Review of Katatonia gig at Jaxx

On Thursday the 7th of October 2010 I headed over to Jaxx to catch Swallow The Sun, Orphaned Land and headliner Katatonia play the final show of the 26 date Night Over North America 2010 Tour. Katatonia is a sort of doomy dark metal band from Sweden that, at least in recent years, uses clean vocals exclusively. Swallow The Sun is a band from Finland that actually fits on this bill rather well, though they do use mostly harsh vocals. Musically their sounds are pretty similar and I’m sure their fan bases has a lot of cross over. Orphaned Land is sort of the odd ball on this tour. They are an Israeli metal band with a traditional hebrew and arabic folk elements and themes. There were also a couple local openers, but I didn’t get there in time to see them. The place was pretty full, always nice to see a good turn out at Jaxx.

To start off, Swallow The Sun and Orphaned Land switched places in the evening’s band line up order, so Swallow The Sun played first. I’m not sure if this meant they had a shorter set though. I think this was probably a better order than if Orphaned Land played first, mostly because I think Swallow The Sun and Katatonia have similar sounds and putting the other band in the middle keeps the sound from getting stale. Swallow The Sun played a good set though, including my favorite songs of theirs, Falling World and Swallow (Horror Part 1). Before playing the song New Moon, which I’d always wondered if it was about those stupid Twilight books and movies, vocalist Mikko Kotamäki said that the song was in fact about them, but implied it was making fun of them. He said that “Vampires used to suck blood but now they suck cock.” When they played their song The Justice Of Suffering, Katatonia’s singer Jonas Renske came out after a couple minutes and sang parts of the song live. As a side note, I noticed he had a Bloodbath shirt on but when he came out with his band later he had switched to an Autopsy shirt. Anyways, Swallow The Sun was pretty good, and for a slower band than much of what I’m used to seeing live, they never had me feeling bored at all. Really they were a perfect opener for setting the tone for the rest of the evening.

The next band to play was Orphaned Land. Though I’d heard of them before from that Global Metal documentary, I wasn’t really familiar with much of their music. They certainly didn’t sound the same as the other two bands on this tour, and that’s fine. These guys have a more traditional approach to heavy metal, maybe you could call them thrash or very soft melodic death metal, but the real part that stands out is all the hebrew and arabic stylings. They certainly aren’t as fast or brutal as a band like Melechesh but they’re still definitely a heavy metal band with distinct middle eastern influences. Their set was pretty entertaining to watch, though a lot of it was kinda hokey audience participation stuff like getting everyone to wave their hands or hop in place like they were at a ska show. A few times members of I guess other bands or the crew came out on stage doing goofy shit. One time they came out wearing towels on their head mocking turbans and one guy had a green sock that was supposed to be a snake while another guy was the snake charmer with a horn thing made of tin foil. This sort of thing became a recurring theme throughout the evening, I suppose because it was the final show of the tour. That’s fine for the Orphan Land stuff that’s kind of goofy and upbeat anyways, but the distractions and interruptions got kind of annoying after a while during Katatonia’s set. Orphaned Land’s vocalist, Kobi Farhi, was wearing some white get up that looked like a baptismal frock or something. He was also barefoot the entire set which I found quite brave. It made me think of all the times I’ve seen stuff like Glen Benton spit on that same stage. At one point he said that in case the audience was wondering, he was in fact Jesus Christ and that he loves heavy metal. He then said “Mayhem is a great band” which I found to be quite an awesome statement from these guys, but I think Mayhem might be a bit heavy for many in the audience at this gig. The band was missing a couple members, most notably Shlomit Levi, the woman who does the female vocals on their records. They did play her parts from recordings a couple times during intros of songs, and I think Kobi sang the rest of her parts himself. Their upbeat middle eastern folk metal seemed to be quite a hit with the audience and you could tell that some people were here just to see them. In all, even though the set was corny and at times just goofy, it was still rather entertaining.

