Support Music And Charity At Once

Today, Friday the 4th of August, Bandcamp is donating the entirety of their 15% share of all sales on their website to the Transgender Law Center. The benefit runs until midnight Pacific time, which is 3am for us on Eastern time. You can get more info on Bandcamp’s benefit here. If the benefit is over when you read this but you’d still like to donate, or you’d just like to donate directly to TLC, you can do that here.

This means anything you buy on Bandcamp will help support TLC as well as the bands you buy from. Because of this I thought I’d throw together a list of some of the best local metal I’ve found on Bandcamp this year, as well as a few other metal bands outside of the area that are actively participating in today’s benefit here. If you’d like the full list of the 200+ bands and labels that are participating, metal and non-metal alike, you can see that here.

Who Do You Think We Are? by A Sound Of Thunder

First up it should be noted that locals A Sound Of Thunder are actively participating in the benefit and for today only they are selling a “trans pink smoke” double vinyl variant (limited to 100 copies) of their covers album Who Do You Think We Are? for $25. The album will also be available on CD ($18) and digital formats ($8) for the first time. They have previously only been available to those who participated in the crowd funding campaign, however the CDs and digital downloads of the cover album will only be available publicly today. You can find all formats on Bandcamp here.

Chicago based Immortal Bird isn’t really a local band, though their vocalist, Rae Amitay, did go to high school in Fairfax, Virginia. Today they are also donating $1 of any Bandcamp sales to TLC, in addition to Bandcamp’s donation. I highly recommend their 2015 album Empress/Abscess which is just $7 digitally on their Bandcamp here.

Some other non-local metal bands that are participating include Ghoul who are donating all sales Friday and Saturday to TLC. You can download their latest album Dungeon Bastards for $7 here.

Massachusetts based thrashers Lich King put out a killer album this year in The Omniclasm and you can download it from Bandcamp for $10 here. Lich King is donating all of their proceeds from Bandcamp today to the benefit.

The Brazilian/Italian operatic metal band Ruins of Elysium has made a point of standing up for LGBT rights (just check the lyrics to their song “The Birth Of A Goddess” for starters) so it makes perfect sense that they’ll be donating their share of all Bandcamp sales today. Check out their latest album Seeds Of Chaos And Serenity which is available for download for $11.88 on Bandcamp here.

Immortal Bird and Ghoul and Lich King and Ruins of Elysium

If none of that stuff floats your boat feel free to scour the list I’ve made below of some of my favorite local metal albums on Bandcamp of 2017. You can help support a local band and the Transgender Law Center when you buy any of these today!

Alluvion – Psyche/Stoner from Fredericksburg, VA. $5 gets you their 9 track album .​.​.​Of the One Consciousness that released in May here.

Alluvion and Ashes of Mankind

Ashes of Mankind – Death/thrash metal from Baltimore, MD. $6.66 gets you their 8 track album A Scene in Hell that was released in May here.

At The Graves – Doom/sludge from Annapolis, MD. Just $1 gets you a download of their 8 track album Wrecked that was released in late July. You can also get it on CD or cassette for $6 each. Digital and physical versions are all available here.

At The Graves and Blood Mist

Blood Mist – Sludge/stoner metal from Baltimore, MD. $5 gets you a download of their 5 track self titled album that was released in February. You can also get it on CD for $7. Digital and physical versions are both available here.

Cab Ride Home – Thrash metal from Northern Virginia. $10 gets you a download or the CD version of their 11 track album Crash The Gate. Released in April, this is the band’s final album since their vocalist, Danica Roem, is now running for a delegate seat in Virginia. Digital and physical versions are both available here.

Cab Ride Home and Earthling

Earthling – Thrash metal from Harrisonburg, VA. $7 gets you a download of their 6 track album Spinning in the Void that was released in July here. This album shreds guys, highly recommended! Features Alan Fary who also plays in Valkyrie.

Full Of Hell – Death/noise from Annapolis, MD. $6.35 gets you a download of their 11 track album Trumpeting Ecstasy that was released in May. You can also get it on CD for $8.74. Digital and physical versions are both available here. This has been one of the most talked about albums from our area this year and it lives up to the hype!

Full Of Hell and Inhumation

Inhumation – Death metal from Frederick, MD. $6 gets you a download of their 6 track EP Ontogenesis that was released in April. You can also get it on CD for $8. Digital and physical versions are both available here.

