Mega Sized Metal Concert Recap

Recently I’ve not been able to write as many concert reviews as I’d like to. I’m considering doing some shorter ones in the future. Believe it or not, my average concert review takes me 10-14 hours to put together. I have been going to a hell of a lot of shows and that just makes things back up a bunch and it can be hard to even get through just sorting through all my concert photos. However, I’ve been to some great shows since my last concert review, the Cavalara Conspiracy show review I posted back on October 14th, and I thought I’d just post a few pictures, videos and notes from those shows to give you an idea of what has been going on with live metal in this area from my point of view. Each paragraph below is about a different concert so you can skip ones ya don’t care about and move to ones you find more interesting easily. You can click any of the pictures below to see more of my photographs of the same band, and I’ve added some of my videos from the shows that I shot them at in this post as well, though as always I’ve got more on my YouTube page here.

On Friday, October 14th, 2011, I drove up to see Wabringer and Landmine Marathon at Sonar in Baltimore. This was Warbringer’s first headlining tour and while they are one of my favorite bands of the modern wave of thrash metal, I really wanted to see Landmine Marathon play. I’d never seen them before but had heard they were good live. Their vocalist, Grace Perry, was on the cover of the always controversial Hottest Chicks In Metal issue of Revolver magazine in 2009, but I didn’t care about any of that. She was absolutely ferocious on stage, really a sight to behold regardless of her gender or hotness or whatever. At one point she told the audience they better start moshing harder or she’d jump off the stage and kick everyone’s asses, and you believed it when she said it. Warbringer was fun live as usual, they played Living In A Whirlwind so I was happy. This was also the first time I’d seen them play anything from their newest album, Worlds Torn Asunder. Vocalist John Kevill did a stage dive into the audience at the end of the show. Lazarus A.D. played between those two bands but I don’t really care for them so I took that time to drink a couple Lancaster Milk Stouts in the other room. They’re delicious and Sonar has em in bottles at the bar, highly recommended when you’re thirsty at Sonar!
Grace Perry of Landmine Marathon

Warbringer

The next night, Saturday the 15th of October 2011, I found myself back at Sonar to see a black metal band from Singapore, Impiety. However, as a late addition to the bill I got to see a band I’ve been wanting to see for years, Ohio’s black/speed metal act Midnight. They came out in the executioner’s hoods that they’re known for and just shredded the place. They’re a fierce three piece and their sound reminds me of something of a cross between Motörhead and Darkthrone. After their awesome set Impiety hit the stage drenched in pig blood, and man did it stink like something awful. The pit was fierce for their entire set and the band never let up either. It was really a great show I’m glad I didn’t miss it. Considering where they’re from, who knows if you’ll ever be able to see them play around here again.
Midnight

Impiety

On Monday the 17th of October 2011 I found myself at Jaxx in Springfield, Virginia to check out local power metal band A Sound Of Thunder play support for the Swedish power metal band Sabaton for the final show of their tour. The audience was thin this evening, Dream Theater was playing at the Warner Theatre the same night and I’m sure that had an effect on the turn out. However A Sound Of Thunder put on a solid set and kept the audience’s attention. They were a good warm up act for Sabaton. I’d never seen Sabaton before, and honestly I’m not that familiar with their music, but I’ll tell you they were entertaining as hell to watch live. You could just tell that the band was having a lot of fun playing for the audience and even though the turn out wasn’t huge the people who were there really gave a lot of energy back to the band. They played a prank on their new temporary bass player when the rest of the band started playing a song they hadn’t taught him to play. It was a really fun experience from a band I didn’t really know what to expect from.
Nina Osegueda of A Sound Of Thunder

Sabaton

Skip ahead to Friday the 21st of October and I was at a kick ass Deceased show at Comet Ping Pong in Washington, DC. The opening acts were two I really enjoy, DC’s own stoner band Borracho and Richmond’s doomy/sludge band Windhand. Borracho went on first and they didn’t start until after 10pm. They put on a good show and the audience that came to see Deceased, different than the normal stoner band crowd, seemed to be into it. Next up came Windhand. This band is HEAVY and this set was no different than usual. Finally Deceased hit the stage well after midnight. Deceased has a lot of ties to the DC area, originally based out of Northern Virginia they are the kind of band that draws people out of the woodwork when they play in the area. It was good to see such a big crowd for them. They didn’t have a bass player, which made their sound a bit tinny and took some getting used to. King Fowley used to play drums but now was just doing the lead vocals, and he was having a lot of fun with the audience and even came out into the crowd a couple times. I got home really late that night, but it was worth it!
Borracho

