Review of Immortal Gig at Sonar

It’s not every day one of the “inner circle” bands from the infamous Norwegian black metal scene of the early 90s comes through the area, the last time was almost two years ago when Mayhem played Maryland Deathfest in 2009. So when Immortal came to Sonar on Sunday the 20th of February 2011 you just knew going in that it would be epic. To the best of my knowledge this was their first appearance in the area since I saw them play the now defunct Phantasmagoria record store in Wheaton, Maryland with Satyricon in March of 2000. They were only playing six concerts on this mini tour, and Baltimore was lucky enough to get one of them. They brought along Texas based black metal band Absu for the tour but there was no local support for this show.

Immortal has a certain duality in the metal scene, on one hand they’ve got a lot of credibility in the metal underground being that they’re one of the main second wave black metal bands, and through their band’s evolution they basically invented the blackened thrash subgenre of metal. That said, they’ve also been known to be one of the most ridiculous bands in black metal in regards to their image, laughable posing in photo shoots, things like witch hats and crab walks showing up in music videos, and a general willingness to embrace most of the idiotic image stereotypes of the black metal genre. Immortal has been called the Kiss of black metal but they’ve been able to keep a legion of fans by putting out albums with some damn good songs on them. Their original guitarist, Demonaz, had to leave the band due to severe tendinitis in 1997 and so bass player Abbath took over as guitarist. The band didn’t slow down until 2003 when they broke up for several years. They did get back together but they hadn’t played a concert in the mid-atlantic region since then until this evening.

When I got to the venue, about 10 minutes before the scheduled time for the doors to open, the line was already stretched around the block. All kinds of people from the local scene were there as well as people coming in from out of town and it sort of reminded me of when Carcass came to Sonar on their reunion tour in September 2008. Once inside I quickly staked out a spot as close to the front as I could and awaited Absu to start playing. I’d seen them in June 2009 at Jaxx but now they were a three piece, apparently this was just their second show as such. It didn’t hurt the fullness of the sound at all, but it did make it easier to see the band’s main man and lead vocalist, Proscriptor, play the drums. He’s quite a talented drummer with some unconventional drumming techniques that are pretty fun to watch live. For some unknown reason he had this sort of studded belt thing on as a headband, apparently some of Immortal’s image sense is rubbing off on him. He never dropped his “metal” voice while on stage even between songs and he kept the introductions entertaining too (check out his introduction to Four Crossed Wands in the video posted below to see what I mean). The band was in good form and was as good of a US based warm up act as there was going to be for Immortal though you could tell by the end of their set that the audience was ready for the reason they all came out this night.

Immortal sure took their time getting to the stage, finally arriving a good 45 minutes or so after Absu had finished. They played for at least 90 minutes and didn’t talk a whole lot between songs, but they didn’t really need to as their material stands on its own. Immortal was never one of the more political or religious of the Norwegian black metal bands, their lyrics mostly focusing on the fact that it’s damn cold in the north which isn’t really something to talk about between songs either. Their set list (photo of it here) had 14 songs and consisted mostly of songs from their latest two albums, 2009’s All Shall Fall and 2002’s Sons Of Northern Darkness. Totally awesome for the newer fans, but I was hoping they’d play a bit more off of Damned In Black and Blizzard Beasts. Still, it’s not like some bands where the newer material is just awful or something and considering how young a lot of the people in attendance were (at least up front where I was) it wasn’t surprising they’d play a lot of the newer material. The trio played very tight, the music was pretty energetic and the crowd went crazy from the beginning. When there were lulls in the music Abbath would strike a menacing pose and egg the crowd on by raising his arms and gesturing to keep the energy up. There were several crowd surfers throughout the night and during the song Grim And Frostbitten Kingdoms some dipshit threw a beer bottle on stage which caused the band to suddenly stop playing. Abbath got pissed and dared whoever threw it to come on stage, but they played on (I’ve got video of this below) and in fact seemed to have a renewed vigor through the rest of the song and into the next track, Withstand The Fall Of Time. They didn’t do any fire breathing on stage, which I was hoping for, but they did keep the corpse paint, leather, spikes and boots. There was a lot of fog used too, and Horgh, the drummer, was pushed so far to the back of the stage that you could hardly see him the entire night through all the fake smoke. He did not have his Satan’s Goalie Pads on though, haha. I really could have watched Immortal play another 14 songs but the show did end a bit after midnight after a pre-determined encore performance (hardly an encore when the songs are already on the setlist!).

