Black Voices – Dré

On Tuesday June 2nd, I, like many others, posted a black square to my Instagram with the #BlackOutTuesday hashtag. Almost immediately I realized that this was not nearly doing enough and that if I truly feel Black Lives Matter then I have to do something more. I figure something I do have is my modest platform here at DC Heavy Metal. With that in mind I started reaching out to some of my black friends to ask them if they’d like to make a guest post on DCHM. I told them they can write something, make a video or audio recording, share links, literature, whatever. The subject matter of each post is entirely up to them, it does not have to be related to metal or even the DMV area. This is the first of this series of posts I’m calling Black Voices and I hope you take the time to listen to them. You can find all the posts in this series using the Black Voices tag here.

This first post is by a friend of mine named Dré who I met several years ago through our local metal scene. Even before COVID came he’d stopped going to metal shows and in the below video he talks about why that is. There’s a lot to be learned about what we as a community can do better here. Enough from me, watch Dré’s video below and feel free to read the transcription below that if you’d like to as well.

Hey Chris this is Dré. So I’ll try to be just like brief on why, so the video is basically about why I stopped going from metal shows in the DMV, and just metal shows in general, to going strictly to electronic dance music shows.

The main reason I moved away from that was because of the fan base in metal. Now I love metal. Metal will always be a part of my heart. I listen to it everyday. I was grateful enough to be [given] the opportunity this year to go to 70,000 Tons Of Metal and to be their pool boy and to be a model for them and I’ve always wanted to go to 70k so I was so super happy. I had a great time. I saw most of my favorite bands on the boat and it was amazing but the main reason I went from going to metal shows to EDM shows is because [of] the fan base. I never felt so loved and accepting of a community in EDM than I did in metal. In metal there’s a lot of amazing people in that genre of music and I’m grateful that a lot of those guys are still my friends but the metal community is just judgemental assholes. I was tired of going day to day like going to shows trying to prove my metal credibility. I had to quote Slayer albums, I had to quote song lyrics from bands I’ve seen and I would not get the same amount of lovingness and care that I would get from in electronic dance music. I was getting into fights in metal over just dumb shit and it was mainly because people were just being assholes. People, I don’t know if they had a bad day or just their cat died or something like that but a lot of them were just really mean to me.

Then being a black man I had to prove to them, I had to prove my metal credibility in order for me to go to these shows. Like “oh, do you even know this band?” “What’s you’re favorite subgenre of black metal?” Like why the fuck would I need to go and answer that when I’m just trying to go hang out with my friends and listen to some good music? But when I go to EDM, electronic dance music shows, I feel so loved and so happy being there. These people will, they will do stuff do stuff for you and they won’t even know you. When I lost my wallet at an electronic dance music show this lady gave me $200 just for me to go home. I didn’t need the $200. I didn’t even tell her that I couldn’t be able to go home but she insisted that I take this money to make sure that she was good. Of course I didn’t take it but that’s just how the community over there is and I fell in love with it and when I got older I got pissed off at metal shows and metal fans because a lot of them were just obnoxious. Make you, a lot of them make you feel that you weren’t supposed to be part of it, at least for me. And I’m not saying that race was a big part of it but it was definitely part of it. When I went to West Virginia at shows I would get called the N word and I just grew tired of it. Especially with the DMV I just hated the metal scene and the community over there. There was drama happening every single day and I was just tired of it. Hardly had any drama in EDM.

So the main reason why I didn’t want to go to metal shows any more is because of the fan base. Unless the fan base changes then I’m not going to go. Unless the band is amazing and I need to see them or I get personally invited out from the organizer or if I know a friend who’s playing in the band I most likely, probably won’t go to metal shows mostly any more. It sucks but at the end of the day I feel much more loved and respected in the electronic dance community versus the metal community and it breaks my heart because I love metal but unless the people change then I’m not going to change my stance on it. So I know I traded in my Darkthrone shirt for candy and glow sticks but the people that have the candy and glow sticks are much better to me than the metal community. So, I’m just like, I mean… yeah.

