This blog specializes in heavy metal music and how it relates to Washington DC and the surrounding area. Featuring info on upcoming metal concerts in Washington DC, Baltimore and Virginia, as well as info on local bands, area concert venues, reviews of live gigs, and lots of give aways.
One of 2013’s hit albums in the world of metal was Sunbather by Deafheaven. In 2012 Pallbearer‘s debut album Sorrow & Extinction was a hit as well. On Tuesday, June 10th these two bands will both be playing at the Rock & Roll Hotel! We’re so excited at DCHM that we’re giving away a free pair of tickets to this very show to one of you lucky readers. To enter leave a comment on this post mentioning one of your favorite metal albums of 2014. At 5pm EST this Friday, June 6th, a winner will be chosen at random (using Random.org) from all valid entries to receive two tickets to the show! Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner within 24 hours another winner will be chosen at random. If you can’t wait to see if you win, or the contest is already over when you read this, then you can get tickets from Ticket Fly right now for $15 here.
San Francisco’s Deafheaven took the frostbitten grimness normally associated with black metal and turned it completely around with their album Sunbather by conjuring images of summer heatwaves, blinding sunlight and burnt skin. Their atmospheric black metal is almost hypnotic and they manage to take the listener on quite the journey in each song. Pallbearer is a doom metal band from Arkansas that has managed to find a perfect balance between ultra heavy riffs and catchy songwriting. Their clean singing vocal style adds a layer of depth to their slow, down tuned songs and since they have a new album due out soon we may be lucky enough to hear some of their new material at this show too. Also on this bill will be the opener Wreck And Reference, a California based drone/ambient band. Be sure to check out a song by each band on the bill below and let me know what your favorite albums in 2014 so far are.
Memorial Day Weekend is coming up again and that means another year of Maryland Deathfest is upon us! This is the twelfth year running for the festival and it continues to expand and evolve. This post will help you get through MDF XII as you navigate through all the bands, stages, venues and vendors and I’ll be updating it with info like food prices and photos of exclusive band merch once the fest actually gets going. You can skip to the updates by going here. The past few weeks we’ve been suggesting some lesser known bands that are definitely worth seeing at Maryland Deathfest. You can read those reviews and bios, each of which have songs you can stream in the post, by going here. Now to start off, here’s some info and links you will find useful if you’re attending Maryland Deathfest XII.
MDF Edison Lot entrance address: 545 N High St, Baltimore, MD 21202
Baltimore SoundStage address: 124 Market Pl, Baltimore, MD 21202
Rams Head Live Thurs & Sun address: 20 Market Pl, Baltimore, MD 21202
Rams Head Live Fri & Sat address: 7 Frederick St, Baltimore, MD 21202
Sidebar address: 218 E Lexington St, Baltimore, MD 21202
Ottobar address: 2549 N Howard St, Baltimore, MD 21218
Note that Rams Head Live will be using the back entrance on Friday and Saturday. This is because the front entrance to Rams Head Live is in the Power Plant area and it will have its own cover charge on Friday and Saturday night. To avoid that fee, use the back entrance (address listed above).
I put together this custom Google map that will show you all kinds of info such as all the venues involved, local record stores of note and where to get beer, cigarettes and food while you’re in Baltimore too. Just click the map image below to use the map.
Tickets
Friday, Saturday and Sunday at the Edison Lot will have tickets available at the door all through the weekend, it is very unlikely the Edison Lot will sell out. You can get tickets at the door or order them online (and pick them up at will call) by going here, however online orders close at 2pm Wednesday.
All four days at Rams Head Live are completely sold out as well as all three days at the Baltimore SoundStage. If you’re determined to find tickets to these sold out parts of MDF I highly recommend using the Maryland Deathfest official forum’s ticket exchange thread which you can find here. If that doesn’t work you can try looking at the official Facebook event page (here) for people posting there as well.
