Pentagram ticket give away

Pentagram

Pentagram is one of the oldest doom metal bands not only from the DC area but in the history of metal and they’re playing at Empire (formerly Jaxx) in Springfield, Virginia on Saturday, August 3rd! DCHM is psyched to give away a pair of tickets to see these guys rock the stage the night after Black Sabbath plays to be the second half of an old school doom metal weekend. To enter just leave a comment on this post telling me what song you’d like to hear Pentagram play live the most at this show. You can see their discography here if you need some help. At 5pm EST this Friday, July 26th, a winner will be chosen at random (using Random.org) from all valid entries to win the tickets. Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Amped & Alive for $20 here.

Along with Pentagram there will also be a performance by locals A Sound Of Thunder. I have a pretty good feeling they’ll be busting out some of their more Sabbathy stuff for this show and they’ve been known to cover some obscure Black Sabbath tunes too. Sons Of Eddie will be playing Iron Maiden cover songs at this show as well. And you’ll want to get there early to make sure you catch Virgina based Dirt Merchant‘s fuzzy guitars and Despite Charm who are coming down from Baltimore to play. Now check out some of these cool songs by Pentagram and A Sound Of Thunder below and tell me what song you want to hear Pentagram play live!

Review of 13 by Black Sabbath

Band: Black Sabbath
Album: 13
Release Date: 11 June 2013
Label: Vertigo Records (Universal)
Buy From Amazon: Here

Cover of 13 by Black Sabbath

DCHeavyMetal.com focuses on metal in the Washington DC, Baltimore and Virginia area, and usually I only do reviews of albums by bands from inside the area. However, I’d like to break one of my own rules today and post a review of the new Black Sabbath album, 13. They’re my favorite band and metal is about breaking rules anyways, right? So let me dive into Black Sabbath’s first album with Ozzy Osbourne since 1978…

If you’ve ever met me in person you might have noticed that I have O-Z-Z-Y tattooed on my left knuckles, my first tattoo back when I was 18. When Sabbath reunited with Ozzy Osbourne in the late 90s the first show of the US tour was at Nissan Pavilion (now known as Jiffy Lube Live). They had a tent there and people were waiting hours to get tattoos but when they heard I wanted Ozzy on my hand they rushed me right in. The people working the tent were taking pictures and shooting videos of me getting my tattoo, it was a fun experience. I figured if there was ever a day to get Ozzy tattooed on my hand that was it. I used to draw it on there with a ball point pen every day anyways so this saved me money on ink costs. Since it’s a visible tattoo people often ask if I ever regret it and I never have, though it’s funny when people ask if (or just assume that) my name is Ozzy, haha. Anyways, a lot of people have asked for my opinion on the new Black Sabbath album, 13, since I’m such a big Sabbath fan. Is it as good as the classic albums from the 70s?

No. I don’t think it realistically could be. But that doesn’t mean it isn’t a really good album. I think the track order (here) is poor and the better songs tend to be later in the album. I like the first two songs, both of which are over 8 minutes long, but I don’t think they were the best songs to get people into the album. Casual fans of the band, or people just interested in all the hype, may lose interest and not make it past that point. Also, the choice of the slow to build up second track, “God Is Dead?,” as the lead promotional song seems kind of dumb. I think the shorter song “Loner,” which has a catchy riff right from the start, would have been a better choice for drumming up early interest. The song “Zeitgeist” is my least favorite of the album. It’s basically a rehash of “Planet Caravan,” from their 1970 album Paranoid, but far less interesting and just not as good. That said, I think the band really starts to sound good on later tracks like “Age Of Reason” and my (current) favorite song from the album, “Damaged Soul.” The sad riff on “Damaged Soul” along with the use of a harmonica shows Black Sabbath still have their roots in the blues. “Live Forever” is another really solid song that I think should have been the album’s opening track. The closing song of the album, “Dear Father,” discusses the issues with priests hiding crimes by the clergy, though it isn’t as somber as you’d expect due to one of Tony Iommi’s signature heavy riffs.

