Metal Marathon – The First 3 Days

Well it’s Tuesday the 8th as I write this, and I’ve been to four metal shows in the last three days. I saw two metal fests in Richmond on Saturday, the Virginia Extreme Metal Festival at the Canal Club and A Rockin Massacre at Alley Katz, both are just blocks away and I walked back and forth between them all day. Sunday I headed up to Bourbon Street to see Cradle Of Filth and Monday night I was at the Metal Mondays/La Noche De Metal weekly metal spotlight at So Addictive Lounge in Herndon, Virginia. With seven more concerts in the next six days (starting tonight!), I just don’t have the time now to do full reviews of these shows, but here’s some highlights of my metal adventures the past three days.

As I mentioned in my last post, my car is not sounding good and Monday morning I brought it to the mechanic for what is going to be at least a few days worth of work (ugh!). Because it has been sounding bad, I got myself a ride down to Richmond on Saturday with the very cool Clinton Eickelberg, the bass player of local thrash act Death Penalty. His band was playing the Rockin Massacre at Alley Katz that afternoon so we left early to get there in time for the bands to load in. Everyone seemed to get there a bit late due to traffic but I think everything started pretty much to schedule at Alley Katz at least. The first band of the day I wanted to see was Loculus. They’re a pretty sick death metal band from Northern Virginia and they were playing second at the Canal Club. Their drummer is the new drummer for the legendary Pentagram, and their bass player will be touring with Wretched this spring, but that’s not what makes them cool. Their brutal death metal assault on the ears is! They played a tight but short set and when they finished I found myself headed up the street to catch Death Penalty who were just starting. Their set was pretty much the same as when they played at the State Theatre with King Giant in January (my review of that is here), though this time when they played a cover of Iron Maiden‘s The Trooper they had Nina Osegueda of A Sound Of Thunder doing vocals with them. After they played I headed back down to the Canal Club and talked with a few people and watched a few random bands. The schedule for the Virginia Extreme Metal Fest was not the same order as they had posted, so it was a bit crazy catching the bands I wanted to see. I ended up missing Ethereal Genocide, who I wanted to see, but I got to check out Hatred again at least. Then I saw a band called Blood Tribe which was a sort of metalcore band I didn’t have much interest in. I headed back up to Alley Katz after that and watched the last few bands there, A Sound Of Thunder, Chopper Trike Rebels and Division. A Sound Of Thunder vocalist Nina had recently been in a car wreck and she did a pretty good job of hiding how sore she was, though it you’ve seen them before you could probably tell she was a bit less crazy on stage than usual. Their set wasn’t bad though I noticed they had to cut off a few songs from their setlist to keep the show on schedule. That kinda sucked cause I wanted to see them play My Name Is Doom but that song was axed. I ended up bumming a ride back to NoVA from their guitarist, Josh Schwartz, at the end of the night so a big thanks goes out to him on trusting that I wasn’t a serial killer. Yes, I went down to Richmond not knowing how I’d get back, haha. The Chopper Trike Rebels were up next and while their guitarist had some pretty cool custom guitars on display through their set, the sound mix was pretty shitty and you couldn’t hear them that well. They had a LOT of fog on stage, and their singer ran around and had good stage presence but unfortunately the mix was too poor for me to fairly judge their sound at all. The final band of the night was Division who actually had a pretty good mix. They really killed it and while a lot of people had gone home by the time they played, it was worth sticking around to catch them. They’re a great local band and Catherine Lewis of the Washington Post named their latest album one of the top five local metal releases of 2010 (link here). In all it was a great day for two metal fests, I just wish the promoters/venues had worked together to make everything more cohesive. After Josh gave me a ride back up to the area I was really tired, that was a long day and I still had 8 more days of metal shows ahead!

