This blog specializes in heavy metal music and how it relates to Washington DC and the surrounding area. Featuring info on upcoming metal concerts in Washington DC, Baltimore and Virginia, as well as info on local bands, area concert venues, reviews of live gigs, and lots of give aways.
2024 is the 20th anniversary of the classic Terrifyer album by local grind legends Pig Destroyer! To mark the occasion, Relapse Records is reissuing the album in a newly remastered version that also includes the 38 minute “Natasha” song and a ton of previously unreleased demos and bonus tracks. If this wasn’t cool enough, Pig Destroyer is playing an album release show for this killer reissue at the Black Cat this Thursday, November 14th of 2024! And if that wasn’t enough, DCHM is going to give away a pair of tickets to this very show, and the winner will also receive a copy of the Terrifyer reissue signed by the band. But wait, there’s more! Relapse Records label mates Mammoth Grinder are playing direct support of Piggy D on this show and they’ve got a new EP coming out, titled Undying Spectral Resonance, and the winner will get a signed copy of that at the show as well! If you’re not into vinyl we’ll make sure you can get another format (probably CD) signed at the show instead. Now to enter just leave a comment on this post telling me what your favorite metal release of 2024 is so far. Then on Monday, November 11th, 2024 at 5pm Eastern the contest will close and a winner will be selected from all valid entries using Random.org! Be sure to use a valid email you check regularly when you enter so I can contact you if you win. When you leave a comment you must click the little email icon and enter your email in (only I can see the email address) otherwise I won’t be able to contact you if you win. If the selected winner hasn’t written me back within 24 hours then another winner will be selected. If you can’t wait to see if you win or the contest is already over when you read this, then you can purchase tickets here.
Pig Destroyer doesn’t play a ton of home town shows so don’t miss this chance to see them at the Black Cat! Direct support comes from Mammoth Grinder and I don’t know if you’ve been paying attention but they now include members of Exhumed and Battlemaster in their line up, so they’re only getting more brutal! Also playing will be Genocide Pact, another Relapse band and also based in DC. They play a modern take on that old school Swedish buzzsaw style of death metal. Opening the show is local band Entrail Asphyxiation, a local death metal/goregrind band that’s been getting a lot of notice lately. Anyways, check out these videos of the bands below and leave a comment telling me your favorite metal album so far of 2024 (Gotta make sure I haven’t missed anything for my end of year lists!)
Hell in the Harbor Fest really was a hell of a way to spend Memorial Day Weekend. The entire block of Market Street in front of the Baltimore Soundstage was blocked off and fenced in for the festival. The single outdoor stage located on the northbound lane of Market Street faced North with East Pratt Street to its back which lead to lots of pedestrians hanging around gawking and the bands performing there. The event was sold out and it got pretty crowded in the street near the stage when the more popular bands were playing there, especially since some of the food and drink vendors were located very close to the outdoor stage. That said, it def had the feel of that era of Maryland Deathfest with the single stage outside of Sonar back in the day. Everything went off pretty well it seemed, only one band canceled out of the entire line up and there was even a surprise set by Jivebomb atop a shipping container located inside the fenced in area of the fest. Big props to Adam Savage for putting this all together and to Mike O’Brien at Baltimore Soundstage for letting me cover it (and give away tickets to one lucky DCHM fan!). Below I’m posting just some of my favorite photos and videos that I shot at Hell in the Harbor Fest but you can see all of my photos from the festival on Flickr here and all of the videos I shot at the fest and other shows on my YouTube page here. And if that’s not enough for you be sure to check out other coverage of the fest by people like Melissa Suarez Photography, Hillarie Jason Photography, Return to the Pit / Aaron Pepelis, and Misery Cartel Photos.
Friday the 26th of May was the pre-show for the fest at Baltimore Soundstage. Nothing took place outdoors that night and I only shot a bit of the set of the headliner, the Swedish doom metal band Candlemass. Below is my video of their final two songs, “Solitude” and “Demon’s Gate,” but I also shot footage of their song “The Bells of Acheron” which you can see here.