Windhand

Deceased

Sunday the 23rd of October, 2011, I went on a road trip up to Philadelphia to catch a band I’d been wanting to see for several years, Kvelertak, play at Johnny Brenda’s. When I got there the Georgian psychedelic sludge metal group Zoroaster was playing and I saw them do a couple songs. Skeletonwitch, a thrash band from Ohio, was after them and they put on an energetic show, they’re definitely a better live band than when I saw them in April 2010. Not that they were bad then, but they’ve definitely got their live show down better now and I wouldn’t be surprised to see them doing a headlining tour sometime soon. Finally Kvelertak, the Norwegian punk/metal band I drove all that way to see, was up and they put on a hell of a wild show. There was a lot of stage diving and beer drinking and the show just had a crazy amount of energy going on. It was definitely worth the 6 and a half hours of driving there and back that night, so much fun! Hopefully they won’t skip the DC area on their next tour. Also, I met two other people, who didn’t know each other, who had both come up from the DC area for this show. That was kind of cool.
Skeletonwitch

Kvelertak

On Thursday the 27th of October I went to see a Sepultura cover band made up of members of various local bands, namely Disciples Of Christ (D.O.C.), Drugs Of Faith, Magrudergrind and Mind As Prison. This was at a small Ethiopian restaurant and bar called Asefu’s just a couple doors down from DC9 in Washington DC. Local guitar shredders Midnight Eye opened the set up and they were awesome as usual. They played a cover of Megadeth‘s classic Rust In Peace that was pretty slick as well. Local band Auroboros was next to play. They’re a great live band, with ex-members of Baroness and Salome in the group you know it’s just a matter of time until they really take off. During their set the drummer got caught in the fake spider webbing while playing, he even lost a stick to it, haha! The Sepultura all stars played next and while their set was mired with some technical difficulties at first, it was a lot of fun. I was a huge Sepultura fan in high school so it was cool hearing them play some of those old classics. They only played about four or five songs though, I wished it had lasted another hour! The final band of the night was Inter Arma from Richmond. Sadly a lot of people left after the cover band played but they played a powerful set regardless, I’m glad I stuck around to watch them.
Midnight Eye

Auroboros

Sepultura cover band

Inter Arma

I had another stop at Jaxx on Sunday the 30th of October 2011 to see Decapitated play. There were a lot of other bands playing this night, however I only saw the final three bands. Italy’s Fleshgod Apocalypse came out in their tuxedos and really got the mosh pit going, including a few guys in drag for Halloween that were in there. Next up was the California based tech death band Decrepit Birth. I really like this band a lot. They remind me of the band Death a lot, but with a more modern sound. Their vocalist, Bill Robinson, is a bit of a head trip but he really got the audience into the show. At one point he held up a copy of their latest CD and told the audience anyone could have it if they took it from him. This caused a wave of people to climb over the railing onto the stage and Bill kept pushing them back to stage dive onto the audience. Then came the headliners, the Polish death metal band Decapitated. This band had a tragic bus accident on October 29th 2007 while on tour. Their drummer was killed in the wreck and the vocalist was critically injured. Decapitated broke up for a little while, though guitarist Vogg decided to get them back together, with all other members of the band being new, and put out a new album back in July titled Carnival Is Forever. However, this band just isn’t the same, it was almost sad seeing them play. Spheres Of Madness, their closing song and most famous, just wasn’t the same, it was almost like seeing a cover band play it. Combined with their short set, they only played for about 45-50 minutes, they were a let down. I’m glad I got to see them a few times before their accident. Also of note, this was their final show of the tour and on the return flight their airplane had to make an emergency landing with no landing gear. The story with video of the landing is posted here. The band is fine but damn, maybe they should start walking when touring.
Fleshgod Apocalypse

