Beer & Metal

I’m a big fan of metal (as you already know) and I’m a fan of beer as well so I thought this would be a fun post to put together. First off I’d like to say, if you’re under 21 then this post isn’t for you. If you’ve got issues with alcoholism and are trying to stay sober, this post is also not for you. There’s no shame in avoiding things that aren’t working for you in your life. And of course this post isn’t meant to encourage drunk driving of any kind, be safe out there if you’re drinking. Now those of you still here get comfortable, crack open a cold one and get ready to learn about beer and how it relates to metal in more ways than you may think.

I know a lot of you like metal bands that aren’t huge. I know this because I see you at metal shows around the area at smaller clubs, in Ethiopian restaurants, at house shows and other places that aren’t exactly the size of the Verizon Center or Jiffy Lube Live. I guess my point is, I know that you metal heads understand that good or even great music doesn’t Jester King Black Metal Beerhave to come from a giant band on a corporate record label with millions of dollars to spend on marketing. And judging by the fact you’re even reading this site, you have probably realized that great music, while it can, it doesn’t usually come from the biggest corporate bands at all. With this post I’d like to show you that the same is true for beer. Right now we’re in the middle of the “craft beer revolution,” a giant explosion of independent beer makers popping up all over the country that are making all kinds of great new beers and experimenting with new ingredient combinations and flavors. The beer snob in me is at metal shows, often with some really great underground bands playing, sees many if not most of you drinking the same old corporate swill and I’d like to take this time to help edjumakate you all on some of the awesome beers that are actually out there right now by using the similarities between the beer world and the metal world that you are (hopefully) already familiar with.

The current beer industry and music, metal in particular, are actually pretty similar in a lot of ways. In both cases you have a market that is dominated by giant corporations that have huge advertising budgets and the general public seems to buy whatever is advertised the most in the mainstream media. The mega brands like Budweiser, MGD, Coors, Heinekin and Corona are, in my world of beer/music comparisons, like the Katy Perrys, Justin Biebers, and Rihannas of the music world. And those “off brands” like PBR aren’t much different than Taylor Swift is to Katy Perry. In the case of both music and beer, these major names are all just mass produced light fluff with no real depth that often resort to using sexuality to sell a product which shouldn’t need to if it was actually good in the first place. And when scantily clad women aren’t enough the marketing teams for both will often resort to lame gimmicks to drum up sales. Examples of lame gimmicks in the beer world are things like the label on the can turningMiller Lite Vortex Bottle blue when its cold, a “vortex bottle” and using the term “frost brewed,” a term that means nothing since boiling is a part of the process of making any kind of beer. This lame crap is part of why the so called craft beer revolution has been going on the past few years now, gaining more steam with each passing year. Some would say this sudden growth in micro breweries was kicked off by Sam Adams, which is sort of the gateway beer to all the other craft beers. I think of them as being sort of like Metallica, they aren’t underground by any means, you can find Sam Adams in virtually any store that sells beer, but they also don’t dominate sales like the really big names I mentioned earlier. However, Metallica is the metal band that many a metal head heard first that then gets them into more metal. Sam Adams is like that for many beer drinkers as well due to their many style varieties and seasonal brews which are available in most grocery stores. People often start trying new kinds of Sam Adams beers which can lead to trying other smaller brands as well. If you’re reading this blog then it’s pretty likely that at some point you started looking more into metal bands and before long you realized there’s a ton of independent record labels out there with all kinds of different sub genres of not just metal but other styles of music as well. This is what the craft beer revolution is like, people waking up and realizing that there are tons of small breweries out there experimenting and putting out all kinds of new beers, things the major companies wouldn’t dare to try. You don’t have to listen to just the major label music any more, and you don’t have to just drink the mega corporate beer brands either!