Sunday I again needed help getting a ride out of town to a show, this time to Bourbon Street in Baltimore to catch Cradle Of Filth. One of my followers on Twitter, Sarah aka @murrainofswains, decided that I probably wasn’t a crazy murderer and gave me a lift up to the show with her. Really awesome of her and she had some cool stories about seeing music festivals in other countries and working with Iraqis. Neither of us had been to this venue before, but it was pretty nice. More deep than wide, they had a great lighting system set up and the stage was really high too. When I got there the venue couldn’t find my photo pass until luckily someone I’d contacted weeks ago came into the will call booth and got me set up. He told me they were only allowing the photographers to shoot from the photo pit for the first two songs, but after the band’s opening song, Heaven Torn Asunder, they kicked us all out! Not sure what happened there, I think perhaps the bouncers didn’t know the band’s material at all and since Cradle has long songs, they assumed when the first ended it was actually two songs. The lighting wasn’t great for shooting though and I felt kind of rushed since I got up front just as the band was heading on stage. After watching a couple songs from the side of the stage I figured I’d shoot some video for you guys and headed back into the crowd a bit. Their set was really great, I wasn’t sure what to expect from a Cradle Of Filth show these days. I am not really a fan of their more recent releases and I kind of expected them to play a lot of their newer material. I was pleasantly wrong though as they played a nice mix of tunes from all eras of the band, even a couple from the first album. I saw them last about ten years ago at the 9:30 Club and that show was really over the top, contortionists on stage and some girl doing acrobatics from these rings hanging over the stage. The whole thing was sort of a goth circus. This show they turned down the ridiculous a lot. No goofy side show shit on stage but they did have their normal uh, costumes on and corpse paint and such. Dani Filth has a short hair cut, which while not really metal, it’s better than fucking neon blue dreads and crap like that. His voice isn’t holding up and he couldn’t scream like he used to though. He isn’t able to sustain for as long that high pitched scream he’s known for, but that’s bound to happen with age. He did still scream a lot though and the show was really entertaining, especially because of their great set list.

Monday the 7th of March was day three of my nine day Metal Marathon and I found myself getting a ride out to So Addictive Lounge in Herndon, Virginia for the weekly local metal showcase there called La Noche De Metal. I got there a bit late and missed the first band, Wolventhrone, apparently a black metal act. Next up was the band I came out to see, Wolfnuke, who are a pretty kick ass blackened thrash act that just doesn’t slow down on the energy level. Check these guys out if you haven’t already, great stuff and even better live. They probably should have played last though as they seemed to have the largest audience of the night and the longest set too. After they played another black metal act was up, Xeukatre. They’re a very raw black metal band obviously drawing from the Darkthrone school of keeping it “trve”. Their show was VERY dark, only a strobing set of colored lights on stage lit the room, which they also filled with smoke. I took a few shots but nothing too great due to those conditions. I think they were wearing corpse paint, and their drummer may have been a woman, but it was so dark you couldn’t really tell any of that. They’re so kvlt that their lighting is so dark that you can’t see their theatrics, haha! The last band of the night was Palkoski. They were the only band not from Maryland this evening and they’re a pretty good grind act. They were formerly a band called The Seventh Gate but they have since changed their format to a grindcore concept band where the lead singer plays the persona of his alter ego, a fictitious serial killer named Frank Palkoski and their live show is supposed to be a sonic representation of that. While some grind can get pretty damn stale by the end of a set these guys always keep it entertaining and mix things up a bit throughout the set. They aren’t the kind of band that’s going to stage dive and have lots of breakdowns, they’re going to basically shred your face off in raging bursts of aggression. They also set up a table with free stuff for anyone to take, and I got what appears to be a previously used flask with a bumper sticker on it with a bunch of nekkid dudes bound in duct tape on it, haha! It was another great Metal Monday at So Addictive and I’m glad I got to see such great metal for just $5!

It’s been a crazy first three days and I can’t wait to see how the rest of this adventure goes. My car is totally MIA right now but I’m doing my damnedest to keep this metal marathon alive! If anyone wants to give me a ride to Baltimore on Thursday to see Atheist at Sonar that would be awesome, please don’t rob/kill me and I promise the same in return (and I don’t mind chipping in for gas or whatever). If you’d like to help me buy beer/gas/fix my car feel free to kick a couple bucks my way via Paypal here. I’ve made a set of pictures on Flickr of all the shots I’m taking during my Metal Marathon and you can see those here, more will be added as I go to more shows. I’ve posted one video by each band I’ve seen so far on my Metal Marathon below but you can see the rest on my YouTube page here, I particularly recommend checking out the Cradle Of Filth videos as I think they came out rather well. So it’s three days down, six more to go!