The final act of the night was the headliner, Katatonia. I hadn’t seen them since September 2007 and while their new album wasn’t my favorite of theirs, it did have a couple new songs I enjoyed. The first thing I noticed about their set was that one of the guitarists was new, as well as the bass player. Not the end of the world I suppose, but different. I hadn’t kept up with the line up changes apparently. The next thing I noticed was the sound was shit! I could barely hear the vocals over the instruments in the mix, and for many bands that’s ok but Katatonia is one of those bands where the vocals and lyrics add a lot to the music. Now I was close to the front and in the center, not always the best place for sound quality at a place like Jaxx where the speakers face straight out, but still, the audio was crap and I could see the bass player was having problems with his instrument which actually happened the last time they played Jaxx also. They did play for almost two hours though and the sound had gotten a bit better by the end of it, though the vocals volume was still low in the mix from where I was standing (check out the videos below to hear what I mean). Katatonia has a lot of I guess “sing along” type songs and people in the audience didn’t hold back, particularly on some of their more famous songs. For some reason they never play a favorite of mine, Deliberation, and always play the monotonously repetitive Soil’s Song every set, I’ll never understand that choice. They didn’t play much older material and the setlist focused mainly on their newest album, Night Is The New Day, with a few other songs thrown in from the previous two albums. This was certainly not a show for fans of their older, harsher material, but then, I think everyone knew that going in. They certainly have a catchier sound these days, too heavy to be rock, and too melancholy to be stoner or doom, it’s their own distinct sound, and it’s well polished too. Jonas has a great voice and his lyrics are always very personal, though sometimes you’d be fooled by a song’s atmosphere as to what the song is actually about. For example, Leaders sounds like a song about a break up or something at first but it seems to actually be a song about the traps of the record industry. Speaking of Leaders, that was their final song of the night and while I really do enjoy it, apparently members of all the other bands and crew on the tour decided to come out on stage shooting silly string and throwing balloons and even taping gay porn to one of the guitars while the band played. Kinda ruined the mood though they’d been doing similar stuff all night. I’ve got video of this song below also, so you can see what I’m talking about. There were some cool moments too, like when the drummer for Swallow The Sun, Kai Hahto, came out to play drums on Teargas, and their vocalist also came out to sing with Jonas on that song. And while the on stage antics were a bit distracting for some songs, and certainly taking away from the serious tone of a lot of the music, it was still kinda funny seeing a couple guys doing a Jewish dance in the middle of Ghost Of The Sun. At one point the band had everyone in the audience turn to the mixing board and sing Happy Birthday to the tour manager. At the end of the set Katatonia did the typical planned encore thing, which made the new guitarist decide to take his shirt off showing his “sodomizer” stomach tattoo, haha.

In all the show was a lot of fun, and you could tell the bands were having maybe more fun than the fans for this one! I can’t wait to see them again, though I hope next time they play a set with a more ‘best hits’ style setlist with material from their entire history. Oh and there was that wasted guy that wanted to start a fight with me. Of all the crazy metal shows I go to, it’s the bands ya least expect that people seem to want to fight. I mean really, Katatonia gets you violent? And no I did not fight him, call me a pussy if you want but I don’t hit. Anyways, he left the front of the crowd and I never saw him again so no big deal really. Enough about that, now go check out the videos I shot below!

Review of Slayer and Megadeth gig at 1st Mariner Arena

What a great show! I’m usually rather weary of concerts at larger venues like this, but I’m really glad I went. I didn’t get there in time to catch Anthrax, but I’m not a huge fan of theirs anyways so I wasn’t too upset about it. I was there for Megadeth and most of all Slayer. I hadn’t seen either of them play in several years. This tour, originally called Leg 2 of the American Carnage Tour was renamed the Jagermeister Music Tour and there were some random college girls walking around giving out Jagermeister merch, and Kerry King even did a shot of Jager on the stage between songs at one point. It was weird seeing product placement in the middle of a Slayer gig like that. The main draw to this tour though was that Megadeth was playing their classic 1990 album Rust In Peace from start to finish and Slayer would be playing their album Seasons In The Abyss, also from 1990, straight through also. It was in Baltimore, and I’d never been to the 1st Mariner Arena before, but I couldn’t miss that.