It was a really fun show, and while Immortal didn’t play a ton of older material, it was still a bad ass concert. Absu was a great opening act too, though I wish they’d allowed a couple of the local black metal acts to open. I managed to work my way to the front row by the end of the show and got some photos that I’m really pleased with from there, and Abbath even posed a bit for me during their final song. You can see all my photos from this show on my Flickr page here. I also got 2 videos of Absu and 3 of Immortal that are all embedded below. The last video is the one with the beer bottle throwing incident, which happened about 1:20 in. Check them out and get ready for the next sure to be epic black metal show to come to the area, Rotting Christ, Melechesh and Hate playing Jaxx on March 9th. Oh yeah, and I’ve started a Facebook page for DCHeavyMetal so help me out and “like” the page (here) if you’re a fan of this site. Now, check out these cool videos.

Notes from Metal Monday

This isn’t a full review of the Metal Monday show on 10 January 2011, but a quick recap of the night.

The show was supposed to start at 8 but didn’t start til after 9pm. Lunar Frost dropped off the bill and was replaced by Akris. The BCS football championship was on the TVs that night too, Auburn beat Oregon.

The first band up was a black metal band from Chantilly named Dragon Wing Begonia. They weren’t bad, though some of their songs were a bit too long. I did enjoy them though. No bass player, but they had a stuffed purple dragon on the mic stand, wtf? They were giving away copies of their demo and I should have those posted to the Downloads section soon.

The next band was Croatoan, who I’d seen at the State Theatre back in August. I enjoyed this set a lot more. Their State show seemed a bit too eclectic of a mix of styles, they seemed more focused this time around. They said they’d be recording their first demo in February, and I’m looking forward to that.

Putrid Servant played after them, a black metal band from Baltimore with ex-members of Corporeal. I’d been meaning to catch them for a while and they were the main reason I came out this night. They didn’t disappoint, I really enjoyed their dissonant set and was happy to finally see them. I’d have bought a shirt or something afterwards but they didn’t have any merch with them.

Wolfnuke is a blackened thrash band from Gaithersburg, Maryland. They brought out some big stacks of amps and really wowed the crowd with their relentless energy and shredding riffage. I’d never heard of them before but I hope they play around here again soon, they were really fun live and impressed everyone in attendance. I definitely recommend see them if you get a chance.

Akris was the final band, but they didn’t start setting up until well after midnight and I was already yawning looking at a 45 minute drive home. I should have stayed though because 495 was shut down for construction and I sat in park for 30 minutes there, so annoying. Really wished I had stayed for Akris after that. Hopefully they’ll play again soon because I’d like to see them.

A fun night for $5 and it’s always nice seeing some of the random people from the local metal scene who show up at So Addictive for Metal Mondays there. I shot some video, all of which is horribly dark, but should give you a chance to at least hear three of the above mentioned bands.

Review of Psycroptic gig at Jaxx

While many people are returning home on the Sunday night following Thanksgiving, I found myself heading down to Jaxx again on the 28th of November 2010. Psycroptic and Keep Of Kalessin, the opening bands on Nile and Ex Deo‘s fall tour were playing a few extra shows without the headliners, and this was the date they came through the area. It wasn’t a long show, only four bands played, and it ended early at around 10pm. Pathology was supposed to be part of the touring line up, but they were involved in a major accident in November (more details here) that ended all touring plans for them. There wasn’t a huge crowd for this show, but that was sort of to be expected. It was still a lot of fun and I finally got to see Psycroptic play live.

