Maryland Deathfest XII Recap – Part 2

Part 2 of my Maryland Deathfest XII recap will cover the final two days of the festival, Saturday the 24th and Sunday the 25th of May 2014. You can read part 1 here where I cover what happened on Thursday and Friday of the fest. If you’d like to see more of my MDF photos you can do that here.

If Friday was the black metal day of the fest I think Saturday was the thrash metal day with performances by Sacrifice, Tankard, Sarke and Dark Angel all on the schedule. However I decided to get start the third day of Maryland Deathfest with helpings of grindcore and whiskey shots at the Baltimore SoundStage. I caught the Czech band БУТ perform first and they were pretty good. Their set was short, as grind sets tend to be, but they were fun. The next band I saw was Sick/Tired from Chicago. These guys were impressive with how terrifying their sound was. The audience wasn’t exactly huge yet at the SoundStage at 3:30 in the afternoon but they still brought it anyways. After they played I took a short boozing break before heading over to see Nocturnus AD at the main grounds of the Edison Lot.

Nocturnus AD is a spin off band of a now defunct death metal band from the early Tampa Bay, Florida scene known simply as Nocturnus. I remember these guys mostly for an album their classic 1990 album The Key. Apparently a few Nocturnus members secretly copyrighted the name Nocturnus then kicked out drummer/lead vocalist Mike Browning, the only founding member left in the band. Mike Browning then formed a band called After Death and together with the members of this band they performed for us at MDF as Nocturnus AD. It appears that they knew most people wanted to hear them play songs from The Key and they played the album from start to finish then closed their set with a crowd pleasing cover of the Morbid Angel classic “Chapel Of Ghouls.”

The next band to play was the German thrash band Tankard. These guys had a lot of energy on stage and musically they are beer fueled party thrash, basically the old school version of Municipal Waste. The audience reacted well and if nothing else Tankard gave us a good excuse to cool down with a few beers during their set.

Tankard:

Sacrifice was the next band to play and I was excited to see them. This was the Toronto thrash band’s first show in the US since 1993! They had their entire line up back together and they didn’t disappoint. Sacrifice expertly played their aggressive songs and I thought that this was the show that Coroner should have given us when they performed a rather lackluster headlining set at Maryland Deathfest in 2011.

Sacrifice:

The next band to play the Edison lot was Sarke. Originally started as an eponymous solo project by the band’s bass player, they’re more known for being fronted by Nocturno Culto of Darkthrone fame. Sarke is called black/thrash but they aren’t really as fast as bands like Aura Noir and Abigail. Their sound is pretty straight forward and cold. The band didn’t play the full amount of time they were allotted but I don’t think most people minded since for their final song, after covering Celtic Frost, they did what everyone watching the show hoped they do: cover a Darkthrone song. For those who don’t know, Darkthrone refuses to play live so Nocturno Culto performing “Too Old, Too Cold” with Sarke at Maryland Deathfest is about the closest any of us will come to seeing Darkthrone live.

Sarke:

It was getting ominously dark by the time Unleashed hit the stage. One of the first death metal bands from Sweden was called Nihilist and after a few legendary demos they parted ways with Johnny Hedlund and reformed as the band Entombed. Johnny Hedlund didn’t disappear though, he quickly formed Unleashed, a death metal band that over the years has gotten more and more into viking history and mythology. I tend to think of modern Unleashed as the more authentic version of Amon Amarth. It’s not every day you get to see one of the founding Swedish death metal bands play in America and while Unleashed’s set was pretty damn good, they didn’t play anything off of their legendary debut album Where No Life Dwells, which was a bit of a bummer. I realize they want to get people into their more modern material, and it actually is really good stuff overall, but some fans only know that album and even just a one or two WNLD tunes in the set list would have been nice.