Recap of Eyehategod gig at Sonar

So on Thursday the 17th of February 2011 the New Orleans based sludge act Eyehategod was coming to Sonar in Baltimore. I’m really not a huge fan of their albums, though they are influential in the sludge scene. I probably wouldn’t have gone but they were playing with a few bands I do really like, Misery Index, Magrudergrind and Cough specifically. Unfortunately the flyer for the show didn’t list the bands in the order they’d actually be playing and I ended up missing Cough, who apparently played first. Someone said they had played too long and so the rest of the show was being rushed. I did catch one of the local openers, Surroundings. They were ok I guess, pretty standard grindcore with a frontman that was really energetic, even crowd surfing during the set. The audience moshed for about a song or two at the beginning, but considering it’s grind that means about 30 seconds, haha. The next band to play was Strong Intention but I wasn’t really in the mood for hardcore so I went into the other room to have a couple beers and talk to people while they were playing. They do play the area a lot and I’m sure I’ll see them sooner or later though.

The next band to take the stage was Washington DC based grindcore act Magrudergrind. They made a stir last year when they gave their new album away for free (get it here) since the album was sponsored by Scion, a branch of Toyota. Apparently all the anti-corporate grind people took issue with this and so yeah, people were actually complaining about getting a free album. Anyways, I caught them last May at Maryland Deathfest, but this setting was a bit better to see them in I think, for one it wasn’t so crowded but it was also a local crowd so that was cool. Their set was fun, full of people jumping off the stage while the band played their spasmatic outbursts of DC grind. The main problem was they only played for 20 minutes! That kind of sucked, but was probably due to the time constraints the show was having.

Next up was the band I wanted to see the most, Misery Index. They’re from Maryland and the band was formed by ex-members of Dying Fetus. Only one of those guys are left in the band, and in fact this was the first show I had seen them play with their new guitarist, Darin Morris. Any fear I had of how the band would play with the line up change was quickly dispelled. As usual they played a very tight set showcasing their extremely brutal songs and even managing to play them faster live. Most of their set consisted of stuff from Heirs To Thievery, their latest album. They were told to stop playing at 12:20 am even though they had more songs left to play.

The headlining act, Eyehategod, is a band that I never really got into. Figured it was worth seeing them once though since ya know I run a metal site and all. They played a new song (video of that below) though they didn’t say its name. Their set was very downtuned and while I know plenty of people there were psyched to see them, it got monotonous to me after a while. I kept thinking that it was getting so late they’d have to end soon, but after thinking that for a few songs I checked the time around 1:45 and decided to call it a night even though they were still playing. As I said before I really was there to see the openers anyways. It sucks that their sets were all cut short after I drove up to Baltimore though! Anyways, I’ve got videos of the bands below, though most are dark the Eyehategod guys did have good lighting for me to shoot video in. The final song is their new one that I’d imagine will be on their next release, enjoy!

