Metal Marathon – Days 4, 5 and 6

Ok, so my Metal Marathon posts are a bit behind, but I’m still going to recap them because the shows I saw during those 9 days were just too damn good. This is my second of three posts covering the 11 concerts and I’m going to recap the metal concerts I went to from Tuesday, March 8th 2011 through Thursday March 10th in this post. Three great shows, especially considering they were all in the middle of the work week.

On Tuesday I borrowed a friend’s car and drove to Silver Spring after work to catch a DIY show at the Corpse Fortress. The touring band was Earthling and they were playing with Baltimore based Revolta and the DC band Spine Buster. There was also a surprise set by Ilsa at the end of the night. Spine Buster had just started their set when I got there, and they were pretty entertaining but Harrisonburg, Virginia’s Earthling came out and just shredded for their entire set. They played what must have been the longest set of the night and it was high energy and just a lot of fun to be there for. I hope they play around here again because they really are worth seeing again. If you don’t believe me check out the thrashtastic video I’ve got of them at the bottom of this post. The video quality sucks visually but the audio is great and it’s a killer song! The next band to play was Revolta, a sort of punkish thrash band from Baltimore. I’d seen them a few weeks before at the Candlehaus with Fatal, though they had another guitarist then. Their set seemed a bit short this time, I think there were outside time constraints going on that were made worse since Ilsa was still yet to play. Ilsa did play a good but short set, I think it was basically a practice for their show coming up on Saturday opening for Dropdead (more on that show in my next post). I’m not sure why, but the band’s vocalist, Orion, started puking all over the floor at the end of the set. You gotta admit that it’s pretty damn metal to be barfing your guts out, mic in hand, while your band plays. I’m really glad that I wasn’t the one who had to clean that mess up! In all the show was a lot of fun and the venue was really laid back, even for a house show, and I got to talk to a lot of great people all night between sets. It was really a fun atmosphere and a great experience for my first show at the Corpse Fortress.

The next show on my list was Rotting Christ and Melechesh on Wednesday the 9th of March at Jaxx. If you go to a lot of metal shows in the DC area you’re going to find yourself at Jaxx sooner or later and fittingly this was the only venue I’d be at twice during my Metal Marathon. Some people complain about various aspects of the venue but at the end of the day, they are the only place in this area that will play any number of international metal bands and if it wasn’t for them I’d surely have seen a lot less of my favorite bands from Europe and even farther away. This night was a perfect example of this fact when the Greek band Rotting Christ headlined a show with Israel’s Melechesh. Two great black metal acts that happen to not be from Scandinavia. The tour also features the Polish black metal act Hate but they weren’t able to make it to this gig, the first show of the tour. When I got there Melechesh was getting ready to play and I quickly secured a spot in the very front. These guys are one of my favorite bands these days and I was really excited to get to see them again. They had played their first US concert ever at last year’s Maryland Deathfest (my extensive recap of that is here) and this night’s show at Jaxx was going to be their second US show. Their set at MDF had been cut short and they had a new album out since then too, so this concert’s set was longer and featured new material too. Simply put, they hit the stage and just killed it. Yeah I’m pretty biased about these guys but even most of the people I talked to afterwards said they also thought Melechesh had put on the better show. Their sound is certainly black metal but with a distinct middle eastern bent and they have some really catchy riffs that really make the sound work. That all said, Rotting Christ didn’t put on a bad show by any means. Their set was heavy with a lot of songs from their latest album, Aealo, which is ok but I think their album previous to that, Theogonia is the best of their 20+ year career. They did play several songs from that too, but the last time I saw them they were touring in support of that album and the setlist was just superior. They didn’t play much of their older material though. I was hoping they’d play some of their classics like Under The Name Of Legion and Sorrowful Farewell but I guess they’re trying to appeal more to their newer fans. I enjoyed the material they did play and combined with the set by Melechesh would say this show was definitely worth the price of admission.