The first full day of Hell in the Harbor Fest was on Saturday the 27th and the weather was sunny and warm. The first band I caught was the Ohio based death metal band Sanguisugabogg on the outdoor stage. They
Georgia based sludge band Black Tusk put on a super high energy set on the Baltimore Soundstage’s stage. It’s been a while since I have seen them live but their live show has really improved in that time, I was definitely impressed. They also played a new song, titled Brush Fire, which I shot video footage of that you can see below.
Next I saw Maryland’s own Dying Fetus perform their style of slam death metal on the outdoor stage.
The main headliner of day one was the most famous death metal band in the world, Cannibal Corpse! This was my first time catching them live since Erik Rutan joined the band and I’ve got to say they seemed even tighter with him in the line up. In the video I shot below lead vocalist George “Corpsegrinder” Fisher challenged the audience to best him at head banging (I don’t think anyone beat him tbh).
Eventually I found my way over to Angel’s Rock Bar inside the Power Plant area to catch Tombs play. They were solid but they had the stage lights turned down low and a ton of fog so the conditions we’re pretty poor to try to shoot anything in.
Sunday the 28th of May was the final day of Hell in the Harbor Fest but had what I considered the best line up of the weekend. The first band I caught was the chainmail wearing blackened speed metal band Demiser from South Carolina inside Baltimore Soundstage. I shot the below video of them including an epic stage dive by DCHM contributor Vivek at the 4:11 mark.
After Demiser I went outside to catch Misery Index on the outdoor stage. They’re always a fun band that is mostly local (founding member Jason Netherton now lives in Sweden) and they always do a good job of song selection for their live shows. Their drummer, Adam Jarvis, had an intense day as he also played with Pig Destroyer, the next band to play on the same stage that day.
I saw Michigan based grind band Cloud Rat perform next inside Baltimore Soundstage, but their set was really short (even by grindcore standards) due to technical issues causing them to start about when their allotted time was supposed to end. Luckily I’ve seen them before but next up I headed outside to catch local grindcore legends Pig Destroyer on the outdoor stage. By this point there were a lot of normies hanging around the outside of the festival watching what was going on not just on the street but even in the nearby stores such as the second story of the Marshall’s. Pig Destroyer vocalist even gave a shout out to all the onlookers on the street and in the IHOP and Marshall’s. The crowd surfers were starting to show up during their set and there’s something very Baltimore about witnessing the Chicken Man crowd surf in front of a Popeye’s. It was a fun set as always
The next band I caught was the Toronto based black metal band Spectral Wound. I had never seen them before and they put on a spooky show with lots of fog. The band came ready to play and their set was tight and very high energy as well. I shot a video of them playing their incredible song “Frigid and Spellbound” followed by a new song that I don’t know the title of, check it out below!
I really wanted to catch all of Spectral Wound’s grim and frostbitten set but I left about four songs in because one of my all time favorite bands to see live was on the outdoor stage at the same time, the legendary Napalm Death! I don’t know how they continue to do it but one of the oldest bands on the bill still puts on one of the best live shows of any metal band in the world. Always intense and fun, Napalm Death blasting out into the Inner Harbor of Baltimore was just awesome. The crowd surfers went wild during their set, the most I saw for any band the entire fest. I shot video of the last nine minutes of their set, which includes their cover of the Dead Kennedys classic Nazi Punks Fuck Off! which you can see below.
By the time Napalm Death ended their set Richmond’s Inter Arma was already on stage inside the Baltimore Soundstage. Another band that I love to see live, this was the first time I’d seen them with a theremin player on stage.
When Inter Arma’s set ended I had just seen several killer sets back to back to back and it was time for a bit of relaxing (read: tailgating) during High on Fire’s set. It’s not that I don’t like Matt Pike’s thrashy sludge band but I have seen them a ton of times in the past. I made it back in time to catch Undeath‘s wild set inside Baltimore Soundstage. The stage divers were going nuts during their brutal set and played a new song, titled “Brandish the Blade” (see it here). The Chicken Man was up to his normal antics and managed to get up on stage with a flag during “Enhancing the Dead” that I captured on video that you can see below.