Review of Ilsa gig at Hole In The Sky

Sunday night, the 9th of January, I got to see my first metal show of 2011. The show was local death/doom band Ilsa playing with the lo-fi doom duo Olde Growth from Boston. There was another opening act, a new local band named Spirals but I didn’t get there in time to see them. I’d never been to this DIY venue in DC, Hole In The Sky, which just started hosting concerts in June of 2010. They seem to get more shows that are punk and hardcore, but they do get some metal too. Ilsa is a band that seems to bring metal to people who aren’t really the typical metal head. The audience was different than what you’d see at a typical Jaxx show, but a fan of metal is a friend of mine. The set up was interesting, you have to walk down an alley to find the front door which is rather nondescript, a small wooden sign above it lets you know you’ve found the right place. You go up a dark flight of stairs and open another door and you’re in what is basically the large common area of an apartment. Instead of a lot of furniture, they’ve got a nice open space set up in the corner for bands to play. The walls are covered in spray paint and other designs, and there’s a corner with a place to hang bicycles. They also have an outdoor rooftop that people can smoke on, but I didn’t spend a lot of time out there cause it was cold as shit. It’s probably much nicer in the summer though. There were a couple of the local neighborhood kids who had wandered in and were running around underfoot for a bit, even playing with some of the instruments between bands. A small table with merch was set up too. Someone came around asking for $5 donations to the show, but the exchange was very friendly. The place was pretty welcoming really, and while I didn’t really know anyone there, I did find a few people to strike up conversations with.

The first band to play was named Spirals, but as I said before they had finished playing by the time I got there. Olde Growth was setting up when I walked in, and I didn’t really know anything about them. Usually at these DIY shows there’s at least one touring band, and a couple local acts to help draw people to the show. Most of the money collected goes to the touring bands, even though the local acts tend to get the better draw. This might seem unfair, but ideally they are trying to help pay for those bands to tour, so people can see bands they wouldn’t normally get to, and ideally the local bands will be able to use the same network when they want to play in other cities. This show was no different, and since I didn’t know anything about Olde Growth other than what the flyer stated I wasn’t sure what to expect. I wouldn’t call them the best band I’ve ever seen but they were worth getting there early enough to watch. They are a very bassy doom duo. Their songs weren’t overly complex, but they did have a sort of epic feel to them. They really brought the tempo down to a crawl but still managed to bring things back up. The set seemed really short though, maybe the songs were long so it seemed that way, but I think they only played about four songs total. Still, it was a pretty entertaining set and they were a good act to play with Ilsa.

Ilsa was playing last, and they were the main reason I was there, and you could tell by the size of the audience that I wasn’t the only one with that sentiment. I’d been meaning to catch them for a while, glad I finally got a chance to. They’re called a death/doom metal band, but I think they’re more on the doom side of that with some sludge in there too. Whatever they are, they’re really heavy. They’ve made a name for themselves in the local DC scene, though they seem to be known more in the world of local hardcore fans than the typical metal circles. I think that’s starting to change as their latest album, Tutti il Colori del Buio, is starting to get noticed, and for good reason. The show was a bit different than their studio work. The songs are a bit dirtier sounding, and a bit more energetic live. The cleaner studio production gives way to a more raw vibe, and honestly I thought it was great. Plus really feeling that heavy distortion shake through you is just something ya don’t get from a recording. I enjoyed the songs that I recognized as well as the older material from their first album, which I don’t know. And while half the band had their backs to the audience most of the show, the crowd seemed pretty mesmerized by the performance. Really it’s not so much about the band’s stage presence as the sheer crushing sound they produce. Ilsa finished their set but they were talked into playing another song before calling it a night, which was pretty cool of them. It was a good show and I’m glad I made it out to see them play. They’re a great local metal act and I can’t wait to see them again, it was a hell of a lot of fun. If you haven’t seen them yet you should, they’re quickly becoming one of DC’s must see acts. I did get a few videos, posted below, one of Olde Growth and three of Ilsa, but they’re all pretty dark. The audio is decent, but Charred Resistors should have the audio from the entire show posted soon. I’ve got more pics on my Flickr page too. It was a great way to start off my year of metal concerts, a cool local act I’ve been meaning to check out in a venue I’ve never been to before. Lets hope the rest of 2011 is as fun.

Review of Psycroptic gig at Jaxx

While many people are returning home on the Sunday night following Thanksgiving, I found myself heading down to Jaxx again on the 28th of November 2010. Psycroptic and Keep Of Kalessin, the opening bands on Nile and Ex Deo‘s fall tour were playing a few extra shows without the headliners, and this was the date they came through the area. It wasn’t a long show, only four bands played, and it ended early at around 10pm. Pathology was supposed to be part of the touring line up, but they were involved in a major accident in November (more details here) that ended all touring plans for them. There wasn’t a huge crowd for this show, but that was sort of to be expected. It was still a lot of fun and I finally got to see Psycroptic play live.