Thursday the 10th of March was the sixth day of my nine day Metal Marathon and since my car was in the shop I found myself in need of a ride to see Atheist play at Sonar in Baltimore. Luckily one of my readers, a really cool guy named James (who I’ve run into at a few shows now after this night) gave me a lift in the pouring rain up to Charm City. This show was a bit of an odd line up. While I was there to see Atheist and catch opening act Revocation, I didn’t care about some of the metalcore opening acts, A Life Once Lost or Last Chance To Reason. This show was the first time I’d seen Revocation and they certainly come from the Galder school of on stage facial expressions. They were making all kinds of faces during their highly energetic set. I’d heard they were a good band live but even so I didn’t expect them to be that entertaining. They also played a cover of the Death classic Pull The Plug which is always a good way to get extra points from me. My only problem with their set was that they weren’t the last support act for Atheist. After they played A Life Once Lost hit the stage. I wasn’t familiar with their material but it seemed to be pretty typical metalcore, which I’m not a fan of and after a couple songs I’d heard enough and found my way to the bar for a beer I’d gladly enjoy out in the hall. After some good conversations out there, I went back in while Atheist was setting up to get right up front for taking some pictures. Atheist is a progressive technical death metal jazz fusion band. Yeah, that’s quite a description but pretty much sums them up. They were around in the late 80s/early 90s Florida death metal scene but broke up in 1994. They reunited in 2006 with guitarist Kelly Shaeffer sticking to just the vocals because he was unable to continue playing guitar due to some medical issues. I saw them play at Jaxx in July of 2009 but this time they had an album of new material, their first in 17 years, and this was the first tour that they’d be playing any of the new songs live. Luckily the new album, Jupiter, kicks ass and fits in with their older songs perfectly. The set was pretty awesome except for two things really, they skipped over Mother Man which was on the setlist, and their final song, Piece Of Time, was totally screwy due to technical difficulties. Those are my two favorite Atheist songs so that kinda sucked, but otherwise the show was great. They have a unique sound that fans of either technical heavy metal or jazz will enjoy, not just people who are fans of both. The band is really tight live and it sure is fun watching them play those kick ass tunes in person. The audience begged for an encore but guitarist Chris Baker came out on stage and said they couldn’t because of the technical difficulties they were having. Sort of a shitty way to end the night but what else could they do?

Well, that’s what I did on days four, five and six of my nine day Metal Marathon. You can read about the Metal Marathon plan here or about the concerts I saw on the first three days here. My next post will be covering the four concerts I went to in the final three days. So stay tuned to hear about my impressions on concerts by Meek Is Murder, Dropdead, Trap Them and Apocalyptica in my next post. Until then you can check out some of the videos I shot over days four, five and six of the Metal Marathon below or go to my YouTube page to see all of them. You can also check out my Flickr set here that has pics I’ve posted from this awesome string of concerts.

Metal Marathon – The First 3 Days

Well it’s Tuesday the 8th as I write this, and I’ve been to four metal shows in the last three days. I saw two metal fests in Richmond on Saturday, the Virginia Extreme Metal Festival at the Canal Club and A Rockin Massacre at Alley Katz, both are just blocks away and I walked back and forth between them all day. Sunday I headed up to Bourbon Street to see Cradle Of Filth and Monday night I was at the Metal Mondays/La Noche De Metal weekly metal spotlight at So Addictive Lounge in Herndon, Virginia. With seven more concerts in the next six days (starting tonight!), I just don’t have the time now to do full reviews of these shows, but here’s some highlights of my metal adventures the past three days.

As I mentioned in my last post, my car is not sounding good and Monday morning I brought it to the mechanic for what is going to be at least a few days worth of work (ugh!). Because it has been sounding bad, I got myself a ride down to Richmond on Saturday with the very cool Clinton Eickelberg, the bass player of local thrash act Death Penalty. His band was playing the Rockin Massacre at Alley Katz that afternoon so we left early to get there in time for the bands to load in. Everyone seemed to get there a bit late due to traffic but I think everything started pretty much to schedule at Alley Katz at least. The first band of the day I wanted to see was Loculus. They’re a pretty sick death metal band from Northern Virginia and they were playing second at the Canal Club. Their drummer is the new drummer for the legendary Pentagram, and their bass player will be touring with Wretched this spring, but that’s not what makes them cool. Their brutal death metal assault on the ears is! They played a tight but short set and when they finished I found myself headed up the street to catch Death Penalty who were just starting. Their set was pretty much the same as when they played at the State Theatre with King Giant in January (my review of that is here), though this time when they played a cover of Iron Maiden‘s The Trooper they had Nina Osegueda of A Sound Of Thunder doing vocals with them. After they played I headed back down to the Canal Club and talked with a few people and watched a few random bands. The schedule for the Virginia Extreme Metal Fest was not the same order as they had posted, so it was a bit crazy catching the bands I wanted to see. I ended up missing Ethereal Genocide, who I wanted to see, but I got to check out Hatred again at least. Then I saw a band called Blood Tribe which was a sort of metalcore band I didn’t have much interest in. I headed back up to Alley Katz after that and watched the last few bands there, A Sound Of Thunder, Chopper Trike Rebels and Division. A Sound Of Thunder vocalist Nina had recently been in a car wreck and she did a pretty good job of hiding how sore she was, though it you’ve seen them before you could probably tell she was a bit less crazy on stage than usual. Their set wasn’t bad though I noticed they had to cut off a few songs from their setlist to keep the show on schedule. That kinda sucked cause I wanted to see them play My Name Is Doom but that song was axed. I ended up bumming a ride back to NoVA from their guitarist, Josh Schwartz, at the end of the night so a big thanks goes out to him on trusting that I wasn’t a serial killer. Yes, I went down to Richmond not knowing how I’d get back, haha. The Chopper Trike Rebels were up next and while their guitarist had some pretty cool custom guitars on display through their set, the sound mix was pretty shitty and you couldn’t hear them that well. They had a LOT of fog on stage, and their singer ran around and had good stage presence but unfortunately the mix was too poor for me to fairly judge their sound at all. The final band of the night was Division who actually had a pretty good mix. They really killed it and while a lot of people had gone home by the time they played, it was worth sticking around to catch them. They’re a great local band and Catherine Lewis of the Washington Post named their latest album one of the top five local metal releases of 2010 (link here). In all it was a great day for two metal fests, I just wish the promoters/venues had worked together to make everything more cohesive. After Josh gave me a ride back up to the area I was really tired, that was a long day and I still had 8 more days of metal shows ahead!

