Recap of the first Metal Night at the State Theatre

Wow what a night for local metal! Friday the 20th of August 2010 was the first metal night at the State Theatre in Falls Church, Virginia and it was a pretty fun time. Four local bands played, Invader, Croatoan, King Giant and Timelord, and the event was organized by an employee of the State Theatre, Alan Margazano. Since this was the first of hopefully many local metal nights at the State Theatre, I didn’t really know what to expect. Word from management was that if they could sell 200 tickets the night would be considered a financial success and more metal nights would be scheduled in the future. This meant that it was important that people actually came out to this event and showed that there is a real interest in metal in the area. There was no way that I was going to miss this call for local metal heads to assemble, even if I wasn’t running this blog I’d have gone.

I got there at about 8:15 and the first band, Invader, had already started playing. I didn’t know if there would be like 20 people there when I walked in or what, but there was already at least 75 people inside the venue at that point. Invader had also recently played at the Blood And Fire Festival in July (you can read my review of that here) but they had played before I arrived then. I’m glad I got to see them this time, they put on a fun set of thrashy death metal including a cover a Slayer‘s crowd pleasing classic Raining Blood where the vocalist and drummer switched roles. Even if you don’t include the cover, their set consisted of a lot of mosh-friendly riffs and a ton of raw energy coming from the stage. You could tell they were having a lot of fun and were happy to be playing. Their set was long enough you could get a good idea of what they were about, and they were a great band to start off the event on a high note.

The next band up was Croatoan. I didn’t know much about these guys. They weren’t bad, but they seemed to have not really found their sound yet. Different songs seemed to be in different genres. One more more death oriented, one more traditional thrash, another doom. Don’t get me wrong, they were fun to watch, and they were certainly having fun entertaining the audience. Their vocalist, Emil Poss, had a good banter with the crowd going between songs, and they didn’t lose my interest through their entire set either. I just think a more defined direction would help these guys out. There’s certainly room for them to grow and I look forward to seeing them again in the future to see how they’ve progressed. They did get the pit going a few times, and I have to admit it was kind of surreal seeing a circle pit at the State Theatre.

After Croatoan played there was a long break before the next band, King Giant, started. This made it a good time to get a beer and/or order food from the bar. There wasn’t a whole lot of food to chose from on the menu, pretty standard burgers and fries (there was a veggie burger too) with the only thing a little different being the hummus. I’ve got a pic of the menu here if you want to check it out. The beer menu was certainly more filled out, though there were a couple draft beers that had run out. They did have a decent selection of bottled beer too, including a couple non-alcoholic options, as well as a fully stocked liquor bar too. You can check out the picture I shot of the beer list here. After each band played they’d hide the stage with a movie screen that dropped down and displayed various images on the screen. Often logos for the band playing next, or a funny images from the internet. They would also play samples of music by metal bands selling merch in the back of the room. These were local bands who weren’t playing this evening, but were hoping to play future metal nights. The upstairs balcony seating was closed, so people were confined to the downstairs main floor, which had tables as well as a standing room only pit area directly in front of the stage. Alan would get up on stage before each band played and introduce them as the movie screen raised up behind him revealing the next act.

When King Giant hit the stage the venue was really alive. They had the largest draw of the evening and probably should have been playing last. I won’t get into a long description of the band and their sound here, I reviewed them playing at the 9:30 Club three weeks ago and you can read that here if you want that. In short their sound is a very polished and distinctly southern heavy metal. They have a clear vision of their sound and they bring it to the stage very well, this night being no exception. They were a bit different in sound than the rest of the bands playing, but I think that’s great. Part of the draw of Metal Night, at least for me, is seeing a mixture of bands from different sub-genres exposing each other’s fans to new music they wouldn’t have heard before. I’m sure there were some people who didn’t like the sound as much, there always is, but I talked to several people who were impressed with King Giant and they certainly won some new fans this night. Their set wasn’t as long as it had been at the 9:30 Club, but it still had fan favorites like Solace and Mississippi River in there. In all, it was another good live performance by one of the area’s best unsigned metal bands.

