This blog specializes in heavy metal music and how it relates to Washington DC and the surrounding area. Featuring info on upcoming metal concerts in Washington DC, Baltimore and Virginia, as well as info on local bands, area concert venues, reviews of live gigs, and lots of give aways.
If you like your doom metal with an extra dose of heavy and a heaping side of gloom then you don’t want to miss Pallbearer coming to the Rock & Roll Hotel on Wednesday, September 12th, 2012. DCHeavyMetal.com is giving away a free pair of tickets to one lucky winner to catch this must see show and all you’ve got to do to enter is leave a comment at the end of this post telling me which metal band you’d like to see come to the Rock & Roll Hotel next! On Monday, September 10th at 5pm EST I’ll pick a winner at random (using Random.org) from all valid entries to get the free pair of tickets to the show! Be sure to enter with a valid email address you check regularly so I can contact you if you win. If I don’t hear from you in 24 hours then I’ll pick another winner to get the tickets. Don’t worry, I wont add you to any email lists or anything like that, I hate spam too. If you enter more than once then all your entries will be disqualified. If you simply can’t wait to see if you win the contest you can get tickets from Ticket Alternative here for $12.
Pallbearer’s debut album, Sorrow And Extinction, was released in February and has been making waves in the world of doom metal, and for good reason! The Arkansas based band uses clean vocals on top of crushingly heavy riffs that will have you feeling the weight of that casket when you hear them play live. As an extra bonus, everyone in attendance can pick up a free copy of Pallbearer Live on 10″ vinyl provided by Scion A/V at the merch booth. The opening act on the Paths To Oblivion Tour is Royal Thunder, an Atlanta, Georgia based rock band. Samothrace was supposed to be on this tour but had to drop due to an “immediate illness in the family of a band member” according to this post. For this show their spot on the bill has been taken by Asthma Castle, a Baltimore based band that should fit perfectly with the two touring bands. Now crank up the song below, Devoid Of Redemption, while you enter the contest below. Good luck!
On Sunday the 29th of July 2012 the giant touring metal festival known officially as the Rockstar Energy Drink Mayhem Festival, or just Mayhem Fest for short, came to its Washington DC area stop at Jiffy Lube Live. The venue is actually out past Manassas in Bristow, Virginia and some of the bands addressed the audience as Virginia and others as DC. Anyways, it was a hot day under a brutal sun for this year’s Mayhem Fest. I got there early trying to catch the first couple of bands but the line was so long I missed Richmond’s Saint Diablo and didn’t get in until after their set when the next band was setting up. All day the bands started their sets about seven minutes earlier than the program schedule listed them at which meant you had to get there ahead of time to catch the bands you cared about most. Early in the day I was mostly interested in seeing the local bands since High On Fire had dropped off the tour, so I wandered around for a while getting different directions on where exactly the Sumerian Records stage was. It was in the big fenced off section of the parking lot being completely dwarfed by the much larger Jägermeister stage that was right next to it. I made sure to get up close to get a few pictures of Depths Of Mariana, a Fredericksburg based metalcore band who had won a local battle of the bands competition to get to play at this stop of the Mayhem Fest tour. The stage was small, only raised a few inches, and was completely covered by a double pointed black tent that made it hard to see the band members if you were more than a few people back. I’m sure nobody running the festival really cared much about the two local bands who had won competitions to get to play on that stage. I asked tons of people who the bands actually were leading up to and at the fest but nobody seemed to know or even care. However I knew it would be a big day for those bands so of course I wanted to at least try to get some nice photos of them. Depths Of Mariana was a pretty typical metalcore band. The vocalist and bass player both had good stage presence and the band seemed to be having a lot of fun just playing at Mayhem Fest. I’m not really a fan of metalcore and can’t really give a good assessment of the band’s sound based on that. The same goes for most of the earlier bands playing that day, but I’ll get into that more towards the end of this post.
