Concert Reviews | DCHeavyMetal.com

Metal Marathon – The First 3 Days

Well it’s Tuesday the 8th as I write this, and I’ve been to four metal shows in the last three days. I saw two metal fests in Richmond on Saturday, the Virginia Extreme Metal Festival at the Canal Club and A Rockin Massacre at Alley Katz, both are just blocks away and I walked back and forth between them all day. Sunday I headed up to Bourbon Street to see Cradle Of Filth and Monday night I was at the Metal Mondays/La Noche De Metal weekly metal spotlight at So Addictive Lounge in Herndon, Virginia. With seven more concerts in the next six days (starting tonight!), I just don’t have the time now to do full reviews of these shows, but here’s some highlights of my metal adventures the past three days.

As I mentioned in my last post, my car is not sounding good and Monday morning I brought it to the mechanic for what is going to be at least a few days worth of work (ugh!). Because it has been sounding bad, I got myself a ride down to Richmond on Saturday with the very cool Clinton Eickelberg, the bass player of local thrash act Death Penalty. His band was playing the Rockin Massacre at Alley Katz that afternoon so we left early to get there in time for the bands to load in. Everyone seemed to get there a bit late due to traffic but I think everything started pretty much to schedule at Alley Katz at least. The first band of the day I wanted to see was Loculus. They’re a pretty sick death metal band from Northern Virginia and they were playing second at the Canal Club. Their drummer is the new drummer for the legendary Pentagram, and their bass player will be touring with Wretched this spring, but that’s not what makes them cool. Their brutal death metal assault on the ears is! They played a tight but short set and when they finished I found myself headed up the street to catch Death Penalty who were just starting. Their set was pretty much the same as when they played at the State Theatre with King Giant in January (my review of that is here), though this time when they played a cover of Iron Maiden‘s The Trooper they had Nina Osegueda of A Sound Of Thunder doing vocals with them. After they played I headed back down to the Canal Club and talked with a few people and watched a few random bands. The schedule for the Virginia Extreme Metal Fest was not the same order as they had posted, so it was a bit crazy catching the bands I wanted to see. I ended up missing Ethereal Genocide, who I wanted to see, but I got to check out Hatred again at least. Then I saw a band called Blood Tribe which was a sort of metalcore band I didn’t have much interest in. I headed back up to Alley Katz after that and watched the last few bands there, A Sound Of Thunder, Chopper Trike Rebels and Division. A Sound Of Thunder vocalist Nina had recently been in a car wreck and she did a pretty good job of hiding how sore she was, though it you’ve seen them before you could probably tell she was a bit less crazy on stage than usual. Their set wasn’t bad though I noticed they had to cut off a few songs from their setlist to keep the show on schedule. That kinda sucked cause I wanted to see them play My Name Is Doom but that song was axed. I ended up bumming a ride back to NoVA from their guitarist, Josh Schwartz, at the end of the night so a big thanks goes out to him on trusting that I wasn’t a serial killer. Yes, I went down to Richmond not knowing how I’d get back, haha. The Chopper Trike Rebels were up next and while their guitarist had some pretty cool custom guitars on display through their set, the sound mix was pretty shitty and you couldn’t hear them that well. They had a LOT of fog on stage, and their singer ran around and had good stage presence but unfortunately the mix was too poor for me to fairly judge their sound at all. The final band of the night was Division who actually had a pretty good mix. They really killed it and while a lot of people had gone home by the time they played, it was worth sticking around to catch them. They’re a great local band and Catherine Lewis of the Washington Post named their latest album one of the top five local metal releases of 2010 (link here). In all it was a great day for two metal fests, I just wish the promoters/venues had worked together to make everything more cohesive. After Josh gave me a ride back up to the area I was really tired, that was a long day and I still had 8 more days of metal shows ahead!