Ozzy’s voice is heavily processed throughout 13 but that’s pretty typical these days for any older studio vocalist (hell even the younger ones can’t quit their Auto-Tune addictions). Even in the studio he doesn’t have the energy that he used to in his youth but this isn’t a band of 20 somethings anymore, they’re musicians that have been making music for over 40 years now. The Black Sabbath sound has matured and aged with the members and that’s not a bad thing. Tony Iommi’s riffs are as thick and heavy as ever, further proof to everyone that he’s still the Riff Master. Geezer Butler’s bass playing is excellent throughout 13 reminding us all that there is a place for bass guitar when mixing metal albums. As for the drums, well, Rage Against The Machine/Audioslave drummer Brad Wilk is probably the weakest link of the band. He isn’t really an official member but just did session work after contract disputes (thanks Sharon) left original Black Sabbath drummer Bill Ward out of the production of the new album. To put it bluntly, Brad Wilk’s drumming on 13 is just boring. It is so uninspired that they may as well have gotten a drum machine instead. This might not even be his fault though. With the Sabbath guys and producer Rick Ruben all running things in the studio, he was probably just told to keep things simple to have the focus on the three other musicians. This might work for newer fans of the band but to those more familiar with Ward’s work in Sabbath it just makes his absence even more apparent. I really hope that Tommy Clufetos does a better job playing live with Sabbath on tour this year than Wilk did in the studio.

The album closes with the fading sounds of rain, thunder and a church bell that is almost exactly like the intro to the song “Black Sabbath,” the first song on the band’s self titled debut album. But wait, there’s more! Four original bonus tracks not on the regular album can be found in various places. My favorites are the riff filled song “Pariah” and the faster paced “Naïveté In Black”. There’s also a live version of “Dirty Women” that was recorded at a show in Australia in April 2013, suggesting they might be playing the old song on their upcoming tour. Which, by the way, comes to town on Friday, August 2nd at Jiffy Lube Live (details here). In all this isn’t my favorite Black Sabbath album but it is the one we got in 2013 and I’ll be damned if I don’t play the hell out of it. New Sabbath fans might want to start with one of the first five albums, or maybe even the best hits collection We Sold Our Soul For Rock ‘N’ Roll, but long time fans shouldn’t have any gripes about adding this to their Sabbath collection. The most anticipated metal album of the year is here and it is definitely worth the listen.

Feel free to leave a comment telling me what you think of the new album. Did it exceed your expectations or do you think it was just a cash grab? Is it better than the 2009 Heaven And Hell album, The Devil You Know, with Tony, Geezer and vocals by the late Ronnie James Dio? If you think you could have written a better review check out this post and see if you’ve got what it takes to review albums here on DCHeavyMetal.com And of course, be sure to check out a few new songs from the album below that I picked to give you an even better idea of what’s on 13.

Track 6: Live Forever
http://www.youtube.com/watch?v=ppI1nqZxPTQ

Track 3: Loner
http://www.youtube.com/watch?v=2dIaskgOd3Y

Track 7: Damaged Soul
https://www.youtube.com/watch?v=CHe84QZws58

Black Sabbath ticket give away

Black Sabbath at Jiffy Lube Live

The fathers of heavy metal, Black Sabbath, will be coming to our area on Friday, August 2nd, 2013, to perform live at Jiffy Lube Live! Needless to say, that’s a big deal here at DCHeavyMetal.com! Tickets will go on sale this Friday at 10am (here) but we’re so damn excited that we just can’t wait that long to give away a pair to one of you lucky readers of the site. You don’t want to sit on the lawn to watch this sure to be epic show so we’re giving away a pair of seated tickets! To enter just tell me your favorite Ozzy Osbourne-era Black Sabbath song in the comments section at the end of this post. At 7pm EST on Thursday, May 9th, 2013, the contest will close and a winner will be chosen at random (using Random.org) from all valid entries to get the free pair of seated tickets to the show. If I don’t hear from the winner within 24 hours then I’ll randomly pick another person to get the tickets. Be sure to enter with a valid email address you check regularly so I can contact you if you win. Don’t worry, win or lose I won’t add you to any email lists or anything like that, I hate spam too. If you enter more than once then all of your entries will be disqualified. If you need help remembering what Black Sabbath songs Ozzy sang on, click on the following links for the track listings of his each of his albums with the band: Black Sabbath, Paranoid, Master Of Reality, Vol. 4, Sabbath Bloody Sabbath, Sabotage, Technical Ecstasy and Never Say Die!