Sunday I again needed help getting a ride out of town to a show, this time to Bourbon Street in Baltimore to catch Cradle Of Filth. One of my followers on Twitter, Sarah aka @murrainofswains, decided that I probably wasn’t a crazy murderer and gave me a lift up to the show with her. Really awesome of her and she had some cool stories about seeing music festivals in other countries and working with Iraqis. Neither of us had been to this venue before, but it was pretty nice. More deep than wide, they had a great lighting system set up and the stage was really high too. When I got there the venue couldn’t find my photo pass until luckily someone I’d contacted weeks ago came into the will call booth and got me set up. He told me they were only allowing the photographers to shoot from the photo pit for the first two songs, but after the band’s opening song, Heaven Torn Asunder, they kicked us all out! Not sure what happened there, I think perhaps the bouncers didn’t know the band’s material at all and since Cradle has long songs, they assumed when the first ended it was actually two songs. The lighting wasn’t great for shooting though and I felt kind of rushed since I got up front just as the band was heading on stage. After watching a couple songs from the side of the stage I figured I’d shoot some video for you guys and headed back into the crowd a bit. Their set was really great, I wasn’t sure what to expect from a Cradle Of Filth show these days. I am not really a fan of their more recent releases and I kind of expected them to play a lot of their newer material. I was pleasantly wrong though as they played a nice mix of tunes from all eras of the band, even a couple from the first album. I saw them last about ten years ago at the 9:30 Club and that show was really over the top, contortionists on stage and some girl doing acrobatics from these rings hanging over the stage. The whole thing was sort of a goth circus. This show they turned down the ridiculous a lot. No goofy side show shit on stage but they did have their normal uh, costumes on and corpse paint and such. Dani Filth has a short hair cut, which while not really metal, it’s better than fucking neon blue dreads and crap like that. His voice isn’t holding up and he couldn’t scream like he used to though. He isn’t able to sustain for as long that high pitched scream he’s known for, but that’s bound to happen with age. He did still scream a lot though and the show was really entertaining, especially because of their great set list.

Monday the 7th of March was day three of my nine day Metal Marathon and I found myself getting a ride out to So Addictive Lounge in Herndon, Virginia for the weekly local metal showcase there called La Noche De Metal. I got there a bit late and missed the first band, Wolventhrone, apparently a black metal act. Next up was the band I came out to see, Wolfnuke, who are a pretty kick ass blackened thrash act that just doesn’t slow down on the energy level. Check these guys out if you haven’t already, great stuff and even better live. They probably should have played last though as they seemed to have the largest audience of the night and the longest set too. After they played another black metal act was up, Xeukatre. They’re a very raw black metal band obviously drawing from the Darkthrone school of keeping it “trve”. Their show was VERY dark, only a strobing set of colored lights on stage lit the room, which they also filled with smoke. I took a few shots but nothing too great due to those conditions. I think they were wearing corpse paint, and their drummer may have been a woman, but it was so dark you couldn’t really tell any of that. They’re so kvlt that their lighting is so dark that you can’t see their theatrics, haha! The last band of the night was Palkoski. They were the only band not from Maryland this evening and they’re a pretty good grind act. They were formerly a band called The Seventh Gate but they have since changed their format to a grindcore concept band where the lead singer plays the persona of his alter ego, a fictitious serial killer named Frank Palkoski and their live show is supposed to be a sonic representation of that. While some grind can get pretty damn stale by the end of a set these guys always keep it entertaining and mix things up a bit throughout the set. They aren’t the kind of band that’s going to stage dive and have lots of breakdowns, they’re going to basically shred your face off in raging bursts of aggression. They also set up a table with free stuff for anyone to take, and I got what appears to be a previously used flask with a bumper sticker on it with a bunch of nekkid dudes bound in duct tape on it, haha! It was another great Metal Monday at So Addictive and I’m glad I got to see such great metal for just $5!

