Mayhem ticket give away

Mayhem at Baltimore Soundstage

Thanksgiving has come and gone and the holiday season is officially upon us. That means it’s the perfect time for a church burning ticket give away! Let the notorious Norwegian black metal legends Mayhem darken your holidays this Friday, December 1st, when they play the Baltimore Soundstage with Immolation and Black Anvil. We know you’ve got presents to buy on top of bills to pay so we’re going to give away a free pair of tickets to this show to one of you lucky readers. To enter: just leave a comment on this post telling me what your favorite black metal song is. Then this Wednesday, Nov 29th at 5pm EST the contest will close and a winner will be chosen at random (using Random.org) from all valid entries. Be sure to enter using an email address you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $23 here.

Mayhem is one of the original bands from the infamous second wave of black metal that arose out of Norway in the early 90s. On this tour they’ll be performing their classic 1994 album De Mysteriis Dom Sathanas in its entirety along with some of their other songs too. Also performing will be Immolation, a death metal band from New York that has managed to keep their sound intense without getting stale over the 30 years of their existence. New York City based black thrashers Black Anvil will open the show. Now check out these videos from the bands performing and let me know your favorite black metal song in the comments!

Mayhem – Freezing Moon (live)

Immolation – Fostering The Divide

Black Anvil – May Her Wrath Be Just

Interview with Abbath

On Tuesday, March 8th of 2016, I was given the chance to interview the legendary Norwegian black metal musician Abbath to help promote his upcoming show in Baltimore. We covered that and so much more in this over 14 minute long interview. Despite his grim appearance he is actually a quite humorous person, though the interview is rather, dare I say, touching, at points. I have been sick all week and my voice is rather flat in much of this interview, but I think the questions were strong enough for you all to get a better idea of the man behind the corpse paint. You can stream the interview below by clicking the orange play button, or you can download it as a 32.63mb mp3 for free here and of course you can read the full transcription below (my words are in bold).

Photo of Abbath by Ester Segarra

Photo of Abbath by Ester Segarra

This is Metal Chris of DCHeavyMetal.com and today I’m speaking with Abbath via Skype all the way from his kingdom cold in Norway. Abbath is probably best known for his time in the Norwegian black metal band Immortal but in January he released an eponymous solo album on Season Of Mist records. Abbath, the band, will be headlining the Decibel Tour with High On Fire, Skeletonwitch and Tribulation also performing. The tour kicks off on St. Patrick’s Day, Thursday, March 17th at the Baltimore Soundstage [tickets available here]. Now to get things started here, am I pronouncing your name correctly?

It’s Abbath [Ah-Baht].

So where exactly did you get the name from? How did you choose the name?

I didn’t choose it, the name chose me. It just appeared in my head.

So what kind of set can fans expect on this tour? Will you be performing any songs from your past bands or all new material?

Not my past bands but my past band, yeah, Immortal, yeah. We’re also going to play a song from the I album, Between Two Worlds album. Yeah and there’s going to be like maybe four Immortal songs and one I song and the rest is going to be new songs.

Now American Gabe Seeber has joined your band as Creature the drummer. How did you find him and how did he end up joining Abbath?

The mighty Creature Gabe yeah. We met this guy in Australia, Brisbane was it? He was an excellent drummer and after the tour Kevin [Foley, original Abbath drummer] left and this guys he told us about Gabriel and he’s just fantastic. He’s just amazing you know. I’m going to meet him in a couple days and [I] can’t wait to do another tour with him you know. He’s the best you know, he’s just amazing and young as well you know. 25 years old and what a fucking talent he is. The best drummer I’ve ever played with. Him and Kevin. I was devastated losing Kevin [but now we] have a kind of a second shot with Gabe.

So the new album has been really well received by fans. What vision did you have for it when you started putting it together and do you think you captured that vision?

It was the carrion call you know? And I was very fortunate to have this great lyricist called Simon Dancaster, who also participated in the early days, who also participated in writing some of the lyrics on Blizzard Beasts. I met him by accident. I haven’t seen him for years and he came to my friend Tore [Bratseth]’s birthday party. Tore from Bömbers my Motörhead tribute band. And we just started working from there you know? I had all these songs, music working and I had these themes and ideas and we just worked around from there.

So what do you think makes Abbath different than Immortal?

Well it’s still my music you know but it’s a different band and it’s different musicians, different lyrics, but it’s still the music you know as it were with Immortal. So it’s just a continuance of myself.

So do you think you’ll ever possibly rejoin Immortal at some point?

Um… I don’t know, you know. I, I, you know, eh… Never say never they say but I don’t, I don’t uh… It’s not a time to think about that right now.

OK so in 2006 you had a band simply called I that also had [Abbath bass player] King Ov Hell in the line up. Is Abbath the band something of a continuation of I do you think or do you see it as a separate entity with its own musical direction?

No I mean it’s still my music. It’s just a continuance of my music and with I, I have more old school heavy metal elements, rock and roll, heavy metal elements put into it. I just sit down and make the music I feel like making and if it works for me, it works.

In November of 2015 there was an Old Funeral reunion performance in Bergen, Norway. Is there any chance that another possible Old Funeral show will happen or even new Old Funeral music?