Like the dozens of splintering sub-genres of metal, there’s all kinds of new types of beer coming out. India Pale Ales, also known as IPAs, are all the rage right now in the craft brew world. The beers are light (they are pale ales after all) DC Brau On The Wings Of Armageddonand bitter to differing degrees. This is because originally the beer that was being shipped by boat to British soldiers stationed in India were given loads of preservatives which left the beer tasting bitter. The soldiers grew accustomed to this bitter taste and when they came back home they wanted more of this beer, and so the Brits started brewing it at home too. Personally, I think IPAs are fine but the market seems to be getting saturated with them. It’s hard to find a brewery that doesn’t make one and I’m starting to get the sense that they all feel obliged to even if that isn’t what they want to specialize in just because IPAs are so popular right now. For my money though, I prefer my beer to be like my metal, dark and heavy! That’s why you’ll often see me drinking malty beers like stouts and porters. However, there are dozens of different styles of beer to choose from these days: fruity and crisp, bitter, chocolatey, smoked, oak and bourbon barrel aged variations, barley wines, ambers, and many more. Sometimes you’ll see “seasonal” beers being sold, which usually means they’re only made at certain times. An example of this is a pumpkin beer released in the autumn. There’s also “limited release” beers which are often just a one time batch and once they’re gone they’re gone for good never to be brewed again.

A trip to the beer aisle at one of the bigger Total Wine stores in the area is reminiscent of heading to Tower Records in the old days. The selection is almost overwhelming and the variety can’t be beat. You can find underground stuff, local brews and even a variety of exotic imports from not just Europe but the entire world. You can make your own six packs at Total Wine to sample whatever catches your eye. Like concert tickets, a higher price doesn’t always mean a better product and I often enjoy finding out which beers are the best tasting for the lowest price. Another great place to start trying new beer is the World Of Beer bar in Arlington, Virginia. They have 50 beers on tap, most of which rotate out regularly, and if that’s not enough for you they also have literally hundreds of different beers from all over the world kept cold in bottles. I was there once and some popped-collar, sandal wearing bro next to me asked the bartender for a Bud Light. The bartender just laughed at him and told him they don’t carry that. Now that’s my kind of bar! So if Total Wine is the Tower Records of beer, then what would be the Metal Archives? That would be Beer Advocate, a site that indexes and reviews almost every beer, plenty of which you’ve never even heard of. They also have user reviews and a very active user community. And if you’re Orkney Brewery Skull Splitter looking for some beers with a more “metal” image then check out the beers by Stone, such as Arrogant Bastard, which features a demon on the bottles (and some hilarious text on the back as well). Then there is Avery Brewing which offers a whole line of expensive but very delicious beers named after demons such as Samael and Mephistopheles. There’s also Skull Splitter Ale by Orkney Brewery which has a viking on the label and would definitely be more appropriate to drink than a shitty Natty Boh while blasting some Amon Amarth.

Of course there’s plenty of local breweries you can visit, take a tour and sample the beer fresh from the source. They often have “flights” of beers, which are really just small glasses for sampling several beers together. This can be very helpful in finding out which styles of beer you like best and they’re usually pretty cheap, similar to how a promotional playlist can let you check out several bands. If you find a beer you like you can buy a big 64oz jug called a growler usually for under $10. You can fill up a growler with beer at DC Brauthe brewery (for an additional cost) and bring the jug home, though you usually want to drink their contents in a day or two. Wash the growler and bring it back, or to another brewery, and fill it up again. Since they hold about a six pack’s worth of beer they’re also good for bringing to parties. For those of you who want to take things further and not just drink other people’s beer you can hit up places like the Local Home Brew Store (LHBS for short) in Falls Church, Virginia, where they sell equipment and supplies to brew your own beer at home. They’re pretty friendly there and will not only help you get started, but they’ll talk some metal with you too as they’ve got some metal heads running the place. I think of home brewing as the beer equivalent of starting your own garage band.