The Wednesday pre-fest show at the Ottobar has tickets available here although the last I heard there were less than 50 left so this could sell out at any point. The pre-fest show will include a screening of the Welcome To Deathfest documentary, filmed during last year’s Maryland Deathfest. Unlike previous MDF movies this one focuses more on the people running Deathfest, and the fans and bands attending, than the actual live performances of bands. Please note that the Ottobar is not walking distance from the other festival locations this year. If you don’t have a car you’ll have to take a cab.
There are no advance parking tickets being sold this year, and overnight parking in the lots is not permitted this year either as the lot closes at 1am. You can park in the lot adjacent to MDF for $10 a day, although if it becomes full and you park on the street or in another lot nearby you will most likely have to pay a parking meter. The meters in Baltimore usually accept credit cards.
50 copies of the silk screened poster below will be for sale at the Ottobar Pre-Fest show on Wednesday.
New Info For This Year
This year the Sonar venue, now dubbed the Paparazzi Nightclub, will have nothing to do with the festival. The main festival grounds with the big outdoor stages and headlining acts will be in the lot that served as the main parking lot for last year’s fest. There will again be bands, mostly hardcore and grind, playing at the Baltimore SoundStage on Friday through Sunday. You may recall Baroness scheduling a tour date at Rams Head Live during last year’s MDF. That won’t be an issue this year as Rams Head has become the late night venue for Friday through Sunday, and the sole venue hosting bands on the first day of MDF. In addition, the Sidebar had several bands playing unofficial side-shows last year while this year they will be hosting several bands as part of Maryland Deathfest. You can get into the Sidebar to see any of these bands for free while MDF is running.
There will be a shaded area with several picnic tables for people to rest their legs at somewhere in between the two main stages at the Edison Lot.
Backpacks are permitted at all venues however if you enter Rams Head Live with a backpack you will have to leave it at the coat check. I am assuming this will cost a few dollars, probably not more than $5.
It has been suggested by MDF staff that if you’re posting to Twitter and/or Instagram that you use the hashtag #marylanddeathfest in your posts
There will be a few bands doing meet & greets at MDF and it does not cost extra to participate, though you will probably have to stand in line some. The schedule for this hasn’t been released yet but I will post it when it becomes available. So far the confirmed bands for the meet & greets are: At the Gates, Candlemass, Uncle Acid & The Deadbeats, Taake, Sólstafir and Asphyx. There may be more bands added to that list as well.
Good To Know For Every Year
BRING AND WEAR EAR PLUGS
Re-entry is OK once you get your wristband. Wear comfortable shoes, sunglasses and try to bring a cheap parka in case it rains. You’ll be doing a lot of standing and walking so dress accordingly. Maryland can get very hot and humid this time of year so be careful wearing all black and drinking and moshing in the sun all day, stay hydrated. Crowd surfing is very much tolerated at MDF so if you don’t like being kicked in the head repeatedly, don’t get up front. Also, bring some sunscreen, not only will it keep you from getting burnt but you want to keep those tattoos from getting sun faded! Cameras, including DSLR cameras, are permitted and you can shoot video too, however be aware that the closer you get to the stage the more rowdy the crowd can get, including moshing, circle pits and crowd surfers. At Maryland Deathfest pretty much every band will start a mosh pit, even more “laid back” bands that you wouldn’t expect this from like say Agalloch. The guy tearing it up in the mosh pit and wearing a full body chicken suit is known locally as the Chicken Man. He’s a local legend and comes to tons of the area’s metal shows to get mosh pits started and keep them going. He’s a real trooper and pretty friendly if you want to talk to him.