Bandcamp event recommendations

On Friday, May 1st, Bandcamp has decided to not take their cut from all sales of music and merch on their platform in an effort to help support the many bands that are struggling right now due to coronavirus shut downs. Bands can’t tour nor can’t properly record so there’s been a big financial slow down for them, and many of them bought lots of merch to sell on tours and at festivals that just aren’t happening now. Anything you buy on Bandcamp will go straight to the artists without Bandcamp’s usual cut so if you’ve been meaning to buy something from a band, go ahead and do it May 1st. I’ve put together this lengthy list of suggestions completely made up of new material from around the world, country and even locals too, for those of you looking for some great new tunes to buy on Friday (or whenever really).

UlcerateStare Into Death And Be Still
Tech death from New Zealand

GlooshTimewheel
Atmospheric black metal from Siberia

Yuri GagarinThe Outskirts of Reality
Instrumental stoner metal from Sweden

Creative WasteCondemned
Grindcore from Saudi Arabia

Oranssi PazuzuMestarin kynsi
Psychedelic black metal from Finland

Black CurseEndless Wound
Death metal from Denver featuring members of Spectral Voice, Khemmis and Blood Incantation

Borracho with Jake Starr EP
Stoner metal from DC

Seasick GladiatorThe Hanged Man
Instrumental stoner/doom from Washington DC

dirt eaterStorm King Mountain
Stoner/sludge metal from Northern Virginia

ImmiserationAlienation of Humanity
Death metal from Baltimore

Ripped To ShredsLuan
Death metal from San Jose

Reeking AuraBeneath the Canopy of Compost
Death metal from NY/NJ

Live BurialUnending Futility (Name Your Price)
Death/thrash from England

UltharProvidence Pre-Order
Black/death metal from the Bay Area

WakeDevouring Ruin
Crusty black/death from Calgary

Internal RotGrieving Birth
Grindcore from Australia

WvrmColony Collapse
Grindcore from South Carolina

CalligramThe Eye Is The First Circle
Crusty black metal from London

Spectral Lore & Mare Cognitum split Wanderers: Astrology of the Nine
Black metal from Greece & Oregon, respectively

Путь (Pathway) – Холодная весна (Cold Spring) (Name Your Price)
Black metal with an accordian from Russia
This song was written about, and recorded during, COVID quarantine

VelniasScion of Aether
Cascadian style black metal from Colorado

erranterrant
Black/post metal solo debut from Rae Amitay, vocalist of Immortal Bird

Behold The ArctopusHapeleptic Overtrove Pre-Order
Instrumental tech/prog from New York City

Rotting KingdomA Deeper Shade Of Sorrow
Death/doom from Kentucky

Paradise LostObsidian Pre-Order
Gothic doom metal from Halifax, England

KhemmisDoomed Heavy Metal
2 covers, 1 original and 3 live tracks recorded Dec 28/29 of 2018 at Larimer Lounge in Denver
Doom metal from Denver

Inter ArmaLive at Club Congress (Name Your Price)
Recorded on 8/24/17 in Tuscon, Arizona
Post metal from Richmond

Orange GoblinRough & Ready, Live & Loud
Captured live at various shows between 2016 and 2019
Stoner doom metal from London

PelicanLive at the Grog Shop
Recorded 9/15/19 in Cleveland
Instrumental post-metal from Chicago

PanopticonLive Migration Pre-Order
Recorded 7/29/18 at Migration Fest in Pittsburgh
Appalachian black metal from Minnesota

Last but not least DC’s own No/Más is re-posting their debut EP for this one day only, then they’re taking it back down so if you want it get it on Friday! Details from the band here.

Heavy Metal Zoom Backgrounds

I’ve struggled with things to write about on DCHM lately. The concert calendar is basically a big page of NO right now, and things I had planned on doing, like upcoming ticket give aways and interviews, have all been put on hold indefinitely. I’m still working full time though, and in my spare time I, like I’m sure many of you, have been joining some Zoom calls to talk with friends, have virtual happy hours and just stay in contact with people I can’t be around. I like how you can set your own custom virtual backgrounds in Zoom. I made a few “metal” backgrounds that you can right click and save and then set as your background in Zoom if you’d like. Hopefully you enjoy using some of them and if you’ve got other suggestions let me know and I’ll see what I can do (obviously rectangular backgrounds look better than things like square album covers). I plan on posting more here so check back in the future for new backgrounds!

