Interview with Max Cavalera of Soulfly

Earlier this week I had the chance to talk to another one of the legends of metal, Max Cavalera. He was very laid back and down to Earth and he is the first person I’ve interviewed that has brought up some of our local bands without me asking first! Max talks about Soulfly’s new album and tour as well as his time in Sepultura, the future of Killer Be Killed and he even gave some cool background stories as well. The entire interview lasts a bit under 15 minutes and you can stream it below by pressing the orange play button, download it as a 20mb mp3 here or read the transcription below where my words are the ones in bold. I hope you enjoy this interview as much I did!

Photo of Max Cavalera by Hannah Verbeuren

Photo of Max Cavalera by Hannah Verbeuren

Hello everyone. This is Metal Chris and today I’ve got the honor of interviewing Max Cavalera who is the main man behind Soulfly [and] who is also a current or former member of many other bands including Cavalera Conspiracy, Killer Be Killed, Sepultura and Nailbomb. Soulfly is currently on tour right now and they will be playing at the Ottobar in Baltimore on Wednesday, October 21st. So to start things off here Max, let’s talk about the newest Soulfly album, Archangel, which came out this past August. Can you tell me about the concepts behind it? It seems to have sort of a Biblical feel to it.

It’s a different record for sure you know it’s our tenth album and we are trying to do something a bit different from everything we have done and I decided to call the album Archangel and having a couple of biblical references in some of the songs like “Sodomites,” “Bethlehem’s Blood” and some old Babylonian themes like “Ishtar Rising” and “Shamash.” It was cool. It was a fun record to make. We had a really good procuder, Matt Hyde, he has done Slayer‘s God Hates Us All, and Monster Magnet and Deftones. So he’s a very good guy, very good producer. And we had a good team you know. The artwork was done by Eliran Kantor. He’s a guy from Jerusalem that lives in Germany and does some amazing album covers and the inner sleeve was done by Marcelo Vasco who is a friend of mine from Brazil. [He] does a lot of death metal album covers. He actually did also the new Slayer album cover. So I like the album too. I think the album is extreme. It’s got a lot of influence from the stuff I listen to and I think it is very energetic. It shows a very energetic side of Soulfly that things are not slowing down at all. We’re just getting started you know, even on our tenth album. So it’s pretty exciting.

Cover of Archangel by Soulfly

Cover of Archangel by Soulfly

To my understanding Mike Leon from the band Havok is playing bass on your current tour. So how did he end up joining Soulfly?

Yeah we found out that Mike was not with Havok any more and we thought it would be a great fit for Soulfly because he’s such a good bass player and he’s a good friend too you know. So we knew him, Soulfly did a tour with Havok, we all became friends and he kept in contact with us. When he played near my house with Arsis he came to see me and so we flew him in and did some practice and he’s amazing. And he brought a whole lot of new blood to Soulfly man. A lot of people are saying this line up is the most lethal they’ve seen in a long time man. It’s pretty kick ass. I got somebody I can headbang with now ’cause [Soulfly guitiarist] Marc [Rizzo] doesn’t have any hair. So you know I still got all my dreadlocks and you know Mike has a lot of hair so we can headbang together, haha.

Now I know the guys in Decapitated were having visa problems getting into the country for this tour. Have you heard any update on if they’re going to be on the tour at all or are they still just awaiting to hear anything?

They’re going to be on [the] tour but I just don’t know when. They’re supposed to be getting that cleared out any day now. In fact I heard rumors they were supposed to be here tomorrow or the next day. They’re going to be here. So we just keep our fingers crossed because I love Decapitated and I love to have them. It’s such a good bill with them on it you know it’s a strong four bill tour and it’s a shame that it had to happen to them. I hate those visa things and government things like that so you know it’s like it sucks when that happens. But we are hoping that they will be here soon so we can at least finish the tour with them.

As I mentioned before, you’re in a bunch of bands and after this Soulfly tour ends, which band are you going to be focusing on?