Sunday I again needed help getting a ride out of town to a show, this time to Bourbon Street in Baltimore to catch Cradle Of Filth. One of my followers on Twitter, Sarah aka @murrainofswains, decided that I probably wasn’t a crazy murderer and gave me a lift up to the show with her. Really awesome of her and she had some cool stories about seeing music festivals in other countries and working with Iraqis. Neither of us had been to this venue before, but it was pretty nice. More deep than wide, they had a great lighting system set up and the stage was really high too. When I got there the venue couldn’t find my photo pass until luckily someone I’d contacted weeks ago came into the will call booth and got me set up. He told me they were only allowing the photographers to shoot from the photo pit for the first two songs, but after the band’s opening song, Heaven Torn Asunder, they kicked us all out! Not sure what happened there, I think perhaps the bouncers didn’t know the band’s material at all and since Cradle has long songs, they assumed when the first ended it was actually two songs. The lighting wasn’t great for shooting though and I felt kind of rushed since I got up front just as the band was heading on stage. After watching a couple songs from the side of the stage I figured I’d shoot some video for you guys and headed back into the crowd a bit. Their set was really great, I wasn’t sure what to expect from a Cradle Of Filth show these days. I am not really a fan of their more recent releases and I kind of expected them to play a lot of their newer material. I was pleasantly wrong though as they played a nice mix of tunes from all eras of the band, even a couple from the first album. I saw them last about ten years ago at the 9:30 Club and that show was really over the top, contortionists on stage and some girl doing acrobatics from these rings hanging over the stage. The whole thing was sort of a goth circus. This show they turned down the ridiculous a lot. No goofy side show shit on stage but they did have their normal uh, costumes on and corpse paint and such. Dani Filth has a short hair cut, which while not really metal, it’s better than fucking neon blue dreads and crap like that. His voice isn’t holding up and he couldn’t scream like he used to though. He isn’t able to sustain for as long that high pitched scream he’s known for, but that’s bound to happen with age. He did still scream a lot though and the show was really entertaining, especially because of their great set list.

Monday the 7th of March was day three of my nine day Metal Marathon and I found myself getting a ride out to So Addictive Lounge in Herndon, Virginia for the weekly local metal showcase there called La Noche De Metal. I got there a bit late and missed the first band, Wolventhrone, apparently a black metal act. Next up was the band I came out to see, Wolfnuke, who are a pretty kick ass blackened thrash act that just doesn’t slow down on the energy level. Check these guys out if you haven’t already, great stuff and even better live. They probably should have played last though as they seemed to have the largest audience of the night and the longest set too. After they played another black metal act was up, Xeukatre. They’re a very raw black metal band obviously drawing from the Darkthrone school of keeping it “trve”. Their show was VERY dark, only a strobing set of colored lights on stage lit the room, which they also filled with smoke. I took a few shots but nothing too great due to those conditions. I think they were wearing corpse paint, and their drummer may have been a woman, but it was so dark you couldn’t really tell any of that. They’re so kvlt that their lighting is so dark that you can’t see their theatrics, haha! The last band of the night was Palkoski. They were the only band not from Maryland this evening and they’re a pretty good grind act. They were formerly a band called The Seventh Gate but they have since changed their format to a grindcore concept band where the lead singer plays the persona of his alter ego, a fictitious serial killer named Frank Palkoski and their live show is supposed to be a sonic representation of that. While some grind can get pretty damn stale by the end of a set these guys always keep it entertaining and mix things up a bit throughout the set. They aren’t the kind of band that’s going to stage dive and have lots of breakdowns, they’re going to basically shred your face off in raging bursts of aggression. They also set up a table with free stuff for anyone to take, and I got what appears to be a previously used flask with a bumper sticker on it with a bunch of nekkid dudes bound in duct tape on it, haha! It was another great Metal Monday at So Addictive and I’m glad I got to see such great metal for just $5!

It’s been a crazy first three days and I can’t wait to see how the rest of this adventure goes. My car is totally MIA right now but I’m doing my damnedest to keep this metal marathon alive! If anyone wants to give me a ride to Baltimore on Thursday to see Atheist at Sonar that would be awesome, please don’t rob/kill me and I promise the same in return (and I don’t mind chipping in for gas or whatever). If you’d like to help me buy beer/gas/fix my car feel free to kick a couple bucks my way via Paypal here. I’ve made a set of pictures on Flickr of all the shots I’m taking during my Metal Marathon and you can see those here, more will be added as I go to more shows. I’ve posted one video by each band I’ve seen so far on my Metal Marathon below but you can see the rest on my YouTube page here, I particularly recommend checking out the Cradle Of Filth videos as I think they came out rather well. So it’s three days down, six more to go!