The first band to play was local death metal act Orgy Of The Damned. I had seen them play before at the Blood And Fire Festival back in July. They’re still really young, most of the guys had black Xs on their hands. That’s fine though, as again their youthful excitement for the music comes through as a big plus in their set. They played Reanimator which was pretty fun to see live. It’s one of the songs they are giving away for free on my download page if you want to check it out. They also played a cover of the Cannibal Corpse classic Hammer Smashed Face that was pretty cool. In another cue taken from Cannibal Corpse, at the end of their set the vocalist, Jeff Wright, said he “lied” about them not playing Feces Fiend and they closed with that song. The next band up was another local act, Trihexyn. They’re pretty good, just not my kind of metal really. I knew what to expect since I’d seen them before at the State Theatre as part of the second Mandatory Metal night there. They rely heavily on using clean vocals which is something I generally am not a fan of (there are exceptions of course). They are pretty good and have well written songs that they play pretty well so don’t get me wrong here, I’m just not their target audience. They do switch to a more rough vocal style for some parts, and I do find that to be more enjoyable, but I seemed to be in the minority about a few things this evening anyways. Also, the bass player had pink hair, which was a bit weird too but hey metal isn’t supposed to be about fashion anyways (don’t tell that to Cradle Of Filth though!). I’ve got a video of them below so check them out, maybe you’ll like them more than I do.

The next band to play was Norway’s black metal band Keep Of Kalessin. I really didn’t like their newest album, Reptilian, and sadly (for me) their set was mostly made of material from it. It’s all about dragons which wouldn’t be so bad except there’s a lot of that clean vocal singing going on again. So yeah, I’ve become that fan of theirs, the guy who likes only the old stuff. I seemed to be in the minority about that because the audience was reacting well to their performance. And they did play Crown Of The Kings, which is one of their older songs that is totally awesome, but they didn’t play Come Damnation, which is my favorite song of theirs. Their set was only about 40 minutes or so, so I guess they were just doing the same basic set list of songs from their Nile tour, mostly just supporting their new album. I thought they would have played a bit longer, and while I figured they’d play a good amount of their newer material, I also thought they’d play some older stuff since they had the chance to play a longer set. They closed with Kolossus which is a solid song, so overall it wasn’t bad, just not my favorite material for most of the set.

The final band of the night was Psycroptic coming all the way from Tasmania. I’ve wanted to catch them for a long time, as they’re probably my favorite technical death metal band these days (Decrepit Birth is up there too though) and I’ve waited a few years now to catch them live. I didn’t see them earlier this year at Sonar with Nile because I knew this show was coming up and I’d rather go to the closer venue, for less money when they headline. They did play an awesome set, though again it was short. I enjoyed the show a lot and got so caught up with it that when it ended I was kinda mad I’d only shot video of two songs! For me the highlight of the evening was when they played (Ob)Servant, which is just a kick ass metal song. Really, all the songs they played are pretty damn sick. It was like they were putting on a tutorial how you do tech death! I was hoping that since they were headlining they’d play a longer set but they didn’t really. They didn’t play The Colour Of Sleep nor Alpha Breed, two of my favorite songs of theirs. Same as with Keep Of Kalessin, I really wished they’d taken advantage of the headlining slot to play a longer set and included more older material. Their vocalist was a temporary fill in on this tour while their normal singer was staying home to be with his newborn. He did a decent job, his stage presence wasn’t bad and he had a hell of a lot of energy up there, literally jumping around and helping to keep the audience excited. Really though, nobody goes to see Psycroptic because of the vocals, their guitar work is crazy and the drummer is pretty damn tight too. They didn’t have a huge crowd and Keep Of Kalessin seemed to have a larger audience when they played. That didn’t matter to me, I was there to finally see Psycroptic play, and other than the set being so damn short, they didn’t disappoint at all. And I’ve got the videos below to prove it, check em out:

Review of Metal Monday at So Addictive

So Addictive Lounge is a small venue out in Herndon, Virginia that’s been having a weekly Metal Monday showcasing mostly local metal bands. As such, I’ve heard a lot about this place since most of the local bands I try to follow seem to play there sooner or later. This evening, Monday the 15th of November 2010, they were having a free show so I figured I’d head out and catch the bands playing and finally get to check out the venue. So Addictive isn’t a very large venue, it’s really more of a bar with a small stage set up. The stage wasn’t large enough for anything besides the drum kits, so for all the bands playing everyone but the drummer was on the floor with the audience. It’s kind of cool because the audience is right there with the band while they play. The room got very dark, but that wasn’t bad considering the bands playing this night. The beer selection wasn’t good for a bar though, they had nothing on tap and their bottles were almost all yellow beers (they did have Guiness and Yeungling, but when I ordered one of the latter, it tasted so skunky I didn’t bother getting another). Also, this was the night the Washington Redskins were embarrassed by the Philadelphia Eagles on Monday Night Football to the tune of 59 to 28, so the metal was a good way to become distracted from that disaster on the TVs in the bar.

The first band up was a band called Frank Palkoski, or Palkoski, or the Seventh Gate (or all of those?). I’m not really sure what they prefer to go by really but that’s not a big deal. I thought they were going to be a black metal band judging by their logo on the flyer and the other bands playing, but they were actually a three piece grind band more similar in sound to Pig Destroyer than any of the other bands playing that night. They cranked the fog machine up and really let loose with the intensity. They started the show off like a blaring alarm clock on a morning you don’t want to wake up, if that alarm clock was an air raid siren. Their sporadic bursts of raw energy were broken up by some cool guitar riffs and drum beats, often suddenly interrupted with screams of anger. It was entertaining and a good way to start off the show. They had some burned CDs of their material they were giving out in clear plastic Ziploc bags they’d placed on the floor in front of the mic stands and I made sure to pick one up. They also threw a couple of shirts to random people in the audience, which was cool.

The next band up was Archael, who I’d also never seen before. They are a standard black metal band heavily influenced by the early 90s Norwegian scene and they had some catchy riffs. The singer got a bit rowdy and jumped in the crowd a bit to mosh I guess, which was fine until he came over to the side and pushed me holding my camera. I put the camera away and grabbed a beer after that, I’m not trying to damage my gear. Regardless, they did have a lot of energy and the lead guitarist was getting people as excited about the music as the vocalist was. They’ve got their sound down pretty well, though they could use a bit more variation in the songs. They were good songs, but you can tell they are still growing as a band and I think once they change up the formula a bit they’ll have a really interesting set to play. I’d like to see which direction these guys go as they stray more from their influences and form a more distinct sound for themselves in the future, as they really do know how play some fast and brutal black metal.

The next band to play, Apothys, I’ve seen a few times now, and I will see them play again next weekend at Jaxx. That’s not a bad thing at all since they’re really fun to watch live. I won’t get too into the details here as I’ll probably cover them more in the next review (and I’ve already reviewed their set at the Blood & Fire Festival here). This set was pretty fun though, it was cool to see the band interact with the audience due to the lack of a proper stage. I mean just look at this shot of guitarist Eddie Misery leading the crowd members at headbanging, while standing in the audience and playing guitar! They played their own style of blackened death metal very well and the crowd really got into the show. Their final song, Of Writhing Eyes, seemed to really get everyone going nuts. It was another great performance by the leaders of Northern Virginia’s death metal scene.