Well right now I’m focused on Soulfly for a long time ’cause the album just came out and I’m really excited for Archangel. I think it’s an album that we can do a lot with you know we can really tour a lot for it and we are going to try to tour a lot. We have two tours right now. This one with Soilwork and Shattered Sun and then we have another one in November with Crowbar and Incite and Shattered Sun and then we have some shows already in Australia early next year and Europe and some invitations to do some other stuff that we are looking at right now and hopefully we can go [to] South America, Australia, China and Japan, Middle East I hope you know and another US run because we didn’t do a lot of the big markets like Detroit, Philadelphia. We didn’t do that on this tour yet so there’s still places to play in the US so for another tour so we are hoping that we can get another one of those tours next year.

That’s really cool you’re going to be playing on this for a while too but I guess that means no new Cavalera Conspiracy or Killer Be Killed any time soon?

No, not for a while. Cavalera [Conspiracy] is on a big break. I will not probably touch Cavalera [Conspiracy] for a long, long time and Killer Be Killed maybe. We [will] see where we [are] at next year. We maybe do some riffing and get some song ideas started for the next record and see where we are at. Where every band member is at the time. Troy [Sanders] had a little bit of family problems early with his wife having cancer and had to cancel a bunch of Mastodon dates so we’re hoping that things get better on his camp and then he can come back and do some more stuff with Killer Be Killed. I’m in contact with Greg [Puciato] all the time. He’s super excited for another record. We’re going to do it, it’s just, we don’t know when or where, but it is going to happen at some point. I think we are going to work a little bit on it next year and then eventually get it out there some time in the future.

Have you ever thought of doing a solo Max Cavalera album or do you sort of see Soulfly as your solo project?

Soulfly is kind of my thing like, ’cause I have all the guests on every album. You know we had Todd [Jones] from Nails and Matt [Young] from King Parrot on Archangel and I had David Vincent from Morbid Angel and Tom Araya from Slayer and Chino [Moreno] from Deftones and Corey [Taylor] from Slipknot and the list of people that I work with is real long but I would like to tour more with other bands. Especially I’ve got a lot of bands that I like. I like a lot of new bands you know like Homewrecker and Genocide Pact and…

Oh yeah, Genocide Pact is from here.

Yeah. Xibalba, Young And In The Way, you know I like a lot of this new stuff man. You know it’s great. The new Genocide Pact album [titled Forged Through Domination] is insane. I’ve been listening to that a lot and I love it and hopefully [Soulfly will] get one of those bands to tour with us next year. Would be great.

So are there any other DC area bands you might be into? We’ve got a bunch from here. Like you said Genocide Pact but also you know Pig Destroyer, Dying Fetus, Pentagram, Deceased.

All of those are great, haha. Me and my son Igor we really like them a lot. You know Igor is a guitar player [in] Lody Kong and they’re really good friends with the Noisem guys and the Full Of Hell guys so they’ve been to our houses a bunch of times and I never actually met Dom [Romeo] from A389 Records but my son Igor has met him. Hopefully he can come to the Ottobar show. I’m really dying to meet him and finally get to know him in person. I’m a big Pulling Teeth fan. I love Pulling Teeth man you know. I mean they were just an amazing, amazing hardcore band, grindcore band you know so I’m very excited to be out to the Baltimore show. I think it’s going to be a great show.

You’re kind of talking about some of like the hardcore bands, you know I remember back in the day when you were back in Sepultura, Jello Biafra helped you guys write the “Biotech Is Godzilla” song and I was always kind of curious, how did that happen?

I’m not sure if I remember exactly how but I think we kind of hand picked him out of our idols that we had growing up in Brazil. Dead Kennedys was a huge, huge band that me and [Max’s brother and former Sepultura band mate] Igor [Cavalera] listened to a lot. I especially loved the lyrics. I love Jello’s black humor on stuff like “Holiday In Cambodia” and “California Über Alles,” “Kill The Poor,” “Drug Me.” So we had the idea to let him to write the lyrics for the song and he did it and sent it on a cassette tape and I ended up using the growl that he did on the cassette tape. I put that on the record. And he was pretty surprised when he heard that. He wasn’t expecting it. He told me like, if I would have told him he would have made a better growl and I told him, “No, no but that’s what’s cool that you’re not thinking that was going to go on the record. That’s why I like it ’cause you weren’t really prepared for it.” You know so, I gave him that excuse and he was cool with that and you know I’ve always been into the whole punk scene. A lot of European punk stuff, Discharge, GBH, Exploited and on the American side of course Black Flag and Minor Threat and Bad Brains of course, one of my favorites. Amazing, amazing. I think they’re pioneers of so much of the stuff. Even some of the ideas that I’ve brought into Soulfly some of the stuff like doing kind of like the metal reggae versions of songs like “Bring It” and “I And I” are heavily, heavily based on the actual original idea of Bad Brains which was mixing hardcore and reggae and I love that mix. I think it’s a great mix. I still think more can be done with it and I think it’s something to dwell with in the future, to do more stuff with that.