March 8, 2011
Categories: Bourbon Street, Classic Metal, Concert Reviews, Death Metal, Local Band Info, Metal Marathon, Metalcore, Power Metal, So Addictive Lounge, Thrash Metal, Washington DC / Maryland / Virginia Metal Scene . Tags: A Rockin Massacre, A Sound Of Thunder, Band, Blood Tribe, Chopper Trike Rebels, Concert, Concert Review, Concert Reviews, Cradle Of Filth, Death Penalty, Division, Gig, Hatred, Heavy Metal, Loculus, Metal, Metal Marathon, Music, Palkoski, Virginia Extreme Metal Festival, Wolfnuke, Xuekatre . Author: Metal Chris . Comments: 2 Comments

Review of Immortal Gig at Sonar

It’s not every day one of the “inner circle” bands from the infamous Norwegian black metal scene of the early 90s comes through the area, the last time was almost two years ago when Mayhem played Maryland Deathfest in 2009. So when Immortal came to Sonar on Sunday the 20th of February 2011 you just knew going in that it would be epic. To the best of my knowledge this was their first appearance in the area since I saw them play the now defunct Phantasmagoria record store in Wheaton, Maryland with Satyricon in March of 2000. They were only playing six concerts on this mini tour, and Baltimore was lucky enough to get one of them. They brought along Texas based black metal band Absu for the tour but there was no local support for this show.

Immortal has a certain duality in the metal scene, on one hand they’ve got a lot of credibility in the metal underground being that they’re one of the main second wave black metal bands, and through their band’s evolution they basically invented the blackened thrash subgenre of metal. That said, they’ve also been known to be one of the most ridiculous bands in black metal in regards to their image, laughable posing in photo shoots, things like witch hats and crab walks showing up in music videos, and a general willingness to embrace most of the idiotic image stereotypes of the black metal genre. Immortal has been called the Kiss of black metal but they’ve been able to keep a legion of fans by putting out albums with some damn good songs on them. Their original guitarist, Demonaz, had to leave the band due to severe tendinitis in 1997 and so bass player Abbath took over as guitarist. The band didn’t slow down until 2003 when they broke up for several years. They did get back together but they hadn’t played a concert in the mid-atlantic region since then until this evening.

When I got to the venue, about 10 minutes before the scheduled time for the doors to open, the line was already stretched around the block. All kinds of people from the local scene were there as well as people coming in from out of town and it sort of reminded me of when Carcass came to Sonar on their reunion tour in September 2008. Once inside I quickly staked out a spot as close to the front as I could and awaited Absu to start playing. I’d seen them in June 2009 at Jaxx but now they were a three piece, apparently this was just their second show as such. It didn’t hurt the fullness of the sound at all, but it did make it easier to see the band’s main man and lead vocalist, Proscriptor, play the drums. He’s quite a talented drummer with some unconventional drumming techniques that are pretty fun to watch live. For some unknown reason he had this sort of studded belt thing on as a headband, apparently some of Immortal’s image sense is rubbing off on him. He never dropped his “metal” voice while on stage even between songs and he kept the introductions entertaining too (check out his introduction to Four Crossed Wands in the video posted below to see what I mean). The band was in good form and was as good of a US based warm up act as there was going to be for Immortal though you could tell by the end of their set that the audience was ready for the reason they all came out this night.

