Local metal studio releases in 2015

If 2014 showed me anything it’s that our area’s metal scene is very much alive and well. I’m often hearing a lot about what releases local bands have coming out so I’ve put together this post with updates on many of the DMV’s local bands and what they’re planning on releasing in 2015. I can’t say it’s all inclusive so if you know about more local releases feel free to leave info in the comment section. It’s an exciting time to be a metal head in the DMV area right now so let me tell you why…

For starters, two area bands have already released albums this year. Snakefeast and Periphery. On January 6th Baltimore based Snakefeast released The Pythoness on local label Grimoire Records. Their sound is an interesting combination of sludge metal with black metal and jazz elements and the inclusion of a cello and saxophone certainly gives them a unique sound. You can stream the album (or buy it for just $5) on Bandcamp right here.

Locals Periphery pretty much wrote the book on the djent style of prog metal. Juggernaut, released on January 27th, is the band’s most ambitious release to date. It’s a double album, one disc named Alpha and the other Omega. While it may not be the beginning and the end of metal releases in our area it does show the band returning to form after their bizarre release of Clear last year where each song was written by a different band member and unsurprisingly lacked cohesion. The band is on Sumerian Records so don’t be surprised if they turn up on some big tours Sumerian is involved with this summer like Mayhem Fest or Summer Slaughter. Check out the music video below for the song “Alpha.”

On February 3rd, that’s tomorrow to those of you reading this post when it’s fresh, Northern Virginia based Yesterday’s Saints will release their debut full length, Generation Of Vipers. The 11 track concept album is lyrically written like an opera with different acts and tells the tale of the Devil himself. You can give it a listen on Soundcloud here and you can order the album on Bandcamp here and we’ll be posting a review of it tomorrow as well.

Generation Of Vipers by Yesterday's Saints

The Vomiting Dinosaurs are a kind of goofy death/grind band from Winchester, Virginia and they’ve got a full length coming out on Grimoire Records on February 10th. The album is titled Worship The Porcelain God and you can listen to a couple tracks from it on Bandcamp here.

Worship The Porcelain God by The Vomiting Dinosaurs

Doom legends Pentagram are finishing up their next full length to be put out on Peaceville this summer, according to this Facebook post. With Victor Griffin back in the band anything is possible, and their previous album, 2011’s Last Rites, was really well put together so let’s hope they can keep the creativity going on this one.

Baltimore’s Noisem might be young, I don’t think any of them are even old enough to drink yet, but they’re really taking off. They’re a throwback to the early 90s death/thrash sound, have some fun riffs and they put on a good show. So far they haven’t released anything really groundbreaking musically but that may or may not change on their upcoming release this year, which they begin recording in February. Noisem has garnered a lot of attention since they’ve been the opening act on the last two Carcass US tours and their vocalist, Tyler Carnes, was on the cover of the April 2014 Decibel issue (along with members of Carcass and Gorguts). Noisem is signed to A389 Records in Baltimore and the band has to know everyone is wondering what they’ll put out on this next release now that everyone is watching.

Valkyrie from Harrisonburg, Virgina, has signed a deal with Relapse Records and will be putting out a full length album on the label some time this spring. The band features members of Baroness and Earthling but has a sound all their own so don’t sleep on this one.

Dave Sherman (of Spirit Caravan and Earthride fame) and his 420 friendly band Weed Is Weed will have a five song EP released later this year titled The Bong Remains The Same.

Local southern metal band King Giant had several injuries to members of the band after the release of their last album, Dismal Hollow, back in 2012. The band is looking to make a big come back this summer with the release of their third full length which was recorded and mixed by J. Robbins (who has worked with bands such as Clutch, The Sword and Wino in the past).

Northern Virginia based A Sound Of Thunder must live in a recording studio (you jealous Wintersun?) since they’ve put out at least a full length every year since 2011. 2015 will be no different and we can expect another full length of original material in late spring/summer from them. ASoT is also working on an EP release due out late this year that will consist entirely of covers of songs the members of the band love.

Sludge/doom band The Osedax has been a bit quiet since two members recently left the band however a lot has been going on behind the scenes. The band’s original drummer, Kevin Grevey, has returned to the band, which is now a three piece, and they’ve recorded a new album, titled Titan’s Lament, which will be out on Dullest Records in the spring.

Titan's Lament by The Osedax

DC based death metal band Genocide Pact (featuring two members of local grind band D.O.C.) will have a full length out in the first half of 2015 on A389 Recordings.

