Holy Grail ticket give away

Holy Grail

On Thursday the 5th of May 2011 the Red Palace is hosting their second metal concert ever and to celebrate DCHeavyMetal.com is giving away a pair of tickets! The band playing, Holy Grail, is a newer metal band that Holy Grail at the Red Palaceplays in the traditional style of bands from the 70s and 80s. They put out their first full length album, titled Crisis In Utopia, last October on Prostetic Records. The album has been a hit with fans of power metal and thrash and now they’re coming to Washington DC to support it with a headlining concert at the Red Palace. Along with Holy Grail on the tour is Toronto’s Cauldron, also a traditional metal band and a great support act for this gig. There’s local support from the excellent band To The Teeth and this is their first show inside the district so be sure to get there early to see them. To win the pair of tickets to this awesome concert just tell me in the comments below which of the three bands playing you are most excited to see, Holy Grail, Cauldron or To The Teeth. On Monday 2 May 2011 at 6pm EST the contest will close and I’ll pick a winner from the valid entries below at random to win the tickets. Make sure you use a valid email when you enter (does not have to be in the comment itself) so that I can contact you if you win. Don’t worry I won’t put your email address on any annoying spam lists or anything like that, I hate that crap too.

The Red Palace is located in the heart of the burgeoning Atlas Theater district of North East Washington DC on H Street. It was created when the Palace Of Wonders and next door neighbor The Red And The Black knocked down a few walls and merged last year. The upstairs stage area has been expanded and is much improved. You can read my review of the first metal show at the venue here. The address for the Red Palace is 1212 H St NE, Washington DC 20002 (click the address to see it on a map). Tickets to the concert are $8 advance or $10 the day of the show (for those of you who don’t win) and can be purchased online here. It’s ages 18+ with the doors opening at 8pm and the first band at 8:30. There’s only a few days to enter this contest, so don’t wait and help spread the word to any friends you might have that could enter, they could win and give you the extra ticket, right? Now, check out this awesome Holy Grail video for their song My Last Attack as you leave a comment to enter to contest.

DCHeavyMetal.com vs Inverted Umlaut

I was fortunate enough to be asked to guest co-host on the Inverted Umlaut pirate radio show/podcast last night for a special on heavy metal in the Washington DC area. DJ Young Padawan was really cool and let me pick the playlist too, which I’ve posted below. The show plays metal every Monday night from 9pm to 11pm on Radio CPR 97.5 FM on the radio dial if you’re in North West DC, or you can stream it from their website here (just click “listen live” on the right). If you missed the show last night don’t worry, they post every episode as a podcast the next day, and you can download the episode I was on by going here. Thanks to everyone who tuned in, I wish I could have played dozens more bands but I still think I got a good mix in the two hours I had. I tried to keep the playlist current and most of the songs are from the past year or two, some haven’t even been officially released yet. Check out the playlist below and feel free to click any of those bands’ names to find out more info on them, get more music from them, etc… Also, several of them are featured in my free local band downloads, which you can find version 1 here and version 2 here. Keep supporting our scene, there’s some great bands out there that are worth taking the time to check out.

Download the podcast here.

Playlist:

Oak – Saline

Pentagram – 8
Pig Destroyer – Loathsome
Animals As Leaders – CAFO

Deceased – The Traumatic
Loculus – Hacked Apart
Fierce Allegiance – Devil’s Knight
Magrudergrind – Incapacity Reigns/Stagnant/Heaviest Bombing

Balor’s Eye – Pissing Rainbows
Ilsa – Frosthrower
The Neologist – A Dress Rehearsal For A Funeral

Auroboros – Precarious
Division – Short Attention Span Society
Apothys – Venomcrest

King Giant – Burning Regrets
Wrnlrd – Moonlight Ride
Orgy Of The Damned – Feces Fiend
Gravewürm – Brought Before The Altar