Lord – Sludge/stoner from Fredericksburg, VA. $7 gets you a download of their 6 track album Blacklisted that was released in May. You can also get it on CD for $10. Digital and physical versions are both available here and they also have some packages that include tshirts with Mark Riddick art.

Lord and One Slack Mind

One Slack Mind – Stoner/groove metal from Washington, DC. $8 gets you a download of their 10 track album Both Sides Against the Middle that was released in July. You can also get it on CD for $10. Digital and physical versions are both available here.

Pain Tank – Grind/death metal from Northern Virginia. $8 gets you a download or the CD version of their 13 track album 97​,​901​,​726 Confirmed Kills. Released in March, the album’s name is meant to be the total number of fatalities in all wars that the USA has been involved in. Digital and physical versions are both available here.

Pain Tank and Sickdeer

Sickdeer – Black metal from Washington, DC. $7 gets you a download of their 7 track album The Wretched of the Earth that was released in March. You can also get it on CD for $10. Digital and physical versions are both available here and you can read the review of this album on DC Heavy Metal right here.

Sloth Herder – Grind/black metal from Frederick, MD. $5 gets you a download of their 14 track album No Pity, No Sunrise that was released in March. You can also get it on CD for $7 or cassette for $6. Digital and physical versions are all available here.

Sloth Herder and Virginia Creep

Virginia Creep – Stoner/Indie from Washington, DC. OK so this one actually came out in October of last year but it didn’t show up on my radar until this year. It features JR Hayes of Pig Destroyer as you’ve never heard him before, so that alone makes it worth listing here. $2.99 gets you a download of their 3 track self titled EP, just go here.

Another Mega Sized Concert Recap

Well, I haven’t posted any concert reviews lately, but as usual I’ve still been going to lots of concerts. Things have slowed down a bit here in late December concert wise but this is normal since bands don’t usually like touring during the holidays. I’ve been to some great shows since my first mega sized concert recap. I’ve set each show as a separate paragraph so if you don’t care about a particular gig you can easily skip to the next one. And of course all the band names will link you to a place you can stream that band’s music. Click on any picture to see more of my photos of that band as well. Now, on to the awesomeness that is going to see metal shows in the DC area.

On Saturday the 12th of November 2011 I headed out to the Velvet Lounge on U Street in the District. Warchild was headlining a show and I had heard they were good live, though I hadn’t gotten a chance to see them yet. I got there right when their set was starting and the upstairs of the Velvet Lounge was absolutely packed! I’ve never seen it that full before and it’s cool so many people came out to see a local metal band play there. Warchild is a thrash metal act who likes to party hard. Everyone in the band was shirtless and sporting lots of tattoos. The vocalist, also from the 80s throwback rock band Rattler, told everyone in attendance to not hold back and stage dive and crowd surf as much as they wanted. The audience complied and people were even hanging from the fan in the middle of the room, just going nuts. They brought some people on stage to pound beers in a beer bong and even had two guys race to see who could smash the a can of beer open on their head and then drink it the fastest. And you thought Municipal Waste was a party thrash band, this show was crazy. They played a solid thrash set and ended it with a kick ass cover, with plenty of crowd participation, of Metallica‘s old school classic The Four Horsemen. Such a great show, I can’t wait to see them live again. Highly recommended!

Beer Eating Contest

The following Thursday, the 18th of November, I went to the Black Cat in Washington DC to see Fu Manchu play. The opening act was the Austin, Texas based three piece Honky. Somewhere between hellbilly and stoner, they were a pretty solid opener. Their bass player is JD Pinkus who is better known for having played in the Butthole Surfers. They had some hilarious song titles and subjects, which you’d expect more from a humorous grind band. My favorite was their song about masturbating at work called Gittin’ It. They were fun and obviously didn’t take themselves too seriously and they made for a good opener for Fu Manchu. On the final song of Honky’s set Fu Manchu guitar player Bob Balch came out to play a tune with the band. Fu Manchu is one of the main influences in stoner rock and metal, and most of their songs deal with modes of transportation like souped up cars and skateboarding. They had played the upstairs main stage at the Black Cat in September of 2010 but this concert was in the smaller back stage downstairs. The place was pretty crowded when Fu Manchu hit the stage, but the crowd wasn’t too rowdy. They started the set off with a few of their 90s classics before launching into this tour’s main draw, performing their entire 1996 album In Search Of… straight through. They walked off stage for the encore thing and came back to play a couple more songs, finally ending the set with King Of The Road which was still stuck in my head as I drove home. King of the road says you move too slow!
Honky with Bob Balch

