Album Review of Heirs To Thievery by Misery Index

Well, this is my first music review blog post. I doubt I’ll do these as regularly as my concert reviews but they will probably show up from time to time. Just for future reference, I’m only going to review material by local bands or bands that at least have some sort of tie to the area, in this case the new album Misery Index just put out May 11th, Heirs To Thievery. If you’re in a local band and want me to check out your stuff for possible review here, you can send me an email with a download link at DCHeavyMetal@Gmail.com Now I’ll get started with the review here, but first some background…

Misery Index was originally formed when most of Dying Fetus left that band, I suppose due to a falling out of some sort, and Jason Netherton, Sparky Voyles and Kevin Talley started a new band. Jason and Sparky are still in the band but Kevin has gone on to be in Dååth, and you may have seen the video of his audition for Slayer floating around on the net several years ago too. Now I have to say when I first heard that Kevin had left I was rather worried because I think he’s just a fucking fun drummer to listen to play. The first time I saw Misery Index after he left I was unsure how a new drummer would fill in those shoes, but Adam Jarvis totally blew me away to the point that he wasn’t just replacing Kevin, he was surpassing him! He really brings the drumming intensity to another level for the band. They’ve also had a few other guitarists go in and out the door too, but their line up seems pretty stable now with the inclusion of Mark Kloeppel several years ago. This album is a good example of how they are moving forward with this line up. Now on to the music on the album itself…

The album starts off with a quick song, Embracing Extinction, and it’s relentless. It’s under 2 minutes long and really sets the tone for the album. Fast, aggressive, brutal and short. The whole album is under 35 minutes long, but that’s not necessarily a bad thing. A full hour of this sort of intensity can get monotonous and I think they did a good job of giving the album enough variation that it doesn’t get stale and ending it before it does. While some of their previous work had some slower, I guess groovier parts and riffs, there isn’t as much of that on this one. Even one of the slower tempo songs, Carrion Creed, still has a nice rolling drum beat in the back that makes you want to step on the gas petal. There’s certainly a good mix of death, grind and punk in this album, as would be expected in a Misery Index album. And while they will probably always draw comparisons to Dying Fetus, they certainly have more of a punk edge than Dying Fetus does. While that may be so, this is by no means a crossover album, and I think there’s less of a ‘core sound in there than on their previous album, Traitors. This album seems more aggressive than that one too. One thing I don’t particularly like about this album is the way the vocals sound. I don’t know if Jason is using some weird distortion with reverb or a layering effect or what, but sometimes it comes out pretty weird. If you listen to the chorus in The Spectator you’ll hear what I’m saying. Maybe it’s one of the other guys helping out on backup vocals, but combined with the awkward tone the leads have on this one, it’s sort of distracting. The final song on the album, Day Of The Dead, has part of it’s chorus in Spanish and the vocal sound combined with the repetitive lyrics in the chorus kind of ruin that song for me. But this isn’t American Idol music here, the vocals aren’t the main attraction and great songs like You Lose and the title track more than make up for it on this solid album. I really can’t wait to hear some of this material live. I missed their last area concert when they kicked off the Facemelter Tour with Dying Fetus at Sonar in Baltimore this month, but maybe I’ll get to see them play the Ottobar on Friday 11 June 2010 with Goatwhore and Revocation. You can get more info on that on my Upcoming Concerts page.

I’m not particularly big on reading lyrics to metal songs, I tend to like deciphering what I can for the most part on my own through listening, but for this review I looked at them a bit. I think a good way to get a general idea of what an album is really about is to check out the title track’s lyrics. On Heirs To Thievery the title track seems to be a Chomsky inspired critique about how much of what is in the history books taught to us in school is propaganda, particularly in how the US was stolen from the natives. Thus, we who are living in the US now are the heirs to the theft of their land/culture. Well, that’s what I get from it at least, and you can see this in the album cover art too. I particularly liked the line: “Eliminate the natives (and leave them a museum!)” If you’ve ever seen the National Museum of the American Indian Smithsonian museum on the National Mall in Washington DC from the outside, you’ll know it looks like modern European abstract architecture, but it’s covered in yellow stucco (or something). I guess the yellow stucco is representative of native american culture? The song’s lyrics sort of remind me of the Iron Maiden song Run To The Hills in that sense, but also because it’s kind of odd hearing that point of view from a band of white guys. In this song they also mention how the expansion of the US was built on slavery. Much of the other songs’ lyrics on the album are pretty typical political death/grind fare, though there is nothing wrong with that. This post is long enough already so you’ll have to find them yourself if you want to know the details. I actually like reading Jason’s blog Demockery, you can check that out here, which will probably give you a better idea of his views which are nothing if not well thought out.

