My Hell in the Harbor photos and videos

Hell in the Harbor Fest really was a hell of a way to spend Memorial Day Weekend. The entire block of Market Street in front of the Baltimore Soundstage was blocked off and fenced in for the festival. The single outdoor stage located on the northbound lane of Market Street faced North with East Pratt Street to its back which lead to lots of pedestrians hanging around gawking and the bands performing there. The event was sold out and it got pretty crowded in the street near the stage when the more popular bands were playing there, especially since some of the food and drink vendors were located very close to the outdoor stage. That said, it def had the feel of that era of Maryland Deathfest with the single stage outside of Sonar back in the day. Everything went off pretty well it seemed, only one band canceled out of the entire line up and there was even a surprise set by Jivebomb atop a shipping container located inside the fenced in area of the fest. Big props to Adam Savage for putting this all together and to Mike O’Brien at Baltimore Soundstage for letting me cover it (and give away tickets to one lucky DCHM fan!). Below I’m posting just some of my favorite photos and videos that I shot at Hell in the Harbor Fest but you can see all of my photos from the festival on Flickr here and all of the videos I shot at the fest and other shows on my YouTube page here. And if that’s not enough for you be sure to check out other coverage of the fest by people like Melissa Suarez Photography, Hillarie Jason Photography, Return to the Pit / Aaron Pepelis, and Misery Cartel Photos.

Friday the 26th of May was the pre-show for the fest at Baltimore Soundstage. Nothing took place outdoors that night and I only shot a bit of the set of the headliner, the Swedish doom metal band Candlemass. Below is my video of their final two songs, “Solitude” and “Demon’s Gate,” but I also shot footage of their song “The Bells of Acheron” which you can see here.

The first full day of Hell in the Harbor Fest was on Saturday the 27th and the weather was sunny and warm. The first band I caught was the Ohio based death metal band Sanguisugabogg on the outdoor stage. They

Georgia based sludge band Black Tusk put on a super high energy set on the Baltimore Soundstage’s stage. It’s been a while since I have seen them live but their live show has really improved in that time, I was definitely impressed. They also played a new song, titled Brush Fire, which I shot video footage of that you can see below.

Next I saw Maryland’s own Dying Fetus perform their style of slam death metal on the outdoor stage.

The main headliner of day one was the most famous death metal band in the world, Cannibal Corpse! This was my first time catching them live since Erik Rutan joined the band and I’ve got to say they seemed even tighter with him in the line up. In the video I shot below lead vocalist George “Corpsegrinder” Fisher challenged the audience to best him at head banging (I don’t think anyone beat him tbh).

Eventually I found my way over to Angel’s Rock Bar inside the Power Plant area to catch Tombs play. They were solid but they had the stage lights turned down low and a ton of fog so the conditions we’re pretty poor to try to shoot anything in.

Sunday the 28th of May was the final day of Hell in the Harbor Fest but had what I considered the best line up of the weekend. The first band I caught was the chainmail wearing blackened speed metal band Demiser from South Carolina inside Baltimore Soundstage. I shot the below video of them including an epic stage dive by DCHM contributor Vivek at the 4:11 mark.

After Demiser I went outside to catch Misery Index on the outdoor stage. They’re always a fun band that is mostly local (founding member Jason Netherton now lives in Sweden) and they always do a good job of song selection for their live shows. Their drummer, Adam Jarvis, had an intense day as he also played with Pig Destroyer, the next band to play on the same stage that day.

I saw Michigan based grind band Cloud Rat perform next inside Baltimore Soundstage, but their set was really short (even by grindcore standards) due to technical issues causing them to start about when their allotted time was supposed to end. Luckily I’ve seen them before but next up I headed outside to catch local grindcore legends Pig Destroyer on the outdoor stage. By this point there were a lot of normies hanging around the outside of the festival watching what was going on not just on the street but even in the nearby stores such as the second story of the Marshall’s. Pig Destroyer vocalist even gave a shout out to all the onlookers on the street and in the IHOP and Marshall’s. The crowd surfers were starting to show up during their set and there’s something very Baltimore about witnessing the Chicken Man crowd surf in front of a Popeye’s. It was a fun set as always

The next band I caught was the Toronto based black metal band Spectral Wound. I had never seen them before and they put on a spooky show with lots of fog. The band came ready to play and their set was tight and very high energy as well. I shot a video of them playing their incredible song “Frigid and Spellbound” followed by a new song that I don’t know the title of, check it out below!