I was coming to the show after work, where a friend had met me. I had called the venue ahead of time and they told me Megadeth would be hitting the stage around 8pm and Slayer at 9:30 so I had a frame of reference on how to get there. There was a bit of traffic when I left around 6:45 and we were sweating making the gig on time. When we got to Baltimore we parked in a garage directly across from the venue and booked it inside. Just by sheer luck we had parked on the side that was general admittance tickets only, which is what we had. So we quickly got down there, realized Megadeth wasn’t playing yet and got beers. As soon as we walked back out onto the main floor the lights dimmed and the show started, you can’t plan timing that good! Megadeth started with the Rust In Peace album right out of the gate. Holy Wars… The Punishment Due was the first song but people weren’t getting into the show right away. A lot of heads kinda bobbing and fist pumping but I don’t think I even saw a mosh pit until half way through their set. Megadeth’s main man Dave Mustaine switched out guitars several times through the night, even pulling out some double neck flying V (does that make it a flying W?) guitar at one point. He also mentioned the problems with their last concert in Baltimore, the one where someone poured a drink on the mixing board three songs into their set so the show was canceled. More info on that fiasco here. He also called that venue, Rams Head Live, a piece of shit, which got people laughing a bit. They had the Rust In Peace album cover backdrop up while playing the songs from that album, but switched it to an image with Megadeth’s mascot Vic doing a sort of fist bump thing with background artwork from their latest album, Endgame. They also had a guy wearing a suit and a Vic mask with skeleton gloves come out on stage during Dawn Patrol, I suppose to distract people from the weakest song on Rust In Peace. One thing that sucked was Dave’s vocals during Megadeth’s entire set were shitty! They weren’t consistent at all and just sounded awful, which you can hear in the videos I posted below. I don’t think it was his voice as much as the PA not working correctly or something. The band seemed to be having a lot of fun up there and even did an encore. I always think it’s kind of odd when a band does that who isn’t the headliner. Especially since Slayer did not do the encore gimmick this show. Regardless, it was fun seeing Megadeth play some of those killer though less played songs on Rust In Peace like Five Magics and Poison Was The Cure. I didn’t see them last March when they came to the 9:30 Club playing the same album, so this was great. After they had played the album they played Head Crusher from their latest album in a mix of Megadeth classics like Peace Sells… But Who’s Buying? People were really into the show by the time they finished and everyone knew the intensity was about to go up once Slayer hit the stage. Another odd thing, Dave said “God bless you” to the audience as he left the stage, which wouldn’t be that weird (we all know he’s become a born again Christian) except for the fact that fucking Slayer was up next.

A white curtain was dropped to hide the stage while Slayer set up. The crowd was in a state of anticipation when they started projecting the Slayer logo onto the curtain. I worked my way to the front as close to the center as I could get, ended up about 3 or 4 people back the entire show. I saw Slayer play Reign In Blood in 2003 at the now razed Nation so I figured I’d see them play Seasons In The Abyss too, since that album is also awesome. Maybe they’ll play Show No Mercy straight through for the next tour! I had assumed that Slayer would start their set with War Ensemble, the first song on Seasons In The Abyss, but they surprised me and played a couple songs off their latest album, World Painted Blood. The title track and Hate Worldwide are decent songs I guess, but that’s not what people were here for. Just as the crowd’s enthusiasm started to wane Slayer burst into War Ensemble and got the show really going. The audience instantly came to life and the pushing and shoving up front started and didn’t stop until the end of the show. I’d say War Ensemble is one of Slayer’s more “mosh friendly” songs, but really how many Slayer songs aren’t great for moshing to? For those who have not seen Slayer before, their mosh pits are intense! They have one of the most rabid fan bases in all of metal, which is really saying something. And let me tell you it’s not easy taking pictures or shooting video in the middle of all that! Hell, just keeping yourself relatively still while Slayer is 10 feet in front of you playing Raining Blood or Angel Of Death is not an easy task even if nobody else was there. But I’m no rookie to mosh pits, I love this shit. I did see a few kids getting pissed about all the pushing and elbows they were getting, but I mean it’s Slayer, what were you expecting people to be standing around staring blankly like it’s a fucking Fugazi concert? They actually had the security pull them out of the crowd to leave the front and avoid having to go back through the mosh pit. Those kids could not handle the Slayer! This was the first time I’d seen Slayer since Tom Araya had his neck surgery, after which he no longer head bangs. Kind of weird but not a huge deal, it did mean I could get more good pics of him throughout the show though. They played Seasons In The Abyss as advertised and again it was great hearing them play some of those awesome songs that never get played live from that album. Temptation really got people going crazy too, which I wasn’t really expecting. The sound seemed better for their set than the Megadeth show, though you can judge that for yourself with the videos below. They finished the set with just a few of their classics, South Of Heaven and the like. The only odd thing was after playing Raining Blood they immediately went into Aggressive Perfector, which is a bonus track from the Reign In Blood album. They didn’t do an encore and you could tell when the show rather abruptly ended after Angel Of Death the audience still wanted more. Some people started chanting Slayer for them to come back but really that wasn’t going to happen. I was covered in sweat and bruises but damn if that wasn’t a fun show. I really liked this venue too, they had an open setup and the fact they let me shoot video the entire time was great too. After the show someone told me that somebody had broken a leg or something in the pit, apparently toward stage left. I’m definitely glad I got the floor tickets instead of seats, the intensity of being up front at a Slayer show is second to none, though I’m glad I wasn’t the one with anything broken! Now check out the two Megadeth and six Slayer videos I shot last night that are posted below. Enjoy!