Black Sabbath s/t album cover by Marcus Keef

Morbid Angel – Altars of Madness album cover detail by Dan Seagrave

Helvete basement black metal graffiti

Sleep – Dopesmoker album cover Southern Lord reissue by Arik Roper

Pig Destroyer – Book Burner album cover by Chris Taylor

Bolt Thrower – War Master album cover by Pete Knifton

Bell Witch – Mirror Reaper album cover by Mariusz Lewandowski

Mayhem graffiti bench

Obituary – Cause of Death album cover by Michael Whelan

Demolition Hammer – Epidemic of Violence album cover by Michael Whelan

Candlemass – Nightfall album cover by Thomas Cole

Generic fire background This is fine.

Megadeth – Peace Sells… But Who’s Buying? album cover by Ed Repka

Iron Maiden – Seventh Son of a Seventh Son album cover by Derek Riggs

Blood Incantation – Interdimensional Extinction album cover by Bruce Pennington

Minor Threat – Salad Days cover Not really metal but I thought it would be fun.

Dragged Into Sunlight – Hatred For Mankind album cover by Justin Bartlett

Kyuss – Welcome To Sky Valley album cover by Alex Solca

Opeth – Morningrise album cover by Tuija Lindström

Black Sabbath Heaven And Hell album cover by Lynn Curlee

Death – Scream Bloody Gore album cover by Ed Repka

Cancellations due to COVID-19

I figured I’d put a post together with updates on all the postponements, cancellations, and non-cancellations, in our area due to concerns about the COVID-19 coronavirus. I’ll try to keep this as up to date as possible as I get more info about various metal shows in the area.

On March 11th DC’s Mayor Bowser declared a state of emergency and advised that “mass gatherings” (events with more than 1,000 people in attendance) be cancelled by organizers, but it is not mandatory. You can get more info on that here.

Later the same day IMP posted (here) that they will be closing all of the venues they operate through April 1st. This includes the 9:30 Club, The Anthem, U Street Music Hall and the Lincoln Theatre.

Also on the 11th, Italian symphonic death metal band Fleshgod Apocalypse postponed their entire US tour, including their date at Baltimore Soundstage on 3/20. You can read their statement here.

On March 12th Maryland’s Governor Larry Hogan said in a press conference (here) all events with more than 250 people in attendance must be postponed or cancelled. This presumably cancels the upcoming metal shows at the Fillmore Silver Spring, including Overkill on 3/13 and Killswitch Engage on 3/14. I’m still waiting on an official statement my the Fillmore Silver Spring but I’ll update this post with that here when I see it. This also presumably cancels upcoming shows at Baltimore Soundstage, including Thy Art Is Murder on 3/13, and again I’m waiting for a statement from the venue to confirm status. UPDATE: My contact at the Fillmore Silver Spring emailed me to let me know that all shows there through March 31st are postponed. This includes the metal shows Overkill on 3/13, Killswitch Engage on 3/14 and In This Moment on 3/31. UPDATE 2: Baltimore Soundstage has posted that they will not be open for their shows this weekend, which includes the Thy Art Is Murder show. Read their statement here.

Rams Head Live was supposed to host Devin Townsend on 3/16 but Heavy Devy had already canceled his tour (statement here) before Larry Hogan’s order.

The St Thrashrick’s Fest, headlined by Lich King, was supposed to be at Angel’s Rock Bar in Powerplant in Baltimore, but it was moved to the Depot and now finally it has been cancelled. You can read the promoter’s statement about the cancellation here.

On March 13th we started seeing many tours get cancelled, especially those with foreign bands. Devastation On The Nation tour with Rotting Christ and Borknagar, scheduled to be at the Ottobar on 4/5, has been postponed. That tour is planning to reschedule for 2021 at the same venues with the same bands and you can read the statement about that by the tour promoters here.

Sepultura and Sacred Reich have postponed their tour, including their date on 4/8 at Baltimore Soundstage. You can read the statement from Sepultura about it here.

Insomnium and Omnium Gatherum cancelled their tour, despite already being in the US, and this includes their date at Fish Head Cantina on 4/18. The bands seem to be hit quite hard financially because of this and you can read their statement here.

The Rotting Kingdom show at Metro Gallery on 3/29 has been cancelled, however at the time of this writing the tour still seems to be happening, including their date at Atlas Brew Works on 4/1. You can read the statement by the promoter of the Baltimore show here.

Deafheaven has postponed their entire tour, including their 4/6 show at the 9:30 Club. You can read Deafheaven’s statement here.