Something to look out for as you sample new micro brews are the faux craft beers, or crafty beers as they are sometimes called. These are brands like Shock Top, Blue Moon and Goose Island that are marketed and packaged to look like craft beers, but they are in fact owned by major corporations Anheuser-Busch and MillerCoors. The major brands have definitely noticed this trend toward craft beer and are trying to cash in on it as well by tricking the ignorant public into thinking that their strategically marketed beers with micro-brew styled packaging are actual micro brews. Check out the ridiculous Blue Moon commercial below that aims to make you think it is some small craft beer, when in fact they are mass produced in huge facilities by Miller! This would be like if Metallica put out a crappy album with some underground legend like Lou Reed in an attempt to prove their underground credibility. Oh wait…

Now I’d like to focus a bit on the local beer scene, where beer and metal are as closely intertwined as anywhere else I can think of. If you’re looking for the beer drinker’s equivalent of DCHeavyMetal.com then you should really check out DCBeer.com as they cover the area’s local beer scene like no one else. This week the 30th annual Craft Brewers Conference is in DC (they pick a different city every year) and because of that there are tons of events going on all over the area right now where you can try rare and exotic craft brews. DCBeer.com has made a great list of these special events here.

We’re pretty damn lucky in this area because we’ve got not one but two local breweries in the DC area that have metal heads working there, that I know of at least. DC Brau is based in North East Washington, DC and they often put out beers with names that sound like they could be metal song titles, such as On The Wings Of Armageddon and Embers Of The Deceased. DC Brau is the first beer brewery inside the District since 1956. Port City Brewery in Alexandria, Virginia doesn’t really have many metal sounding beer names but they do brew a lot of their beer while listening to metal bands. Port City’s assistant brewer Will often writes on the big fermenting tanks Port City Maniacalwhat he was listening to when brewing the beer and I’ve seen bands like Cannibal Corpse, Suffocation and Nile on them in the past. On Sunday, April 7th, Port City will be holding a third metal night at the brewery, and I’ll be there co-hosting the event and giving away tickets to upcoming metal shows in the area like Anthrax, Death and Ghost. If you’re beer drinking age then come down and sample some of their craft brews, hang out with fellow metal heads and listen to some heavy metal all night. More details on that event are posted here. I kind of think of DC Brau and Port City as the area’s local “metal” breweries, however there are plenty of other breweries around the area including Chocolate City Beer and Three Stars Brewing in DC, Devils Backbone, Star Hill and Blue Mountain Brewery in Virginia, Flying Dog, Union Craft Brewing and Heavy Seas in Maryland, and even Dogfish Head in Delaware. There’s also several brewpubs popping up in the area like Lost Rhino and Mad Fox, both in Northern Virginia, Brewer’s Art in Baltimore and Blue Jacket which will be opening up in DC this summer.

You’ve all probably seen photos floating around on the net of various metal bands with their own branded beers. Iron Maiden has one, Motörhead has one, Amon Amarth has one, Ozzy Osbourne has one, hell even Queensrÿche guitarist Michael Wilton has brewed a beer with his nickname, Whip Ale. The local metal bands have gotten in on this trend as well. New Belgium, the makers of Fat Tire Ale, put out an official Clutch Dark Sour Ale in 2011. Port City will be putting out a beer for local stoner metal band Borracho soon, and I hear word that DC Brau is working on one for Darkest Hour. Indiana based 3 Floyds Brewery is Three Floyds Permanent Funeral Pale Alemaking a Pig Destroyer beer called the Permanent Funeral Pale Ale and as part of the previously mentioned Craft Brewers Conference being in town they’re having a beer release party for it! Locals Pig Destroyer and Darkest Hour will both be playing the release party on the Black Cat’s main stage this Friday (details here) and they’ll have plenty of Permanent Funeral Pale Ale on hand to drink too! In fact, as a special reward to those of you who have read this entire article (I know it hasn’t been my shortest) I’d like to offer you the chance to win a free pair of tickets to the Permanent Funeral release show. Just leave a comment on this post letting me know of a beer you think I should try (I’m always looking for new beers to try out) and at 5pm EST Thursday, March 28th, 2013 I’ll pick one of you at random (using Random.org) to get a pair of tickets to this beer release show. Be sure you use an email you check regularly when you enter so I can contact you because I’ll need a quick response to make sure I have your name for the tickets. Please don’t enter if you cannot attend. Thanks for reading everyone and I hope I’ve convinced a few of you to try out some new and/or local beers. Stop drinking the corporate crap that is everywhere, I know you metal heads can do better!