Bring cash! There will be a ton of vendors with tons of rare and obscure vinyl, CDs, merch, patches and all kinds of other stuff. There will be ATMs on site but I’m sure they will have long lines and shitty service fees so stop by the bank before you head up. Some of the stuff you’ll see will be Maryland Deathfest exclusives, and some of it will just be so rare you’ll probably never find it anywhere again anyways. Maryland Deathfest will have a booth with its own merch for sale at the festival (see it here) including t-shirts, pullover hoodies and women’s tanks. Preorders are now closed for the official MDF merch. This year MDF has a couple designs that incorporate some of Baltimore’s culture such as an Edgar Allan Poe mash up design and a “metal” crab design, as well as more traditional designs with zombies and such. Warlord Clothing will have a limited edition silk screen poster again this year that will be available for purchase at their booth (shown below). There is also a brand new book out by Jason Netherton (of Misery Index and ex-Dying Fetus) titled Extremity Retained: Notes From The Death Metal Underground which is a 480 page book on the history of death metal as told by dozens of the musicians themselves. The list of contributors is too long to list here but you can check out the details (and preorder it for MDF pick up) by going here. The book will be available for purchase at the Handshake Inc booth.
Bands often bring their own merch to Maryland Deathfest as well. Popular bands, or just those making a rare appearance, can and will often sell out of their items early. Some bands will have their merch at the same booth selling all the official Maryland Deathfest gear. Many bands are often playing MDF as part of a tour and will take their merch with them after the day they play so check back each day for new arrivals (and if you see something from a band that you want, don’t wait, get it while it’s there). Other bands will have their own merch tables set up and a few others will have their merch available at their record label’s booth (assuming their label has a booth of course). There are always a few MDF exclusive items. I don’t know what they will all be (I’ll walk around and post photos of them though so be sure to follow DCHM on Facebook, Twitter and Instagram) however I’ll add updates at the end of this post as I find that information out. For now I can tell you that both Necros Christos and The Ruins Of Beverast will have exclusive MDF shirts for sale, which you can see below.
And this year there will also be free copies of the black & white official Maryland Deathfest Program found near the entrance. The booklet features bios of the bands playing this year’s Deathfest, a map of the venues, a schedule and Black Mess Records’ guide to Baltimore. It makes for some good reading if you’ve got a few minutes of down time. You can see what the cover looks like below so keep an eye out for it.
There is also plenty of on-site food at Maryland Deathfest. I highly recommend Zombie BBQ but there’s plenty of options for everyone including various ethnic, vegetarian and vegan options as well. If that’s not enough be sure to check the custom Google map I made (at the top of this post) which includes stuff outside the festival grounds like restaurants, record stores, liquor stores and convenience stores.
Updates
I’ll be adding updates to this post throughout the fest once it starts. Expect to see photos of food vendor prices as well as images of exclusive merch. Be sure to check back here before you head to Maryland Deathfest to help you get an idea of what to expect, and of course you can follow me on Facebook, Twitter and Instagram which I’ll be updating from my phone.
The most metal seamstresses at Kylla Custom Rock Wear will have 10 unique handmade MDF vests for sale at the official Maryland Deathfest merch booth. They look pretty bad ass (and will be available in sizes S – XL). They’ll even sew on any patches you buy at MDF onto the vest for you if you purchase one, how fucking cool is that? More details when you click on the below image.
Relapse Records will have two booths with merch (one at the Edison lot, one at the SoundStage) and they’ve released the short video below showcasing their wares at MDF.
I saw Ulcerate on Wednesday night and I shot a photo of their set list which you can view here if you’d like a preview of what they may be playing Sunday. They were incredible!
Unfortunately both Aeternus and Mitochondrion could not get into the US so they will not be playing MDF. Bolzer will be playing an additional set Friday (presumably during the time Aeternus would have played) at Rams Head Live. For more details read the official statement by Maryland Deathfest here.
MDF has posted details about meet & greets, which reads as follows:
Signs up for Meet & Greets start Saturday morning at the MDF Merch Tent (Edison Lot) when gates open (Sat, 11am & Sun 12pm)
At the Gates: Sign up @ 11am, Saturday for 2-3pm Meet & Greet
My Dying Bride & Uncle Acid: Sign up Sunday @ 12pm, 5-6pm Meet & Greet
Signings at the Century Media Tent (Edison Lot)
At the Gates – 7-8pm Friday
Asphyx- 4-5pm Saturday
Candlemass and Solstafir will be taking part in the Meet & Greet – stay tuned for specific times.
