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Recap of King Giant gig at the State Theatre

Saturday the 29th of January 2011 was a big night for metal at the State Theatre. On that night they hosted their first metal show that wasn’t part of the Mandatory Metal series. King Giant headlined the show and it was pretty awesome. The band was joined by The Crimson Electric from Virginia Beach, Throwdown Syndicate from DC and Death Penalty from Falls Church. There was a good sized audience and even a few special appearances on the stage by some noteworthy members of the area’s metal scene. I’ve been to all the metal shows at the State Theatre and this was probably the most fun for me, though really I have enjoyed them all. Here’s my recap of what went down that night, band by band, with some of my photographs throughout as well as all my videos of the night embedded at the bottom of this post.

The first band to play was Death Penalty. They’re a thrash band with a big 80’s era influence, which was pretty obvious when they did covers of Metallica, Megadeth and Iron Maiden. Apparently they don’t usually cover so many songs, but they’ve had line up issues of late that necessitated them for this show. Matt Aub, the singer/guitarist from Timelord came out on stage and sang with them for The Trooper. I’ve got video of that below but for some reason my camera cut it off about 3 and a half minutes in. They played a few original songs too, and their thrashing energy made for a good opener to get the audience into a metal show. Death Penalty has posted the audio from this show on their Facebook page here (it’s in the column on the left in the “music player” section).

The next band up was Washington DC’s Throwdown Syndicate. They are a three piece band that describes themselves as “ghetto metal” and vocally has a lot of rap and hip hop elements. Now before you start thinking of those 90s era rap metal bands, they weren’t like that. More like a hard core metal band with a street style rap and vocal patterns. I’m really not knowledgeable enough of that genre to get more descriptive than that though. Rap has never really been my thing but I can see there being an audience for this. I could see them sharing a bill with Magrudergrind, another DC metal band who uses hip hop influences. I think people in the audience were a bit mixed, probably reflecting their like or dislike of rap more than of the band itself. Still, they did have a heavy sound and I could hear a bit of that Bad Brains style DC hardcore sound in there.

The Crimson Electric was the next band to hit the stage. They came up from Virginia Beach and had played a show with King Giant the night before in Richmond. I’d never seen them before and didn’t really know much about them other than they were a stoner band of some sort. They put on a good show and I really enjoyed them. The singer wandered around on the stage a bit, but always seemed to hold my attention. The band seemed very laid back and relaxed on stage, almost like you were catching them at a normal band practice except they were on the State’s big stage with great lighting and all these people watching them. Though the singing is much less coarse, the band is really a great pairing of stoner/doom to go along with the headliner, King Giant. They also have posted a bunch of their music for free download here. Go get some of that, it’s definitely worth it!

By the time King Giant hit the stage the venue was getting pretty full. They’re always a fun band to see live, and while they didn’t play Burning Regrets at all (a personal favorite of mine) they did play a new song to start the show off. They played another great set of their southern doom metal and the audience response seemed to be great, they got lots of applause and cheers after every song. On stage they mentioned Jon, the contest winner from DCHeavyMetal.com, as they introduced their final song of the night. He asked them to play Needle And The Spoon, a Lynyrd Skynyrd cover that is a bonus track on their full length album. They surprised me and just about everyone in attendance when they brought out Victor Griffin of Pentagram to play a third guitar for that song (I’ve got video of that below, must see!) and even had him play a solo too. That song was by far the highlight of the night, and a great way to cap an excellent performance and dammit, that was just a great DC metal moment. If you haven’t seen these guy play live yet, you really need to get off your ass and check them out.

As always you can find more of my concert photography on my Flickr page with shots from this and tons of other metal concerts. And I don’t know if the turn out for this concert was the reason why or not, but the State Theatre put up on their Twitter page that they will in fact NOT be canceling their local metal shows. You can see that post here. I’ll keep you all posted as to any future events for that of course, and hopefully will have some more contests too. For now, check out the videos I shot at this awesome show:

January 31, 2011
Categories: Concert Reviews, Doom Metal, Hardcore Metal, State Theatre, Thrash Metal, Washington DC / Maryland / Virginia Metal Scene . Tags: Band, Concert, Concert Review, Concert Reviews, Death Penalty, Ghetto Metal, Heavy Metal, King Giant, Metal, Music, State Theatre, Stoner Metal, Stoner Rock, The Crimson Electric, Thrash Metal, Throwdown Syndicate . Author: Metal Chris . Comments: 2 Comments