The final band of the night was Immortal Decay, another band I’ve seen a few times now. By this point it was getting pretty late and there weren’t as many people there. That’s a shame because these guys are really starting to come into their own as a band. The room was very dark when they played, and the band didn’t screw around talking between songs too much. They played a cover of Satyricon‘s classic Mother North which everyone seemed to enjoy (how can you like black metal and not?). Their vocalist, Viktor Osorio, kept it interesting, even rolling around on the ground a bit (careful with those spikes!). The set seemed short though and sort of abruptly ended, maybe due to time constraints at the venue as it was well after 1am by the time they finished. They were fun as usual, and you can catch them opening for Watain at Sonar in Baltimore on Nov 30th (more details on my upcoming concerts calendar page) if you want to see them in action. If you can, buy a ticket from the band members as they have them for sale without service fees.

In all the show was a lot of fun. Not a bad way to spend a rainy night in Northern Virginia, even though Herndon is a bit of a drive for me. It’s nice to see more of these local metal nights popping up around the area, and I hope to attend more in the future, just wish I could bring my own beer to this venue! I’ve got videos posted below, but since it was so dark for most of the sets, and my camera doesn’t adjust to low lighting well, they’re mostly just good for getting a chance to listen to the bands yourself. Enjoy!

Review of Altar Of Plagues gig at the Black Cat

When I heard there was going to be a black metal show at the Black Cat I have to admit I was intrigued. This is a venue known for getting punk and indie rock bands mostly, though they do get metal shows from time to time. I’ve never heard of a real black metal band playing there before, so Friday the 30th of July 2010 I had to be in attendance. The line up was set to be Altar Of Plagues, Castevet, Velnias and local doom trio Salome, but they canceled just days prior. Apparently their guitarist, Rob Moore, was mugged Wednesday night in Springfield and was unable to play. I hope he recovers quickly and they can play again soon. As a side note, you can read my take on Salome when I saw them play with Jucifer in January here. The turn out wasn’t very large for this concert, unfortunately, and I wonder how much of that was due to Salome canceling. It was held on the upstairs main stage of the Black Cat but really it probably should have been on the smaller backstage. Regardless, one band off the bill wasn’t going to keep me from showing up and I’m glad I was there.

I got there at about 9:30pm, the time the first band was supposed to be playing, though they were still setting up when I walked in. They didn’t start playing until about 9:45 which was fine by me, gave me time to grab a beer. This band, Velnias, is from Colorado. They were definitely the most doomy of the three bands. Their barefoot red haired bass player started the set by crouching on all fours and screaming something over and over while rocking back and forth. They didn’t face the crowd much, most of the time everyone (except the drummer) was facing toward the amps, which I found kind of odd. The first few minutes of their set was so slow it was almost drone, though eventually their music built up in intensity. The microphone on the left, being used by one of the guitarists, was pretty impossible to hear in the mix (and I was pretty centered). This wasn’t a huge deal as he split the vocal duties with the bass player. Regardless of minor technical issues, they were pretty entertaining and their sound combined a sort of atmospheric black metal with the slow build up and sudden crashing of doom metal. They only played for half an hour but I could have watched them play for a full hour. They ended their set by doing the old Motorhead trick of putting the guitars in front of the amps to rain feedback onto the audience, while the bass player again rocked on his knees screaming a chant of some sort. Rather powerful way to end a set I have to say.

The next band up was New York City’s Castevet. I enjoyed their latest album, Mounds Of Ash, so I was curious about their live show. They are a three piece band who does the wall of sound rather well, though the vocals this night were turned way up in the mix. This wouldn’t be that big of a problem if I didn’t find them rather monotonous to the point of being annoying by the end of the set. On their studio work the music was much more front and center, but here the vocals were up rather high in the mix. This might have simply been the fault of the venue, I wouldn’t be surprised if whoever was doing the sound at the Black Cat had no idea how to mix black metal. It could have been overcompensation for the low mic level the previous band had too. A few times I found myself getting into the music a bit, but then the vocals would come in and jar me back out. I wouldn’t say they sucked live, but this set up wasn’t ideal for these guys, unfortunately. Since they’re from New York I wouldn’t be surprised if they end up coming by this way again at some point and I’d like to see them again, though in a more ideal setting.