DC based stoner band Borracho is going to be releasing a split LP with a band outside of the DMV area in May or June. It will have three new original Borracho songs on it, which you can hear live previews of at their upcoming shows at the Velvet Lounge (2/19) and the Pinch (3/20). UPDATE: Ripple Music, the label putting out the split, has released more details (here) and announced that the other band on the split will be Atlanta’s Volume IV (not a Black Sabbath cover band, they write originals). I’ve added the cover here too.

cover of the Borrocho & Volume IV split

The crusty death/doom band Ilsa is going to put out a new full length on A389 in March, they’ve been playing some of the new material live at their recent shows and it has sounded awesome so far. This will be their second album on A389 Recordings and their first with new guitarist Tim (who was in a band with several Ilsa members years ago).

Grethor is a local death metal band whose name means Hell in the fictitious Klingon language from Star Trek. We reviewed their last EP back in 2013 (here) but now they’re looking to release a new EP titled Cloaked In Decay in the spring.

Black metal band Dispellment has finished recording their debut album (according to this post on Facebook) though there currently is no release date while they search for a label for a proper release. Apparently a three song demo of material from the album will be available sometime soon though.

Wings Denied, a proggy band in the vein of Periphery, was formed by friends attending American University. Their vocalist, Luka Kerecin, was in the US on a student visa that has now expired but they are working on getting him back over here to record another album with him some time this year.

Stoner band Caustic Casanova has signed with Retro Futurist records, a label run by members of the band Kylesa. They’ve got a not-yet-named full length in the works that should be released in the late spring or early summer.

Doom band Foehammer has their debut album, which is self titled, coming out on April 7th on Grimoire Records (vinyl via Australopithecus records). The three piece will be going on tour this summer to support the recording, and you can hear a preview track from it right here.

Foehammer s/t

Baltimore based stoner band Sixty Watt Shaman will go into the studio to record some time in the first half of 2015. This will be the band’s first recorded material since reforming, and will be their first release since 2002!

Death metal band Gloom is hitting the studio in February and they’ve got a new guitar player in the band now too. I’m not sure when the new release is expected exactly but they definitely have something in the works.

Exclusive Stream of The Nothing by Fortress

Unto The Nothing by Fortress

Fortress is a doom metal trio from Hagerstown, Maryland, and while I love their three song demo I’ve been waiting for some new material to listen to between their earth shaking live shows and now the wait is FINALLY over! Go ahead and stream the new song “The Nothing” below and be sure to crank up that volume! No seriously, more than that, this is the kind of sludgy, slow motion doom metal you’ll want to blast loud enough to feel in your bones. Fans of bands like Pallbearer, Winter and Sunn O))) are going to love this dark album.

Fortress is now signed to Unholy Anarchy Records and their debut full length, Unto The Nothing will be released on December 2nd on CD and three styles of vinyl (each limited to 100 copies) including black, grey marble and clear with black splatter. Vinyl versions will also include a digital download of the album that contains a bonus track not available on other formats. You’ll be able to buy Unto The Nothing from Unholy Anarchy’s online store here (vinyl) and here (CD) or their Bandcamp here, or from the band at an upcoming live show. And did you see that sweet album art by Aeron Alfrey up there? Well you can click on it to see the creepy, full wrap around version of the art that will be on all versions of Unto The Nothing.

“The Nothing” is some hatred drenched, depressive doom metal so I hope you weren’t already having a great day because you’re about to get bummed out, but in the best way possible!

Listen to the new Death Penalty song War

Electric God by Death Penalty

Short post today but the Northern Virginia based thrash metal band Death Penalty is having their album release show tonight at the Sidebar in Baltimore (details here). The full length, titled Electric God, will be available at the show but you can stream/download the first track off it, titled “War” below. If you can’t make the show you can message them on Facebook (here) to grab a copy as well.

Listen To Nightmonger by Midnight Eye

Local metal band Midnight Eye is releasing their EP Nightmonger and they kick off their tour supporting it with a free show this Thursday, August 8th, at The Pinch in the Columbia Heights neighborhood in Washington DC (details here). Stream the EP above, pick it up on Bandcamp here and be sure to come out Thursday to watch these guitar wizards pull this stuff off live. And while you’re listening to Nightmonger, check out the review of it below by new DCHM writer Tal (you can find more of her writing on her regular blog here).