One Year Anniversary

One year ago I made my first post on this site! I’ve completely changed the layout, gotten a much better logo, and added many more posts and concert listings to the site. This site is constantly evolving, so it’s still not “done” yet. I planned on posting my first interview today to commemorate the day, but it’s been delayed for reasons outside of my control. Hopefully I’ll have it posted next week.

On this first birthday of DCHeavyMetal.com, I’d like to thank all of you who have been supportive of this site. I didn’t know what to expect from people when I started running this, or have any expectations of many people reading it. I’ve gotten an overwhelming amount of positive feedback from you all and it’s been really encouraging for me to keep the site going. Almost every concert I go to now at least someone recognizes me from the site and says hi. That’s always cool, I really never expected so many people to like it so much. I don’t make any money on this at all, it’s a labor of love but I’m glad so many people have enjoyed what I’ve been doing this past year. I hope to continue to make the site better and better. I’m always open to feedback on ways to improve the site so leave a comment or email me at DCHeavyMetal@Gmail.com if you’ve got something to say (or if you want a free bumper sticker with my site’s logo).

I already have some improvements coming to the site, including me possibly getting a nice Nikon DSLR camera. Hopefully I’ll be using that for nicer pictures at the venues that will allow it. I’d also like to have the Downloads section set up the way I want in the next month. For now I’ll give ya the link to Annandale, Virgina based doom trio Salome‘s new song Master Failure. Stream or download it here. It’s a promo their record label put out to promote their upcoming album, Terminal, which should be out in early November.

This site takes a lot of work and a bit of money, but I’m always glad to help the local metal scene. You can too by coming out to see some of our excellent local bands! There’s a show at Jaxx on Friday the 17th of September, Division and Cab Ride Home and probably some other bands too. Check out this Facebook page for more info. The next night, Saturday the 18th, Above The Altar is headlining a local metal show at King’s Court in Leesburg, Virginia. Then there is the second metal night, dubbed Mandatory Metal, coming to the State Theatre on Friday the 8th of October. Excellent local bill of Apothys, Trihexyn, Immortal Decay and Deranged Theory. Check out the Facebook event page for that here. Remember, if they get enough people to come out to these things they’ll keep doing more metal nights. Lastly, on Saturday November 20th local death metal band Loculus is having an EP release show. They’re a great death metal band from the area, and the $5 entrace fee gets you a free copy of their new EP titled Sinew. More info, including other bands playing, is listed here.

Review of Fu Manchu gig at the Black Cat

Thursday the 2nd of September 2010 I had a bit of a struggle to get to the Black Cat to see Southern California’s Fu Manchu play. Opening act It’s Casual canceled and so the set times were moved up a bit earlier, which didn’t work in my favor. I did make it to the venue though, but I only caught about half of the last song by support act Black Tusk. That kinda sucks because I like their new album and wanted to see them. Not the end of the world though because the real reason I was here was to see headliners Fu Manchu. I’m not sure they count as a metal band, most tend to call them stoner or skater rock, but you’ve got to admit they have some thrashy riffs as well as some heavy distortion laden doom style riffs thrown in there too.

