Review of The Sword gig at the 9:30 Club

Monday the 6th of December 2010 was a damn cold night, but not cold enough to keep me from going to see The Sword play at the 9:30 Club. It is Washington DC’s most well known non-seated music venue, and also the largest. They don’t get a whole lot of metal bands there, so when they do I usually try to get to the show. This concert was different than any I’d been to before at the 9:30 Club because I had been given a photo pass by the band. This meant I could get up in front of the audience and shoot pics with my “pro” camera, so I really spent a lot of the show focused on that. That’s not to say I wasn’t paying attention to the band, but I just wanted to get that out there as it changed my perspective of the concert a bit, and I generally try to write these reviews from the point of view of the average person in the audience, not some guy with special access or whatever. The show was a lot of fun, and it was cool getting a chance to test out a lot of the settings on my camera. I think I got some really great pictures, and while I see lots of room for improvement, I’m still proud of how some of them came out. Anyways, on to how the show went…

I missed the opening band Mount Carmel though I heard they were a bluesy band. When I walked in Karma To Burn was playing their first song. These guys are from West Virginia and I’ve heard a few of their albums. Mostly instrumental metal, and that’s great to me because I’m a fan of instrumental metal bands. They’re a very groove based sort of doomy or stoner band, and I’d say they are pretty similar in sound to Pelican. They did play several songs with lyrics, though I’m not familiar enough with the band to give you a set list or song titles. They put on a good show with some fun songs, they were a really good choice for a support act, really helped warm up the crowd. I shot a few pics of them from the second level, but apparently my photo pass didn’t allow me to shoot any video and I was told to stop after having captured just one song. This also means I have no video of the headliner, a first on this blog, sorry! I await the day that all bands stop telling their paying fans they can’t make their own pics or videos at concerts. People aren’t bootlegging/stealing from you, we’re trying to have something to remember the experience with, and share them with our friends. Hell, I’m trying to use them for the purposes of a review, which is promotion at best and fair use at worst. Well, before this turns into a rant, I’ll start talking about the Sword.

The Sword is a doom metal band from Austin, Texas. Their sound is almost 70’s rock-ish with fantasy, and on their latest album, science fiction themed lyrics. You’d almost think this band spawned straight from a Frank Frazetta painting. They have caused a bit of a stir among music critics, some praising their classic style of metal with it’s epic heavy riffs and crushing grooves, while others say they’re basically reinventing the wheel and haven’t really done anything to deserve all the attention. I’d never seen them live before, and while I like their music, and their latest album, Warp Riders, has really grown on me, I wouldn’t say I absolutely love their studio work. That said, I really enjoyed their live show, much more than the studio material. Maybe it’s just the studio producer they’ve got, but the songs really came alive on stage in comparison. You could tell the band was glad to be playing and having a blast up on stage, and the songs just seemed to have an extra energy that seemed to be lacking in the studio. While I was there to take pics, sometimes I just had to put the camera down and headbang to some of those tunes. The setlist was very heavy on Warp Riders material, they played eight of the ten songs on it, though they didn’t play the song “Lawless Lands.” I find that odd since they just released a music video for that song (see it at the bottom of this post). I really liked how the song “Night City” sounded live, and their encore performance of “Winter’s Wolves” was fantastic, a perfect way to end the show. The new drummer, Kevin Fender, did a great job executing, especially considering how short he’s been playing with the band. In case you didn’t know, this concert was supposed to happen back in October but the old drummer abruptly quit and the tour had to be rescheduled. Also, this was the first concert I held a ticket give away for on the site (here), and I hope the winner Matt had a blast! It did so well I’ll be holding another contest with free tickets for the Gwar concert coming up on December 29th, also at the 9:30 Club. I’ll have a post with details about that up soon, so check back in a few days. Now, here’s the one Karma To Burn video I managed to get before I was told to stop shooting video, followed by the Sword’s official video for “Lawless Lands.” If that’s not enough you can check out some more of my pics of the Sword on Flickr here. Enjoy!