The first band to play was local death metal act Orgy Of The Damned. I had seen them play before at the Blood And Fire Festival back in July. They’re still really young, most of the guys had black Xs on their hands. That’s fine though, as again their youthful excitement for the music comes through as a big plus in their set. They played Reanimator which was pretty fun to see live. It’s one of the songs they are giving away for free on my download page if you want to check it out. They also played a cover of the Cannibal Corpse classic Hammer Smashed Face that was pretty cool. In another cue taken from Cannibal Corpse, at the end of their set the vocalist, Jeff Wright, said he “lied” about them not playing Feces Fiend and they closed with that song. The next band up was another local act, Trihexyn. They’re pretty good, just not my kind of metal really. I knew what to expect since I’d seen them before at the State Theatre as part of the second Mandatory Metal night there. They rely heavily on using clean vocals which is something I generally am not a fan of (there are exceptions of course). They are pretty good and have well written songs that they play pretty well so don’t get me wrong here, I’m just not their target audience. They do switch to a more rough vocal style for some parts, and I do find that to be more enjoyable, but I seemed to be in the minority about a few things this evening anyways. Also, the bass player had pink hair, which was a bit weird too but hey metal isn’t supposed to be about fashion anyways (don’t tell that to Cradle Of Filth though!). I’ve got a video of them below so check them out, maybe you’ll like them more than I do.

The next band to play was Norway’s black metal band Keep Of Kalessin. I really didn’t like their newest album, Reptilian, and sadly (for me) their set was mostly made of material from it. It’s all about dragons which wouldn’t be so bad except there’s a lot of that clean vocal singing going on again. So yeah, I’ve become that fan of theirs, the guy who likes only the old stuff. I seemed to be in the minority about that because the audience was reacting well to their performance. And they did play Crown Of The Kings, which is one of their older songs that is totally awesome, but they didn’t play Come Damnation, which is my favorite song of theirs. Their set was only about 40 minutes or so, so I guess they were just doing the same basic set list of songs from their Nile tour, mostly just supporting their new album. I thought they would have played a bit longer, and while I figured they’d play a good amount of their newer material, I also thought they’d play some older stuff since they had the chance to play a longer set. They closed with Kolossus which is a solid song, so overall it wasn’t bad, just not my favorite material for most of the set.

The final band of the night was Psycroptic coming all the way from Tasmania. I’ve wanted to catch them for a long time, as they’re probably my favorite technical death metal band these days (Decrepit Birth is up there too though) and I’ve waited a few years now to catch them live. I didn’t see them earlier this year at Sonar with Nile because I knew this show was coming up and I’d rather go to the closer venue, for less money when they headline. They did play an awesome set, though again it was short. I enjoyed the show a lot and got so caught up with it that when it ended I was kinda mad I’d only shot video of two songs! For me the highlight of the evening was when they played (Ob)Servant, which is just a kick ass metal song. Really, all the songs they played are pretty damn sick. It was like they were putting on a tutorial how you do tech death! I was hoping that since they were headlining they’d play a longer set but they didn’t really. They didn’t play The Colour Of Sleep nor Alpha Breed, two of my favorite songs of theirs. Same as with Keep Of Kalessin, I really wished they’d taken advantage of the headlining slot to play a longer set and included more older material. Their vocalist was a temporary fill in on this tour while their normal singer was staying home to be with his newborn. He did a decent job, his stage presence wasn’t bad and he had a hell of a lot of energy up there, literally jumping around and helping to keep the audience excited. Really though, nobody goes to see Psycroptic because of the vocals, their guitar work is crazy and the drummer is pretty damn tight too. They didn’t have a huge crowd and Keep Of Kalessin seemed to have a larger audience when they played. That didn’t matter to me, I was there to finally see Psycroptic play, and other than the set being so damn short, they didn’t disappoint at all. And I’ve got the videos below to prove it, check em out:

Review of Cannibal Corpse gig at the Rock And Roll Hotel

This tour had, without a doubt, the best death metal line up of any North American tour this year. Devourment opening for Vital Remains, local favorites Dying Fetus and the kings of death metal themselves, Cannibal Corpse. On Sunday the 21st of November they all brought their combined brutality to the Rock And Roll Hotel in Washington, DC (you thought I was going to say Jaxx, didn’t you?) and aurally assaulted this venue like never before. Now I’ve seen a few metal shows at the Rock & Roll Hotel before, but they have not had any death metal, and what a great tour to bring in for their first extreme metal show at the venue! They didn’t have any local support, but luckily I’d just gone to see a great set of local death metal the night before at Jaxx, (my review of that show is here) so it was sort of like the openers played the night before.

When I first got to the venue, Devourment was already playing. I’m not sure how long they played but I saw them play four songs. There was already a good size crowd amassing so I stayed to the back of the room near the soundboard so that I wouldn’t damage my nice camera (they wouldn’t let me use it so I had to store it during the other bands’ sets). Because of all this I wasn’t in a great place to get video or still shots of these guys. They had the crowd already going though when I got there, and between every song I saw, and also in the middle of half of their songs, the lead singer, Mike Majewski, would instruct the crowd to mosh in a circle pit. The set seemed to focus on older material, I remember them playing “Choking On Bile” as well as closing with “Babykiller.” This was kind of odd though, since the band is hardly the band it used to be. “Choking On Bile” is from the band’s first full length, Molesting The Decapitated. That album totally rules, don’t get me wrong, and if you want to hear some of the best underground death metal there is, check that album out. But the band playing this night only had one member remaining from back then, the bass player, and he was now on vocals! This and the fact that Devourment will also be playing again in May at Maryland Deathfest (much more info about that on my calendar here) made me not so upset about missing some of their set this night. Also, their guitarist put on a white horse head mask for the final song, I have no idea why.

The next band to play was Vital Remains. No, Deicide‘s Glen Benton was not playing with them, though their bass player was wearing a Stench Of Redemption shirt. I’d put my DSLR away and had my point and shoot camera ready and was standing in the front by the time they took the stage. The vocalist, Scott Wily, had on these spiked Immortal-esque bracers and was again telling people to keep a circle pit going. Ok, really? I remember thinking how dumb it was watching hardcore kids do laps in circle pits, why are these death metal bands encouraging this instead of straight up brutal mosh pits? Whatever, it was all to my back for the most part anyways. They did play a great set made up mostly of material from their two most recent albums, Icons Of Evil and Dechristianize. That’s fine by me, even though I often want bands to play older songs I’ve always enjoyed their more recent material as I think they really refined and defined their sound. Plus it’s fucking faster than their old stuff, and trust me they don’t slow it down live. Most of the people near me seemed to know most of the words to “Dechristianize” and were screaming along with it, which goes to show the power of getting an iconic vocalist like Benton on those studio albums. Of course with their long songs, their set seemed to fly by and since there were still two more bands to play their set was shorter than I’d have liked. They also didn’t play the song “Shrapnel Embedded Flesh” (a personal favorite of mine) but other than those two minor gripes they really did a kick ass job of taking the brutality up a notch.

The next band set to play was Dying Fetus. Now, before I make my next statement here, let me first say that I haven’t seen them in quite a few years and that might have something to do with my opinion on the matter. That said, Dying Fetus fucking killed it this show and really, I think they showed up Cannibal Corpse. Their setlist was great from start to finish, and while their stage time was shorter they didn’t talk a lot between songs. For the most part they just played some brutal fucking death metal, of course with all those grind elements and breakdowns their sound is known for. Dying Fetus is from the DC suburbs of Maryland and I don’t know if that was the reason why, but they did play a lot of older material, including two songs off of the Killing On Adrenaline album, which was awesome. Some of these songs I hadn’t even listened to in years and I really enjoyed remembering them as they played songs from their entire back catalog. They even played the song “Eviscerated Offspring” from their 1994 demo! The mosh pit went crazy, combining brutal death metal with catchy breakdowns will do that, haha. There are a lot of bands who do that now of course, to the point it can get really annoying really quickly, but after seeing this gig there is no question in my mind that Dying Fetus are still the best at it. They opened with “Praise The Lord (Opium Of The Masses)” which really set the tone of the show from the start, and the intensity didn’t let up until they finished their set with “Kill Your Mother, Rape Your Dog.” In all, it was a great performance by one of the leaders in death metal.