I really wanted to catch all of Spectral Wound’s grim and frostbitten set but I left about four songs in because one of my all time favorite bands to see live was on the outdoor stage at the same time, the legendary Napalm Death! I don’t know how they continue to do it but one of the oldest bands on the bill still puts on one of the best live shows of any metal band in the world. Always intense and fun, Napalm Death blasting out into the Inner Harbor of Baltimore was just awesome. The crowd surfers went wild during their set, the most I saw for any band the entire fest. I shot video of the last nine minutes of their set, which includes their cover of the Dead Kennedys classic Nazi Punks Fuck Off! which you can see below.

By the time Napalm Death ended their set Richmond’s Inter Arma was already on stage inside the Baltimore Soundstage. Another band that I love to see live, this was the first time I’d seen them with a theremin player on stage.

When Inter Arma’s set ended I had just seen several killer sets back to back to back and it was time for a bit of relaxing (read: tailgating) during High on Fire’s set. It’s not that I don’t like Matt Pike’s thrashy sludge band but I have seen them a ton of times in the past. I made it back in time to catch Undeath‘s wild set inside Baltimore Soundstage. The stage divers were going nuts during their brutal set and played a new song, titled “Brandish the Blade” (see it here). The Chicken Man was up to his normal antics and managed to get up on stage with a flag during “Enhancing the Dead” that I captured on video that you can see below.

I headed over to Angel’s Rock Bar for Philadelphia’s Sonja. I had caught them at a house show in Takoma Park back in December but that show suffered a bunch of technical issues so the sound was not idea. That’s fairly typical for house shows but their performance at Angel’s definitely seemed like more of a real show this time.

After Sonja played it was time for New York City’s Tower to close out Angel’s Rock Bar. I wasn’t familiar with Tower but they played an energetic style of traditional metal lead by frontwoman Sarabeth Linden. They were one of those bands that you can just tell is having a blast performing together, really fun to watch. Unfortunately they blew an amp head and while they were figuring that out I headed over to catch the end of Hulder‘s set at Baltimore Soundstage. Luckily I had seen Hulder in NYC back in February with Blackbraid because they cut their set short by about 15 minutes. Kind of a weird way to end the fest but as the lights came on I started doing my goodbyes to people I’d seen there. In all Hell in the Harbor Fest was executed really well. Aside from a few issues about crowding near the outdoor stage, there really wasn’t much to complain about (ok drink prices were pretty high too). I got to see some great performances by great bands, some that I’d seen before and some that I hadn’t, and of course the best part was getting to see a good chunk of the people I typically run into at Maryland Deathfest despite no MDF this year.

I hope you all enjoyed my photos and videos, remember you can see more of my pics from this fest here and of course all of my videos are up on YouTube here. Be sure to check out other people that covered the fest like Melissa Suarez Photography, Hillarie Jason Photography, Return to the Pit / Aaron Pepelis, and Misery Cartel Photos.

Hatebreed ticket give away

Hatebreed at Baltimore Soundstage

This Sunday, November 26th, metalcore masters Hatebreed are playing the Baltimore Soundstage with local death metal legends Dying Fetus! We’re so excited for this show that we’re giving away a pair of tickets to this show to one of you lucky DCHM readers. To enter: just leave a comment on this post telling me what metal band you’re most thankful for. Maybe they’re your favorite band, maybe they helped you through a rough time or maybe they did something super awesome for their fans or a charity or something. This is a short running contest due to the holiday this week so don’t wait to end because at 6pm EST on Wednesday, November 22nd the contest will close and a winner will be chosen at random (using Random.org) from all valid entries. Be sure to enter using an email address you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $23 here.