Review of Ozzy Osbourne gig at 1st Mariner Arena

So Monday the 29th of November 2010 started off pretty normally for me, normal routine of going to work and all. I’d just seen Psycroptic and Keep Of Kalessin play Jaxx the night before, so I had a review to work on (you can read that here) but otherwise it was a normal day. Then my girlfriend called me to tell me she’d gotten me an early Xmas present, a 10th row ticket to see Ozzy that night at Baltimore’s 1st Mariner Arena! Well the work day couldn’t go by fast enough at that point. The venue actually granted me a photo pass for Rob Halford‘s set (the opening act) but Ozzy’s people wouldn’t give me one. It didn’t really matter as I didn’t have my nice camera with me at work and I couldn’t make it to the venue early enough if I went home to get it. I did get to the venue around 8pm and I had been told Ozzy would hit the stage at 8:45 so instead of going through security to buy an expensive dinner, I hit up a little deli across the street. I got myself a pastrami sandwich, cheaper and better than anything inside the arena I’m sure, and headed into the venue. After sneaking my camera through security I headed to my seat. And again for the second time now at 1st Mariner Arena, the second I got to my seat I looked up at the stage and right then Ozzy came out to start the concert. Perfect timing again! The first time this happened was when I saw Slayer and Megadeth there in October and you can read my review of that here.

Since I completely missed Rob Halford’s set I won’t comment on that. I wasn’t too upset though since I’m not much of a Judas Priest fan anyways. I am, however, a huge Black Sabbath and Ozzy fan. The reason I’m such a huge metal head has a lot to do with Black Sabbath and the fact that I even run this website does too. That said, I know he’s past his prime, but that doesn’t mean I didn’t love every second of this concert. The last time I saw Ozzy was almost three years ago in January 2008 at the Verizon Center. That wasn’t the greatest show, he had been sick and it was a short set and they all seemed to be just going through the motions. This concert fully made up for it though! This was the first time I have gotten to see the new guitarist, Gus G, play live with Ozzy, and the band definitely seemed more energized than when I saw them in 2008. Gug G did a great job of playing songs by each of his four main predecessors, Tony Iommi, Randy Rhodes, Jake E. Lee and Zakk Wylde, and they played one of his own songs, Let Me Hear You Scream, too. I have video of him playing songs by each of these guys from this concert posted below so you can see how he handles them, so check them out at the end of the post. There was also a second guitarist on some songs, I think mostly the Black Sabbath songs really. This was actually the keyboardist Adam Wakeman, who also has played with Black Sabbath. He didn’t have any guitar solos and only played rhythm guitar and stayed out of the spotlight for most of the show. Ozzy’s voice started out a bit rough this show, but after his voiced dropped out a couple of times early on, he seemed to get it together and mostly stay on track for the rest of the show. He was entertaining as always, and he brought out his big foam-shooting hose several times throughout the night to spray the audience as well as himself. He really seemed to have a lot of energy up there, much more than the last time I saw him. There were a lot of loud booming fireworks and a sort of fire-rain pyrotechnics thing at the beginning of Mr. Crowley. All of this showed why after 40 years Ozzy is still headlining arenas, his shows are always over the top.

The setlist focused mostly on what are probably the two most popular albums of Ozzy’s career, Paranoid by Black Sabbath and Blizzard Of Ozz, his first solo record. The only Randy Rhodes era songs were from Blizzard, and they played the staples Mr. Crowley, Suicide Solution, Crazy Train and I Don’t Know. The only Black Sabbath songs played were all from Paranoid, and they of course played Iron Man, War Pigs, Paranoid as well as Fairies Wear Boots and they even incorporated the instrumental Rat Salad in the band solos. That was actually pretty damn awesome. They started it off as a sort of all band jam doing Rat Salad that morphed into a killer guitar solo by Gus G. He didn’t play with his teeth or behind his head like Zakk did the last time I saw Ozzy, but it was nice to hear a different style of guitarist up there shredding (and none of those pig squeal things Zakk does every fucking 5 seconds). They went back into a full band jam for a brief bit, before drummer Tommy Clufetos started on a pretty crazy drum solo of his own. They raised the platform the drums were on and his extended solo was pretty damn impressive, and included a bit of audience participation and fireworks too, which was all pretty cool. I had actually seen him do a big drum solo like this at the last Ozzy show I saw, but he was playing with the opener Rob Zombie then. The whole solo wrapped up as the band finally finished their rendition of Rat Salad. That was such a fresh take on that song, and was really one of the most fun solo/jam sessions I’ve seen at an Ozzy show since I saw Joe Holmes do a crazy guitar solo based around Symptom Of The Universe in the 90s. Hell, this might have been better than that actually. Anyways, I wasn’t missing Zakk Wylde at this point, and I’m not sure if he meant it that way or not, but Ozzy didn’t seem to be either when he stated between songs that the old material was the best! They did play a few Zakk songs, most notably the track Fire In The Sky from No Rest For The Wicked in 1988. The crowd seemed bewildered when he played this, I don’t think most people there knew this song at all. I got video of it though as I knew how rare this was for him to play, and you can see most people just sorta standing around like zombies. I don’t think that song has been in the live rotation for almost 20 years, so that was something pretty cool for the Ozzy die hard fans out there, instead of just playing all hits.

