Maryland Deathfest X Day 4: Sunday

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Sunday’s band line up was one of the best gatherings of doom and stoner bands I’ve ever heard of. However, the first band I saw that day was Coke Bust, a DC based grind band featuring members of Magrudergrind. They put on a fun show and even when the main microphone stopped working mid song they just started using one of the back up vocal mics instead. The vocalist said they hadn’t played in front of such a big crowd before as they usually play in places like people’s basements. I’m glad I got to see this fun local grind act play before all the doom started. Check out the video I shot of them below.

Coke Bust at Maryland Deathfest X

Coke Bust at Maryland Deathfest X

After Coke Bust played I headed outside to see Disma, a death/doom band featuring members of Incantation, including vocalist Craig Pillard. The band had been kicked off of the Choas In Tejas festival (article here) shortly after that festival’s line up was announced back in December because of Craig Pillard’s former Nazi ties, particularly him being in the openly antisemitic band called Sturmführer. Now supposedly he has recanted his racist ways but still, it makes me a bit conflicted about supporting the guy. Him wearing an iron cross on stage at MDF didn’t help either. Now I know an iron cross doesn’t make one a Nazi, it’s not a swastika, but if you’re trying to distance yourself from your Nazi past why would you wear that on stage? Their set was pretty crushing though, I have to give the band that, and you can see for yourself in the video I shot below as well as the great close up footage provided by Total Fucking Mayhem in the second video.

Bill Venner of Disma

Disma at Maryland Deathfest X

Disma at Maryland Deathfest X

Craig Pillard of Disma

Disma at Maryland Deathfest X

The next band I caught was the Richmond based doom band Cough, who was great, but I didn’t get close enough to get any video footage or decent photos of them so I’ll just skip to who I saw after them, a Swedish death metal band called Demonical. Demonical was alright. I wouldn’t call them bad, but compared to some of the death metal heavyweights that were also playing the fest they certainly weren’t a must see band for me. They were just OK I guess, and about half way through their set I went to the other outdoor stage so I could get up front for Morgoth. I do have a video of Demonical posted below, as well as two more from Total Fucking Mayhem, so check them out if you’re interested in more about Demonical’s set. At a metal festival with this many rare and special performances they just weren’t up to par for me.

Demonical at Maryland Deathfest X

Widda of Demonical

Martin Schulman of Demonical

Widda of Demonical

Next up for me was Morgoth, a German death/thrash band. This performance was their first US concert in almost 20 years so as you might imagine fans of the band were pretty excited to get a chance to see them. They had a couple of albums that gained a cult following in the underground from back in the early 90s before they changed their sound and put out a rock album in what I’d guess was a bid at hitting the mainstream. It didn’t really take off though and they broke up in 1998 and didn’t reform until about 12 years later. Luckily they didn’t play anything from the rock album and stuck to their heavier material, which was pretty good. They were certainly more entertaining live than Demonical was. Check out the two songs I’ve posted below as well as another from Total Fucking Mayhem though the audio is a bit overloaded on that one.

Marc Grewe of Morgoth

Morgoth at Maryland Deathfest X

Harry Busse of Morgoth

Marc Grewe of Morgoth

Morgoth at Maryland Deathfest X

Next I went inside and caught about half of Rwake‘s set. They’re a sludge/doom band from Little Rock, Arkansas, and I’d heard good things about them but I hadn’t ever seen them before. They were really impressive live, certainly one of the bands that I went in wanted to see and left being really impressed by. One of the things that sucks about Maryland Deathfest is that sometimes there are just too many good bands playing and you can’t see complete sets by all of them. I really wish I’d gotten a chance to see more of them, and even though I didn’t catch their entire set I have to say it was a highlight of the fest for me. Also, vocalist Chris Terry puked on stage during one of the songs which led to someone near me at the time mentioning one of my favorite quotes from MDF X: “I like it when they puke on stage because you know they’re giving it their all”. Haha! Anyways, footage of that is available from Total Fucking Mayhem in the second video below around 2:20 into it.

Christopher Terry of Rwake

Rwake at Maryland Deathfest X

The next band I saw was the death metal band that I was most excited to get a chance to see at Deathfest this year, Ulcerate. They’re a tech death band from New Zealand with a drummer that’s pretty insane behind the kit. The band’s show wasn’t anything too wild, mostly just the band members standing there playing their songs in lighting that was dim and didn’t really change much. However the songs were incredible to see live and that band plays them very tight, it was quite impressive. Just check out the footage I shot below and the second video shot by Total Fucking Mayhem to hear what I’m talking about.

Paul Kelland of Ulcerate

William Cleverdon of Ulcerate

Paul Kelland of Ulcerate

Ulcerate at Maryland Deathfest X

While I might never get another chance to see Ulcerate live I had to leave their set early to catch the tail end of another band I wanted to see that I may never get to catch again either, Church Of Misery. They’re a doom metal band from Japan with a heavy old school Black Sabbath influence and if you know me at all then you probably know I love Black Sabbath so that definitely appeals to me. Church Of Misery, like Macabre on Friday, also writes most of their songs about infamous serial killers. In all, I just had to make sure I’d at least catch some of their set while I had a chance. I really enjoyed their show, even though I got nowhere near the front. I took a few shots and a video but none of it is that close up, however you can see two videos of them that Total Fucking Mayhem shot from close up below as well.

Tom Sutton of Church Of Misery

Church Of Misery at Maryland Deathfest X

Church Of Misery at Maryland Deathfest X

Church Of Misery at Maryland Deathfest X

The next band to play was Pentagram Chile, an old school death/thrash band from, you guessed it, Chile. They formed in 1985 and only ever put out a few demos and an EP before breaking up, however those recordings were enough to gain them an underground following even after their demise. They’ve gotten back together, added Chile to their name to end confusion between them and the legendary doom metal band Pentagram, and said they are going to finally release a full length album. While I’d heard of them I’d never listened to them much because their recordings were so scarce, but they were a hell of a lot of fun live. Totally mosh-friendly metal that was catchy and aggressive at the same time. Also, vocalist Anton Reisenegger did something I’ve never seen a band do before. Instead of shout out the wrong name of the city he was in he actually introduced his band with the wrong name! He said they were Criminal, another band he and the bass player are in together, and the rest of the band all started glaring at him until he corrected it, haha! I shot two videos of Pentagram Chile, the second of which shows them performing a song so new they didn’t even have lyrics for it yet. There’s also a super close up video by Total Fucking Mayhem.