Below is a photo of the food menu at Rams Head Live. Below that are photos of the beer selection (I highly recommend the Dominion Oak Barrel Stout, the one with the deer on the tap). All beers at RHL, from cheap beer to craft, are the same price, $7. So don’t think buying a Bud Light saves you any cash, get something good!
Maryland Deathfest also has a few more items for sale at their merch booth that doesn’t including a beanie hat and a Baltimore Ravens parody shirt, check them out below.
Below are photos I shot at the Edison Lot of beer and food menus and prices. Note that a 12oz can of beer costs the same as a 16oz cup.
Here’s photos of some more exclusive merch at MDF for the bands Dark Angel, At The Gates and Sacrifice.
Here are the food and alcohol prices for the Baltimore SoundStage venue. The craft beers are only available at the bar to the left of the main stage. It should be noted that the Snake Dog IPA is being sold at the SoundStage for $8 but the main Edison lot has it for just $6.
Band: Sarke Album: Aruagint Release Date: 20 September 2013 Record Label: Indie Recordings Performing at Maryland Deathfest XII: 7:45 Saturday at Edison Lot A
Maryland Deathfest XII starts next week! Our annual Maryland Deathfest Survival Guide will be up soon but leading up to the big post we’ve put together some reviews of albums by some of the less well known bands playing Deathfest this year that you will not want to miss seeing live. These posts have a lot of background on the bands to help you become an expert on them before you see them, and of course there’s a few songs at the end of the post that you can stream to get acquainted with the bands too. This is our fourth and final review but we’ve covered at least one band playing each day on the big outdoor Edison Lot stages (the main festival stages that will not sell out). You can check out the rest of our MDF XII coverage here but until then take a few minutes to learn why you shouldn’t miss Sarke if you’re at Deathfest on Saturday.
If you’ve heard only one thing about the Norwegian band Sarke you’ve probably heard that the band features Nocturno Culto of Darkthrone on vocals. This is true and since Darkthrone refuses to play live shows seeing Sarke at Maryland Deathfest is a rare chance to see one of Darkthrone’s two members in a live setting. What most people don’t know about Sarke though is that the band is actually the solo project of a guy named Sarke (his real name is Thomas Berglie). Sarke, the musician, is best known for being the drummer of Khold though he’s also the drummer for the (very underrated) black metal band Tulus. On the first Sarke album, Vorunah, he played all instruments aside from the vocals that Nocturno Culto recorded. These days Sarke only plays bass and has brought in other musicians to fill out the band’s line up, though he continues to write all of the band’s lyrics as well. While not as big of names as Nocturno Culto, the other members come from bands like Borknagar, Ihsahn and Lunaris, so the band as a whole has quite the resume.
As far as Sarke’s actual sound goes, they’re often described as black/thrash metal but that’s a bit off as they don’t sound much like the standard bands of that style such as Aura Noir or Absu. Sarke is slower than most thrash bands and sound something akin to older bands like Venom, Motörhead and Celtic Frost combined with a primitive style of early 90’s Norwegian black metal. The first two Sarke albums are a bit more thrashy than Aruagint but what their latest album lacks in overall speed it makes up for in coldness. This sense of coldness isn’t just the chill of the Norwegian winds that permeates their sound but also emotional coldness, neither happy nor sad, just empty. We’ve gotten this sense of cold from many straight up black metal bands over the years but Sarke is different, they have a certain groove to their sound. Calm and calculated they often raise the tempo to breathe life into a song when it is needed, such as on the track “Icon Usurper” where they use this technique perfectly. The band does a good job of keeping a sense of tension throughout the album and Nocturno Culto’s voice has no major effects done to it. The recording itself has the band sounding good without being overproduced. You can hear each instrument distinctly and the keyboards are in the background where they should be, but you’ll find no flashy studio tricks here. The song “Ugly” with its chorus line of “Cause I’m ugly/Ugly as Hell” and punkish main riff brings a bit of that dark punk vibe that Darkthrone has been doing lately and Nocturno Culto seems perfect for this song in particular.