Decrepit Birth

Decapitated

On Tuesday the 1st of November, 2011 I went up to Baltimore to see Opeth play at Rams Head Live. Their set was a rather laid back performance, even by Opeth’s standards. Their new album, Heritage, has no harsh vocals on it, and this tour was certainly to promote that album. The show was fun, and being that it was the last show of the tour the guys were kind of goofing off a bit. They let the audience in a short singalong to the chorus of Harvest at one point, and had a few pranks going on stage throughout the night. However the highlight of the evening was the encore. Members of the opening act that I didn’t get there in time to see, Katatonia, joined Mike Åkerfeldt and Martin Axenrot of Opeth to reform the Swedish death metal super group Bloodbath! They played two songs, Soul Evisceration and Eaten, in a very rare public performance by Bloodbath. Mike hinted that they might be back together for real, though he didn’t say if that meant a new album, tour or if it was even definite. Their short and brutal encore set was quite a contrast to the Opeth show that had gone on just before it. This was the only concert of the tour that Bloodbath made an appearance at, and I felt very lucky to be in attendance. Definitely one of my concert highlights of the year! You can see video footage of Bloodbath’s performance (not shot by me) posted here.
Opeth

Bloodbath

The next night, Wenesday the 2nd of November, found me in Baltimore again for the first show of tour by the infamous Norwegian black metal band Mayhem. When I got there the show was running a bit behind schedule though and I saw the end of Abigail Williams‘ set. Then the polish blackened death metal band Hate performed. They were pretty good if not overly original, sort of like a Behemoth junior. I have to say their guitarist had some of the worst corpse paint I’ve ever seen though. Then the Norwegian melodic black metal band Keep Of Kalessin played. I watched a couple of their songs but soon found myself in the next room drinking Lancaster Milk Stouts again. Keep has gone down hill in my book over the years, now they seem to be a sort of singalongy kind of band and they’ve lost the bite I enjoyed of their older material. Finally Mayhem was up next, their first area appearance since they played at Maryland Deathfest in 2009. Vocalist Attila Csihar came out looking like some sort of satanic vampire and it was awesome! He’s known for his wild stage costumes but this was just over the top. The band played a kick ass set heavily loaded with material from their classic albums De Mysteriis Dom Sathanas and Deathcrush and it got the place going crazy. There were tons of fights, even a woman got thrown out of the show for being to crazy in the pit, it was intense! I got some bruises but it was worth it to get some awesome shots of one of metal most notorious bands.
Hate

Keep Of Kalessin

Mayhem

On Sunday November 6th, 2011 I was at the Fillmore in Silver Spring, Maryland to watch Death Angel, Testament and Anthrax play there. However there was a problem with the photo passes that night and rather than risk leaving my camera in my car where it could be stolen, I had to head home after I already had my tickets in hand. Very frustrating let me tell you. I still haven’t been inside the new venue, I hope they get things straightened out next time. I really wanted to have some photographs up for you guys from that show, and have a nice big concert to end this long recap on but sadly, no dice. I might do more of these long recaps in the future, if you people like or don’t like them let me know. I’ve got a lot more metal shows to go to coming up and this might be a good way to try to cover more of them, starting with Torche tonight at DC9. Also, I should have some shirts with my new t-shirt design on them for sale very soon so keep your eyes peeled for that. They have new Abe Lincoln artwork drawn by DC based metal band Ilsa‘s drummer Joshua Brettell and they look awesome! Thanks for reading DCHeavyMetal.com, stay brutal everyone!

Review of Cavalera Conspiracy gig at the Rock And Roll Hotel

I was excited to see the Cavalera Conspiracy play the Rock & Roll Hotel on H Street in Washington DC on Wednesday the 12th of October 2011. The Cavalera brothers, Max and Igor, were founding members of one of my favorite bands when I was growing up, Sepultura. Sepultura, the Portuguese word for grave, formed in Belo Horizante, Brazil, in the early 80’s and by the mid-90’s they had become one of the biggest metal bands in the world. They arose from nothing to sell millions of records, and while the band changed their musical style several times I always enjoyed their material. That is until Max Cavalera left the band in December of 1996. He started his own band, Soulfly, which I never cared a whole lot for. Igor continued on with Sepultura for another 10 years (during that time he was not on speaking terms with his brother Max) though their output simply wasn’t as high quality nor interesting without Max. When Igor left Sepultura in 2006 he began talking to Max again and eventually they decided to form a new band. They were originally to be called Inflikted but even with the alternate spelling another band had already taken the name. They decided Cavalera Conspiracy at the Rock & Roll Hotelto rename the band as Cavalera Conspiracy and title their first album Inflikted. I thought the album was great, however I thought their second album, this year’s Blunt Force Trauma, wasn’t as good though it does have a few songs that stand out. I knew this concert would feature a mix of some Sepultura songs as well as their own material and I was really psyched. The Cavalera Conspiracy has played Baltimore a couple times, but for various reasons I couldn’t get to those shows. I hadn’t seen the Cavalera brothers play together since their last US tour with Sepultura in 1996 and to say I was fired up for this show is a bit of an understatement.