You worked with another guy from the DC area in a project. That was when you worked with David Grohl in the Probot project. How did he contact you about that or were you already friends with him? How did you get involved in that project with him?

Yeah Dave used to come see all the Sepultura shows all the time. He was a big fan. When he was living in Seattle he came a lot to the Sepul shows and we struck a friendship and we got contacted from him out of the blue about this Probot project and he sent me five songs actually and he told me to pick one and I love “Red War.” It reminds me of [the Sepultura song] “Territory” the beginning and I even told him that. “Like that’s cool man. Sounds kind of like ‘Territory.'” I love the beginning of the song and so I went in the studio and put the vocals on it but I love the idea [of] an album with his favorite metal singers and I love the record I think that the King Diamond song is excellent, the Cronos song, the Lemmy [Kilmister] song. It is a very, very cool record. A very cool idea and I think he pulled it off man. He’s such a good drummer and the music on it is really good. The Probot music is actually really, really powerful and we actually played “Red War” live with Soulfly a couple times on a European tour and it was really fun. I did a book last year [titled My Bloody Roots: From Sepultura to Soulfly and Beyond] and we actually asked Dave to do the introduction of the book and he was very, very honored and he did it for me and gave me the coolest introduction ever about his speakers that cost twenty thousand dollars getting blown up by the Roots album [by Sepultura]. I thought that was such a great story and it was really cool you know so I was really glad that he got to do the introduction of the book and he’s such a huge fan and loves Roots so much so it was great having him do that for the book and I was very excited.

I’ve always thought you’ve had a really cool story too. You guys came out of Brazil almost out of nowhere out of this underground metal scene that was pretty much unheard of until you guys took the world by storm. It must have been really hard finding an underground metal scene at all in those days. You know this was way before the internet. How exactly did you get into metal in those days back then?

It was very different. Like you said it was before internet. We used to do tape trading and sending tapes out and painting our own t-shirts and sending them out and we were in contact with a lot of underground bands. I remember being in contact with Death, Morbid Angel, Obituary and Kreator and Destruction, Dark Angel, Possessed and all those bands wrote back to me and in fact my first time I saw the name Sepultura was on the first Death album Scream Bloody Gore that he thanked Max and Sepultura. That was really cool for me to see that for the first time. So yeah it was a different time, different era but I look [at] it both ways. It was exciting at the time but I think it’s cool now too because I think you can find a lot of cool stuff on the internet. You can look for bands from different parts of the world. You find Psycroptic from Tasmania and Nervecell from Dubai and Melechesh from Israel. I use Spotify a lot and find a lot of cool bands on it myself so I think it’s cool.

So you live in the Phoenix, Arizona area now right? So do you ever think of going back to Brazil to like live back in Brazil do you ever visit there or anything?

Nah I go there to play and my mom lives there. I get to see her and I do a lot of shows there. I did a big, big Cavalera [Conspiracy] tour. We played everywhere. We had a tour bus even for the first time ever and we went from city to city and went to some really obscure cities of Brazil and it was a great tour and I have been going to Brazil more often than ever the last three, four years. I’ve been there quite a lot, quite massively. It’s great you know. So I don’t really plan to move there. I love Phoenix. I love Arizona. For writing it’s really good where I am. I write my music in peace and it’s really good you know so I love going to Brazil to play but that’s about it.

Now I think I already know the answer to this but I feel like I have to ask. Do you think there’s any kind of way that there will ever be any kind of Sepultura reunion with you. Even just a one-off live show or anything?