It’s been a crazy first three days and I can’t wait to see how the rest of this adventure goes. My car is totally MIA right now but I’m doing my damnedest to keep this metal marathon alive! If anyone wants to give me a ride to Baltimore on Thursday to see Atheist at Sonar that would be awesome, please don’t rob/kill me and I promise the same in return (and I don’t mind chipping in for gas or whatever). If you’d like to help me buy beer/gas/fix my car feel free to kick a couple bucks my way via Paypal here. I’ve made a set of pictures on Flickr of all the shots I’m taking during my Metal Marathon and you can see those here, more will be added as I go to more shows. I’ve posted one video by each band I’ve seen so far on my Metal Marathon below but you can see the rest on my YouTube page here, I particularly recommend checking out the Cradle Of Filth videos as I think they came out rather well. So it’s three days down, six more to go!

Apocalyptica ticket give away

DCHeavyMetal.com has a new ticket give away for the metal fans in the DC area! Up for grabs this time is a pair of tickets to see the most metal cello quartet in the world, Apocalyptica, play the 9:30 Club on Sunday 13 March 2011. Tell me what Apocalyptica song you’d like to hear them play at the show in the comments below to enter, cover songs are ok! I’ll randomly select a winner to get the tickets from all eligible entries at 5pm EST on Sunday 6 March 2011. Be sure to use a valid email address you check regularly when you enter (the email address does not have to be in the post itself) so that I can contact you if you win. If the winner does not respond within 24 hours I’ll pick another winner at 5pm the next day, and keep doing so until I get a winner. Don’t be a jerk and enter multiple times or I’ll disqualify all your entries. If you just can’t wait to get your tickets or the contest is already over when you read this, they’re available from Ticket Fly for $25 each here. There is also an opening act named Caverns that is playing, though I don’t know a whole lot about them.

Apocalyptica is a cello quartet from Finland that first gained notoriety with their first album, a collection of Metallica covers performed solely on four cellos that was released in 1996. They began composing their own material, still scattering cover songs by Metallica and various other bands such as Sepultura, Pantera, Rammstein and Faith No More into their albums. They also started playing with various drummers, including Dave Lombardo of Slayer and have had a few vocalists sing for them on certain original songs as well. I saw them play the 9:30 Club in 2008 (I shot this photo there) and their set covered all the different eras of Apocalyptica’s evolution. Some songs were performed with just the four cellos while some had a drummer and a few even had someone singing too. They played original songs as well as some cover songs and even did a heavy as shit rendition of In The Hall Of The Mountain King by Edward Grieg (I shot video of that and you can see it below). I don’t know what they’ll play this time around, but I’m sure it’ll be a great show regardless. And remember to tell your friends to enter too, since it’s a pair of tickets surely they’ll hook you up with the extra one for tipping them off about the contest when/if they win!

Review of Immortal Gig at Sonar

It’s not every day one of the “inner circle” bands from the infamous Norwegian black metal scene of the early 90s comes through the area, the last time was almost two years ago when Mayhem played Maryland Deathfest in 2009. So when Immortal came to Sonar on Sunday the 20th of February 2011 you just knew going in that it would be epic. To the best of my knowledge this was their first appearance in the area since I saw them play the now defunct Phantasmagoria record store in Wheaton, Maryland with Satyricon in March of 2000. They were only playing six concerts on this mini tour, and Baltimore was lucky enough to get one of them. They brought along Texas based black metal band Absu for the tour but there was no local support for this show.