Borracho – Concentric Circles
Hatred – Red Death

Wolfsschanze – Peering Through The Looking Glass Of Hatred

Second Wave Of Free Music

It’s been a little while since my last post but I’ve been working on a few things and this is the first one to get finished up. Today is tax day and if you’re like me you’ve waited until the last minute to pay the man, so I figured you all could use some stimulus or at least an early return, so I give you free heavy metal! I’ve scoured the web and talked to local bands to put together this, the second download pack of free music for you readers of DCHeavyMetal.com! It’s got 73 songs by 18 different bands totaling over 5 and a half hours of music. Put it on shuffle or play it straight thru, there’s lots of good stuff here from across the spectrum of metal sub-genres. You can download the zip file with all the songs in it here (wait for the timer to count down then click “regular download”), or you can download the songs only by the bands you want by reading about them below and picking which you want to get. Don’t forget about the Downloads section of DCHeavyMetal.com where you can download the first wave of music that I posted to the site (here). If you like any of these bands give em a “like” on Facebook or follow them on Twitter or go buy some of their merch. Many of them have upcoming concerts in the area soon so check my Upcoming Concerts calendar and be sure to see them live too. Now here’s a run down of the bands in the new download pack:

Absolute Vengeance is a band from the NoVA/DC area that falls somewhere between melodic death metal, thrash and deathcore. They have four songs available as a free download on their Facebook page here, but you’ll have to “like” them first to access that part of their page.
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Apothys is a blackened death metal band from Northern Virginia and they’re pretty great both live and on their studio recorded EP, Advent: Doom. They’re letting me give away the first track off of that release, titled Venomcrest and that can be downloaded here. Killer song, give em a listen and be sure to catch them live some time.
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Auroboros is based out of Arlington, Virginia and features Brian Blickle (he played guitar on the first Baroness album) as well as Rob Moore of Salome. Brian has let me put up five demo tracks he recorded, though he is playing all the instruments and vocals (except the drums) and Rob is not on these recordings. These songs are probably not the final versions of them, but they’re what he’s got to put out for now. You can download the songs here and pay what you want. That means you can get it free or you can give them a few dollars to help them pay for a proper recording too.
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Aurora Borealis is a black metal band from Waldorf, Maryland. They’re pretty good and being really cool by giving away their newest album, Timeline: The Beginning And End Of Everything, and are asking for a donation if you like it. You can download it (and donate some money if you’d like to) here.
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Billows is a doom metal band, formerly known as Old Crow. They are from the DC area and have a three song demo available as a name your price download which is available here. You can get it for free and if you like it I recommend giving them a few bucks to say thanks. They’re pretty good and have been playing a lot around the area lately too so keep an eye out to catch them live.
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Borracho is a sort of stoner/doom band with a bit of sludge and southwestern elements thrown in too. The name is a slang term for a drunkard in Spanish. They pride themselves in their heavy, repetitive riffs and they’re definitely good at writing them. Check out the three songs they’ve made available for free on their website here.
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Cassandra Syndrome is an operatic metal band with a female soprano singer (her name is Irene not Cassandra) and they are from Frederick, Maryland. They also use a Zendrum which is a weird midi based percussion instrument. I don’t generally cover bands out in Frederick but they play the area often enough that they are part of the local metal scene here. They’re kind of goth, kind of fantasy and mythology based, and cover themes of paganism and environmentalism too. They’ve got songs from their demo and their full length both available for free on their website, though I only included the material from the full length in the big download pack because it is newer. The songs from their demo can be downloaded here and the songs from their album are here.
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Deranged Theory is a death/thrash metal band from Northern Virginia. They’re very into things like video games and ancient warfare in the days of the Greeks and Romans. Their lead singer often wears gladiator gear on stage during their live shows. Pretty entertaining and the music is awesome too. They’ve let me post two of their songs as a free download and you can get those here.
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Dragon Wing Begonia is a black metal band from Chantilly, Virginia. They’ve let me put up a two song demo of their material and it’s worth giving a listen. You can download those songs here. They’re pretty young but they’re already decent at putting a song together.
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Gründle Hammer is a death metal band out of Takoma Park, Maryland. I ran into them at the Corpse Fortress and they were handing out demos, which I’ve posted here for you to give a listen to. It’s not studio recordings but a board recording of them playing live so the sound quality isn’t super awesome, but it’ll give you an idea of their sound. You can get it by going here.