Anton Reisenegger of Pentagram Chile

Pentagram Chile at Maryland Deathfest X

Anton Reisenegger of Pentagram Chile

Anton Reisenegger of Pentagram Chile

Juan Pablo Uribe of Pentagram Chile

At this point I had to make a tough decision and decided it was time for me to get some food. I wanted to see Yob and Suffocation, who would both be playing soon, but I also needed to eat and there wasn’t another band the rest of the day/night that I would want to miss. I decided to go find food during those bands’ sets because I had seen both within the past 12 months, so I figured that if I have to miss someone, at least it is bands I’ve seen recently. I heard Yob played some really rare like 20 minute song they never play live so that was a bit frustrating, and Suffocation is always killer live, but again, I had to eat. I made it back and Suffocation was still playing on one of the main stages but I decided to get up close for Saint Vitus who would be playing on other outdoor stage next. Wino, their singer, has roots in Maryland so it was cool getting to see them play one of the big stages at MDF. They’re one of the most influential doom metal bands ever and it was great seeing them play a bunch of their classic older songs mixed with some of the material from their new album, Lillie: F-65. They really put on a great performance that was a perfect lead in to the next band playing, Electric Wizard, and you can check out my two videos of Saint Vitus that night below, as well as one more from Total Fucking Mayhem.

Wino of Saint Vitus

Wino of Saint Vitus

Wino of Saint Vitus

Wino of Saint Vitus

Dave Chandler of Saint Vitus

Saint Vitus at Maryland Deathfest X

Next was Electric Wizard, the headliner of the final day of Maryland Deathfest X and a major draw for the event. For a lot of people, the chance to see this band was the main reason they came to the festival, and MDF later announced (here) that they played to the largest crowd in Deathfest history. There was a bit of rain as Saint Vitus was finishing up and I started to worry there might be another big delay but the rain passed quickly and Electric Wizard went on to perform a killer set. The band hasn’t played in the US in 10 years or so and while the line up has changed a lot since then, they’ve only got one original member left, they still put on a near flawless performance of doom. People were going crazy and I’ve never seen such a wild mosh pit for a stoner/doom band that wasn’t named Black Sabbath. The crowd was far too violent for me to get up close and get great footage, however I did shoot a couple songs of their excellent set, including my favorite song of theirs, Satanic Rites Of Drugula. Total Fucking Mayhem got some great close up footage though and I highly recommend you check that out as well.

Electric Wizard at Maryland Deathfest X

Electric Wizard at Maryland Deathfest X

Since I wasn’t that close up for Electric Wizard I was determined to get up front for the final three bands of the fest starting with Sargeist, another black metal band from Finland. The band shares two members with Horna, who played the day before, and Behexen, who wasn’t playing at the fest. Sargeist did not have anyone whip out their dick and piss on themselves, however they did play a great set of black metal to the people trickling inside after Electric Wizard finished. The band came out in black robes and vocalist Hoath Torog had this bizarre look on his face most of the show, like he was engaging in some sort of creepy staring contest with the audience. Also, he was walking around barefoot on that stage which is something I would not have done considering all the piss and puke I’d seen on it earlier in the weekend. Anyways, their set was great but by the time they finished I could really start feeling the festival coming to an end. Check out the videos I posted of them below.

Vainaja of Sargeist

Hoath Torog of Sargeist

Hoath Torog of Sargeist

Hoath Torog of Sargeist

Hoath Torog of Sargeist

The next band to play was Bethlehem, a dark/black metal band from Germany. The band is very influential to the suicidal/depressive black metal scene consisting of bands like Xasthur and Shining, and in 1998 Bethlehem released their magnum opus, Sardonischer Untergang im Zeichen irreligiöser Darbietung. The band playing this night only had one of the members left from those days, the bass player Jürgen Bartsch, however they still put on a very disturbing performance. The band’s vocalist, Rogier Droog, put on quite a show for those close enough to see him. He shifted through a very wide range of facial expressions going from horror to pain to shock to loathing and too many more to list here. His shrieks, moans and wails were haunting as well. He really stole the show for this band, which is sort of surprising since he has only been in the band since 2011. I’m glad I got to see them close up, it was a unique show and one that definitely stood out at this year’s fest for me. Check out the three videos I shot of them below. They’re probably a bit too dark/small to make out his face that much however it should give you an idea of the mood set by their performance.

Jürgen Bartsch of Bethlehem

Rogier Droog of Bethlehem

Rogier Droog of Bethlehem

Rogier Droog of Bethlehem

Rogier Droog of Bethlehem

Rogier Droog of Bethlehem

Rogier Droog of Bethlehem

The final band of the night was Mortuary Drape, an old school black metal band from Italy. This is a band I really wanted to see heading in to the fest and even though they would be the last band to play, I was still was excited to see them live. They were supposed to be one of the headliners at the big Rites Of Darkness festival in San Antonio last winter, however like several other bands they pulled out when they realized that the festival organizers were in fact not organized and they didn’t have all their money together right either (more info on that here). This also made Mortuary Drape cancel their short tour which was scheduled to have a date in Baltimore that I had planned on attending. So this performance was one I’d sort of thought would never happen, and they didn’t disappoint either. The band is not really the band they once were, frontman Wildness Perversion is the only original member of the band and the only one who has been with them since before 2011 even. That didn’t really bother me though because it’s not like I was going to get a time machine to see these guys in their glory days and it was fun getting to hear many of their old songs live. While the previous two bands had vocalists that stayed pretty stationary and used very dramatic facial expressions Wilderness Perversion was very active and mobile on stage, often engaging the audience directly. The rest of the band were draped in red robes with black hoods as he worked the audience from every angle of the stage. Check out the video I posted below to see what I’m talking about, I only shot one of them but it is over 12 minutes long. Mortuary Drape put on a really fun performance and ended Maryland Deathfest X on a high note for me. Also, nobody was pepper sprayed this year after they finished playing!