No that was the last Old Funeral performance ever. If I’m ever going to continue it it’s going to be New Funeral. Hahahaha.

What made you decide to go in the direction of black metal instead of a more death metal sound which was definitely more popular in the underground at that time?

No I never, I never follow what’s popular you know. I just do what I like you know. If I wanna do a fucking pop album I’ll do a fucking pop album. That’s simple as that.

Haha.

If I want to do a disco album I’ll do a fucking disco album, it’s as simple as that. I don’t care what’s popular or not out there. I just follow my gut feeling and heart feeling and just make the music I feel like making. That’s what it is you know. Music to me is freedom. It’s the freedom of expression. It’s just me, you know. Maybe I don’t write the lyrics myself but I’m part of it. The music is mine. I make the music and I find the right people to write the lyrics with me. It’s simple as that. It’s just rock and roll isn’t it? Really?

Heh heh. So what is the definition of black metal to you then?

Lay down your souls to the gods rock and roll! Just uh, you know, Venom. Black metal to me is Venom. 1982.

Do you think black metal should just be about the music itself or do you think religious, theistic and political beliefs have a place in it as well? And do you think fans of black metal need to share similar beliefs with the bands they support? For example, can you be a devout Christian that is also a fan of black metal?

You know black metal is, it’s supposed to be rock and roll. It’s the Devil’s music. It’s about freedom and it’s about, fuck off to those who would tell you what to fucking do or whatever the fuck it’s just, be your own god. Work your own mysterious ways. Believe in yourself and have a kick ass fucking time. Bang your fucking head. Be cool, hahaha. It’s rock and roll, yeah, that’s what it is. Without rock and roll you know, without Buddy Holly there would never be a fucking Venom or a Motörhead. It’s just you know, raise your fist and kill.

In March of 2000 I saw Immortal on tour with Satyricon, Angelcorpse and Krisiun in Wheaton, Maryland at a place called Phantasmagoria. I remember seeing you breathe fire on stage and leaving giant black marks on the ceiling and I’d never seen a black metal band put on a show like you guys did that night. You guys really blew me away and I became an instant fan and a couple months ago Satyr of Satyricon, he made some comments in an interview [here] about that tour and he said he disliked playing small bars and clubs in the Midwest on that tour. Do you remember anything about that tour and was it really that bad?

We were touring around the States. We did some shows on the West Coast and we did a couple of shows, we just jumped on the Satyricon tour. We were sharing a van with the Brazilian guys Krisiun. The mighty brothers of Krisiun. And [I] remember Alex [Camargo, bass and vocals for Krisiun] one of his favorite albums, Battles In The North hahaha. And uh we just jumped on the tour, the Satyricon tour, they had their own bus and Angelcorpse they had their van. And I remember, it was alright. It was Satyricon’s gig you know. We didn’t get a sound check or anything but we delivered you know. The show must go on always, whatever. The last show, we’ve been touring a month in Europe and it’s been great and everything. We’ve had a sound check every night and the last show on this tour, Blastfest, we didn’t get a sound check and the sound on stage was horrible but fortunately we know how to play. We didn’t hear jack shit up there. [Abbath makes a lawn mower sound]

Well the Baltimore Soundstage where you’ll be playing on Thursday the 17th, they actually have really good sound. They’re one of the better sounding venues in Baltimore so hopefully that won’t be a problem.

Baltimore, yeah yeah. I’m flying over with my tour manager Steve on Sunday and we fly to Philly to have a couple days of rehearsal there because our bass player is not able to come over so we’re gonna play with another bass player over there.

Oh who’s going to be playing bass on this tour?

Uhh… I don’t remember his name but he’s a friend of Gabe’s and he’s alright.

Abbath performing with Immortal at Sonar in 2011

Abbath performing with Immortal at Sonar in 2011

The last time you performed in Baltimore was when Immortal played at Sonar in February of 2011.

I remember that one, yeah.

Yeah I remember someone threw a bottle on stage during “Grim And Frostbitten Kingdoms” [video here] and I remember you stopped the show and got really mad and yelled at the guy. Did you ever find the guy or anything? Did you ever find out who did that?

No I didn’t.

Do you remember anything else from that show? It was with Absu I believe was the opener.

Yeah Absu yeah. Absulutely! Hahahaha. Uh… that show was alright wasn’t it?

It was a great show, yeah.

Yeah. You never know who’s in the fucking audience. It’s like, that’s a part of the battle isn’t it? It’s the front line, you never know who’s going to show up, what’s going to fucking happen. We were supposed to play in Bataclan [the concert hall in Paris, France, where terrorists killed 90 people while the Eagles Of Death Metal performed there on 13 November 2015]. You know Motörhead was supposed to play there a couple days after that massacre you know. It could have been us, it could have been Motör[head]. You never know but the show must go on. You have to go up there because, it’s your life it’s what you want to do you know. It’s just rock and roll and if that’s what’s going to fucking kill you, alright. So if someone throws a bottle, you know, I’m not fucking Axel Rose alright?

Now you were in a Motörhead cover band called Bömbers for a while and I was curious what kind of effect Lemmy [Kilmister, bass and vocals of Motörhead] had on you musically and how did his passing last December affect you. Did you ever get a chance to meet him?