Band: Midnight Eye
Album: Nightmonger
Release Date: 8 August 2013
Buy From Bandcamp for $4: Here

Cover of Nightmonger by Midnight Eye

Midnight Eye further develops their distinctive sound with their 3-song EP Nightmonger. The new release keeps the energetic heavy metal/thrash groundwork that they laid in their first album, Sign, but also takes a few steps further in the progressive direction, with unusual vocals as well as widely varying guitar passages. But these guys have the guitar chops to tackle all the different styles they want to pursue, and piece them together fairly cohesively.

Rocking NWOBHM riffs just on the verge of thrashy form the base of their sound, occasionally taking off into a full-out frenzy-inducing thrash whirlwind. Along with shreddy guitar solos, there’s also a lot more noodling compared to the first album and even a low-tempo acoustic passage in the second song, “Chaos.” The change of pace when the acoustic segment begins is a little jarring, but it doesn’t utterly destroy the energy of the song. The bass and drums soon come back in to give the instrumental some thrash kick, and after the lead guitars meander for a bit, they finish the song with a speeded up version of the main riff, giving it a satisfying conclusion. Missing from the EP are the doomy segments that haunted a couple songs from the first album, but the third song, “Outsider,” features some buzzsaw black metal riffs instead. The end of this song, which really picks up the black metal sound with insistent drums and sweeping tremolo riffs, is one of my favorite moments on the EP.

While the guitars have immediate appeal, the vocals take some getting used to. The tone of the mid-range clean vocals, which dominate Sign, is unusual, although it sounds sort of like a mid-range take on early King Diamond. Nightmonger showcases a lot more of Simon Callahan’s ability to generate King Diamond-like shrieks and high-pitched notes, especially in the second song, “Chaos.” I’m still not quite sure if their attempt to combine the shrieks and clean vocals works in that song, but I do prefer the high-pitched vocals to the mid-range ones overall.

I enjoyed staring at the simple and yet intricate cover design for a while. It reflects the band’s carefully executed complexity, and hints at the black metal touches in their music. The depth of their lyrics also matches the complexity of the band’s sound. I enjoy lyrics that are a bit poetic, rather than obvious and straightforward. While the chorus of the first song is pretty direct – “people cling to these very truths:/they love their nation/before other nations/they love their friends/not others” – the verses are more subtle. This song is apparently based on the Chinese philosophical text Zhuangzi, which espouses harmony with the natural way of things, so the nature images in the verses are a fitting touch. The ending of the song – “sound the alarm/tell everyone/there’s no purpose/to anything at all” – at first seems like an abrupt break with the theme of waxing and waning concern for others. Chinese philosophical anecdotes often end with a lesson, though, and looking at it that way, the lesson in the last verse is that human attachments are so changeable that there’s really no purpose in pursuing them. The other two songs, while not as cryptic, are also nicely constructed, using images and metaphors to propel their message of distrust of those in power. I particularly like the phrase, “outsiders,/from shades of grey/are made in the/gears of the world,” from the third song, “Outsider.” It reflects a penetrating awareness of how otherness is constructed and used by the majority.

I’m enjoying the EP more with each listen, and looking forward to hearing the band play it live. Midnight Eye is holding a release party this Thursday, supported by Exar Kun and Thrain, so don’t miss the chance to see these stellar guitarists live. I’ll be there pushing people around when the thrashy parts take off!

Review of Oculus by Borracho

Band: Borracho
Album: Oculus
Release Date: 18 July 2013
Label: Strange Magic Records
Buy From Bandcamp for $5: Here

Cover of Oculus by Borracho

Several weeks ago I put up a post asking if people would like to write album reviews of local metal bands on DCHM (read the post here). Please welcome Grimy Grant as the first of those submitters to get a post up on the site. You can follow him on Twitter at @jgrantd. I’m still taking submissions and for those who have inquired but haven’t heard back yet, I may still contact you. Borracho’s official release show for the album is this Friday night, the 19th of July, at the Rock & Roll Hotel and you can get all the details on that here. Now on to Grimy Grant’s review…

Slow, deep bass notes sound out in a bare, cavernous space. They are then joined by the equally slow but perfectly spacy guitar riffs. Atmospheric choir voices join in the mix and more layers are brought in – until the drums start to bring it down in a crushing blend of Southern Rock and advaitic chants. This is how the opening song “Empty” starts off Borracho’s second full-length album of their career, the ominously named Oculus. The rest of “Empty” goes on to develop a kind of overture to the story: A man is spurned by a friend/relative who “gets the girl and the glory”, loses the girl to the hero who, “Will come out better than you”. The album goes on through its brief but rocking set of five songs to describe the hero’s journey. I was impressed from the start by this kind of conceptualization – not something that I expected from a band named after the Spanish word for “Hammered” or “Lush”. Even the word oculus has layers: a reference to large openings in the domes of Pantheons where rain and sunlight could both cool, light, and heat inner places. They also represent openings into the otherworldly: the godly realm that looks down on us, and we up at “them”.