Immortal sure took their time getting to the stage, finally arriving a good 45 minutes or so after Absu had finished. They played for at least 90 minutes and didn’t talk a whole lot between songs, but they didn’t really need to as their material stands on its own. Immortal was never one of the more political or religious of the Norwegian black metal bands, their lyrics mostly focusing on the fact that it’s damn cold in the north which isn’t really something to talk about between songs either. Their set list (photo of it here) had 14 songs and consisted mostly of songs from their latest two albums, 2009’s All Shall Fall and 2002’s Sons Of Northern Darkness. Totally awesome for the newer fans, but I was hoping they’d play a bit more off of Damned In Black and Blizzard Beasts. Still, it’s not like some bands where the newer material is just awful or something and considering how young a lot of the people in attendance were (at least up front where I was) it wasn’t surprising they’d play a lot of the newer material. The trio played very tight, the music was pretty energetic and the crowd went crazy from the beginning. When there were lulls in the music Abbath would strike a menacing pose and egg the crowd on by raising his arms and gesturing to keep the energy up. There were several crowd surfers throughout the night and during the song Grim And Frostbitten Kingdoms some dipshit threw a beer bottle on stage which caused the band to suddenly stop playing. Abbath got pissed and dared whoever threw it to come on stage, but they played on (I’ve got video of this below) and in fact seemed to have a renewed vigor through the rest of the song and into the next track, Withstand The Fall Of Time. They didn’t do any fire breathing on stage, which I was hoping for, but they did keep the corpse paint, leather, spikes and boots. There was a lot of fog used too, and Horgh, the drummer, was pushed so far to the back of the stage that you could hardly see him the entire night through all the fake smoke. He did not have his Satan’s Goalie Pads on though, haha. I really could have watched Immortal play another 14 songs but the show did end a bit after midnight after a pre-determined encore performance (hardly an encore when the songs are already on the setlist!).

It was a really fun show, and while Immortal didn’t play a ton of older material, it was still a bad ass concert. Absu was a great opening act too, though I wish they’d allowed a couple of the local black metal acts to open. I managed to work my way to the front row by the end of the show and got some photos that I’m really pleased with from there, and Abbath even posed a bit for me during their final song. You can see all my photos from this show on my Flickr page here. I also got 2 videos of Absu and 3 of Immortal that are all embedded below. The last video is the one with the beer bottle throwing incident, which happened about 1:20 in. Check them out and get ready for the next sure to be epic black metal show to come to the area, Rotting Christ, Melechesh and Hate playing Jaxx on March 9th. Oh yeah, and I’ve started a Facebook page for DCHeavyMetal so help me out and “like” the page (here) if you’re a fan of this site. Now, check out these cool videos.

February 23, 2011
Categories: Black Metal, Concert Reviews, Norwegian Black Metal, Sonar . Tags: Absu, Baltimore, Band, Black Metal, Concert, Concert Review, Concert Reviews, Gig, Heavy Metal, Immortal, Maryland, Metal, Music, Norwegian Black Metal, Sonar . Author: Metal Chris . Comments: Leave a comment

Recap of Eyehategod gig at Sonar

So on Thursday the 17th of February 2011 the New Orleans based sludge act Eyehategod was coming to Sonar in Baltimore. I’m really not a huge fan of their albums, though they are influential in the sludge scene. I probably wouldn’t have gone but they were playing with a few bands I do really like, Misery Index, Magrudergrind and Cough specifically. Unfortunately the flyer for the show didn’t list the bands in the order they’d actually be playing and I ended up missing Cough, who apparently played first. Someone said they had played too long and so the rest of the show was being rushed. I did catch one of the local openers, Surroundings. They were ok I guess, pretty standard grindcore with a frontman that was really energetic, even crowd surfing during the set. The audience moshed for about a song or two at the beginning, but considering it’s grind that means about 30 seconds, haha. The next band to play was Strong Intention but I wasn’t really in the mood for hardcore so I went into the other room to have a couple beers and talk to people while they were playing. They do play the area a lot and I’m sure I’ll see them sooner or later though.

The next band to take the stage was Washington DC based grindcore act Magrudergrind. They made a stir last year when they gave their new album away for free (get it here) since the album was sponsored by Scion, a branch of Toyota. Apparently all the anti-corporate grind people took issue with this and so yeah, people were actually complaining about getting a free album. Anyways, I caught them last May at Maryland Deathfest, but this setting was a bit better to see them in I think, for one it wasn’t so crowded but it was also a local crowd so that was cool. Their set was fun, full of people jumping off the stage while the band played their spasmatic outbursts of DC grind. The main problem was they only played for 20 minutes! That kind of sucked, but was probably due to the time constraints the show was having.