I headed over to Angel’s Rock Bar for Philadelphia’s Sonja. I had caught them at a house show in Takoma Park back in December but that show suffered a bunch of technical issues so the sound was not idea. That’s fairly typical for house shows but their performance at Angel’s definitely seemed like more of a real show this time.
After Sonja played it was time for New York City’s Tower to close out Angel’s Rock Bar. I wasn’t familiar with Tower but they played an energetic style of traditional metal lead by frontwoman Sarabeth Linden. They were one of those bands that you can just tell is having a blast performing together, really fun to watch. Unfortunately they blew an amp head and while they were figuring that out I headed over to catch the end of Hulder‘s set at Baltimore Soundstage. Luckily I had seen Hulder in NYC back in February with Blackbraid because they cut their set short by about 15 minutes. Kind of a weird way to end the fest but as the lights came on I started doing my goodbyes to people I’d seen there. In all Hell in the Harbor Fest was executed really well. Aside from a few issues about crowding near the outdoor stage, there really wasn’t much to complain about (ok drink prices were pretty high too). I got to see some great performances by great bands, some that I’d seen before and some that I hadn’t, and of course the best part was getting to see a good chunk of the people I typically run into at Maryland Deathfest despite no MDF this year.
I don’t usually cover things outside of the DC area but I’ll make an exception for the Decibel Metal & Beer Fest held at the Fillmore Philadelphia on April 22nd and 23rd. Metal and beer are two of my favorite things and Decibel did a great job of bringing together some excellent bands along with some quality breweries with heavy metal ties for a weekend that was pretty damn fun overall. I’ve been a rather sick since the fest so I’m behind on getting this post up, but there was some cool stuff going on at this fest that I wanted to make sure got covered here even if it is going up a bit late.
I’d never been to the Fillmore in Philadelphia before but I quickly realized that it is much larger than our Fillmore in Silver Spring, maybe about double the size. The doors opened at 5pm each day and bands were still setting up their merch booths as the doors opened. Things were a little disorganized, but considering this was the first fest of its kind it wasn’t that bad. One of Mikkeller‘s beers didn’t show up until the second day and the venue ran out of the small plastic beer sampling glasses rather quickly on the first day which lead to most people getting cups from the bar. Overall those weren’t major issues though and it was a lot of fun talking to the people that work for the various breweries about their beer and metal bands they are into.
Atlas Brew Works representing DC
There were 17 breweries at the festival and each had a booth with at least two beers being poured. The booths were mostly on the ground floor lining the walls in the main concert room, however there were 4 upstairs and 3 in the main entry room, including the massive Unibroue booth. Along with the band merch and beer booths there were a few other merch vendors in the main entry room. Despite being in Philly, between all my beer friends and metal friends I felt like I kept running into someone whichever way I turned all weekend.
Dave Mustaine pouring the A Tout Le Monde beer
The festival did a really good job of actually blending a metal fest with a beer fest. This wasn’t just a metal show with some beer vendors, or a beer fest with some metal bands playing. Decibel managed to bring together metal bands with ties to craft beer with breweries with ties to heavy metal. Burnt Hickory had a beer tap that looked like an Orange amp rig. Trve Brewing and Hammerheart Brewing both had brewers in bands that performed at the fest (Khemmis and Panopticon, respectively). Dave Mustaine was there on Saturday to pour samples of the Megadeth beer A Tout Le Monde at the Unibroue booth, he was certainly getting A-list celebrity treatment. I found Dan Lilker (of Anthrax, Nuclear Assault, and a ton of other bands over the years) pouring beer at the Mikkeller booth and taking photos with any fans that wanted one. I talked to him a bit and it turns out he’s really into craft beer and even knows some of the guys at the Danish brewery Mikkeller, which is how he ended up manning their booth. At one point I saw Municipal Waste drummer and craft beer connoisseur Dave Witte at the Cigar City Brewing booth, where the Municipal Waste beer Divine Blasphemer was being poured. And Richard Christy (of Death, Iced Earth and also the Howard Stern Show) was seen sipping the Charred Walls Of The Damned beer from Burnt Hickory.