After the DC Department of Health updated their recommendation to Mayor Bowser, she has now banned all events with 250 or more people in the District (more info here). This falls in line with similar bans in the states of Virginia and Maryland. So basically, the DMV will have no concerts or other events with more than 250 people in attendance in any kind of foreseeable future.

Due to the new ban the Black Cat has announced they will be closed until March 31st and you can read that statement here.

On March 14th Kayo Dot cancelled the remainder of their tour, including their show at VFW Post 9274 in Falls Church on 3/18. You can read the band’s statement here.

On March 15th Ripping Headaches Promotions cancelled their three area DIY shows in March, which are High Command at Atlas Brewery on 3/20, Midnight at Metro Gallery at 3/24 and Morpheus Descends at Atlas Brewery on 3/27. You can read their statement about these shows here.

Perdition Booking cancelled the upcoming Rippikoulu and Chthe’ilist show at the Metro Gallery on 4/9. You can read Metro Gallery’s statement about that here.

DC’s Mayor Bowser has closed all nightclubs and put restrictions on all restaurants and bars in the District. Details on that here.

On May 22nd Rams Head Live in Baltimore posted (here) that all their upcoming events through the end of May will be postponed. This presumably includes Maryland Deathfest, which is scheduled to take place May 21st thru May 24th at both Rams Head Live and Baltimore Soundstage. However, at this time I have yet to see anything official by either MDF nor BSS claiming the entire fest has been postponed.

I’m doing my best to keep up with all the cancellations and postponements but if you hear about one that I haven’t updated on the calendar or here yet, feel free to email me at DCHeavyMetal@Gmail.com

Napalm Death ticket give away

Napalm Death at the Black Cat

Napalm Death are one of the fathers of grindcore and they’ll be returning to Washington DC when they play the Black Cat on Sunday, May 3rd, 2020! We’re so excited for this show that we’re going to give away a free pair of tickets to one of our lucky readers. To enter: just leave a comment on this post telling me which of Napalm Death’s 15 albums is your favorite (if you need help remembering them all you can see their discography here). The contest will close at 5pm Eastern this Friday, February 7th. At that time the winner will be selected from all valid entries using Random.org to receive the pair of tickets to the Napalm Death show at the Black Cat. Be sure to use a valid email you check regularly when you enter so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If the selected winner hasn’t written me back within 24 hours another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Eventbrite here.

Napalm Death formed in the early 80’s in Birmingham, England, and helped create the genre of grindcore with their 1987 debut album Scum. Usually older bands in extreme metal have trouble keeping up as they age but not Napalm Death. They still defy expectations by releasing solid studio albums and putting on killer high energy live shows as well. Also playing will be the Belgian death metal band Aborted and Brooklyn based hardcore infused post-metal band Tombs. Do not sleep on South Carolina based death/grind band Wvrm, these guys shred and will be opening the show. Now check out these tunes below by all of the bands on the bill and leave a comment telling me which is your favorite Napalm Death album!

Napalm Death – Smash A Single Digit

Aborted – Deep Red

Tombs – The Dark Rift

Wvrm – My Fucking Dixie (The New South)

Metal Chris’ Favorite Doom and Stoner Albums of 2019

I already made lists of my favorite black metal albums (here) and death metal albums (here) of 2019 but with this post we’re going to slow it down with my favorite doom and stoner releases of the year. I use the genre labels pretty loosely here so don’t get too nitpicky and just chill with some of the best slower jams metal had to offer in 2019. They’re not ranked so I just put them in the order of release date. I hope you enjoy my picks and find some new favorites.

Waste Of Space OrchestraSyntheosis
Released April 5, 2019 by Svart Records
Waste Of Space Orchestra is a band made up of the members of two bands from Finland, Oranssi Pazuzu and Dark Buddha Rising. Not just a few members, it’s the full roster of both bands combined, including both drummers. The resulting album is something quite unique featuring elements of both bands, Oranssi Pazuzu leans toward black metal while Dark Buddha Rising is rooted more in doom metal, with everything wrapped up in heavy amounts of that spacey vibe they both incorporate.

Sunn O)))Life Metal
Released April 26, 2019 by Southern Lord Recordings
The band Earth created the drone genre but Sunn O))) took it to another level. The duo released two albums in 2019 after 3 years without a studio release, but Life Metal is the better of the two. This extremely slow music that is meant to be played at very high volumes is not for everyone. If you’re looking for riffs there are none. There’s no drums either. The music is more about tone, textures and moods and on this release Sunn O))) shows they’re still the best drone band around.

