On Sunday, June 10th of 2018 the Slayer farewell tour came to Jiffy Lube Live in Bristow, Virginia. The tour was supported by some other great bands as well. Testament started things off, then Poland’s blackened death metal band Behemoth played (it was the band’s main man, Nergal’s, birthday) followed by Anthrax and then Lamb of God was direct support. I’m not going to get into all of their sets mostly because this post is about Slayer and secondly, I got there during Anthrax’s set. However you can see a few clips at the end of this post from Behemoth’s set that they posted on social media. Anyways, this is a concert review so of course the big question is, how was the show?
First off, like all Slayer performances, the show was a lot of fun. Slayer did a sort of career retrospective set list, which is a bit different than a “best hits” style set list in that it contained songs off 11 of their 13 albums. Only Diabolus in Musica and the mostly punk covers album Undisputed Attitude weren’t represented in the set list (see the full set list here). They left a few classics off, most notably “Spirit in Black,” “Die by the Sword,” and the medley of “Altar of Sacrifice” and “Jesus Saves” that has been a staple of their live set for decades. However they did play “Blood Red” which hasn’t been in their touring set list in many years.
It seemed like almost every metal head from our area was at the show to see Slayer one last time. I ran into some of the dudes from Darkest Hour, Ant Scot was crowd surfing in his wheelchair throughout the day and Randy Blythe even brought out local politician/metal head Danica Roem on stage for a moment during Lamb of God’s set. It seemed everywhere I turned I ran into another regular from the local scene, and I still didn’t see half the people I know were there from seeing their posts on social media after the show.
Most of the bands played in the daylight but it was dark by the time Slayer took the stage after 9pm. They had some great pyro effects including open flames that lit up metal Slayer logos on stage, and giant fireballs that would shoot up behind them in time with the music. While the current line up is only half of the original members, Tom Araya and Kerry King, I had seen this same Slayer line up with Paul Bostaph on drums and Gary Holt of Exodus filling Jeff Hanneman’s shoes twice before. Once in November 2013 (read our review of that show here) and again in March 2016 (read our review of that show here), both times at the Fillmore Silver Spring. What blew me away at those shows was how tight the band still was despite the line up changes. Slayer is probably best known for having written some of the most classic songs of the entire heavy metal genre but they are also known as a band that is incredibly well rehearsed and tight live. They rip through blisteringly fast songs totally in sync with each other and they make it seem easy because they have practiced them so many times. It was impressive that they could keep that up with two new members, something many bands that have that kind of well rehearsed chemistry fail to do after major line up changes. However that tight chemistry wasn’t quite there this Sunday night in June. Gary Holt had some technical issues and had to swap his guitar out a few times, including during the beginning of “Hell Awaits” which left what might be Slayer’s best intro riff sounding off. Most glaring however was Tom Araya fudging or possibly completely forgetting the lyrics to some of the songs. I might give this a pass if they were songs off the later albums but, for example, in “South of Heaven” he repeated a verse that doesn’t repeat and in “Angel of Death” he completely missed an entire verse of lyrics. This didn’t ruin the show by a long shot, it certainly didn’t make me suddenly stop loving those classic songs but it was the first time I’d ever seen Slayer so out of sync live. I’ve seen them live many times before. At the 9:30 Club, the long gone Nation/Capital Ballroom, the Baltimore Arena and the previously mentioned Fillmore Silver Spring. I’ve seen them before at Jiffy Lube Live on Mayhem Fest and even back when it was still called Nissan Pavilion I’ve seen Slayer play there as part of several Ozzfests. This Slayer performance was the first time I had seen a tiny crack in the foundation starting to grow.
Slayer played for about 90 minutes with none of that lame pre-rehearsed encore nonsense. They just got up there and ripped for an hour and a half straight while everyone went nuts. Gary Holt was sporting a “Kill The Kardashians” shirt and brought out his guitar that is painted in his own blood a few times (backstory on that here). However the most memorable part of the show might be what happened after it just ended. After the end of the set Tom Araya wandered around on stage just soaking in all the fans still screaming wildly for the band despite the set being over. He eventually found a mic and thanked the fans for all the memories. I’m not sure if he did that at every stop on the tour or just ours, but it was quite a touching moment, not something Slayer shows are generally known for. Still coming down from the adrenaline rush of a live Slayer performance, it was a sobering reminder that this was the last time we’ll be seeing Slayer in our area.
I am sad to see Slayer go, but this performance showed us why they are retiring. It seems like Tom Araya’s heart just isn’t in it any more, something that has been hinted at in interviews in other metal publications. I’d rather see them go on their own terms than just become a sloppy caricature of the incredible band they are. I did thoroughly enjoy the show though, despite its flaws. I’ve long held that no metal head can sit still while songs like “Raining Blood” or “Angel of Death” are playing and this show was certainly no exception. Bang your head, throw the horns, jump into the mosh pit, you just gotta go crazy for Slayer! But it is the end of an era, the first band of the Big Four of thrash metal to retire. I love this area’s metal community and it is always bittersweet to see one of the legends bring everyone out to headbang to their tunes for one last time.
Below you can see the photos I shot of Slayer from the photo pit (click them to see them larger) and below those are some images and videos of Behemoth that were posted to their social media, including the audience singing “Happy Birthday” to Nergal.
Bonus photo I shot of Ant Scot crowd surfing into security
The same video as above, but this version is longer and includes the “Happy Birthday” song.
DCHeavyMetal.com 