The concert started at 7:30 but I wasn’t interested in seeing any of the opening bands, Otep, Earth Crisis and local support act An Obscure Signal. Luckily I walked into the Rock And Roll Hotel right as the Cavalera Conspiracy was taking the stage, perfect timing. There weren’t as many people as I had expected at this show, maybe about 200. This was their Igor Cavalera of the Cavalera Conspiracyfirst ever DC appearance people! Anyways, the main thing I noticed about this show was that the sound SUCKED. This was probably the worst sound mix I’ve ever heard at the Rock & Roll Hotel. Now maybe it sounded better by the soundboard, as is often the case with clubs, but this was a metal show dammit. We push to get up front and mosh and go nuts up by the band, not stand in the back staring at our feet wondering why nobody loves me like it’s some hipster band. I get the feeling they had someone who isn’t familiar with mixing heavy metal bands just come in and jack up the bass because, y’know, it’s a metal band. At first I was watching the show on the right side of the stage and I couldn’t even hear the other guitarist, Marc Rizzo. Midway through the set I shifted to the left side of the stage which was better but still not great. All of the videos I shot (you can see them at the bottom of this post) were taken from that area, and you still can’t hear Rizzo’s guitars very well. The high ends were almost completely washed out in the mix, it was terrible. Luckily I know most of their songs, and all of the Sepultura songs, well enough to fill in parts in my head.

While I had a fun time at the show, Max seemed a bit out of it. When the band was playing Sepultura’s classic song Territory, he walked off stage and into the dressing room for about a minute. He came back Max Cavalera of the Cavalera Conspiracytowards the end of the song and finished it up with the band. However most of the night he seemed a bit, I dunno, like he was mostly just going through the motions maybe. Marc Rizzo was having a blast and just exuded energy, Igor was smiling at the audience between most songs and even the band’s bass player, Johny Chow, looked really excited to be there. Max may very well have been sick though, the band canceled their New York City show the following night, though I haven’t seen an official reason as to why. Regardless, it was cool seeing the Cavalera brothers back in action together and hearing them play some old Sepultura songs. They even played Troops Of Doom from their first album in 1986! There was also a sort of mash up medley of Arise and Dead Embryonic Cells. Sadly, they didn’t play anything from the Beneath The Remains or Schizophrenia albums. The song selection of their non-Sepultura material was pretty good as well. The early part of the set included a lot of songs I would just call ok off their latest album, however they did play some of my favorites like Sanctuary and I Speak Hate later in the set. Max did constantly insist to the crowd to fuck the place up and mosh, and most of the time the crowd obeyed however the strongest audience reactions were for the Sepultura covers. At one point Max introduced some guy Cavalera Conspiracy at the Rock & Roll Hotelnamed Richie and said he was a new member of the Cavalera Conspiracy family, and the guy did the vocals for one song. I have no idea who he was but he was tending the merch booth after the show. After playing for about an hour the band walked off stage to do the encore, and it seemed like they were waiting for the crowd to start chanting but it resulted in a sort of awkward state for a minute or two. Cavalera Conspiracy has far too many syllables for an audience to chant in unison and some people were looking around confused about if the show was over. The band did come back to play two more songs though, the final song being Roots Bloody Roots.

After the show Marc Rizzo came out and took tons of pictures with any fans that wanted one. I spoke with him for a couple minutes and he said Marc Rizzo of the Cavalera Conspiracyhe wants to come back with his solo act soon. If you’ve never heard his solo material you really should, it’s a bizarre hybrid of metal guitar shred and flamenco style guitar that would probably sound like shit if anyone else tried to pull it off. His technical prowess really makes it work and his transitions are seamless. He has a few albums but I think The Ultimate Devotion is his best if you’re interested in checking his solo stuff out. Anyways, in all I had a fun time at the show but due to the poor mix it still left me wanting to see them again soon, hopefully in a better setting. It was still really cool getting to see the Cavalera brothers play together again, something a few years ago I would have never thought possible. There’s just something I love about Igor’s very primal and tribal style of drumming combined with Max’s pissed off, revolutionary vocals and guitars that will keep me a fan of theirs for life. I can tell this is going to be one of those shows where I now go and listen to a bunch of their back catalog for the rest of the week. If you’d like to see more of my photos from this show, check them out on my Flickr site here. And if you’d like to hear how shitty the sound was at the venue, just watch the videos that I shot below.