Next up was the headliner, Altar Of Plagues, coming all the way from Cork, Ireland. I felt kind of bad that there was such a poor turn out for these guys after coming from so far away. They were certainly my favorite band of the night to watch. Their sound isn’t far removed from Wolves In The Throne Room. Very atmospheric black metal with lots of build ups of momentum in songs that had some rather catchy riffs too. I wouldn’t say they were exploring any new territory with their sound, but they were very good at what they did. I noticed their drummer was using a hihat which is not something you see a lot in black metal. He was a very proficient drummer though, really punching it when he had to but also keeping interesting beats when the tempos slowed down. The band didn’t have much lighting just three red lights on stage and it was kind of hard to see them since the light from the bar was keeping the room lit more than anything. They didn’t move around a lot on stage, but they didn’t really have to, their music was easy to get caught up in. Their set was very distortion heavy and it was very loud, one of the loudest sets I’ve seen at the Black Cat, though part of that might have been due to the lack of people filling the room. They started going a bit crazy during their last song when they ended up also putting their guitars in front of the amps to do the feedback loop thing Velnias had done earlier. While Altar Of Plagues didn’t have a lot of surprises in their set, they were playing some great atmospheric black metal, and I’m glad I made it out to this show, it was a nice black metal warm up for the Enthroned show coming to Jaxx next week. I didn’t shoot any video at this concert because the lighting was so poor I didn’t think it was even worth it. Hopefully I’ll get some better footage soon, as I’ve got a few concerts lined up here in the coming week.

Review of Blood And Fire Festival at KC’s

On Saturday the 10th of July, 2010 I headed down to Fredericksburg to a gathering of bands from Washington DC and Northern Virginia. This was the first Blood And Fire Festival and was held at KC’s Music Alley. The doors opened at 2pm but there was no way I was going to get down to Fredericksburg that early. I got there a little after 6pm and found the parking lot packed. I’d never been to KC’s before so I wasn’t really sure what to expect, but I hadn’t counted on the lot being completely full. I did find a spot eventually, and made my way inside. Orgy Of The Damned was on the stage when I went inside. I had met their drummer back in May at Maryland Deathfest and I’m glad I got there in time to check them out. They were a group of pretty young guys with a lot of youthful excitement and seemed to really be enjoying themselves on the stage. They had some technical difficulties (an unfortunate theme for the night really) and someone mentioned to me that their vocalist had been sick, but they made the best of it. During one of the breaks to fix equipment they played an impromptu cover of Napalm Death‘s one second song You Suffer, that was pretty entertaining. I thought it was kind of funny when the singer got a member of the audience to sing into the mic “I’m a fieces fiend”, haha. They also played a cover of Belphegor‘s ridiculously titled song Bondage Goat Zombie when they were told they had time for one more song.

The next band I saw was a black metal band from Leesburg, Virginia called Immortal Decay. Their bass player was in full corpse paint, and they had some deer antlers on the mic stand. Their singer had a lot of fun poses to watch, and the band had a lot of energy on stage. It was during their set I realized just how shitty the sound set up was at this venue. For most of their set I was standing in the middle very close to the front of the stage. From there you couldn’t hear the vocals at all. I didn’t shoot any video of these guys because I thought the mic was just out and didn’t want to make a shitty recording. At the end of their set I moved around a bit and realized that if you moved to the sides of the stage near the speakers you could hear the microphones much better. By the time I figured that out their set was almost over. I did enjoy their set though, and even if I couldn’t hear the vocalist he was putting on a good show. While most bands would try to get the audience moshing by spinning their hand or just telling the crowd to, this guy actually jumped off the stage and ran into the mosh pit, mid song! Now that is getting the audience into the show, haha! One of their guitarists, who was rather tall, was also helping with the showmanship. Between him and the vocalist it was hard to keep your eyes away from the stage. Their sound was certainly black metal, heavily distorted guitars making a wall of sound with rather aggressive riffs and fast paced drumming. They were pretty entertaining and I wouldn’t mind having some of their mp3s on my iPod. UPDATE: Immortal Decay posted a video of them playing the song Rotting Altar at the Blood And Fire Festival on their YouTube page here.