Overall, I wouldn’t call this the best Misery Index album ever, but it’s still damn good and certainly worth getting, especially if you like any of their stuff already because you’ll certainly enjoy this one too. It still has that classic Misery Index sound but they keep progressing as a band too, enough to keep it from getting stale. Fans of bands like Nasum, modern Napalm Death and Brutal Truth will love this, but even if you’re just looking for something to simply bang your head to, their trademark combination of catchy riffs and sheer brutality will definitely do the trick.

May 21, 2010
Categories: Album Reviews, Death Metal, Grind, Local Band Info, Washington DC / Maryland / Virginia Metal Scene . Tags: , , , , , , , , , . Author: Metal Chris . Comments: 1 Comment

Review of Overkill gig at Jaxx

Friday the 30th of April 2010 I found myself at Jaxx again, this time to see Overkill headline the Killfest Tour. Well, not so much Overkill as the openers Vader, God Dethroned and Warbringer, so maybe this review’s title is a bit misleading. Unlike the previous Friday’s Cannibal Corpse concert, or Monday’s Amon Amarth gig (which I missed because they started so early), this concert’s headliner wasn’t scheduled to hit the stage until 11pm. That’s great for me as I work later than most on weekdays and I really wanted to see some of the opener bands too. I got to the venue but couldn’t find any parking, so I had to cross the street and park by the Shell station in the Giant’s parking lot. Of course as I was walking to the venue I saw a car pull out of a spot that was actually, you know, in the correct lot. Always frustrating when that happens. Anyways, I proceeded to walk to the venue.

Warbringer was on stage when I got there, so I went straight to the main room and got up front. I thought they’d be done playing by the time I got there, but apparently things were running a bit late so I got to catch a decent amount of their set. These guys were really a lot of fun to watch live. I’ve enjoyed their studio material but this was the first time I’ve been able to catch them play. In the past week I’ve seen a lot of these modern thrash bands (Skeletonwitch, Toxic Holocaust and Municipal Waste) and Warbringer might have had the best stage presence of all of them. Their lead singer, John Kevill, really got the crowd into it, but on top of that the other guys in the band did a good job of getting the audience excited. This isn’t a band where the singer gets everyone into the show and everyone else just sits there playing their instruments. There was a lot to watch no matter where you were looking on the stage.

Next up was God Dethroned. I saw them headline a show at Jaxx back in October 2009 and they really impressed me with their live show so I certainly wanted to see them again. The last time I had seen them they had a woman on guitar, Susan Gerl, but this time they had a new guy, Ian Jeckelis, who is apparently also a member of Abigail Williams. This show performance wasn’t as good as their headlining gig in October. They were plagued with technical problems, and actually played almost an entire song without vocals nor one of the guitars as Henri Sattler tried to find a solution to the problem. There was a pause for a few minutes after that song while the equipment was set back up, I figured they probably had to cut a song out of their set because of the time it took. The final song also seemed to have a problem as about 90 seconds into it the other guitar seemed to go out and Ian stormed off the stage and didn’t return. A shame the show didn’t go better for them, as they’re a good band and people should pay more attention to them. I did talk to the bassist for a couple minutes after they had played, and he said that after the tour they’d be working on a new album and would probably come back to the US after that was out, though he said he didn’t know if it would be as headliners or as support. He said it would be another album about a battle in World War I, but he didn’t say which it would be this time.