Sarke isn’t the most technical band by any means but they do come up with some pretty fun grooves, combined with that sense of coldness, that makes it just plain fun to listen to them jam. Their songs are well thought out though and every note sounds like it is right where it should be. Their studio sound comes across as very rehearsed so I’m guessing they’ll be pretty tight when they play Deathfest. It will be interesting to see what kind of performance they put on live as Nocturno Culto doesn’t appear to be a very wild front man in most of the live footage I’ve seen of them, however he does seem to get more energy from the crowd depending on how energetic they are. This will be Sarke’s first ever live performance in the US so let’s hope everyone is as psyched to see them on Saturday as I am. Be sure to check out the following songs from Aruagint and start getting psyched for Maryland Deathfest XII next week!
Band: Sólstafir Album: Svartir Sandar Release Date: 14 October 2011 Record Label: Season Of Mist Performing at Maryland Deathfest XII: 5:55pm Friday at Edison Lot A
Here’s our third review in our series of album reviews leading up to Maryland Deathfest XII. These reviews are intended to help you get familiar with some of the bands you might not know about, but definitely don’t want to miss seeing, at this year’s Deathfest. They’re more than just album reviews though as they also shed some info on the band’s history and background. So enjoy this post about Sólstafir before they play both MDF and Empire in the coming week. This post was written by Tal and you can read more of her writing on her personal blog here. Be sure to stream the tunes at the end of this post too!
I was asked to write about “relatively unknown” bands playing Maryland Deathfest XII, but Sólstafir is actually not that unknown… unless you live on our side of the Atlantic Ocean. The band climbed the charts in Europe with their 2011 album Svartir Sandar, and “Fjara,” the single from that album, actually made it to #1 on the singles charts in Iceland, their home country. They’ve never appeared in the US before, though, and are still rather underground here.
Sólstafir’s sound is as if Sigur Rós (an Icelandic post-rock band) decided to play black metal, and threw in some chugging stoner riffs too, without abandoning haunting instrumental passages and the occasional dreamy vocals. The band itself defies any attempt to categorize, calling themselves “Epic Rock N Roll” and “New Wave Metal” (according to their Facebook page). They include Abba and Thin Lizzy among their musical favorites, and can often be seen sporting cowboy hats and boots.
The band was formed by Aðalbjörn Tryggvason (guitar and vocals), Halldór Einarsson (bass) and Guðmundur Óli Pálmason (drums) in 1995 and recorded two demos that year; one of them, Till Valhallar, was later re-released in 2002. Halldór left before the recording of the band’s debut album and was replaced by Svavar Austmann on bass. Although recording of their debut album Í Blóði og Anda started in 1999, the album wasn’t released until 2002; there were so many difficulties that the band “truly believed they were cursed” – everything from a break-in at the studio to 90% of their CDs being shattered in a car crash on the German Autobahn (source). Around the same time they recruited a second guitar player, Sæþór Maríus Sæþórsson, to join them as they started playing live shows.
Their 2011 release Svartir Sandar met with critical acclaim in Europe. Svartir Sandar, which means “black sands,” is a double album of otherworldly guitars; hoarse, anguished vocals; and the occasional plunge into black metal fury or chugging riffage. One of the most distinctive aspects of the album is the vocals, which range from soft, ethereal singing to heartbroken screaming, as though through sobs – it’s a very emotional, stormy listen. Their guitar tone is also unique – although it’s sometimes very distorted, much of the time it’s quite clear and raw-sounding.
The first part of the album, subtitled Andvari, is a post-metal journey through soundscapes of loneliness, with layers of long, resonating guitar notes leading into heavier, riffier segments. I really adore the first track, “Ljós í Stormi” (“Light in the Storm”), from the sweeping, desolate guitar notes that start it off, to the distraught vocals, the barrage of drumming and the dreamy, uplifting guitars that rise through the storm like the name suggests. “Fjara” is another obvious favorite, with its catchy vocal melody that draws the listener from quiet grief into intense anguish, accompanied by flowing guitar and piano, with just a hint of discord giving them depth. If you really want to experience heartbreak, watch the video for the song at the end of this post.