Next up was the final band of the night, Timelord. I’ve seen them on the calendar opening for bands at Jaxx before, but never gotten the chance to see them. Alan introduced them as an Iron Maiden influenced band and he wasn’t kidding. Vocalist Matt Aub certainly has a likeness to Bruce Dickenson in his vocal tone, though he is also playing guitar while singing. These guys definitely knew how to play their instruments and their set was full of killer guitar solos and even a drum solo at one point. I think calling them Maiden influenced thrashy power metal would probably best describe them. Unfortunately, power metal isn’t my favorite metal sub genre and while their set wasn’t bad by any means, it was probably better suited to fans of the genre more than myself. The songs didn’t have a lot of variation, which isn’t always a bad thing, but when paired with my lack of interest in power metal I found myself getting distracted and talking to people. Fans of old school heavy metal, NWOBHM, and power metal in general would probably enjoy these guys a lot more than I did. At one point a couple of the guys from Invader showed up on stage with them and started headbanging. After their final song, Cult Of The Dead, people were chanting for them to play more but the movie screen started lowering and people knew the concert was over.

The first metal night ended a few minutes shy of midnight. Afterwards Alan announced over the PA system that the night had been a success and the next “Monthly” Metal Night at the State Theatre would be held in October. The event was hell of a lot of fun, and I spent a good amount of time talking to people. Throughout the night I saw a lot of familiar faces from the area’s metal scene and got the chance to meet some new people and bands too. I picked up some new music and also got to check out some bands play that I’d never seen before. On my way out the door Alan told me over 230 tickets had been sold, plenty more than the 200 needed to ensure more metal nights at the State Theatre in the future. They’ve got a big stage with great lights and a good sound system too, it’s very cool that they’re giving real metal a chance to use it. It’s really amazing that this all came together from it’s beginnings as a Facebook group page (join it here for updates on future metal nights). They’re already starting the search for the next event’s band line up and you can make suggestions for that here. I’d like to see more genres represented at the next one, maybe some black and doom and a bit less thrash. Also, you can check out videos I shot of each of the four bands who played at the end of this post and view the photos I’ve posted here. The event’s turn out was good and while Alan deserves a lot of credit for putting this all together as well as the bands who played, all the people who got off their asses and came out and bought tickets for a night of local metal deserve a big thanks for making it not only possible but successful enough to ensure another metal night. Lets keep this ball rolling and get even more people to come out to the next one on October!

Review of Cynic gig at Rock And Roll Hotel

Wow, this was one of the best concerts I’ve been to in a while. Sunday the 8th of August 2010 was a hot day, and while I know lots of people were down at Jiffy Lube Live for the Rockstar Energy Drink Mayhem Festival, I decided to stay cool and head over to the Rock And Roll Hotel for a killer line up of progressive metal. I’m really glad I did, this concert was just great. Cynic was the headliner, but I wanted to check out the opening acts, Intronaut and Dysrhythmia also so I got there a bit early.

I got there a couple minutes after 7:30 and the opening band, Dysrhythmia was already playing their first song. They were great when I saw them play at the Velvet Lounge in February 2009 so I knew I wanted to get to the Rock & Roll Hotel in time to catch their set. If you’ve never heard them before, they’re an instrumental three piece from New York City that just shreds live. The bass player, Colin Marston is a member of the band Krallice and he also plays in the current version of Gorguts with Dysrhythmia’s guitarist, Kevin Hufnagel. Dysrhythmia’s songs twist and turn all over the place and rarely do they come back to playing the same riff again, instead their songs are constantly moving forward and evolving. That combined with the fast tempos that makes the music just really fun to listen to live. There are no words and really none are necessary as the music is totally engaging on it’s own. Really my biggest complaint with their set was the short length, but they were the first of three bands so it wasn’t really that surprising. They were a great way to start off this concert though.