DC Metal Spotlight On Metal Underground

I was asked to write a guest post for one of my favorite metal news websites, MetalUnderground.com, and it went live on the site today. They have a weekly column called Unearthing The Metal Underground where each post explores a different area’s underground metal scene. They asked me to write the one about underground metal in Washington DC and let me pick three bands to go into detail about. I chose to write about Ilsa, Midnight Eye and Borracho for this post, however if the post gets a decent response they said they might let me write another about Northern Virginia or Baltimore or even another DC post. So feel free to leave a comment there or share it with people on Facebook or something if you enjoy it and maybe I’ll get to help expose more of our kick ass local acts to a national audience! You can read the post on Metal Underground here:

http://www.metalunderground.com/news/details.cfm?newsid=72050

Also of note, I had one of my recent videos of Clutch playing a new song at the Red Palace posted on Blabbermouth.net on Saturday, you can check out that post here:

http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=163735

And one more thing, and it’s totally unrelated and is really just shameless promotion hardly related to my site, but some good friends of mine have been in a non-metal rock band for years and I have finally convinced them to play a live gig. I got them booked at the Velvet Lounge this Wednesday, the 28th of September and I certainly recommend checking them out. They hit the stage at 9pm, and are playing with the Megaphone Barons and Electric Grandmother (bands I admittedly don’t know much about). Again, they’re not metal but they are a damn good band, and they have three guitar players! You can check out the event’s Facebook page here but even if you can’t go feel free to check out the Garage Hoppers on Facebook here. Ok, I think that’s enough blatant non-metal promotion for one post. Stay metal everyone and support the scene you’re a part of!

Recap of Clutch and Suplecs gigs

On Sunday the 18th of September I had two shows I was trying to catch live. The first was a special free show that the Frederick, Maryland based band Clutch was holding at the Red Palace. This show was listed as a special five song acoustic set that was part of a promotional “release party” for their own beer, Clutch Dark Sour Ale, from New Belgium Brewing. The show was originally scheduled for Monday August 29th but it was postponed due to Hurricane Irene. This night everything seemed to work out ok though. The people from the Colorado based craft brewery, most famous for their Fat Tire Amber Ale, were mingling in the audience who had gathered. I have bought a few of the Clutch beers already, and they’re actually pretty damn good. They’re dark but with a sour taste that builds up the further you get into the 22 oz bottle, sort of like how some spicy foods’ heat builds up with the more of it you eat. It’s not a fruity sour though and is not actually very sweet at all (which I think is a good thing). I recommend trying it if you can find yourself a bottle. At this concert however, they were selling the bottles for $20! I still had a bottle in my fridge at home that I bought for $7.99 at Total Wine so there was no way I was going to fork out that much cash just to drink one at the Red Palace. Hell, even Clutch’s Neil Fallon said on stage that he was drinking a competitor’s beer.

Clutch at the Red Palace

The show started with the one of the guys from New Belgium Brewing taking the mic on stage and introducing the band as well as presenting them with the bottle that had serial number 10001110101. That’s the name of one of the songs on Clutch’s 2005 album Robot Hive/Exodus. The guys then went into their setlist, starting off with and “acoustic” version of The Regulator. While guitarist Tim Sult played an acoustic guitar, they were all using pick ups, pedals and amps, so don’t think this performance was something like those old MTV Unplugged specials. What made the show cool was that the Red Palace only holds about 200 people, and Clutch is a band that usually plays much larger venues, they had just played at the HFStival the day before at Merriweather Post Pavilion. However this night the band played their five song set and pleased the crowd by having Tim plug in his regular guitar before playing a new song, apparently titled Newt. They played a few more songs, sort of a best hits style thing with songs covering their back catalog and ending with Elephant Riders. In all they played for about an hour and it was a fun show and a great chance to catch Clutch up close.