Next up was the band I wanted to see the most, Misery Index. They’re from Maryland and the band was formed by ex-members of Dying Fetus. Only one of those guys are left in the band, and in fact this was the first show I had seen them play with their new guitarist, Darin Morris. Any fear I had of how the band would play with the line up change was quickly dispelled. As usual they played a very tight set showcasing their extremely brutal songs and even managing to play them faster live. Most of their set consisted of stuff from Heirs To Thievery, their latest album. They were told to stop playing at 12:20 am even though they had more songs left to play.

The headlining act, Eyehategod, is a band that I never really got into. Figured it was worth seeing them once though since ya know I run a metal site and all. They played a new song (video of that below) though they didn’t say its name. Their set was very downtuned and while I know plenty of people there were psyched to see them, it got monotonous to me after a while. I kept thinking that it was getting so late they’d have to end soon, but after thinking that for a few songs I checked the time around 1:45 and decided to call it a night even though they were still playing. As I said before I really was there to see the openers anyways. It sucks that their sets were all cut short after I drove up to Baltimore though! Anyways, I’ve got videos of the bands below, though most are dark the Eyehategod guys did have good lighting for me to shoot video in. The final song is their new one that I’d imagine will be on their next release, enjoy!

February 21, 2011
Categories: Concert Reviews, Death Metal, Doom Metal, Grind, Sludge Metal, Sonar, Talking Head Club, Washington DC / Maryland / Virginia Metal Scene . Tags: Baltimore, Band, Concert, Concert Review, Concert Reviews, Death Metal, Doom Metal, Eyehategod, Gig, Grind, Grindcore, Heavy Metal, Magrudergrind, Metal, Misery Index, Music, Sludge Metal, Sonar, Surroundings . Author: Metal Chris . Comments: Leave a comment

Recap of King Giant gig at the State Theatre

Saturday the 29th of January 2011 was a big night for metal at the State Theatre. On that night they hosted their first metal show that wasn’t part of the Mandatory Metal series. King Giant headlined the show and it was pretty awesome. The band was joined by The Crimson Electric from Virginia Beach, Throwdown Syndicate from DC and Death Penalty from Falls Church. There was a good sized audience and even a few special appearances on the stage by some noteworthy members of the area’s metal scene. I’ve been to all the metal shows at the State Theatre and this was probably the most fun for me, though really I have enjoyed them all. Here’s my recap of what went down that night, band by band, with some of my photographs throughout as well as all my videos of the night embedded at the bottom of this post.

The first band to play was Death Penalty. They’re a thrash band with a big 80’s era influence, which was pretty obvious when they did covers of Metallica, Megadeth and Iron Maiden. Apparently they don’t usually cover so many songs, but they’ve had line up issues of late that necessitated them for this show. Matt Aub, the singer/guitarist from Timelord came out on stage and sang with them for The Trooper. I’ve got video of that below but for some reason my camera cut it off about 3 and a half minutes in. They played a few original songs too, and their thrashing energy made for a good opener to get the audience into a metal show. Death Penalty has posted the audio from this show on their Facebook page here (it’s in the column on the left in the “music player” section).

The next band up was Washington DC’s Throwdown Syndicate. They are a three piece band that describes themselves as “ghetto metal” and vocally has a lot of rap and hip hop elements. Now before you start thinking of those 90s era rap metal bands, they weren’t like that. More like a hard core metal band with a street style rap and vocal patterns. I’m really not knowledgeable enough of that genre to get more descriptive than that though. Rap has never really been my thing but I can see there being an audience for this. I could see them sharing a bill with Magrudergrind, another DC metal band who uses hip hop influences. I think people in the audience were a bit mixed, probably reflecting their like or dislike of rap more than of the band itself. Still, they did have a heavy sound and I could hear a bit of that Bad Brains style DC hardcore sound in there.

The Crimson Electric was the next band to hit the stage. They came up from Virginia Beach and had played a show with King Giant the night before in Richmond. I’d never seen them before and didn’t really know much about them other than they were a stoner band of some sort. They put on a good show and I really enjoyed them. The singer wandered around on the stage a bit, but always seemed to hold my attention. The band seemed very laid back and relaxed on stage, almost like you were catching them at a normal band practice except they were on the State’s big stage with great lighting and all these people watching them. Though the singing is much less coarse, the band is really a great pairing of stoner/doom to go along with the headliner, King Giant. They also have posted a bunch of their music for free download here. Go get some of that, it’s definitely worth it!

