My Hell in the Harbor photos and videos

Hell in the Harbor Fest really was a hell of a way to spend Memorial Day Weekend. The entire block of Market Street in front of the Baltimore Soundstage was blocked off and fenced in for the festival. The single outdoor stage located on the northbound lane of Market Street faced North with East Pratt Street to its back which lead to lots of pedestrians hanging around gawking and the bands performing there. The event was sold out and it got pretty crowded in the street near the stage when the more popular bands were playing there, especially since some of the food and drink vendors were located very close to the outdoor stage. That said, it def had the feel of that era of Maryland Deathfest with the single stage outside of Sonar back in the day. Everything went off pretty well it seemed, only one band canceled out of the entire line up and there was even a surprise set by Jivebomb atop a shipping container located inside the fenced in area of the fest. Big props to Adam Savage for putting this all together and to Mike O’Brien at Baltimore Soundstage for letting me cover it (and give away tickets to one lucky DCHM fan!). Below I’m posting just some of my favorite photos and videos that I shot at Hell in the Harbor Fest but you can see all of my photos from the festival on Flickr here and all of the videos I shot at the fest and other shows on my YouTube page here. And if that’s not enough for you be sure to check out other coverage of the fest by people like Melissa Suarez Photography, Hillarie Jason Photography, Return to the Pit / Aaron Pepelis, and Misery Cartel Photos.

Friday the 26th of May was the pre-show for the fest at Baltimore Soundstage. Nothing took place outdoors that night and I only shot a bit of the set of the headliner, the Swedish doom metal band Candlemass. Below is my video of their final two songs, “Solitude” and “Demon’s Gate,” but I also shot footage of their song “The Bells of Acheron” which you can see here.

The first full day of Hell in the Harbor Fest was on Saturday the 27th and the weather was sunny and warm. The first band I caught was the Ohio based death metal band Sanguisugabogg on the outdoor stage. They

Georgia based sludge band Black Tusk put on a super high energy set on the Baltimore Soundstage’s stage. It’s been a while since I have seen them live but their live show has really improved in that time, I was definitely impressed. They also played a new song, titled Brush Fire, which I shot video footage of that you can see below.

Next I saw Maryland’s own Dying Fetus perform their style of slam death metal on the outdoor stage.

The main headliner of day one was the most famous death metal band in the world, Cannibal Corpse! This was my first time catching them live since Erik Rutan joined the band and I’ve got to say they seemed even tighter with him in the line up. In the video I shot below lead vocalist George “Corpsegrinder” Fisher challenged the audience to best him at head banging (I don’t think anyone beat him tbh).

Eventually I found my way over to Angel’s Rock Bar inside the Power Plant area to catch Tombs play. They were solid but they had the stage lights turned down low and a ton of fog so the conditions we’re pretty poor to try to shoot anything in.

Sunday the 28th of May was the final day of Hell in the Harbor Fest but had what I considered the best line up of the weekend. The first band I caught was the chainmail wearing blackened speed metal band Demiser from South Carolina inside Baltimore Soundstage. I shot the below video of them including an epic stage dive by DCHM contributor Vivek at the 4:11 mark.

After Demiser I went outside to catch Misery Index on the outdoor stage. They’re always a fun band that is mostly local (founding member Jason Netherton now lives in Sweden) and they always do a good job of song selection for their live shows. Their drummer, Adam Jarvis, had an intense day as he also played with Pig Destroyer, the next band to play on the same stage that day.

I saw Michigan based grind band Cloud Rat perform next inside Baltimore Soundstage, but their set was really short (even by grindcore standards) due to technical issues causing them to start about when their allotted time was supposed to end. Luckily I’ve seen them before but next up I headed outside to catch local grindcore legends Pig Destroyer on the outdoor stage. By this point there were a lot of normies hanging around the outside of the festival watching what was going on not just on the street but even in the nearby stores such as the second story of the Marshall’s. Pig Destroyer vocalist even gave a shout out to all the onlookers on the street and in the IHOP and Marshall’s. The crowd surfers were starting to show up during their set and there’s something very Baltimore about witnessing the Chicken Man crowd surf in front of a Popeye’s. It was a fun set as always

The next band I caught was the Toronto based black metal band Spectral Wound. I had never seen them before and they put on a spooky show with lots of fog. The band came ready to play and their set was tight and very high energy as well. I shot a video of them playing their incredible song “Frigid and Spellbound” followed by a new song that I don’t know the title of, check it out below!