Clutch at the Red Palace

When Clutch had finished I didn’t linger around for too long since I had another show to catch at the Velvet Lounge. I made a stop at the 9:30 Club‘s basement bar for a quick bite to eat just before they closed their kitchen. Apparently they had some Mexican band playing upstairs named Molotov, but luckily the 9:30 Club has a separate door on the side of the building you can enter the bar at if you don’t want watch the show. The bartender down there was wearing a Clutch shirt and he said he was pissed he had to work that night because he had wanted to see the show at the Red Palace. Anyways, I had a nice panini and an organic oatmeal stout and then I walked around the corner to the Velvet Lounge.

The Velvet Lounge had a pretty sweet line up this evening. They haven’t been getting a lot of metal shows of note lately but this one definitely stood out on their calendar. The headliner was the New Orleans based sludge band Suplecs and they were touring with the Columbus, Ohio band Lo-Pan. Shows at the Velvet Lounge tend to run late but even so I missed the first band on the bill, Weed Is Weed from Maryland. The band has two former Spirit Caravan members in its ranks, Dave Sherman and Gary Isom. I hope to catch them another time. The first band I saw play at the Velvet Lounge that evening was Lo-Pan. I’ve never seen a band’s lead singer stand all the way to the back of the stage before. I mean way back, he was even behind the drummer. Despite their strange stage positions, they were pretty good live. They made for a good opener act on this kind of tour. They wrote their set list on pages torn out of some porno magazine, certainly the most graphic set list stationary of the night.

Lo-Pan at the Velvet Lounge

After Lo-Pan finished their set local act Nitroseed performed. Typically an instrumental band, they played several of their songs with lyrics at this show. I’d never seen them live before but I was very impressed, certainly worth checking out if you see them listed as an opener at an upcoming show. Also, it turns out their drummer, Phil Adler, also plays in the local doom band Wooly Mammoth. Their music had some good energy and they kept the momentum rolling forward throughout their set. They finished up and the last band of the night was next, Suplecs.

Nitroseed at the Velvet Lounge

Suplecs is from New Orleans and they mentioned many times between songs that they were excited to be playing in front of a DC audience as they were big fans of the DC doom metal scene. The band was good live, they had some high energy parts but also slowed it down for a few songs. Their songs really had a dynamic range to them that many sludge bands simply don’t have. This kept the show interesting and fresh throughout their set, which is a really good thing after watching three bands with a similar sound earlier in the evening. They mentioned that this was the first time they played their song Pissing In The Wind on the East Coast. They closed their set with a cover. After all their praise for DC’s metal scene I thought for sure they’d play a Pentagram or Spirit Caravan song, or something similar at least. Nope, they played Working Man by Rush. Totally out of left field if you ask me. It was ok but really didn’t seem to fit into their set that well. Regardless, I will definitely go see them again if they come through the area another time, and you should too!

Suplecs at the Velvet Lounge

If you’d like to see more images from the bands I saw that night you can see them on my Flickr page here. And be sure to check out all the videos below of Clutch, Nitroseed and Suplecs. The first four are Clutch. The first one is acoustic and the second is their new song. The last two videos are of Suplecs, the last of which is their Rush cover. Thanks to the guys in King Giant for the beers and thanks to you for reading all of this. Stay metal everyone!

Clutch acoustic:

Clutch’s new song:

Clutch with extended drum solo:

Clutch with guitar solo:

Nitroseed:

Suplecs:

Suplecs covering Rush:

Recap of Black Skies gig at the Cellar Door

This isn’t a full review but a fairly quick recap of the house show I went to on Tuesday the 6th of September 2011. It took place on one of a string of rainy nights at a DIY venue I had been meaning to get to for a while, the Cellar Door. This is not to be confused with the historic Cellar Door venue that was in Washington DC from 1965 to 1981. They have nothing to do with each other besides the name. The house in Annandale, Virginia that I was at did in fact have a cellar door and the bands used it to carry equipment to and from the basement area that they were performing in. I looked around a bit, the basement wasn’t very large but it was good enough for a house show. The walls weren’t really decorated down there, other than an old Dysrhythmia show poster hanging by one thumb tack on the wall. Upstairs there was a small bar that was covered in merch, which one of the houses’ resident cats was relaxing on. There was also a back deck area but I didn’t really go out there because I don’t smoke any more and it seemed kind of crowded. The people there were nice and even though I didn’t show up with anyone else I found plenty of people to talk throughout the evening between bands. They also had an interesting collection of books on shelves and stacked around the main living room area covering all kinds of subjects like art, fantasy, politics, science and other stuff as well. I didn’t really thumb through anything but I did see a few people doing so. A hat was passed around for donations to the bands. There was no official cover charge for the show, just an understanding that you’d throw in a few dollars to help support the bands. The people hosting the gig were cool and offered me a burger fresh off the grill and a beer from the fridge, though I had just eaten at Five Guys before the show. Had I known I would have skipped it so as to get there in time for the first band, Ancient Astronaught, which I missed entirely.