The Neologist is a two person band, one living in the DC suburbs of Maryland and the other in the Pittsburgh, Pennsylvania area, but that’s still good enough for me to include here. They’ve put together a 12 track album they’re giving away for free and it’s pretty good. You can download it here.
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An Obscure Signal is a metalcore band based out of Rockville, Maryland. They’re starting to get more attention on the national scene and they’re holding a contest right now for fans to basically make a karaoke video of one of their songs from their debut EP, titled Creations. For the contest they’ve posted an instrumental version of the EP as a free download, which is available here. You can get the details on the contest if you’d like to enter here.
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Permafrost is black metal band from Alexandria, Virginia. These guys are pretty cool, they’re not only giving away their kick ass demo for free, but they’re the only band I’ve ever seen with recommendations (and links) written on the demo’s liner notes on OTHER local bands to check out. That’s really cool, we need more people like them in our area’s metal scene. Anyways, you can download their demo here.
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Prodigium is a deathcore band out of Manassas Virginia. They’ve posted a free song for download on their Facebook page and you can get that here. I don’t know a whole lot else about them, but hey free local metal is still free local metal!
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Sacrum is a sludgy doom band out of Washington DC. They’re really bassy and heavy as hell. They’re giving away their three track demo for free here, get it now and prepare to be crushed.
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To The Teeth is a metal band that’s sort of hard to define, genre wise. They’re definitely metal but they draw their influences from a lot of the different subgenres and it’s not that easy to pin down what they are exactly. They’ve got elements of death, hardcore, thrash and tech death too. Whatever it is they pull it all off rather well and you’d be wise to download their three song demo here.
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Wolfnuke is a blackened thrash metal band from Hagerstown, Maryland. I found out about these guys at one of the Metal Mondays at So Addictive Lounge and they really blew me away. They’re high energy and very polished, and while the songs aren’t super complex, they’re very aggressive and fun to hear. They’ve got some tunes available for free here and I really recommend seeing these guys live too as they really unleash it on stage.
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Yesterday’s Saints is a metal band from Washington DC that plays a very quick paced metal style with clean vocals. They also share a drummer with Loculus, Albert Born, who is also the current drummer in Pentagram. They’ve got a new EP coming out but they have allowed me to post two of the songs from it here as a free download that you can get here.
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Well, that’s it. If you’d like your band to be featured in the next download pack (no idea when that will be posted) then just drop me an email at DCHeavyMetal@Gmail.com. Thanks for checking out some of the bands here in the DC area, we’ve got some great bands!

Review of Agalloch at Sonar

So Monday the 21st of March 2011 saw the Portland based dark metal band Agalloch come to Sonar in Baltimore. They put out an album late last year, Marrow Of The Spirit, that as per their usual won a lot of critical accolades and was put on many best of 2010 album lists. I did like it a lot though I have to say I prefer some of their older material more. Still, it does have some really good songs on it and is another quality album in their back catalog. Agalloch has quite a devoted following and their fans tend to know every song, not just a few ‘hits’ or whatever. This show saw a lot of people in the local metal community come out. It’s always nice to see a strong turn out for underground metal bands. The smaller Talking Head Club stage was used for this concert though it was rather cramped in the room by the time Agalloch hit the stage and they probably could have put this show on the larger main stage.