After they played I spent some time browsing at some of the merch booths that were set up, getting food and beer, refilling the water bottle I was allowed to bring in and holding my breath in the men’s rooms turned urine saunas. By the time Anthrax was getting ready to play I was pretty ready to headbang. They were the headlining act on the Jägermeister stage, which featured a bunch of mostly metalcore (and other variations of the genre) bands throughout the day. Anthrax was a bit of a contrast to that, they’re much older than those other bands, probably old enough to be most of their fathers honestly. They’re also one of the big four of thrash metal. They currently have Joey Belladonna as their vocalist, still rocking the mullet, and he was full of energy up there. Scott Ian and the rest of the band still command a considerable amount of on stage charisma. The band made a good choice to play Caught In A Mosh early in the set which got a bunch of the circle pit loving metalcore fans into their performance. The parking lot area that the stage was set up in was really dirty, the moshers kicked up swirling clouds of dirt under the hot sun, and to make matters worse, due to the venue’s ABC license not covering the parking lot area you weren’t allowed to bring or buy any alcohol in that area. That’s right, you couldn’t actually drink Jägermeister at the Jägermeister stage! Regardless, Anthrax put on a fun, if short, performance. It was a good precursor of what was to come later from the bands that old school metal heads like myself were waiting to see on the main stage.
Right after Anthrax closed out the Jägermeister stage the other local battle of the bands winner, Spiral Fracture, started playing on the Sumerian Stage. Unfortunately for them, at the exact same time Asking Alexandria started playing on the main stage which pulled most of the available audience away from their small stage. Spiral Fracture is based out of Richmond and their sound was less ‘core than the other contest winner from earlier. I ended up getting frustrated though when the band’s singer kept pouring opened energy drinks onto the audience by holding an open can and swinging his arm. That’s fine when you’re playing some basement somewhere but when people are bringing expensive equipment to photograph you at a big festival don’t spray them with liquids! I walked away angry before I shot all of the band members to quickly clean off that sticky gunk before it go into my camera’s lens permanently.
Luckily when you’re at a metal festival there’s plenty of good ways to vent your frustration and watching Lemmy Kilmister shred with Motörhead is as good of an opportunity for that as any you’re going to find! The trio was in good form and kept the speed metal going pretty solid their entire set. The last time they came through the area they were playing their first show with the ex-Guns N’ Roses drummer Matt Sorum. This time they had Mikkey Dee back and you could tell he had better chemistry with the rest of the band. Even so, they gave him a big drum solo that seemed a bit unnecessary considering they were only given about 45 minutes to play. I realize Motörhead have been around a long time and have put out a lot of material, 21 studio albums worth, and not all of it is going to get played in their set, especially a shortened one, but I was really hoping to hear Orgasmatron or maybe even Don’t Need Religion, which I think would have been perfect since they were playing just before Slayer. They did play many of their standards including Killed By Death and Ace Of Spades though, so it wasn’t exactly a bad set list. They put on a good performance and I’m glad to see Lemmy’s still got it on stage.
The next band to play was the band I wanted to see the most, the infamous Slayer. They are another one of the big four of thrash and certainly the most devilish sounding of them. Slayer is a gateway band for a lot of metal heads. At some point a lot of us started listening to heavier and heavier bands until we came across Slayer’s extremely catchy yet inherently evil sounding riffs which opened the door for us to the world of extreme metal. They might be a thrash band but just try to find a death metal band that can’t cover several of their songs. In other words, they’re gods in the world of metal, but if you’re reading this site you probably already knew that. The stage set up was fairly simple yet pretty awesome. They had two giant upside down crosses on stage that were made of (fake) Marshall Amps that shot fireballs out of them. There were walls of fire in front of both of those and in the center above everything was a metal Slayer logo that also lit up in fire. Combined with the red lighting they used for much of their set it basically looked like you were in hell watching a metal concert. In other words, it looked totally demonic which set a mood that certainly fit Slayer’s aggressive sound. At the end of this post there are three Slayer videos from the show that you can see the fiery set up in pretty well, especially the third one. They even had the fire timed with the music which sort of reminded me of that YouTube video of the Christmas lights timed to Slayer that goes around every winter (see it here). However this was much cooler to behold! I’ve seen Slayer many times before but this was the first time I have seen them with Gary Holt of Exodus filling in for Jeff Hanneman on guitar. Gary did a great job playing those classic songs many of us in attendance know so well. Tom Araya is really starting to look older these days but he was still up there screaming and shredding like always, albeit without the headbanging as per doctor’s orders. Kerry King was, well, Kerry King, playing those evil riffs that make moshers go crazy in the pit. Most of their set list was taken from Reign In Blood and Seasons In The Abyss, as one would expect. I’d have rather heard Black Magic instead of Hate Worldwide, the sole song from their last album, but that’s really a minor gripe. After they played Angel Of Death they actually performed an encore of South Of Heaven and Raining Blood, which was kind of odd since they weren’t the headlining act, but I’m certainly not complaining.