In all I had a great fucking time. The show was fantastic, 100 times better than the last really, and he played for the better part of 2 hours. Getting to see Ozzy is always a concert highlight of the year for me, and this was really one of the best shows I’ve seen him do in a very long time. I did like Zakk but I very much welcome the new guitarist, Gus G, to the fold and really I can’t wait to see them play again. Well, thanks for reading this whole thing. And don’t forget I’ve got a contest going on right now to give away a pair of tickets to see The Sword at the 9:30 Club on Monday, the 6th of December 2010. Go here to enter to win. You don’t have to sign up for anything to do it. Once you’re done with that check out the videos below that I shot from the floor, some of my best video footage yet (they even posted my video of Fairies Wear Boots to the official Ozzy Facebook and Twitter pages!). I’m really glad the venue wasn’t strict about using cameras down there. I recommend checking out my video for War Pigs as that should give you a good idea of my view at the concert. Enjoy!

Review of Psycroptic gig at Jaxx

While many people are returning home on the Sunday night following Thanksgiving, I found myself heading down to Jaxx again on the 28th of November 2010. Psycroptic and Keep Of Kalessin, the opening bands on Nile and Ex Deo‘s fall tour were playing a few extra shows without the headliners, and this was the date they came through the area. It wasn’t a long show, only four bands played, and it ended early at around 10pm. Pathology was supposed to be part of the touring line up, but they were involved in a major accident in November (more details here) that ended all touring plans for them. There wasn’t a huge crowd for this show, but that was sort of to be expected. It was still a lot of fun and I finally got to see Psycroptic play live.

The first band to play was local death metal act Orgy Of The Damned. I had seen them play before at the Blood And Fire Festival back in July. They’re still really young, most of the guys had black Xs on their hands. That’s fine though, as again their youthful excitement for the music comes through as a big plus in their set. They played Reanimator which was pretty fun to see live. It’s one of the songs they are giving away for free on my download page if you want to check it out. They also played a cover of the Cannibal Corpse classic Hammer Smashed Face that was pretty cool. In another cue taken from Cannibal Corpse, at the end of their set the vocalist, Jeff Wright, said he “lied” about them not playing Feces Fiend and they closed with that song. The next band up was another local act, Trihexyn. They’re pretty good, just not my kind of metal really. I knew what to expect since I’d seen them before at the State Theatre as part of the second Mandatory Metal night there. They rely heavily on using clean vocals which is something I generally am not a fan of (there are exceptions of course). They are pretty good and have well written songs that they play pretty well so don’t get me wrong here, I’m just not their target audience. They do switch to a more rough vocal style for some parts, and I do find that to be more enjoyable, but I seemed to be in the minority about a few things this evening anyways. Also, the bass player had pink hair, which was a bit weird too but hey metal isn’t supposed to be about fashion anyways (don’t tell that to Cradle Of Filth though!). I’ve got a video of them below so check them out, maybe you’ll like them more than I do.