SC of Mortuary Drape

SC of Mortuary Drape

Mortuary Drape at Maryland Deathfest X

Wildness Perversion of Mortuary Drape

Wildness Perversion of Mortuary Drape

Wildness Perversion of Mortuary Drape

Daniele Cagnotto of Mortuary Drape

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Metal Marathon – The Final 3 Days

Well this is the final post in my series covering my 11 metal concerts in 9 straight days, aka my Metal Marathon. Friday I finally got my car back so I could actually drive myself around to shows in my own damn vehicle, what a concept. This was good because the last three days of my Metal Marathon would see me going to four concerts that were each in a different venue.

The first show I was headed to was at Firehouse in Fairfax, Virginia to see a little known band from New York City called Meek Is Murder. Their debut album, Algorithms, wasn’t even out yet and I went into this show with no idea of what to expect of them musically. When I got there apparently none of the bands had arrived yet, so there was a bit of down time before the first act started. They were a local grind/experimental act named Gradius, I suppose after the old video game. They opened their set with an instrumental song I liked a lot. They all seemed to switch off doing back ups but the lead singer of the band was their drummer. He kept making faces the entire set while still pumping out some crazy beats and screaming too. They put on a highly energetic set and I didn’t mind the wait so much by the time they were done. Next up was the touring act Meek Is Murder. These guys were really something! I didn’t know what to expect but they played short songs with outbursts of raw brutality with some dissonant parts tying it all together. They seemed to play several songs all back to back and since I was not familiar with their material at all, it was hard to tell where one song ended and the next began, but that was ok, it worked well that way. There weren’t a lot of people there to see these guys, but it didn’t matter, they put on a killer show. The guitarist/vocalist Mike Keller was running around all over the place and at times I thought he might fall into the drum kit. The set ended a bit abruptly but it was certainly the highlight of the night for me. The next band to play was local grind act Drugs Of Faith. I had seen them play before, but the trio had a new bass player since then. Their set was about the same as I had remembered them, typical grind with a political bent. It wasn’t a bad set, but it was pretty hard to go up after Meek Is Murder that night. They did ask who was going out to the Dropdead show the next night in DC, which of course I already had my ticket for.

Saturday the 12th of March I headed to another venue I hadn’t been to before, St Stephen’s Church in Columbia Heights in Washington, DC. The headliner was the famous 80’s vegetarian power violence band Dropdead. Though I knew who they were the real reason I was there was to see some of the excellent local talent that was opening. Ilsa started the show off with a short but powerful set of their death/doom metal sound. It was a bit odd seeing them on such a big stage, but they pulled off their set really nicely. Their vocalist, Orion, still hardly looked at the audience, instead keeping his back to them most of the show. At least he didn’t puke anywhere this time! I’m pretty sure they played the same set on this night as they had when I saw them at the Corpse Fortress a few nights before (read about that here). The next band to play was Richmond’s Cough. They’re a doom band that really just crushes. They’ve got some very slooow parts that are just heavy as hell and they put on a really fun show too, lots of super slow motion headbanging. Great stuff and you like doom you should really check out their latest album, Ritual Abuse, if you haven’t already. The next band to play was a hardcore act that I was totally unfamiliar with named Wasted Time. They sure got the crowd going nuts instantly and there were big mosh pits and stage divers the rest of the night when they played. They weren’t really my thing though, just seemed like standard hardcore that didn’t stand out to me, but I’m no expert on the genre anyways. Apparently there were a few fights at the show during and/or after their set, and before the next band performed a woman who was helping to run the event told everyone that if people were drinking, doing drugs or fighting that shows would not be allowed to continue at the church. Someone else came up and gave a speech about voting for gay rights in Maryland and then finally DC’s best grindcore act, Magrudergrind, hit the stage! I’ve seen them a few times, including at Maryland Deathfest last year, but this was the best set I’ve ever seen them play live. They were even more energetic than usual and the band seemed like they were trying to outdo the audience at being out of control. Vocalist Avi Kulawy even did a stage dive into the crowd at one point (video of that below), eventually getting thrown back onto the stage just in time to start screaming into the mic again. The intensity was broken up once in a while between songs and Avi would talk about political issues, tho he didn’t make anything sound too preachy. In the end it was a great set and my favorite of the night. Next up was Dropdead, who was pretty entertaining but again, not really my thing. The vocalist was constantly moving about on stage and doing things with the mic cord, simulating hanging himself with it and swinging it around like a helicopter over the audience and other things like that. The songs were high energy and the audience seemed to eat it up, but I ended up leaving early to grab a (non-vegetarian) bite to eat.

Sunday the 13th of March 2011 was the ninth and final day of my Metal Marathon, but I had a double header lined up, and this time the venues weren’t just blocks away like they were on the first day in Richmond. First I was going to see Trap Them and Gaza play at Jaxx. The actual headliner for the show was The Red Chord but I didn’t care about seeing them and was going to see Apocalyptica at the 9:30 Club afterwards. The 9:30 Club had two concerts that day too, so the Apocalyptica show’s doors didn’t open til 10pm and there was also an opener. But I’m getting ahead of myself, first I got to Jaxx to see the new band To The Teeth open the show at Jaxx. I’d been meaning to catch these guys and I’m glad I finally got a chance to. Not really sure how I’d define them exactly, sort of a thrashy hardcore band (but not the chugga chugga breakdown kind) with some death metal elements in there too. They were pretty good for such a new band, I look forward to catching them again and recommend them to anyone reading this. The next band was another local act, this time a grind band named In Hell With Traitors. They had three members, a vocalist, a guitar player with fake blood dripping down his face and the drummer/backup vocalist who was wearing some bloody surgeon scrubs. They were ok for grind, they certainly had their violent outbursts and brutal riffs and all, but in the end they didn’t really stand out a whole lot to me. They were a good opener for this show though, and Gaza was up next. Gaza had been on the schedule as the second to last band but I guess Trap Them was going to play after them. Their singer is a very tall and lanky guy who seemed to pace around the stage like a caged daddy long legs. He had a suit tie wrapped around his head and enjoyed making lots of jokes about Christianity between songs. At one point he jumped off the stage without his microphone and walked around, not in the audience but behind them, while yelling out “there is no future in this” over and over. I’m not sure if that’s how one of their songs is supposed to start or if he was just spazzing out, either way it was something I hadn’t seen before. Gaza was good live, but next was the real reason I came to this show, Trap Them. Their latest album, Darker Handcraft, is just totally awesome and one of the best metal albums I’ve heard so far this year. These guys came out with a fire raging that never left during their entire set. They have some kick ass songs with various levels of brutal, catchy and just plain aggressiveness in each one. They were not easy to watch and just stand there and shoot pictures of. I really wanted to be running around smashing shit during their entire set (the Jaxx staff should be glad I was carrying cameras!). Their vocalist, Ryan McKenney was going nuts the entire show and even climbed one of the amp stacks during the set and continued to bark out vocals from up there. The drummer was getting so pumped he’d actually stand up during parts of songs while still playing and never missing a beat. The tunes were great, the performance was great and the energy was awesome, this was definitely one of the best sets I saw on my entire Metal Marathon. Sometimes you get lucky and catch a band when they’re at their peak both performance wise and with their material, and this was one of those concerts. When they finished I resisted the urge to run down the street kicking trash cans and instead headed out to get some food and then made my way to the 9:30 Club.