The next band up was the headlining act, Slipknot. I’m not going to pretend that I’m some old fan of the band, I’m not, but I hadn’t seen them live before and I’ll usually check out any metal band at least once, especially if I’m already at the concert. For starters, the band has a ridiculous number of people on stage, most of whom are unnecessary except in their roles of pumping up the crowd which I found to be rather distracting for the most part. There were eight members on the stage, plus a bass player who was playing backstage somewhere which was a bit weird. I realize that founding member Paul Gray, aka #2, passed away in May of 2010 from drug use, they had his bass on stage for this show as a tribute to him, but to have someone playing with the band from backstage sort of makes the whole band-playing-together-live thing seem a bit disjointed. In all the whole thing seemed like a convoluted circus, but perhaps that’s the angle they were going for, a sort of metal circus or something. There were also several photographers and/or camera men actually on stage, even stepping into the spotlights from time to time, during Slipknot’s set. That seemed very amateurish for a band this size. The band’s masks were throwbacks to their early days, but that doesn’t mean much to me as I’ve not been following them for years. One thing that I thought was cool was that the keyboard player would stage dive into the audience from time to time. You don’t see many big bands like that actually interact with the audience to the point of touching them. The beer keg drum kit on the raising and spinning platform didn’t really interest me, even when the guy was banging it with an aluminum baseball bat in time with the music. In all their show just came off as a big mish mash of gimmicks that didn’t even seem to relate to each other that much. And why the hell do they have two extra drummers in the first place? Joey Jordison, the guy behind the real drum kit, is probably the most talented member of the band and he certainly doesn’t need help in the percussion department. And as far as their musical sound overall…
Well, I could take this time to rant about the kind of metal Slipknot plays but I’m not going to do that. I don’t like their music but then I don’t really like the style of metal they play in the first place so it wouldn’t be fair for me to criticize them for that. They’re still a huge metal band, even without a new album for this tour cycle they’re headlining Mayhem Fest. I heard a lot of trash talk from old school metal heads who were upset, offended even, that Slipknot was headlining over bands like Slayer, Motörhead and Anthrax, but personally I didn’t have a problem with it. Same goes for all the metalcore bands that were playing on the other two stages earlier in the day. It might not be my thing but everyone is at a different place on their musical path. Music means something different to everyone. How we listen, why we listen, how much we listen, what we do while we listen, when and where, there are so many different ways people interpret music and ways we become attached to it. I don’t expect everyone to like the same bands or styles of music or metal that I do, in fact expecting them to would be inviting in conformity. I’d be a liar if I told you there was never a time when I liked some questionable bands, especially when I was younger and first getting my passion for music. Anyone who tells you that they have never liked a band they would now find embarrassing to admit is certainly not being truthful. I remember listening to Def Leppard and other similar acts when I was in elementary school and loving that 80’s pop rock garbage but I also got a copy of Metallica’s Ride The Lightning and that totally changed how I listened to music. We all start somewhere and we move forward, and when Slipknot headlined over Slayer on Sunday it wasn’t a travesty, it was a bunch of people who already like some heavy music getting exposed to Slayer while they waited for their favorite band of the day to play. Maybe most of them hated it, I don’t know, but I’m sure that out of the 20,000 or so people there that at least some of them left wanting to know more about that evil sounding band with all the fire on stage. And like I said earlier, Slayer is something of a gateway band. I guess what I’m saying is, instead of telling someone their taste in music sucks and they don’t belong, expose them to a great band instead. Help them along their path, don’t criticize them for not being where you are. They might never get to where you are and instead forge their own path which takes them on a totally different musical journey in their life. I’m sure some of the people at Mayhem Fest only go to a few concerts every year, and for some this was their first concert ever. There’s no reason to be elitist and tell other people they don’t like metal the right way or that they’re not the right kind of people to like metal. That goes for the hipsters that are “invading” metal right now too. Let’s get more people listening to metal and going to more metal shows! I guess that’s the point of this site in the end anyways. A tour like Mayhem Fest that brings out a lot of younger people to a big metal show and also exposes them to some of the bands us old farts like isn’t a bad thing, it’s great!
