This blog specializes in heavy metal music and how it relates to Washington DC and the surrounding area. Featuring info on upcoming metal concerts in Washington DC, Baltimore and Virginia, as well as info on local bands, area concert venues, reviews of live gigs, and lots of give aways.
We’re gonna do things a little differently this to so read carefully! The deathcore superstars Lorna Shore are coming to the Theater at the MGM National Harbor casino on Sunday, September 21st and best of all we’re going to give away a pair of tickets to this very show to a lucky DCHM fan! I’ve noticed that some of you have struggled to figure out how to leave post comments in the new WordPress comment system so for this contest you can enter by either leaving a comment telling me your favorite song by any band playing this show on my Instagram post here OR you can leave a comment on this post as usual, making sure to include an email address so I can contact you. If you want to double your chances of winning you can even enter in both places. Then this Friday at 12pm noon the contest will close and a winner will be selected from all valid entries using Random.org! If the selected winner hasn’t written me back within 24 hours then another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can purchase tickets here.
Lorna Shore‘s 2022 break out album Pain Remains solidified them as a heavyweight of the deathcore genre and just last Friday they released their follow up album, I Feel the Everblack Festering Within Me. This tour also features support from Detroit based The Black Dahlia Murder, already legends of the melodic death metal genre. Also playing is Shadow of Intent a New England based deathcore band with symphonic leanings, and the opening band is PeelingFlesh, a slam death band from Oklahoma. Now check out these videos from each band and leave a comment on this post or Instagram (here) to enter to win your pair of tickets to this sick show!
Fu Manchu has been one of the pioneers of the stoner scene since the 90s and their big riffs have made them fans with metal heads, stoners and skaters alike! On Thursday, September 18th, the band is playing the legendary Black Cat and we’re so excited that we’re giving away a pair of tickets to one of you lucky DCHM readers! To enter: just leave a comment on this post telling me your favorite stoner or desert rock album ever. Then on Saturday, September 13th, 2025, at 5pm Eastern the contest will close and a winner will be selected from all valid entries using Random.org! Be sure to use a valid email you check regularly when you enter so I can contact you if you win. When you leave a comment you must click the little email icon and enter your email in (only I can see the email address you enter) otherwise I won’t be able to contact you if you win. If the selected winner hasn’t written me back within 24 hours then another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can purchase tickets here.
Fu Manchu burst out of the Southern California desert rock scene with their own high energy take on the stoner sound and formed a devoted fan base after releasing classic albums of the genre like The Action is Go! and King Of The Road and an iconic stoner style cover of the Blue Öyster Cult hit song “Godzilla.” Several of Fu Manchu’s tracks ended up on various Tony Hawk skateboard video games that were hugely popular on the Playstation 2, gaining them an even wider audience. The band still puts out studio albums full of killer riffs, including 2024’s The Return of Tomorrow. Now go get in the comments and tell me what your favorite stoner or desert rock album of all time is!
Don’t forget that this Monday, May 5th is Cinco de Mayo and you be able to catch the depressive atmo-black metal band Sadness‘s tour at Songbyrd that night! The Texas band is headlining a killer line up that night which includes Barbelith, Curse and Torvus and because I want to make sure people don’t overlook this sick show so DCHM is giving away a pair of tickets to one of you lucky readers. To enter just leave a comment on this post telling me what your favorite depressive, atmospheric or just generally mopey band is. Alcest, The Cure, Xasthur, Deafheaven, it all counts! Then on Friday, May 2nd, 2025 at 5pm Eastern the contest will close and a winner will be selected from all valid entries using Random.org! Be sure to use a valid email you check regularly when you enter so I can contact you if you win. When you leave a comment you must click the little email icon and enter your email in (only I can see the email address you enter) otherwise I won’t be able to contact you if you win. If the selected winner hasn’t written me back within 24 hours then another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can purchase tickets here.