Next up was Intronaut. They’re a band from LA that I’m not as familiar with as the other two bands. I’ve heard their 2008 album Prehistorisms and while I do enjoy it, I wouldn’t call it life changing progressive metal. They have a new album coming out soon and they played a couple songs from that live. They aren’t bad live and their rhythm section really kept the songs moving with groovy beats you don’t always get so much of in this metal sub genre. I was certainly impressed by their drummer, Danny Walker, in the live setting too, he really killed it back there. While their music is pretty interesting, they were pretty laid back on stage. Towards the end of their set the lead singer/guitarist, Sacha Dunable, asked the audience if anyone had any weed or whiskey before the Cynic set started. At the end of the song someone had brought shots to the stage for them, haha. Their final song of the night, Any Port, saw the other guitarist, Dave Timnick, put down his guitar at the beginning of the song to pick up a couple of mallets and pound on some upright (conga?) drums. He slung his guitar back on and continued to play the bulk of the song until he joined in at the end for the song’s drum solo. The rest of the band walked off the stage while he and Danny put on a rhythmic drum show that sort of reminded me of that old Sepultura song Kiowas, tho not so tribal sounding. It was a cool way to close out a good set, and I’m definitely going to check out their new album when it comes out. They certainly had left the audience warmed up and ready for the main act who was due up next, Cynic.

When I came from the downstairs bar to watch Cynic the stage looked different. They had their backdrop lit up and they put up a couple of circle shaped screens. They started projecting trippy videos onto these and they turned on some funky lights. One could have mistaken it for a Pink Floyd cover band setting up, but this was much better than that. I’d never seen Cynic before, but everyone has told me they’re good live. They weren’t kidding, what followed was a fantastic set. Definitely one the best concerts I’ve seen in a long time, maybe the best show I’ve seen this year in fact. Cynic formed in Florida in the late 80s during the time the state’s legendary death metal scene was forming. Due to delays caused by two of the members touring with Death and then hurricane Andrew destroying their practice space as well as most of the state, the band only ever released one full length album, the classic Focus, before breaking up in 1994. One of the draws of this tour is that Cynic would be playing that album in its entirety. Since reforming they’ve put out another full length album and an EP, both of which I also highly recommend. For a band that started over 20 years ago they have a very small catalog of songs, which in their case I think worked as an advantage here. Since they have so many really good songs on those releases, the audience was treated to hearing most of Cynic’s songs live, instead of the standard “pick a song or two from each album” approach most older bands must do for their live shows. They started the show off with Veil Of Maya and continued through the excellent Focus album in almost top form. Guitarist Tymon Kruidenier apologized that he had lost his voice earlier that day so was having trouble keeping up with some of the growling. Luckily it’s heavy metal and the vocals are generally not the most important aspect of the music, certainly not in Cynic’s case. On top of that all the clean vocals (sung through a vocoder) were done by Paul Masvidal. Otherwise, the band was spot on. They obviously had played these songs enough to have completely mastered them for the live setting, guitars, bass and drums. Added with the cool light effects, this show was just mesmerizing. After playing Focus straight through, the rest of the band left the stage as Paul pulled out a nylon string acoustic guitar and played the song Integral off their latest EP, Re-Traced. This was a nice little interlude for the fans and a good divider for the rest of the show. When the band returned they played a nice mix of their newer material, and they even threw into the setlist the song Cosmos, which was un-released until it became a bonus track on the 2004 reissue of Focus. You couldn’t have asked for a better setlist for this show, and if you had a favorite song you were hoping they would play, they probably did. At one point Paul had everyone in the audience do a yoga stretch. A bit new age but I’ve got to admit that’s something I never thought I’d see at a metal show, everyone doing yoga. Overall Cynic put on a dazzling display of technical progressive heavy metal and showed that not only are they one of the genre’s older influential bands, but they’re also one of the current leading bands of the genre, even if they took off a dozen years.