I got to the 9:30 Club a bit later than I wanted, but I still found great parking right by the venue and got my photo pass set and went into the show before they started playing. There was a three song limit for the photo passes, which means us ‘pro’ photographers have to be out of the photo pit when the third song is over. That’s kind of annoying but I think I got some great shots anyways. This wasn’t the first time I’d seen Apocalyptica so I had an idea of what to expect, a cello based band that plays metal covers as well as some original material (some with a vocalist, some without) and a few classical pieces as well. This show’s setlist was just that, with the original material focusing on the latest album, 7th Symphony, and a few singles. They had a different guy singing for them now, and there were only three guys playing cellos, they had four when I’d seen them in May of 2008. The band is nothing if not showmen, and they love posing for the audience as well as throwing their hair around like a helicopter, picking their cellos up over their heads and various other things to really get the crowd going. The main thing I’ve always liked about these guys are their covers. They played three by Metallica and two by Sepultura. It was funny how the audience all sang along to Apocalyptica’s version of the Metallica song One yet when they played the next song, Refuse/Resist by Sepultura, everyone seemed to stare blankly, haha. The show was entertaining, even during their original songs, which are the ones I tend to be the least interested in. After getting kicked out of the photo pit I shot several videos (Apocalyptica is one of those cool bands that doesn’t mind fans shooting video of them at the 9:30 Club) and I even shot their entire encore set, which you can see below. The show ended late but it was a great way to end my 11 metal concerts in 9 days Metal Marathon. My car broke down, I hitched rides to other cities, but I still made it to every show! I hope you guys have enjoyed it as much as I have on this adventure, it really was a fun experience not just going to all the concerts, but meeting people and overcoming the shit life throws at you to get to every concert. Perhaps I’ll do another one sometime, but until then you can enjoy these selected videos from the final three days of my Metal Marathon. If you like the photos scattered throughout this entry you can find more of those on my Flickr page, I even made a special set just for the Metal Marathon concerts here and I’ve got a lot more videos on my YouTube page here. I’m a bit behind on my reviews and calendar right now, but keep an eye out for an Agalloch concert review next. Stay metal everyone!

Recap of Eyehategod gig at Sonar

So on Thursday the 17th of February 2011 the New Orleans based sludge act Eyehategod was coming to Sonar in Baltimore. I’m really not a huge fan of their albums, though they are influential in the sludge scene. I probably wouldn’t have gone but they were playing with a few bands I do really like, Misery Index, Magrudergrind and Cough specifically. Unfortunately the flyer for the show didn’t list the bands in the order they’d actually be playing and I ended up missing Cough, who apparently played first. Someone said they had played too long and so the rest of the show was being rushed. I did catch one of the local openers, Surroundings. They were ok I guess, pretty standard grindcore with a frontman that was really energetic, even crowd surfing during the set. The audience moshed for about a song or two at the beginning, but considering it’s grind that means about 30 seconds, haha. The next band to play was Strong Intention but I wasn’t really in the mood for hardcore so I went into the other room to have a couple beers and talk to people while they were playing. They do play the area a lot and I’m sure I’ll see them sooner or later though.

The next band to take the stage was Washington DC based grindcore act Magrudergrind. They made a stir last year when they gave their new album away for free (get it here) since the album was sponsored by Scion, a branch of Toyota. Apparently all the anti-corporate grind people took issue with this and so yeah, people were actually complaining about getting a free album. Anyways, I caught them last May at Maryland Deathfest, but this setting was a bit better to see them in I think, for one it wasn’t so crowded but it was also a local crowd so that was cool. Their set was fun, full of people jumping off the stage while the band played their spasmatic outbursts of DC grind. The main problem was they only played for 20 minutes! That kind of sucked, but was probably due to the time constraints the show was having.

Next up was the band I wanted to see the most, Misery Index. They’re from Maryland and the band was formed by ex-members of Dying Fetus. Only one of those guys are left in the band, and in fact this was the first show I had seen them play with their new guitarist, Darin Morris. Any fear I had of how the band would play with the line up change was quickly dispelled. As usual they played a very tight set showcasing their extremely brutal songs and even managing to play them faster live. Most of their set consisted of stuff from Heirs To Thievery, their latest album. They were told to stop playing at 12:20 am even though they had more songs left to play.

The headlining act, Eyehategod, is a band that I never really got into. Figured it was worth seeing them once though since ya know I run a metal site and all. They played a new song (video of that below) though they didn’t say its name. Their set was very downtuned and while I know plenty of people there were psyched to see them, it got monotonous to me after a while. I kept thinking that it was getting so late they’d have to end soon, but after thinking that for a few songs I checked the time around 1:45 and decided to call it a night even though they were still playing. As I said before I really was there to see the openers anyways. It sucks that their sets were all cut short after I drove up to Baltimore though! Anyways, I’ve got videos of the bands below, though most are dark the Eyehategod guys did have good lighting for me to shoot video in. The final song is their new one that I’d imagine will be on their next release, enjoy!