Probably not you know. I mean I don’t see it happening and I don’t really care much about it. I think the time has gone when it was exciting to do it was like ten years ago it would have been cool but not now. And we all moved on from everything. You know I got a lot of projects. I got Cavalera [Conspiracy], Killer Be Killed, Soulfly is doing great so I don’t really need it you know it’s like, kind of let it become a, kind of a cult thing as it was. You know when I was with them we did great stuff. The records were amazing and live shows were killer and a lot of that is captured on video and people can see it. We can not live it up to, um, not to ruin it because a lot of those reunions they’re not really good you know so it’s like why ruin something that was good? So I think it’s kind of better to leave it like that you know.

You know I feel lucky I actually got to see you guys on the Roots tour with Ozzy and Danzig out here in like ’96 or something. Well thanks so much for your time today Max. If you’ve got anything else you’d like to tell the fans out here in the Washington DC, Baltimore, Virginia area now’s your chance.

I’m really excited for the show. It’s going to be a great show. You know keep supporting metal and we’ll see everybody at the show. It’s going to be an amazing night. You know I can’t wait. Can’t wait at the Ottobar. It’s going to be a great, great night for metal and we’re going to try to play as hard as we can play. Try to give them the best show possible they can get.

Alright well thanks so much again for your time man. I’ll be seeing you on October 21st at the Ottobar with Soulfly. Thanks again Max.

Alright, thank you man.

Soulfly At The Ottobar on 21 October 2015

Review of Psychic Warfare by Clutch

Band: Clutch
Album: Psychic Warfare
Release Date: 2 October 2015
Record Label: Weathermaker Music
Buy CD ($9.79) or digital ($9.49) from: Amazon

Psychic Warfare by Clutch

Clutch has come a long way since their days on a major label. They show no signs of slowing down now that they release their albums through their own label, Weathermaker Music. DCHM writer Buzzo Jr breaks down the blue collar heroes’ latest call to arms in the following review of Psychic Warfare. Be sure to check out the music video at the end of this post.

For over 20 years Clutch has built up a dedicated cult following in the DMV area and beyond with their hard hitting brand of rock n roll. Now Maryland’s favorite band is back with their eleventh album Psychic Warfare, the much anticipated follow up to the immensely successful Earth Rocker from 2013. Like their previous album, Psychic Warfare is jam packed with high energy, blues driven stoner rock that’s begging to be played loud and is sure to get your head banging.

After a short intro track entitled “The Affidavit,” where frontman Neil Fallon’s deep voice asks the listener to take a seat and “Just start from the beginning,” the album gets off to a powerful start with “X-Ray Visions” which is filled to the brim with groovy riffs and hard hitting drum beats. The next track, “Firebirds,” is a song with an unbelievably catchy chorus aided in no small part by Neil Fallon’s fantastic vocals. Fallon is arguably one of the most charismatic and talented frontmen in music right now, with his deep, bellowing vocals and imaginative lyrics. His singing gives every song on the record its own sense of character; its own unique feel. Clutch start showing off their blues influences on the track “A Quick Death in Texas.” The blues laden riffs give off an undeniable ZZ Top vibe, but at the same time guitarist Tim Sult manages to inject his own style into the mix, perfectly blending melodic soloing with just enough grittiness in the riffs to ensure that at the end of the day it still sounds like a Clutch song. Tracks like “Sucker for the Witch” and “Your Love is Incarceration” has bassist Dan Maines utilizing his skills by laying down some infectiously funky bass lines that work in flawless unison with Sult’s guitar work. Fallon’s aforementioned lyricism is front and center during these two tracks, with great lines such as “It goes against my Catholic upbringing, I admit it, I’m a sucker for the witch!” or “As to the charges of gettin’ it down, Hey! Before the court, how do you plead? As to the charges that are laid before me: I confess, I am guilty in the first degree!” that are prime material for the crowds to chant along with the first time these tracks are played live.