Sadness formed in the Chicago area but has since moved their project to Texas where in just 2024 alone they released 3 full length albums! Barbelith is a Baltimore based black metal band that started out with a more raw sound but has since gotten much more atmospheric in their musical direction and I can’t recommend the 18 minute single track EP Deathless Master enough! Also from Baltimore will be the duo Curse, who have a more synth based sound but bring the sorrow just the same. The local openers on this one, Torvus, are not to be missed either. Their catchy take on the goth metal sound is as inspiring as it is depressing. If you haven’t heard of any of these bands please take some time to check them out below and then enter to win a pair of tickets to this stacked line up on May 5th at Songbyrd!
Today (Tuesday, April 8th, 2025) I was invited to a press conference hosted at the Anthem with Ward 6 City Councilmember Charles Allen and several members of the local live music industry where they announced their proposed bill, the Restricting Egregious Scalping Against Live Entertainment (RESALE) Amendment Act of 2025. The bill aims to limit the amount a ticket can be resold by third party vendors to a 10% cap as well as banning the practice of selling speculative tickets (which is when a vendor lists tickets for resale it doesn’t actually have yet). Selling more than 50 tickets on the secondary market would force you to register with the city as a ticket vendor, and violations would incur a fine of $5,000 for the first offense and $10,000 for each additional offense. The bill would cover all non-sporting events in Washington DC. I shot video of the entire press conference, which you can watch above, and asked question #3 at 25:12 in. I feel like this is something that impacts not just metal heads but all concert goers in Washington DC so please take the time to listen and at least become informed on the topic regardless of your stance on it.
The accompanying press release is as follows:
Fix the Tix! Councilmember Charles Allen, DC Music Venues & NIVA Announce Bill Protecting Concertgoers by Reigning in Ticket Scalping
The bill caps re-sale prices on live performance tickets and ends speculative ticketing in which resellers are selling tickets they do not yet have in their possession.
WASHINGTON, D.C. (April 8, 2025) – Today, DC Councilmember Charles Allen (Ward 6), backed by a coalition of local venues, artists, and national independent music organizations announced legislation targeting scalpers and secondary ticketing platforms like StubHub, Vivid Seats, TicketNetwork, Ticket Center and SeatGeek by putting in place a price cap on resold tickets, banning speculative ticket sales, and requiring individuals and businesses selling more than 50 tickets a year to register with the District.
Joining the announcement were I.M.P. and 30 local venues and music industry organizations, including the National Independent Venues Association (NIVA), local musical artist CJ Johnson of Oh He Dead, and the Office of the DC Attorney General. The event took place inside The Anthem, one of DC’s premier live music destinations, and included representatives from many of DC’s music venues.
“Right now, people who want to go to a live show in DC are competing against companies and scalpers who make a lot of money by immediately scooping up as many tickets as possible and re-selling them at a much higher cost than the venue or performer is asking,” Councilmember Allen said. “A $40 ticket could end up reselling for over $1,000. The result is fewer fans can afford to see their favorite artist at one of the amazing venues DC has to offer. These middlemen are making millions by driving up prices, with the profit exclusively going to the scalper and never to the artists or venue. They aren’t performing, they aren’t running a venue – they’re just making it all more expensive.”
The Restricting Egregious Scalping Against Live Entertainment (RESALE) Amendment Act of 2025 proposes capping the amount a ticket can be sold for on the secondary market at face value plus up to 10%. It requires any individual or business reselling more than 50 tickets per year to register with the District, and bans the practice of “speculative ticket sales,” which means only people who already have a ticket can resell it. Violators of the law would be fined as much as $10,000 per ticket.
In just one recent example of speculative ticketing, tickets for Sparks’ show at Lincoln Theatre have not yet been released to the public, but are listed on StubHub, Vivid Seats, Ticket Center and TicketNetwork for as much as $767 at the time of writing. Tickets will be available from the Lincoln Theatre for $55.