Recap of Mandatory Metal 3 at the State Theatre

Mandatory Metal 3 was the third local metal night at the State Theatre in Falls Church, Virginia held on 16 December 2010. This was the first Mandatory Metal to take place on a Thursday night, instead of a Friday, and that combined with the fact that it snowed a couple inches that day unfortunately kept the turn out rather low. For those who did make it out though, it was a really entertaining show. As usual there were four local bands who played and this time they were Scream/Ruin, A Sound Of Thunder, Iris Divine and Division. While the previous Mandatory Metal show had been more death and black metal based, this one was more melodic and most of the bands used clean vocals (aka non-growling/screaming) at least some of the time. Now if you’ve been reading this blog you’ll know that’s not usually my preference, but of course there are exceptions and this show was a great way to stay out of the cold.

The first band of the night was Scream/Ruin, a hardcore band with some thrashy elements based in Loudoun, Virginia. They had a lot of heavy breakdowns and some nice shredding in parts. The vocals were mostly somewhere between shouting and screaming. One thing that sort of set them apart from your typical hardcore metal band is they had atmospheric keyboards in parts of some songs. I’m generally not a huge fan of most hardcore, but these guys were entertaining. The drummer seemed to come from the Lars Ulrich school of drumming, not really too fast but high drama most of the time. I really enjoyed the parts of their songs that had the faster drum beats most, but that might just be my bias for extreme metal talking. Their stage lighting was very dark, with a couple of flood lights on stage that blinked on and off throughout the set. I was right up front most of their set but I’m not sure how well people farther back could see the stage. The video I shot of them is pretty dark too, but the audio is still decent. They were a good opening act and started the show off with a lot of energy.

The next band to play was A Sound Of Thunder. Their lead singer is a very charismatic woman named Nina Osegueda. While they may have a female lead singer, they don’t really sound anything like other local bands that also do, like say Todesbonden, This Means You or Rain Fell Within. This band is more in the vein of traditional and power metal stylistically. While Nina sings very cleanly, it’s not in that operatic style but more of a female rock or metal style. The band itself was more talented than the bulk of the metal bands that have a woman up front just as more of a gimmick. The guitarist had a cool solo with the spotlight on him for a bit at one point, and you could tell the band was really in tune with each other on stage. While they did rock out a lot they had some slower and more melodic parts too, showing some range in their songs. The stage was still fairly dark for them, and since my camera sucks in dark lighting you don’t really get as good of an idea of how they looked on stage, but the audio is listenable enough. They were certainly fun, and while I wish I’d gotten to record their song Walls, probably my favorite song of their set, I did get their closing song Wings Of Steel at least.

The next band to play was Iris Divine from Alexandria, Virginia. They’re a more progressive style band, though that genre label has always seemed a bit vague to me. They reminded me a lot of Maryland’s Periphery, though I wouldn’t call them a djent band. They do have some complex song structures that are also catchy, not a lot of bands seem to be able to do both. The songs have lots of rhythm changes, and the vocals alternate from a rough yelling to singing. Their keyboard player, Farhad Hossain, would step away from the keys to play guitar in some parts, as well as share the singing with their other guitarist, Navid Rashid. Probably the biggest issue I had with their set was that sometimes they had problems harmonizing their voices on the parts where they were both singing together. Either one by himself sounded fine though. Really that’s a minor issue as this band is one that you focus more on the musicianship anyways. The clean vocals as well as the programming and keyboards did seem to fill their sound out with some atmosphere, and there were some more heavy and energetic parts too. You could definitely tell they had put a lot of thought into all these songs. In all I was impressed by them, as this was the band that I knew the least about going in to this show.