Metal Alliance 3 ticket give away

Anthrax at Fillmore Silver Spring

The Metal Alliance Tour is back again and with Anthrax headlining this year it’s bigger than ever! The tour’s only area stop will be at the Fillmore Silver Spring on Sunday, April 14th, 2013 and we here at DCHeavyMetal.com want to make sure as many of the area’s metal heads can make it out as possible so we’re giving away a pair of tickets to the show to one of you lucky readers of the site. To enter just tell me which bands you’re most excited to see on this year’s Metal Alliance tour by leaving a comment on this post. Read the next paragraph for info on all the bands playing. On Friday, March 29th, 2013 at 5pm EST I’ll pick one lucky winner from all the valid entries at random (using Random.org) to win the pair of tickets. If I haven’t heard back from the winner in 24 hours another winner will be chosen. Be sure to enter with a valid email address you check regularly so I can contact you when you win. Don’t worry, I won’t add you to any email lists or anything like that, I hate spam too. If you enter more than once then all of your entries will be disqualified. If the contest is over when you read this or you simply can’t wait to find out if you win the contest you can buy tickets from Live Nation for $30 here.

Anthrax is headlining this year’s Metal Alliance Tour and to make it even better, they’ll be playing their classic album, Among The Living, in its entirety at every show on the tour. But don’t think the New York thrashers are the only band worth seeing at this show. Direct support will be provided by the legendary Exodus, one of the original bands from the ’80s thrash metal scene in the San Francisco Bay Area. Richmond party thrashers Municipal Waste will also be on this tour so be sure to have a beer in hand when they’re playing. The Massachusetts based melodic death metal band Shadows Fall will be playing only a few dates on this tour, including this one. Their lead guitarist, Jonathan Donais, has recently been added to Anthrax’s live line up so he’ll be playing twice each night. The opening band is Holy Grail from Pasadena, California. They play a blend of thrash and power metal that is almost as high energy as their live show. If you’re not familiar with Holy Grail then check out their newest album, Ride The Void, which is their best release yet, and be sure to get to the show in time to see them. Now watch the awesome videos below by each band playing the show and leave a comment telling me which of the bands you want to see most at this thrashing show!

Anthrax – Indians

Exodus – The Toxic Waltz

Municipal Waste – You’re Cut Off

Shadows Fall – The Unknown

Holy Grail – My Last Attack

Today Is The Day ticket give away

Today Is The Day at the Rock & Roll Hotel

Today Is The Day is coming to the Rock & Roll Hotel in Washington, DC this Saturday, March 9th! DCHeavyMetal.com is going to give away a pair of tickets to this show tomorrow, Friday the 8th of March 2013 at 5pm EST for you regular readers of the site. That’s right, you’ve only got about 24 hours to enter! Just leave a comment on this post telling me why you want to go and when 5pm rolls around on Friday, I’ll pick a winner at random using Random.org to win the tickets. Please don’t enter if you can’t go, the show is the next day and I don’t have time to pick another winner if you flake out! Be sure to enter with a valid email address you check regularly so I can contact you if you do win. Don’t worry, I won’t add you to any email lists or anything like that, I hate spam too. If you enter more than once then all of your entries will be disqualified. If the contest is over when you read this or you simply can’t wait to find out if you win the contest you can buy tickets from Ticket Alternative for $15 here.

Today Is The Day was started by Steve Austin (not the stone cold one!) back in the early 90s and has been cranking out some killer tunes ever since! Their sound falls somewhere between grindcore and alternative rock, with a healthy dose of noise in there as well. On this tour they’re playing with Black Tusk, one of the best sludge bands coming out of Savannah, Georgia right now. There’s additional support from KEN mode, a sick Canadian hardcore/noise band. By the way, the KEN in their name stands for Kill Everyone Now. The opening band for this show is Fight Amp, a New Jersey based doom/sludge/post hardcore band that is worth showing up to early for! If you’re unfamiliar with any of these bands, then check out the videos below to give them a listen and be sure to enter in the comments below. Thanks for keeping up with DCHeavyMetal.com regularly and good luck!