The next band to play was an old favorite of mine, Vader. They’re an old school death metal band I’ve been a fan of since I first heard their album The Ultimate Incantation. They are from Poland and are actually one of the first bands of any genre, not just metal, that broke through the iron curtain to the west, due to their early demo material being highly praised on the old underground tape trading scene (for the young people reading this, that’s what people used to find out about new metal bands before the internet had things like Napster or bit torrent, where people would actually trade copies of demo cassette tapes through the regular mail). Unfortunately Vader wasn’t headlining this concert so they didn’t play all the songs I wanted to hear, though they did play some older material like Sothis and Carnal as well as a good amount of newer songs too. They didn’t play my favorite Vader song Silent Empire, which sucks because that song is so damn brutal. The line up has completely changed, except for main man Peter Wiwczarek, since the last time I saw Vader live (in December 2007). They still played very tight and really got the mosh pit going. I’m glad I got to see them again as they always seem to impress with their high speed death metal assault. And I don’t say that lightly, Vader is one of those bands that’s fast even by death metal standards. I had an entertaining time talking to some of the younger guys in the audience while they set up too. One of them told me how he wished he had gotten to see Damageplan with Dimebag Darrell before he died as Pantera was his favorite band. I really felt old when he stared at me wide eyed when I told him I’d actually seen Pantera play several times!

The next band set to play was going to be the headliners Overkill. I’ve never really been a fan of theirs, they’re a bit too “Waaaaah!!!!” for me, if that makes sense, haha. Since the guys who were in front of me on the railing left after Vader played, I got to stand in the front row and figured I’d give em a shot live since I was there anyways. They took longer to set up than any of the other bands, and before they played Jaxx owner, Jay Nedry, came out onto the stage to talk to the audience for a while. He thanked the all bands playing, the roadies, sound and light techs, bartenders and staff and the people in attendance for coming to shows for all these years. He promoted a few of the concerts coming to Jaxx soon (which you can always find out more about on the Upcoming Shows page here on this site) and gave a toast to the war veterans in the audience. After a few more minutes Overkill hit the stage. Their lighting set up was rather impressive I must say, one of the better ones I’ve seen at Jaxx. I took a few pics and figured I’d shoot a video of one of their first songs before I got out of the front and let someone else up there who really wanted to be there. While I was shooting footage on my regular camera something strange happened that I’ve never had happen at Jaxx before (and I’ve seen over 60 concerts there). Security asked me to put my camera away. What the fuck? I wasn’t shooting with a camcorder (though most clubs don’t mind that these days anyways, but I know that’s a no-no at Jaxx). It really took the fun out of the show for me. If I couldn’t use my camera (which I wanted to use to post material here for my review) then I surely wasn’t going to stay to watch a band I didn’t care about otherwise. I gave the guy behind me a chance to take my spot in the front and then headed to the back of the venue. I bought some merch and a ticket to the upcoming Dark Tranquillity gig and left the venue with a really bad taste in my mouth. Maybe Overkill played a great set but from the 2 or 3 songs I saw them play I wasn’t really impressed with much besides the lighting. I’m hoping Jaxx doesn’t turn into another camera-nazi venue like the 9:30 Club and hopefully this was just a 1 time thing, maybe brought on by the band or something. Anyways, the footage I did get of Warbringer, God Dethroned and Vader is all viewable below.

May 2, 2010
Categories: Concert Reviews, Death Metal, Jaxx Nightclub, Thrash Metal . Tags: , , , , , , , , , , , , . Author: Metal Chris . Comments: 3 Comments

Review of Cannibal Corpse gig at Jaxx

So Friday night, the 23rd of April the infamous death metal band Cannibal Corpse was coming to Jaxx. Awesome, I hadn’t seen them since they played the 9:30 Club in October of 2007, so I was pretty pumped. Somewhere there was a communication breakdown between the bands and the venue though, as 2 different set times were announced the day of the show, the final one saying that Cannibal Corpse would be hitting the stage at 9:30 pm because they had a early load in time the next morning in Boston. Pretty shitty for me since I didn’t get off of work til 8! I really wanted to see Diabolic play, but since the show started so early, Skeletonwitch was already playing by the time I got there. Since 1349 wasn’t able to get into the country at that point (apparently due to the volcano Eyjafjallajokull in Iceland) that meant Cannibal Corpse was going to be the next band to play. For those of you outside the area, 1349 will rejoin the tour on April 25th in Long Island.