Hatebreed formed in the late 90s and released their 8th studio album, The Concrete Confessional, last year. It was their first release on Nuclear Blast Records and it peaked at 25 on the Billboard charts, showing that they’re still hitting hard after all these years. Dying Fetus is bringing the slamming riffs to this show as well. They just released their latest album, Wrong One to Fuck With in June so we’ll finally get to hear some of those sick new tunes live. Code Orange is a hardcore punk band from Pittsburgh who released their third album, Forever, on Relapse Records earlier this year. Opening the show will be the Los Angeles based Twitching Tongues, a band that blends doom metal with hardcore. Be sure to check out these videos from the bands below and leave a comment telling me which metal band you’re the most thankful for!

Hatebreed – Something’s Off

Dying Fetus – Die With Integrity

Code Orange – Forever

Twitching Tongues – Disharmony

Summer Slaughter ticket give away

Summer Slaughter at Empire

On Tuesday, August 12 (that’s next week!) the Summer Slaughter Tour makes its only area stop at Empire. The bill is loaded with some of the most brutal death metal bands in the world, including: Dying Fetus, The Faceless, Thy Art Is Murder, Goatwhore, Origin, Decrepit Birth, Within The Ruins, Fallujah and Boreworm. This week DCHM is giving away a pair of tickets to the show at Empire to one of you lucky readers of this site. To enter leave a comment on this post telling me which band you’re most excited to see at Summer Slaughter this year. At 5pm EST this Friday, August 8th, a winner will be chosen at random (using Random.org) from all valid entries to receive two tickets to the show! Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner within 24 hours another winner will be chosen at random. If you can’t wait to see if you win, or the contest is already over when you read this, then you can get tickets from Ticket Fly right now for $30 here.

Fans of death metal do not want to miss this show! With bands like The Faceless, Goatwhore, Origin, Decrepit Birth and Maryland’s own Dying Fetus all playing, you can be sure this show will satisfy all your mosh pit and headbanging needs. There will be food specials all day and be sure to bring a few extra dollars for some of the sick looking merch that you just know will be available with this many death metal bands on the bill. Now check out some of the tunes below and tell me, which band are you most excited to see at Summer Slaughter this year?

Dying Fetus – From Womb To Waste

The Faceless – Accelerated Evolution

Goatwhore – Baring Teeth For Revolt

Origin – Absurdity Of What I Am

Decrepit Birth – The Resonance

Maryland Deathfest X Day 1: Thursday

Back to the MDF menu page here.

When I arrived at MDF on the sold out first day, Thursday, the band that was playing was Rorschach. They’re an old school hardcore band from New Jersey that broke up in 1993 and didn’t reform until 2009. I didn’t get close enough to get any decent photos but I did shoot this video of them covering King Crimson’s 21st Century Schizoid Man. They were good but I didn’t really get into the show until the next band.

The next band to play was Maryland’s own death metal kings Dying Fetus. Their set wasn’t super long but they did play two songs from their upcoming new album, Reign Supreme. The band recently released a music video for the song From Womb To Waste featuring live footage shot at Maryland Deathfest that you can see here. I happened to shoot video of the same song, posted below, so think of it as a sort of preview for the official video. The song is good but really picks up at about 2:42 into the video when they launch into one of their famous break downs. I’ve seen Dying Fetus several times and while this set was a bit short it was still enough to get me into the whole MDF weekend mode.

John Gallagher of Dying Fetus

Sean Beasley of Dying Fetus

The next band to play was Absu, a black metal band from Texas and one of the staples of American black metal (or USBM for short). Their drummer, Proscriptor, is the main man of the band and it always cracks me up a bit how he constantly uses his “metal” voice on stage, even when addressing the audience between songs. Regardless, they put on a good show but were really just a small tease of the epic black metal that would be coming up later in the weekend. I shot a video of them playing Earth Ripper, the first song off their 2011 album Abzu.

http://www.youtube.com/watch?v=e246t_4jPxU

Ezezu of Absu

Ezezu of Absu

Absu at Maryland Deathfest X

Ezezu of Absu

Vis Crom of Absu

Next was the New Orleans based sludge metal band Eyehategod. The crowd had been turning over a lot as I stood on the rail for band after band, and when Eyehategod was coming on the black metal heads made way for the crusties who got really rowdy for this performance. It was fun to be in the middle of but hard to shoot much so I didn’t get a lot of shots off. The show was good but I don’t think they played anything special really. I shot the first two videos below but the next two are from Total Fucking Mayhem.