Scott Hill of Fu Manchu

On Tuesday the 29th of November I found myself at the Cellar Door in Annandale, Virginia to see the Chapel Hill, North Carolina based band Black Skies play. There were four bands playing that night but I only caught two of them. The first band that I saw was Admiral Browning, a Frederick, Maryland band that was formerly an instrumental band with four members. To my surprise, at this show they had vocals and only three members. A bit of a change, and although I have a fondness for instrumental metal bands, the vocals fit in to place with the rest of the music. They were entertaining but the main reason I came to this show was to see Black Skies again. I saw them play back in September and they blew me away. This show was no less exciting. Even in the tight basement of the Cellar Door they just burst with energy. They’re the only band I’ve seen someone play a guitar solo with their teeth in a basement, and I’ve seen them do it twice now! I ended up buying a poster and it came with a free download of their debut album, On The Wings Of Time. This is a band worth checking out and I can’t wait to see them play in the area again.
Admiral Browning

Michelle Temple of Black Skies

Skip ahead to Sunday the 11th of December and I was at Jaxx to see the notorious Norwegian black metal band Mayhem again. I had seen them on the first show of their tour in Baltimore on November 2nd, but now they were back in the area playing the final show of their tour. The set list was the same as the first show, however vocalist Attila Csihar had a different costume on (he is known for having a wide range of stage costumes). This time he did not have any fake blood, and he held a skull in his left hand for the entire set. The audience seemed much more dead than the crazy pits that happened in Baltimore a month before, and the band didn’t seem to get into the show as much either. Being the final show of the tour they were probably a bit worn out. The audio mix at Jaxx wasn’t as good either. Overall I wouldn’t say the show was bad, it just wasn’t great, and the Baltimore show definitely felt more like a real Mayhem show. The fog machine was on thick all night though, and camera conditions weren’t optimal, however I still got a few decent shots and Mayhem even posted one of my photos from this show on their Facebook wall.


The following Thursday, the 15th of December, I found myself at the Black Cat once again, this time to see the killer line up of The Body, Zoroaster and Black Cobra. The first band to play was The Body, a two man doom band from Rhode Island (though I hear they are relocating). They set their gear up in the middle of the flood of the Black Cat’s back stage area and just played there on the ground, with the audience around them. They were very loud, a theme that would recur throughout the night. After they played Zoroaster took the stage. They’re a psychedelic sludge metal band from Atlanta, Georgia. They have a really trippy vibe while being heavy as well. They had a bunch of lasers shooting around not just the stage but the entire room and it looked pretty cool. Midway through my favorite song of theirs, Odyssey, the power abruptly cut out and the lights came back on for a few minutes before the band finished their set. Then came the headliner, Los Angeles, California based Black Cobra. They’re a sludge metal duo and their latest album, Invernal, is heavy as all hell. They ended up playing every song off of it, though not in order, as well as some of their older songs mixed in. A truly crushing set, it’s amazing how much heavy just two people can make. Take note all you folk bands with like a dozen members, these three bands on this tour had just seven total members between them, and they kicked major ass. Sometimes less really is more.
The Body


Black Cobra

The next night, Friday the 16th of December, I went to the Velvet Lounge to catch a show I spent a good deal of effort promoting here on DCHM. Borracho was headlining an album release show, the official launch of their LP Splitting Sky. However, there were other bands who played before them. First was a band from Glen Echo, Maryland called Rezin. The guys seemed nice and all but I have to say they weren’t very good. Most of the crowd who had assembled had left by the time their set was over, and honestly I can’t really blame them. The band was very monotonous and they just didn’t do it for me, or apparently that many other in attendance. They didn’t seem to fit with the two other acts on this bill either. However, the next band to play, Kingsnake from Philadelphia, Pennsylvania, was simply outstanding on stage. They played a style of stoner that was almost southern, though rather dark as well. They had fine tuned their songs and obviously put a lot of effort into practicing them as well. It was a great performance by a band I didn’t really know anything about going in. After they played I got up on stage and swore at the audience about giving out free shit, and then Borracho started their set. The guys were on point this night, really putting on a great show. I’ve seen them a few times this year and this was definitely my favorite of their performances. Before I’d always seen them open for someone so it was great getting to see them play a full length set live for once. Also, it was a good turn out for the second metal show in a row at the Velvet Lounge, which is awesome. Hopefully they’ll continue to let us metal heads take over their spot on U Street more often on the weekends.