The album comes to a slow interlude with “Doom Saloon;” an atmospheric instrumental reminiscent of the western inspired tunes on Earth’s album Hex; or Printing in the Infernal Method. The instrumental flows seamlessly into the beautiful “Our Lady of Electric Light.” The track is almost melancholy sounding with its slow tempos and clean melodies, and showcases Fallon’s vocal range by having him hold back his usual booming hollers in exchange for a reserved, southern croon. The tempo soon gets back into overdrive however with “Noble Savage.” Definitely the fastest song on “Psychic Warfare,” the track has the band playing at top speed with Fallon belting out lyrics like the life of his almighty beard depended on it, Sult letting solo after solo come loose, and Jean Paul Gaster beating his drum kit like it owes him money. JP’s drumming is the final piece of the puzzle that makes Clutch who they are. His drumming manages to work in influences from the area’s past music scenes such as the speedy kick pedal work found in the DC hardcore scene, and the simple yet effective beats found in gogo music. The next two tracks “Behold the Colossus” and “Decapitation Blues” continue on with the same great quality found on previous songs, with plenty of groovy riffs and foot stomping beats continuing to drive the album forward. Finally the stage is set for the closing track “Son of Virginia.” Clocking in at seven minutes in length, it’s their second longest track ever, surpassed only by the twelve minute “Dragonfly” from their Elephant Riders album which was released back in 1998. “Son of Virginia” is definitely what one would call an epic; starting out with a clean, southern tinged guitar line working in unison with Fallon’s ever so powerful voice that soon builds up into a tumultuous cascade of riffs and deep bluesy bellows, leaving us with the parting words of the album repeated as if it were a form of mantra: “Truly we are living in an age of wonder.”

While I think this album falls a bit short of Earth Rocker in terms of overall memorability, Clutch’s newest output is still one of the best records I’ve heard all year, from a local band or otherwise. Whether you’re already a fellow Clutch fan or this is your first time hearing about them, I highly recommend this to you either way. I can say with absolute certainty that I’m going to have Psychic Warfare playing on repeat for a good amount of time. And then probably Clutch’s entire discography. Pick up Psychic Warfare and turn up those speakers, because you’re in for a damn good time.

Goatsnake ticket give away

Goatsnake at the Black Cat

Metal fans are not going to want to miss Goatsnake when they make a rare East Coast appearance at the Black Cat on Wednesday, October 14th, 2015. We’re so excited for this show that we’re going to be giving away a free pair of tickets to this show to one of you loyal DC Heavy Metal readers! To enter: just leave a comment on this post telling me what your favorite stoner, doom or sludge metal band is. At 5pm EST this Friday, October 9th, a winner will be chosen at random (using Random.org) from all valid entries to receive two tickets to the show! Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win, or the contest is already over when you read this, then you can get tickets from right now for $15 from Ticket Fly here.

Goatsnake is from Los Angeles and features members of bands like The Obsessed and Sunn O))). Goatsnake have made a name for themselves with their blend of southern rock and doom metal and this summer they released their first album in 15 years, Black Age Blues, and it rips! They have a high energy live show but they rarely make it to the East Coast to play live so you don’t want to miss this rare chance to see them right here in Washington, DC, one of just three of their East Coast dates. Also on the bill is YDi (pronounced Why Die), a reformed old school hardcore band that started in Philadelphia in the 80s. The opener is Big ‡ Brave from Montreal, Canada, and they play a strange experimental style of metal. Now check out these videos of the bands playing the show and let me know what your favorite doom, sludge or stoner metal band is in the comments!

Goatsnake – Elevated Man

YDi – Black Dust

Big ‡ Brave – On The By – And – By And Thereon

Review of Ghost at the Fillmore Silver Spring

Ghost at the Fillmore Silver Spring

On Tuesday, September 22nd of 2015, Ghost kicked off the first show of their US tour when they played the Fillmore Silver Spring, coincidentally the same day that the pope arrived in Washington DC. The mysterious Swedish band is always a spectacle to see live with their elaborate unholy church theme. While their catchy songs are on the lighter side of the metal spectrum, their live show has always been the main attraction for this band.

The only opening act at this show was Purson, a London based psychedelic rock band. I only caught the end of their set (there was a huge line to get into the show) but I wasn’t too impressed by what I did hear. The music was fairly standard for the style and not really that interesting to me. Vocalist/guitarist Rosalie Cunningham was wearing an extremely low cut, skin tight catsuit that certainly got her lots of attention for anything but her music. I couldn’t help feeling like I’d just seen the same shtick when Lucifer opened for High On Fire and Pallbearer at the Baltimore Soundstage last month.