Review of Metal Monday at So Addictive

So Addictive Lounge is a small venue out in Herndon, Virginia that’s been having a weekly Metal Monday showcasing mostly local metal bands. As such, I’ve heard a lot about this place since most of the local bands I try to follow seem to play there sooner or later. This evening, Monday the 15th of November 2010, they were having a free show so I figured I’d head out and catch the bands playing and finally get to check out the venue. So Addictive isn’t a very large venue, it’s really more of a bar with a small stage set up. The stage wasn’t large enough for anything besides the drum kits, so for all the bands playing everyone but the drummer was on the floor with the audience. It’s kind of cool because the audience is right there with the band while they play. The room got very dark, but that wasn’t bad considering the bands playing this night. The beer selection wasn’t good for a bar though, they had nothing on tap and their bottles were almost all yellow beers (they did have Guiness and Yeungling, but when I ordered one of the latter, it tasted so skunky I didn’t bother getting another). Also, this was the night the Washington Redskins were embarrassed by the Philadelphia Eagles on Monday Night Football to the tune of 59 to 28, so the metal was a good way to become distracted from that disaster on the TVs in the bar.

The first band up was a band called Frank Palkoski, or Palkoski, or the Seventh Gate (or all of those?). I’m not really sure what they prefer to go by really but that’s not a big deal. I thought they were going to be a black metal band judging by their logo on the flyer and the other bands playing, but they were actually a three piece grind band more similar in sound to Pig Destroyer than any of the other bands playing that night. They cranked the fog machine up and really let loose with the intensity. They started the show off like a blaring alarm clock on a morning you don’t want to wake up, if that alarm clock was an air raid siren. Their sporadic bursts of raw energy were broken up by some cool guitar riffs and drum beats, often suddenly interrupted with screams of anger. It was entertaining and a good way to start off the show. They had some burned CDs of their material they were giving out in clear plastic Ziploc bags they’d placed on the floor in front of the mic stands and I made sure to pick one up. They also threw a couple of shirts to random people in the audience, which was cool.

The next band up was Archael, who I’d also never seen before. They are a standard black metal band heavily influenced by the early 90s Norwegian scene and they had some catchy riffs. The singer got a bit rowdy and jumped in the crowd a bit to mosh I guess, which was fine until he came over to the side and pushed me holding my camera. I put the camera away and grabbed a beer after that, I’m not trying to damage my gear. Regardless, they did have a lot of energy and the lead guitarist was getting people as excited about the music as the vocalist was. They’ve got their sound down pretty well, though they could use a bit more variation in the songs. They were good songs, but you can tell they are still growing as a band and I think once they change up the formula a bit they’ll have a really interesting set to play. I’d like to see which direction these guys go as they stray more from their influences and form a more distinct sound for themselves in the future, as they really do know how play some fast and brutal black metal.

The next band to play, Apothys, I’ve seen a few times now, and I will see them play again next weekend at Jaxx. That’s not a bad thing at all since they’re really fun to watch live. I won’t get too into the details here as I’ll probably cover them more in the next review (and I’ve already reviewed their set at the Blood & Fire Festival here). This set was pretty fun though, it was cool to see the band interact with the audience due to the lack of a proper stage. I mean just look at this shot of guitarist Eddie Misery leading the crowd members at headbanging, while standing in the audience and playing guitar! They played their own style of blackened death metal very well and the crowd really got into the show. Their final song, Of Writhing Eyes, seemed to really get everyone going nuts. It was another great performance by the leaders of Northern Virginia’s death metal scene.

The final band of the night was Immortal Decay, another band I’ve seen a few times now. By this point it was getting pretty late and there weren’t as many people there. That’s a shame because these guys are really starting to come into their own as a band. The room was very dark when they played, and the band didn’t screw around talking between songs too much. They played a cover of Satyricon‘s classic Mother North which everyone seemed to enjoy (how can you like black metal and not?). Their vocalist, Viktor Osorio, kept it interesting, even rolling around on the ground a bit (careful with those spikes!). The set seemed short though and sort of abruptly ended, maybe due to time constraints at the venue as it was well after 1am by the time they finished. They were fun as usual, and you can catch them opening for Watain at Sonar in Baltimore on Nov 30th (more details on my upcoming concerts calendar page) if you want to see them in action. If you can, buy a ticket from the band members as they have them for sale without service fees.

In all the show was a lot of fun. Not a bad way to spend a rainy night in Northern Virginia, even though Herndon is a bit of a drive for me. It’s nice to see more of these local metal nights popping up around the area, and I hope to attend more in the future, just wish I could bring my own beer to this venue! I’ve got videos posted below, but since it was so dark for most of the sets, and my camera doesn’t adjust to low lighting well, they’re mostly just good for getting a chance to listen to the bands yourself. Enjoy!

Maryland Deathfest VIII Recap

Well Maryland Deathfest VIII is over, and it was a great 3 days of heavy metal. This was the third time I’ve been to Maryland Deathfest, though Maryland Deathfest VIII Flyerthis was the first time I went for all 3 days. I got to see lots of bands I never thought I’d have the chance to, and got to check out some bands I’d been wanting to for a while. Talked to lots of metal heads from all over the place as well as from the DC area and I shot about 1,000 photographs as well as 34 videos of 19 different bands. I kept myself busy! Luckily it didn’t rain at all while I was there. Sunday got really hot, not sure what the temperature was officially, but it was even hotter in the middle of those huge crowds I’m sure. Overall it was a lot of fun, so much fun that I wanted to write down as much as I could remember of it here. It’s a long post so I broke it up into sections. I’ve got lots of videos posted at the bottom of this post. And now, here’s my recap of my time spent at this year’s Maryland Deathfest.