After they finished playing I went to the bar area for a bit. The entire venue is divided down the middle, one side with the stage area and the other had the bar and pool tables, as well as a foosball table and a lonely Tekken Tag arcade game. This created a bit of a problem, since you really couldn’t drink while watching the bands. I asked the bartender about this, and she said that apparently the guy checking the door was just looking to see if people were over 18 and not if they were over 21, so they didn’t have a way of knowing if people underage were drinking or not if they allowed people to bring their alcohol into the stage area. They had pretty cheap beer, I’d forgotten how cheap it is to drink the farther away you get from the city. They had $1.50 PBR drafts, and $2 Corona bottles, can’t find that anywhere inside the belt loop. Since I wanted to eat, drink, and talk to people a bit, I had to miss a few of the bands because of the set up though.

Anyways, the next band I watched was Apothys. They’re probably the most popular death metal band in Northern Virginia these days, and for good reason. They put on a good show and play some cool tunes too. I certainly got into the show when they played their song Venomcrest. They moved around on stage quite a bit, and kept the audience excited with their guitar solos and general stage presence. They had the largest size crowd of the night, partly because they’re fun to watch, but also because when their set ended, everyone under 18 was kicked out of the venue. I don’t know if Fredericksburg has a curfew or if the Virginia ABC has a law about it or maybe it was just the venue’s decision. Regardless, the bands who played after certainly had a smaller crowd to play for, and since the place was divided, this meant just as many people were left hanging out in the bar area, including me! I found myself talking to various locals, fans, band members, girlfriends, and pretty much anyone in my vicinity. I got the bartender to put one of my bumper stickers on the edge of the shelf holding up the TVs over the bar, which was pretty cool, and I handed out a bunch more of my stickers to people. It’s always cool when people recognize me from the site too, especially since you can’t really see my face on there since I’ve got corpse paint on. After a couple more bands played it was time to check out the final act of the night, Hatred.

Hatred has been playing the DC area since the early 90s. They’re a sort of old school thrashy death metal band. They were pretty fun to watch, as usual. Most of the people in the bar area moved out to see them play too, which was cool. It was nice to see people had stuck around to watch them. They played songs from most of their back catalog, not just stuff from their 2009 album Burning Paradise. At one point during the set they switched bass players, I’m not sure what happened there but that was kind of strange. The second guy sure had a lot more stage presence, as evidenced in the videos I posted below. They played a rather long set and the people there were chanting for them to come back after the last song was played. I don’t know if it was scheduled or not, the set list didn’t mention it, but they came back to play a final song that ended around 1am. That wrapped up the first Blood & Fire Festival, which I have to say was a pretty fun experience. I don’t know if anyone ever claimed the ticket raffle prizes (the winning ticket numbers were 55 and 57) and I didn’t even know there was a raffle until Apothys announced they were picking the winners on stage. They did have some of the coolest concert tickets I’ve ever seen, much nicer than the generic blue & white from Ticketmaster. They were black and red with flames and shit, pretty metal. There were certainly sound problems throughout the event, and the curfew thing was strange, but in all it was nice to see a bunch of local bands take some initiative and get together like this. I know Apothys had a big hand in organizing it, I’m hoping they put another one together in the future, just maybe not as far away as Fredericksburg next time. With that, I leave you with the videos I shot at the concert, the first is Orgy Of The Damned, the next two are Apothys and the rest are Hatred. Enjoy!