When I first got to the show some band named Vindensång was playing. They were awful but I missed all but the last few songs of their set so it wasn’t that bad. The next band was Worm Ouroboros, a three piece with Agalloch drummer, Aesop Dekker, and two women playing guitar and bass who also both sing. Aesop has another non-Agalloch side project, named Ludicra, that is pretty good and since I hadn’t heard anything by Worm Ouroboros going into this show I was hoping for something that might be on par with that. Unfortunately, and contrary to what just about everyone else I spoke with about them thought, they were awful. Their sound was very slow, atmospheric and it sorta seemed like a lullaby trying to put me to sleep. That would be OK perhaps if it was the intro song to their set or something, but the music never picked up. The women’s voices were singing very softly and they didn’t seem very in tune with each other at any point where they were both singing simultaneously. There were a couple of times where it seemed the music was starting to pick up, but it was a trick, just more soft and slow music would follow. I realize headliner Agalloch isn’t the most brutal band in the world and their opening acts aren’t going to cover Napalm Death, but this was still a fucking metal concert! When Worm Ouroboros was playing I couldn’t help feeling that I was watching a band on the second stage at the Lilith Fair. I didn’t bother shooting video of them because I didn’t want that on my YouTube page so if you want to check them out you’ll have to do that somewhere else. When they finally finished (and took their Christmas lights with them) much to my bewilderment the audience gave them a great response. Am I some elitist narrow minded prick who only listens to metal, the more extreme the better? Hell no, I listen to a lot more than metal, of various levels of speed and all sorts of moods. This was just bad and made me wonder what everyone else saw in them. Perhaps I should have been drinking more?

I felt like I was waking up out of a coma before Agalloch’s set, so I really hoped they were going to keep it interesting. As if in an effort to wake everyone up, after the taped intro they opened the set with Into The Painted Grey which starts off with one of their faster riffs. They went right into Falling Snow and then played one of their new songs, The Watcher’s Monolith, which just happens to be my favorite on the new album. By this point I was pretty into the show with any thoughts of poor opening acts far from my mind. Agalloch’s very dramatic atmospherics and epic, well polished riffs have always been present in their sound. It’s the details that seem to change the most from album to album. More acoustic guitars used on one, female back up singing on another. They are very good at writing songs that go through a lot of changes in tempo but always seem to feel like they flow perfectly from the highs to the lows and back again. This was even more apparent live where the faster parts had more energy and the grand build ups to those great riffs just seemed more powerful. Their set list was a good mix of tunes spanning their career, three songs from Marrow Of The Spirit, three from Ashes Against The Grain and a song each from their older full lengths and they even played what vocalist John Haughm identified as the fourth song they had ever written, Of Stone, Wind And Pillor. I was hoping they would play my favorite song of theirs, Hallways Of Enchanted Ebony but they didn’t. People were calling out for the band to perform that song’s album, Pale Folklore, in its entirety as an encore but they only played two songs (I have video of the entire encore posted below). The band didn’t seem too cramped on the small stage, at least not from where I was. They used the fog machine a lot and the lighting was pretty low the entire set, and they had members of Worm Ouroboros going around the crowd telling people to stop using the flash on their cameras (that was annoying) but whatever, the songs are good enough that they made this show excellent regardless. I, and the rest of the audience, probably could have stood there and listened to them play their entire back catalog if the band had wanted to. After the set guitarist Don Anderson got on the mic and asked who had stolen one of their three cauldrons from the stage. I have no idea who did, but that’s kinda metal that it had to be asked. Agalloch does not tour a lot out here on the east coast so I’m glad I got the chance to see them as they came through the area. This is a band highly recommended by critics and my opinion is the same, see them live if you have the chance, just get there late to miss the openers. Now, check out my videos of Agalloch at this concert below and feel free to look at the rest of the pics I shot of them that night on my Flickr page here.

Metal Marathon – The Final 3 Days

Well this is the final post in my series covering my 11 metal concerts in 9 straight days, aka my Metal Marathon. Friday I finally got my car back so I could actually drive myself around to shows in my own damn vehicle, what a concept. This was good because the last three days of my Metal Marathon would see me going to four concerts that were each in a different venue.