Next up was the fourth and final band of the night, Division from Woodbridge, Virginia. I met some of the band members at the first Mandatory Metal show back in August and they had given me a copy of their latest CD, Control Issues (buy it here). It’s definitely grown on me and I was glad I knew some of their material by the time I got to see them live. They opened with their song Hunt, which is probably my favorite song of theirs. Their setlist wasn’t only songs from the new album, but also songs I didn’t recognize from older albums. Both were fun to watch live though. They really put on a show, members of the band were constantly shifting position on stage and their showmanship certainly made it easy to watch them as they walked around on the stage like they owned it. The thrashy and heavy riffs were fun to listen to as well. The two guitarists seemed to be playing dueling solos at points too. I guess you could call them power metal, but vocalist Nick Kelly doesn’t overdo it in that annoying way that reminds me of 80s hair bands like plenty of power metal bands do. He has a good voice and knows when to sustain and when not to, the latter being noticeably rare in the world of heavy metal. They were my favorite band of the night, and they were a great headlining act. The highlight of the entire night was definitely their closing song, a cover of Metallica‘s Disposable Heroes. They really had the audience participation going, and also had Alan Margazano (the guy who organizes the Mandatory Metal shows) of Death Penalty singing back up vocals on that. Those of you who missed the show or left early are lucky that I shot video of it and have posted it below. They really put on a great show, my only gripe was that they didn’t play their song Short Attention Span Society, which is another tune I really like of theirs. But that’s ok, gives me something to look forward to the next time I see them.

In all it was another great night of local metal at the State Theatre. I enjoyed all four bands, none of which I had seen live before. I just wish more people had shown up, the bands really deserved it. I suppose nobody can control the weather, but people really should have come out, it wasn’t THAT bad out. Alan told me there were a lot of people who had bought presale tickets and didn’t even show up! If you missed out though, you can check out three of the bands that played, Scream/Ruin, A Sound Of Thunder and Division, who all have free mp3s you can download on my Download’s page here. You can also see A Sound Of Thunder, Iris Divine and Division play with a few other bands in Richmond at Alley Katz on March 5th, 2011. There will also be another metal show coming to the State Theatre, though not a Mandatory Metal (the next one will be in February). In late January King Giant and Death Penalty are playing a gig, the State Theatre’s first non-Mandatory Metal concert. Details are on the calendar of upcoming concerts. AND don’t forget I’m giving away a pair of tickets to see Gwar on 29 December 2010 at the 9:30 Club, you can enter here for free. You can check out the rest of my pics from Mandatory Metal 3 on my Flickr account here, and as usual I’ve posted all the videos I shot at the show below. Enjoy!

December 21, 2010
Categories: Concert Reviews, Hardcore Metal, Local Band Info, Power Metal, State Theatre, Washington DC / Maryland / Virginia Metal Scene . Tags: A Sound Of Thunder, Band, Concert, Concert Review, Concert Reviews, Division, Gig, Heavy Metal, Iris Divine, Mandatory Metal, Mandatory Metal 3, Metal Night, Music, Scream/Ruin, State Theatre . Author: Metal Chris . Comments: 4 Comments

Review of The Sword gig at the 9:30 Club

Monday the 6th of December 2010 was a damn cold night, but not cold enough to keep me from going to see The Sword play at the 9:30 Club. It is Washington DC’s most well known non-seated music venue, and also the largest. They don’t get a whole lot of metal bands there, so when they do I usually try to get to the show. This concert was different than any I’d been to before at the 9:30 Club because I had been given a photo pass by the band. This meant I could get up in front of the audience and shoot pics with my “pro” camera, so I really spent a lot of the show focused on that. That’s not to say I wasn’t paying attention to the band, but I just wanted to get that out there as it changed my perspective of the concert a bit, and I generally try to write these reviews from the point of view of the average person in the audience, not some guy with special access or whatever. The show was a lot of fun, and it was cool getting a chance to test out a lot of the settings on my camera. I think I got some really great pictures, and while I see lots of room for improvement, I’m still proud of how some of them came out. Anyways, on to how the show went…

I missed the opening band Mount Carmel though I heard they were a bluesy band. When I walked in Karma To Burn was playing their first song. These guys are from West Virginia and I’ve heard a few of their albums. Mostly instrumental metal, and that’s great to me because I’m a fan of instrumental metal bands. They’re a very groove based sort of doomy or stoner band, and I’d say they are pretty similar in sound to Pelican. They did play several songs with lyrics, though I’m not familiar enough with the band to give you a set list or song titles. They put on a good show with some fun songs, they were a really good choice for a support act, really helped warm up the crowd. I shot a few pics of them from the second level, but apparently my photo pass didn’t allow me to shoot any video and I was told to stop after having captured just one song. This also means I have no video of the headliner, a first on this blog, sorry! I await the day that all bands stop telling their paying fans they can’t make their own pics or videos at concerts. People aren’t bootlegging/stealing from you, we’re trying to have something to remember the experience with, and share them with our friends. Hell, I’m trying to use them for the purposes of a review, which is promotion at best and fair use at worst. Well, before this turns into a rant, I’ll start talking about the Sword.