Yeah several times. What a fucking gentleman he was, yeah. Him and Ronnie Dio, coolest guys I’ve ever met. I love my father but fuckin’ hell those were my fathers too ya know. And [it was] just devastating. It was… I still can’t believe they’re gone ya know. Fuckin’ hell. Me and King you know we went to Greece… a couple days ago we came home recently from Greece finishing the video for “Winterbane” and I bought this Metal Hammer special. I mean I had like a five hour wait in [the] Copenhagen airport and [the] Metal Hammer special, Lemmy special and I just sat… there in the bar reading it and, and uh… you know I… I got this lump in my throat and it just… it just, you know… devastating. He was like a father to us in many ways. Lemmy… he was the best. He was the coolest. He was everything. So where do we go from here you know, yeah. Carry on. Carry fucking on. Rock and roll. Yeah.

Lords Of Chaos movie poster

Lords Of Chaos movie poster

So what do you think about this Lords Of Chaos movie [based on the book Lords of Chaos: The Bloody Rise of the Satanic Metal Underground by Michael Moynihan and Didrik Søderlind] that is in pre-production right now? Do you know if you will be portrayed in the movie or have you been consulted about it in any way?

Really? I didn’t know, I didn’t know about that.

Apparently it’s not a documentary it’s going to be an actual movie with a script and everything.

Oh yeah, oh yeah.

I think Ridley Scott has attached his name to it, the famous director. I think he’s producing it or he’s somehow tied to it.

Ridley Scott? You’re talking about the Alien director?

Yep. Yeah I don’t think he’s directing it I think he’s like the producer or something like that. He’s been attached to it. I saw his name attached to it [here].

Yesterday in fact I saw this movie with my girlfriend called The Martian [that is directed by Ridley Scott].

Yeah, yeah. The one where they go to Mars and he’s a scientist trying to stay alive.

Yeah, yeah. And there’s a Norwegian actor in that called Aksel Hennie and that was fucking great I mean, Ridley Scott? Wow. It better be good then! Hahaha.

Hahaha. I mean it’s probably a couple years away still or at least a year I would think but I was just curious if you’d heard anything about it.

Whatever, we’ll see! Hahaha.

Now there’s a brewery in Austin, Texas called Jester King that names some of their beers after different heavy metal subgenres and they make a stout named Black Metal and the drawing in the label is a guy that wears corpse paint and he looks pretty similar to you. Have you ever tried that beer and do you like it?

Jester King's Black Metal beer label

Jester King’s Black Metal beer label

Never heard of it, I probably don’t like it. Hahaha.

Do you like craft beer at all? Do you ever drink the micro brews or anything?

I like this… Ringnes!

That’s something we don’t have over here.

This is what I drink mostly. It’s a good Norwegian beer.

Well 1349, they’ve had a couple beers come out with their name on it like official 1349 beers. Do you think there will ever be like an Abbath Ale?

Abbath Ale? Hahaha. I just did a tour with Behemoth recently and they had a couple of beers they wanted me to try. They were actually good, yeah. Pretty good. Yeah. Everybody is doing that now. Nobody sells records so they gotta fucking sell something. Hahaha.

Well thanks so much for your time Abbath. Is there anything else you’d like to tell your fans before your tour starts here on March 17th at the Baltimore Soundstage?

Die hard! …please come to our show. Hahaha. We’re gonna do our damnedest! Yeah. I can’t wait, I can’t wait. Fucking hell.

Awesome.

I’m looking forward to it, yeah.

I’m really excited it should be a great show.

Thank you Metal Chris!

Alright have a good one man and have a good flight over here on Sunday.

Thank you sir.

Alright, take it easy.

You too.

1349 ticket give away

1349 at Empire

When it is cold and snowy outside the time is right for some Norwegian black metal and as luck would have it Norway’s 1349 will be coming to Empire on Tuesday, February 24th to spread their unholy black metal gospel in our area. Inspired by the snow outside today we’re giving away a pair of tickets to this very show to one of you grim and frostbitten DCHM readers. To enter: just tell me the name of your favorite metal album to put on when it snows. At 5pm EST this Friday, February 20th, a winner will be chosen at random (using Random.org) from all valid entries to win the tickets. Be sure to enter using a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner within 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $17 here.

1349, named after the year the black plague came to Scandinavia, has been around since the late 90’s bringing their aggressive black metal to fans worldwide. This tour is to support their latest full length, Massive Cauldron of Chaos, and will be our area’s first chance to hear them play some of the new material live. In addition we’ll get to see the spazz out brutality of Origin, a death metal band from Kansas. Lately they’ve been known to have their fans break out in massive pillow fights in the mosh pit during their sets. Also on the tour is Wolvhammer from Minneapolis, who plays some filthy blackened sludge metal. Local support for this show will be from Yesterday’s Saints, who just released their debut full length, Generation Of Vipers, and Cladonia Rangiferina, a black metal band with several Empire employees in their ranks. That’s a hell of a line up to chill you to the bone this February. Be sure to check out these awesome videos by bands playing the show as you leave a comment telling me what your favorite metal album to listen to when it snows is.

1349 – Sculptor Of Flesh

Origin – Absurdity Of What I Am

Wolvhammer – Writhe

Yesterday’s Saints – The Recruitment

Review of Aruagint by Sarke

Band: Sarke
Album: Aruagint
Release Date: 20 September 2013
Record Label: Indie Recordings
Performing at Maryland Deathfest XII: 7:45 Saturday at Edison Lot A

Cover of Aruagint by Sarke

Maryland Deathfest XII starts next week! Our annual Maryland Deathfest Survival Guide will be up soon but leading up to the big post we’ve put together some reviews of albums by some of the less well known bands playing Deathfest this year that you will not want to miss seeing live. These posts have a lot of background on the bands to help you become an expert on them before you see them, and of course there’s a few songs at the end of the post that you can stream to get acquainted with the bands too. This is our fourth and final review but we’ve covered at least one band playing each day on the big outdoor Edison Lot stages (the main festival stages that will not sell out). You can check out the rest of our MDF XII coverage here but until then take a few minutes to learn why you shouldn’t miss Sarke if you’re at Deathfest on Saturday.

If you’ve heard only one thing about the Norwegian band Sarke you’ve probably heard that the band features Nocturno Culto of Darkthrone on vocals. This is true and since Darkthrone refuses to play live shows seeing Sarke at Maryland Deathfest is a rare chance to see one of Darkthrone’s two members in a live setting. What most people don’t know about Sarke though is that the band is actually the solo project of a guy named Sarke (his real name is Thomas Berglie). Sarke, the musician, is best known for being the drummer of Khold though he’s also the drummer for the (very underrated) black metal band Tulus. On the first Sarke album, Vorunah, he played all instruments aside from the vocals that Nocturno Culto recorded. These days Sarke only plays bass and has brought in other musicians to fill out the band’s line up, though he continues to write all of the band’s lyrics as well. While not as big of names as Nocturno Culto, the other members come from bands like Borknagar, Ihsahn and Lunaris, so the band as a whole has quite the resume.

As far as Sarke’s actual sound goes, they’re often described as black/thrash metal but that’s a bit off as they don’t sound much like the standard bands of that style such as Aura Noir or Absu. Sarke is slower than most thrash bands and sound something akin to older bands like Venom, Motörhead and Celtic Frost combined with a primitive style of early 90’s Norwegian black metal. The first two Sarke albums are a bit more thrashy than Aruagint but what their latest album lacks in overall speed it makes up for in coldness. This sense of coldness isn’t just the chill of the Norwegian winds that permeates their sound but also emotional coldness, neither happy nor sad, just empty. We’ve gotten this sense of cold from many straight up black metal bands over the years but Sarke is different, they have a certain groove to their sound. Calm and calculated they often raise the tempo to breathe life into a song when it is needed, such as on the track “Icon Usurper” where they use this technique perfectly. The band does a good job of keeping a sense of tension throughout the album and Nocturno Culto’s voice has no major effects done to it. The recording itself has the band sounding good without being overproduced. You can hear each instrument distinctly and the keyboards are in the background where they should be, but you’ll find no flashy studio tricks here. The song “Ugly” with its chorus line of “Cause I’m ugly/Ugly as Hell” and punkish main riff brings a bit of that dark punk vibe that Darkthrone has been doing lately and Nocturno Culto seems perfect for this song in particular.

Sarke isn’t the most technical band by any means but they do come up with some pretty fun grooves, combined with that sense of coldness, that makes it just plain fun to listen to them jam. Their songs are well thought out though and every note sounds like it is right where it should be. Their studio sound comes across as very rehearsed so I’m guessing they’ll be pretty tight when they play Deathfest. It will be interesting to see what kind of performance they put on live as Nocturno Culto doesn’t appear to be a very wild front man in most of the live footage I’ve seen of them, however he does seem to get more energy from the crowd depending on how energetic they are. This will be Sarke’s first ever live performance in the US so let’s hope everyone is as psyched to see them on Saturday as I am. Be sure to check out the following songs from Aruagint and start getting psyched for Maryland Deathfest XII next week!

Salvation:

Icon Usurper:

The Drunken Priest (live):

Maryland Deathfest X Recap

Maryland Deathfest is the area’s biggest metal event every year and while it has taken me a few weeks to get through the mountain of photos and videos I shot at Maryland Deathfest X but I’m finally done! There’s so much stuff that I’ve actually broken this post up into several posts, this one and then one for each of the four days. You can see all of my MDF X photos and videos, including things that aren’t posted here, by going here for photos and here for my videos on YouTube. Also, I came across a site run from Las Vegas called Total Fucking Mayhem (check it out here) and they’ve got some quality video footage, sometimes much better than mine, that they’re are allowing me to use in this post as well. They also have some from bands I didn’t see so check out their YouTube page for those videos here.

Keep in mind I didn’t get a press pass for the fest so all the footage I shot was from the audience, moshers and crowd surfers going overhead just like everyone else. I did a lot of waiting to get up front for specific bands so I could get some good shots, but even so there are some I simply couldn’t get up close for since I still haven’t figured out how to be in two places at once. Also, I was pretty much stationary so I had to shoot whoever was on the side of the stage I was most of the time. Some bands I took more time to shoot for whatever reason, usually because they are a personal favorite of mine, and for some bands I don’t really love any of my shots of but hey when you shoot this many bands at once some are going to be much better than others.

I had a lot of fun at this years Maryland Deathfest, it was great meeting some fans of the site and handing out stickers, meeting people from all over and talking metal with them, and of course getting to see some rare and just plain kick ass performances. If you’d like to read the whole post you’re awesome and please start here, but if you’d just like to skip ahead to any one day you can do so below, or you can even just click on a band’s name below to read my paragraph about them and see my photos and videos of them as well.

Day 1: Thursday
Rorschach
Dying Fetus
Absu
Eyehategod
Agalloch
Autopsy

Day 2: Friday
Macabre
Napalm Death
Godflesh
Unsane
Setherial
Nasum

Day 3: Saturday
Looking For An Answer
Dragged Into Sunlight
Hellbastard
October 31
Morbid Saint
Archgoat
Horna
Brujeria
Morbid Angel
Tsjuder
Haemorrhage
Winter

Day 4: Sunday
Coke Bust
Disma
Demonical
Morgoth
Rwake
Ulcerate
Church Of Misery
Pentagram Chile
Saint Vitus
Electric Wizard
Sargeist
Bethlehem
Mortuary Drape

Maryland Deathfest X Day 3: Saturday

Back to the MDF menu page here.

The first band I caught on Saturday was Looking For An Answer. Usually I’m wary of bands with that many words in their name, but these guys were actually pretty good. They’re a grind act from Spain and I have to say they were pretty impressive live, plus I was still in a mood for grind after last night’s killer Nasum performance ended the night. This wouldn’t be the last nor best grind act from Spain I’d see that day though. I wasn’t really close enough for good pictures but I did shoot a video of them live that I highly recommend watching the whole way through as it gives a good perspective of what their sound and live show were like. There’s also a video by Total Fucking Mayhem here too, enjoy!

The next band I saw was the UK based Dragged Into Sunlight. I had heard good things about these guys but they exceeded all my expectations. If I had to pick a band that I was unfamiliar with that most impressed me at Maryland Deathfest X it would be this band. I guess they’d be called a black metal band but they were pretty unorthodox musically. Also, the entire band faced away from the audience pretty much the entire show, and all the lights were turned way down except for a strobe that would go off in time with the music sometimes. It was a creepy effect that really helped set a mood that fit perfectly with their sound. I was very impressed and they were a great way to start what was the most black metal loaded day of MDF X. I shot a decent video of the first song of Dragged Into Sunlight’s set that should give you an idea of what they were like live.

Dragged Into Sunlight at Maryland Deathfest X

Dragged Into Sunlight at Maryland Deathfest X

I caught part of Hellbastard‘s set next. They’re a crust band from the UK and in fact they are the band that coined the term “crust” to begin with. This band was highly entertaining, mostly due to frontman Scruff Lewty’s wild stage presence and overall enthusiasm to be playing. This man is passionate about his music and it really showed! They were also really fun to photograph live as he was constantly running around on stage making faces and doing all kinds of shit like, uh, biting his guitar. I’ve got video of them playing but Total Fucking Mayhem posted footage of the same song so I’ve posted that video instead because it is higher quality than mine.

Scruff Lewty of Hellbastard

Paul O'Shea of Hellbastard

Scruff Lewty of Hellbastard

Scruff Lewty of Hellbastard

Scruff Lewty of Hellbastard

The next band I caught was October 31, a band from Northern Virginia and featuring King Fowley of Deceased fame on vocals. October 31 plays a more traditional style of classic heavy metal, though they certainly have some thrash elements as well. Sticking with the Halloween theme, King even threw candy at the audience during their set, among various other goofy stage antics. They were entertaining but I think Deceased would probably have fit on the bill better, although this was the same day Anvil was playing so perhaps the MDF organizers put October 31 on this day for Anvil fans who probably didn’t know a lot of the other bands playing this year. I shot a video of October 31 playing a couple songs and I’ve also posted a video from Total Fucking Mayhem.

October 31 at Maryland Deathfest X

October 31 at Maryland Deathfest X

Brian 'Hellstorm' Williams of October 31

Brian 'Hellstorm' Williams of October 31

October 31 at Maryland Deathfest X

Matt Ibach of October 31

King Fowley of October 31

Next up was Morbid Saint, a thrash band that only ever officially put out one full length album, Spectrum Of Death, though they did have another that was never released make the bootleg rounds after their break up in 1994. Morbid Saint is from Wisconsin and they reunited in 2010 though really it’s only the singer and one of the guitar players who are still the same from the old days. Regardless, their 1988 release is considered an underground classic of thrash metal and for this show at Maryland Deathfest they played it from start to finish. They put on a pretty damn good show and the band was tight, however I think they mentioned their merch being for sale about 1,000 times between songs. Check out these two videos I shot of songs they played early in their set.

Pat Lind of Morbid Saint

Pat Lind of Morbid Saint

Pat Lind of Morbid Saint

The next band I watched was Archgoat, a black metal band from Finland. With a name like Archgoat you sort of know what to expect, and while they were pretty grim and kvlt and all that, and they had some cool songs, I still felt they were the weakest live performance of the black metal bands I caught at this year’s Maryland Deathfest. I wouldn’t go so far as to say they sucked, but they weren’t that spectacular and didn’t really do anything that stood out much or really grabbed me. They definitely had the typical imagery down, they wore corpse paint, they had fake blood dumped on themselves, however they didn’t really play anything that stood out or really grabbed me that much either.