Immortal has a certain duality in the metal scene, on one hand they’ve got a lot of credibility in the metal underground being that they’re one of the main second wave black metal bands, and through their band’s evolution they basically invented the blackened thrash subgenre of metal. That said, they’ve also been known to be one of the most ridiculous bands in black metal in regards to their image, laughable posing in photo shoots, things like witch hats and crab walks showing up in music videos, and a general willingness to embrace most of the idiotic image stereotypes of the black metal genre. Immortal has been called the Kiss of black metal but they’ve been able to keep a legion of fans by putting out albums with some damn good songs on them. Their original guitarist, Demonaz, had to leave the band due to severe tendinitis in 1997 and so bass player Abbath took over as guitarist. The band didn’t slow down until 2003 when they broke up for several years. They did get back together but they hadn’t played a concert in the mid-atlantic region since then until this evening.

When I got to the venue, about 10 minutes before the scheduled time for the doors to open, the line was already stretched around the block. All kinds of people from the local scene were there as well as people coming in from out of town and it sort of reminded me of when Carcass came to Sonar on their reunion tour in September 2008. Once inside I quickly staked out a spot as close to the front as I could and awaited Absu to start playing. I’d seen them in June 2009 at Jaxx but now they were a three piece, apparently this was just their second show as such. It didn’t hurt the fullness of the sound at all, but it did make it easier to see the band’s main man and lead vocalist, Proscriptor, play the drums. He’s quite a talented drummer with some unconventional drumming techniques that are pretty fun to watch live. For some unknown reason he had this sort of studded belt thing on as a headband, apparently some of Immortal’s image sense is rubbing off on him. He never dropped his “metal” voice while on stage even between songs and he kept the introductions entertaining too (check out his introduction to Four Crossed Wands in the video posted below to see what I mean). The band was in good form and was as good of a US based warm up act as there was going to be for Immortal though you could tell by the end of their set that the audience was ready for the reason they all came out this night.

Immortal sure took their time getting to the stage, finally arriving a good 45 minutes or so after Absu had finished. They played for at least 90 minutes and didn’t talk a whole lot between songs, but they didn’t really need to as their material stands on its own. Immortal was never one of the more political or religious of the Norwegian black metal bands, their lyrics mostly focusing on the fact that it’s damn cold in the north which isn’t really something to talk about between songs either. Their set list (photo of it here) had 14 songs and consisted mostly of songs from their latest two albums, 2009’s All Shall Fall and 2002’s Sons Of Northern Darkness. Totally awesome for the newer fans, but I was hoping they’d play a bit more off of Damned In Black and Blizzard Beasts. Still, it’s not like some bands where the newer material is just awful or something and considering how young a lot of the people in attendance were (at least up front where I was) it wasn’t surprising they’d play a lot of the newer material. The trio played very tight, the music was pretty energetic and the crowd went crazy from the beginning. When there were lulls in the music Abbath would strike a menacing pose and egg the crowd on by raising his arms and gesturing to keep the energy up. There were several crowd surfers throughout the night and during the song Grim And Frostbitten Kingdoms some dipshit threw a beer bottle on stage which caused the band to suddenly stop playing. Abbath got pissed and dared whoever threw it to come on stage, but they played on (I’ve got video of this below) and in fact seemed to have a renewed vigor through the rest of the song and into the next track, Withstand The Fall Of Time. They didn’t do any fire breathing on stage, which I was hoping for, but they did keep the corpse paint, leather, spikes and boots. There was a lot of fog used too, and Horgh, the drummer, was pushed so far to the back of the stage that you could hardly see him the entire night through all the fake smoke. He did not have his Satan’s Goalie Pads on though, haha. I really could have watched Immortal play another 14 songs but the show did end a bit after midnight after a pre-determined encore performance (hardly an encore when the songs are already on the setlist!).

It was a really fun show, and while Immortal didn’t play a ton of older material, it was still a bad ass concert. Absu was a great opening act too, though I wish they’d allowed a couple of the local black metal acts to open. I managed to work my way to the front row by the end of the show and got some photos that I’m really pleased with from there, and Abbath even posed a bit for me during their final song. You can see all my photos from this show on my Flickr page here. I also got 2 videos of Absu and 3 of Immortal that are all embedded below. The last video is the one with the beer bottle throwing incident, which happened about 1:20 in. Check them out and get ready for the next sure to be epic black metal show to come to the area, Rotting Christ, Melechesh and Hate playing Jaxx on March 9th. Oh yeah, and I’ve started a Facebook page for DCHeavyMetal so help me out and “like” the page (here) if you’re a fan of this site. Now, check out these cool videos.