The second part of the album, subtitled Gola, is quieter, with a more consistent rock rhythm and dreamy guitar passages, giving it more of a prog rock feel. My favorite piece is “Stormfari” (“Storm Wanderer”) not the least because it samples an Icelandic weather report (which starts in its intro, “Stinningskaldi” [“Strong Wind”]). I can’t understand more than that it seems to be talking about storms over the sea, but, accompanied by whirring electronic sounds and then dramatic guitar, it sets a mood of just barely contained danger for the song. Then the song launches into rocking, heavily distorted riffs and hoarse vocals that continue the sense of a building storm, before ending just as quickly as an August thunderstorm with a moment of atmospheric melody and a final distant crash. It’s the shortest song on the second half of Svartir Sandar; most of the others are 8 to 10 minute explorations of desolation and melancholy, though not without lovely atmospheric guitar, choirs and some softer vocals giving them a sense of light as well.
In 2013, Sólstafir re-released their debut album, Í Blóði Og Anda (In Blood and Spirit, originally released in 2002). Going from Svartir Sandar to Í Blóði Og Anda, it feels like an entirely different band – faster, harsher, with angrier vocals – but if you listen closely, you can hear the atmospheric soundscapes and prog/post-metal leanings in there as well. Behind the punkish screams that dominate most of the album, the frenzies of blast beats, fuzzy black metal guitar tone and moments so distorted they sound like white noise, there are long waves of atmospheric guitar or lovely acoustic guitar or piano interludes. Even back in 2002, the band seems to have displayed their unwillingness to be restricted to any one genre – one of the most accessible songs on the album, “Bitch in Black,” wanders from a gothic beginning with clean vocals (done by guest vocalist Kola Krauze of Dark Heresy) that drip heavy-mascara darkness, to tremolo-y black metal guitar work, to rocking riffs disguised in black metal techniques, followed by grotesque growled vocals, and then back again. Fortunately for us, Sólstafir can’t seem to make a simple song or stick to one genre.
Sólstafir will generally throw in enough groovy riffs and lovely melodies, too, for there to be something appealing for almost any metal head. For the stoner metal aficionados, check out “Love is the Devil” but prepare to be possibly disturbed by the video. For those who want aching proggy soundscapes check out “Fjara.” And for something of a mix, try these three tracks from Gola – the dreamy “Draumfari,” which makes me think of flying through clouds, plus the raging storm of “Stinningskaldi” and “Stormfari.” And if that’s not enough, you can even listen to Sólstafir on Bandcamp.
In late May, Sólstafir will swing through the area on their first North American tour before heading to the European summer festival circuit. They’ll actually make two stops in our area, so even if you aren’t headed to Deathfest, you can catch them at Empire in Springfield, Virginia on May 19 (with Junius from Boston opening for them). If you are headed to Deathfest, check Sólstafir out at 5:55pm on Friday on the outdoor Edison Lot stage A for a taste of their atmospheric wanderings and rock ‘n’ roll groove.
Oh, and if you really have to know, Sólstafir means “crepuscular rays” in Icelandic – you know, those rays of sunlight that sometimes seem to radiate through the clouds.
Band: Pseudogod Album: Deathwomb Catechesis Release Date: 24 April 2012 Record Label: KVLT Performing at Maryland Deathfest XII: 3:40pm Sunday at Edison Lot B
Here’s our second album review in our series highlighting some of the less famous, but must see, bands at Maryland Deathfest XII. These reviews feature more background about the bands than our normal album reviews and hopefully they’ll convince you to check these less known acts out at this year’s Deathfest. So read about Pseudogod, the final band added to the Maryland Deathfest XII line up (besides fill-in bands replacing cancellations) and be sure to stream their tracks at the end of the post to hear them for yourself.