The second band to play, and the first I got to see, was Trade from Toms Brook, Virginia (that’s out west a bit past where 66 hits 81). They were a sort of rock/stoner band and I wouldn’t call them bad but they didn’t really stand out much to me and their songs didn’t seem to have a lot of variation. They were a good start for the evening though, and they gave me a chance to practice shooting in the close quarters of the basement.
Trade at the Cellar Door

The next band up was Black Skies from Chapel Hill, North Carolina. They’re a sort of sludge/stoner band and these guys had some crazy energy going. You could tell it was going to be a fun set when Kevin Clark started playing his guitar with his teeth during the first song! The three piece played exciting songs and the dual vocals from Kevin as well as bass player Michelle Temple worked really well. The basement got pretty damn hot while they played though and I had to put my camera away eventually because the lens was fogging up. Definitely my favorite set of the night.
Black Skies at the Cellar Door

The next band to play was the local act Akris. I’ve been meaning to catch them live for a while but for one reason or another I hadn’t gotten the chance to until this evening. They are also a three piece with a woman on bass, but the similarities pretty much ended there. For starters the drummer was more prominent in the band’s sound because there was no guitar player. The band’s sound was much more raw as well, but that’s not a bad thing. There also seemed to be a bit of a punk edge in there. And if you weren’t up front you might not have realized the third member of the band, Jon Simler, who was sitting on the floor fidgeting with various DJ tools. For the most part you couldn’t really hear what he was adding to the music, except during the occasional break between bass lines. The audience seemed to enjoy Akris a lot and there was even a semblance of a mosh pit in the crammed basement area they were playing in. Their set ended just before midnight and their performance was a great way to end the show.
Akris at the Cellar Door

This was the first time I’ve been to the Cellar Door. I’ve known of a few previous shows there but schedule conflicts have kept me from showing up in the past. After seeing such a fun show, and with the Corpse Fortress shutting down at the end of September, I wanted to write something here to draw some attention to this place, one of the few DIY venues in the area that will still host metal bands. The basement is smaller than the Corpse Fortress but the place isn’t trashed as much either. No, it’s not going to replace the Corpse Fortress but it is an example of someone else helping to keep the local DIY scene alive. You can be sure that I’ll post more of the Cellar Door’s upcoming shows on the Upcoming Concerts Calendar as I hear about them (you can also find info on the last Corpse Fortress show on Sept 24th there). For more info on local DIY venues and concerts (metal or otherwise) in the DC area I highly recommend regularly checking out Dirty City Shows at http://inyrbasement.tumblr.com. You don’t have to pay a $15 Ticketmaster fee on top of a ticket price to see a great metal show in this area. You might not get all the crazy stage lighting but you won’t pay $7 for a Budweiser either. Go out and see bands, not just the ones you are in or your friends are in, but check out new bands and see if you find something new you like. Get out and support the scene you’re a part of!

Venue Changes Around The Area

There’s been a lot going on at several concert venues in the area recently. The biggest story is probably that the Fillmore will be opening on September 15th in Silver Spring, Maryland. The original Fillmore is in San Francisco and during the 60’s helped spawn many of the era’s biggest hippy bands, such as the Grateful Dead and Janis Joplin. Now there are several Fillmores around the country and it’s the DC area’s turn to get one. The Silver Spring location is a two level 2,000 person capacity venue. For comparison the 9:30 Club holds around 1,200. The first concert there is Mary J. Blige on September 15th, but the first metal show will be on Friday, September 23rd with Bring Me The Horizon. There are more metal shows coming as well, including Yngwie Malmsteen and Between The Buried And Me with Animals As Leaders. The venue is located inside what used to be a JC Penny and is run by Live Nation (who have merged with Ticketmaster) who also runs Jiffy Lube Live. I am excited to check out this brand new venue in the suburbs of DC and hopefully they’ll get even more metal concerts in the future.