Today Is The Day – Sick Of Your Mouth

Black Tusk – Red Eyes, Black Skies

KEN mode – Extending Common Courtesy Throughout The Evening

Fight Amp – Samhain

Recap of January 2013 Concerts

Welcome to part two of this three part series attempting to catch up on my concert reviews of all the shows I’ve been going to this winter. For this installment I’ll be covering all the metal shows I went to in January. You can read part one, which covers late November and December 2012, by clicking here. And remember, if you’d like to see more of any of the bands in the photos below, just click the image.

The first concert I went to in 2013 was when I saw Swaath on Sunday, January 6th at a new venue in Baltimore called Club K. The venue seems to normally host DJ dance nights. It is attached to a small Korean restaurant and while the space isn’t fancy, it doesn’t even have a stage, it works fine for the DIY punk, hardcore and metal shows they have started to book there. The walls are painted with neon patterns and random zebra images and there are four TVs hanging from the center of the room in the shape of a square that are tuned to some Korean TV channel. There’s a dance party style spinning ball that projects different color lights hanging from that and it never seems to turn off. The beer at the bar is pretty cheap, but nothing a beer snob would want to drink. It’s basically a dive bar mixed with an Asian dance club. Anyways, I drove up to Baltimore to Swaath play. They’re a new sludge band that is from Portland, Maine, but they weren’t the first band of the night. That was Baltimore locals Barbelith. They’re a black metal band and while they didn’t have a bass player and could be a bit tighter they had some cool songs and were pretty good overall. The second band was some hardcore band from Philadelphia named Congenital Death. I wasn’t very interested in them as I’m not much of a hardcore fan, While there are some exceptions they just weren’t unique enough for me to really get into. After they played it was time for Swaath and they didn’t disappoint. They play a sort of atmospheric sludge metal with some stoner and doom aspects thrown in too. I really enjoyed their set and it was def worth the drive up. The final band of the night was another Baltimore local, Ophidian. They weren’t bad though going on after such a strong set can be tough. Plus being a local and going on after the touring band meant a lot of people left after Swaath played. I hope I get to see them in a better setting next time.

Barbelith:

Swaath:

Ophidian:

Two nights later, Tuesday the 8th, I headed over to the Black Cat in Washington DC to check out Jucifer on the venue’s smaller back stage. I missed local openers LTW but I’m sure I’ll catch them again as they open a lot of shows these days. Jucifer is a duo made up of husband and wife Edgar Livengood and Amber Valentine. They tour around the country in their RV with no permanent address. They’re basically always on tour. They’re known for having extremely loud shows due to the wall of speakers they bring with them, which were stacked to the ceiling at the Black Cat this night. I’ve seen them play before but this set went on longer than usual, lasting around 90 minutes! Their fuzzy set went through hazy highs and rumbling lows and even had some quiet parts. You get sucked in early and after a while you just find yourself absorbed into their show as though you’re staring into the obelisk in A Space Odyssey. As a side note, I actually met my girlfriend for the first time at a Jucifer show at the Black Cat a few years back and while that wasn’t a date or something, we sort of see their annual early January shows as something of an anniversary. Because of that I decided to relax a bit at this show and I didn’t bring my camera, so I don’t have any photos of Jucifer from this show, however I’ve posted a shot I took of them at a previous show below.

Jucifer:

The following weekend I saw a DIY show at The Lab in Alexandria, Virginia on Saturday the 12th. The Lab is basically a rec room for some church but it has a nice stage and it holds a decent amount of people. I missed the opening band but to my understanding they aren’t a metal band at all but play some sort of electronic loops and such. The first band I caught was Grethor, a Northern Virginia based melodic death metal band. I had seen their drummer, Anthony Rouse, play with the now defunct Orgy Of The Damned. They had some cool songs but you could tell their frontman, Marcus Lawrence, was pretty new to this as he didn’t engage the audience much spoke in almost a whisper between songs. Still, that’s something that can be worked on. The next band to play was Cammo Shorts, a grind band from Manassas, Virginia that doesn’t have a drummer. The three piece was pretty damn entertaining with lots of funny song titles such as My Cammo Shorts, Your Girlfriend’s Floor and LSD Cures Cancer. They covered the Pantera song Good Friends And A Bottle Of Pills which was probably the catchiest song of their set. They were good though a real drummer instead of just programmed beats from a laptop would probably fill their sound out more. Still, they were my second favorite of the five bands I saw that night. The next band to play was Acrid, a three piece death/grind band from Hagerstown, Maryland. While they had an actual drummer these guys lacked a bass player and honestly I think it really made their sound suffer. I’d heard their music online and I actually thought that sounded a lot better than they did live. Maybe it was just an off night? I dunno. The fourth band I saw that night, tentatively named Lucid Dream (until the band members agree on something better, apparently) was more of a rock band than anything. I liked what I heard but unfortunately their set was marred with several technical difficulties, including one of their amp heads crapping out. They asked if anybody in one of the other bands had one they could borrow, but apparently everyone from the other bands was outside. This lead to an increased delay as they looked to find someone that could help them. They finally played another song then abruptly ended their disjointed set. The final band of the night, and the main reason I came out to this show, was Fortress, a doom metal band from Hagerstown, Maryland. Let me just say that these guys were very fucking impressive live. Absolutely epic, crushing, heavy doom. Very loud, very intense, at times very slow but they knew just when to pick up the pace to keep it from getting boring. They put one one of the best performances I’ve seen from a DMV area metal band in quite some time. I was literally blown away and I know I wasn’t the only person in attendance who thought so. I cannot stress this enough: if you ever get the chance, GO SEE THIS BAND PLAY LIVE!

Grethor:

Cammo Shorts:

Acrid:

Lucid Dream:

Fortress:

I didn’t get to another metal show until 12 days later, on Tuesday the 24th of January. That night I went to DC9 in the U Street corridor of Washington DC and saw the so called super group Corrections House play. The band is Scott Kelly of Neurosis fame on guitar, Bruce Lamont of Chicago’s jazz influenced metal band Yakuza, Sanford Parker who plays keyboards in Nachtmystium, and Mike IX Williams of Eyehategod is the frontman. The opening act was Tone, a DC based instrumental rock band. They not really very metal but they’re not bad if you like instrumental bands. Corrections House has a sort of weird live set up and the band doesn’t just come out and start playing. Instead each member gets a segment to do a bit of solo material, and various other members come in and duck out at various points. They also all wear the same black button down shirts with the Corrections House logo embroidered on the sleeves. Their entire set was about 80 minutes long, although the first 20 minutes were just Sanford Parker looping drum beats and playing samples. A such, I didn’t particularly enjoy the start of the set. It did get better when Bruce Lamont came in with his sax though that only lasted five minutes or so before Mike IX Williams started reading some of his poetry. The high point of the show was definitely when the entire band was performing together. Their sound had a very improvy feel to it but they all seemed to work pretty well together for the most part. Corrections House was unpolished though and Mike IX Williams had to read the lyrics because I guess he hadn’t memorized them yet. About an hour into the set Scott Kelly broke a guitar string and ended up borrowing one from someone in Tone. I didn’t know what I was getting into with this show, and it did take a bit to start rolling, however once they all got in synch together I thought the show was really entertaining and I certainly don’t regret going. I’m curious how they will sound in the studio if they ever record anything.

Corrections House:

Corrections House:

Corrections House:

Two nights later, on Saturday, January 26th, I was at Empire (formerly Jaxx) in Springfield, Virginia for the long awaited return of local southern metal masters King Giant. Due to an injury in the band they hadn’t played since early 2012. They had a show scheduled in November to be a return to the stage but due to another injury to someone else in the band that date was pushed back until this night in January. King Giant always draws well, and this night wasn’t any different, though I know the fact that Graveyard was playing at the Black Cat the same night had to have affected the attendance at both shows somewhat. I’d have liked to have seen both but since I saw Graveyard at DC9 last year and I always like to support locals I decided to go to see King Giant. When I got there Richmond’s Fire Faithful was setting up. They’re a southern/stoner band but I wasn’t very impressed with their show. The crowd was still pretty thin when they hit the stage and perhaps that had something to do with it but they didn’t have much energy on stage at all. Their songs weren’t interesting enough be able to pull me in while hearing them the first time so some stage presence really would have helped. I liked the vocalist’s Windhand shirt though. Next up was Kingsnake from Philadelphia. I had seen them about a year prior at the Velvet Lounge and so I decided to hang back a bit and I didn’t get photos of them this time. Kingsnake is a very solid blue-collar metal band with some cool licks. Aside from their coincidentally similar names, they’re actually really a great opening act for King Giant as they have a very similar style without sounding redundant. Finally King Giant made the stage. There was a lot of fog this time and I was glad to finally see them playing live again. The place was pretty crowded by this point and you could tell all the members of King Giant were having fun playing in front of so many friends and family. At one point a bunch of people in the crowd all came out with fake handlebar mustachios in parody of King Giant’s bass player Floyd Walters and his iconic ‘stache. It really was a fun show and although King Giant’s sophomore album, Dismal Hollow, came out in early 2012 the songs from it still sounded pretty fresh since they hadn’t been played in a while. The show was a great welcome back to the stage for these guys. If you’re a fan of southern sounding bands like Down, Clutch and Alabama Thunderpussy then do yourself a favor and check this band out. They’ve got some great riffs you’ll get stuck in your head and songs that will stand the test of time. This isn’t some throwback band, they’re doing their thing and doing it damn well. King Giant is certainly one of the DC area’s best local metal bands and if you’re in this area and you’re sleeping on them then you’re fucking up big time.

Fire Faithful:

King Giant:

The sixth and final metal show that I went to in January 2013 was on the the last day of the month, Thursday the 31st. I traveled up to Baltimore to see Enslaved play at the Ottobar. When I got there the band Royal Thunder was playing, who, as stated in my previous post, I had just seen at DC9 the month prior. However this time they were missing their second guitarist and their sound was a bit thin because of it. Still, they put on a decent show and I thought they were a good prelude to the band I wanted to see the most this night, Pallbearer. Pallbearer is the hottest band in doom metal right now. Their debut album, Sorrow And Extinction, was released in February 2012 and is nothing short of excellent. The Arkansas based quartet plays some very downtuned, very slow songs with clean vocals. Unlike the clean vocals you hear from power metal bands that soar over the songs (think Dio and Iron Maiden), vocalist Brett Campbell has a very solemn and pain filled tone to his voice. These songs are often very slow and they take some patience to absorb, but there’s a reason that their album ended up in the top spot on many critics’ year end lists for 2012. This night they were very loud, even for a metal band. So loud that they were actually vibrating my camera’s lens enough to make it lose focus while I was trying to shoot them! The singer seemed to be having trouble hearing himself though and that made his voice sound a bit off. The audience was rewarded with a brand new song at the end of their set however and it crushed! I hear this song will be on an upcoming split from the band. After they played it was time for Enslaved, one of the old second wave black metal bands from Norway that has now turned into a progressive metal band. Personally, I liked the band the most when they were in that sort of transitional phase between being a black metal band and a prog band. They were unique then. They were this second wave band that actually learned how to play and wrote unique songs that were a blend of black and prog metals. Now they’re basically a progressive metal band and while they don’t write bad songs they just aren’t as interesting to me anymore. There’s other prog bands out there that are more interesting to me I guess. Enslaved’s live show was alright but having seen the set list I knew they’d play for about two hours, which was a bit long for me. Their set was plagued by technical difficulties which drained my patience and about an hour or so in I decided to start the long drive home. Unfortunately I got stuck in construction traffic which closed 95 South for a good 45 minutes so I should have just stayed longer! Oh well, I’m sure I’ll see Enslaved again, hopefully a bit closer to home if it’s on a week night.

Pallbearer:

Enslaved:

Well, thanks for reading this big recap of the metal shows I saw in January 2013. I hope to have my post covering February 2013 up next week, then I should be about caught up. Stay metal everyone and remember to support the scene you’re a part of!