Recap of Eyehategod gig at Sonar

So on Thursday the 17th of February 2011 the New Orleans based sludge act Eyehategod was coming to Sonar in Baltimore. I’m really not a huge fan of their albums, though they are influential in the sludge scene. I probably wouldn’t have gone but they were playing with a few bands I do really like, Misery Index, Magrudergrind and Cough specifically. Unfortunately the flyer for the show didn’t list the bands in the order they’d actually be playing and I ended up missing Cough, who apparently played first. Someone said they had played too long and so the rest of the show was being rushed. I did catch one of the local openers, Surroundings. They were ok I guess, pretty standard grindcore with a frontman that was really energetic, even crowd surfing during the set. The audience moshed for about a song or two at the beginning, but considering it’s grind that means about 30 seconds, haha. The next band to play was Strong Intention but I wasn’t really in the mood for hardcore so I went into the other room to have a couple beers and talk to people while they were playing. They do play the area a lot and I’m sure I’ll see them sooner or later though.

The next band to take the stage was Washington DC based grindcore act Magrudergrind. They made a stir last year when they gave their new album away for free (get it here) since the album was sponsored by Scion, a branch of Toyota. Apparently all the anti-corporate grind people took issue with this and so yeah, people were actually complaining about getting a free album. Anyways, I caught them last May at Maryland Deathfest, but this setting was a bit better to see them in I think, for one it wasn’t so crowded but it was also a local crowd so that was cool. Their set was fun, full of people jumping off the stage while the band played their spasmatic outbursts of DC grind. The main problem was they only played for 20 minutes! That kind of sucked, but was probably due to the time constraints the show was having.

Next up was the band I wanted to see the most, Misery Index. They’re from Maryland and the band was formed by ex-members of Dying Fetus. Only one of those guys are left in the band, and in fact this was the first show I had seen them play with their new guitarist, Darin Morris. Any fear I had of how the band would play with the line up change was quickly dispelled. As usual they played a very tight set showcasing their extremely brutal songs and even managing to play them faster live. Most of their set consisted of stuff from Heirs To Thievery, their latest album. They were told to stop playing at 12:20 am even though they had more songs left to play.

The headlining act, Eyehategod, is a band that I never really got into. Figured it was worth seeing them once though since ya know I run a metal site and all. They played a new song (video of that below) though they didn’t say its name. Their set was very downtuned and while I know plenty of people there were psyched to see them, it got monotonous to me after a while. I kept thinking that it was getting so late they’d have to end soon, but after thinking that for a few songs I checked the time around 1:45 and decided to call it a night even though they were still playing. As I said before I really was there to see the openers anyways. It sucks that their sets were all cut short after I drove up to Baltimore though! Anyways, I’ve got videos of the bands below, though most are dark the Eyehategod guys did have good lighting for me to shoot video in. The final song is their new one that I’d imagine will be on their next release, enjoy!

Darkest Hour ticket give away

Washington DC’s own metalcore legends Darkest Hour are headlining a show at the 9:30 Club on Friday the 25th of February 2011 and DCHeavyMetal.com is giving away a pair of tickets to one of you lucky readers of the site. All you have to do to enter is leave a comment on this post below telling me what local metal band you’d like to see headline the 9:30 Club next. Make sure you enter in a valid email address you check regularly when you submit your comment so I can contact you if you win, though it doesn’t need to be in the comment itself. On Friday, February 18th at 5pm EST the concert will close and I’ll select a winner at random from all the comments below to win the pair of tickets. If the winner doesn’t respond within 24 hours I’ll pick another winner Saturday the 19th at 5pm and continue to do so every 24 hours until there is a valid winner. Don’t be a jerk and enter multiple times or I’ll disqualify all your entries. Do be awesome and tell your friends about this contest.

Darkest Hour is touring with Born Of Osiris, As Blood Runs Black, The Human Abstract, and rumor has it DH guitarist Mike Schleibaum’s punk project Beasts Of No Nation will be opening for this show only. That’s just a rumor I’ve heard tho and it hasn’t been confirmed yet so don’t get mad if it doesn’t happen. This will be the first show of the Atticus Metal Tour III and will also be the first Darkest Hour concert after their new album, The Human Romance, is released on February 22nd. The doors open early for this show, 5pm to be exact, and the whole thing should be over by 10pm since there is another non-metal concert later the same night. If you can’t wait for the contest to end, or it’s already over when ya read this, you can get tickets from TicketFly for $15 each (before service fees) by going here. Now check out this new song, Your Everyday Disaster, from the upcoming album The Human Romance.