Dan Lilker at the Mikkeller booth
And let’s not forget about the awesome bands! There was a wide range of metal in the line up. Grindcore, stoner, thrash, death metal, black metal, doom, the focus was certainly on the more underground sub genres. On the first day of the festival I was most excited to see Panopticon. Austin Lunn is the mastermind behind Panopticon and also a brewer at Hammerheart Brewing in Minnesota. Despite forming about 10 years ago, the band has only recently starting performing live. Their first live show ever was last summer at Migration Fest. This is because Panopticon is a one man band in studio and Austin gets other people to fill out the band for live shows. Panopticon is known for mixing black metal with Appalachian folk to create a truly unique sound, sometimes called “blackgrass” as a hybrid between bluegrass and black metal. Unfortunately they didn’t use a banjo live, and their mix wasn’t always great, but it was still pretty awesome getting to see Panopticon live as they have some very powerful and moving songs. I also found Austin’s Hammerheart brewery to be one of my favorites at the fest. They specialize in smoked beer (which is a personal favorite style of mine) and their rauchbier was my favorite beer of the entire fest. Apparently Austin apprenticed at a brewery in Norway for a while and upon returning to the US he moved from Kentucky to Minnesota to start Hammerheart Brewing. The brewery’s name is no coincidence, it is in fact named after the 1993 Bathory album.
Immolation also played an intense set on Saturday, as they are typically known for. They may not do a lot on stage besides stand there and play their instruments but they do get people going with those crazy riffs. I thought I would see a lot more crowd surfers during Municipal Waste’s set. They were fun as always but I guess the fans were holding back because they went nuts for the night’s headliner. Agoraphobic Nosebleed headlined the first day with a great set. I wish Jay Randall had been there to perform with them, but the band still put on a great show and even played one of their sludgy songs from the Arc EP, “Not A Daughter.” As usual the Chicken Man was there leading the moshing and even got a shout out from ANb.
On the second day my favorite performance was probably Khemmis. The Denver based doom metal band put out one hell of an album in Hunted last year and I had yet to see them perform live. Their drummer, Zach Coleman, is also a brewer at the black metal themed Trve Brewing in Denver so their inclusion on the fest’s line up seemed like a no brainer. I had actually met Zach a few weeks before at my own metal show at Atlas Brew Works, and as fate would have it Trve’s booth was next to Atlas’s booth. Trve is best known for making excellent sour beers, though they only brought one sour to the fest, along with their Sleep inspired Nazareth IPA. Trve’s beers are very hard to come by on the East Coast, so this was a great opportunity to get your hands on some.
Zach Coleman at the Trve Brewing booth
Sleep headlined the final day of the Metal & Beer Fest and they put on a great show as always. Time seems to have no meaning when Sleep is playing live and although they didn’t play any parts of the song “Dopesmoker” like they usually do, they did play some rarities like “The Clarity” single they released on Adult Swim a few years back and “Sonic Titan,” the other song on the original release of Dopesmoker. Pig Destroyer was another highlight of Sunday’s line up. Their lighting was low and there was a lot of fog, less than optimal conditions for photography, but don’t let that make you think their set was anything but intense. They even brought out Dag Nasty vocalist Shawn Brown to perform with them when they covered the Void song, “Who Are You.”
In all the weekend was pretty great! Almost all the best metal related breweries were there, like Burial, Three Floyds, Trve, Holy Mountain and DC’s own Atlas. The only breweries I felt really should have been there but weren’t were Jester King from Austin and Oliver Ales from Baltimore. While Hammerheart’s Weltenwanderer rauschbier was my favorite beer of the weekend, there were other standouts as well such as Wigsplitter coffee stout from 3 Floyds, Ritualknife black braggot from Burial (a collab with Trve), Charred Walls Of The Damned Belgian quad cinnamon apple pie variant from Burnt Hickory, Twisted Doom New England style IPA from 18th Street and Cursed sour pale ale from Trve. I think the best brewery of the event has to go to Burnt Hickory from Kennesaw, Georgia. They were totally in the spirit with their Orange amp rig beer tap as well as bringing by far the most beers of any brewery to the event, including several rare variants of Charred Walls Of The Damned. I hope Decibel does this event again next year and I really hope more breweries get as into it as Burnt Hickory did!