Lord Angelslayer of Archgoat

Lord Angelslayer of Archgoat

Lord Angelslayer of Archgoat

Lord Angelslayer of Archgoat

After Archgoat I kept my place on the rail so I could be sure to see another black metal band from Finland up close, Horna. I had wanted to see this band play live for years and I’m glad I finally got the chance, however I wasn’t expecting that at the beginning of their song Piina that vocalist Spellgoth would squat on the stage, whip out his dick, piss in his hands and then wipe it all over his face and hair. The band kept playing and the audience didn’t seem to even notice much, but I’ve got video of it posted below (the second video). All watersports action aside, they did put on a great black metal performance and played some of my favorite songs of theirs too.

Spellgoth of Horna

Infection of Horna

Qraken of Horna

Spellgoth of Horna

After Horna I went outside to catch Brujeria, a Mexican metal band that has two vocalists reciting Spanish lyrics about stuff like running drugs over the border and revolutionary politics. The band all wears bandanas on their faces to hide their identities, and while they are said to be from Mexico most of the “mystery” members are actually from England, including Shane Embury of Napalm Death, Jeff Walker of Carcass and Nick Barker of, well, too many bands to list here. They’re a band I used to listen to back in my high school days and I never thought I’d ever get to see them live. It was pretty fun, even if I was getting a Mexican flag whipped in my face most of the time while I was trying to shoot! They seemed to mostly just play older classics, which was fine by me since those are the songs I know. Check out the two videos I shot of them below.

Fantasma of Brujeria

Brujeria at Maryland Deathfest X

El Brjuo of Brujeria

Brujeria at Maryland Deathfest X

The next band I saw was the day’s headliner, Morbid Angel. They’re one of the big three American death metal bands and they haven’t played on the east coast in quite some time. The last time I saw them was in 2006 for their big tour when David Vincent had just rejoined the band. I suppose a long of younger people have never gotten the chance to see them play live, and even though their last album was laughably terrible, they still got the audience to go crazy. Well, at least for the three or four songs I was there for. The crowd got really rough during their set and as I was shooting video of them playing Rapture a stage diver landed directly on my head which I didn’t even see coming. So I didn’t get a lot of great footage of them but I decided I’d get inside to get up front for the final three bands of the night. Besides, I’ve seen them play before and I didn’t want to taint my memories of Morbid Angel live by catching them play any of their new material. I heard guitarist Trey Azagthoth had a rockstar moment and after an equipment failure during their second to last song he walked off the stage leaving the rest of the band to play their final song without him. Also, their set started about 20 minutes late due to more technical issues. At least this time there was some hilarious banter from the head sound tech yelling at the guys on the stage who were supposed to be “fixing” the problem.

Trey Azagthoth of Morbid Angel

David Vincent of Morbid Angel

David Vincent of Morbid Angel

David Vincent of Morbid Angel

After waiting by the rail for a while during Morbid Angel’s set I was ready to see yet another black metal band I’d been wanting to see for many years play, Tsjuder! This was the only actual Norwegian black metal band at MDF this year, and this was their first US show ever. The three piece was fucking excellent live, and played a set with plenty of my favorites from their album Desert Northern Hell, the album they are probably best known for as well as my personal favorite of theirs. The three piece was pretty entertaining on stage, the guitar and bass players switching sides of the stage multiple times. They ended their set with two covers, which seemed a bit excessive since they have plenty of good original material to choose from. The first was Sacrifice by Bathory and the last was Deathcrush by Mayhem (video of that below). They didn’t really add anything special to the songs so I don’t know why they felt the need to play two typical songs for black metal bands to cover but whatever, they were still fun crowd pleasers. Despite the double cover ending, I still think they were my favorite set to watch on this day of the fest.

Nag of Tsjuder

Tsjuder at Maryland Deathfest X

Tsjuder at Maryland Deathfest X

Nag of Tsjuder

Nag of Tsjuder

After Tsjuder ended the day’s excellent black metal line up, the next band to play was Haemorrhage, a goregrind band from Spain. They put on a hell of a show, coming out in their various medical themed costumes: a surgeon, a nurse, a doctor and vocalist Lugubrious played the blood soaked patient. It has been a long time since Haemorrhage has played in the US and fans of the band were psyched to see them. They played a lot of songs from their latest album, Hospital Carnage, as well as some of their classic older songs, which was fine by me as I like most of their material. The show was a hell of a lot of fun to watch and you can see that for yourself in the footage I’ve posted below.