I really wanted to catch all of Spectral Wound’s grim and frostbitten set but I left about four songs in because one of my all time favorite bands to see live was on the outdoor stage at the same time, the legendary Napalm Death! I don’t know how they continue to do it but one of the oldest bands on the bill still puts on one of the best live shows of any metal band in the world. Always intense and fun, Napalm Death blasting out into the Inner Harbor of Baltimore was just awesome. The crowd surfers went wild during their set, the most I saw for any band the entire fest. I shot video of the last nine minutes of their set, which includes their cover of the Dead Kennedys classic Nazi Punks Fuck Off! which you can see below.

By the time Napalm Death ended their set Richmond’s Inter Arma was already on stage inside the Baltimore Soundstage. Another band that I love to see live, this was the first time I’d seen them with a theremin player on stage.

When Inter Arma’s set ended I had just seen several killer sets back to back to back and it was time for a bit of relaxing (read: tailgating) during High on Fire’s set. It’s not that I don’t like Matt Pike’s thrashy sludge band but I have seen them a ton of times in the past. I made it back in time to catch Undeath‘s wild set inside Baltimore Soundstage. The stage divers were going nuts during their brutal set and played a new song, titled “Brandish the Blade” (see it here). The Chicken Man was up to his normal antics and managed to get up on stage with a flag during “Enhancing the Dead” that I captured on video that you can see below.

I headed over to Angel’s Rock Bar for Philadelphia’s Sonja. I had caught them at a house show in Takoma Park back in December but that show suffered a bunch of technical issues so the sound was not idea. That’s fairly typical for house shows but their performance at Angel’s definitely seemed like more of a real show this time.

After Sonja played it was time for New York City’s Tower to close out Angel’s Rock Bar. I wasn’t familiar with Tower but they played an energetic style of traditional metal lead by frontwoman Sarabeth Linden. They were one of those bands that you can just tell is having a blast performing together, really fun to watch. Unfortunately they blew an amp head and while they were figuring that out I headed over to catch the end of Hulder‘s set at Baltimore Soundstage. Luckily I had seen Hulder in NYC back in February with Blackbraid because they cut their set short by about 15 minutes. Kind of a weird way to end the fest but as the lights came on I started doing my goodbyes to people I’d seen there. In all Hell in the Harbor Fest was executed really well. Aside from a few issues about crowding near the outdoor stage, there really wasn’t much to complain about (ok drink prices were pretty high too). I got to see some great performances by great bands, some that I’d seen before and some that I hadn’t, and of course the best part was getting to see a good chunk of the people I typically run into at Maryland Deathfest despite no MDF this year.

I hope you all enjoyed my photos and videos, remember you can see more of my pics from this fest here and of course all of my videos are up on YouTube here. Be sure to check out other people that covered the fest like Melissa Suarez Photography, Hillarie Jason Photography, Return to the Pit / Aaron Pepelis, and Misery Cartel Photos.

Metal Chris’ Favorite Death Metal Albums of 2019

I made a list of my favorite black metal albums of 2019 (here) and a doom/stoner list (here) but right now I’m focused on the brutal, gory and morbid world of death metal in 2019! The albums are not ranked so they’re in order of release date. They’re not meant to be “the best albums of the year” but they are my personal favorites of the year, the ones I kept coming back to listen to again and again.

MusmahhuReign of the Odious
Released January 11, 2019 by Iron Bonehead Productions
Musmahhu is a Swedish death metal band but don’t think they’re some throwback using an HM-2 pedal to no end. Musmahhu uses many elements of black metal but they aren’t a typical blackened death metal band like Behemoth either. Their aggression is so high that despite the black metal elements this is still firmly a death metal album. Fans of Deicide and Belphegor will like the evil sounding death metal on Reign of the Odious.

EquipoiseDemiurgus
Released March 8, 2019 by The Artisan Era
Pittsburgh based Equipoise is the proggy/tech death entry on this list. The band been called a “super group” for including members of bands like Hate Eternal and Beyond Creation but pedigree aside this is some pretty solid tech death. Songs are composed in a way that is complex yet fairly easy to follow, making this release more palatable than similar bands with great technical skill but no ability to compose a proper song. The flamenco elements are unexpected but somehow work as well!

Venom PrisonSamsara
Released March 15, 2019 by Prosthetic Records
The Welsh band Venom Prison has been making waves in the world of death metal, a genre often focused on gory depictions of violence toward women, by taking a feminist approach to it without losing the anger. Vocalist Larissa Stupar’s lyrics in the song “Implementing the Metaphysics of Morals” are perfect example, full of spite for infamous rapist Brock Turner and his light sentence, showing again that the rage of death metal can be used for more than just slasher film style shock.