The next band to play was Norway’s black metal band Keep Of Kalessin. I really didn’t like their newest album, Reptilian, and sadly (for me) their set was mostly made of material from it. It’s all about dragons which wouldn’t be so bad except there’s a lot of that clean vocal singing going on again. So yeah, I’ve become that fan of theirs, the guy who likes only the old stuff. I seemed to be in the minority about that because the audience was reacting well to their performance. And they did play Crown Of The Kings, which is one of their older songs that is totally awesome, but they didn’t play Come Damnation, which is my favorite song of theirs. Their set was only about 40 minutes or so, so I guess they were just doing the same basic set list of songs from their Nile tour, mostly just supporting their new album. I thought they would have played a bit longer, and while I figured they’d play a good amount of their newer material, I also thought they’d play some older stuff since they had the chance to play a longer set. They closed with Kolossus which is a solid song, so overall it wasn’t bad, just not my favorite material for most of the set.

The final band of the night was Psycroptic coming all the way from Tasmania. I’ve wanted to catch them for a long time, as they’re probably my favorite technical death metal band these days (Decrepit Birth is up there too though) and I’ve waited a few years now to catch them live. I didn’t see them earlier this year at Sonar with Nile because I knew this show was coming up and I’d rather go to the closer venue, for less money when they headline. They did play an awesome set, though again it was short. I enjoyed the show a lot and got so caught up with it that when it ended I was kinda mad I’d only shot video of two songs! For me the highlight of the evening was when they played (Ob)Servant, which is just a kick ass metal song. Really, all the songs they played are pretty damn sick. It was like they were putting on a tutorial how you do tech death! I was hoping that since they were headlining they’d play a longer set but they didn’t really. They didn’t play The Colour Of Sleep nor Alpha Breed, two of my favorite songs of theirs. Same as with Keep Of Kalessin, I really wished they’d taken advantage of the headlining slot to play a longer set and included more older material. Their vocalist was a temporary fill in on this tour while their normal singer was staying home to be with his newborn. He did a decent job, his stage presence wasn’t bad and he had a hell of a lot of energy up there, literally jumping around and helping to keep the audience excited. Really though, nobody goes to see Psycroptic because of the vocals, their guitar work is crazy and the drummer is pretty damn tight too. They didn’t have a huge crowd and Keep Of Kalessin seemed to have a larger audience when they played. That didn’t matter to me, I was there to finally see Psycroptic play, and other than the set being so damn short, they didn’t disappoint at all. And I’ve got the videos below to prove it, check em out:

The Sword ticket give away

The fantasy themed doom metal band The Sword is coming to the 9:30 Club on Monday, the 6th of December (yes, that’s this coming Monday). The folks at the 9:30 Club have awesomely decided to let me give away a pair of tickets to this concert to one lucky DCHeavyMetal.com fan! Will it be you? All you have to do is leave a comment on this post below that tells me what your favorite metal concert at the 9:30 Club was and why. If you haven’t been to a metal gig at the 9:30 Club before, then tell me why you’re excited to see the Sword there. Be sure to use a valid email that you check regularly when you post your comment as that is what I will use to contact the winner (you don’t have to put your email in the comment itself though).

I’ll pick one lucky winner at random from all the valid entries at 11:59pm on Friday night (Dec 3rd) to win the pair of tickets. Multiple entries will be disqualified, so don’t be a dick. I’ll know if you’re using multiple email accounts! If I haven’t gotten a response back from the winner within 24 hours, I will pick another winner Saturday night at 11:59pm. Note that this concert is at the 9:30 Club in Washington, DC so if you cannot make it to the show there Monday night please don’t enter. Also of note, I will not add your email address to any mailing list or sell it to junk mail spammers or anything annoying like that. I hate that shit too. I just need it to get in contact with the winner.

The Sword at the 9:30 ClubThis concert was originally scheduled for Oct 20th as part of the tour supporting their new album, Warp Riders. The tour was abruptly halted when their drummer suddenly quit the band, but a new drummer, Kevin Fender, has joined the Sword and the tour has been rescheduled. Tickets from the previous date will still be honored. Also appearing is West Virginia instrumental metal band Karma To Burn and openers Mount Carmel from Ohio. Tickets are available from Ticket Fly here for $20 ($28.75 after fees) and the doors will open at 7pm. Please help spread the word about this contest, I’d like to give as many people as possible a chance to win. Now check out this video the Sword just released for their song Lawless Lands:

UPDATE: Congratulations to 7th commenter Matt! I used the website Random.org to generate a random winner from the 17 commenters below, and he was the lucky winner. I have already contacted him and he has responded with his info so there will be no Saturday night drawing. Don’t worry though, you can still get tickets to this show here. And keep reading DCHeavyMetal.com because I’ll be holding another contest soon that will be giving away a pair of tickets to see Gwar at the 9:30 Club on December 29th. It was a blast reading all the great stories you guys have of metal shows at the 9:30 Club, thanks to everyone who shared one!