The first show I was headed to was at Firehouse in Fairfax, Virginia to see a little known band from New York City called Meek Is Murder. Their debut album, Algorithms, wasn’t even out yet and I went into this show with no idea of what to expect of them musically. When I got there apparently none of the bands had arrived yet, so there was a bit of down time before the first act started. They were a local grind/experimental act named Gradius, I suppose after the old video game. They opened their set with an instrumental song I liked a lot. They all seemed to switch off doing back ups but the lead singer of the band was their drummer. He kept making faces the entire set while still pumping out some crazy beats and screaming too. They put on a highly energetic set and I didn’t mind the wait so much by the time they were done. Next up was the touring act Meek Is Murder. These guys were really something! I didn’t know what to expect but they played short songs with outbursts of raw brutality with some dissonant parts tying it all together. They seemed to play several songs all back to back and since I was not familiar with their material at all, it was hard to tell where one song ended and the next began, but that was ok, it worked well that way. There weren’t a lot of people there to see these guys, but it didn’t matter, they put on a killer show. The guitarist/vocalist Mike Keller was running around all over the place and at times I thought he might fall into the drum kit. The set ended a bit abruptly but it was certainly the highlight of the night for me. The next band to play was local grind act Drugs Of Faith. I had seen them play before, but the trio had a new bass player since then. Their set was about the same as I had remembered them, typical grind with a political bent. It wasn’t a bad set, but it was pretty hard to go up after Meek Is Murder that night. They did ask who was going out to the Dropdead show the next night in DC, which of course I already had my ticket for.

Saturday the 12th of March I headed to another venue I hadn’t been to before, St Stephen’s Church in Columbia Heights in Washington, DC. The headliner was the famous 80’s vegetarian power violence band Dropdead. Though I knew who they were the real reason I was there was to see some of the excellent local talent that was opening. Ilsa started the show off with a short but powerful set of their death/doom metal sound. It was a bit odd seeing them on such a big stage, but they pulled off their set really nicely. Their vocalist, Orion, still hardly looked at the audience, instead keeping his back to them most of the show. At least he didn’t puke anywhere this time! I’m pretty sure they played the same set on this night as they had when I saw them at the Corpse Fortress a few nights before (read about that here). The next band to play was Richmond’s Cough. They’re a doom band that really just crushes. They’ve got some very slooow parts that are just heavy as hell and they put on a really fun show too, lots of super slow motion headbanging. Great stuff and you like doom you should really check out their latest album, Ritual Abuse, if you haven’t already. The next band to play was a hardcore act that I was totally unfamiliar with named Wasted Time. They sure got the crowd going nuts instantly and there were big mosh pits and stage divers the rest of the night when they played. They weren’t really my thing though, just seemed like standard hardcore that didn’t stand out to me, but I’m no expert on the genre anyways. Apparently there were a few fights at the show during and/or after their set, and before the next band performed a woman who was helping to run the event told everyone that if people were drinking, doing drugs or fighting that shows would not be allowed to continue at the church. Someone else came up and gave a speech about voting for gay rights in Maryland and then finally DC’s best grindcore act, Magrudergrind, hit the stage! I’ve seen them a few times, including at Maryland Deathfest last year, but this was the best set I’ve ever seen them play live. They were even more energetic than usual and the band seemed like they were trying to outdo the audience at being out of control. Vocalist Avi Kulawy even did a stage dive into the crowd at one point (video of that below), eventually getting thrown back onto the stage just in time to start screaming into the mic again. The intensity was broken up once in a while between songs and Avi would talk about political issues, tho he didn’t make anything sound too preachy. In the end it was a great set and my favorite of the night. Next up was Dropdead, who was pretty entertaining but again, not really my thing. The vocalist was constantly moving about on stage and doing things with the mic cord, simulating hanging himself with it and swinging it around like a helicopter over the audience and other things like that. The songs were high energy and the audience seemed to eat it up, but I ended up leaving early to grab a (non-vegetarian) bite to eat.