Mike Williams of Eyehategod

Eyehategod at Maryland Deathfest X

Brian Patton of Eyehategod

Brian Patton of Eyehategod

The next band to play was Agalloch, from the Pacific Northwest, as they put it, though I think they’re from Portland more specifically. I thought their performance was the best of the night, and their set list was mostly songs from their first two albums, which was great if you ask me. The only real problem I had with their set was that John Haughm’s clean vocals were just off. Regardless, they played one of my favorite songs of theirs, Hallways Of Enchanted Ebony, and they also played You Were but a Ghost in My Arms for the first time ever live, even though it is from their second album, Mantle, that was released in 2002. I’ve got video of both of those songs below, so check em out. They certainly weren’t the heaviest band playing MDF but they got people moshing anyways.

http://www.youtube.com/watch?v=qAlVHW8HIns

http://www.youtube.com/watch?v=vboqmlK4aVM

Jason William Walton of Agalloch

John Haughm of Agalloch

John Haughm of Agalloch

Agalloch at Maryland Deathfest X

The final band of the night was the headlining act, Autopsy, a death metal band from the Bay Area. They had their reunion show at Maryland Deathfest two years prior, but since that show they aren’t a touring band and only play one off gigs here and there. I’m sure there were people who came out Thursday just to get to see them. Unfortunately there were technical difficulties that led to them starting their set 45 minutes late. They ended up getting cut off by the venue before their set was done, which was pretty shitty. The delay was pretty unprofessional, the MDF guys should have any and all back up gear ready for a headlining act so this lengthy of a delay doesn’t ever happen. However, they wouldn’t be the only headlining act to be delayed over the weekend and it was probably my one big complaint with the fest this year. Anyways, check out the four videos I shot of them below, as well as one more by Total Fucking Mayhem.

Eric Cutler of Autopsy

Eric Cutler of Autopsy

Joe Allen of Autopsy

Chris Reifert of Autopsy

Eric Cutler of Autopsy

Continue to day 2: Friday here.
Back to the MDF menu page here.

Summer Slaughter Ticket Give Away

The Summer Slaughter Tour is coming to Washington DC this year and this wouldn’t be DCHeavyMetal.com if I wasn’t giving away tickets to this heavy concert! They’re coming to the 9:30 Club on Monday, August 15th, 2011. All you have to do to enter to win is post a comment below telling me which of the 10 bands on this tour you are the most excited to see play (they’re listed in the paragraph below). One winner will be chosen at random from all valid entries to win a pair of tickets to the concert, awesome! Make sure you enter in a valid email address you check regularly when you submit your comment so I can contact you if you win, though it doesn’t need to be in the comment itself. Don’t worry I won’t add you to a list or anything, I hate spam as much as you do. On Friday, August 12th at 5pm EST the concert will end and I’ll select a winner at random (using Random.org) from all the comments below to win the pair of tickets. UPDATE: I’m going to extend this one an extra 24 hours, so you have until 5pm EST on Saturday August 13th! If the winner doesn’t respond within 24 hours I’ll pick another winner. Don’t be a jerk and enter multiple times or I’ll disqualify all your entries.