Review of Cannibal Corpse gig at the Rock And Roll Hotel

This tour had, without a doubt, the best death metal line up of any North American tour this year. Devourment opening for Vital Remains, local favorites Dying Fetus and the kings of death metal themselves, Cannibal Corpse. On Sunday the 21st of November they all brought their combined brutality to the Rock And Roll Hotel in Washington, DC (you thought I was going to say Jaxx, didn’t you?) and aurally assaulted this venue like never before. Now I’ve seen a few metal shows at the Rock & Roll Hotel before, but they have not had any death metal, and what a great tour to bring in for their first extreme metal show at the venue! They didn’t have any local support, but luckily I’d just gone to see a great set of local death metal the night before at Jaxx, (my review of that show is here) so it was sort of like the openers played the night before.

When I first got to the venue, Devourment was already playing. I’m not sure how long they played but I saw them play four songs. There was already a good size crowd amassing so I stayed to the back of the room near the soundboard so that I wouldn’t damage my nice camera (they wouldn’t let me use it so I had to store it during the other bands’ sets). Because of all this I wasn’t in a great place to get video or still shots of these guys. They had the crowd already going though when I got there, and between every song I saw, and also in the middle of half of their songs, the lead singer, Mike Majewski, would instruct the crowd to mosh in a circle pit. The set seemed to focus on older material, I remember them playing “Choking On Bile” as well as closing with “Babykiller.” This was kind of odd though, since the band is hardly the band it used to be. “Choking On Bile” is from the band’s first full length, Molesting The Decapitated. That album totally rules, don’t get me wrong, and if you want to hear some of the best underground death metal there is, check that album out. But the band playing this night only had one member remaining from back then, the bass player, and he was now on vocals! This and the fact that Devourment will also be playing again in May at Maryland Deathfest (much more info about that on my calendar here) made me not so upset about missing some of their set this night. Also, their guitarist put on a white horse head mask for the final song, I have no idea why.

The next band to play was Vital Remains. No, Deicide‘s Glen Benton was not playing with them, though their bass player was wearing a Stench Of Redemption shirt. I’d put my DSLR away and had my point and shoot camera ready and was standing in the front by the time they took the stage. The vocalist, Scott Wily, had on these spiked Immortal-esque bracers and was again telling people to keep a circle pit going. Ok, really? I remember thinking how dumb it was watching hardcore kids do laps in circle pits, why are these death metal bands encouraging this instead of straight up brutal mosh pits? Whatever, it was all to my back for the most part anyways. They did play a great set made up mostly of material from their two most recent albums, Icons Of Evil and Dechristianize. That’s fine by me, even though I often want bands to play older songs I’ve always enjoyed their more recent material as I think they really refined and defined their sound. Plus it’s fucking faster than their old stuff, and trust me they don’t slow it down live. Most of the people near me seemed to know most of the words to “Dechristianize” and were screaming along with it, which goes to show the power of getting an iconic vocalist like Benton on those studio albums. Of course with their long songs, their set seemed to fly by and since there were still two more bands to play their set was shorter than I’d have liked. They also didn’t play the song “Shrapnel Embedded Flesh” (a personal favorite of mine) but other than those two minor gripes they really did a kick ass job of taking the brutality up a notch.