Black Sabbath released their self titled debut album on Friday the 13th of February 1970 and with it and the albums that followed they laid the foundation that heavy metal and all of its splintering sub-genres are built upon. Ozzy Osbourne was very publicly ejected from the band in the late 70s and aside from a couple of bonus songs at the end of their Reunion live double-album in 1998, they haven’t released any new material with him since. That ends on June 11th when Black Sabbath releases 13, Black Sabbath’s first full length album with Ozzy on vocals since 1978! The master of heavy riffs, Tony Iommi, is still at it on the band’s new track God Is Dead?, which you can listen to below. The support on this tour is being provided by the hard partying Andrew W.K. Now check out the new Sabbath track and a few of my personal favorites as you leave your comment to enter the contest!

http://www.youtube.com/watch?v=j7zwyCNXjKQ

http://www.youtube.com/watch?v=TOXPSSZkFD0

http://www.youtube.com/watch?v=qsJO2gQ5E5Q

http://www.youtube.com/watch?v=kFxj5mybMCo

Pig Destroyer at the Ottobar

On Friday the 19th of October 2012 I headed up to the Ottobar in Baltimore to see Pig Destroyer perform at their album release show. Their new album, Book Burner, is their first full length release in over 5 years and anticipation for the album has been high not only in the DC area, which the band is from, but in the overall world of metal fandom. I missed the opening act, Wargames, though they’re a Baltimore based hardcore band so they’ll probably be playing in the area again soon. Royal Thunder was the first band I saw play. They’re a slow paced hard rock/metal band from Atlanta and while I didn’t think they were all that bad, they were certainly out of place on this bill. The crowd who showed up to see a spastic grindcore band wasn’t really interested in seeing a drowsy southern rock band with clean vocals. Royal Thunder, along with Pig Destroyer, is signed to Relapse. I guess they were just trying to get Royal Thunder more exposure by adding them to this line up but they really sucked the energy out of the place. Luckily the next band, Baltimore natives Necropsy, came to the rescue with their set and got the mosh pits started. They play some catchy death/thrash and they are really fun to watch live. They’re all pretty young, I’m not sure if any of them are over 21, but they are certainly worth checking out if you haven’t seen them yet. They’ll be opening the first day of Maryland Deathfest next May. The next band to play was Washington DC’s own Ilsa. I’ve seen them a ton of times and as always they brought the heavy, chugging riffage doused in crusty filth. They started their performance off by throwing stripper glitter on the people standing close to the stage and I have to say that was rather unexpected. Just when you think you’ve seen it all at a metal concert… Anyways, Ilsa was in really good form, mostly playing songs from their upcoming album Intoxicantations which is due out on Black Friday (Nov 23rd) from A389 Records. I’ve got the set list posted here if you’d like to see it. They didn’t play the song Frostthrower, a personal favorite of mine, but it didn’t matter, they’ve got a lot of great songs and you could tell the audience agreed. They were loving the weight of the band’s sound and I’m sure Ilsa won some new fans with their performance.

After Ilsa’s killer set it was time for Pig Destroyer. They don’t play a lot of shows in the area and there was a good sized crowd out for this rare appearance by the local grindcore legends. Vocalist JR Hayes (who I recently interviewed here) was rather jovial between songs then like a light switch he would just turn on his pent up rage and funnel it through his throat. He was like a caged wild animal suddenly set free into the confusing world with his microphone as his only weapon. Guitarist Scott Hull stayed pretty cool on the left side of the stage, grinding out his bizarrely unique riffs as the songs jarringly started and stopped. This was the first time I had seen Pig Destroyer with with their new drummer, Adam Jarvis (also of Misery Index) and apparently it was his birthday as well. Even after taking birthday whiskey shots on stage he still ripped through those crazy Pig Destroyer songs with total precision. The band doesn’t have a bass player but they do have Blake Harrison who basically “plays” some sort of DJ console making noises and adding clips and samples to their songs. Since a lot of what Blake does is basically prerecorded he spends a lot of time on stage essentially acting as a hype man by helping pump up the crowd and keep them into the show. There were also a few guest appearances during the set. Kat Katz (vocalist for the now defunct DC doom band Salome) performed vox on a few songs and the Grindfather, aka Richard Johnson of Drugs Of Faith, did some guest vocals as well. Pig Destroyer’s set list didn’t include a whole lot from the new album though they did play a cover of a Void song. You can see their full set list here. Overall it was a great performance by one of DC’s biggest bands and it was awesome to see them in a local venue. During Pig Destroyer’s set I was up front trying to get some photos and videos and, unsurprisingly, the crowd was wild, hyper and just violent overall. I’m lucky I didn’t damage my camera but I think it was worth it to get some straight on, close up shots from this rare show. The videos are all the way at the end, I hope you enjoy them. Until next time, stay metal everyone and support the scene you’re a part of!