Skeletonwitch put on a good show. I had meant to catch them at The Red And The Black in DC back in February but I had gotten sick and couldn’t make it. I think they were just starting when I got there so I did catch most of their set. They’re pretty fun to watch live, great thrash with catchy riffs and death metal style growling vocals. Though most of the band didn’t do much but head bang in place, the vocalist, Chance Garnett, had great stage presence and really got the audience into the show. They really were a good band for warming up the crowd, though I’d have like to have seen Diabolic and/or 1349 too. I ended up buying a Skeletonwitch pint glass at the merch stand after they played, hard to pass up at just $5 (by comparison Cannibal Corpse was selling a bottle opener for the same price).

There was a rather long delay before Cannibal Corpse started to play. The crowd was getting anxious and started chanting “Corpse!” and within a minute of that the band got on the stage. They came out shredding and the crowd was eating it up. I’ve seen Cannibal Corpse many times before, and this set included the least amount of Chris Barnes era songs, though they did play 2 songs from their debut album Eaten Back To Life, A Skull Full Of Maggots and Scattered Remains, Splattered Brains (someone in the audience was screaming for Born In A Casket during most song breaks though, which they didn’t play). Also of note, they played The Cryptic Stench, from Tomb Of The Mutilated, which I thought was sort of out of left field (they of course played Hammer Smashed Face also). Despite the audience’s requests for songs like I Come Blood and Fucked With A Knife, they didn’t really play many of their more sexually disturbing or misogynist songs, though they did close with Stripped, Raped And Strangled. They also played a couple songs from their latest album, Evisceration Plague, and most of the rest of the set was a sampling of the material from 1998 on. Regardless of what songs they were playing, they played them fast and tight, and the audience was losing it. I did see a couple crowd surfers, a rarity at Jaxx, and the pit was pretty much constant. Their vocalist, Corpsegrinder, talked a bit more between songs than the last few times I saw them. At one point someone yelled out to play the Barney The Dinosaur theme song, which he did not find funny and he went off on a rather entertaining rant about people requesting “retarded songs” before going right into A Skull Full Of Maggots. Still, it probably would be pretty hilarious if they actually played a song like that in the classic Cannibal Corpse style. As usual they didn’t do the typical bullshit encore thing bands seem to always do, which is cool. So lame when you plan your own encore ahead of time. They announced that Hammer Smashed Face would be the final song of the night just before they played it, though just like the last time I saw them in 2007, when they finished playing it Corpsegrinder immediately said they had lied and the band went right into Stripped, Raped And Strangled, which the audience went crazy for.

After the show I hung out a bit talking to some of the people I had met up with for the show in the first place (didn’t have a whole lot of time to talk to them earlier due to the show being early and my late arrival). Local thrash metal band Cab Ride Home apparently played after Cannibal Corpse got their stuff all loaded out, but I didn’t hang around long enough to check them out. I had lots of pics and vids to sort through and the Caps game to watch on DVR. You can see the videos I shot at this show below, though I have 2 more that YouTube is having trouble with for some reason. They both keep getting hung up at about 80% when I try upload them and I don’t know why. I’ll post them here if I can get them to upload correctly, not sure what the problem is. Not a big deal as these vids should give you a good idea of this brutal concert regardless. Enjoy!