Burnt Hickory Brewery’s Orange beer tap
Thanks for reading to the end of my post. I had some help covering things in Philly from Metal Nick so be sure to check out more of his videos from this fest (and many, many other concerts) on his YouTube page here and more of his photos on his Flickr page here. Maryland Deathfest XV is just around the corner so stay tuned for our coverage leading up to our favorite local metal festival!
Pig Destroyer is playing the Rock & Roll Hotel this Saturday, December 3rd with Deceased! That’s a couple of pretty big bands in a pretty small room and you know it’s going to be a wild night. Since we love giving stuff away at DCHeavyMetal.com and since today is Giving Tuesday, we’re going to give one of you lucky readers a free pair of tickets to this show. But wait, there’s more! The winner will also get a copy of the show poster (seen above) by artist Craig Horky that is signed by all of the members of Pig Destroyer. To enter just leave a comment on this post telling me what your favorite metal album of 2016 has been. At 5pm EST this Thursday, December 1st, a winner will be chosen at random (using Random.org) from all valid entries to win the tickets and signed poster. Be sure to use a valid email you check regularly so I can contact you if you win. Don’t worry, I won’t add you to any spam lists or sell your info or anything sleazy like that. If I haven’t heard back from the winner in 24 hours another winner will be chosen at random. If you can’t wait to see if you win or the contest is already over when you read this, then you can get tickets from Ticket Fly for $18 here.
Pig Destroyer is a twisted grind band from the DMV area and they’re known for putting on intense shows! This show at the Rock & Roll Hotel is sure to be a blast in front of their home town crowd. And let’s not forget Deceased, one of the area’s oldest underground metal bands. They have been cranking out their metal of death with a strong focus on horror movies since the mid-80s. Also on the bill is “The Grindfather” Richard Johnson’s band Drugs Of Faith. When he isn’t screaming into the mic for Agoraphobic Nosebleed he leads DoF with their pioneering of the Grind ‘n Roll style. The opener is Cemetery Piss, a Baltimore based band that lies somewhere between crust, black metal and sludge. This is one hell of a line up that is much more than your average “locals” show! Now check out these awesome videos of the bands playing below and leave a comment telling me what your favorite metal album of 2016 has been!
Who? Repulsion When? Saturday, April 25th Where? MGC Tavern (on the American University campus) (map) How much? $25 at the door (online ticket sales now closed)
This is one hell of a show that’s coming to the Mary Graydon Center Tavern at American University. Repulsion, along with Napalm Death and Terrorizer, is one of the founding pillars of grindcore. While they’ve played at Maryland Deathfest a few times over the years this will be their first show in Washington DC ever! Repulsion is also credited with the invention of the blast beat and their 1989 album Horrified is a classic of the genre. While they’ve gone through drummers over the years guitarist Matt Olivo and vocalist/bass player Scott Carlson are still with the band (and both were briefly members of Death back in the 80s). This Michigan based grind band is still destroying ear drums and DC area fans of extreme heavy metal do not want to miss this chance to see them here in a small venue.
If all that wasn’t enough to convince you to come out, maybe the incredible line up of local support will! Direct support will be DC/Baltimore’s own Pig Destroyer, the biggest name in grindcore in our region (but you probably already knew that). If you missed their wild, sold out show at Hardywood Brewery in Richmond then you gotta see them with Repulsion! There will also be a set by DC’s masters of crusty death/doom, Ilsa. They’ve got a new album coming out May 5th, titled The Felon’s Claw, but they’ll have CD copies of it for sale early at this show (they won’t have vinyl yet though). There’s also going to be a set by Ilsa’s A389 label mates Noisem, a young, high energy, early 90s death/thrash throwback band that also has a new album coming out soon. The opening act, Left Cross, is one I’m not too familiar with. I know they’re from Richmond but that’s about it, so it should be interesting checking them out.