Luisma of Haemorrhage

Lugubrious of Haemorrhage

Lugubrious of Haemorrhage

Ramón Checa of Haemorrhage

Lugubrious of Haemorrhage

The final band of the night was Winter, a recently reformed doom band from New York City. They broke up in the early 90s after releasing just one album, Into Darkness, back in 1990. It wasn’t until they had broken up that they gained a cult underground following, meaning most of their fans had never gotten to see this band live. For this show they played the album live from start to finish, and overall it is a very slow paced ordeal. I can get down with some ultra slow and heavy doom but by this point in the evening, well after midnight, the amount of time I had been spending on my feet the past few days was starting to take its toll. I did enjoy their set but unlike the night before’s Nasum set, it didn’t leave me with a lot of energy. Still, I wasn’t about to walk out on such a rare performance. Vocalist John Alman seemed surprised that so many people had stayed around to see them play, which was kind of funny. I think they’d have been a better fit somewhere in Sunday’s killer doom line up and not at the very end of the night, but I’m still glad I got to see them. Check out this video I shot of their opening song.

John Alman of Winter

John Alman of Winter

John Alman of Winter

Stephen Flam of Winter

Continue to day 4: Sunday here.
Back to the MDF menu page here.

Another Mega Sized Concert Recap

Well, I haven’t posted any concert reviews lately, but as usual I’ve still been going to lots of concerts. Things have slowed down a bit here in late December concert wise but this is normal since bands don’t usually like touring during the holidays. I’ve been to some great shows since my first mega sized concert recap. I’ve set each show as a separate paragraph so if you don’t care about a particular gig you can easily skip to the next one. And of course all the band names will link you to a place you can stream that band’s music. Click on any picture to see more of my photos of that band as well. Now, on to the awesomeness that is going to see metal shows in the DC area.

On Saturday the 12th of November 2011 I headed out to the Velvet Lounge on U Street in the District. Warchild was headlining a show and I had heard they were good live, though I hadn’t gotten a chance to see them yet. I got there right when their set was starting and the upstairs of the Velvet Lounge was absolutely packed! I’ve never seen it that full before and it’s cool so many people came out to see a local metal band play there. Warchild is a thrash metal act who likes to party hard. Everyone in the band was shirtless and sporting lots of tattoos. The vocalist, also from the 80s throwback rock band Rattler, told everyone in attendance to not hold back and stage dive and crowd surf as much as they wanted. The audience complied and people were even hanging from the fan in the middle of the room, just going nuts. They brought some people on stage to pound beers in a beer bong and even had two guys race to see who could smash the a can of beer open on their head and then drink it the fastest. And you thought Municipal Waste was a party thrash band, this show was crazy. They played a solid thrash set and ended it with a kick ass cover, with plenty of crowd participation, of Metallica‘s old school classic The Four Horsemen. Such a great show, I can’t wait to see them live again. Highly recommended!
Warchild

Beer Eating Contest

The following Thursday, the 18th of November, I went to the Black Cat in Washington DC to see Fu Manchu play. The opening act was the Austin, Texas based three piece Honky. Somewhere between hellbilly and stoner, they were a pretty solid opener. Their bass player is JD Pinkus who is better known for having played in the Butthole Surfers. They had some hilarious song titles and subjects, which you’d expect more from a humorous grind band. My favorite was their song about masturbating at work called Gittin’ It. They were fun and obviously didn’t take themselves too seriously and they made for a good opener for Fu Manchu. On the final song of Honky’s set Fu Manchu guitar player Bob Balch came out to play a tune with the band. Fu Manchu is one of the main influences in stoner rock and metal, and most of their songs deal with modes of transportation like souped up cars and skateboarding. They had played the upstairs main stage at the Black Cat in September of 2010 but this concert was in the smaller back stage downstairs. The place was pretty crowded when Fu Manchu hit the stage, but the crowd wasn’t too rowdy. They started the set off with a few of their 90s classics before launching into this tour’s main draw, performing their entire 1996 album In Search Of… straight through. They walked off stage for the encore thing and came back to play a couple more songs, finally ending the set with King Of The Road which was still stuck in my head as I drove home. King of the road says you move too slow!
Honky with Bob Balch

Scott Hill of Fu Manchu

On Tuesday the 29th of November I found myself at the Cellar Door in Annandale, Virginia to see the Chapel Hill, North Carolina based band Black Skies play. There were four bands playing that night but I only caught two of them. The first band that I saw was Admiral Browning, a Frederick, Maryland band that was formerly an instrumental band with four members. To my surprise, at this show they had vocals and only three members. A bit of a change, and although I have a fondness for instrumental metal bands, the vocals fit in to place with the rest of the music. They were entertaining but the main reason I came to this show was to see Black Skies again. I saw them play back in September and they blew me away. This show was no less exciting. Even in the tight basement of the Cellar Door they just burst with energy. They’re the only band I’ve seen someone play a guitar solo with their teeth in a basement, and I’ve seen them do it twice now! I ended up buying a poster and it came with a free download of their debut album, On The Wings Of Time. This is a band worth checking out and I can’t wait to see them play in the area again.
Admiral Browning

Michelle Temple of Black Skies

Skip ahead to Sunday the 11th of December and I was at Jaxx to see the notorious Norwegian black metal band Mayhem again. I had seen them on the first show of their tour in Baltimore on November 2nd, but now they were back in the area playing the final show of their tour. The set list was the same as the first show, however vocalist Attila Csihar had a different costume on (he is known for having a wide range of stage costumes). This time he did not have any fake blood, and he held a skull in his left hand for the entire set. The audience seemed much more dead than the crazy pits that happened in Baltimore a month before, and the band didn’t seem to get into the show as much either. Being the final show of the tour they were probably a bit worn out. The audio mix at Jaxx wasn’t as good either. Overall I wouldn’t say the show was bad, it just wasn’t great, and the Baltimore show definitely felt more like a real Mayhem show. The fog machine was on thick all night though, and camera conditions weren’t optimal, however I still got a few decent shots and Mayhem even posted one of my photos from this show on their Facebook wall.