Another big change happening in the area is the management of Jaxx Nightclub in Springfield, Virginia. The venue has been run by Jay Nedry since June 1994 but he has decided to sell Jaxx to Jason Malhoyt and Jeff Cohen of Outerloop. They will run the day to day operations of the venue starting on January 1st of 2012 though Jay will still book several shows a month for them, mostly the glam/hair bands, death metal acts and various European black and power metal bands. You can read Jay’s statement about the sale here. You can already see some changes at the venue though, the new website design is an obvious one. Unfortunately the calendar is awful to navigate and opening local bands are often not listed on it either. The new logo and site layout does look nice though. Outerloop has also recently taken over Alley Katz in Richmond, Virginia and renamed it Kingdom. It is still closed right now, but it will be opening for the first time under the new management on October 8th when Periphery plays there. Both Jaxx and Alley Katz/Kingdom appear to be switching their ticket sales to a company called Amped & Alive, which also seems to have ties to Outerloop, though I’m not 100% sure what they are exactly.

Up in Baltimore you’ll see that Bourbon Street hasn’t been booking any more shows. The venue is apparently closing down, though the people running it appear to be moving to a new Baltimore venue named the Baltimore Soundstage. This new venue is in the inner harbor area and will hold 1,000 people. However, on select nights they’ll have seated shows that will hold 500 people. I think this is going to be a table setting similar to what you’d find at the State Theatre or the Arlington Cinema & Drafthouse. There will also be a full menu with things like crab cakes as well as a full bar with wine, beer and liquor. The venue will open on Saturday, September 3rd when Milkman plays there, though the first metal show will be Devin Townsend and Anathema on Wednesday 12 October. The venue is going to sell its tickets through Ticket Fly, the same company that handles ticketing for the 9:30 Club and Merriweather Post Pavilion.

Aside from Bourbon Street, there have been a few venue closings and other problems of late with area venues. The Hexagon, a DIY space in Baltimore, closed on May 20th. Really it was more of an eviction and you can read their post about that here. So Addictive Lounge in Herndon, Virginia had long been holding Metal Monday local metal band spotlight shows every week before they decided they’d convert to being a gay bar seven days a week. However, the Metal Mondays are not entirely dead as the people behind them have been hosting various metal shows at the Old Firestation #3 (aka Firehouse Grill) in Fairfax City. Now you can see local talent as well as touring bands play there, and it’s still just $5 to get in. Hole In The Sky, a DIY venue in Northeast Washington DC, was shut down by police in the middle of a concert on February 16th. They’ve since done things like build a fire escape staircase to get up to code and have reopened, though they don’t seem to be hosting concerts very often and certainly not metal shows. Silver Spring, Maryland’s DIY space dubbed the Corpse Fortress has been condemned after 5 years of awesome shows. Everyone has to be out by October 1st but there will still be a final show there on September 24th. More info on why it is being shut down is here. This is a huge blow to the area’s DIY scene, metal or otherwise. It had just recently gotten a kick ass paint job in the basement where bands perform, which you can see here.

All is not lost though! There’s the Palace Of Wonders and The Red & The Black which have merged to form the Red Palace on H Street in Northeast DC. They get occasional metal shows, including a special free performance by Clutch that’s coming up on Monday the 29th of August. And while Sonar had a big problem with liquor licenses and almost shut down temporarily back in May (more on that here), it seems it was just a hiccup and they are back to running things as usual again now (although the lot across the street from venue is now metered and thus no longer free to park in). The Quarry House Tavern in Silver Spring, Maryland seems to be getting more metal shows as well (Auroboros will be performing there this Sunday, the 28th of August for a matinee show at 2pm) and I’d expect to see more metal gigs get shifted there once Corpse Fortress is gone. There’s also a new DIY house venue that’s starting to host a few metal shows in Annandale, Virginia that is called the Cellar Door.

So there is a lot changing in the area’s venues and hopefully this article will help encourage some of you to get out to an extra concert or two that you might not have before. Remember, if you’re looking for info on any of these venues’ upcoming metal shows be sure to check out the DC Heavy Metal upcoming concert calendar here. If you want to know more about any of these venues, including their addresses, links to their website, Facebook page or Twitter, or even on how to book a show there check out the Venue page here.