April 25, 2010
Categories: Concert Reviews, Death Metal, Florida Death Metal, Jaxx Nightclub . Tags: , , , , , , , , . Author: Metal Chris . Comments: 4 Comments

Maryland Deathfest The Movie Presale

Maryland Deathfest The Movie is now available for presale at this location. If you order a copy before the first day of Maryland Deathfest 2010 on May 28th, you will get the DVD as well a poster and you will be entered into a drawing for the entire Handshake Inc. DVD library and a 3 day pass to Maryland Deathfest IX in 2011. It’s price is $15 presale but I couldn’t find out what the shipping costs are. Apparently they will have a booth set up at this year’s MDF and if you preorder you can pick up your DVD and poster there. As far as I can tell the movie was not made by the group who runs Maryland Deathfest, but it is sanctioned by them. (UPDATE: I’ve been informed that Handshake Inc. is the creator of the movie, and Maryland Deathfest curators Ryan Taylor and Evan Harting are the executive producers). And in case you’re wondering, I have no affiliation with it either, nor do I make money on this post in any way. I just think it’s cool!

Maryland Deathfest The Movie was filmed in 2009 at Maryland Deathfest VII. It has interviews with bands and fans attending MDF VII as well as over 3 hours of perfomance footage by the following bands: Abscess, Absu, Antigama, Asphyx, Atheist, Aura Noir, Birdflesh, Brutal Truth, Catheter, Cattle Decapitation, Cephalic Carnage, Complete Failure, Crowpath, Despise You, Drugs Of Faith, The Endless Blockade, Flesh Parade, General Surgery, Gnostic, Hail Of Bullets, Hero Destroyed, Immolation, Jig-Ai, Kill The Client, Krallice, Lair Of The Minotaur, Magrudergrind, Maruta, Misery Index, Napalm Death, Phobia, Pig Destroyer, Pigsty, Pretty Little Flower, The Red Chord, Rotten Sound, Sayyadina, Sigh, Splitter, Trap Them, Triac, Unearthly Trance, Venomous Concept, Victims, Weekend Nachos, Wolves In The Throne Room and Yakuza. Notably missing from this list are Mayhem, Bolt Thrower and Pestilence, 3 of the most popular bands to perform at last year’s fest. Regardless, alongside some of the popular bands that did make it onto the DVD, there are also some good local bands like Misery Index, Pig Destroyer and Magrudergrind. For more info you’ve got a few options, the official Maryland Deathfest: The Movie website, Twitter page, and blog. You can also watch a trailer for the movie below:

March 23, 2010
Categories: Black Metal, Death Metal, Grind, Local Band Info, Shameless Promotion, Sonar . Tags: , , , , , , , , , , , , , , , , . Author: Metal Chris . Comments: Leave a comment

Review of Behemoth gig at Jaxx

So Friday the 8th of January 2010 I went to Jaxx in West Springfield, Virginia, to see the Polish blackened death metal band Behemoth play. Well, this was actually the first time I’d been to Jaxx since I saw God Dethroned play there back in October. A lot has changed with the look of the club since then, but I’ll get into that later, this is a review of the Behemoth concert after all.

I got there kind of late and didn’t get a chance to see any of the openers, Septic Flesh had just finished their set as I walked in the door. I’d have watched them play but really I’d have liked to see Shining, who was originally on the tour as well only to drop off due to visa complications. The parking lot was completely full and even the lot in front of the Giant across Old Keene Mill had a lot of cars parked in it for the show. Although it sucked parking so far away (the temp was in the lower 20s) it was good to see such a turn out for the show. The last few metal shows I’d been to at Jaxx didn’t have really big crowds. This night the entire club was pretty crowded, which made it kind of stuffy and hot with my coat on, but it was bearable and nowhere near as bad as that sold out Morbid Angel/Behemoth show in 2006 when the air conditioner didn’t work. After what seemed like a very long drum kit set up and sound check, the lights finally went down a few minutes after 11pm as Behemoth took the stage.