Sunday the 13th of March 2011 was the ninth and final day of my Metal Marathon, but I had a double header lined up, and this time the venues weren’t just blocks away like they were on the first day in Richmond. First I was going to see Trap Them and Gaza play at Jaxx. The actual headliner for the show was The Red Chord but I didn’t care about seeing them and was going to see Apocalyptica at the 9:30 Club afterwards. The 9:30 Club had two concerts that day too, so the Apocalyptica show’s doors didn’t open til 10pm and there was also an opener. But I’m getting ahead of myself, first I got to Jaxx to see the new band To The Teeth open the show at Jaxx. I’d been meaning to catch these guys and I’m glad I finally got a chance to. Not really sure how I’d define them exactly, sort of a thrashy hardcore band (but not the chugga chugga breakdown kind) with some death metal elements in there too. They were pretty good for such a new band, I look forward to catching them again and recommend them to anyone reading this. The next band was another local act, this time a grind band named In Hell With Traitors. They had three members, a vocalist, a guitar player with fake blood dripping down his face and the drummer/backup vocalist who was wearing some bloody surgeon scrubs. They were ok for grind, they certainly had their violent outbursts and brutal riffs and all, but in the end they didn’t really stand out a whole lot to me. They were a good opener for this show though, and Gaza was up next. Gaza had been on the schedule as the second to last band but I guess Trap Them was going to play after them. Their singer is a very tall and lanky guy who seemed to pace around the stage like a caged daddy long legs. He had a suit tie wrapped around his head and enjoyed making lots of jokes about Christianity between songs. At one point he jumped off the stage without his microphone and walked around, not in the audience but behind them, while yelling out “there is no future in this” over and over. I’m not sure if that’s how one of their songs is supposed to start or if he was just spazzing out, either way it was something I hadn’t seen before. Gaza was good live, but next was the real reason I came to this show, Trap Them. Their latest album, Darker Handcraft, is just totally awesome and one of the best metal albums I’ve heard so far this year. These guys came out with a fire raging that never left during their entire set. They have some kick ass songs with various levels of brutal, catchy and just plain aggressiveness in each one. They were not easy to watch and just stand there and shoot pictures of. I really wanted to be running around smashing shit during their entire set (the Jaxx staff should be glad I was carrying cameras!). Their vocalist, Ryan McKenney was going nuts the entire show and even climbed one of the amp stacks during the set and continued to bark out vocals from up there. The drummer was getting so pumped he’d actually stand up during parts of songs while still playing and never missing a beat. The tunes were great, the performance was great and the energy was awesome, this was definitely one of the best sets I saw on my entire Metal Marathon. Sometimes you get lucky and catch a band when they’re at their peak both performance wise and with their material, and this was one of those concerts. When they finished I resisted the urge to run down the street kicking trash cans and instead headed out to get some food and then made my way to the 9:30 Club.