“Washington, DC has the opportunity to stop deception and price gouging in ticketing across the nation’s capital,” said Executive Director of the National Independent Venue Association Stephen Parker. “NIVA will do everything possible to help the DC Council enshrine the RESALE Act of 2025 into law this year and fully protect consumers in the District from predatory resale practices.”
“We want fans to be able to buy real tickets at the price the artists set, not get deceived and fleeced by scalpers,” said Audrey Fix Schaefer, Director of Communications for I.M.P. “The RESALE Act, when signed into law, will protect consumers from price gouging, allowing them to go to more shows, which is good for the artists, our venues, and the city. I believe the Office of the Attorney General takes this seriously, and considering the proposed fines, I think the scalpers and the platforms that host them will take this seriously, too.”
“District consumers deserve fairness and transparency when deciding how to spend their hard-earned money,” DC Attorney General Brian Schwalb said. “As the District’s independent Attorney General, my office has taken action against companies across a range of industries —including hotels, food delivery apps, and live event ticketing companies — that deceive customers by advertising low prices and only revealing hidden junk fees later on in the purchasing process. I applaud Councilmember Allen for introducing this bill, which not only makes it crystal clear that drip pricing and junk fees are illegal under District law, but also introduces additional important and practical protections for ticket buyers.”
This legislation aims to protect artists, venues, and consumers in the District from unfair and deceptive practices in live event ticket purchases by:
Capping the price of tickets resold to the total price of the initial ticket plus up to 10%;
Clarifying the existing Consumer Protection Procedures Act with language specifying that ticket issuers, resellers, and secondary ticket exchanges must clearly and conspicuously disclose certain information upfront regarding ticket pricing;
Banning the sale of speculative tickets;
Ensuring the listing for a ticket and each step of a transaction shall clearly and conspicuously disclose the total price of the ticket, including an itemized listing of all charges, fees, and taxes;
Prescribing procedures governing the provision of refunds to consumers;
Prohibiting a ticket issuer from restricting the transferability of a ticket unless the terms and conditions on transferability are clearly disclosed to the consumer prior to purchase;
Permitting ticket issuers to maintain and enforce policies and conditions or requirements for ticket purchase with respect to conduct, behavior, public health and safety, or age at the venue or event, and establishing limits on the number of tickets that can be purchased;
Requiring a ticket issuer or secondary ticket exchange to maintain reasonable technology to prevent any machine, device, computer program, or computer software, with or without human assistance, from bypassing security measures or access control systems designed to limit the number of tickets that can be purchased by a person on a marketplace for initial purchase or secondary ticket exchange;
Requiring a reseller that sells or offers to sell 50 or more tickets per year to register annually with the Department of Licensing and Consumer Protection, and requiring that registered resellers provide certain information to the Department and maintain a surety bond of no less than $10,000;
Imposing responsibilities on secondary ticket exchanges to ensure fair practices on the secondary market;
Requiring the Mayor to issue rules to implement provisions governing the registration of resellers; and
Providing for civil penalties of $5,000 per ticket for the first violation and $10,000 per ticket for the second and subsequent violations.
Local Venues and Music Industry Organizations Supporting the Bill:
I.M.P.
9:30 Club
The Anthem
The Atlantis
Lincoln Theatre
Black Cat
Howard Theatre
Union Stage
The Hamilton
DC Improv
DC9
Songbyrd
Pearl Street Warehouse
Capital Turnaround
Pie Shop
U Street Music Hall Presents
All Good Presents
National Independent Venue Association
Future of Music Coalition
National Independent Talent Organization
Recording Academy
Opera America
Bandsintown
Association of Performing Arts Professionals
International Association of Venue Managers
Fan Alliance
Music Managers Forum-US
Black Music Artist Coalition
American Federation of Musicians
Music Arts Coalition
National Performance Network
National Cannabis Festival
The bill is being co-introduced by Councilmembers Robert White, Kenyan McDuffie, Zachary Parker, Christina Henderson, Brianne Nadeau, Janeese Lewis George, and Matt Frumin.