They came out onstage and the crowd was ready. People were excited as the band ripped through songs from Evangelion and Demigod. The last time I saw Behemoth play they were opening for Dimmu Borgir at the 9:30 Club and they didn’t play many songs from older albums, which is of course what I wanted to see. Not that I don’t enjoy their newer material, but I certainly prefer some of their older less polished sounding songs. Now I knew they wouldn’t play anything like Lazy Pomorza, but I was glad to hear them play 3 songs from the Satanica album (instead of just the staple Chant For Eschaton 2000). They only played 1 song from Thelema.6 though, Christians To The Lions. Regardless, the show was a pretty decent mix. Certainly more focused on more recent material but not completely forgetting their older songs either. One thing I wasn’t expecting was a killer (but short) drum solo by their drummer, Inferno. It only lasted about a minute but it was pretty impressive. They did do the generic encore thing, which was kind of weird since the back stage area is much more open now. Behemoth’s main man Nergal came out with some sort of Roman centurion looking wooden or metal (hard to tell in the lighting) mask as they played their final song of the night, Lucifer. Kind of strange I suppose but better than that weird ‘evil teddy bear’ mask he put on for the final song last time I saw them. The show ended about 15 minutes after midnight and people started filing out into the cold right after, though the merch stand was really busy for a while.

After the show I hung out a few minutes because I didn’t want to deal with the herd of people all heading out to the door at once. It gave me a good chance to check out some of the changes to the club’s interior. The walls have all been painted orange, though the ceiling is still black. They got rid of the bar on the side by the merch stand which opens up some more room for the under 21 people. The big black drapes that hid the backstage area from the audience have been completely removed, which really makes the room seem bigger. The raised bar area around the dance floor has had new railing put in that looks much nicer, though you can’t really notice it when it’s darker. It looks like the lighting rig has had an update too. There were some new lights that looked sort of like LEDs or something, as well as a couple things that looked like rotating balls of laser pointers (not too impressed with those, hope they didn’t cost much). The club certainly does not look like a hive of scum and villainy, and comes across much more welcoming, organized and professional looking. This change certainly helps the club move past being just a ‘metal club’ to a venue that can host concerts in several genres. A part of me wonders if they’re trying to phase out the metal all together, but I think if they get more head counts like this they won’t be phasing out the metal any time soon. The place has sure come a long way since the owner posted on their website about possibly trying to sell the place in January 2008.

Not everything was an improvement though. I don’t know if it had to do with changing the shape of the interior space or maybe just a bad ear during the sound check, but the audio mix during Behemoth’s set was terrible. The vocals kind of mushed into the midrange guitar parts and the high end tones were getting drowned out by the kick drums. It didn’t seem to me that any of the audio equipment had really changed, though I really don’t know for sure. Hopefully it was just a fluke as I’ll be back to Jaxx this Friday to see Pentagram and The Gates Of Slumber. Also, though the lighting seemed to be upgraded, it’s almost all backlighting. This makes it hard to see any of the band members (besides the drummer in the back) when the spotlight isn’t on them. As you can see in the video below, most of the time they just appear as silhouettes. The stage sure is lit up, but the band members aren’t (at least not on the side facing the crowd). Combined with the fog machine, it was starting to look like just a big blur of stage lights. I’ll be interested to see what the place looks like for Kreator in March as they bring some great stage lighting with them. Overall the changes aren’t bad at all, though I’m sure some of the more die hard metal heads who have been going there for a while will take some time getting used to it.

January 9, 2010
Categories: Black Metal, Blackened Death Metal, Concert Reviews, Death Metal, Jaxx Nightclub . Tags: , , , , , , , , , , , , . Author: Metal Chris . Comments: 2 Comments

New Dying Fetus Video On MySpace Metal

Local death metal band Dying Fetus premiered a new video for their song Your Treachery Will Die With You on MySpace Metal today. This is the first track on their latest album, Descend Into Depravity, which was released in September 2009. WordPress apparently won’t let me embed videos from MySpace (lame) and since I don’t see it on YouTube yet I can’t embed the video here. You can, however, see it on MySpace here:

http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=102004204

The video is the second for a song from Descend Into Depravity, and honestly I think the first one, Shepherd’s Commandment, was better. The new one is sort of a “band playing in a room” video, where the first had a kinda cool Ang Lee split screen thing going as well as a storyline with characters. Still, it’s worth checking out and the song is pretty kick ass too.

January 6, 2010
Categories: Death Metal, Local Band Info, Washington DC / Maryland / Virginia Metal Scene . Tags: , , , , , . Author: Metal Chris . Comments: Leave a comment

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