Day 1: Friday 28 May 2010

I had checked the weather for Baltimore before I drove up for the weekend. It said that it was supposed to rain some Friday and Saturday. While it did rain during my drive up Friday, it was clear by the time I got there, and it didn’t rain again during the fest, the metal gods must have been smiling! I got to the venue a bit later than I had planned since the rain made traffic a bitch and I was running a bit late because of it. On top of that the line to get into the venue was huge, they were definitely understaffed at the door on the first day. Originally I wanted to get there in time to see Tombs at 5:30, but they were already done by the Malignancy at Maryland Deathfest VIIItime I got in. Malignancy was about to play on the side stage when I did get there. Though I saw Nazxul‘s first US appearance on the outside street stage, the outdoor stages weren’t really in much use Friday as two of the members of Possessed missed their flight so they were rescheduled for the next day. Also, black metal band Watain requested to play indoors instead of on an outdoor stage. Their set Watain at Maryland Deathfest VIIIwill probably be most remembered for an incident where the bass player from DRI (who played later that night on the same stage) jumped on stage in the middle of the set and starting goofing around and mock headbanging on stage. Apparently the members of Watain didn’t like this as he was promptly knocked down and was kicked by Pelle Forsberg, mid-song mind you, until security pulled him off the stage, though I didn’t see him actually get kicked. People were talking about that for the rest of the festival. They closed their set with a cover of the Bathory song The Return Of Darkness And Evil. Once they were done I moved outside to see Gorguts, who was the first day’s headliner. They put on a good show. Two of the guys from Dysrhythmia, a personal favorite band of mine, are Gorguts at Maryland Deathfest VIIInow members of Gorguts and it was cool seeing them play up there in such a different style band. They played a great set of classic death metal songs that were pretty awesome. Afterwards I grabbed some overpriced crappy food from the lone food vendor inside the fest. That was the last time I ate there, I got a cold burger and a bag of Lays chips for $7. What a rip off. They were selling bottles of water for $3, the same price as the bar only feet away had 16 oz cans of PBR. Guess which one I bought? After eating and talking to people for a bit I moved inside to catch DRI’s set. Raining Blood came on over the sound system while they were setting up and people were singing along and even started moshing a bit to it. When DRI came on I DRI at Maryland Deathfest VIIIwas kind of hoping someone from Watain would jump on stage, but that didn’t happen. They did get a crazy pit going though, best indoor pit I saw all weekend, though admittedly I spent most of my time watching outdoor bands (and I’ve got the sunburn to prove it!). They had some technical problems midway through their set, which seemed to happen a lot this weekend to various bands. The sound wasn’t that great at the fest either. Lots of bass drowning out the high end seemed to be a recurring problem. DRI was the last band of the night and so I headed back to the hotel to charge batteries and start transferring media off my memory cards so they’d be empty for day two. Friday was a good start to the fest, but really just seemed like a warm up.

Day 2: Saturday 29 May 2010

Saturday came around and I was fucking excited. There were several bands playing that I really wanted to see. I decided the first band I really wanted to see was Jucifer, and this time I had no problems with traffic or lines and got there a bit early in fact. I caught a few songs by Total Fucking Destruction and then headed inside for the second half of Obliteration‘s set. They impressed me with their performance, certainly won me over in the short time I got to watch them play. After they finished Jucifer started setting up. They brought out some of their trademark “wall of speakers” Amber Valentine of Jucifer at Maryland Deathfest VIIIbut I don’t think it was all of them. They only had 15 minutes to set up so that might be why. The last time I saw Jucifer they didn’t really stop between songs, they just sort of kept playing, going through highs and lows. Here at MDF they were playing clear cut songs with actual starts and endings. It was interesting to see them at such a festival and I could tell they won some new fans after talking to a few people in the audience after their set. I walked out of the black fog filled room and back into the daylight. Mexico’s The Chasm was playing on the side stage so I headed over there to catch the end of their set. Luckily they were running late so I got to see them play a few songs before their set ended. They were told to stop when Sadistic Intent/Possessed started playing the other outdoor stage, but they still played 1 more song, even though the crowd was thinning out. Sadistic Intent split their set time with Possessed, which makes sense because all the members of Sadistic Intent are also current members of Possessed. It was cool to see Possessed play old Possessed at Maryland Deathfest VIIIclassics like The Exorcist and Burning In Hell as well as newer songs. I haven’t seen Possessed before but I’m glad to see Jeff Becerra was still headbanging from his wheelchair on stage. He took a moment between songs to mention some of the people in metal who have died recently, and got a chant for Dio going too. When their set ended I browsed some of the shops that were set up, bought myself one of the red posters for sale with the big demon on it and all the band names, as well as a Melechesh shirt. I was really excited to see Melechesh so I dropped my merch off at my car and decided to get to the Melechesh stage early so I could get right up front. I also wanted to see Verbal Abuse play indoors at the same time, but I’d been waiting to see Melechesh for years, ever since they canceled their 3 tour dates with Sigh in July 2007. I got in the front row just off center (I don’t like dead center as the microphone stand always seems to block their faces in my pictures). They played a killer set, mostly made up of songs from Melechesh at Maryland Deathfest VIIItheir albums Sphynx and Emissaries. The crowd surfers were going over my head but that didn’t stop me from shooting lots of video. At one point security just disappeared and people were falling onto the asphalt in front of the stage. A member of the stage crew saw this and tried to help catch people the best he could until security decided to stroll back into place. The band played a great set but since they started a bit late due to technical difficulties, they didn’t have time to play their final song, and just sort of walked off stage anticlimactically. That kind of stunk, but still, it was awesome getting to see their first US gig ever up close. I took lots of pictures and videos to remember it by, though I doubt I’ll forget as this was my favorite set of the festival. When they were done I made my way over to the side stage again to see Incantation, though walking by the open grill reminded me that at some point I’d have to eat, and looking at the schedule I wanted to watch bands play thru the rest of the night. Incantation also mentioned the recent death of Ronnie James Dio and decided to play a couple of tribute songs in their set. They played The Mob Rules by Black Sabbath and Stargazer by Rainbow back to back, quite odd hearing these songs grunted out. The rest of their set was as brutal as you’d expect from these pioneers of death metal. After they finished I decided that even though I wanted to see some of Repulsion, I had to get food in me. I did catch a bit of their set, but I wanted to be sure to be back in time to catch Asphyx. I found an excellent sandwich shop about a block and a half behind the street stage, and had a great dinner there. I headed back to the fest feeling recharged. I got there in time to catch most of Asphyx, which was cool, but I left a bit early to make sure I could get fairly close for the long awaited return of Autopsy. This Autopsy at Maryland Deathfest VIIIwas the main act of the night since Sodom had pulled out of the fest (and I think people wanted to see Autopsy more anyways). I know this was their first gig since they reunited, and people have been waiting 15 years to see Autopsy play live. I found a decent spot to shoot from and really enjoyed the show. After shooting a few videos my camera’s cards were all full from all the awesome bands of the day. Not good! I moved back a bit into the crowd to shoot with the camcorder (it can’t handle the loud volumes that close to the speakers). My memory cards being full posed a problem though, because Portal was playing tonight and I wanted to make sure I could get at least some pics of them, since they’re from Australia I doubt I’ll get another chance to see them again any time soon, if ever. As soon as Autopsy finished I headed back to my hotel and emptied my memory cards onto my laptop, then returned to the venue in time to catch Portal. I contemplated just staying at the hotel but I’m really glad I didn’t. Portal at Maryland Deathfest VIIIThey put on quite an intense show! The band members were all wearing black, even covering their faces, and wore rope nooses around their necks. With the black walls, dim lighting and heavy fog machine smoke, it was pretty hard to see anything clearly on stage. The vocalist came out wearing all black robes and a black hat similar in shape to a Catholic cardinal. This stage setting really fit the mood of their unique and intense style of atmospheric death metal. Such an awesome show to see, it was really out of this world and a great way to end the second day of Maryland Deathfest.