By the time King Giant hit the stage the venue was getting pretty full. They’re always a fun band to see live, and while they didn’t play Burning Regrets at all (a personal favorite of mine) they did play a new song to start the show off. They played another great set of their southern doom metal and the audience response seemed to be great, they got lots of applause and cheers after every song. On stage they mentioned Jon, the contest winner from DCHeavyMetal.com, as they introduced their final song of the night. He asked them to play Needle And The Spoon, a Lynyrd Skynyrd cover that is a bonus track on their full length album. They surprised me and just about everyone in attendance when they brought out Victor Griffin of Pentagram to play a third guitar for that song (I’ve got video of that below, must see!) and even had him play a solo too. That song was by far the highlight of the night, and a great way to cap an excellent performance and dammit, that was just a great DC metal moment. If you haven’t seen these guy play live yet, you really need to get off your ass and check them out.

As always you can find more of my concert photography on my Flickr page with shots from this and tons of other metal concerts. And I don’t know if the turn out for this concert was the reason why or not, but the State Theatre put up on their Twitter page that they will in fact NOT be canceling their local metal shows. You can see that post here. I’ll keep you all posted as to any future events for that of course, and hopefully will have some more contests too. For now, check out the videos I shot at this awesome show:

January 31, 2011
Categories: Concert Reviews, Doom Metal, Hardcore Metal, State Theatre, Thrash Metal, Washington DC / Maryland / Virginia Metal Scene . Tags: Band, Concert, Concert Review, Concert Reviews, Death Penalty, Ghetto Metal, Heavy Metal, King Giant, Metal, Music, State Theatre, Stoner Metal, Stoner Rock, The Crimson Electric, Thrash Metal, Throwdown Syndicate . Author: Metal Chris . Comments: 2 Comments

Recap of Mandatory Metal 3 at the State Theatre

Mandatory Metal 3 was the third local metal night at the State Theatre in Falls Church, Virginia held on 16 December 2010. This was the first Mandatory Metal to take place on a Thursday night, instead of a Friday, and that combined with the fact that it snowed a couple inches that day unfortunately kept the turn out rather low. For those who did make it out though, it was a really entertaining show. As usual there were four local bands who played and this time they were Scream/Ruin, A Sound Of Thunder, Iris Divine and Division. While the previous Mandatory Metal show had been more death and black metal based, this one was more melodic and most of the bands used clean vocals (aka non-growling/screaming) at least some of the time. Now if you’ve been reading this blog you’ll know that’s not usually my preference, but of course there are exceptions and this show was a great way to stay out of the cold.

The first band of the night was Scream/Ruin, a hardcore band with some thrashy elements based in Loudoun, Virginia. They had a lot of heavy breakdowns and some nice shredding in parts. The vocals were mostly somewhere between shouting and screaming. One thing that sort of set them apart from your typical hardcore metal band is they had atmospheric keyboards in parts of some songs. I’m generally not a huge fan of most hardcore, but these guys were entertaining. The drummer seemed to come from the Lars Ulrich school of drumming, not really too fast but high drama most of the time. I really enjoyed the parts of their songs that had the faster drum beats most, but that might just be my bias for extreme metal talking. Their stage lighting was very dark, with a couple of flood lights on stage that blinked on and off throughout the set. I was right up front most of their set but I’m not sure how well people farther back could see the stage. The video I shot of them is pretty dark too, but the audio is still decent. They were a good opening act and started the show off with a lot of energy.

The next band to play was A Sound Of Thunder. Their lead singer is a very charismatic woman named Nina Osegueda. While they may have a female lead singer, they don’t really sound anything like other local bands that also do, like say Todesbonden, This Means You or Rain Fell Within. This band is more in the vein of traditional and power metal stylistically. While Nina sings very cleanly, it’s not in that operatic style but more of a female rock or metal style. The band itself was more talented than the bulk of the metal bands that have a woman up front just as more of a gimmick. The guitarist had a cool solo with the spotlight on him for a bit at one point, and you could tell the band was really in tune with each other on stage. While they did rock out a lot they had some slower and more melodic parts too, showing some range in their songs. The stage was still fairly dark for them, and since my camera sucks in dark lighting you don’t really get as good of an idea of how they looked on stage, but the audio is listenable enough. They were certainly fun, and while I wish I’d gotten to record their song Walls, probably my favorite song of their set, I did get their closing song Wings Of Steel at least.