I really had a great time at this show. I talked with a fan of this blog, Josh, for a bit between sets which is always cool. It always surprises me when people come up to me and recognize me from the site, I’m glad some of you seem to be enjoying it. I also pulled a promo poster off the wall that I got all of the guys in Cynic to sign for me after the show. I’m not usually a big fan of autographs but I wanted something to remember the show by that was a bit more distinct than a t-shirt (I did buy the sticker pack too). This show was just what I needed, after a few let downs (the cancellation of the Enthroned concert last week as well as the mediocre Iron Maiden show last month) this show really hit the spot. All three bands were excellent and I’m glad I got to be there. Now on to the videos. They’re a bit dark but the sound is decent in them. The first is Dysrhythmia, the next two are Intronaut and the rest are Cynic, enjoy.

Review of King Giant gig at the 9:30 Club

On Saturday the 31st of July 2010 I went to the 9:30 Club for my second metal concert of the weekend. While I went to the Black Cat the night before to check out a few touring black metal bands (you read that review here) this concert was not very similar at all, for several reasons. There were three local bands playing, though I only saw the headliner, King Giant. That’s right, a local metal act was headlining the 9:30 Club, a rare event indeed. These guys are a sort of southern sounding sludge band, I guess. It’s hard to explain their sound perfectly, though I could easily see them opening a tour with bands like Baroness or Down.

Before I even stepped into the venue you could see a row of motorcycles outside, as well as a very strong police presence. I’m not sure if there was a problem there before I arrived, but it was a bit offsetting. Once inside I saw there was a pretty good turn out for a show of local acts. The place wasn’t full by any means, the upper level had only a handful of people, but the floor level was mostly full. I got there about 10 minutes before the show started and easily walked right up to the front of the stage. I’d asked what the camera policy for the night was at the door and they said there wasn’t one, video and pics were all ok. Perfect! I ended up getting what I’d call my best pictures ever at the 9:30 Club. This was a good thing as these guys were very memorable and fun to watch on stage. I can’t remember the last time I saw a band live that had members wearing cowboy hats, but it was a vastly different audience than had been at the Black Cat the night before! They didn’t have much else on stage besides their instruments and amps, tho they did have a bottle of Jack up there as well as some rather randomly placed taxidermy of small woodland creatures. The band’s lead singer, Dave Hammerly, was very engaging on the stage, throwing his hands up in the air, pumping his fists, occasionally headbanging a bit and just generally walking around on the stage like he owned the place. He did a great job of keeping the audience engaged between songs. For example, this concert was on the birthday of their bass player, Floyd Walters, and at one point in the set they poured him a shot on stage and instructed everyone to take a birthday toast with him. Dave even went so far as to apologize to the women and children in attendance before playing the song Mississippi River. This song was the song I had wanted to see them play the most live, and I certainly wasn’t the only one as it got a great reaction from the audience, to which Dave quipped that it was funny how the songs about killing people get the best responses. But this is a band that has quite a few good songs, which is really saying something considering they only have one full length album out. Their music isn’t super complex, but it’s very well polished, especially for a local act, both in the studio and live. The lyrics tend to be very dark and sometimes quite personal, often dealing with personal and inner struggles. I enjoyed the entire set though the songs Burning Regrets and Solace, as well as the above mentioned Mississippi River, really stood out to me in the live setting.

I really didn’t find a single song they played all night to be boring at all, it was really entertaining the entire way through and I could see these guys getting noticed outside of the area. They’ve got some music for download at this location (some is free, some you have to pay for) if you’d like to check them out. The pictures I shot of King Giant that night can be seen here, and below I’ve posted the videos I shot. The volume of the vocals isn’t great on the ones I shot close to the stage, though the Mississippi River song has much better sound since I shot it from the upper level. Unfortunately it has the worst visuals as the lighting didn’t show up as well up there. After all this if you want to see these guys play live (and you really should), you’ve got a great chance coming up on Friday 20 August 2010. King Giant is one of the bands playing at the State Theatre in Falls Church, Virginia for their first ever metal night. I’ve got more info on that, including how to buy tickets, posted here. It should be a great night of metal, and if it’s half as good of a show as this was, it’ll be worth the price of admission. Now here’s the videos, enjoy!