Oculus talks a lot about deep issues, starting with comparing the glory of one man with the depression of another as being similar to the distance between gods and humanity. At least that is what is conveyed through the epic sounds coming from Steve Fisher’s guitar and Tim Martin’s bass. Yet while that comes out musically the message doesn’t always sell very well for me through the album’s lyrics and vocals. Some of this may be due to the departure of their original singer and guitarist, Noah Greenberg. The vocals in “Empty” for example, felt a little too twangy for the psychedelic, sonically expanding opening of the song. There is so much musically being carried through in the opening – a kind of widening of the imagined space – a space that perhaps an actual oculus is punching a hole through. Wailing guitars bring up the rear in the grand chorus of slow, stoner noise. Then we’re greeted with a steady, regular stoner rock beat coupled with Fisher’s voice singing “This depression/Is killing me”. The words and emotions conveyed seem too cliche in comparison to the complex structures of the song.

Not to say there aren’t gems in the lyrics. Fisher sings a lot about “Family tree” and having to “cut [it] down to be free” in “Stockpile”. He goes on to talk about “Searching for lead” in order to exact his revenge on the story’s villain. We’re put in the shoes of someone who wants blood. This is where Fisher, the guitarist and vocalist for Borracho, shines for me, when he puts in the voice of a tough-as-brass, true hometown friend helping out in “Stockpile”. He sings about being “consigned to form a team” and:

“Make a stand, You know I’d like to help if you I can
Give it time, give yourself a chance, You know, Just because of circumstance,
You know I swallowed it all”

Fisher is also screaming against the person that tormented him through the album and who is now going to get the comeuppance they richly deserve. This blends perfectly with the heavy, pulsating riffs in the background that helped create a vision of the oncoming battle. We’re marching toward victory.

The last track, “I’ve Come for it All” follows a trippy riffage from the song “Eye”, a reference to the oculus looking in on us. Airy guitar noise coupled with the screams of Fisher going through what must be some kind of fight with his inner demons, or perhaps with the gods themselves. In the end, we’re presented with the conclusion in “I’ve Come for it All”, with Fisher calling out his opponent:

“Chosen path/Slippery slope … You wanted it all/Now it’s time to die”

Without shame I will say those words give me goosebumps, even though they may be a bit over-the-top. Fisher’s guitar licks carry a lot of power throughout the song as well, helping back up his intention to wreak havoc. I was really banging my head towards the middle point of the song’s breakdown.

Musically, Oculus knocks it out of the park. Far after listening to this album I found myself humming the tunes to myself. Borracho’s lineup is tight – it’s not easy to create so full a sound with a three-piece band. Still, it doesn’t really kick in until the last three songs of the album. The first two tracks feel out of place with the album as a whole. Metal Chris wrote previously about Black Sabbath’s 13 (here) and how the track listing can hurt an album and I feel that this may also be the case on Oculus. The first track, “Empty”, and the second track, “Know the Score”, do follow the overall head-banging structure of each of the other songs, but with such a small track list I wonder why they can’t flow together tightly like the other songs. “Empty” ends with a kind of hard stop. “Know the Score” starts strong with a steady beat but then quickly goes into focusing on the lyrics, which in that song are tad weak for my taste.

The third track, “Stockpile” is where things ramp up into a steady continuum and it is where Oculus seems to make a decision on the direction it is going. We’re lead through a sludgy, grim and down-tuned sonic realm into a fierce, upbeat fight in “I’ve Come for it All” – a fitting soundtrack for some serious ass-wompin’. “Stockpile” really expands musically with the album, bringing in maracas and tribal drums in the middle to add some spice to the song. I found this an interesting point in the song that made me pause and think a bit. Oculus has a lot of these interesting bits in the album – something that shows some maturity and exploration by Borracho.

There are many reasons that I love Oculus: the solid, straight-up rock that founded metal in the first place is alive and well here. However I feel that Borracho is relying a bit too much on that to carry the album. The lyrics feel like they’re slapped on to some of the songs – “Empty” in particular. This won’t stop me from playing it in the car on road trips, head-banging along I-95 – gawkers be damned. Oculus goes deep in many ways, particularly in trying to mature and change the sound of a band that’s been around for about 6 years. Experimentation is a great thing and hopefully it will bring forth a new era of drunken, crazy exploits from Borracho.