The next band set to play was Dying Fetus. Now, before I make my next statement here, let me first say that I haven’t seen them in quite a few years and that might have something to do with my opinion on the matter. That said, Dying Fetus fucking killed it this show and really, I think they showed up Cannibal Corpse. Their setlist was great from start to finish, and while their stage time was shorter they didn’t talk a lot between songs. For the most part they just played some brutal fucking death metal, of course with all those grind elements and breakdowns their sound is known for. Dying Fetus is from the DC suburbs of Maryland and I don’t know if that was the reason why, but they did play a lot of older material, including two songs off of the Killing On Adrenaline album, which was awesome. Some of these songs I hadn’t even listened to in years and I really enjoyed remembering them as they played songs from their entire back catalog. They even played the song “Eviscerated Offspring” from their 1994 demo! The mosh pit went crazy, combining brutal death metal with catchy breakdowns will do that, haha. There are a lot of bands who do that now of course, to the point it can get really annoying really quickly, but after seeing this gig there is no question in my mind that Dying Fetus are still the best at it. They opened with “Praise The Lord (Opium Of The Masses)” which really set the tone of the show from the start, and the intensity didn’t let up until they finished their set with “Kill Your Mother, Rape Your Dog.” In all, it was a great performance by one of the leaders in death metal.

Finally it was time for the headliner, Cannibal Corpse. They played the area not too long ago, when they came to Jaxx back in April (my review of that is here) and this concert wasn’t a whole lot different really. There are some things you can expect at a Cannibal Corpse show these days, brutal music is one of them of course. But you also know that when their vocalist, George “Corpsegrinder” Fisher says the next song goes out to all the women in the audience, they’re going to play “Preacher Of Sodom” (it used to be “Fucked With A Knife” but that song doesn’t seem to be part of their set list any more) and you know when he says Hammer Smashed Face is their last song of the night, after it’s done he’s going to say he lied about it being the final song as they start playing “Stripped, Raped And Strangled.” This show had all that of course, but there were a few surprises. For one, they played the song “Gutted” off of Butchered At Birth, and Corpsegrinder said that he grew up in Baltimore so the show was a sort of coming home and he reminisced about coming to see concerts at the 9:30 Club and the like and he said the Rock N Roll Hotel had a similar feeling to those places back then. He also challenged the audience to keep up with his extreme headbanging during the song “I Cum Blood,” and I’ve got video of that below you can watch. A few touches like those aside, the show was fairly typical for Cannibal Corpse, and while I’ve seen them play a hell of a lot of times, you could tell by all the X’s I saw on people’s hands that many of those in attendance probably hadn’t seen them before and the aspects of the show I see as becoming a pattern were all new to them. The venue was pretty packed and I saw the guy in the full body chicken suit in the mosh pit (hadn’t seen him around in a couple years!) as well as a guy in a V For Vendetta style Guy Fawkes mask. Yeah, Cannibal Corpse draws an odd crowd. Their set was intense and sweaty and brutal as always, and it was a lot of fun. And I know I’ve seen them play at least 10 times before, but I’ll never get tired of watching Cannibal Corpse play “Hammer Smashed Face” and “Stripped Raped And Strangled” back to back while standing two feet in front of me. Those are two of the most iconic death metal songs ever written and essentially define the band, if not the death metal genre itself.

At this concert I could tell the District is hungry for more metal and several people asked me about my site after seeing the logo on my shirt, all basically saying the city needed something like that. Even the manager of the venue told me he’d be interested in having a regular metal night there. I sure as hell would like to see something like that happen. Even though the bands were crammed on the stage, this was a great show to bring death metal back into the city with. I know a lot of the people there won’t head out to places in the suburbs like Jaxx for concerts a lot due to transportation and other issues. It was another good turn out, reinforcing the fact that heavy metal is on the rise in the entire area, not just the suburbs. It was also my second great death metal concert in a row, what more can you ask for? Now check out the videos I shot of the final three bands below.

Review of Loculus gig at Jaxx

Ashburn, Virginia based Loculus headlined a local metal night with openers Above The Altar and Apothys at Jaxx on Saturday the 20th of November 2010 and it was pretty damn awesome. This was the release party show for Loculus’ new EP, Sinew, which they were giving away copies of for free to everyone in attendance. Not only that, but it was a great showing of the local death metal community. There was a great turn out for such a late show with no national headliner and hell, I’ve been to Jaxx plenty of times to see touring bands with far less people in attendance. I’d never been to one of these “late” shows at Jaxx before, where they have one concert going on earlier in the afternoon/evening and another later that night, and this one seemed a bit disorganized, though that was no fault of the bands involved. Apparently the earlier show got out late, and while the first band of the late show was supposed to go on at 10:30, they didn’t hit the stage until 11:30. I talked to a few members of the bands playing after I got there and they not only had no idea when their sets would start, they didn’t even know how long they would be allowed to play if at all! Though once the bands did start playing, the show really was worth the wait.