Ghost is known for their stage set up which resembles the inside of a cathedral complete with an imitation stained glass backdrop. The band is anonymous so they all wear masks to hide their identities, a gimmick that has led to much speculation about who the band members actually are. The instruments in Ghost are all played by the “Nameless Ghouls” who were wearing metallic masks with devil horns and no mouths. The vocals are handled by Papa Emeritus III, an unholy pope with a skull painted mask on his face, long papal robes with upside crosses adorning them, and even a mitre (what most people call a “pope hat”) with the band’s logo emblazoned on it.

Ghost played for about an hour and a half, but that time went by pretty quick since they are so entertaining. They played eight songs off their newest album, Meliora (see the entire set list here). The songs have kitschy but fun openly satanic lyrics for the most part, and the entire audience sang along for most of the entire show. The music itself isn’t anything revolutionary, it’s fairly simple and straightforward but they do have some cool riffs in there and Ghost is really catchy overall.

The performance can best be described as broken up into two halves, the first half had five songs from the first album Ghost album, Opus Eponymous, and was the typical unholy church mass you might expect. For some reason they started the show off with the song “Spirit,” the rather lackluster first track off of Meliora. An odd choice since just two songs later they played “Ritual,” a song which has one of the best openings to get a crowd into a show that a band could hope for. Even the second song they played, “From The Pinnacle To The Pit,” would have been a better opener. There was also a short drum solo in the first half of the set, which was ok I guess but to a metal head that has seen some absolutely incredible live drum solos over the years it wasn’t anything that wowed me. If you have seen Ghost prior to this tour then you probably knew what you were getting for the first half of the show.

The second half of the show was a bit different than the first, and caused some controversy among the band’s older fans. There were still plenty of songs from Meliora in this part of the set, but no more tunes from the debut were played. Several from the second album, Infestissumam, were performed in the second half of the show though. The really defining thing that separated the first and second halves of the show was when Papa Emeritus III changed costume. He ditched the robes and mitre and came out in a much more form fitting jacket that looked like something a naval commander in the days of wooden ships might wear. I can understand the idea of trying to update and evolve the character of Papa Emeritus to keep it from getting stale, but I think the execution here was a miss. An evil twist on a more traditionally religious costume might have gone over better and kept with the unholy church theme. Papa’s voice also seemed to have more trouble in the second half of the show, he missed a few notes here and there, though he tended to recover quite well. There was a cool section that featured two songs being played acoustically. I rather enjoyed this as I had to miss their recent acoustic performance at the Sound Garden in Baltimore. At one point the Nameless Ghoul on keyboard duty stepped into the spotlight for a brief keytar solo, which was a bit ridiculous yet seemed to fit right in with the campy Ghost performance. There was an encore which featured several songs, including “Ghuleh/Zombie Queen,” a highlight of the show, and even “If You Have Ghosts” a track off their covers album. The 19th and final song of the set was “Monstrance Clock,” a catchy song that had the entire audience singing along to the chorus.

In all the show was a lot of fun. The first half was a more traditional Ghost show while the second half was a more modern take, even if didn’t quite hit the mark at times. Still, it’s good to see the band trying new things to stay fresh and relevant in a time where music fans have such short attention spans. Ghost is still a great band to get the uninitiated into metal concerts because they’re just so much fun live and that’s something both new and old metal fans can agree on.

The following photos were all shot by Metal Nick at the show, the first of hopefully many collaborations between Metal Nick and Metal Chris!

Purson:

Purson at the Fillmore Silver Spring

Purson at the Fillmore Silver Spring

Purson at the Fillmore Silver Spring

Purson at the Fillmore Silver Spring

Purson at the Fillmore Silver Spring

Ghost:

Ghost at the Fillmore Silver Spring

Ghost at the Fillmore Silver Spring

Ghost at the Fillmore Silver Spring

Ghost at the Fillmore Silver Spring

Ghost at the Fillmore Silver Spring

Ghost at the Fillmore Silver Spring

Ghost at the Fillmore Silver Spring

Interview with Marty Friedman

Last week I was given the opportunity to interview Marty Friedman. Marty is probably best known for playing guitar in Megadeth through the 90s although since then he relocated to Japan and has played in many bands there since then, including his eponymous solo project. I asked him a lot about his latest solo record, his upcoming tour and even his time living in the DMV area, but unfortunately he didn’t want to talk much about Megadeth and quickly ended the interview when I started asking about it. So I didn’t get to ask everything I wanted to (including lots more non-Megadeth stuff too) but there’s still some interesting info in this eight minute interview and you can stream it by pressing the orange play button below, download it as an 18mb mp3 here, or read the transcription below. As usual, my words are in bold.