2009 Wrap Up and 2010 Preview

First I would like to say that I’m not going to do an obligatory top 10 list of albums of the year nor decade. It’s rather pointless and I doubt anyone cares about my favorite albums of the year and whatever arbitrary numbering system I’d assign them. That said, there were a lot of good metal albums put out this year, and if you’re looking for some metal to check out that you might have missed (the real purpose of all those top 10 lists) here’s some for ya. A new Black Sabbath Heaven And Hell album, The Devil You Know, that had music as good as the cover art. I’m a sucker for anything with Tony Iommi on guitar though, so maybe I’m a bit biased. There were some stand out albums in various metal sub-genres, like Anaal Nathrakh‘s In The Constellation Of The Black Widow, PsyopusOdd Senses, Monoliths & Dimensions by Sunn O))), Shrinebuilder‘s self titled album, the unpronounceable ÞÞÞÞÞÞÞÞÞÞÞ by Arckanum, the Blue Record by Baroness, Black Cascade by Wolves In The Throne Room, Winter Hours by Tombs, Dark Castle‘s Spirited Migration, Existence Is Futile by Revocation, Urgehal‘s Ikonoklast, Syrach‘s A Dark Burial, Hypocrisy‘s excellent A Taste Of Extreme Divinity, Milorg by Vreid and the totally underrated A Pyre Of Lost Dreams by Black Wreath. If you can’t find something new to check out from all that, well, you’ve got similar metal taste to me, congrats.

2009 also had some great come back albums, Unanimated‘s In The Light Of Darkness, Alice In ChainsBlack Gives Way To Blue, Immortal‘s All Shall Fall, Beherit’s Engram, Pestilence‘s Resurrection Macabre, Goreaphobia‘s Mortal Repulsion and Asphyx‘s Death… The Brutal Way all lived up to fan expectations (for the most part, can’t please everyone of course). I really liked the new sound Samael has on their Above album, not really a come back or return to form, but they are definitely worth listening to again after years of screwing around with an industrial sound. 2009 was a huge year for thrash. There were albums released by 80s thrash legends such as Slayer‘s World Painted Blood, Megadeth‘s Endgame and Kreator‘s Hordes Of Chaos which led the way for a neck spraining mob of newer thrash band releases such as Skeletonwitch‘s Breathing The Fire, Blood Tsunami‘s Grand Feast For Vultures, Warbringer‘s Waking Into Nightmares, Mantic Ritual‘s Executioner and Havok‘s Burn. And while it’s not a metal sub genre in and of itself, there were quite a few good instrumental albums out this year that I found myself listening to a lot, the self titled Animals As Leaders album, Russian CirclesGeneva, Pelican‘s What We All Come To Need, Dysrhythmia‘s Psychic Maps and Scale The Summit‘s Carving Desert Canyons are all worth listening to. There weren’t too many releases from the local DC metal scene this year, but there were some of note. There was a new album from Dying Fetus titled Descend Into Depravity, Hatred released Burning Paradise, Gravewürm released Funeral Empire, Ol Scratch released The Sunless Citadel, Magrudergrind released a self titled album and there’s also the previously mentioned Animals As Leaders instrumental album.

Now that’s not to say there weren’t any duds though. Without a doubt the biggest disappointment of 2009 had to be Reveltaions Of The Black Flame by 1349. This album is hardly even black metal any more, hell, there’s a fucking Pink Floyd cover on it. It was co-mixed by Tom Gabriel Fischer of Celtic Frost, which a lot of people seem to think was a big reason it stunk, but he wasn’t the one writing the songs. The record is uninspired, the songs are not well thought out and for a band with Frost, one of the best drummers in all of metal, they squander his abilities. I can handle bands trying something new and changing their sound, and I can deal with slower and more abstract music, but this let down of an album is up there with Cryptopsy‘s wet turd The Unspoken King and Metallica‘s self titled “black” album. Another disappointment this year was the Root Of All Evil album by Arch Enemy. I really like the older Arch Enemy material and was hoping this album would make newer fans more familiar with the pre-Angela songs, thus allowing them to add more of these songs to their live set. Sadly this album of re-recorded songs will probably not do well with newer fans because, honestly, it stinks. It’s over produced to the point of a loss of all emotion, energy or intensity. It sounds like a band just going through the motions like a bunch of robots. The new Suffocation album, Blood Oath, was a bit of a let down to me too. For a band that is known for having revolutionized the death metal genre, basically merging brutality with technical musicianship, their new album goes for a simplified, catchier sound that just isn’t on the same level as their older material.