The fun starts when doors open at 7pm and the first band begins at 8pm. This is a dry show so no alcohol will be served nor permitted (don’t worry, there will still be other nights to drink). If you’d like more info you can go to the official Facebook event page here. The American University Independent Arts Collective has really put together a high quality, and very rare, DIY line up for this one, don’t be a sucker and miss it! Now give a listen to these tunes below by bands that will be playing.
I’m a big fan of metal (as you already know) and I’m a fan of beer as well so I thought this would be a fun post to put together. First off I’d like to say, if you’re under 21 then this post isn’t for you. If you’ve got issues with alcoholism and are trying to stay sober, this post is also not for you. There’s no shame in avoiding things that aren’t working for you in your life. And of course this post isn’t meant to encourage drunk driving of any kind, be safe out there if you’re drinking. Now those of you still here get comfortable, crack open a cold one and get ready to learn about beer and how it relates to metal in more ways than you may think.
I know a lot of you like metal bands that aren’t huge. I know this because I see you at metal shows around the area at smaller clubs, in Ethiopian restaurants, at house shows and other places that aren’t exactly the size of the Verizon Center or Jiffy Lube Live. I guess my point is, I know that you metal heads understand that good or even great music doesn’t have to come from a giant band on a corporate record label with millions of dollars to spend on marketing. And judging by the fact you’re even reading this site, you have probably realized that great music, while it can, it doesn’t usually come from the biggest corporate bands at all. With this post I’d like to show you that the same is true for beer. Right now we’re in the middle of the “craft beer revolution,” a giant explosion of independent beer makers popping up all over the country that are making all kinds of great new beers and experimenting with new ingredient combinations and flavors. The beer snob in me is at metal shows, often with some really great underground bands playing, sees many if not most of you drinking the same old corporate swill and I’d like to take this time to help edjumakate you all on some of the awesome beers that are actually out there right now by using the similarities between the beer world and the metal world that you are (hopefully) already familiar with.
The current beer industry and music, metal in particular, are actually pretty similar in a lot of ways. In both cases you have a market that is dominated by giant corporations that have huge advertising budgets and the general public seems to buy whatever is advertised the most in the mainstream media. The mega brands like Budweiser, MGD, Coors, Heinekin and Corona are, in my world of beer/music comparisons, like the Katy Perrys, Justin Biebers, and Rihannas of the music world. And those “off brands” like PBR aren’t much different than Taylor Swift is to Katy Perry. In the case of both music and beer, these major names are all just mass produced light fluff with no real depth that often resort to using sexuality to sell a product which shouldn’t need to if it was actually good in the first place. And when scantily clad women aren’t enough the marketing teams for both will often resort to lame gimmicks to drum up sales. Examples of lame gimmicks in the beer world are things like the label on the can turning blue when its cold, a “vortex bottle” and using the term “frost brewed,” a term that means nothing since boiling is a part of the process of making any kind of beer. This lame crap is part of why the so called craft beer revolution has been going on the past few years now, gaining more steam with each passing year. Some would say this sudden growth in micro breweries was kicked off by Sam Adams, which is sort of the gateway beer to all the other craft beers. I think of them as being sort of like Metallica, they aren’t underground by any means, you can find Sam Adams in virtually any store that sells beer, but they also don’t dominate sales like the really big names I mentioned earlier. However, Metallica is the metal band that many a metal head heard first that then gets them into more metal. Sam Adams is like that for many beer drinkers as well due to their many style varieties and seasonal brews which are available in most grocery stores. People often start trying new kinds of Sam Adams beers which can lead to trying other smaller brands as well. If you’re reading this blog then it’s pretty likely that at some point you started looking more into metal bands and before long you realized there’s a ton of independent record labels out there with all kinds of different sub genres of not just metal but other styles of music as well. This is what the craft beer revolution is like, people waking up and realizing that there are tons of small breweries out there experimenting and putting out all kinds of new beers, things the major companies wouldn’t dare to try. You don’t have to listen to just the major label music any more, and you don’t have to just drink the mega corporate beer brands either!