In the end I’m really glad I went to Mayhem Fest this year, it was the first time I’ve been to this annual touring metal festival if you can believe that. It was also the first time I was given a press photo pass (except for Slipknot) at a venue this size and while I was a bit nervous I had a hell of a lot of fun shooting bands on such a big stage. It was great experience and I learned a hell of a lot. If you like my photos in this post you can see the rest of my shots from Mayhem Fest here. I guess people liked them because Mayhem Fest posted the link to them on their Facebook page (here) as well. Of course you can check out the three videos of Slayer playing below and I’ve also embedded a video that Mayhem Fest posted with footage of the Bristow date below those. Thanks for getting through my rant and reading to the end of all this, you rule. Stay brutal and remember to support the scene you’re a part of!
DCHeavyMetal.com is bringing you another chance to win some free tickets! This time you can win a free pair of tickets to see the Noise Revolution Tour bring the industrial bands Static-X, Prong, Davey Suicide and 9 Electric to the Fillmore Silver Spring on Wednesday 1 August 2012. That’s this coming Wednesday! To enter just leave a comment at the bottom of this post telling me which of the bands you are most excited to see. I wrote short descriptions of each act in the next paragraph to help you out. At 5pm EST on Tuesday the 31st of July a winner will be picked at random (using Random.org) from all of the valid entries. Make sure you enter in a valid email address you check regularly when you submit your comment so I can contact you if you win, though it doesn’t need to be in the comment itself. Don’t be a jerk and enter multiple times or I’ll disqualify all of your entries. And please don’t enter if you can’t make it to the show. If you don’t want to wait to see if you win or this contest is already over when you read it, you can get tickets from Live Nation here for $30 (after fees).
Static-X formed in LA in the mid-90’s and quickly became one of the biggest industrial metal bands in the world. They haven’t put out an album since 2009’s Cult Of Static, however the band’s main man, Wayne Static, did put out a solo album last year named Pighammer. Maybe they’ll mix in some material from that or if we’re really lucky a brand new Static-X song or two. Direct support on the tour is provided by Prong who started snapping fingers and necks in New York City in the late 80’s as a thrash band. Over the years they began adding more industrial elements to their sound which means they should be a great support act on this tour. The opening acts Davey Suicide and 9 Electric are both Hollywood based industrial bands. They’re up and comers in the industrial metal scene and give a good glimpse of what the bands influenced by the likes of Static-X will sound like moving forward. In short be sure to get there early so you can check out some rising talent.
Still having trouble deciding which band you want to see most? Check out these music videos, one by each band, to give them all a listen!
Maryland Deathfest is the area’s biggest metal event every year and while it has taken me a few weeks to get through the mountain of photos and videos I shot at Maryland Deathfest X but I’m finally done! There’s so much stuff that I’ve actually broken this post up into several posts, this one and then one for each of the four days. You can see all of my MDF X photos and videos, including things that aren’t posted here, by going here for photos and here for my videos on YouTube. Also, I came across a site run from Las Vegas called Total Fucking Mayhem (check it out here) and they’ve got some quality video footage, sometimes much better than mine, that they’re are allowing me to use in this post as well. They also have some from bands I didn’t see so check out their YouTube page for those videos here.
Keep in mind I didn’t get a press pass for the fest so all the footage I shot was from the audience, moshers and crowd surfers going overhead just like everyone else. I did a lot of waiting to get up front for specific bands so I could get some good shots, but even so there are some I simply couldn’t get up close for since I still haven’t figured out how to be in two places at once. Also, I was pretty much stationary so I had to shoot whoever was on the side of the stage I was most of the time. Some bands I took more time to shoot for whatever reason, usually because they are a personal favorite of mine, and for some bands I don’t really love any of my shots of but hey when you shoot this many bands at once some are going to be much better than others.