Now lets get past 2009 and take a look at what 2010 has got coming up for us. Fear Factory has reunited with a new line up (including Gene Hoglan on drums) that could be interesting. Their new album is to be titled Mechanize and should be out in early February. The new black metal ‘super group’ of sorts, Ov Hell, has their debut album, The Underworld Regime, out in early February also. The Crown has reformed with almost all of the original members back, but they have a new guy on vocals, Jonas Stålhammar. Hopefully they’ll have a new album out this year (or at least tour). The infamous Varg Vikernes will have a new Burzum album, Belus, out in the spring, his first release since being released from Norwegian prison for the murder of Mayhem‘s guitarist Euronymous. Darkthrone was recording in the fall so they should have a new album out soon. Japan’s Sigh will have a new album out on January 19th titled Scenes From Hell. This will be their first album with their female vocalist/saxophone player, Dr. Mikannibal and I’m curious what this already bizarre sounding band will come up with next. Overkill will have their new album, Ironbound, out at the end of January. Greece’s Rotting Christ has a new album, Aealo, out February 15th. Borknagar will have a new album, titled Universal, out in late February. Early March will see the release of Dark Tranquillity‘s new album, We Are The Void (I guess the album cover artist is a fan of goatse). Catamenia says their new album will be out in the spring, and Watain says their new album will be out by the summer. The reunited Atheist said they would record their first album of new material since 1993. Autopsy is reunited so maybe if we’re lucky they’ll put out some new material too. Local band Misery Index should have a new album out in May and hopefully Modulus will make their newly finished album, Perfection Through Manipulation, available to the masses soon.

As far as metal concerts in 2010, the biggest story by far is going to be the festivals with the big 4 thrash bands all playing together, but so far these are just scheduled to be festivals in Europe. Of course everyone is hoping a tour with Metallica, Slayer, Megadeth and Anthrax will come to the states, maybe these European fests are just to test the waters, see how well the bands work together before they all decide on a true tour. The reformed Decapitated should make their way to the US to tour at some point (one would think). Hypocrisy has said they have gotten their US work visas approved so they should be setting up another tour soon. Surely several of the bands with upcoming releases that are mentioned above will be touring to support their new albums in 2010. There’s already several tours scheduled to come by the DC area, which you can find out about on my Upcoming Concerts page. The biggest will of course be the Maryland Deathfest in May but there’s still plenty of of good shows before then too. Of course venues like Jaxx and Sonar will have their share of metal shows coming to the area, but there are also some gigs coming to less likely venues in 2010, like the Black Dahlia Murder at the Rock And Roll Hotel and Jucifer at the Black Cat. Hopefully they’ll get good turn outs and the venues will continue to host more metal shows.

Thanks for having read through this marathon of a post, it’s almost done, you’re in the home stretch. I’m not a big fan of New Year’s resolutions, but I’m hoping I’ll still be running this blog and get to write another one of these year end wrap ups next year. I recently got rid of that ugly old logo but I still want to work on the site’s appearance more and possibly buy a URL to redirect to here so I can make like bumper stickers with an easy to remember web address that doesn’t end in “wordpress.com”. I’d also like to propose a resolution to all the other music bloggers, commentators, critics, etc… out there. Stop calling metal bands “the mighty”! Really, it’s stupid and half the time you say it about lame ass bands like “the mighty Dragonforce” or some shit. There’s plenty of adjectives to describe metal bands with that actually make them sound distinct from every other metal band on the planet, like brutal, technical, atmospheric, minimalist, energetic, grim, thrashy, etc… Seriously, stop it with “the mighty” crap unless you want to start calling every non-metal band “the pussy”. Come to think of it, that might actually be a pretty awesome trade.

Well, that’s about it. I probably won’t have another post until some time in January unless something interesting before then really needs a post about it. I will keep the Upcoming Concerts page up to date, and I’ll continue to keep an eye out for any new torrents for the Downloads page. I should be going to see Behemoth at Jaxx in early January so I should have a review of that up if nothing else before then. I guess if you’ve got any questions, suggestions or requests for things you’d like to see on DC Metal in the new year, or if you just want to tell me how much the site (or me) sucks, leave a comment below.