Unleashed:

Next up was Saturday’s headliner, the long awaited return of Dark Angel. The band appeared with their complete Leave Scars line up, including the Atomic Clock, Gene Hoglan behind the kit. Their set list was a good mix of songs from each of their four albums. Dark Angel really put on a great show, despite the dim stage lighting and light rain that began midway through their set. Ron Rinehart’s voice was in good form and he did well on the Don Doty era songs too. They had a lot of energy, especially for an older band, and I think they really fed off the strong audience reaction. They ripped through their final song of the night, “Perish In Flames” and I could have watched them for another hour if they’d have played that long. Dark Angel was definitely my favorite performance of Day 3 of Deathfest.

Dark Angel:

After Dark Angel played I headed over to Rams Head Live to see Schirenc. They’re named after Martin Schirenc who is also known as Don Cochino, guitarist/vocalist of the Austrian band Pungent Stench. Originally billed as The Church Of Pungent Stench they were apparently forced to change the band’s name due to a court order by other former members of Pungent Stench. Regardless, Schirenc played a set consisting solely of old Pungent Stench material. I enjoy their bizarre take on death metal which has a macabre sense of humor to it, and I recognized several songs in their set list, but with only one member there it just wasn’t the same and it felt about as authentic as watching a modern “Guns ‘N’ Roses” concert.

Pungent Stench:

I walked the block over to the Baltimore SoundStage to catch their headliner, Excruciating Terror, a grindcore band from Los Angeles. This was something of a reunion show for the band which released all of their material in the 90s. They’re also noted for being the first band that Fear Factory and Divine Heresy guitarist Dino Cazares was in, though he was not part of the line up this night. Simply put, Excruciating Terror lived up to their name. Their songs, while short, were intense and ferocious bursts of grind and their energy level was through the roof. The audience went crazy of course and after their performance I was a sweaty mess as I walked back to Rams Head Live.

Excruciating Terror:

The final band to play Maryland Deathfest XII on day three was Asphyx. They’re a death/doom metal band from The Netherlands fronted by the legendary Martin van Drunen. Their old school approach to death metal combined with their muddy riffs and Martin’s on stage charisma was a hit with the Deathfest fans. Their set list covered crowd pleasers like “We Doom You To Death” and “Death The Brutal Way” but I think the highlight for me was hearing them play their crushing song “The Rack,” an old favorite of mine. As they finished I headed back to the hotel knowing that Sunday was going to be a marathon of excellent metal that I would need my rest to make it through. We can’t have the guy who writes the MDF Survival Guide not surviving can we?

Asphyx:

I arrived at the Edison lot early enough on Sunday to catch the first band of the day, Windhand. They’re a female fronted doom metal band from Richmond that I’ve been a fan of since their days of playing basement shows. It was just awesome seeing them on that big outdoor stage with all that power behind their ultra heavy riffs. They’re definitely one of my favorite rising bands these days and their performance was one of my top favorites of all of this year’s Deathfest.

Windhand:

The next band to play was Bongripper, and instrumental band from Chicago that plays, you guessed it, stoner metal. I wasn’t really familiar with them going in but they were really great live, definitely a surprise find for me as I tend to avoid bands with names focused on drug use. They played a solid thirty minute set that didn’t seem to have any downtime between songs and Ronald Petzke’s aluminum necked EGC bass guitar really brought the heavy to their songs. At one point the Chicken Man was held up high in the crowd holding a banner that read Hippie Killer, the title of one of Bongripper’s albums.

Bongripper:

Back on stage B of the Edison lot the Portland based sludge metal band Graves At Sea took the stage. I didn’t love these guys as much as the previous two bands, they were tough acts to follow though. I didn’t think they were bad, just nothing outstanding I guess. Some people were really into them though. I ended up wandering off to buy more merch midway through their set.

Graves At Sea:

The next band to play the Edison lot was Maryland’s very own Misery Index. The local death/grind band was the first high speed band of the day and they really woke up the audience. It was great to see Jason Netherton playing with the band again, the sole founding member was absent the last time I had seen Misery Index play. He seems to have turned over much of the vocal duties to Mark Kloeppel but the band was still really tight live and as usual, very fun to watch.