Like the dozens of splintering sub-genres of metal, there’s all kinds of new types of beer coming out. India Pale Ales, also known as IPAs, are all the rage right now in the craft brew world. The beers are light (they are pale ales after all) and bitter to differing degrees. This is because originally the beer that was being shipped by boat to British soldiers stationed in India were given loads of preservatives which left the beer tasting bitter. The soldiers grew accustomed to this bitter taste and when they came back home they wanted more of this beer, and so the Brits started brewing it at home too. Personally, I think IPAs are fine but the market seems to be getting saturated with them. It’s hard to find a brewery that doesn’t make one and I’m starting to get the sense that they all feel obliged to even if that isn’t what they want to specialize in just because IPAs are so popular right now. For my money though, I prefer my beer to be like my metal, dark and heavy! That’s why you’ll often see me drinking malty beers like stouts and porters. However, there are dozens of different styles of beer to choose from these days: fruity and crisp, bitter, chocolatey, smoked, oak and bourbon barrel aged variations, barley wines, ambers, and many more. Sometimes you’ll see “seasonal” beers being sold, which usually means they’re only made at certain times. An example of this is a pumpkin beer released in the autumn. There’s also “limited release” beers which are often just a one time batch and once they’re gone they’re gone for good never to be brewed again.
A trip to the beer aisle at one of the bigger Total Wine stores in the area is reminiscent of heading to Tower Records in the old days. The selection is almost overwhelming and the variety can’t be beat. You can find underground stuff, local brews and even a variety of exotic imports from not just Europe but the entire world. You can make your own six packs at Total Wine to sample whatever catches your eye. Like concert tickets, a higher price doesn’t always mean a better product and I often enjoy finding out which beers are the best tasting for the lowest price. Another great place to start trying new beer is the World Of Beer bar in Arlington, Virginia. They have 50 beers on tap, most of which rotate out regularly, and if that’s not enough for you they also have literally hundreds of different beers from all over the world kept cold in bottles. I was there once and some popped-collar, sandal wearing bro next to me asked the bartender for a Bud Light. The bartender just laughed at him and told him they don’t carry that. Now that’s my kind of bar! So if Total Wine is the Tower Records of beer, then what would be the Metal Archives? That would be Beer Advocate, a site that indexes and reviews almost every beer, plenty of which you’ve never even heard of. They also have user reviews and a very active user community. And if you’re looking for some beers with a more “metal” image then check out the beers by Stone, such as Arrogant Bastard, which features a demon on the bottles (and some hilarious text on the back as well). Then there is Avery Brewing which offers a whole line of expensive but very delicious beers named after demons such as Samael and Mephistopheles. There’s also Skull Splitter Ale by Orkney Brewery which has a viking on the label and would definitely be more appropriate to drink than a shitty Natty Boh while blasting some Amon Amarth.
Of course there’s plenty of local breweries you can visit, take a tour and sample the beer fresh from the source. They often have “flights” of beers, which are really just small glasses for sampling several beers together. This can be very helpful in finding out which styles of beer you like best and they’re usually pretty cheap, similar to how a promotional playlist can let you check out several bands. If you find a beer you like you can buy a big 64oz jug called a growler usually for under $10. You can fill up a growler with beer at the brewery (for an additional cost) and bring the jug home, though you usually want to drink their contents in a day or two. Wash the growler and bring it back, or to another brewery, and fill it up again. Since they hold about a six pack’s worth of beer they’re also good for bringing to parties. For those of you who want to take things further and not just drink other people’s beer you can hit up places like the Local Home Brew Store (LHBS for short) in Falls Church, Virginia, where they sell equipment and supplies to brew your own beer at home. They’re pretty friendly there and will not only help you get started, but they’ll talk some metal with you too as they’ve got some metal heads running the place. I think of home brewing as the beer equivalent of starting your own garage band.