Review of Altar Of Plagues gig at the Black Cat

When I heard there was going to be a black metal show at the Black Cat I have to admit I was intrigued. This is a venue known for getting punk and indie rock bands mostly, though they do get metal shows from time to time. I’ve never heard of a real black metal band playing there before, so Friday the 30th of July 2010 I had to be in attendance. The line up was set to be Altar Of Plagues, Castevet, Velnias and local doom trio Salome, but they canceled just days prior. Apparently their guitarist, Rob Moore, was mugged Wednesday night in Springfield and was unable to play. I hope he recovers quickly and they can play again soon. As a side note, you can read my take on Salome when I saw them play with Jucifer in January here. The turn out wasn’t very large for this concert, unfortunately, and I wonder how much of that was due to Salome canceling. It was held on the upstairs main stage of the Black Cat but really it probably should have been on the smaller backstage. Regardless, one band off the bill wasn’t going to keep me from showing up and I’m glad I was there.

I got there at about 9:30pm, the time the first band was supposed to be playing, though they were still setting up when I walked in. They didn’t start playing until about 9:45 which was fine by me, gave me time to grab a beer. This band, Velnias, is from Colorado. They were definitely the most doomy of the three bands. Their barefoot red haired bass player started the set by crouching on all fours and screaming something over and over while rocking back and forth. They didn’t face the crowd much, most of the time everyone (except the drummer) was facing toward the amps, which I found kind of odd. The first few minutes of their set was so slow it was almost drone, though eventually their music built up in intensity. The microphone on the left, being used by one of the guitarists, was pretty impossible to hear in the mix (and I was pretty centered). This wasn’t a huge deal as he split the vocal duties with the bass player. Regardless of minor technical issues, they were pretty entertaining and their sound combined a sort of atmospheric black metal with the slow build up and sudden crashing of doom metal. They only played for half an hour but I could have watched them play for a full hour. They ended their set by doing the old Motorhead trick of putting the guitars in front of the amps to rain feedback onto the audience, while the bass player again rocked on his knees screaming a chant of some sort. Rather powerful way to end a set I have to say.

The next band up was New York City’s Castevet. I enjoyed their latest album, Mounds Of Ash, so I was curious about their live show. They are a three piece band who does the wall of sound rather well, though the vocals this night were turned way up in the mix. This wouldn’t be that big of a problem if I didn’t find them rather monotonous to the point of being annoying by the end of the set. On their studio work the music was much more front and center, but here the vocals were up rather high in the mix. This might have simply been the fault of the venue, I wouldn’t be surprised if whoever was doing the sound at the Black Cat had no idea how to mix black metal. It could have been overcompensation for the low mic level the previous band had too. A few times I found myself getting into the music a bit, but then the vocals would come in and jar me back out. I wouldn’t say they sucked live, but this set up wasn’t ideal for these guys, unfortunately. Since they’re from New York I wouldn’t be surprised if they end up coming by this way again at some point and I’d like to see them again, though in a more ideal setting.

Next up was the headliner, Altar Of Plagues, coming all the way from Cork, Ireland. I felt kind of bad that there was such a poor turn out for these guys after coming from so far away. They were certainly my favorite band of the night to watch. Their sound isn’t far removed from Wolves In The Throne Room. Very atmospheric black metal with lots of build ups of momentum in songs that had some rather catchy riffs too. I wouldn’t say they were exploring any new territory with their sound, but they were very good at what they did. I noticed their drummer was using a hihat which is not something you see a lot in black metal. He was a very proficient drummer though, really punching it when he had to but also keeping interesting beats when the tempos slowed down. The band didn’t have much lighting just three red lights on stage and it was kind of hard to see them since the light from the bar was keeping the room lit more than anything. They didn’t move around a lot on stage, but they didn’t really have to, their music was easy to get caught up in. Their set was very distortion heavy and it was very loud, one of the loudest sets I’ve seen at the Black Cat, though part of that might have been due to the lack of people filling the room. They started going a bit crazy during their last song when they ended up also putting their guitars in front of the amps to do the feedback loop thing Velnias had done earlier. While Altar Of Plagues didn’t have a lot of surprises in their set, they were playing some great atmospheric black metal, and I’m glad I made it out to this show, it was a nice black metal warm up for the Enthroned show coming to Jaxx next week. I didn’t shoot any video at this concert because the lighting was so poor I didn’t think it was even worth it. Hopefully I’ll get some better footage soon, as I’ve got a few concerts lined up here in the coming week.