Hello this is Metal Chris from DCHeavyMetal.com and I’m talking to the legendary guitarist Marty Friedman via Skype from Japan right now. Marty released a solo album in 2014 titled Inferno and he’ll be kicking off his US tour in our area at the Baltimore Soundstage on September 9th. Now Marty, you have eleven solo albums to choose material from and songs from other bands as well that you’ve been in. So what kind of set list can fans expect to see on this tour?

It’s going to have a little bit of everything in there. Obviously it’s a lot of stuff to choose from. There’s only about two hours to play. I think we’re shooting for like a two hour show, give or take a few minutes either way but there’s going to be a lot of surprises, a lot of things that people don’t expect. The stuff that’s worked best live in the past and the stuff that I’ve been wanting to play from my new album Inferno is going to get the most air time during the concerts.

So can fans expect anything from your older bands like Cacophony or Megadeth or Metal Clone X or anything like that?

Hahaha. Um, Metal Clone X maybe. Yeah I wouldn’t expect anything from the other bands really. I’ve got twelve albums of solo stuff to choose from. Yeah I really wouldn’t expect stuff from other bands. It could happen but I wouldn’t go counting on it.

So are you going to have a vocalist for these shows on this tour?

No, but there might be vocals anyway.

So maybe a couple guests might come out or something?

That could happen. There could be guests. There could be a surprise vocal by myself or someone else from the band. [There is] going to be a lot of different things that you wouldn’t really expect but the main focus is probably going to be on overall adrenaline and overall, wow I can’t believe it was this intense you know, and kind of surprise. That’s the kind of reaction that I think we’re going to get.

Marty Friedman

In May of 2014 you released Inferno and that is your first solo album to be released in the US in I think a decade or so here. Is there a reason you didn’t release anything to us in the US here for so long?

Yeah I’ve been really pretty much tied up in Japan with my activities over here and I’ve released several albums here in Japan. It was just a, you know, too much… I didn’t have the time or ability to cultivate the world outside of Japan so much and to do stuff like that right you really have to spend a lot of time touring and doing press and stuff like that and there just wasn’t enough hours in the day because I was so incredibly busy in Japan with everything here that I couldn’t give the albums the, you know, cultivation that they deserved outside of Japan. And then Prosthetic Records came up with the idea of reissuing all of my Japan only albums in America and topping it off with a new worldwide release called Inferno. I thought that was a fantastic idea and it allowed me to reissue my old stuff, not really old but my stuff that was only in Japan, and also let people see what I’m doing exactly right now all around the world so I really have to thank Prosthetic for that.

So is this going to lead to more releases here in the West and more touring?

Definitely. Definitely. This first tour is really just to kind of get my feet wet and introduce my Japanese band to people in America and I think they’re going to think it’s super fresh. It’s really exciting and it’s different you know. I really don’t know what to expect from the audiences in America as I haven’t played there in forever. But that’s the whole thing you know. The album got wonderful attention in America. Fantastic reviews in places like Rolling Stone and Grammy.com and Billboard. Places that usually completely ignore anything I do. It seemed to be a good sign to take it to America and go on tour. We’re already talking about a second leg of this thing in America and we haven’t even started the first one yet so that’s a good sign. It’s my home country and especially Baltimore is my hometown so I’m really super excited to kick off the tour there.

Why exactly did you name the album Inferno? Are you a Dante fan or does it have some other meaning to you?

Haha. Actually I wanted to have kind of a cliché heavy metal title. I had the concept for the cover way before I really had finished all the music. I wanted people to know that it was a heavy record and I wanted a really super cliché heavy metal word. But I wanted the photo, or the graphics on the cover to be like really artistic and non-cliché. So I wanted that kind of a opposite contrast. I wanted a super, almost corny title, but you know it’s metal. But I wanted to have the front cover, the whole entire cover, look like a gorgeous piece of art. Not a terribly typical heavy metal cover at all. That’s kind of where the title came from.