Mayhem

The following Thursday, the 15th of December, I found myself at the Black Cat once again, this time to see the killer line up of The Body, Zoroaster and Black Cobra. The first band to play was The Body, a two man doom band from Rhode Island (though I hear they are relocating). They set their gear up in the middle of the flood of the Black Cat’s back stage area and just played there on the ground, with the audience around them. They were very loud, a theme that would recur throughout the night. After they played Zoroaster took the stage. They’re a psychedelic sludge metal band from Atlanta, Georgia. They have a really trippy vibe while being heavy as well. They had a bunch of lasers shooting around not just the stage but the entire room and it looked pretty cool. Midway through my favorite song of theirs, Odyssey, the power abruptly cut out and the lights came back on for a few minutes before the band finished their set. Then came the headliner, Los Angeles, California based Black Cobra. They’re a sludge metal duo and their latest album, Invernal, is heavy as all hell. They ended up playing every song off of it, though not in order, as well as some of their older songs mixed in. A truly crushing set, it’s amazing how much heavy just two people can make. Take note all you folk bands with like a dozen members, these three bands on this tour had just seven total members between them, and they kicked major ass. Sometimes less really is more.
The Body

Zoroaster

Black Cobra

The next night, Friday the 16th of December, I went to the Velvet Lounge to catch a show I spent a good deal of effort promoting here on DCHM. Borracho was headlining an album release show, the official launch of their LP Splitting Sky. However, there were other bands who played before them. First was a band from Glen Echo, Maryland called Rezin. The guys seemed nice and all but I have to say they weren’t very good. Most of the crowd who had assembled had left by the time their set was over, and honestly I can’t really blame them. The band was very monotonous and they just didn’t do it for me, or apparently that many other in attendance. They didn’t seem to fit with the two other acts on this bill either. However, the next band to play, Kingsnake from Philadelphia, Pennsylvania, was simply outstanding on stage. They played a style of stoner that was almost southern, though rather dark as well. They had fine tuned their songs and obviously put a lot of effort into practicing them as well. It was a great performance by a band I didn’t really know anything about going in. After they played I got up on stage and swore at the audience about giving out free shit, and then Borracho started their set. The guys were on point this night, really putting on a great show. I’ve seen them a few times this year and this was definitely my favorite of their performances. Before I’d always seen them open for someone so it was great getting to see them play a full length set live for once. Also, it was a good turn out for the second metal show in a row at the Velvet Lounge, which is awesome. Hopefully they’ll continue to let us metal heads take over their spot on U Street more often on the weekends.
Rezin

Kingsnake

Borracho

On Saturday the 17th of December I went to my third metal show in as many days, this time to see locals Ilsa and Midnight Eye play with two Harrisonburg, Virginia bands, Earthling and Orthrus. They were playing at a small Ethiopian bar, named Asefu’s, that is just a few doors down from DC9 and the U Street corridor. I got there as Midnight Eye was setting up though I really only saw their first song. However, it was a brand new song and it was pretty sweet! I went a few doors down to eat dinner (I was starving) and came back while Orthrus was playing. The thin venue was packed and so I watched the show from the doorway and didn’t take any pictures (the band wasn’t facing my direction anyways). Regardless, they were pretty awesome. They play a sort of catchy black/thrash with death metal style deep vocals. Next up was Earthling, a band I had seen before at the now defunct Corpse Fortress back in March. They were just as fun to see live and I had forgotten how catchy I their tunes are. The final band of the night was DC’s own masters of doom/death metal, Ilsa. They have a dirty and crushing sound, very raw and primal and yet still very listenable. Some of their songs slow almost to a halt but the intensity never wanes. Ilsa is always fun to see live and this show was no different. However, at the end of their set they also played a new song for the first time, titled Man Made Monsters. Lucky for you who missed it, I’ve posted video of both Midnight Eye’s new song and Ilsa’s new song below. You might not be able to see much but you can at least hear them well enough.
Earthling

Ilsa

Well that wraps up another mega sized concert recap. I have a couple more shows to see before the year is done. You might be wondering why I didn’t cover the Mastodon show at the 9:30 Club in late November, and that’s because I’m not a Mastodon fan. I wanted to see Obscura and Abysmal Dawn play on December 7th but the weather was horrible that night and I didn’t want to drive to Baltimore in it as I knew traffic would be bad (Kyuss played the same night in Balti as well). Also, my camera’s lens was damaged during this time period and I had to wait a few weeks for it to be fixed (wasn’t cheap either!). And no, it wasn’t damaged at a show. Next week I plan on posting a big recap of 2011, from the local scene to the biggest metal stories of the year and it will include a preview of 2012 as well. Until then be sure to check the upcoming metal concert calendar and remember, support the scene you’re a part of!