Day 3: Sunday 30 May 2010

The final day of Maryland Deathfest VIII again had several bands I wanted to see. I got there around 1:45 pm (got great parking this time) so I could catch Krallice. I wanted to see them when they were supposed to play the 9:30 Club with Mayhem and Ludicra earlier this year, but the tour was cancelled when Mayhem couldn’t get into the US. Ludicra, Krallice and Tombs re-booked another tour without Mayhem, but they didn’t come to DC on that tour, unfortunately. So this was my chance to finally catch these guys live. Nick McMaster of Krallice at Maryland Deathfest VIIIThey didn’t let me down either! For some reason they set up and played on the wrong outdoor stage, which threw people off a bit. Those paying close attention noticed that the bass player for Gorguts, Colin Marston, is the guitarist for Krallice too. They played almost all new material, and it was pretty awesome to get to watch them play live. It was a really great set that left me wanting more, and a kick ass way to start off the day. The next band played on the same stage, and I stayed to watch the first few songs by the French band Gorod. Though one of their guitarists had a Motley Crue shirt on (trying to be ironic?) they put on an impressive show of their high energy tech-death prowess. The singer was jumping around on stage and had a lot of energy, and the bass player had a lot of stage presence too, not something you see too often in metal. I decided now would be a good time for lunch as there were many bands coming up back to back that I wanted to watch, so I headed to the diner just outside the venue. I got back in time to watch Sinister play, which was pretty cool. Sinister at Maryland Deathfest VIIII’ve never seen them play live before, but I always liked their older albums like Hate and Diabolical Summoning. Their line up was drastically different than back in those days though, the only member left was the drummer, but he had now moved off the kit to take over the lead vocals. Still, it was cool to see them play some of those older songs that I enjoyed so much, even if it wasn’t the same Sinister. They still had a few songs left to play when I decided to move back to the side stage so I could get up Tobias Sidegård of Necrophobic at Maryland Deathfest VIIIclose for Necrophobic. This was their first US show, and I certainly wanted to get some good pictures and video footage of it. It was a pretty damn entertaining show I must say, though it’s always weird seeing black metal bands play in the daylight, especially on such a hot day. This was definitely the hottest day of the festival and I sort of felt bad for them wearing all the black leather and spikes and stuff, that had to be pretty damn miserable. Regardless, they didn’t let it show and performed very well and had some great poses for taking pictures too. This was quite a highlight of the day for me. After they finished, Eyehategod was starting on the street stage. I wasn’t too interested in them, so after finding the tent with $1 bottles of water, I headed back to the side stage to rest my feet a bit and get a good spot for Pestilence. I also wanted to see Black Breath, who were playing indoors at the same time as Pestilence, but I got such a good spot for the Pestilence set I couldn’t just leave. They were too fun to watch live. This was their first US show in 16 Patrick Uterwijk of Pestilence at Maryland Deathfest VIIIyears, and they had been scheduled to play the Maryland Deathfest the year before, but they couldn’t get into the country due to visa issues. The crowd was pumped to finally get their chance this year, and so was I. I thought they’d have Tony Choy (also of Atheist and Cynic) playing bass with them, but instead they had Jeroen Paul Thesseling playing a fretless 6 string bass. Needless to say, he was pretty damn good, as is the rest of the band. When their set ended I headed over to see Nirvana 2002 play (billed as N2002 I suppose for legal reasons). I didn’t know much about them, apparently they only ever put out a few demos from 1989 to 1991 before breaking up. I heard they had only ever played like 5 concerts before, so even Nirvana 2002 at Maryland Deathfest VIIIthough I didn’t know much about them, I figured it was worth checking them out. They weren’t bad, sounded along the lines of those older Swede bands like Entombed, Unleashed and Nihilist. They played a cover of the Kreator song Pleasure To Kill, which was the only song I recognized of their set. After they ended I walked over to the side stage to catch a bit of Pentagram‘s set. It was good to see this DC area band playing to such a large crowd, and they were eating up Bobby Liebling’s crazy on stage antics. I decided now was a good time to grab a bite to eat before Entombed hit the stage, so I headed out to find a sandwich. I got back in time to get a decent view of Entombed’s set. Crowd Surfer while Entombed plays at Maryland Deathfest VIIIDuring their second song, Out Of Hand, someone threw a bible on stage and their singer, LG Petrov, ripped it in half mid-song. At one point he told the crowd that they don’t like circle pits, they want to see a real mosh pit going. They mostly played their more recent material, I was hoping they’d play more from Wolverine Blues and earlier, though they did close the show with Left Hand Path. Next up was Sunday’s headliner, Obituary, on the side stage. They played a great set full of their classic songs and got what was probably the largest area mosh pit going I saw all weekend. People were just going Obituary at Maryland Deathfest VIIInuts for them, and they put on a really fun show. They had so many people crowd surfing that security was having trouble keeping up with them. Their set ended and I quickly moved indoors to catch the end of the local grind act Magrudergrind‘s set. They were pretty intense, as grind bands tend to be, and really had the audience going. I enjoyed catching the end of their set and it was a great way to end the fest. I didn’t see the final two bands play and Converge was supposed to be the closing band but they asked to play earlier and went on during Obituary’s set. That’s ok though, I got plenty of metal in over the course of 3 days and my arms were getting sore from so much picture and video shooting. I did run into a few people from local bands, one of the guys from Orgy Of The Damned and also someone from Gravewürm, very cool talking to both. It was quite the metal weekend and a killer concert experience that I’ll never forget. I can’t wait to find out who’s going to be playing next year, but I’ve got my fingers (upside down) crossed for Morbid Angel and Von. And congrats for getting to the end of this post, the longest one I’ve written yet. For your time I reward you with a shit load of videos I shot at the festival. I’ve got more from MDF on my YouTube page if this isn’t enough. Stay brutal!