It’s very rare that Cambridge, England, based Uncle Acid & The Deadbeats make it to this side of the pond for a proper tour so we’re excited here at DCHM for the band to play the Fillmore Silver Spring on Wednesday, February 5th! That’s why we’re giving away a pair of seated tickets to this sure to be epic show. To enter just leave a comment on this post telling me what your favorite movie soundtrack or score is. Then on Monday, February 3rd, 2025 at 5pm Eastern the contest will close and a winner will be selected from all valid entries using Random.org! Be sure to use a valid email you check regularly when you enter so I can contact you if you win. When you leave a comment you must click the little email icon and enter your email in (only I can see the email address you enter) otherwise I won’t be able to contact you if you win. If the selected winner hasn’t written me back within 24 hours then another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can purchase tickets here.
This isn’t your normal Uncle Acid & The Deadbeats tour. For starters it will be seated and the band will be performing their 2024 concept album Nell’ ora blu (Italian for “the blue hour”) from start to finish. Why does a band from England have an album title in Italian you may ask? That’s because this album is a love letter to Italian horror and crime cinema and sounds like a movie soundtrack to a film that was never actually shot, but with that distinct creepy stoner metal vibe that Uncle Acid has perfected. The story revolves around vigilante justice of a corrupt businessman and fits perfectly thematically with Uncle Acid’s throwback sound. You may have seen Uncle Acid perform before but you’ve never seen a set from them like this! Support on this show comes from Jonathan Hultén, a Swedish folk musician most people will probably know for his time in the band Tribulation before going solo. Now check out these releases by the bands below and tell me your favorite movie soundtrack or score in the comments (and be sure to include your email address)!
2024 is the 20th anniversary of the classic Terrifyer album by local grind legends Pig Destroyer! To mark the occasion, Relapse Records is reissuing the album in a newly remastered version that also includes the 38 minute “Natasha” song and a ton of previously unreleased demos and bonus tracks. If this wasn’t cool enough, Pig Destroyer is playing an album release show for this killer reissue at the Black Cat this Thursday, November 14th of 2024! And if that wasn’t enough, DCHM is going to give away a pair of tickets to this very show, and the winner will also receive a copy of the Terrifyer reissue signed by the band. But wait, there’s more! Relapse Records label mates Mammoth Grinder are playing direct support of Piggy D on this show and they’ve got a new EP coming out, titled Undying Spectral Resonance, and the winner will get a signed copy of that at the show as well! If you’re not into vinyl we’ll make sure you can get another format (probably CD) signed at the show instead. Now to enter just leave a comment on this post telling me what your favorite metal release of 2024 is so far. Then on Monday, November 11th, 2024 at 5pm Eastern the contest will close and a winner will be selected from all valid entries using Random.org! Be sure to use a valid email you check regularly when you enter so I can contact you if you win. When you leave a comment you must click the little email icon and enter your email in (only I can see the email address) otherwise I won’t be able to contact you if you win. If the selected winner hasn’t written me back within 24 hours then another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can purchase tickets here.
Pig Destroyer doesn’t play a ton of home town shows so don’t miss this chance to see them at the Black Cat! Direct support comes from Mammoth Grinder and I don’t know if you’ve been paying attention but they now include members of Exhumed and Battlemaster in their line up, so they’re only getting more brutal! Also playing will be Genocide Pact, another Relapse band and also based in DC. They play a modern take on that old school Swedish buzzsaw style of death metal. Opening the show is local band Entrail Asphyxiation, a local death metal/goregrind band that’s been getting a lot of notice lately. Anyways, check out these videos of the bands below and leave a comment telling me your favorite metal album so far of 2024 (Gotta make sure I haven’t missed anything for my end of year lists!)