DuelValley of Shadows
Self-released May 17, 2019
The Sword may have gone on indefinite hiatus but fellow Austin, Texas, natives Duel are clearly trying to fill that void. Valley of Shadows is packed with infectious riffs and catchy vocal lines making it quite hard to pick a single song as a favorite, it’s really that good. This album was self released and digital only, but should be on any stoner metal fan’s radar.

PelicanNighttime Stories
Released June 7, 2019 by Southern Lord Recordings
Chicago based instrumental band Pelican is a bit of an odd ball on this list, they’re not really stoner nor doom but their first release in 6 years is so strong I had to find a way to include it. Sometimes labeled post-metal, I’m not sold on that take either. Regardless, the band has returned with some of the best songwriting of their career, really tightening up their sound. I just hope the next full length isn’t another six years away.

BeastwarsIV
Self-released June 28, 2019
Recorded in 10 days starting just a week after Beastwars vocalist Matt Hyde finished chemotherapy treatment, this album has a pain and darkness to it that you just can’t fake. The song “Storms of Mars” is a powerful example of the New Zealand based band’s dark sludgey sound as you hear a powerless man begging for just ten more years so he can watch his child grow up. This was obviously a therapeutic album for a band that was recording in the middle of a healing process, as part of that very process, and it makes IV something really special.

LowFlyingHawksAnxious Ghosts
Released June 28, 2019 by Magnetic Eye Records
This short release covers a lot of ground in just 5 songs. There are slow spacey stoner soundscapes that give way to more straight forward sludge grooves. LowFlyingHawk’s rhythm section includes Dale Crover of the Melvins behind the kit and Trevor Dunn of Mr. Bungle on bass but it’s the seamless transitions of styles that have kept my attention on this release.

Plague Of CarcosaOcean Is More Ancient Than The Mountains
Released July 19, 2019 by Sludgelord Records
Plague of Carcosa is another instrumental band from Chicago on this list but their sound is more akin to heavyweights like Bongripper and Conan but with an added Lovecraftian spookiness underneath it all. This release is short but the two songs are long, haunting and crushingly heavy.

WaingroIII
Self-released August 16, 2019
Vancouver based Waingro have put out something fun with their third full length. They play a high energy style of crunchy stoner metal but with a singer that does a hardcore style shouted vocal delivery. I know that isn’t something everyone is going to love but it actually fits the band’s sound well.

MonolordNo Comfort
Released September 20, 2019 by Relapse Records
From Gothenburg, Sweden, Monolord play nothing akin to the melodic death metal the city is famous for. Pallbearer changed the game with their debut release Sorrow and Extinction in 2012 and a wave of doom metal bands with clean vocals popped up around the world, including Monolord. Where Pallbearer has moved further away from doom with every release Monolord has stayed the course and instead of rehashing they have evolved the sound even further. They have managed to make an incredible album here with memorable riffs (that riff at about 3 minutes into “Last Leaf” may be the best on this entire list) but are also able to slow it way down into the doldrums that modern doom is known for.

Holy SerpentEndless
Released October 18, 2019 by RidingEasy Records
Australian band Holy Serpent put out a really solid slab of stoner/doom metal with Endless. The catchy, thundering riffs on these jams make the release very accessible to any fan of the genre. Dissonant vocals contrast well with the guitar tone creating a sound that is both fun and quite chill at the same time.

EsotericA Pyrrhic Existence
Released November 8, 2019 by Season of Mist
Esoteric has long been my favorite funeral doom metal band and their first release in 8 years did not change that opinion. The Birmingham, England, based band has put out an impressive amount of beautiful yet grindingly slow and heavy material since the mid-90s with no concern for commercial appeal. Case in point, A Pyrrhic Existence starts off with a 27+ minute long dirge that, while not particularly marketable on the radio, shows the band building up tension to a crescendo masterfully.

SpaceslugReign of the Orion
Released December 6, 2019 by BSFD Records
I’ve really been diving into the world of Eastern European stoner bands the past couple years and Polish band Spaceslug, along with contemporaries like The Re-Stoned, Somali Yacht Club, Bantha Rider and Stoned Jesus, have been proving the area has some of the best bands in the genre today. As you might expect from the title, Reign of the Orion is full of spaced out tunes to help you float away to distant nebulae in your mind’s eye.