Review of Iron Maiden gig at Jiffy Lube Live

This is a review of their 2010 concert at Jiffy Lube Live, for the 2012 concert review go here.

Whenever Iron Maiden comes to town you can bet most of the metal heads in the area are going to find their way to that concert. Tuesday the 20th of July 2010 was no exception when Iron Maiden played the horribly named Jiffy Lube Live in Bristow, Virginia. The concert was fun as always, though there were several problems with it too. Also of note, it was the final show of the US leg of the Final Frontier Tour. I totally missed the opening act Dream Theater. This was partly because of the weather, partly because of some minor navigational issues getting to the venue, and partly because (or so I was told) they played a short set.

When we got to Jiffy Lube Live (formerly known as Nissan Pavilion) it was pouring rain, though by the time we actually got the car parked it had mostly let up. The rain never got that bad again, but it was still a damp and humid night, and the lawn area had a lot of mud on it that only seemed to get more slick as the night wore on. It’s been a while since I’ve been to a large venue concert like this one. Part of that is because there aren’t a whole hell of a lot of bands that play arenas and amphitheaters that I actually want to see, and part of it is because the experience kind of sucks. Sure seeing the band is fun, but paying $11 for a can of beer that would cost me $2 at a 7-11 is ridiculous. Leaving the venue is always horrible too, and Jiffy Lube Live is known for being one of the worst. Things like finding your friends can be tough in such large places, and of course these outdoor shows leave you vulnerable to the elements. On top of it all, the ticket prices are astronomical if you want to be anywhere halfway close to the stage. Now I understand the whole supply and demand part of it, but I’m sorry I’m just not willing to pay a few hundred bucks to see a band one night, I don’t care who it is. This concert expectedly had all the same problems, at no fault to Iron Maiden, though I suppose they could make tickets a bit cheaper if they wanted, but they were pretty typical in price. They did have a rather elaborate setup on the stage, and I like how they have a backdrop that changes for just about every song, and that stuff costs money to do. At one point they brought out some guy in a full body costume of the newest space alien version of the band’s mascot, Eddie. Kinda goofy and a bit Gwar-ish I suppose, but entertaining none the less. The band’s singer, Bruce Dickenson, is always entertaining on stage, jumping around and climbing on the elaborate stage sets as well as getting everyone to sing along with him on those classic chorus lines Iron Maiden is known for. At one point between songs he asked the audience who was there for their first ever Iron Maiden show. I don’t know if people weren’t paying attention and going along with the herd, or if they were all just n00bz or whatever, but most of the audience put up their hands and yelled. Bruce didn’t seem to believe it and made a comment about how this can’t be EVERYONE’s first Maiden gig. He also dedicated the song Blood Brothers to the late Ronnie James Dio which also pleased the crowd. The three guitarist attack of Iron Maiden is pretty fun to witness too, the guys really know how to make solos fun to watch AND listen to at the same time. If you’re not up close it can sometimes be hard to tell which of the 3 guitarists is playing the solo, especially when they start switching off, but that’s part of the fun of watching an Iron Maiden show. The stage was set up to look like the inside of a space ship along the lines of something you see in the Aliens movies. It had a door that Bruce would occasionally duck into to let the focus of the audience stay on the rest of the band for certain parts of songs, such as the aforementioned guitar solos. He’d later appear on top of the set materials above the band or run back out the door just before his next line. The showmanship was great and all, and the concert was really awesome except for one thing, the setlist…

Iron Maiden Setlist Jiffy Lube Live, Bristow, VA, USA 2010, The Final Frontier Tour

The setlist was not what I had been hoping for, and I’d imagine many of the people in attendance would agree. If you’re a big fan of Iron Maiden’s material from the year 2000 on, you were in luck. If you wanted to hear lots of their old classics and maybe a few newer songs sprinkled in for good measure? Well, this wasn’t your night. Do you know how many people went to this concert hoping to get a chance to hear The Reincarnation Of Benjamin Breeg instead of The Trooper? Zero. You’ll notice in the setlist posted above which was actually played though. This was the biggest problem with this show. Yeah, it was Iron Maiden and they are damn fun to see live, but where were all the songs? No Wasted Years? No Powerslave? They didn’t even play Run To The Hills and I thought for sure they’d play that one. They played ten songs that were released in the years 2000 to 2010, including the new single El Dorado which was expected, but come on! They played just one song released between the years 1983 and 1999, Fear Of The Dark. That’s a huge part of their discography that was completely ignored. They only played one song from 1980 to 1982 until they closed the show with four straight songs from that era, three of which were part of the planned encore. Those songs were great to watch live, don’t get me wrong, but aside from Wrathchild being played early, where the hell were these classic tunes during the first hour or so of the concert? When I last saw Iron Maiden, in 2003 at Merriweather Post Pavilion, they basically played their best hits CD live. That was an awesome experience, everyone knew all the songs and everyone sang them like they were in the shower or driving in their car alone. People were playing air guitar to songs they’d learned to play when they were growing up and banged their heads to beats they have loved for many years. That nostalgia, that’s what everyone (well, at least me!) wanted at this concert too, but unless you’d been following their more recent material, you didn’t really get that experience. As I said above, it’s always fun seeing Iron Maiden, but the set list really left me feeling glad I hadn’t decided to fork over a few hundred dollars for a spot up close. I did get to shoot a couple videos while there, and you can see them below. They’re a little shakey as I was doing my best to hide the fact that I was shooting video, though midway through The Number Of The Beast I grew some balls and tried to keep the camera steady. I hope you enjoy them! I know a lot of people who will read this were there, feel free to tell me about your experience at the concert in the comments below.

Review of Blood And Fire Festival at KC’s

On Saturday the 10th of July, 2010 I headed down to Fredericksburg to a gathering of bands from Washington DC and Northern Virginia. This was the first Blood And Fire Festival and was held at KC’s Music Alley. The doors opened at 2pm but there was no way I was going to get down to Fredericksburg that early. I got there a little after 6pm and found the parking lot packed. I’d never been to KC’s before so I wasn’t really sure what to expect, but I hadn’t counted on the lot being completely full. I did find a spot eventually, and made my way inside. Orgy Of The Damned was on the stage when I went inside. I had met their drummer back in May at Maryland Deathfest and I’m glad I got there in time to check them out. They were a group of pretty young guys with a lot of youthful excitement and seemed to really be enjoying themselves on the stage. They had some technical difficulties (an unfortunate theme for the night really) and someone mentioned to me that their vocalist had been sick, but they made the best of it. During one of the breaks to fix equipment they played an impromptu cover of Napalm Death‘s one second song You Suffer, that was pretty entertaining. I thought it was kind of funny when the singer got a member of the audience to sing into the mic “I’m a fieces fiend”, haha. They also played a cover of Belphegor‘s ridiculously titled song Bondage Goat Zombie when they were told they had time for one more song.

The next band I saw was a black metal band from Leesburg, Virginia called Immortal Decay. Their bass player was in full corpse paint, and they had some deer antlers on the mic stand. Their singer had a lot of fun poses to watch, and the band had a lot of energy on stage. It was during their set I realized just how shitty the sound set up was at this venue. For most of their set I was standing in the middle very close to the front of the stage. From there you couldn’t hear the vocals at all. I didn’t shoot any video of these guys because I thought the mic was just out and didn’t want to make a shitty recording. At the end of their set I moved around a bit and realized that if you moved to the sides of the stage near the speakers you could hear the microphones much better. By the time I figured that out their set was almost over. I did enjoy their set though, and even if I couldn’t hear the vocalist he was putting on a good show. While most bands would try to get the audience moshing by spinning their hand or just telling the crowd to, this guy actually jumped off the stage and ran into the mosh pit, mid song! Now that is getting the audience into the show, haha! One of their guitarists, who was rather tall, was also helping with the showmanship. Between him and the vocalist it was hard to keep your eyes away from the stage. Their sound was certainly black metal, heavily distorted guitars making a wall of sound with rather aggressive riffs and fast paced drumming. They were pretty entertaining and I wouldn’t mind having some of their mp3s on my iPod. UPDATE: Immortal Decay posted a video of them playing the song Rotting Altar at the Blood And Fire Festival on their YouTube page here.