The next band to play was Iris Divine from Alexandria, Virginia. They’re a more progressive style band, though that genre label has always seemed a bit vague to me. They reminded me a lot of Maryland’s Periphery, though I wouldn’t call them a djent band. They do have some complex song structures that are also catchy, not a lot of bands seem to be able to do both. The songs have lots of rhythm changes, and the vocals alternate from a rough yelling to singing. Their keyboard player, Farhad Hossain, would step away from the keys to play guitar in some parts, as well as share the singing with their other guitarist, Navid Rashid. Probably the biggest issue I had with their set was that sometimes they had problems harmonizing their voices on the parts where they were both singing together. Either one by himself sounded fine though. Really that’s a minor issue as this band is one that you focus more on the musicianship anyways. The clean vocals as well as the programming and keyboards did seem to fill their sound out with some atmosphere, and there were some more heavy and energetic parts too. You could definitely tell they had put a lot of thought into all these songs. In all I was impressed by them, as this was the band that I knew the least about going in to this show.

Next up was the fourth and final band of the night, Division from Woodbridge, Virginia. I met some of the band members at the first Mandatory Metal show back in August and they had given me a copy of their latest CD, Control Issues (buy it here). It’s definitely grown on me and I was glad I knew some of their material by the time I got to see them live. They opened with their song Hunt, which is probably my favorite song of theirs. Their setlist wasn’t only songs from the new album, but also songs I didn’t recognize from older albums. Both were fun to watch live though. They really put on a show, members of the band were constantly shifting position on stage and their showmanship certainly made it easy to watch them as they walked around on the stage like they owned it. The thrashy and heavy riffs were fun to listen to as well. The two guitarists seemed to be playing dueling solos at points too. I guess you could call them power metal, but vocalist Nick Kelly doesn’t overdo it in that annoying way that reminds me of 80s hair bands like plenty of power metal bands do. He has a good voice and knows when to sustain and when not to, the latter being noticeably rare in the world of heavy metal. They were my favorite band of the night, and they were a great headlining act. The highlight of the entire night was definitely their closing song, a cover of Metallica‘s Disposable Heroes. They really had the audience participation going, and also had Alan Margazano (the guy who organizes the Mandatory Metal shows) of Death Penalty singing back up vocals on that. Those of you who missed the show or left early are lucky that I shot video of it and have posted it below. They really put on a great show, my only gripe was that they didn’t play their song Short Attention Span Society, which is another tune I really like of theirs. But that’s ok, gives me something to look forward to the next time I see them.

In all it was another great night of local metal at the State Theatre. I enjoyed all four bands, none of which I had seen live before. I just wish more people had shown up, the bands really deserved it. I suppose nobody can control the weather, but people really should have come out, it wasn’t THAT bad out. Alan told me there were a lot of people who had bought presale tickets and didn’t even show up! If you missed out though, you can check out three of the bands that played, Scream/Ruin, A Sound Of Thunder and Division, who all have free mp3s you can download on my Download’s page here. You can also see A Sound Of Thunder, Iris Divine and Division play with a few other bands in Richmond at Alley Katz on March 5th, 2011. There will also be another metal show coming to the State Theatre, though not a Mandatory Metal (the next one will be in February). In late January King Giant and Death Penalty are playing a gig, the State Theatre’s first non-Mandatory Metal concert. Details are on the calendar of upcoming concerts. AND don’t forget I’m giving away a pair of tickets to see Gwar on 29 December 2010 at the 9:30 Club, you can enter here for free. You can check out the rest of my pics from Mandatory Metal 3 on my Flickr account here, and as usual I’ve posted all the videos I shot at the show below. Enjoy!

December 21, 2010
Categories: Concert Reviews, Hardcore Metal, Local Band Info, Power Metal, State Theatre, Washington DC / Maryland / Virginia Metal Scene . Tags: A Sound Of Thunder, Band, Concert, Concert Review, Concert Reviews, Division, Gig, Heavy Metal, Iris Divine, Mandatory Metal, Mandatory Metal 3, Metal Night, Music, Scream/Ruin, State Theatre . Author: Metal Chris . Comments: 4 Comments

Review of The Sword gig at the 9:30 Club

Monday the 6th of December 2010 was a damn cold night, but not cold enough to keep me from going to see The Sword play at the 9:30 Club. It is Washington DC’s most well known non-seated music venue, and also the largest. They don’t get a whole lot of metal bands there, so when they do I usually try to get to the show. This concert was different than any I’d been to before at the 9:30 Club because I had been given a photo pass by the band. This meant I could get up in front of the audience and shoot pics with my “pro” camera, so I really spent a lot of the show focused on that. That’s not to say I wasn’t paying attention to the band, but I just wanted to get that out there as it changed my perspective of the concert a bit, and I generally try to write these reviews from the point of view of the average person in the audience, not some guy with special access or whatever. The show was a lot of fun, and it was cool getting a chance to test out a lot of the settings on my camera. I think I got some really great pictures, and while I see lots of room for improvement, I’m still proud of how some of them came out. Anyways, on to how the show went…

I missed the opening band Mount Carmel though I heard they were a bluesy band. When I walked in Karma To Burn was playing their first song. These guys are from West Virginia and I’ve heard a few of their albums. Mostly instrumental metal, and that’s great to me because I’m a fan of instrumental metal bands. They’re a very groove based sort of doomy or stoner band, and I’d say they are pretty similar in sound to Pelican. They did play several songs with lyrics, though I’m not familiar enough with the band to give you a set list or song titles. They put on a good show with some fun songs, they were a really good choice for a support act, really helped warm up the crowd. I shot a few pics of them from the second level, but apparently my photo pass didn’t allow me to shoot any video and I was told to stop after having captured just one song. This also means I have no video of the headliner, a first on this blog, sorry! I await the day that all bands stop telling their paying fans they can’t make their own pics or videos at concerts. People aren’t bootlegging/stealing from you, we’re trying to have something to remember the experience with, and share them with our friends. Hell, I’m trying to use them for the purposes of a review, which is promotion at best and fair use at worst. Well, before this turns into a rant, I’ll start talking about the Sword.

The Sword is a doom metal band from Austin, Texas. Their sound is almost 70’s rock-ish with fantasy, and on their latest album, science fiction themed lyrics. You’d almost think this band spawned straight from a Frank Frazetta painting. They have caused a bit of a stir among music critics, some praising their classic style of metal with it’s epic heavy riffs and crushing grooves, while others say they’re basically reinventing the wheel and haven’t really done anything to deserve all the attention. I’d never seen them live before, and while I like their music, and their latest album, Warp Riders, has really grown on me, I wouldn’t say I absolutely love their studio work. That said, I really enjoyed their live show, much more than the studio material. Maybe it’s just the studio producer they’ve got, but the songs really came alive on stage in comparison. You could tell the band was glad to be playing and having a blast up on stage, and the songs just seemed to have an extra energy that seemed to be lacking in the studio. While I was there to take pics, sometimes I just had to put the camera down and headbang to some of those tunes. The setlist was very heavy on Warp Riders material, they played eight of the ten songs on it, though they didn’t play the song “Lawless Lands.” I find that odd since they just released a music video for that song (see it at the bottom of this post). I really liked how the song “Night City” sounded live, and their encore performance of “Winter’s Wolves” was fantastic, a perfect way to end the show. The new drummer, Kevin Fender, did a great job executing, especially considering how short he’s been playing with the band. In case you didn’t know, this concert was supposed to happen back in October but the old drummer abruptly quit and the tour had to be rescheduled. Also, this was the first concert I held a ticket give away for on the site (here), and I hope the winner Matt had a blast! It did so well I’ll be holding another contest with free tickets for the Gwar concert coming up on December 29th, also at the 9:30 Club. I’ll have a post with details about that up soon, so check back in a few days. Now, here’s the one Karma To Burn video I managed to get before I was told to stop shooting video, followed by the Sword’s official video for “Lawless Lands.” If that’s not enough you can check out some more of my pics of the Sword on Flickr here. Enjoy!