They came out at around 10pm and the audience was ready for them. I think the audience had about doubled in size in the 20 minutes since Black Tusk’s set. They started off playing Squash The Fly and their energy on stage was just great from the start. The crowd got into the show instantly and seemed to cheer louder after each song all night. Unlike some of the stoner and doom bands who are getting back together for reunions these days, Fu Manchu never broke up. This means they have a lot of material to choose from. Their setlist was the ‘best hits’ style spanning their career (as opposed to the play mostly new material style) and they played songs from just about all of the 10 full length studio releases and even a few from their EPs and singles. They did throw in a couple songs from their most recent release, Signs Of Infinite Power, and while I didn’t know them as well as some of their classics like Hell On Wheels and Evil Eye, they fit into the mix perfectly didn’t take away from the show at all like a band’s newer material sometimes can (*cough* Iron Maiden *cough*). I’d seen their setlist on the stage before the show and I’m glad to say not only did they play everything on it, but they added quite a few songs to it also, Ojo Rojo and Superbird notably, as well as a cover of the SSD song Nothing Done.

The whole show guitarist and lead vocalist Scott Hill kept changing location on the stage. Sometimes he’d be headbanging back by the drum kit, sometimes he’d walk up to the very edge of the stage and play to the crowd, and sometimes he’d just be jamming out in front of the mic stand. The whole band seemed very at home on stage and they put on a great performance. These songs are great on their studio albums, but executed live they seemed to be supercharged and maybe part of that was from the crowd’s feedback. The whole thing was rather enjoyable I must say, well except when someone told me to stop shooting video early in the set. That kinda sucked, but I still managed to shoot the final two songs of the night, which you can see below. Aside from that minor issue, I had a great time overall. Even when the mosh pit behind me got out of control and I had beer spilled on my back I didn’t care because it was just that fun of a concert. Early in the set Scott repeated “Baltimore Sucks” into the mic after an audience member said it, but he later apologized when people in the crowd yelled to stop hating on Baltimore and he clarified that he in fact likes Baltimore and enjoyed some of their shows there in the past. Other than that he didn’t say a whole lot between songs, other than to introduce the next tune. Eventually they ended their crowd pleasing show with the song King Of The Road, only to come back a minute or two afterwards and play a request, the song Weird Beard, as their only encore song to finish the night. They played for about 90 minutes straight and their set didn’t get boring for a second. This was a great way to spend a Thursday night in DC and I’m glad I succeeded in getting there. And if you weren’t in attendance or were and just want to remember, here’s the videos of their final two songs they played:

Review Of Hate Eternal gig at Jaxx

Disclaimer: I’ve been rather busy and also gotten sick since this concert happened so I’m not going to do a complete review of the gig, and it’s late getting posted too so deal with it. It was Friday the 27th of August and I went to Jaxx to see Hate Eternal, Cannabis Corpse and Order Of Ennead play. There were some local bands that played first, but I didn’t get there in time to see them. I did hear that a band called the Dead End Kids performed some rap and so many people left the main room because of this that that they were having a problem with crowding in the hallway.

I arrived at the venue a few minutes before Order Of Ennead played, which was good because I certainly wanted to see them again. They’re a Tampa, Florida based death metal band, and their drummer is Steve Asheim of Deicide fame. I’d seen them open for Deicide a while ago, but it was good to see them standing on their own this time. They played a tight set and I liked it more than the first time I saw them. Partly because I caught the entire set, and also because I think they’ve practiced a lot more and gotten their sound really down. I guess I mean their performance just seemed more professional and polished. In all, a brutal way to start of the night, and I mean that in the best possible way.