The Sword is a doom metal band from Austin, Texas. Their sound is almost 70’s rock-ish with fantasy, and on their latest album, science fiction themed lyrics. You’d almost think this band spawned straight from a Frank Frazetta painting. They have caused a bit of a stir among music critics, some praising their classic style of metal with it’s epic heavy riffs and crushing grooves, while others say they’re basically reinventing the wheel and haven’t really done anything to deserve all the attention. I’d never seen them live before, and while I like their music, and their latest album, Warp Riders, has really grown on me, I wouldn’t say I absolutely love their studio work. That said, I really enjoyed their live show, much more than the studio material. Maybe it’s just the studio producer they’ve got, but the songs really came alive on stage in comparison. You could tell the band was glad to be playing and having a blast up on stage, and the songs just seemed to have an extra energy that seemed to be lacking in the studio. While I was there to take pics, sometimes I just had to put the camera down and headbang to some of those tunes. The setlist was very heavy on Warp Riders material, they played eight of the ten songs on it, though they didn’t play the song “Lawless Lands.” I find that odd since they just released a music video for that song (see it at the bottom of this post). I really liked how the song “Night City” sounded live, and their encore performance of “Winter’s Wolves” was fantastic, a perfect way to end the show. The new drummer, Kevin Fender, did a great job executing, especially considering how short he’s been playing with the band. In case you didn’t know, this concert was supposed to happen back in October but the old drummer abruptly quit and the tour had to be rescheduled. Also, this was the first concert I held a ticket give away for on the site (here), and I hope the winner Matt had a blast! It did so well I’ll be holding another contest with free tickets for the Gwar concert coming up on December 29th, also at the 9:30 Club. I’ll have a post with details about that up soon, so check back in a few days. Now, here’s the one Karma To Burn video I managed to get before I was told to stop shooting video, followed by the Sword’s official video for “Lawless Lands.” If that’s not enough you can check out some more of my pics of the Sword on Flickr here. Enjoy!

December 9, 2010
Categories: Concert Reviews, Doom Metal, Nightclub 9:30 . Tags: 9:30 Club, Band, Concert, Concert Review, Concert Reviews, Doom Metal, Gig, Heavy Metal, Karma To Burn, Metal, Music, Nightclub 9:30, The Sword . Author: Metal Chris . Comments: 1 Comment

Review of Ozzy Osbourne gig at 1st Mariner Arena

So Monday the 29th of November 2010 started off pretty normally for me, normal routine of going to work and all. I’d just seen Psycroptic and Keep Of Kalessin play Jaxx the night before, so I had a review to work on (you can read that here) but otherwise it was a normal day. Then my girlfriend called me to tell me she’d gotten me an early Xmas present, a 10th row ticket to see Ozzy that night at Baltimore’s 1st Mariner Arena! Well the work day couldn’t go by fast enough at that point. The venue actually granted me a photo pass for Rob Halford‘s set (the opening act) but Ozzy’s people wouldn’t give me one. It didn’t really matter as I didn’t have my nice camera with me at work and I couldn’t make it to the venue early enough if I went home to get it. I did get to the venue around 8pm and I had been told Ozzy would hit the stage at 8:45 so instead of going through security to buy an expensive dinner, I hit up a little deli across the street. I got myself a pastrami sandwich, cheaper and better than anything inside the arena I’m sure, and headed into the venue. After sneaking my camera through security I headed to my seat. And again for the second time now at 1st Mariner Arena, the second I got to my seat I looked up at the stage and right then Ozzy came out to start the concert. Perfect timing again! The first time this happened was when I saw Slayer and Megadeth there in October and you can read my review of that here.