I got to the 9:30 Club a bit later than I wanted, but I still found great parking right by the venue and got my photo pass set and went into the show before they started playing. There was a three song limit for the photo passes, which means us ‘pro’ photographers have to be out of the photo pit when the third song is over. That’s kind of annoying but I think I got some great shots anyways. This wasn’t the first time I’d seen Apocalyptica so I had an idea of what to expect, a cello based band that plays metal covers as well as some original material (some with a vocalist, some without) and a few classical pieces as well. This show’s setlist was just that, with the original material focusing on the latest album, 7th Symphony, and a few singles. They had a different guy singing for them now, and there were only three guys playing cellos, they had four when I’d seen them in May of 2008. The band is nothing if not showmen, and they love posing for the audience as well as throwing their hair around like a helicopter, picking their cellos up over their heads and various other things to really get the crowd going. The main thing I’ve always liked about these guys are their covers. They played three by Metallica and two by Sepultura. It was funny how the audience all sang along to Apocalyptica’s version of the Metallica song One yet when they played the next song, Refuse/Resist by Sepultura, everyone seemed to stare blankly, haha. The show was entertaining, even during their original songs, which are the ones I tend to be the least interested in. After getting kicked out of the photo pit I shot several videos (Apocalyptica is one of those cool bands that doesn’t mind fans shooting video of them at the 9:30 Club) and I even shot their entire encore set, which you can see below. The show ended late but it was a great way to end my 11 metal concerts in 9 days Metal Marathon. My car broke down, I hitched rides to other cities, but I still made it to every show! I hope you guys have enjoyed it as much as I have on this adventure, it really was a fun experience not just going to all the concerts, but meeting people and overcoming the shit life throws at you to get to every concert. Perhaps I’ll do another one sometime, but until then you can enjoy these selected videos from the final three days of my Metal Marathon. If you like the photos scattered throughout this entry you can find more of those on my Flickr page, I even made a special set just for the Metal Marathon concerts here and I’ve got a lot more videos on my YouTube page here. I’m a bit behind on my reviews and calendar right now, but keep an eye out for an Agalloch concert review next. Stay metal everyone!

Metal Marathon – Days 4, 5 and 6

Ok, so my Metal Marathon posts are a bit behind, but I’m still going to recap them because the shows I saw during those 9 days were just too damn good. This is my second of three posts covering the 11 concerts and I’m going to recap the metal concerts I went to from Tuesday, March 8th 2011 through Thursday March 10th in this post. Three great shows, especially considering they were all in the middle of the work week.

On Tuesday I borrowed a friend’s car and drove to Silver Spring after work to catch a DIY show at the Corpse Fortress. The touring band was Earthling and they were playing with Baltimore based Revolta and the DC band Spine Buster. There was also a surprise set by Ilsa at the end of the night. Spine Buster had just started their set when I got there, and they were pretty entertaining but Harrisonburg, Virginia’s Earthling came out and just shredded for their entire set. They played what must have been the longest set of the night and it was high energy and just a lot of fun to be there for. I hope they play around here again because they really are worth seeing again. If you don’t believe me check out the thrashtastic video I’ve got of them at the bottom of this post. The video quality sucks visually but the audio is great and it’s a killer song! The next band to play was Revolta, a sort of punkish thrash band from Baltimore. I’d seen them a few weeks before at the Candlehaus with Fatal, though they had another guitarist then. Their set seemed a bit short this time, I think there were outside time constraints going on that were made worse since Ilsa was still yet to play. Ilsa did play a good but short set, I think it was basically a practice for their show coming up on Saturday opening for Dropdead (more on that show in my next post). I’m not sure why, but the band’s vocalist, Orion, started puking all over the floor at the end of the set. You gotta admit that it’s pretty damn metal to be barfing your guts out, mic in hand, while your band plays. I’m really glad that I wasn’t the one who had to clean that mess up! In all the show was a lot of fun and the venue was really laid back, even for a house show, and I got to talk to a lot of great people all night between sets. It was really a fun atmosphere and a great experience for my first show at the Corpse Fortress.