Something to look out for as you sample new micro brews are the faux craft beers, or crafty beers as they are sometimes called. These are brands like Shock Top, Blue Moon and Goose Island that are marketed and packaged to look like craft beers, but they are in fact owned by major corporations Anheuser-Busch and MillerCoors. The major brands have definitely noticed this trend toward craft beer and are trying to cash in on it as well by tricking the ignorant public into thinking that their strategically marketed beers with micro-brew styled packaging are actual micro brews. Check out the ridiculous Blue Moon commercial below that aims to make you think it is some small craft beer, when in fact they are mass produced in huge facilities by Miller! This would be like if Metallica put out a crappy album with some underground legend like Lou Reed in an attempt to prove their underground credibility. Oh wait…
Now I’d like to focus a bit on the local beer scene, where beer and metal are as closely intertwined as anywhere else I can think of. If you’re looking for the beer drinker’s equivalent of DCHeavyMetal.com then you should really check out DCBeer.com as they cover the area’s local beer scene like no one else. This week the 30th annual Craft Brewers Conference is in DC (they pick a different city every year) and because of that there are tons of events going on all over the area right now where you can try rare and exotic craft brews. DCBeer.com has made a great list of these special events here.
We’re pretty damn lucky in this area because we’ve got not one but two local breweries in the DC area that have metal heads working there, that I know of at least. DC Brau is based in North East Washington, DC and they often put out beers with names that sound like they could be metal song titles, such as On The Wings Of Armageddon and Embers Of The Deceased. DC Brau is the first beer brewery inside the District since 1956. Port City Brewery in Alexandria, Virginia doesn’t really have many metal sounding beer names but they do brew a lot of their beer while listening to metal bands. Port City’s assistant brewer Will often writes on the big fermenting tanks what he was listening to when brewing the beer and I’ve seen bands like Cannibal Corpse, Suffocation and Nile on them in the past. On Sunday, April 7th, Port City will be holding a third metal night at the brewery, and I’ll be there co-hosting the event and giving away tickets to upcoming metal shows in the area like Anthrax, Death and Ghost. If you’re beer drinking age then come down and sample some of their craft brews, hang out with fellow metal heads and listen to some heavy metal all night. More details on that event are posted here. I kind of think of DC Brau and Port City as the area’s local “metal” breweries, however there are plenty of other breweries around the area including Chocolate City Beer and Three Stars Brewing in DC, Devils Backbone, Star Hill and Blue Mountain Brewery in Virginia, Flying Dog, Union Craft Brewing and Heavy Seas in Maryland, and even Dogfish Head in Delaware. There’s also several brewpubs popping up in the area like Lost Rhino and Mad Fox, both in Northern Virginia, Brewer’s Art in Baltimore and Blue Jacket which will be opening up in DC this summer.
You’ve all probably seen photos floating around on the net of various metal bands with their own branded beers. Iron Maiden has one, Motörhead has one, Amon Amarth has one, Ozzy Osbourne has one, hell even Queensrÿche guitarist Michael Wilton has brewed a beer with his nickname, Whip Ale. The local metal bands have gotten in on this trend as well. New Belgium, the makers of Fat Tire Ale, put out an official Clutch Dark Sour Ale in 2011. Port City will be putting out a beer for local stoner metal band Borracho soon, and I hear word that DC Brau is working on one for Darkest Hour. Indiana based 3 Floyds Brewery is making a Pig Destroyer beer called the Permanent Funeral Pale Ale and as part of the previously mentioned Craft Brewers Conference being in town they’re having a beer release party for it! Locals Pig Destroyer and Darkest Hour will both be playing the release party on the Black Cat’s main stage this Friday (details here) and they’ll have plenty of Permanent Funeral Pale Ale on hand to drink too! In fact, as a special reward to those of you who have read this entire article (I know it hasn’t been my shortest) I’d like to offer you the chance to win a free pair of tickets to the Permanent Funeral release show. Just leave a comment on this post letting me know of a beer you think I should try (I’m always looking for new beers to try out) and at 5pm EST Thursday, March 28th, 2013 I’ll pick one of you at random (using Random.org) to get a pair of tickets to this beer release show. Be sure you use an email you check regularly when you enter so I can contact you because I’ll need a quick response to make sure I have your name for the tickets. Please don’t enter if you cannot attend. Thanks for reading everyone and I hope I’ve convinced a few of you to try out some new and/or local beers. Stop drinking the corporate crap that is everywhere, I know you metal heads can do better!