Finally it was time for the headliner, Cannibal Corpse. They played the area not too long ago, when they came to Jaxx back in April (my review of that is here) and this concert wasn’t a whole lot different really. There are some things you can expect at a Cannibal Corpse show these days, brutal music is one of them of course. But you also know that when their vocalist, George “Corpsegrinder” Fisher says the next song goes out to all the women in the audience, they’re going to play “Preacher Of Sodom” (it used to be “Fucked With A Knife” but that song doesn’t seem to be part of their set list any more) and you know when he says Hammer Smashed Face is their last song of the night, after it’s done he’s going to say he lied about it being the final song as they start playing “Stripped, Raped And Strangled.” This show had all that of course, but there were a few surprises. For one, they played the song “Gutted” off of Butchered At Birth, and Corpsegrinder said that he grew up in Baltimore so the show was a sort of coming home and he reminisced about coming to see concerts at the 9:30 Club and the like and he said the Rock N Roll Hotel had a similar feeling to those places back then. He also challenged the audience to keep up with his extreme headbanging during the song “I Cum Blood,” and I’ve got video of that below you can watch. A few touches like those aside, the show was fairly typical for Cannibal Corpse, and while I’ve seen them play a hell of a lot of times, you could tell by all the X’s I saw on people’s hands that many of those in attendance probably hadn’t seen them before and the aspects of the show I see as becoming a pattern were all new to them. The venue was pretty packed and I saw the guy in the full body chicken suit in the mosh pit (hadn’t seen him around in a couple years!) as well as a guy in a V For Vendetta style Guy Fawkes mask. Yeah, Cannibal Corpse draws an odd crowd. Their set was intense and sweaty and brutal as always, and it was a lot of fun. And I know I’ve seen them play at least 10 times before, but I’ll never get tired of watching Cannibal Corpse play “Hammer Smashed Face” and “Stripped Raped And Strangled” back to back while standing two feet in front of me. Those are two of the most iconic death metal songs ever written and essentially define the band, if not the death metal genre itself.

At this concert I could tell the District is hungry for more metal and several people asked me about my site after seeing the logo on my shirt, all basically saying the city needed something like that. Even the manager of the venue told me he’d be interested in having a regular metal night there. I sure as hell would like to see something like that happen. Even though the bands were crammed on the stage, this was a great show to bring death metal back into the city with. I know a lot of the people there won’t head out to places in the suburbs like Jaxx for concerts a lot due to transportation and other issues. It was another good turn out, reinforcing the fact that heavy metal is on the rise in the entire area, not just the suburbs. It was also my second great death metal concert in a row, what more can you ask for? Now check out the videos I shot of the final three bands below.

Review of Loculus gig at Jaxx

Ashburn, Virginia based Loculus headlined a local metal night with openers Above The Altar and Apothys at Jaxx on Saturday the 20th of November 2010 and it was pretty damn awesome. This was the release party show for Loculus’ new EP, Sinew, which they were giving away copies of for free to everyone in attendance. Not only that, but it was a great showing of the local death metal community. There was a great turn out for such a late show with no national headliner and hell, I’ve been to Jaxx plenty of times to see touring bands with far less people in attendance. I’d never been to one of these “late” shows at Jaxx before, where they have one concert going on earlier in the afternoon/evening and another later that night, and this one seemed a bit disorganized, though that was no fault of the bands involved. Apparently the earlier show got out late, and while the first band of the late show was supposed to go on at 10:30, they didn’t hit the stage until 11:30. I talked to a few members of the bands playing after I got there and they not only had no idea when their sets would start, they didn’t even know how long they would be allowed to play if at all! Though once the bands did start playing, the show really was worth the wait.