This year’s Summer Slaughter Tour is making it’s only area stop at the 9:30 Club on this Monday afternoon in August. There’s a total of 10 bands on this tour, but what really makes this show special is that two of them are a couple of local bands I know you have heard of before, Darkest Hour and Dying Fetus! That’s right, they’re both on the tour and are coming through with headliners The Black Dahlia Murder and White Chapel. If that wasn’t good enough there’s Six Feet Under, which is the current band of original Cannibal Corpse vocalist Chris Barnes and also features Terry Butler on bass who played in Death on the Leprosy and Spiritual Healing albums. There’s also the video game themed metal band Powerglove who will be doing some sort of half time show. I’m not sure what that entails but they tend to wear costumes that are some sort of cross between Gwar and 90s video game characters. But that’s not all, there’s also several other bands, namely: As Blood Runs Black, Oceano, Fleshgod Apocalypse and Within The Ruins. This show is going to be big! If you can’t wait for the contest to end or if you don’t win you can get tickets from Ticket Fly for $24 here. Doors open really early for this one, 2:30 pm in the afternoon so be sure to bring a few dollars for food as the evening goes on. The 9:30 Club has a full menu and there’s also several local restaurants within walking distance along U Street that you can hit up as well. There is re-entry, just make sure you get your hand stamped to get back in. If you’re still not sure which band to pick just check out this video which is a short sampler of all the bands on the tour.

Review of Cannibal Corpse gig at the Rock And Roll Hotel

This tour had, without a doubt, the best death metal line up of any North American tour this year. Devourment opening for Vital Remains, local favorites Dying Fetus and the kings of death metal themselves, Cannibal Corpse. On Sunday the 21st of November they all brought their combined brutality to the Rock And Roll Hotel in Washington, DC (you thought I was going to say Jaxx, didn’t you?) and aurally assaulted this venue like never before. Now I’ve seen a few metal shows at the Rock & Roll Hotel before, but they have not had any death metal, and what a great tour to bring in for their first extreme metal show at the venue! They didn’t have any local support, but luckily I’d just gone to see a great set of local death metal the night before at Jaxx, (my review of that show is here) so it was sort of like the openers played the night before.

When I first got to the venue, Devourment was already playing. I’m not sure how long they played but I saw them play four songs. There was already a good size crowd amassing so I stayed to the back of the room near the soundboard so that I wouldn’t damage my nice camera (they wouldn’t let me use it so I had to store it during the other bands’ sets). Because of all this I wasn’t in a great place to get video or still shots of these guys. They had the crowd already going though when I got there, and between every song I saw, and also in the middle of half of their songs, the lead singer, Mike Majewski, would instruct the crowd to mosh in a circle pit. The set seemed to focus on older material, I remember them playing “Choking On Bile” as well as closing with “Babykiller.” This was kind of odd though, since the band is hardly the band it used to be. “Choking On Bile” is from the band’s first full length, Molesting The Decapitated. That album totally rules, don’t get me wrong, and if you want to hear some of the best underground death metal there is, check that album out. But the band playing this night only had one member remaining from back then, the bass player, and he was now on vocals! This and the fact that Devourment will also be playing again in May at Maryland Deathfest (much more info about that on my calendar here) made me not so upset about missing some of their set this night. Also, their guitarist put on a white horse head mask for the final song, I have no idea why.

The next band to play was Vital Remains. No, Deicide‘s Glen Benton was not playing with them, though their bass player was wearing a Stench Of Redemption shirt. I’d put my DSLR away and had my point and shoot camera ready and was standing in the front by the time they took the stage. The vocalist, Scott Wily, had on these spiked Immortal-esque bracers and was again telling people to keep a circle pit going. Ok, really? I remember thinking how dumb it was watching hardcore kids do laps in circle pits, why are these death metal bands encouraging this instead of straight up brutal mosh pits? Whatever, it was all to my back for the most part anyways. They did play a great set made up mostly of material from their two most recent albums, Icons Of Evil and Dechristianize. That’s fine by me, even though I often want bands to play older songs I’ve always enjoyed their more recent material as I think they really refined and defined their sound. Plus it’s fucking faster than their old stuff, and trust me they don’t slow it down live. Most of the people near me seemed to know most of the words to “Dechristianize” and were screaming along with it, which goes to show the power of getting an iconic vocalist like Benton on those studio albums. Of course with their long songs, their set seemed to fly by and since there were still two more bands to play their set was shorter than I’d have liked. They also didn’t play the song “Shrapnel Embedded Flesh” (a personal favorite of mine) but other than those two minor gripes they really did a kick ass job of taking the brutality up a notch.