Next up was Cannabis Corpse, a sort of joke band from Richmond. Their song titles are all parodies of Cannibal Corpse songs, but changed to make them about smoking pot. For example Skull Full Of Maggots becomes Skull Full Of Bong Hits. That said, their songs are not covers or Weird Al style humorous lyric swaps, they’re more thrashy really. You may recognize their bass player, Philip Hall, from the band Municipal Waste, though the stand out on stage was vocalist, Andy Horn. Even though Cannabis Corpse was the band I was least interested in seeing, he was by far the most entertaining person on stage all night. He was almost constantly moving around, making strange and funny expressions and hand gestures, and even doing things like stumbling around like a zombie on stage. He really kept their set entertaining to me, and he was good at getting the pit going too. Going into the show I thought they should be playing before Order Of Ennead but I think they were a good fit between the two Florida death metal bands. They were a nice change of pace and kept the show from getting monotonous. And even though they weren’t headlining, they finished their set with an encore song, the rarely played live Chronolith (video below).

The next band set to play was the headlining act, Hate Eternal. The other Florida death metal act on the bill, this three piece band is technical and relentlessly brutal. Vocalist/guitarist Eric Rutan is probably best known for his time spent in Morbid Angel, but Hate Eternal is his own baby. Most of their songs aren’t particularly catchy, but then you don’t go to death metal shows to grind on sluts all night do ya? No, you go to hear fast, brutal tunes with insane solos and gutteral vocals so you can let off some steam in the mosh pit. Hate Eternal delivered big time this night, and though the crowd wasn’t by any means the biggest I’ve seen at Jaxx, there were enough people there that the place didn’t feel empty. The band didn’t move around a whole lot on stage, tho Eric would walk to the edge of the stage in a few choice spots and get right up in the audience’s face which seemed to get people excited every time. The band was really tight and really crushed it, especially on songs like I, Monarch and King Of All Kings. They were definitely worth seeing and my ears loved the pummeling.

Well, that’s about it for my “short” review which seems to have gotten to a decent length now. The people at Jaxx were cool and didn’t give me any gruff for shooting video this night, so I shot a lot. The guys in Order Of Ennead actually posted links to their MySpace and Twitter feeds of the vids I posted of them, which is cool. Well, on to the videos:

Recap of the first Metal Night at the State Theatre

Wow what a night for local metal! Friday the 20th of August 2010 was the first metal night at the State Theatre in Falls Church, Virginia and it was a pretty fun time. Four local bands played, Invader, Croatoan, King Giant and Timelord, and the event was organized by an employee of the State Theatre, Alan Margazano. Since this was the first of hopefully many local metal nights at the State Theatre, I didn’t really know what to expect. Word from management was that if they could sell 200 tickets the night would be considered a financial success and more metal nights would be scheduled in the future. This meant that it was important that people actually came out to this event and showed that there is a real interest in metal in the area. There was no way that I was going to miss this call for local metal heads to assemble, even if I wasn’t running this blog I’d have gone.

I got there at about 8:15 and the first band, Invader, had already started playing. I didn’t know if there would be like 20 people there when I walked in or what, but there was already at least 75 people inside the venue at that point. Invader had also recently played at the Blood And Fire Festival in July (you can read my review of that here) but they had played before I arrived then. I’m glad I got to see them this time, they put on a fun set of thrashy death metal including a cover a Slayer‘s crowd pleasing classic Raining Blood where the vocalist and drummer switched roles. Even if you don’t include the cover, their set consisted of a lot of mosh-friendly riffs and a ton of raw energy coming from the stage. You could tell they were having a lot of fun and were happy to be playing. Their set was long enough you could get a good idea of what they were about, and they were a great band to start off the event on a high note.

The next band up was Croatoan. I didn’t know much about these guys. They weren’t bad, but they seemed to have not really found their sound yet. Different songs seemed to be in different genres. One more more death oriented, one more traditional thrash, another doom. Don’t get me wrong, they were fun to watch, and they were certainly having fun entertaining the audience. Their vocalist, Emil Poss, had a good banter with the crowd going between songs, and they didn’t lose my interest through their entire set either. I just think a more defined direction would help these guys out. There’s certainly room for them to grow and I look forward to seeing them again in the future to see how they’ve progressed. They did get the pit going a few times, and I have to admit it was kind of surreal seeing a circle pit at the State Theatre.