After they finished playing I went to the bar area for a bit. The entire venue is divided down the middle, one side with the stage area and the other had the bar and pool tables, as well as a foosball table and a lonely Tekken Tag arcade game. This created a bit of a problem, since you really couldn’t drink while watching the bands. I asked the bartender about this, and she said that apparently the guy checking the door was just looking to see if people were over 18 and not if they were over 21, so they didn’t have a way of knowing if people underage were drinking or not if they allowed people to bring their alcohol into the stage area. They had pretty cheap beer, I’d forgotten how cheap it is to drink the farther away you get from the city. They had $1.50 PBR drafts, and $2 Corona bottles, can’t find that anywhere inside the belt loop. Since I wanted to eat, drink, and talk to people a bit, I had to miss a few of the bands because of the set up though.

Anyways, the next band I watched was Apothys. They’re probably the most popular death metal band in Northern Virginia these days, and for good reason. They put on a good show and play some cool tunes too. I certainly got into the show when they played their song Venomcrest. They moved around on stage quite a bit, and kept the audience excited with their guitar solos and general stage presence. They had the largest size crowd of the night, partly because they’re fun to watch, but also because when their set ended, everyone under 18 was kicked out of the venue. I don’t know if Fredericksburg has a curfew or if the Virginia ABC has a law about it or maybe it was just the venue’s decision. Regardless, the bands who played after certainly had a smaller crowd to play for, and since the place was divided, this meant just as many people were left hanging out in the bar area, including me! I found myself talking to various locals, fans, band members, girlfriends, and pretty much anyone in my vicinity. I got the bartender to put one of my bumper stickers on the edge of the shelf holding up the TVs over the bar, which was pretty cool, and I handed out a bunch more of my stickers to people. It’s always cool when people recognize me from the site too, especially since you can’t really see my face on there since I’ve got corpse paint on. After a couple more bands played it was time to check out the final act of the night, Hatred.

Hatred has been playing the DC area since the early 90s. They’re a sort of old school thrashy death metal band. They were pretty fun to watch, as usual. Most of the people in the bar area moved out to see them play too, which was cool. It was nice to see people had stuck around to watch them. They played songs from most of their back catalog, not just stuff from their 2009 album Burning Paradise. At one point during the set they switched bass players, I’m not sure what happened there but that was kind of strange. The second guy sure had a lot more stage presence, as evidenced in the videos I posted below. They played a rather long set and the people there were chanting for them to come back after the last song was played. I don’t know if it was scheduled or not, the set list didn’t mention it, but they came back to play a final song that ended around 1am. That wrapped up the first Blood & Fire Festival, which I have to say was a pretty fun experience. I don’t know if anyone ever claimed the ticket raffle prizes (the winning ticket numbers were 55 and 57) and I didn’t even know there was a raffle until Apothys announced they were picking the winners on stage. They did have some of the coolest concert tickets I’ve ever seen, much nicer than the generic blue & white from Ticketmaster. They were black and red with flames and shit, pretty metal. There were certainly sound problems throughout the event, and the curfew thing was strange, but in all it was nice to see a bunch of local bands take some initiative and get together like this. I know Apothys had a big hand in organizing it, I’m hoping they put another one together in the future, just maybe not as far away as Fredericksburg next time. With that, I leave you with the videos I shot at the concert, the first is Orgy Of The Damned, the next two are Apothys and the rest are Hatred. Enjoy!