Misery Index:

Next the Maryland Deathfest audience was treated with a rare appearance by Pseudogod, a blackened death metal band all the way from Perm, Russia (although Impurath of Black Witchery was filling in on bass). They took the stage covered in blood and really brought the brutality. Their set was an unforgiving aural beating which seemed extra intense in the sun’s unrelenting heat. Their devastating set closed with a cover of “Blood War III” by French black metal band Antaeus (who happened to play Maryland Deathfest in 2013).

Pseudogod:

After Pseudogod played it was time for Wrathprayer, a blacked death metal band from Chile. They were ok I guess but didn’t stand out to me that much after the intense set by Pseudogod. The three piece didn’t seem accustomed to performing on a big stage either as they didn’t move around much up there and seemed a bit awkward. I think they would have been better on a smaller stage. After four or five songs I figured I had gotten the gist of what they do and I decided to hang out in the back more and get some cold beer.

Wrathprayer:

The next band to play was the two piece black metal band Inquisition. Originally from Colombia they are now based in Seattle and they’ve become pretty popular in the past few years. However there’s a bit of controversy around them of late for possibly being racists and honestly it’s a bit ambiguous whether they are or aren’t. They have some catchy songs and the crowd seemed really into them but I hung out in the shaded picnic table area after I finished shooting them cause I’m not clear if they’re bigots and it’s really not worth my time figuring it out when I can just move on to something else.

Inquisition:

Soilent Green took the stage next and this was something of a reunion show for the band who hadn’t played together in several years. Based in New Orleans, several of their members have moved onto more famous bands such as Eyehategod, Crowbar and Goatwhore. They play a mix between sludge and death metal that comes across much more catchy than you’d probably expect that to sound. The audience went crazy for them and you could tell the band really fed off that energy.

Soilent Green:

After Soilent Green played I made one of those tough decisions you’re sometimes faced with at Deathfest. I decided to skip seeing Gorguts, who I had just seen with Carcass a month prior, in favor of heading over to the Baltimore SoundStage to see Death Toll 80k. They’re a grind band from Finland and while I didn’t really know what to expect of them I figured this was my one chance to ever see them live. My gamble payed off, they were fucking great live! Intense, brutal and fun is how I’d describe them. They were probably my favorite band of those that I saw at the SoundStage during MDF and though my feet were sore walking back to the Edison lot after their set there was no doubt in my mind that the pain was worth it.

Death Toll 80k:

It was a total shift in gears when then next band I saw was Uncle Acid And The Deadbeats from England. They play a very catchy, and fuzzy, style of 70s inspired stoner metal. This was their first US show and a lot of people had come just for the chance to see them. They were really fun live, full of energy on stage and those infectious riffs sounded great booming out of those big speakers. Even Deathfest needs a bit of down time to let everyone catch their breath and Uncle Acid was the best chill out music you could ask for.

Uncle Acid And The Deadbeats:

Next up was the Swedish band Candlemass. I’ll admit I’ve never been a fan of their gothy doom sound which often has power metal elements to it. They were pretty entertaining on stage though and their new vocalist Mats Levén seemed to be a hit with the fans who were getting their first chance in years to see Candlemass perform live in the US. I ended up leaving early to try to catch Australian grind band Pneumatic Slaughter at the Sidebar. Unfortunately we were told at the door that they had dropped off the bill (I later caught up with their vocalist, who is also the vocalist of Whitehorse, and asked why they pulled out and he said they had told the MDF promoters several weeks prior that some of the members wouldn’t be able to play). A bit of a bummer but not the end of the world. I wasn’t very excited to see the doom metal turned goth band My Dying Bride headline, even if it was their first US appearance since 1997, so I headed over to Rams Head Live early.

Candlemass:

After a bit of down time New York City based Mutilation Rites played a short but sick set of black metal. The audience was pretty sparse but they still brought the heavy for the entire time they were allotted. If you missed them don’t worry, they’re playing at the Pinch in Washington DC on July 14th (more info on that here). The band was pretty tight live and handled the big stage at Rams Head Live well.