The next show on my list was Rotting Christ and Melechesh on Wednesday the 9th of March at Jaxx. If you go to a lot of metal shows in the DC area you’re going to find yourself at Jaxx sooner or later and fittingly this was the only venue I’d be at twice during my Metal Marathon. Some people complain about various aspects of the venue but at the end of the day, they are the only place in this area that will play any number of international metal bands and if it wasn’t for them I’d surely have seen a lot less of my favorite bands from Europe and even farther away. This night was a perfect example of this fact when the Greek band Rotting Christ headlined a show with Israel’s Melechesh. Two great black metal acts that happen to not be from Scandinavia. The tour also features the Polish black metal act Hate but they weren’t able to make it to this gig, the first show of the tour. When I got there Melechesh was getting ready to play and I quickly secured a spot in the very front. These guys are one of my favorite bands these days and I was really excited to get to see them again. They had played their first US concert ever at last year’s Maryland Deathfest (my extensive recap of that is here) and this night’s show at Jaxx was going to be their second US show. Their set at MDF had been cut short and they had a new album out since then too, so this concert’s set was longer and featured new material too. Simply put, they hit the stage and just killed it. Yeah I’m pretty biased about these guys but even most of the people I talked to afterwards said they also thought Melechesh had put on the better show. Their sound is certainly black metal but with a distinct middle eastern bent and they have some really catchy riffs that really make the sound work. That all said, Rotting Christ didn’t put on a bad show by any means. Their set was heavy with a lot of songs from their latest album, Aealo, which is ok but I think their album previous to that, Theogonia is the best of their 20+ year career. They did play several songs from that too, but the last time I saw them they were touring in support of that album and the setlist was just superior. They didn’t play much of their older material though. I was hoping they’d play some of their classics like Under The Name Of Legion and Sorrowful Farewell but I guess they’re trying to appeal more to their newer fans. I enjoyed the material they did play and combined with the set by Melechesh would say this show was definitely worth the price of admission.

Thursday the 10th of March was the sixth day of my nine day Metal Marathon and since my car was in the shop I found myself in need of a ride to see Atheist play at Sonar in Baltimore. Luckily one of my readers, a really cool guy named James (who I’ve run into at a few shows now after this night) gave me a lift in the pouring rain up to Charm City. This show was a bit of an odd line up. While I was there to see Atheist and catch opening act Revocation, I didn’t care about some of the metalcore opening acts, A Life Once Lost or Last Chance To Reason. This show was the first time I’d seen Revocation and they certainly come from the Galder school of on stage facial expressions. They were making all kinds of faces during their highly energetic set. I’d heard they were a good band live but even so I didn’t expect them to be that entertaining. They also played a cover of the Death classic Pull The Plug which is always a good way to get extra points from me. My only problem with their set was that they weren’t the last support act for Atheist. After they played A Life Once Lost hit the stage. I wasn’t familiar with their material but it seemed to be pretty typical metalcore, which I’m not a fan of and after a couple songs I’d heard enough and found my way to the bar for a beer I’d gladly enjoy out in the hall. After some good conversations out there, I went back in while Atheist was setting up to get right up front for taking some pictures. Atheist is a progressive technical death metal jazz fusion band. Yeah, that’s quite a description but pretty much sums them up. They were around in the late 80s/early 90s Florida death metal scene but broke up in 1994. They reunited in 2006 with guitarist Kelly Shaeffer sticking to just the vocals because he was unable to continue playing guitar due to some medical issues. I saw them play at Jaxx in July of 2009 but this time they had an album of new material, their first in 17 years, and this was the first tour that they’d be playing any of the new songs live. Luckily the new album, Jupiter, kicks ass and fits in with their older songs perfectly. The set was pretty awesome except for two things really, they skipped over Mother Man which was on the setlist, and their final song, Piece Of Time, was totally screwy due to technical difficulties. Those are my two favorite Atheist songs so that kinda sucked, but otherwise the show was great. They have a unique sound that fans of either technical heavy metal or jazz will enjoy, not just people who are fans of both. The band is really tight live and it sure is fun watching them play those kick ass tunes in person. The audience begged for an encore but guitarist Chris Baker came out on stage and said they couldn’t because of the technical difficulties they were having. Sort of a shitty way to end the night but what else could they do?

Well, that’s what I did on days four, five and six of my nine day Metal Marathon. You can read about the Metal Marathon plan here or about the concerts I saw on the first three days here. My next post will be covering the four concerts I went to in the final three days. So stay tuned to hear about my impressions on concerts by Meek Is Murder, Dropdead, Trap Them and Apocalyptica in my next post. Until then you can check out some of the videos I shot over days four, five and six of the Metal Marathon below or go to my YouTube page to see all of them. You can also check out my Flickr set here that has pics I’ve posted from this awesome string of concerts.