NucleusEntity
Released April 13, 2019 by Unspeakable Axe Records
Nucleus is a death metal band from Chicago that takes the sci-fi vibe from thrash bands like Vektor and Voivod and severely ups the brutality. This isn’t death/thrash, this is straight up death metal but with that eerie vibe of being lost in the outer reaches of space. Nucleus has good amount of technical skill and dynamic songwriting to keep it interesting throughout Entity.

Immortal BirdThrive On Neglect
Released July 5, 2019 by 20 Buck Spin
The second band on this list from Chicago, and second with a female vocalist, Immortal Bird released their best album yet this year in Thrive On Neglect. There’s a lot of aggression coupled with an underlying tension throughout the album while the band also blends elements of genres far outside of death metal. They aren’t following any trends, they’re just making unique, solid death metal songs with so much variation you will keep discovering new details upon repeat listens.

Tomb MoldPlanetary Clairvoyance
Released July 19, 2019 by 20 Buck Spin
This is the third Tomb Mold full length in 3 years and you may be getting tired of seeing the Toronto based cavernous death metal band appearing on year end lists but their incredible streak of releasing top notch material shows no signs of slowing down any time soon. This time around it’s basically Tomb Mold In Space and while the sci-fi theme has definitely become a major trend in death metal lately, these songs are still full of all that raw aggression, nasty guitar tone and memorable riffage Tomb Mold is known for.

SanguisugaboggPornographic Seizures
Released July 26, 2019 by Maggot Stomp
Maggot Stomp has certainly become a trendy record label in the world of ugly, underground death metal and this 4 song demo that is only about 11 minutes long was their best release of 2019. There’s not a lot of build up on a release this short, it’s very straight to the point and full of some of the most ignorant caveman death metal riffs you’ve ever heard, combined with a psychedelic haze you’d expect of a band more like Electric Wizard. This release is fun as hell to listen to and even more fun to mosh to.

01101111011101100110111001101001SDSS J0333​+​0651
Released August 9, 2019 by Amputated Vein Records
01101111011101100110111001101001, also known as Ovni, (which is Spanish for UFO and what their name means when converted from binary code to ASCII) is obsessed with two things, aliens and brutal slam riffs. The album SDSS J0333​+​0651 is named for a distant galaxy cluster and the songs are all technical name designations for various stars, galaxies and other objects in outer space. The Argentinian band is known to dress up as aliens on stage too. The songs are sick and the album is only 23 minutes long, short enough that your interest doesn’t wane before it closes with a quote from Stephen Hawking.

Cerebral RotOdious Descent Into Decay
Released August 16, 2019 by 20 Buck Spin
Slimy, festering and rancid are all good descriptions of this surprise instant classic by Seattle based Cerebral Rot. This is death metal from the sewer in its purist form but what makes it special is just how many hooks they crammed into this release. The riffs are catchy and distinct from each other, yet keeping that beautifully repulsive sound constant throughout. This album is as fun as a splash fight in a septic tank!

MortiferumDisgorged from Psychotic Depths
Released October 11, 2019 by Profound Lore Records
Fans of that creeping death/doom pioneered by Incantation are going to absolutely love this debut album by Olympia, Washington, based Mortiferum. They have faster blasting segments that are contrasted perfectly with the almost funeral doom slow segments that will leave you feeling completely crushed under their weight. There’s a lot of bands attempting this style of death metal these days but nobody did it better in 2019 than Mortiferum.

Unfathomable RuinationEnraged & Unbound
Released November 22, 2019 by Willowtip Records
The London, England based Unfathomable Ruination put out one hell of an album this year in Enraged & Unbound. Relentless pacing and brutal intensity lay the foundation that the abrasive time changes and killer riffs that are built on. Fans of Psycroptic, Origin and old school Cryptopsy are going to love peeling the layers back with repeated listens of this album.

Blood IncantationHidden History of the Human Race
Released November 22, 2019 by Dark Descent Records
This was certainly the most hyped death metal release this year, it was even given Decibel magazine’s top spot on their list of 2019’s best albums. I’m not sure I’d go that far but it really is a great album, though I think I like their debut a bit better still. Regardless, the Denver based band has put out another album weaving crushingly heavy riffs with complex songwriting and this is in no way a sophomore slump release. Plus we got some cute Baby Yoda memes from that album cover art.