I had a lot of fun at this years Maryland Deathfest, it was great meeting some fans of the site and handing out stickers, meeting people from all over and talking metal with them, and of course getting to see some rare and just plain kick ass performances. If you’d like to read the whole post you’re awesome and please start here, but if you’d just like to skip ahead to any one day you can do so below, or you can even just click on a band’s name below to read my paragraph about them and see my photos and videos of them as well.
When I arrived at MDF on the sold out first day, Thursday, the band that was playing was Rorschach. They’re an old school hardcore band from New Jersey that broke up in 1993 and didn’t reform until 2009. I didn’t get close enough to get any decent photos but I did shoot this video of them covering King Crimson’s 21st Century Schizoid Man. They were good but I didn’t really get into the show until the next band.
The next band to play was Maryland’s own death metal kings Dying Fetus. Their set wasn’t super long but they did play two songs from their upcoming new album, Reign Supreme. The band recently released a music video for the song From Womb To Waste featuring live footage shot at Maryland Deathfest that you can see here. I happened to shoot video of the same song, posted below, so think of it as a sort of preview for the official video. The song is good but really picks up at about 2:42 into the video when they launch into one of their famous break downs. I’ve seen Dying Fetus several times and while this set was a bit short it was still enough to get me into the whole MDF weekend mode.
The next band to play was Absu, a black metal band from Texas and one of the staples of American black metal (or USBM for short). Their drummer, Proscriptor, is the main man of the band and it always cracks me up a bit how he constantly uses his “metal” voice on stage, even when addressing the audience between songs. Regardless, they put on a good show but were really just a small tease of the epic black metal that would be coming up later in the weekend. I shot a video of them playing Earth Ripper, the first song off their 2011 album Abzu.
Next was the New Orleans based sludge metal band Eyehategod. The crowd had been turning over a lot as I stood on the rail for band after band, and when Eyehategod was coming on the black metal heads made way for the crusties who got really rowdy for this performance. It was fun to be in the middle of but hard to shoot much so I didn’t get a lot of shots off. The show was good but I don’t think they played anything special really. I shot the first two videos below but the next two are from Total Fucking Mayhem.
The next band to play was Agalloch, from the Pacific Northwest, as they put it, though I think they’re from Portland more specifically. I thought their performance was the best of the night, and their set list was mostly songs from their first two albums, which was great if you ask me. The only real problem I had with their set was that John Haughm’s clean vocals were just off. Regardless, they played one of my favorite songs of theirs, Hallways Of Enchanted Ebony, and they also played You Were but a Ghost in My Arms for the first time ever live, even though it is from their second album, Mantle, that was released in 2002. I’ve got video of both of those songs below, so check em out. They certainly weren’t the heaviest band playing MDF but they got people moshing anyways.
The final band of the night was the headlining act, Autopsy, a death metal band from the Bay Area. They had their reunion show at Maryland Deathfest two years prior, but since that show they aren’t a touring band and only play one off gigs here and there. I’m sure there were people who came out Thursday just to get to see them. Unfortunately there were technical difficulties that led to them starting their set 45 minutes late. They ended up getting cut off by the venue before their set was done, which was pretty shitty. The delay was pretty unprofessional, the MDF guys should have any and all back up gear ready for a headlining act so this lengthy of a delay doesn’t ever happen. However, they wouldn’t be the only headlining act to be delayed over the weekend and it was probably my one big complaint with the fest this year. Anyways, check out the four videos I shot of them below, as well as one more by Total Fucking Mayhem.
Continue to day 2: Friday here.
Back to the MDF menu page here.