Since I completely missed Rob Halford’s set I won’t comment on that. I wasn’t too upset though since I’m not much of a Judas Priest fan anyways. I am, however, a huge Black Sabbath and Ozzy fan. The reason I’m such a huge metal head has a lot to do with Black Sabbath and the fact that I even run this website does too. That said, I know he’s past his prime, but that doesn’t mean I didn’t love every second of this concert. The last time I saw Ozzy was almost three years ago in January 2008 at the Verizon Center. That wasn’t the greatest show, he had been sick and it was a short set and they all seemed to be just going through the motions. This concert fully made up for it though! This was the first time I have gotten to see the new guitarist, Gus G, play live with Ozzy, and the band definitely seemed more energized than when I saw them in 2008. Gug G did a great job of playing songs by each of his four main predecessors, Tony Iommi, Randy Rhodes, Jake E. Lee and Zakk Wylde, and they played one of his own songs, Let Me Hear You Scream, too. I have video of him playing songs by each of these guys from this concert posted below so you can see how he handles them, so check them out at the end of the post. There was also a second guitarist on some songs, I think mostly the Black Sabbath songs really. This was actually the keyboardist Adam Wakeman, who also has played with Black Sabbath. He didn’t have any guitar solos and only played rhythm guitar and stayed out of the spotlight for most of the show. Ozzy’s voice started out a bit rough this show, but after his voiced dropped out a couple of times early on, he seemed to get it together and mostly stay on track for the rest of the show. He was entertaining as always, and he brought out his big foam-shooting hose several times throughout the night to spray the audience as well as himself. He really seemed to have a lot of energy up there, much more than the last time I saw him. There were a lot of loud booming fireworks and a sort of fire-rain pyrotechnics thing at the beginning of Mr. Crowley. All of this showed why after 40 years Ozzy is still headlining arenas, his shows are always over the top.

The setlist focused mostly on what are probably the two most popular albums of Ozzy’s career, Paranoid by Black Sabbath and Blizzard Of Ozz, his first solo record. The only Randy Rhodes era songs were from Blizzard, and they played the staples Mr. Crowley, Suicide Solution, Crazy Train and I Don’t Know. The only Black Sabbath songs played were all from Paranoid, and they of course played Iron Man, War Pigs, Paranoid as well as Fairies Wear Boots and they even incorporated the instrumental Rat Salad in the band solos. That was actually pretty damn awesome. They started it off as a sort of all band jam doing Rat Salad that morphed into a killer guitar solo by Gus G. He didn’t play with his teeth or behind his head like Zakk did the last time I saw Ozzy, but it was nice to hear a different style of guitarist up there shredding (and none of those pig squeal things Zakk does every fucking 5 seconds). They went back into a full band jam for a brief bit, before drummer Tommy Clufetos started on a pretty crazy drum solo of his own. They raised the platform the drums were on and his extended solo was pretty damn impressive, and included a bit of audience participation and fireworks too, which was all pretty cool. I had actually seen him do a big drum solo like this at the last Ozzy show I saw, but he was playing with the opener Rob Zombie then. The whole solo wrapped up as the band finally finished their rendition of Rat Salad. That was such a fresh take on that song, and was really one of the most fun solo/jam sessions I’ve seen at an Ozzy show since I saw Joe Holmes do a crazy guitar solo based around Symptom Of The Universe in the 90s. Hell, this might have been better than that actually. Anyways, I wasn’t missing Zakk Wylde at this point, and I’m not sure if he meant it that way or not, but Ozzy didn’t seem to be either when he stated between songs that the old material was the best! They did play a few Zakk songs, most notably the track Fire In The Sky from No Rest For The Wicked in 1988. The crowd seemed bewildered when he played this, I don’t think most people there knew this song at all. I got video of it though as I knew how rare this was for him to play, and you can see most people just sorta standing around like zombies. I don’t think that song has been in the live rotation for almost 20 years, so that was something pretty cool for the Ozzy die hard fans out there, instead of just playing all hits.

In all I had a great fucking time. The show was fantastic, 100 times better than the last really, and he played for the better part of 2 hours. Getting to see Ozzy is always a concert highlight of the year for me, and this was really one of the best shows I’ve seen him do in a very long time. I did like Zakk but I very much welcome the new guitarist, Gus G, to the fold and really I can’t wait to see them play again. Well, thanks for reading this whole thing. And don’t forget I’ve got a contest going on right now to give away a pair of tickets to see The Sword at the 9:30 Club on Monday, the 6th of December 2010. Go here to enter to win. You don’t have to sign up for anything to do it. Once you’re done with that check out the videos below that I shot from the floor, some of my best video footage yet (they even posted my video of Fairies Wear Boots to the official Ozzy Facebook and Twitter pages!). I’m really glad the venue wasn’t strict about using cameras down there. I recommend checking out my video for War Pigs as that should give you a good idea of my view at the concert. Enjoy!