After Croatoan played there was a long break before the next band, King Giant, started. This made it a good time to get a beer and/or order food from the bar. There wasn’t a whole lot of food to chose from on the menu, pretty standard burgers and fries (there was a veggie burger too) with the only thing a little different being the hummus. I’ve got a pic of the menu here if you want to check it out. The beer menu was certainly more filled out, though there were a couple draft beers that had run out. They did have a decent selection of bottled beer too, including a couple non-alcoholic options, as well as a fully stocked liquor bar too. You can check out the picture I shot of the beer list here. After each band played they’d hide the stage with a movie screen that dropped down and displayed various images on the screen. Often logos for the band playing next, or a funny images from the internet. They would also play samples of music by metal bands selling merch in the back of the room. These were local bands who weren’t playing this evening, but were hoping to play future metal nights. The upstairs balcony seating was closed, so people were confined to the downstairs main floor, which had tables as well as a standing room only pit area directly in front of the stage. Alan would get up on stage before each band played and introduce them as the movie screen raised up behind him revealing the next act.

When King Giant hit the stage the venue was really alive. They had the largest draw of the evening and probably should have been playing last. I won’t get into a long description of the band and their sound here, I reviewed them playing at the 9:30 Club three weeks ago and you can read that here if you want that. In short their sound is a very polished and distinctly southern heavy metal. They have a clear vision of their sound and they bring it to the stage very well, this night being no exception. They were a bit different in sound than the rest of the bands playing, but I think that’s great. Part of the draw of Metal Night, at least for me, is seeing a mixture of bands from different sub-genres exposing each other’s fans to new music they wouldn’t have heard before. I’m sure there were some people who didn’t like the sound as much, there always is, but I talked to several people who were impressed with King Giant and they certainly won some new fans this night. Their set wasn’t as long as it had been at the 9:30 Club, but it still had fan favorites like Solace and Mississippi River in there. In all, it was another good live performance by one of the area’s best unsigned metal bands.

Next up was the final band of the night, Timelord. I’ve seen them on the calendar opening for bands at Jaxx before, but never gotten the chance to see them. Alan introduced them as an Iron Maiden influenced band and he wasn’t kidding. Vocalist Matt Aub certainly has a likeness to Bruce Dickenson in his vocal tone, though he is also playing guitar while singing. These guys definitely knew how to play their instruments and their set was full of killer guitar solos and even a drum solo at one point. I think calling them Maiden influenced thrashy power metal would probably best describe them. Unfortunately, power metal isn’t my favorite metal sub genre and while their set wasn’t bad by any means, it was probably better suited to fans of the genre more than myself. The songs didn’t have a lot of variation, which isn’t always a bad thing, but when paired with my lack of interest in power metal I found myself getting distracted and talking to people. Fans of old school heavy metal, NWOBHM, and power metal in general would probably enjoy these guys a lot more than I did. At one point a couple of the guys from Invader showed up on stage with them and started headbanging. After their final song, Cult Of The Dead, people were chanting for them to play more but the movie screen started lowering and people knew the concert was over.

The first metal night ended a few minutes shy of midnight. Afterwards Alan announced over the PA system that the night had been a success and the next “Monthly” Metal Night at the State Theatre would be held in October. The event was hell of a lot of fun, and I spent a good amount of time talking to people. Throughout the night I saw a lot of familiar faces from the area’s metal scene and got the chance to meet some new people and bands too. I picked up some new music and also got to check out some bands play that I’d never seen before. On my way out the door Alan told me over 230 tickets had been sold, plenty more than the 200 needed to ensure more metal nights at the State Theatre in the future. They’ve got a big stage with great lights and a good sound system too, it’s very cool that they’re giving real metal a chance to use it. It’s really amazing that this all came together from it’s beginnings as a Facebook group page (join it here for updates on future metal nights). They’re already starting the search for the next event’s band line up and you can make suggestions for that here. I’d like to see more genres represented at the next one, maybe some black and doom and a bit less thrash. Also, you can check out videos I shot of each of the four bands who played at the end of this post and view the photos I’ve posted here. The event’s turn out was good and while Alan deserves a lot of credit for putting this all together as well as the bands who played, all the people who got off their asses and came out and bought tickets for a night of local metal deserve a big thanks for making it not only possible but successful enough to ensure another metal night. Lets keep this ball rolling and get even more people to come out to the next one on October!