On Saturday the 17th of December I went to my third metal show in as many days, this time to see locals Ilsa and Midnight Eye play with two Harrisonburg, Virginia bands, Earthling and Orthrus. They were playing at a small Ethiopian bar, named Asefu’s, that is just a few doors down from DC9 and the U Street corridor. I got there as Midnight Eye was setting up though I really only saw their first song. However, it was a brand new song and it was pretty sweet! I went a few doors down to eat dinner (I was starving) and came back while Orthrus was playing. The thin venue was packed and so I watched the show from the doorway and didn’t take any pictures (the band wasn’t facing my direction anyways). Regardless, they were pretty awesome. They play a sort of catchy black/thrash with death metal style deep vocals. Next up was Earthling, a band I had seen before at the now defunct Corpse Fortress back in March. They were just as fun to see live and I had forgotten how catchy I their tunes are. The final band of the night was DC’s own masters of doom/death metal, Ilsa. They have a dirty and crushing sound, very raw and primal and yet still very listenable. Some of their songs slow almost to a halt but the intensity never wanes. Ilsa is always fun to see live and this show was no different. However, at the end of their set they also played a new song for the first time, titled Man Made Monsters. Lucky for you who missed it, I’ve posted video of both Midnight Eye’s new song and Ilsa’s new song below. You might not be able to see much but you can at least hear them well enough.


Well that wraps up another mega sized concert recap. I have a couple more shows to see before the year is done. You might be wondering why I didn’t cover the Mastodon show at the 9:30 Club in late November, and that’s because I’m not a Mastodon fan. I wanted to see Obscura and Abysmal Dawn play on December 7th but the weather was horrible that night and I didn’t want to drive to Baltimore in it as I knew traffic would be bad (Kyuss played the same night in Balti as well). Also, my camera’s lens was damaged during this time period and I had to wait a few weeks for it to be fixed (wasn’t cheap either!). And no, it wasn’t damaged at a show. Next week I plan on posting a big recap of 2011, from the local scene to the biggest metal stories of the year and it will include a preview of 2012 as well. Until then be sure to check the upcoming metal concert calendar and remember, support the scene you’re a part of!

Metal Marathon – Days 4, 5 and 6

Ok, so my Metal Marathon posts are a bit behind, but I’m still going to recap them because the shows I saw during those 9 days were just too damn good. This is my second of three posts covering the 11 concerts and I’m going to recap the metal concerts I went to from Tuesday, March 8th 2011 through Thursday March 10th in this post. Three great shows, especially considering they were all in the middle of the work week.

On Tuesday I borrowed a friend’s car and drove to Silver Spring after work to catch a DIY show at the Corpse Fortress. The touring band was Earthling and they were playing with Baltimore based Revolta and the DC band Spine Buster. There was also a surprise set by Ilsa at the end of the night. Spine Buster had just started their set when I got there, and they were pretty entertaining but Harrisonburg, Virginia’s Earthling came out and just shredded for their entire set. They played what must have been the longest set of the night and it was high energy and just a lot of fun to be there for. I hope they play around here again because they really are worth seeing again. If you don’t believe me check out the thrashtastic video I’ve got of them at the bottom of this post. The video quality sucks visually but the audio is great and it’s a killer song! The next band to play was Revolta, a sort of punkish thrash band from Baltimore. I’d seen them a few weeks before at the Candlehaus with Fatal, though they had another guitarist then. Their set seemed a bit short this time, I think there were outside time constraints going on that were made worse since Ilsa was still yet to play. Ilsa did play a good but short set, I think it was basically a practice for their show coming up on Saturday opening for Dropdead (more on that show in my next post). I’m not sure why, but the band’s vocalist, Orion, started puking all over the floor at the end of the set. You gotta admit that it’s pretty damn metal to be barfing your guts out, mic in hand, while your band plays. I’m really glad that I wasn’t the one who had to clean that mess up! In all the show was a lot of fun and the venue was really laid back, even for a house show, and I got to talk to a lot of great people all night between sets. It was really a fun atmosphere and a great experience for my first show at the Corpse Fortress.