Mutilation Rites:

Next up was the first of two bands from New Zealand that I’d see this night. Diocletian plays very aggressive blackened death metal and uses a lot of medieval military style imagery as well. This band wasn’t fucking around though, they brought the punishing riffs with almost nonstop rage. Diocletian also played at the Edison lot early on Saturday before I arrived but they were given this set as a bonus because Mitochondrion couldn’t get into the country. Both of Diocletian’s guitar players were wearing Mitochondrion shirts on stage in recognition. Anyways, I ended up leaving a little early because I wanted to catch a bit of the headliner a block over at the Baltimore SoundStage.

Diocletian:

Over at the Baltimore SoundStage the legendary Brazilian thrash/hardcore band Ratos de Porão was causing a ruckus by the time I walked in! People were going crazy stage diving, crowd surfing and just losing their shit. Formed in the early 80s the band, whose name translates to Basement Rats, still has two members from those days with them, and the drummer has been there for over 20 years now too. I first became aware of this band when I was in high school because Sepultura covered their song “Crucificados Pelo Sistema” but I never figured I’d actually get the chance to see them live. While I didn’t really know most of their material it didn’t matter because it was just damn fun watching the band and the audience just go crazy together. At one point between songs their bass player requested the audience boycott the World Cup (which is taking place in Brazil right now) stating that it is just a big scam for the rich to make more money while ignoring the country’s poor. He’s probably right but this is America, we’re already boycotting soccer with our apathy toward the sport.

Ratos de Porão:

After leaving the sweaty Baltimore SoundStage with a big grin on my face I returned to Rams Head Live to see Ulcerate. The New Zealand based three piece tech death band puts out some great albums but they’re simply incredible live. Their drummer, Jamie Saint Merat, steals the show and rightly so, he very well may be the best drummer in all of metal right now. I didn’t mind missing part of their set because I had just seen them at Empire the night before Deathfest started, but even so their performance was no less jaw dropping the second time around.

Ulcerate:

Next it was time for the final band of Maryland Deathfest XII, Immolation. I felt bad for them having to play after Ulcerate, there was no way they were going to top that. The old school New York Death Metal band had a very influential album in 1991 called Dawn Of Possession and the highlight of their set for me was when they played “Those Left Behind” off of it. It seemed like the band didn’t want Deathfest to end any more than the audience did as they played right up to the 2am cut off time. Finally Maryland Deathfest XII had come to a close.

Immolation:

I can’t stress enough how much fun this year’s Maryland Deathfest was. As usual there were tons of great bands as well as metal brothers and sisters to watch them all with. Security was excellent this year, they treating fans with respect while also not escalating situations. They all deserve high fives for their good work this year. The MDF organizers will be announcing the bands for next year’s festival soon so keep your fingers crossed that your unrealistic metal concert wish list will become a reality.

Maryland Deathfest X Day 4: Sunday

Back to the MDF menu page here.

Sunday’s band line up was one of the best gatherings of doom and stoner bands I’ve ever heard of. However, the first band I saw that day was Coke Bust, a DC based grind band featuring members of Magrudergrind. They put on a fun show and even when the main microphone stopped working mid song they just started using one of the back up vocal mics instead. The vocalist said they hadn’t played in front of such a big crowd before as they usually play in places like people’s basements. I’m glad I got to see this fun local grind act play before all the doom started. Check out the video I shot of them below.

Coke Bust at Maryland Deathfest X

Coke Bust at Maryland Deathfest X

After Coke Bust played I headed outside to see Disma, a death/doom band featuring members of Incantation, including vocalist Craig Pillard. The band had been kicked off of the Choas In Tejas festival (article here) shortly after that festival’s line up was announced back in December because of Craig Pillard’s former Nazi ties, particularly him being in the openly antisemitic band called Sturmführer. Now supposedly he has recanted his racist ways but still, it makes me a bit conflicted about supporting the guy. Him wearing an iron cross on stage at MDF didn’t help either. Now I know an iron cross doesn’t make one a Nazi, it’s not a swastika, but if you’re trying to distance yourself from your Nazi past why would you wear that on stage? Their set was pretty crushing though, I have to give the band that, and you can see for yourself in the video I shot below as well as the great close up footage provided by Total Fucking Mayhem in the second video.

Bill Venner of Disma

Disma at Maryland Deathfest X

Disma at Maryland Deathfest X

Craig Pillard of Disma

Disma at Maryland Deathfest X

The next band I caught was the Richmond based doom band Cough, who was great, but I didn’t get close enough to get any video footage or decent photos of them so I’ll just skip to who I saw after them, a Swedish death metal band called Demonical. Demonical was alright. I wouldn’t call them bad, but compared to some of the death metal heavyweights that were also playing the fest they certainly weren’t a must see band for me. They were just OK I guess, and about half way through their set I went to the other outdoor stage so I could get up front for Morgoth. I do have a video of Demonical posted below, as well as two more from Total Fucking Mayhem, so check them out if you’re interested in more about Demonical’s set. At a metal festival with this many rare and special performances they just weren’t up to par for me.

Demonical at Maryland Deathfest X

Widda of Demonical

Martin Schulman of Demonical

Widda of Demonical

Next up for me was Morgoth, a German death/thrash band. This performance was their first US concert in almost 20 years so as you might imagine fans of the band were pretty excited to get a chance to see them. They had a couple of albums that gained a cult following in the underground from back in the early 90s before they changed their sound and put out a rock album in what I’d guess was a bid at hitting the mainstream. It didn’t really take off though and they broke up in 1998 and didn’t reform until about 12 years later. Luckily they didn’t play anything from the rock album and stuck to their heavier material, which was pretty good. They were certainly more entertaining live than Demonical was. Check out the two songs I’ve posted below as well as another from Total Fucking Mayhem though the audio is a bit overloaded on that one.

Marc Grewe of Morgoth

Morgoth at Maryland Deathfest X

Harry Busse of Morgoth

Marc Grewe of Morgoth

Morgoth at Maryland Deathfest X

Next I went inside and caught about half of Rwake‘s set. They’re a sludge/doom band from Little Rock, Arkansas, and I’d heard good things about them but I hadn’t ever seen them before. They were really impressive live, certainly one of the bands that I went in wanted to see and left being really impressed by. One of the things that sucks about Maryland Deathfest is that sometimes there are just too many good bands playing and you can’t see complete sets by all of them. I really wish I’d gotten a chance to see more of them, and even though I didn’t catch their entire set I have to say it was a highlight of the fest for me. Also, vocalist Chris Terry puked on stage during one of the songs which led to someone near me at the time mentioning one of my favorite quotes from MDF X: “I like it when they puke on stage because you know they’re giving it their all”. Haha! Anyways, footage of that is available from Total Fucking Mayhem in the second video below around 2:20 into it.

Christopher Terry of Rwake

Rwake at Maryland Deathfest X

The next band I saw was the death metal band that I was most excited to get a chance to see at Deathfest this year, Ulcerate. They’re a tech death band from New Zealand with a drummer that’s pretty insane behind the kit. The band’s show wasn’t anything too wild, mostly just the band members standing there playing their songs in lighting that was dim and didn’t really change much. However the songs were incredible to see live and that band plays them very tight, it was quite impressive. Just check out the footage I shot below and the second video shot by Total Fucking Mayhem to hear what I’m talking about.

Paul Kelland of Ulcerate

William Cleverdon of Ulcerate

Paul Kelland of Ulcerate

Ulcerate at Maryland Deathfest X

While I might never get another chance to see Ulcerate live I had to leave their set early to catch the tail end of another band I wanted to see that I may never get to catch again either, Church Of Misery. They’re a doom metal band from Japan with a heavy old school Black Sabbath influence and if you know me at all then you probably know I love Black Sabbath so that definitely appeals to me. Church Of Misery, like Macabre on Friday, also writes most of their songs about infamous serial killers. In all, I just had to make sure I’d at least catch some of their set while I had a chance. I really enjoyed their show, even though I got nowhere near the front. I took a few shots and a video but none of it is that close up, however you can see two videos of them that Total Fucking Mayhem shot from close up below as well.

Tom Sutton of Church Of Misery

Church Of Misery at Maryland Deathfest X

Church Of Misery at Maryland Deathfest X

Church Of Misery at Maryland Deathfest X

The next band to play was Pentagram Chile, an old school death/thrash band from, you guessed it, Chile. They formed in 1985 and only ever put out a few demos and an EP before breaking up, however those recordings were enough to gain them an underground following even after their demise. They’ve gotten back together, added Chile to their name to end confusion between them and the legendary doom metal band Pentagram, and said they are going to finally release a full length album. While I’d heard of them I’d never listened to them much because their recordings were so scarce, but they were a hell of a lot of fun live. Totally mosh-friendly metal that was catchy and aggressive at the same time. Also, vocalist Anton Reisenegger did something I’ve never seen a band do before. Instead of shout out the wrong name of the city he was in he actually introduced his band with the wrong name! He said they were Criminal, another band he and the bass player are in together, and the rest of the band all started glaring at him until he corrected it, haha! I shot two videos of Pentagram Chile, the second of which shows them performing a song so new they didn’t even have lyrics for it yet. There’s also a super close up video by Total Fucking Mayhem.

Anton Reisenegger of Pentagram Chile

Pentagram Chile at Maryland Deathfest X

Anton Reisenegger of Pentagram Chile

Anton Reisenegger of Pentagram Chile

Juan Pablo Uribe of Pentagram Chile

At this point I had to make a tough decision and decided it was time for me to get some food. I wanted to see Yob and Suffocation, who would both be playing soon, but I also needed to eat and there wasn’t another band the rest of the day/night that I would want to miss. I decided to go find food during those bands’ sets because I had seen both within the past 12 months, so I figured that if I have to miss someone, at least it is bands I’ve seen recently. I heard Yob played some really rare like 20 minute song they never play live so that was a bit frustrating, and Suffocation is always killer live, but again, I had to eat. I made it back and Suffocation was still playing on one of the main stages but I decided to get up close for Saint Vitus who would be playing on other outdoor stage next. Wino, their singer, has roots in Maryland so it was cool getting to see them play one of the big stages at MDF. They’re one of the most influential doom metal bands ever and it was great seeing them play a bunch of their classic older songs mixed with some of the material from their new album, Lillie: F-65. They really put on a great performance that was a perfect lead in to the next band playing, Electric Wizard, and you can check out my two videos of Saint Vitus that night below, as well as one more from Total Fucking Mayhem.

Wino of Saint Vitus

Wino of Saint Vitus

Wino of Saint Vitus

Wino of Saint Vitus

Dave Chandler of Saint Vitus

Saint Vitus at Maryland Deathfest X

Next was Electric Wizard, the headliner of the final day of Maryland Deathfest X and a major draw for the event. For a lot of people, the chance to see this band was the main reason they came to the festival, and MDF later announced (here) that they played to the largest crowd in Deathfest history. There was a bit of rain as Saint Vitus was finishing up and I started to worry there might be another big delay but the rain passed quickly and Electric Wizard went on to perform a killer set. The band hasn’t played in the US in 10 years or so and while the line up has changed a lot since then, they’ve only got one original member left, they still put on a near flawless performance of doom. People were going crazy and I’ve never seen such a wild mosh pit for a stoner/doom band that wasn’t named Black Sabbath. The crowd was far too violent for me to get up close and get great footage, however I did shoot a couple songs of their excellent set, including my favorite song of theirs, Satanic Rites Of Drugula. Total Fucking Mayhem got some great close up footage though and I highly recommend you check that out as well.