December 1, 2010
Categories: 1st Mariner Arena, Classic Metal, Concert Reviews . Tags: 1st Mariner Arena, Baltimore Arena, Band, Concert, Concert Review, Concert Reviews, First Mariner Arena, Gig, Gus G, Heavy Metal, Metal, Music, Ozzy, Ozzy Osbourne . Author: Metal Chris . Comments: 4 Comments

Review of Psycroptic gig at Jaxx

While many people are returning home on the Sunday night following Thanksgiving, I found myself heading down to Jaxx again on the 28th of November 2010. Psycroptic and Keep Of Kalessin, the opening bands on Nile and Ex Deo‘s fall tour were playing a few extra shows without the headliners, and this was the date they came through the area. It wasn’t a long show, only four bands played, and it ended early at around 10pm. Pathology was supposed to be part of the touring line up, but they were involved in a major accident in November (more details here) that ended all touring plans for them. There wasn’t a huge crowd for this show, but that was sort of to be expected. It was still a lot of fun and I finally got to see Psycroptic play live.

The first band to play was local death metal act Orgy Of The Damned. I had seen them play before at the Blood And Fire Festival back in July. They’re still really young, most of the guys had black Xs on their hands. That’s fine though, as again their youthful excitement for the music comes through as a big plus in their set. They played Reanimator which was pretty fun to see live. It’s one of the songs they are giving away for free on my download page if you want to check it out. They also played a cover of the Cannibal Corpse classic Hammer Smashed Face that was pretty cool. In another cue taken from Cannibal Corpse, at the end of their set the vocalist, Jeff Wright, said he “lied” about them not playing Feces Fiend and they closed with that song. The next band up was another local act, Trihexyn. They’re pretty good, just not my kind of metal really. I knew what to expect since I’d seen them before at the State Theatre as part of the second Mandatory Metal night there. They rely heavily on using clean vocals which is something I generally am not a fan of (there are exceptions of course). They are pretty good and have well written songs that they play pretty well so don’t get me wrong here, I’m just not their target audience. They do switch to a more rough vocal style for some parts, and I do find that to be more enjoyable, but I seemed to be in the minority about a few things this evening anyways. Also, the bass player had pink hair, which was a bit weird too but hey metal isn’t supposed to be about fashion anyways (don’t tell that to Cradle Of Filth though!). I’ve got a video of them below so check them out, maybe you’ll like them more than I do.

The next band to play was Norway’s black metal band Keep Of Kalessin. I really didn’t like their newest album, Reptilian, and sadly (for me) their set was mostly made of material from it. It’s all about dragons which wouldn’t be so bad except there’s a lot of that clean vocal singing going on again. So yeah, I’ve become that fan of theirs, the guy who likes only the old stuff. I seemed to be in the minority about that because the audience was reacting well to their performance. And they did play Crown Of The Kings, which is one of their older songs that is totally awesome, but they didn’t play Come Damnation, which is my favorite song of theirs. Their set was only about 40 minutes or so, so I guess they were just doing the same basic set list of songs from their Nile tour, mostly just supporting their new album. I thought they would have played a bit longer, and while I figured they’d play a good amount of their newer material, I also thought they’d play some older stuff since they had the chance to play a longer set. They closed with Kolossus which is a solid song, so overall it wasn’t bad, just not my favorite material for most of the set.