By the time Apothys hit the stage you could tell the crowd was starting to get restless. Originally the band Shotgun Surgery was supposed to play, but they had to cancel and were replaced on the bill by Apothys a week or two before the concert. Apothys always seems to put on a good show live and this time was no exception. They kept the crowd fired up the entire set and the band looked like they were having as much fun up there as anyone in attendance. I noticed that they didn’t play Of Writhing Eyes, a killer song which they have been closing shows with the last couple of times I have seen them. I wonder if that was due to time constraints because the show was running so late. I had just seen them the previous Monday at So Addictive (my review of that concert is here) and while that show was kind of cool for it’s lack of a stage so the band really mingled with the audience, it was nice to see them up on a proper stage with decent lighting again. Sadly the camera I shoot video with had its SD card take a shit and the video I took of them playing Terminus at this show has some error that makes the file unplayable. I didn’t know this until I got home that night and the card also lost one of the videos I shot of the headliner, Loculus. Sucks but what can ya do?

The next band to play, Above The Altar, is a death metal band from Loudon with a lot of thrashy elements and even a few breakdowns giving them a sort of ‘core element to their sound. I had never seen them play before, but they were a good addition to the night’s line up, putting a bit of variation (but not too much) between the two other more standard death metal bands in the line up. Their songs were pretty well put together though they didn’t really grab me too much. Maybe if I was familiar with some of their material beforehand I’d have been a bit more into it. Their lead singer, Toby Gomez, was pretty entertaining with his banter between songs and he helped to keep the mood light between the heavy songs. By the time they ended their set it was getting late though and I was wondering how much time the headliner would have to play.

The next band to hit the stage was Loclus and it was already after 1am when they started playing! They had a big, professional banner with their logo and some artwork up behind the stage that must have cost a bit of money to have made. It was pretty cool looking though. Their guitarist, Steve Miller, had given me their demo a few months back that I really enjoyed, but I still hadn’t had a chance to catch them live yet. I’m glad I made it to this one as they were really on fire. You can tell they had put a lot of work into getting this show together and when they hit the stage it really paid off! They took the stage and really played a no-nonsense very tight set. This was some fast, brutal death metal and Loculus really killed it on the stage here. They were well practiced and they executed their material very well (from what I could tell at least). The drums were pummeling, the guitars were furious and the vocals were out of control. They didn’t talk much between songs, I’d guess that was partially due to the fact that time was becoming an issue this night. However, they did pause at one point to tell everyone to pick up a free copy of the four song EP they were releasing. The mosh pit was going strong the whole set and I think everyone in the room could feel the intensity of their performance. The worst part was that it was so short, they only played five songs, though I think if it was any longer they’d have run out of time for the venue to be open.

It was a great show, and while it wasn’t the first for Loculus it had a sort of debut feeling to it. If you were there and didn’t get a copy of Sinew for some reason, the band has said you can bring your ticket stub to their next concert (date and venue still to be determined as of this post’s writing) and they’ll give you a copy. It was great to see so many people come crawling out of the woodwork to a late gig for local death metal acts. It sort of reminded me of that first State Theatre metal show (my review of that is here) back in August where it was also cool to see how many people came out in support. These kinds of concerts, plus the Blood & Fire Fest, various weekly and monthly metal gigs starting at venues around the area, and the willingness of more and more local venues to host metal concerts are showing this scene really start to come together! I’m glad so many people came out, and glad Loculus not only set this show up, but really killed it Saturday night when everyone was watching to show people this isn’t all just hype. Metal in the greater DC area is on the rise! Now check out the videos from the night that my SD card didn’t corrupt below, and be sure to check back later in the week for my review of Sunday night’s Dying Fetus and Cannibal Corpse as well as the re-opening (finally) of the Downloads page on the site that will have free mp3 downloads of over 20 different local metal bands of various sub-genres.