Electric Wizard at Maryland Deathfest X

Electric Wizard at Maryland Deathfest X

Since I wasn’t that close up for Electric Wizard I was determined to get up front for the final three bands of the fest starting with Sargeist, another black metal band from Finland. The band shares two members with Horna, who played the day before, and Behexen, who wasn’t playing at the fest. Sargeist did not have anyone whip out their dick and piss on themselves, however they did play a great set of black metal to the people trickling inside after Electric Wizard finished. The band came out in black robes and vocalist Hoath Torog had this bizarre look on his face most of the show, like he was engaging in some sort of creepy staring contest with the audience. Also, he was walking around barefoot on that stage which is something I would not have done considering all the piss and puke I’d seen on it earlier in the weekend. Anyways, their set was great but by the time they finished I could really start feeling the festival coming to an end. Check out the videos I posted of them below.

Vainaja of Sargeist

Hoath Torog of Sargeist

Hoath Torog of Sargeist

Hoath Torog of Sargeist

Hoath Torog of Sargeist

The next band to play was Bethlehem, a dark/black metal band from Germany. The band is very influential to the suicidal/depressive black metal scene consisting of bands like Xasthur and Shining, and in 1998 Bethlehem released their magnum opus, Sardonischer Untergang im Zeichen irreligiöser Darbietung. The band playing this night only had one of the members left from those days, the bass player Jürgen Bartsch, however they still put on a very disturbing performance. The band’s vocalist, Rogier Droog, put on quite a show for those close enough to see him. He shifted through a very wide range of facial expressions going from horror to pain to shock to loathing and too many more to list here. His shrieks, moans and wails were haunting as well. He really stole the show for this band, which is sort of surprising since he has only been in the band since 2011. I’m glad I got to see them close up, it was a unique show and one that definitely stood out at this year’s fest for me. Check out the three videos I shot of them below. They’re probably a bit too dark/small to make out his face that much however it should give you an idea of the mood set by their performance.

Jürgen Bartsch of Bethlehem

Rogier Droog of Bethlehem

Rogier Droog of Bethlehem

Rogier Droog of Bethlehem

Rogier Droog of Bethlehem

Rogier Droog of Bethlehem

Rogier Droog of Bethlehem

The final band of the night was Mortuary Drape, an old school black metal band from Italy. This is a band I really wanted to see heading in to the fest and even though they would be the last band to play, I was still was excited to see them live. They were supposed to be one of the headliners at the big Rites Of Darkness festival in San Antonio last winter, however like several other bands they pulled out when they realized that the festival organizers were in fact not organized and they didn’t have all their money together right either (more info on that here). This also made Mortuary Drape cancel their short tour which was scheduled to have a date in Baltimore that I had planned on attending. So this performance was one I’d sort of thought would never happen, and they didn’t disappoint either. The band is not really the band they once were, frontman Wildness Perversion is the only original member of the band and the only one who has been with them since before 2011 even. That didn’t really bother me though because it’s not like I was going to get a time machine to see these guys in their glory days and it was fun getting to hear many of their old songs live. While the previous two bands had vocalists that stayed pretty stationary and used very dramatic facial expressions Wilderness Perversion was very active and mobile on stage, often engaging the audience directly. The rest of the band were draped in red robes with black hoods as he worked the audience from every angle of the stage. Check out the video I posted below to see what I’m talking about, I only shot one of them but it is over 12 minutes long. Mortuary Drape put on a really fun performance and ended Maryland Deathfest X on a high note for me. Also, nobody was pepper sprayed this year after they finished playing!

SC of Mortuary Drape

SC of Mortuary Drape

Mortuary Drape at Maryland Deathfest X

Wildness Perversion of Mortuary Drape

Wildness Perversion of Mortuary Drape

Wildness Perversion of Mortuary Drape

Daniele Cagnotto of Mortuary Drape

Back to the MDF menu page here.