The final band of the night was Psycroptic coming all the way from Tasmania. I’ve wanted to catch them for a long time, as they’re probably my favorite technical death metal band these days (Decrepit Birth is up there too though) and I’ve waited a few years now to catch them live. I didn’t see them earlier this year at Sonar with Nile because I knew this show was coming up and I’d rather go to the closer venue, for less money when they headline. They did play an awesome set, though again it was short. I enjoyed the show a lot and got so caught up with it that when it ended I was kinda mad I’d only shot video of two songs! For me the highlight of the evening was when they played (Ob)Servant, which is just a kick ass metal song. Really, all the songs they played are pretty damn sick. It was like they were putting on a tutorial how you do tech death! I was hoping that since they were headlining they’d play a longer set but they didn’t really. They didn’t play The Colour Of Sleep nor Alpha Breed, two of my favorite songs of theirs. Same as with Keep Of Kalessin, I really wished they’d taken advantage of the headlining slot to play a longer set and included more older material. Their vocalist was a temporary fill in on this tour while their normal singer was staying home to be with his newborn. He did a decent job, his stage presence wasn’t bad and he had a hell of a lot of energy up there, literally jumping around and helping to keep the audience excited. Really though, nobody goes to see Psycroptic because of the vocals, their guitar work is crazy and the drummer is pretty damn tight too. They didn’t have a huge crowd and Keep Of Kalessin seemed to have a larger audience when they played. That didn’t matter to me, I was there to finally see Psycroptic play, and other than the set being so damn short, they didn’t disappoint at all. And I’ve got the videos below to prove it, check em out:

December 1, 2010
Categories: Concert Reviews, Death Metal, Jaxx Nightclub, Melodic Black Metal, Norwegian Black Metal, Tech Death . Tags: Band, Black Metal, Concert, Concert Review, Concert Reviews, Death Metal, Gig, Heavy Metal, Jaxx, Keep Of Kalessin, Melodic Black Metal, Metal, Music, Orgy Of The Damned, Psycroptic, Tech Death, Technical Death Metal, Trihexyn . Author: Metal Chris . Comments: Leave a comment

Review of Cannibal Corpse gig at the Rock And Roll Hotel

This tour had, without a doubt, the best death metal line up of any North American tour this year. Devourment opening for Vital Remains, local favorites Dying Fetus and the kings of death metal themselves, Cannibal Corpse. On Sunday the 21st of November they all brought their combined brutality to the Rock And Roll Hotel in Washington, DC (you thought I was going to say Jaxx, didn’t you?) and aurally assaulted this venue like never before. Now I’ve seen a few metal shows at the Rock & Roll Hotel before, but they have not had any death metal, and what a great tour to bring in for their first extreme metal show at the venue! They didn’t have any local support, but luckily I’d just gone to see a great set of local death metal the night before at Jaxx, (my review of that show is here) so it was sort of like the openers played the night before.

When I first got to the venue, Devourment was already playing. I’m not sure how long they played but I saw them play four songs. There was already a good size crowd amassing so I stayed to the back of the room near the soundboard so that I wouldn’t damage my nice camera (they wouldn’t let me use it so I had to store it during the other bands’ sets). Because of all this I wasn’t in a great place to get video or still shots of these guys. They had the crowd already going though when I got there, and between every song I saw, and also in the middle of half of their songs, the lead singer, Mike Majewski, would instruct the crowd to mosh in a circle pit. The set seemed to focus on older material, I remember them playing “Choking On Bile” as well as closing with “Babykiller.” This was kind of odd though, since the band is hardly the band it used to be. “Choking On Bile” is from the band’s first full length, Molesting The Decapitated. That album totally rules, don’t get me wrong, and if you want to hear some of the best underground death metal there is, check that album out. But the band playing this night only had one member remaining from back then, the bass player, and he was now on vocals! This and the fact that Devourment will also be playing again in May at Maryland Deathfest (much more info about that on my calendar here) made me not so upset about missing some of their set this night. Also, their guitarist put on a white horse head mask for the final song, I have no idea why.

The next band to play was Vital Remains. No, Deicide‘s Glen Benton was not playing with them, though their bass player was wearing a Stench Of Redemption shirt. I’d put my DSLR away and had my point and shoot camera ready and was standing in the front by the time they took the stage. The vocalist, Scott Wily, had on these spiked Immortal-esque bracers and was again telling people to keep a circle pit going. Ok, really? I remember thinking how dumb it was watching hardcore kids do laps in circle pits, why are these death metal bands encouraging this instead of straight up brutal mosh pits? Whatever, it was all to my back for the most part anyways. They did play a great set made up mostly of material from their two most recent albums, Icons Of Evil and Dechristianize. That’s fine by me, even though I often want bands to play older songs I’ve always enjoyed their more recent material as I think they really refined and defined their sound. Plus it’s fucking faster than their old stuff, and trust me they don’t slow it down live. Most of the people near me seemed to know most of the words to “Dechristianize” and were screaming along with it, which goes to show the power of getting an iconic vocalist like Benton on those studio albums. Of course with their long songs, their set seemed to fly by and since there were still two more bands to play their set was shorter than I’d have liked. They also didn’t play the song “Shrapnel Embedded Flesh” (a personal favorite of mine) but other than those two minor gripes they really did a kick ass job of taking the brutality up a notch.