Cover of Inferno by Marty Friedman

Now like you said before, you used to live in this area. You lived in Laurel, Maryland then I think right?

That’s right. Yep, Laurel.

So when exactly was that and were you in any local metal bands here or anything?

Yeah I grew up in Laurel all the way through my teens and I was in a band called Deuce. We were uh, I don’t know if you’d call it metal but maybe metal, punk, rock and roll. And we played in the area. We played as far as New York and Delaware and Virginia and DC and all that kind of stuff. Really intense, kind of punk, kind of metal.

So did you ever go to Hammerjacks or some of the other venues around here back then?

Where did we play? We played at Louie’s Rock City. Is that even still there?

No. Most of the older venues are gone. 9:30 Club is still around.

We didn’t play there.

Black Cat, but a lot of the older ones they’ve gone under or moved or whatever. There’s new ones that have taken a lot of their places too.

Yeah, I really wouldn’t… it’s been a while man, it’s been a while. But it was absolutely great times and a lot of the guys from the band are hopefully going to be at this Baltimore show and we’re going to have a good time.

So why did you end up leaving the area?

My dad got transferred. His job got transferred to Hawaii. And which I loved going to Hawaii but it sucked leaving my band and it sucks for music in Hawaii so it was a double edged sword type of thing.

At some point though you ended up out in the San Francisco Bay Area or something right?

Right, that’s right.

Is that when you started Cacophony?

Yeah that’s where we put that together.

Cool, cool. Now how did you end up going from Cacophony to Megadeth? They were a fairly obscure band, to a much bigger name band?

Yeah you know what we’re going to, we’re going to have to like end this interview really quickly because the next one is up so if you have like one last final question you want to ask I can get to that but the next one is already on the line here so I’m already holding him on.

Marty Friedman at the Baltimore Soundstage

Alright I was told I had 15 minutes but alright um… why did you decide to move to Japan?

The Japan thing happened completely because I just got way into Japanese domestic music, or J-pop so to speak, which sounds like pop but it really includes rock and metal and dance music and electro music and everything. I just started listening to it 100% of the time and I’m like, you know this is where I want to make music so it was really that simple.

Alright now are there any songs or albums in your career that you would say that you’re the most proud of?

Definitely Inferno. I mean, hey it’s a common question but like if you can’t say your most recent album, if you have to say well I like my first album or my third album the best then you’re doing something wrong. Of course I like everything I’ve done but you know I wouldn’t bother releasing something if I didn’t think it was the best I could possibly do ever so I would have to say Inferno and we’ll play a lot of that at the show in Baltimore.

Cool. Well is there anything else you’d like to say to your metal fans in the DC/Baltimore, Maryland area?

I can’t wait to see what [the] DC/Baltimore area is like now. I haven’t been there in a long time and that’s where I grew up so I can’t wait to get back.

We’ve got a lot of metal heads and I know a lot of people are excited for this show.

Thank you very much. It’s so nice talking to you Chris.

Alright, thank you so much for your time.

Cool, take care.

Ghost ticket give away

Ghost at the Fillmore Silver Spring

Papa Emeritus and his band of Nameless Ghouls will be playing at the Fillmore Silver Spring on Tuesday, September 22nd as Ghost returns to the DC area. This week we’re giving away a pair of tickets to this show to get you as excited about this show as we are! To enter: leave a comment on this post telling me what your favorite Ghost song is. If you need help you can find their discography listed here. At 5pm EST this Friday, September 4th, a winner will be chosen at random (using Random.org) from all valid entries to receive two tickets to the show! Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win, or the contest is already over when you read this, then you can get tickets from right now for $33 from Live Nation here.

The anonymous Swedes of Ghost have their true identities shrouded in mystery but one thing is for sure, they know how to put on a killer live show. From their costumes, stage backdrops and lighting to their super catchy riffs and chorus lines Ghost is quite the musical spectacle to behold. They’ll also be playing with Purson, a psychedelic band from London, who should be great at setting the stage for Ghost. Now check out these killer tunes by Ghost and Purson and tell me what your favorite Ghost song is in the comments!

Ghost – Cirice

Ghost – Year Zero

Purson – The Contract