Friday I got to the venue and picked up my pre-ordered merch and went around taking photos of things like food menus and exclusive merch items that were available for my MDF X Survival Guide. I had to head back to the hotel to upload all that stuff and post it to the site. When I got back to the festival the first band I caught was one of my favorite bands, Macabre! I hadn’t gotten to see them in years and it was awesome seeing them play on one of the big outdoor stages. They’re always entertaining live. They tell stories between songs of the various serial killers their lyrics are about and for this show they even had some extras come out on stage for a couple songs. A guy dressed up as the Zodiac killer (video of that below) came out with pistols aimed at the audience and on another song there was someone wearing an Albert Fish costume who was being chased around by some woman on stage with a stick. Glad to see they’re keeping their show as uniquely bizarre as their music. I love this band and seeing them was definitely one of the highlights of Maryland Deathfest X for me. I’ve posted three of their more interesting videos that I shot of them below, including their cover of Venom’s Countess Bathory, but I’ve got more on my YouTube page here.
The next band I caught that day was British band Napalm Death, one of the fathers of grindcore. They always put on a great show and this was no exception, even if the sound mix wasn’t very good for them. They attempted to play a song from each album, but I know they didn’t play anything off of Fear, Emptiness, Despair for one, and probably not some other albums either. Still, they did play some old songs they don’t usually play any more and even played the song Scum with a guest appearance by Dan Lilker on bass. They included their Dead Kennedys cover of Nazi Punks Fuck Off in the set too, which made me wonder how many NSBM fans were in attendance at MDF and if any were paying attention. Anyways, Napalm Death put on an excellent grind show that was going to be tough for anyone at the fest to top, or so I thought. Again, I shot a lot more video than I’ve included below on my YouTube page here, and I have also added the three videos that Total Fucking Mayhem posted for you to enjoy as well.
The next band to play was the day’s headlining act, Godflesh. They’re an industrial two piece who are also from England and I don’t think they had played the US since reforming in 2010 until this show. I’m really not a huge fan of theirs, or industrial in general, though I know they are one of the most influential bands of the genre. For many people this band was the main reason they came to Maryland Deathfest this year. I shot very little of them, just a couple courtesy photos and a video of one song, however I’ve also got more footage from Total Fucking Mayhem posted below for those that are more into them than I am.
While Godflesh was keeping everyone mesmerized outside, I decided to head indoors so I could get a good spot for the final three bands of the night. The first of these was Unsane, one of the pioneers of the noise metal genre. I don’t really know a whole lot about them, other than they are from New York City, but they were entertaining and I didn’t mind checking out their performance. I shot a couple videos of them from early in their set though they finished with a cover of the Flipper song Ha Ha Ha, which you can see video of below thanks to Total Fucking Mayhem.
The next band to play was Setherial, a black metal band from Sweden. They were the first of several foreign black metal bands that were making appearances at this year’s Maryland Deathfest and I was glad I had staked out a spot in the front to watch them from. The song selection was pretty good and I felt lucky for the chance to see them play live, though they seemed like they would have fit better with some of the bands on the next two days. Still, it was nice to get some black metal in on each day of the fest. I shot three videos of them that you can check out below.
After Setherial finished it was time for the final band of the night, Nasum. Nasum is a Swedish grindcore band that broke up when their vocalist/guitarist, Mieszko Talarczyk, died in the giant tsunami in 2004 while he was vacationing in Thailand just after his 30th birthday. They decided to reunite in 2012, the band’s 20th anniversary, to do a special tour of farewell shows with Keijo Niinimaa of Rotten Sound doing guest vocals. This show was part of that tour and while I knew Nasum was a very influential grind act I simply wasn’t prepared for what I witnessed that night. They put on what was absolutely one of the most intense performances I’ve ever seen any band metal perform, regardless of genre. I don’t say that lightly, I’ve seen A LOT of extreme heavy metal bands over the years and this was definitely one of the most crushing shows I’ve ever seen. They had a couple come out in a suit and wedding dress, both wearing gas masks, while an air raid siren played to start the show but once they left the stage and the band started it was pure brutality from then on out. They had Jason Netherton of Misery Index come up on stage and help out on vox for a few songs with them (I’ve got video of that below) and Travis Bacon, guitar player for the band Grudges, jumped up on stage to do a song with them as well. The pummeling was relentless until Nasum left the stage, however they came back and did a couple more songs as an encore. I cannot stress enough how impressed I was by their show, it was definitely my favorite of the entire festival. I walked out of there feeling like my hair was sticking straight up because I’d just been struck by lightning and I fucking liked it.
Continue to day 3: Saturday here.
Back to the MDF menu page here.