The next band set to play was Dying Fetus. Now, before I make my next statement here, let me first say that I haven’t seen them in quite a few years and that might have something to do with my opinion on the matter. That said, Dying Fetus fucking killed it this show and really, I think they showed up Cannibal Corpse. Their setlist was great from start to finish, and while their stage time was shorter they didn’t talk a lot between songs. For the most part they just played some brutal fucking death metal, of course with all those grind elements and breakdowns their sound is known for. Dying Fetus is from the DC suburbs of Maryland and I don’t know if that was the reason why, but they did play a lot of older material, including two songs off of the Killing On Adrenaline album, which was awesome. Some of these songs I hadn’t even listened to in years and I really enjoyed remembering them as they played songs from their entire back catalog. They even played the song “Eviscerated Offspring” from their 1994 demo! The mosh pit went crazy, combining brutal death metal with catchy breakdowns will do that, haha. There are a lot of bands who do that now of course, to the point it can get really annoying really quickly, but after seeing this gig there is no question in my mind that Dying Fetus are still the best at it. They opened with “Praise The Lord (Opium Of The Masses)” which really set the tone of the show from the start, and the intensity didn’t let up until they finished their set with “Kill Your Mother, Rape Your Dog.” In all, it was a great performance by one of the leaders in death metal.

Finally it was time for the headliner, Cannibal Corpse. They played the area not too long ago, when they came to Jaxx back in April (my review of that is here) and this concert wasn’t a whole lot different really. There are some things you can expect at a Cannibal Corpse show these days, brutal music is one of them of course. But you also know that when their vocalist, George “Corpsegrinder” Fisher says the next song goes out to all the women in the audience, they’re going to play “Preacher Of Sodom” (it used to be “Fucked With A Knife” but that song doesn’t seem to be part of their set list any more) and you know when he says Hammer Smashed Face is their last song of the night, after it’s done he’s going to say he lied about it being the final song as they start playing “Stripped, Raped And Strangled.” This show had all that of course, but there were a few surprises. For one, they played the song “Gutted” off of Butchered At Birth, and Corpsegrinder said that he grew up in Baltimore so the show was a sort of coming home and he reminisced about coming to see concerts at the 9:30 Club and the like and he said the Rock N Roll Hotel had a similar feeling to those places back then. He also challenged the audience to keep up with his extreme headbanging during the song “I Cum Blood,” and I’ve got video of that below you can watch. A few touches like those aside, the show was fairly typical for Cannibal Corpse, and while I’ve seen them play a hell of a lot of times, you could tell by all the X’s I saw on people’s hands that many of those in attendance probably hadn’t seen them before and the aspects of the show I see as becoming a pattern were all new to them. The venue was pretty packed and I saw the guy in the full body chicken suit in the mosh pit (hadn’t seen him around in a couple years!) as well as a guy in a V For Vendetta style Guy Fawkes mask. Yeah, Cannibal Corpse draws an odd crowd. Their set was intense and sweaty and brutal as always, and it was a lot of fun. And I know I’ve seen them play at least 10 times before, but I’ll never get tired of watching Cannibal Corpse play “Hammer Smashed Face” and “Stripped Raped And Strangled” back to back while standing two feet in front of me. Those are two of the most iconic death metal songs ever written and essentially define the band, if not the death metal genre itself.

At this concert I could tell the District is hungry for more metal and several people asked me about my site after seeing the logo on my shirt, all basically saying the city needed something like that. Even the manager of the venue told me he’d be interested in having a regular metal night there. I sure as hell would like to see something like that happen. Even though the bands were crammed on the stage, this was a great show to bring death metal back into the city with. I know a lot of the people there won’t head out to places in the suburbs like Jaxx for concerts a lot due to transportation and other issues. It was another good turn out, reinforcing the fact that heavy metal is on the rise in the entire area, not just the suburbs. It was also my second great death metal concert in a row, what more can you ask for? Now check out the videos I shot of the final three bands below.