The 2014 edition of Maryland Deathfest has no shortage of rare appearances by obscure metal bands from around the world. One of the more exotic bands this year is Pseudogod, a blackened death metal band from Russia. Unlike some of the (relatively) more famous Russian metal bands, such as Arkona and Korrozia Metalla, they don’t originate in the large city of Moscow. Pseudogod’s home is over 700 miles east in a city known as Perm located at the feet of the Ural Mountains. You may never get another chance in your lifetime to see a band from this region. So are they actually worth seeing at Maryland Deathfest? To put it bluntly, I think you’d be a fool to miss them if you’re going to be at Deathfest on Sunday.
Pseudogod was formed in 2004 but they had only released a demo and several splits until their only full length album, Deathwomb Catechesis, was released in 2012. The songs on Deathwomb Catechesis are punishing and exploding with riffs that will surely get the mosh pits at Deathfest moving. The band’s sound is a mix of black and death metal which makes some sense because half of their members come from a raw black metal band named Groth and the others from a brutal death metal band called Act Of God. Pseudogod’s guitar tone is certainly more black metal but the pummeling percussive aggression comes from death metal. The songs are almost relentless in their delivery of blast beats but several songs do have moments where they turn down the intensity and they show their range with slower, simple riffs that keep the setting dark but let you catch your breath. They make the most of these lulls by drawing you in with catchy rhythms only to have you jarred back into submission when the beating suddenly starts again.
The vocals throughout the album are coarse and guttural with thick reverb added to them in studio to make vocalist I.S.K.H.’s voice sound distant and haunting. Lyrically the songs are fairly standard Satanic fare focusing more on the mystical side of things such as prayers for “Malignant spears/To the womb of god!” The lyrics are primarily in English though one song on the album, “Encarnación del mal,” is written entirely in Spanish. You probably wouldn’t even notice this at first because of the growled vocals.
Pseudogod used to wear corpse paint during live performances but they seem to have stopped doing that at some point it appears, however they still wear upside down crosses and lots of leather on stage. Most of the live footage I’ve seen of them is at smaller bars and club venues, their performance at Maryland Deathfest might be one of the biggest stages they’ve ever played on. They go on fairly early Sunday, at 3:40pm on the Edison Lot’s outdoor stage B, but you should make time to catch them because you really don’t want to miss this rare chance to see them perform live.
So after a miscommunication about my photo pass on Sunday, May 4th, 2014, I finally got to photograph the final band of the Revolver Golden Gods Tour’s stop at the Fillmore Silver Spring. I’m not going to do a whole review of the show here, though it was pretty fun. Guitar solos and pinch harmonics (those high pitch squeals you hear) were in high abundance but the band slowed it down some for a few songs as well. “In This River,” a tribute to Dimebag Darrell that had Zakk Wylde putting down his guitar and playing a piano that was brought on stage, was a nice lull in the energy that most of the other songs had. I’ve always been a much bigger fan of Zakk’s work with Ozzy Osbourne, but regardless of who he’s playing with the man can shred live, as evidenced by the extended guitar solo that lasted so long you could have chugged a beer between its start and finish. And did I mention the excellent lighting? What a fun band to not only photograph but just see lit up so well on stage. In all it was a really fun show, I just wish I had gotten into the venue early enough to catch Down, but that was beyond my control, unfortunately. You can check out some of my favorite photos that I shot at the show below, click on them to see them larger if you’d like, or just click here to view the entire set.
The set list that Black Label Society played was:
Intro———————————————-
My Dying Time
Godspeed Hell Bound
Destruction Overdrive
——————————————————
The Rose Petalled Garden
Heart Of Darkness
Intro———————————————-
Overlord
Damn The Flood
-solo-
Parade Of The Dead
Fields Of Unforgiveness
——————————————————
Angel Of Mercy
In This River
Intro———————————————-
The Blessed Hellride
Suicide Messiah
Intro———————————————-
Concrete Jungle
Stillborn
DCHeavyMetal.com 