The next show on my list was Rotting Christ and Melechesh on Wednesday the 9th of March at Jaxx. If you go to a lot of metal shows in the DC area you’re going to find yourself at Jaxx sooner or later and fittingly this was the only venue I’d be at twice during my Metal Marathon. Some people complain about various aspects of the venue but at the end of the day, they are the only place in this area that will play any number of international metal bands and if it wasn’t for them I’d surely have seen a lot less of my favorite bands from Europe and even farther away. This night was a perfect example of this fact when the Greek band Rotting Christ headlined a show with Israel’s Melechesh. Two great black metal acts that happen to not be from Scandinavia. The tour also features the Polish black metal act Hate but they weren’t able to make it to this gig, the first show of the tour. When I got there Melechesh was getting ready to play and I quickly secured a spot in the very front. These guys are one of my favorite bands these days and I was really excited to get to see them again. They had played their first US concert ever at last year’s Maryland Deathfest (my extensive recap of that is here) and this night’s show at Jaxx was going to be their second US show. Their set at MDF had been cut short and they had a new album out since then too, so this concert’s set was longer and featured new material too. Simply put, they hit the stage and just killed it. Yeah I’m pretty biased about these guys but even most of the people I talked to afterwards said they also thought Melechesh had put on the better show. Their sound is certainly black metal but with a distinct middle eastern bent and they have some really catchy riffs that really make the sound work. That all said, Rotting Christ didn’t put on a bad show by any means. Their set was heavy with a lot of songs from their latest album, Aealo, which is ok but I think their album previous to that, Theogonia is the best of their 20+ year career. They did play several songs from that too, but the last time I saw them they were touring in support of that album and the setlist was just superior. They didn’t play much of their older material though. I was hoping they’d play some of their classics like Under The Name Of Legion and Sorrowful Farewell but I guess they’re trying to appeal more to their newer fans. I enjoyed the material they did play and combined with the set by Melechesh would say this show was definitely worth the price of admission.

Thursday the 10th of March was the sixth day of my nine day Metal Marathon and since my car was in the shop I found myself in need of a ride to see Atheist play at Sonar in Baltimore. Luckily one of my readers, a really cool guy named James (who I’ve run into at a few shows now after this night) gave me a lift in the pouring rain up to Charm City. This show was a bit of an odd line up. While I was there to see Atheist and catch opening act Revocation, I didn’t care about some of the metalcore opening acts, A Life Once Lost or Last Chance To Reason. This show was the first time I’d seen Revocation and they certainly come from the Galder school of on stage facial expressions. They were making all kinds of faces during their highly energetic set. I’d heard they were a good band live but even so I didn’t expect them to be that entertaining. They also played a cover of the Death classic Pull The Plug which is always a good way to get extra points from me. My only problem with their set was that they weren’t the last support act for Atheist. After they played A Life Once Lost hit the stage. I wasn’t familiar with their material but it seemed to be pretty typical metalcore, which I’m not a fan of and after a couple songs I’d heard enough and found my way to the bar for a beer I’d gladly enjoy out in the hall. After some good conversations out there, I went back in while Atheist was setting up to get right up front for taking some pictures. Atheist is a progressive technical death metal jazz fusion band. Yeah, that’s quite a description but pretty much sums them up. They were around in the late 80s/early 90s Florida death metal scene but broke up in 1994. They reunited in 2006 with guitarist Kelly Shaeffer sticking to just the vocals because he was unable to continue playing guitar due to some medical issues. I saw them play at Jaxx in July of 2009 but this time they had an album of new material, their first in 17 years, and this was the first tour that they’d be playing any of the new songs live. Luckily the new album, Jupiter, kicks ass and fits in with their older songs perfectly. The set was pretty awesome except for two things really, they skipped over Mother Man which was on the setlist, and their final song, Piece Of Time, was totally screwy due to technical difficulties. Those are my two favorite Atheist songs so that kinda sucked, but otherwise the show was great. They have a unique sound that fans of either technical heavy metal or jazz will enjoy, not just people who are fans of both. The band is really tight live and it sure is fun watching them play those kick ass tunes in person. The audience begged for an encore but guitarist Chris Baker came out on stage and said they couldn’t because of the technical difficulties they were having. Sort of a shitty way to end the night but what else could they do?

Well, that’s what I did on days four, five and six of my nine day Metal Marathon. You can read about the Metal Marathon plan here or about the concerts I saw on the first three days here. My next post will be covering the four concerts I went to in the final three days. So stay tuned to hear about my impressions on concerts by Meek Is Murder, Dropdead, Trap Them and Apocalyptica in my next post. Until then you can check out some of the videos I shot over days four, five and six of the Metal Marathon below or go to my YouTube page to see all of them. You can also check out my Flickr set here that has pics I’ve posted from this awesome string of concerts.