Royal Thunder:

Mlny Parsonz of Royal Thunder

Royal Thunder at the Ottobar

Necropsy:

Tyler Carnes of Necropsy

Travis Stone of Necropsy

Necropsy at the Ottobar

Sebastian Phillips of Necropsy

Sebastian Phillips of Necropsy

Ilsa:

Ilsa at the Ottobar

Ilsa at the Ottobar

Ilsa at the Ottobar

Garrett of Ilsa

Ilsa at the Ottobar

Orion of Ilsa

Pig Destroyer:

Scott Hull of Pig Destroyer

Pig Destroyer at the Ottobar

J.R. Hayes of Pig Destroyer

Pig Destroyer at the Ottobar

Pig Destroyer at the Ottobar

Scott Hull of Pig Destroyer

J.R. Hayes of Pig Destroyer

Win A King Giant Prize Pack

As Halloween draws closer there’s still more treats to give out to you readers of DCHeavyMetal.com! The local southern metal band King Giant has a show on Saturday, November 3rd, 2012 at Empire (formerly Jaxx) in Springfield, Virginia, their first area appearance since back in January. To mark this occasion I’m going to give one of you a free pair of tickets to this show! However I really want to stuff you pillowcase this time so in addition to the tickets the winner will also get this show’s limited edition concert poster with artwork by Laurie Lipton (seen at right) signed by the entire band. But wait, there’s more! The winner will also get both a sticker and a t-shirt featuring the new King Giant torch artwork by Jess Zadlo (seen below)! To enter just tell me what your favorite zombie movie of all time is by leaving a comment on the bottom of this post. The winner of this awesome prize pack will be chosen at 5pm EST on Halloween (that’s Oct 31st) at random (using Random.org) from all valid entries. If I don’t hear from you in 24 hours then I’ll pick another winner to get the tickets so be sure to use an email address you check regularly so you’ll be able to claim your prize. Don’t worry, I won’t add you to any email lists or anything like that, I hate spam too. If you enter more than once then all of your entries will be disqualified. And if you cannot make it to the show please don’t enter because the prizes will be awarded at the show. If you simply can’t wait to find out if you have won or not, or the contest is already over, you can buy tickets to the show for $10 from Amped & Alive here. The posters, stickers and shirts will all be available at the merch booth at the show as well.

Due to an injury in the band King Giant didn’t play for a while but now they have risen again and they are ready to eat your brains rock out on stage once more! They always put on a great show so you won’t want to miss this. Also playing this show will be Philadelphia’s Kingsnake, another southern styled metal band who should be a perfect support band for this show. The show will be opened by Richmond’s Fire Faithful. They might not be kings but you can consider them your ace up the sleeve to get the beer and whiskey drinking started right. Be sure to check out this zombie infested music video for King Giant’s song Appomattox while you think of your answer (things like Frankenstein, Evil Dead and I Am Legend all count. I’ll even accept the Walking Dead!). Good luck everyone, and happy halloween from DCHeavyMetal.com!

Down at the Fillmore Silver Spring

On Sunday, September 30th of 2012 the New Orleans based southern/stoner metal band Down played the Fillmore Silver Spring. Also on the bill was the doom metal band Pentagram, the Texas based thrash metal band Warbeast and a blues rock band from Ohio called Mount Carmel. I had just seen a great doom and stoner concert with Saint Vitus and Weedeater at the Black Cat three nights before (read that concert’s review here), so would this show live up to it?

