiction
7. Chemical Stimulus Emulation
8. Emotional Limiter
9. Outro

As you can see, tracks 2, 4 and 5 are all from their Prototype EP. These seem to be re-recorded versions of those songs though. A few of the questions I had in my previous post have now been answered also. Here’s a quote from their message to me:

“Currently, the band only consists of the two guitarists Mark [Weathers] and Juan [Somarriba]. Jim [Richman] left to spend more time with his family. Eric [Snyder] left to concentrate on work. Ben [Kelly] left to concentrate on his other band Brave. We tried to find a drummer but unfortunately could not find anyone of Jim Richman’s skill. We painfully recreated drum beats from old songs and videos to bring as close as possible a human experience.”

They also told me that they don’t have any upcoming shows scheduled due to a lack of band members (I’m sure the biggest hurdle being the lack of a drummer). Anyways, you can listen to all the new songs they posted on their MySpace site or you can download them here. They said they will be posting more songs at some point, but until then you’ve got these four.

First Post

All right you mother fuckers, this is my brand spankin new DC heavy metal blog. I have many names, Chewie, RapeJesus, Butt-Rash, Badass McAwesome, Shutup Asshole etc… but the most popular seems to be Metal Chris so that’s what I’m going to go by on here. This blog template still looks retarded as I write this, and hell I might even switch from this WordPress BS, but  I wanted to post today. It’s September 11th and to commemorate the atrocities religion brought us on this day 8 years ago, I’m starting my metal blog. If you want a description of what to expect here, you can find that in the About section, I don’t feel like repeating it in detail here, but basically I’m sick of not having a good website for all the info on heavy metal in the DC area. I’ve found myself scraping this info together for quite some time simply so I can know what the fuck is going on in regards to heavy metal, and I figured I might as well post this info to the net cause maybe there’s some other people out there who would like this info but are too damn lazy to do it themselves. Well you lazy asses, you’re lucky that I’ve got a metal addiction and spare time! I plan on hoarding relevant links on this page as well, so you don’t even have to bother reading my inane drivel if you don’t want. Also, I’ll try to link band names to their MySpace pages so you can listen to their music there if you want, and I’ll link album names to their listings on Metal Archives, if possible, and I’ll link song names to their pages on Songza so you can stream the song to listen to it, if the song is available that is.

Since this is the first post I’ll be a bit all over the place, normally I’ll try to keep different subjects in different posts for clarity’s sake. Currently I’m listening to the new Dying Fetus album, Descend Into Depravity, that comes out officially on Sept 15th. I just got it as a 320k rip from vinyl today off of the net. Now if you’re looking for it, there’s been a lot of fakes of this floating around, particularly one by a ripping crew going by the initials TRI. That is really just Dying Fetus’ 2007 album, War Of Attrition, with the tracks mixed up and the song and file names changed to the track listing on the upcoming album. Anyways, this is my first listen to Descend Into Depravity and it’s not bad. I really didn’t like their previous album War Of Attrition at all but this one seems better. Not as many break downs as I was expecting, but that’s ok. The drums are pretty standard death metal but they’ve kept the intensity in the guitar work. And for those who don’t know, Dying Fetus is from the DC area, probably the biggest death metal band from the area actually. They really were at their peak with their albums Killing On Adrenaline and my personal favorite Destroy The Opposition, after which most of the band left to become Misery Index, tho the drummer, Kevin Talley, has since left Misery Index also and now plays with Dååth. Anyways, if you want to check them out I recommend Destroy The Opposition before their newer stuff. I don’t believe Dying Fetus has any tour dates in the area any time soon, or I’d mention that here.

OK, so now that I’ve at least talked a bit of metal here, I’ll mention that I totally need to redesign this site’s appearance. I need some Photoshop skills to do that, which I simply don’t have. So until I can get someone to actually put the ideas I have into digital form, and do it for free, it’s not going to be ideal in appearance. Also, I’m still figuring out this WordPress stuff so we’ll see. I may just switch to another website before moving tons of posts to another site becomes a pain in the ass. Also, I need to figure out how to get some nice looking calendar widgets on here so I can have a calendar for upcoming metal shows in the area as well as upcoming album releases of note. I’ve seen a cool one on Bands In Town, but they don’t list every venue (and thus not every concert can be added). Since I don’t have those things set up currently, I’ll just list a bunch of them now. Here’s the upcoming albums of note (I’m probably missing some so deal):

MegadethEndgame (Sept 15)
Dying Fetus
Descend Into Depravity (Sept 15)
Black Sabbath
reissues w/ Bonus Tracks (Sept 21st)
Echoes Of Eternity
As Shadows Burn (Sept 22)
Wormwood (Sept 24)
All Shall Fall (Sept 25)
Þyrmir EP (Sept 25)
Teraphim (Sept 28)
Arch Enemy
The Root Of All Evil (re-recording pre-Angela material) (Sept 28)
Alice In Chains
Black Gives Way to Blue (Sept 29)
BelphegorWalpurgis Rites – Hexenwahn
Cannabis Corpse
The Weeding EP (Oct 12)
PortalSwarth (Oct 20)
GorgorothQuantos Possunt ad Satanitatem Trahunt (Oct 21)
HypocrisyA Taste Of Extreme Divinity (Oct 23)
Dark Tranquillity – Where Death Is Most Alive (DVD) (Oct 26)
PelicanWhat We All Come To Need (Oct 27)
VreidMilorg (Oct 27)
Slayer – World Painted Blood (Nov 2)
KatatoniaNight Is The New Day (Nov 2)
ImpiousDeath Domination (Nov 6)

Note that I list whichever date is earliest for the release date, US, Europe, Japan, whatever. Since the internet makes it pointless for bands to release albums on different dates in different countries, I just go with whichever is first. Most of the important ones leak online before the release dates anyways. Well, here’s some of the upcoming metal shows to the DC area (I’ll list other areas when I get a calendar working):

Samael @ Jaxx on Fri 16 Oct – They aren’t headlining, Moonspell is, but the latest Samael album, Above, was surprisingly awesome!

AC/DC @ the Verizon Center on Fri 16 Oct – Tix are already on sale, so if ya feel like spending over $100 for bad seats, go for it!

God Dethroned @ Jaxx on Sun 18 Oct – The openers suck, but I’ve never seen em live so I’m curious about their live show.

Dethklok @ the Patriot Center on Sat 31 Oct – I think it’s GA only for this show, floor “seats” only for this Halloween show.

Ensiferum, Hypocrisy and Ex Deo @ Jaxx on Fri 6 Nov – I wish Hypocrisy was headlining but oh well, and Ex Deo is basically Kataklysm trying to be the Nile of ancient Rome, but not as technical.

Eluveitie, Belphegor and Vreid @ Jaxx on Thurs 12 Nov – Vreid is basically Windir minus the guy who wrote all the songs (he died), but still I really wanna see them cause they’re pretty good.

Pelican @ the Rock & Roll Hotel on Fri 4 Dec – They’re an instrumental band somewhere between The Fucking Champs and Dysrhythmia.

Gwar @ 9:30 Club Thurs 10 Dec – Good ol Richmond natives Gwar, playing the 9:30 Club in December again.

Well, that’s it for my first post. Hopefully this blog will become more kick ass over time. No idea how frequently I’ll post, it will probably depend on how often metal news in the DC area comes out. Feel free to follow me on Twitter at and I’ll post links to new entries as soon as I post them here. Keep it brutal DC!