By the time Apothys hit the stage you could tell the crowd was starting to get restless. Originally the band Shotgun Surgery was supposed to play, but they had to cancel and were replaced on the bill by Apothys a week or two before the concert. Apothys always seems to put on a good show live and this time was no exception. They kept the crowd fired up the entire set and the band looked like they were having as much fun up there as anyone in attendance. I noticed that they didn’t play Of Writhing Eyes, a killer song which they have been closing shows with the last couple of times I have seen them. I wonder if that was due to time constraints because the show was running so late. I had just seen them the previous Monday at So Addictive (my review of that concert is here) and while that show was kind of cool for it’s lack of a stage so the band really mingled with the audience, it was nice to see them up on a proper stage with decent lighting again. Sadly the camera I shoot video with had its SD card take a shit and the video I took of them playing Terminus at this show has some error that makes the file unplayable. I didn’t know this until I got home that night and the card also lost one of the videos I shot of the headliner, Loculus. Sucks but what can ya do?

The next band to play, Above The Altar, is a death metal band from Loudon with a lot of thrashy elements and even a few breakdowns giving them a sort of ‘core element to their sound. I had never seen them play before, but they were a good addition to the night’s line up, putting a bit of variation (but not too much) between the two other more standard death metal bands in the line up. Their songs were pretty well put together though they didn’t really grab me too much. Maybe if I was familiar with some of their material beforehand I’d have been a bit more into it. Their lead singer, Toby Gomez, was pretty entertaining with his banter between songs and he helped to keep the mood light between the heavy songs. By the time they ended their set it was getting late though and I was wondering how much time the headliner would have to play.

The next band to hit the stage was Loclus and it was already after 1am when they started playing! They had a big, professional banner with their logo and some artwork up behind the stage that must have cost a bit of money to have made. It was pretty cool looking though. Their guitarist, Steve Miller, had given me their demo a few months back that I really enjoyed, but I still hadn’t had a chance to catch them live yet. I’m glad I made it to this one as they were really on fire. You can tell they had put a lot of work into getting this show together and when they hit the stage it really paid off! They took the stage and really played a no-nonsense very tight set. This was some fast, brutal death metal and Loculus really killed it on the stage here. They were well practiced and they executed their material very well (from what I could tell at least). The drums were pummeling, the guitars were furious and the vocals were out of control. They didn’t talk much between songs, I’d guess that was partially due to the fact that time was becoming an issue this night. However, they did pause at one point to tell everyone to pick up a free copy of the four song EP they were releasing. The mosh pit was going strong the whole set and I think everyone in the room could feel the intensity of their performance. The worst part was that it was so short, they only played five songs, though I think if it was any longer they’d have run out of time for the venue to be open.

It was a great show, and while it wasn’t the first for Loculus it had a sort of debut feeling to it. If you were there and didn’t get a copy of Sinew for some reason, the band has said you can bring your ticket stub to their next concert (date and venue still to be determined as of this post’s writing) and they’ll give you a copy. It was great to see so many people come crawling out of the woodwork to a late gig for local death metal acts. It sort of reminded me of that first State Theatre metal show (my review of that is here) back in August where it was also cool to see how many people came out in support. These kinds of concerts, plus the Blood & Fire Fest, various weekly and monthly metal gigs starting at venues around the area, and the willingness of more and more local venues to host metal concerts are showing this scene really start to come together! I’m glad so many people came out, and glad Loculus not only set this show up, but really killed it Saturday night when everyone was watching to show people this isn’t all just hype. Metal in the greater DC area is on the rise! Now check out the videos from the night that my SD card didn’t corrupt below, and be sure to check back later in the week for my review of Sunday night’s Dying Fetus and Cannibal Corpse as well as the re-opening (finally) of the Downloads page on the site that will have free mp3 downloads of over 20 different local metal bands of various sub-genres.