The next band set to play was Dying Fetus. Now, before I make my next statement here, let me first say that I haven’t seen them in quite a few years and that might have something to do with my opinion on the matter. That said, Dying Fetus fucking killed it this show and really, I think they showed up Cannibal Corpse. Their setlist was great from start to finish, and while their stage time was shorter they didn’t talk a lot between songs. For the most part they just played some brutal fucking death metal, of course with all those grind elements and breakdowns their sound is known for. Dying Fetus is from the DC suburbs of Maryland and I don’t know if that was the reason why, but they did play a lot of older material, including two songs off of the Killing On Adrenaline album, which was awesome. Some of these songs I hadn’t even listened to in years and I really enjoyed remembering them as they played songs from their entire back catalog. They even played the song “Eviscerated Offspring” from their 1994 demo! The mosh pit went crazy, combining brutal death metal with catchy breakdowns will do that, haha. There are a lot of bands who do that now of course, to the point it can get really annoying really quickly, but after seeing this gig there is no question in my mind that Dying Fetus are still the best at it. They opened with “Praise The Lord (Opium Of The Masses)” which really set the tone of the show from the start, and the intensity didn’t let up until they finished their set with “Kill Your Mother, Rape Your Dog.” In all, it was a great performance by one of the leaders in death metal.

Finally it was time for the headliner, Cannibal Corpse. They played the area not too long ago, when they came to Jaxx back in April (my review of that is here) and this concert wasn’t a whole lot different really. There are some things you can expect at a Cannibal Corpse show these days, brutal music is one of them of course. But you also know that when their vocalist, George “Corpsegrinder” Fisher says the next song goes out to all the women in the audience, they’re going to play “Preacher Of Sodom” (it used to be “Fucked With A Knife” but that song doesn’t seem to be part of their set list any more) and you know when he says Hammer Smashed Face is their last song of the night, after it’s done he’s going to say he lied about it being the final song as they start playing “Stripped, Raped And Strangled.” This show had all that of course, but there were a few surprises. For one, they played the song “Gutted” off of Butchered At Birth, and Corpsegrinder said that he grew up in Baltimore so the show was a sort of coming home and he reminisced about coming to see concerts at the 9:30 Club and the like and he said the Rock N Roll Hotel had a similar feeling to those places back then. He also challenged the audience to keep up with his extreme headbanging during the song “I Cum Blood,” and I’ve got video of that below you can watch. A few touches like those aside, the show was fairly typical for Cannibal Corpse, and while I’ve seen them play a hell of a lot of times, you could tell by all the X’s I saw on people’s hands that many of those in attendance probably hadn’t seen them before and the aspects of the show I see as becoming a pattern were all new to them. The venue was pretty packed and I saw the guy in the full body chicken suit in the mosh pit (hadn’t seen him around in a couple years!) as well as a guy in a V For Vendetta style Guy Fawkes mask. Yeah, Cannibal Corpse draws an odd crowd. Their set was intense and sweaty and brutal as always, and it was a lot of fun. And I know I’ve seen them play at least 10 times before, but I’ll never get tired of watching Cannibal Corpse play “Hammer Smashed Face” and “Stripped Raped And Strangled” back to back while standing two feet in front of me. Those are two of the most iconic death metal songs ever written and essentially define the band, if not the death metal genre itself.

At this concert I could tell the District is hungry for more metal and several people asked me about my site after seeing the logo on my shirt, all basically saying the city needed something like that. Even the manager of the venue told me he’d be interested in having a regular metal night there. I sure as hell would like to see something like that happen. Even though the bands were crammed on the stage, this was a great show to bring death metal back into the city with. I know a lot of the people there won’t head out to places in the suburbs like Jaxx for concerts a lot due to transportation and other issues. It was another good turn out, reinforcing the fact that heavy metal is on the rise in the entire area, not just the suburbs. It was also my second great death metal concert in a row, what more can you ask for? Now check out the videos I shot of the final three bands below.