Album Review of Heirs To Thievery by Misery Index

Well, this is my first music review blog post. I doubt I’ll do these as regularly as my concert reviews but they will probably show up from time to time. Just for future reference, I’m only going to review material by local bands or bands that at least have some sort of tie to the area, in this case the new album Misery Index just put out May 11th, Heirs To Thievery. If you’re in a local band and want me to check out your stuff for possible review here, you can send me an email with a download link at DCHeavyMetal@Gmail.com Now I’ll get started with the review here, but first some background…

Misery Index was originally formed when most of Dying Fetus left that band, I suppose due to a falling out of some sort, and Jason Netherton, Sparky Voyles and Kevin Talley started a new band. Jason and Sparky are still in the band but Kevin has gone on to be in Dååth, and you may have seen the video of his audition for Slayer floating around on the net several years ago too. Now I have to say when I first heard that Kevin had left I was rather worried because I think he’s just a fucking fun drummer to listen to play. The first time I saw Misery Index after he left I was unsure how a new drummer would fill in those shoes, but Adam Jarvis totally blew me away to the point that he wasn’t just replacing Kevin, he was surpassing him! He really brings the drumming intensity to another level for the band. They’ve also had a few other guitarists go in and out the door too, but their line up seems pretty stable now with the inclusion of Mark Kloeppel several years ago. This album is a good example of how they are moving forward with this line up. Now on to the music on the album itself…

The album starts off with a quick song, Embracing Extinction, and it’s relentless. It’s under 2 minutes long and really sets the tone for the album. Fast, aggressive, brutal and short. The whole album is under 35 minutes long, but that’s not necessarily a bad thing. A full hour of this sort of intensity can get monotonous and I think they did a good job of giving the album enough variation that it doesn’t get stale and ending it before it does. While some of their previous work had some slower, I guess groovier parts and riffs, there isn’t as much of that on this one. Even one of the slower tempo songs, Carrion Creed, still has a nice rolling drum beat in the back that makes you want to step on the gas petal. There’s certainly a good mix of death, grind and punk in this album, as would be expected in a Misery Index album. And while they will probably always draw comparisons to Dying Fetus, they certainly have more of a punk edge than Dying Fetus does. While that may be so, this is by no means a crossover album, and I think there’s less of a ‘core sound in there than on their previous album, Traitors. This album seems more aggressive than that one too. One thing I don’t particularly like about this album is the way the vocals sound. I don’t know if Jason is using some weird distortion with reverb or a layering effect or what, but sometimes it comes out pretty weird. If you listen to the chorus in The Spectator you’ll hear what I’m saying. Maybe it’s one of the other guys helping out on backup vocals, but combined with the awkward tone the leads have on this one, it’s sort of distracting. The final song on the album, Day Of The Dead, has part of it’s chorus in Spanish and the vocal sound combined with the repetitive lyrics in the chorus kind of ruin that song for me. But this isn’t American Idol music here, the vocals aren’t the main attraction and great songs like You Lose and the title track more than make up for it on this solid album. I really can’t wait to hear some of this material live. I missed their last area concert when they kicked off the Facemelter Tour with Dying Fetus at Sonar in Baltimore this month, but maybe I’ll get to see them play the Ottobar on Friday 11 June 2010 with Goatwhore and Revocation. You can get more info on that on my Upcoming Concerts page.

I’m not particularly big on reading lyrics to metal songs, I tend to like deciphering what I can for the most part on my own through listening, but for this review I looked at them a bit. I think a good way to get a general idea of what an album is really about is to check out the title track’s lyrics. On Heirs To Thievery the title track seems to be a Chomsky inspired critique about how much of what is in the history books taught to us in school is propaganda, particularly in how the US was stolen from the natives. Thus, we who are living in the US now are the heirs to the theft of their land/culture. Well, that’s what I get from it at least, and you can see this in the album cover art too. I particularly liked the line: “Eliminate the natives (and leave them a museum!)” If you’ve ever seen the National Museum of the American Indian Smithsonian museum on the National Mall in Washington DC from the outside, you’ll know it looks like modern European abstract architecture, but it’s covered in yellow stucco (or something). I guess the yellow stucco is representative of native american culture? The song’s lyrics sort of remind me of the Iron Maiden song Run To The Hills in that sense, but also because it’s kind of odd hearing that point of view from a band of white guys. In this song they also mention how the expansion of the US was built on slavery. Much of the other songs’ lyrics on the album are pretty typical political death/grind fare, though there is nothing wrong with that. This post is long enough already so you’ll have to find them yourself if you want to know the details. I actually like reading Jason’s blog Demockery, you can check that out here, which will probably give you a better idea of his views which are nothing if not well thought out.

Overall, I wouldn’t call this the best Misery Index album ever, but it’s still damn good and certainly worth getting, especially if you like any of their stuff already because you’ll certainly enjoy this one too. It still has that classic Misery Index sound but they keep progressing as a band too, enough to keep it from getting stale. Fans of bands like Nasum, modern Napalm Death and Brutal Truth will love this, but even if you’re just looking for something to simply bang your head to, their trademark combination of catchy riffs and sheer brutality will definitely do the trick.