The first band to play was Mount Carmel, however I only caught about one of their songs. They did make an appearance on stage later in the night but I’ll get to that later. They’re really more of a throwback bluesy rock band and since this is a metal site I’m not too upset I didn’t catch enough to review them. The second band of the night was the heavy thrash band Warbeast. They’re from Texas and feature members of the old school Texas thrash bands Gammacide and Rigor Mortis. Warbeast seemed to get a good response from the crowd with their catchy riffs and flashy showmanship but they didn’t really do anything I hadn’t heard from a thrash band a dozen times before. The highlight of their set was when Down’s vocalist Phil Anselmo came out to do guest vocals on a song with them (my video of that is posted below). You could tell Phil was really trying to get the audience into Warbeast which makes sense because they’re on his record label, Housecore Records. Warbeast played a lot of material off of a yet to be released full length which was cool for their fans. Overall I thought they were a decent opener but as far as thrash goes they were pretty typical and generic. They just didn’t stack up to the Vektor show I had seen two weeks earlier (my review of that concert is here) and while their energy got the crowd pumped up they just didn’t seem to fit in with the other slower paced bands on the bill that night. The next band to play was the legendary doom metal band Pentagram who were originally based in Washington DC. It was announced (here) the day of the show that this would be guitarist Victor Griffin’s final US concert with the band as he will be leaving them, again, after their upcoming European tour to work on his other projects. While offstage the band’s vocalist and founder Bobby Liebling comes across as a man whose years of hard drug use have left him rather frail and weathered he showed that when he gets on stage he’s still got it. Like most of the older legends of the doom metal scene he knows heavy, depressed and weary, but he also has a quirky side that isn’t afraid to laugh at himself. If you had any doubts about this going in they were instantly dashed when Bobby dropped trou on stage to reveal some skin tight pants covered in eyeballs of various sizes. While I had a photo pass for the band’s first three songs he did this afterwards so I have no photos of said pants, although I have posted video footage you’ve got to see to believe of him wearing them below. The band really was in great form and played a lot of their older classics as well as a few from their latest album, 2011’s Last Rites. The biggest problem was due to no fault of their own as the microphone had technical issues throughout their set. It got so bad that Phil Anselmo walked out on stage and started yelling at the sound guy to get things fixed! Regardless Pentagram played their asses off and really showed that after all these years their material still holds up, their sound is still heavy and they’ve still got it live! Bobby walked around on stage like he owned the damn place and Victor, cool as ever, cranked out those classic riffs and even did some back up vocals on some songs. Had the show ended after Pentagram played it would still have been a great concert but next up was the headlining act, Down.

Down is a stoner band with a strong southern metal bent from New Orleans. They are often referred to as a “super group” since the band’s line up includes such notable musicians as Pepper Keenan of Corrosion Of Conformity, Kirk Windstein of Crowbar, Jimmy Bower of Eyehategod (on drums no less!) and Phil Anselmo of Pantera. Since the members have so many other band commitments Down doesn’t tour very regularly so when you hear they’re coming to town you should probably get off your ass and go because who knows when they’ll be back. That said, if you missed the show the band just released Down IV Part I: The Purple EP so perhaps a part two will be coming soon and Down be touring again in no time. Down started their set off with their song Eyes Of The South and followed it up with their latest single, Witchtripper. The song was just released twelve days prior to the show but already most of the audience seemed to know the words! Down’s frontman Phil Anselmo really had the crowd in his palm throughout the show and while the stage at the Fillmore isn’t small he had a presence that still seemed confined by it. His voice was cracking and going hoarse throughout the night plus he had more of the same microphone problems that plagued Pentagram’s set as well, but none of it seemed to matter much to the enthralled audience. At one point Phil pulled a teenager out of the audience and brought him on stage to headbang with him for half a song. Not because the guy paid extra for a special VIP ticket or was somehow friends with a band member, but just because Phil thought he was so damn metal looking! I actually have some video footage of that so if anyone knows the guy tell him to get in contact with me. Let’s not forget the dual guitarists of Down, Kirk Windstein and Pepper Keenan. The guys have a great chemistry on stage and even though Phil commands a lot of stage presence, and thus attention, Kirk and Pepper reminded everyone that this wasn’t just Phil’s band. Their solos were on point, their timing and exchanges precise and more than anything, you could just tell they were having fun performing for everyone. Down’s sound owes a lot to those dirty southern riffs they cook up and while there were vocal issues throughout their set the guitars were excellent all night. The band walked off stage for the pre-planned encore and came back to play three more songs. Hail The Leaf saw people openly smoking joints in the mosh pit but when Stone The Crow’s instantly recognizable opening riff started people really went wild with the moshing and crowd surfing. Finally Down played the song people had been requesting all night, Bury Me In Smoke, to close the night. They didn’t just play it though, they actually played a 10 minute plus version with members of Mount Carmel and Pentagram coming out to the point that I’m not even sure if any members of Down were playing any instruments by the end of the song! Of course there’s video footage of that below as well. Overall the show was a great performance by a great band that had the crowd moshing, singing along and just rocking out to some great music. Thanks for reading my review and be sure to check out all the photos and videos I’ve posted below. There are more great metal shows coming to the area (calendar here) so get out to some of them and support the scene you’re a part of!

Warbeast:

Pentagram:

Down: